Serena’s Review: “The Girl Who Fell Beneath Fairyland and Led the Revels There”

13538708Book: “The Girl Who Fell Beneath Fairyland and Led the Revels There” by Catherynne M. Valente

Publishing Info: Feiwel & Friends, October 2012

Where Did I Get this Book: the library!

Book Description from Goodreads: September has longed to return to Fairyland after her first adventure there. And when she finally does, she learns that its inhabitants have been losing their shadows—and their magic—to the world of Fairyland Below. This underworld has a new ruler: Halloween, the Hollow Queen, who is September’s shadow. And Halloween does not want to give Fairyland’s shadows back.

Review: It’s another home run, folks! And, since I am not one for changing routine, I’m going to conduct this review in the same manner as I did the last: Insert beautiful quotes and weep at the author’s literary majesty. Here we go!

“A book is a door, you know. Always and forever. A book is a door into another place and another heart and another world.”

September is waiting anxiously to return to Fairyland and continue her adventures. But this time around, her return is marked not with the exultation of a savior, but the practical results of her previous actions. Her shadow, lost in exchange for aide the last go around, is loose and making trouble in Fairyland-Below and it is up to Septmeber, as the owner of said shadow and therefore responsible, to set things straight (or as straight as they can get in such a nonsense world).

“You know, in Fairyland-Above they said that the underworld was full of devils and dragons. But it isn’t so at all! Folk are just folk, wherever you go, and it’s only a nasty sort of person who thinks a body’s a devil just because they come from another country and have different notions. It’s wild and quick and bold down here, but I like wild things and quick things and bold things, too.”

September is also growing up, much to her own dismay. She is no longer a Heartless Child and her new, untried heart proves to be quite a struggle in this book. She must bargain away a first kiss as well as time itself, an even more precious and unknowable currency.

“For though, as we have said, all children are heartless, this is not precisely true of teenagers. Teenage hearts are raw and new, fast and fierce, and they do not know their own strength. Neither do they know reason or restraint, and if you want to know the truth, a goodly number of grown-up hearts never learn it.”

This new heart proves troublesome with her friends as well, new and old. The realization that friends are different, individual people with their own thoughts, feelings, and priorities challenges September’s perception of herself and the world. But A-Through-L and the Madrid, Saturday, are as wonderful as ever. Her relationship with Saturday grows deeper and even more confusing for poor child-on-the-verge-of-adulthood hearts.

“And then she felt her Ell’s great strong presence beside her, and Saturday slipped his hand in hers. Oh. Oh. They would not abandon her. Of course, they would not. How silly she had been. They were her friends—they had always been. Friends can go odd on you and do things you don’t like, but that doesn’t make them strangers.”
 Valente continues her unique writing style of beautiful lyricism, grammatical twists, and deep truths masked in narrative gymnastics. I continue to enjoy her insertions of the narrator’s own voice on the story.

“Oh, September! It is so soon for you to lose your friends to good work and strange loves and high ambitions. The sadness of that is too grown-up for you. Like whiskey and voting, it is a dangerous and heady business, as heavy as years. If I could keep your little tribe together forever, I would. I do so want to be generous. But some stories sprout bright vines that tendril off beyond our sight, carrying the folk we love best with them, and if I knew how to accept that with grace, I would share the secret.”

As I’ve mentioned, the real joy of these books lies in the combination of nonsensical world building and creativity alongside very deep, and often sad, thoughts on life and living. This book, specifically, deals a lot with September’s father, his absence while fighting in a war in Europe, and the effects that war  itself has on a person.

“Her father’s shadow looked sadly down at her. “You can never forget what you do in a war, September my love. No one can. You won’t forget your war either.”

September learns several lessons regarding grief, friendship, love, betrayal and forgiveness all while cavorting in an underworld ruled by her own capricious shadow.  The shadow-selves in this story are a fascinating look at the unknown self, the better and worse aspects of each being that lie out of our own sight and awareness.

“For there are two kinds of forgiveness in the world: the one you practice because everything really is all right, and what went before is mended. The other kind of forgiveness you practice because someone needs desperately to be forgiven, or because you need just as badly to forgive them, for a heart can grab hold of old wounds and go sour as milk over them.”

All around, another amazing story featuring September and Fairyland. I loved this book almost as much as the first, the only detraction being my own rush to want to return to the beloved Fairyland characters from the first story, which is a hard thing to hold against a series that is themed around creative new ideas and worlds. Again, I will be rushing on to the third book and am pretty sure that this series will end up being purchased and added to my own personal library.

“A library is never complete. That’s the joy of it. We are always seeking one more book to add to our collection.”

Rating 9: Very excellent indeed!

Reader’s Advisory:

“The Girl Who Fell Beneath Fairyland and Led the Revels There” is included on these Goodreads lists: “The Best Fairytales and Retellings” and “Children’s Books I’ll Re-Read No Matter How Old I Am.”

Find “The Girl Who Fell Beneath Fairyland and Led the Revels There” at your library using Worldcat!

Previous Review of “The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making.”

 

Serena’s Review: “Oryx and Crake”

46756Book: “Oryx and Crake” by Margaret Atwood

Publishing Info: Anchor, March 2004

Where Did I Get this Book: audiobook from the library!

Book Description from Goodreads: Snowman, known as Jimmy before mankind was overwhelmed by a plague, is struggling to survive in a world where he may be the last human, and mourning the loss of his best friend, Crake, and the beautiful and elusive Oryx whom they both loved. In search of answers, Snowman embarks on a journey–with the help of the green-eyed Children of Crake–through the lush wilderness that was so recently a great city, until powerful corporations took mankind on an uncontrolled genetic engineering ride.

Review: Margaret Atwood is a master of dystopian fiction. And that is why I read her books rarely. Want to sink deeply into existential malaise? Wallow in the realization that many of these “dystonian” constructs seem frighteningly close to the truth? Oh boy, get ready! And while this is a glum start to a review, the fact that she is able to tap so directly into these dark themes is simply an example of her expertise in action.

“Oryx and Crake” drops readers off right in the middle of the action…er…inaction. A man who calls himself “Snowman” is seemingly the last human alive on a very clearly climate-impacted earth. Surrounded by bizarre hybrids species such as Rachunks (raccoon/skunks) and Wolvogs (wolf/dogs), he spends his days sleeping in a tree, scrounging for food, and acting as a sort of prophet to the “Children of Crake” a humanoid species that he shares his beach with.

A beginning like this is definitely challenging. Atwood starts her story in the middle and leaves readers to trust that the answer to an overwhelming number of initial questions will come. The story does become clear slowly throughout the book using extended flashback as Snowman thinks of his life before when he was known as Jimmy and had a brilliant friend named Crake and a mysterious lover named Oryx. Through these flashbacks and what seems like the slow decay of Snowman’s sanity given his isolation, important facts and connections can be gleaned and fit together forming a complex puzzle that is incredible once you reach the end. However, while I loved this tactic, some readers may be frustrated with the amount of trust and patience that is required early on in the story.

The main focus of the story is the life of Jimmy/Snowman. Knowing the end result, it is fascinating reading about his life unfolding and spotting the signs that things would not end well. And right here is what I’m talking about! The mad science of this society that comes across as horrific to an omniscient reader who knows the outcome can also be easily seen as a natural progression of a society gone wild with its own power of creation. What’s more, in the moment, lacking this foreknowledge, these advancements would seem as nothing more than the logical next step in society. And it’s terrifying, the ease with which one can imagine these things as all too plausible in the near future! Atwood pulls no punches in her critiques of society, science, and the pitfalls of humanity’s relationship with nature, science, and, perhaps most importantly, with itself.

As a character, Jimmy is the everyman of the story. As the son of two scientists, Jimmy’s life is one of privilege given the state of society. He grows up in a “compound,” one of the elaborate campuses that private companies create to house their most prized goods: the brilliant scientists they hire. Outside these communities lie the “Pleblands” where the average members of society make their living. I wish we had heard more about this outside world. As I said, Jimmy starts life in a very privileged position and this start is enough to successfully carry him through a life inside the more cozy world of these compounds, even though he doesn’t possess the brilliance of his parents or genius best friend, Crake. That being the case, we see very little of this outside world. It seems to still run like current society, with a hierarchy of wealth within its boundaries as well, though more plagued by crime, disease, and, obviously, poverty, than the compounds.

The second member of the three main characters is Oryx, the love interest for Jimmy and Crake, though this is a very small part of the story, as far as I could tell. The book description plays  it up in a way that I don’t think rings true at all. Of the three characters, her life story is the most tragic and she is the most ambiguous. It is clear that Jimmy never fully understands her, so we as readers glimpsing her only through Jimmy’s own perceptions never see a clear picture either. While I enjoyed hearing her story and seeing different aspects of society through her life, as a character she was probably the weakest. Her storyline did not seem as integral to the plot overall.

And Crake. Jimmy has a better understanding of him, but an understanding that is constantly distorted through rose colored glasses of childhood friendship. Again, knowing the outcome and in combination with Snowman’s more cynical thought process in the present, the story of Crake is one of simmering horror.

“Oryx and Crake” is the first in a trilogy, however, it reads well as a stand alone novel. I will most likely continue the series (again, once I’ve given myself a rest from the dread that Atwood so effortlessly dredges up), but I am satisfied with the story as it stands now, as well. Her writing is strong, the characters intricate, and, as always, this book definitely reads as a cautionary tale for humanity.

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Agent Smith had it right, according to this book!

Rating 8: Dark, but great.

Reader’s Advisory:

“Oryx and Crake” is included on the Goodreads list “Smart Apocalyptic and Dystopian Fiction” and “Science Fiction Books by Female Authors”.

Find “Oryx and Crake” at your library using WorldCat!

Serena’s Review: “The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making”

9591398 Book: “The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making” by Catherynne M. Valente

Publishing Info: Feiwel & Friends, May 2011

Where Did I Get this Book: from the library!

Book Description from Goodreads: Twelve-year-old September lives in Omaha, and used to have an ordinary life, until her father went to war and her mother went to work. One day, September is met at her kitchen window by a Green Wind (taking the form of a gentleman in a green jacket), who invites her on an adventure, implying that her help is needed in Fairyland. The new Marquess is unpredictable and fickle, and also not much older than September. Only September can retrieve a talisman the Marquess wants from the enchanted woods, and if she doesn’t . . . then the Marquess will make life impossible for the inhabitants of Fairyland. September is already making new friends, including a book-loving Wyvern and a mysterious boy named Saturday.

Book: It’s going to be so hard to talk about this book without gushing. Or crying. Or gushing. Or crying/gushing. (Gushily crying?)

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But remember how I listed the “Oz” books as one of the formative series of my childhood? Along side a similar love for the “Narnia” series and a brief stint as Alice in a children’s theater production of “Alice in Wonderland,” I have a special fondness in my heart for books about children traveling to fantastic and nonsensical worlds. But the true joy of this book was its heart, the deeper meanings, feelings, and yes, tragedies, that could be seen sparkling through the ridiculous trappings of a crazy Fairyland world. And I loved every minute of it.

Beyond the gushing, it’s also going to be hard to write about this book given what it is. While there is a plot, and there are great characters, its all wrapped up in the trappings of madness. And the language itself is what makes the story great. How do I really capture that in a review? So, I might try something different here, and pull out some of my favorite quotes and use those to frame my thoughts.

“Stories have a way of changing faces. They are unruly things, undisciplined, given to delinquency and the throwing of erasers. This is why we must close them up into thick, solid books, so they cannot get out and cause trouble.”

September, our 12 year old heroine, is ready for an adventure. As a child who loves to read, she is well accustomed to what it would take to be a great traveler and is only waiting for her invitation.

“One ought not to judge her: all children are Heartless. They have not grown a heart yet, which is why they can climb high trees and say shocking things and leap so very high grown-up hearts flutter in terror. Hearts weigh quite a lot. That is why it takes so long to grow one. But, as in their reading and arithmetic and drawing, different children proceed at different speeds. (It is well known that reading quickens the growth of a heart like nothing else.) Some small ones are terrible and fey, Utterly Heartless. Some are dear and sweet and Hardly Heartless At All. September stood very generally in the middle on the day the Green Wind took her, Somewhat Heartless, and Somewhat Grown.”

And one day it comes in the form of a Green Wind riding a leopard ready to whisk her away to Fairyland where she will get in an awful lot of trouble, meet some great friends like a Wyverary (a wyvern/library definitely NOT dragon) and a mysterious boy names Saturday, and be called upon to de-throne a monarch.

“Such lonely, lost things you find on your way. It would be easier, if you were the only one lost. But lost children always find each other, in the dark, in the cold. It is as though they are magnetized and can only attract their like. How I would like to lead you to brave, stalwart friends who would protect you and play games with dice and teach you delightful songs that have no sad endings. If you would only leave cages locked and turn away from unloved Wyverns, you could stay Heartless.”

The beautiful language in this book can not be praised enough. It is difficult enough to write a nice, straight forward story. But to write nonsense, and nonsense that hides deep, dark truths while also just being simply beautiful to read and repeat aloud, that is a unique and rare talent.

“… but as has been said, September read often, and liked it best when words did not pretend to be simple, but put on their full armor and rode out with colors flying.”

Valente also employs another tricky technique, that of inserting her own authorial voice into the story. I’ve seen this ploy used all too often to super-cheesy effect. But here, like with everything else, Valente captures the perfect balance of whimsy and wit, so instead of being read as intrusive or tonally jarring, these insertions only add depth and further insight to the story.

“It is true that novelists are shameless and obey no decent law, and they are not to be trusted on any account, but some Mysteries even they must honor.”

So, I have successfully reviewed this book while mostly relying on the author’s own work to speak for itself and done very little myself. But, that too, is a praise of the book and of the author herself. I am proceeding straight to the next book and, if it is as amazing as this one, will likely be equally incoherent in my next review.

“All stories must end so, with the next tale winking out of the corners of the last pages, promising more, promising moonlight and dancing and revels, if only you will come back when spring comes again.”

Rating 10: Could have gotten this rating for this quote alone, but the book also completely earned it.

“She sounds like someone who spends a lot of time in libraries, which are the best sorts of people.”

Reader’s Advisory:

“The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making” is included on these Goodreads lists: “Books that Love Words” and “Girls with Dragons” (but A-Through-L is NOT a dragon!!)

Find “The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making” at your library using Worldcat!

Serena’s Review: “Every Heart a Doorway”

25526296 Book:“Every Heart a Doorway” by Seanan McGuire

Publishing Info: Tor, April 2016

Where Did I Get this Book: the library!

Book Description from Goodreads:

Eleanor West’s Home for Wayward Children:
No Solicitations
No Visitors
No Quests

Children have always disappeared under the right conditions; slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere… else.

But magical lands have little need for used-up miracle children.

Nancy tumbled once, but now she’s back. The things she’s experienced… they change a person. The children under Miss West’s care understand all too well. And each of them is seeking a way back to their own fantasy world.

But Nancy’s arrival marks a change at the Home. There’s a darkness just around each corner, and when tragedy strikes, it’s up to Nancy and her new-found schoolmates to get to the heart of the matter.

No matter the cost.

Review: I highlighted this novella as an upcoming release that I was anxiously looking forward to back in April. I have read some of Seanan McGuires other books and have liked her style. Beyond that, the premises is right up my alley.

When my sister and I were little (or maybe only a few years ago, too), we would discuss what we would do if we suddenly came upon a portal to another world. The conversation was always pretty short: we’d go through of course! Having grown up on stories where children visit places like Oz, Narnia, and Wonderland, this really seems to be the only option.

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Going is never in question and there are millions of stories that share these adventures. But what happens when these children come back? (I am restraining myself from going into a long, drawn out discussion about the existential trauma that the Pevensies children must have gone through after living full adult lives in Narnia only to suddenly topple back to their own world as small children. If you really think about it for a minute, the true horror of that situation really sets in. Ok, mini rant over.)

“Every Heart a Doorway” addresses this very issue.  This novella posits that every child who disappears to these different worlds is also matched to a world that fits an inner part of themselves that cannot be fully expressed here in the human world. And when those children (adults in children’s bodies, many of them) return, it is not by free choice. Nancy is one of these children. After spending the last several years in an Underworld, the “Halls of the Dead” world specifically, she has returned to the “real” world and finds that she’s not too happy about it. Her parents, confused and saddened by the loss of their daughter of before, a past person that Nancy herself does not mourn, do what many such parents have done: carted her off for “treatment.” Luckily for Nancy, this “treatment” consists of a boarding school operated by a woman who knows all too well of Nancy’s unique struggles, having herself traveled between worlds for much of her life.

It’s amazing how much ground McGuire covers in such a short story. The book is only 150 pages long and yet she lays out not only Nancy’s story, but several other unique characters as well. Such as Jack and Jill, twins who spent years and years in a land called “The Moors” which seems to be based on old horror movies such as “Dracula” and “Frankenstein.” There’s Sumi, Nancy’s roommate, who traveled to a nonsense world, and perhaps has the most honest things to stay about these experiences from it. And Kade, a boy who was scooped up by fairies as a child, but who was kicked out when they learned that the little girl they thought they had captured identified as a boy and was much more interested in slaying trolls than in parading as their princess.

Alongside these fantastic characters, McGuire creates a unique system for cataloging these worlds, with axis of Nonsense and Logical with cross beams of Virtue and Wicked and many other offshoots as well. As a longtime reader of fantasy stories where characters world-jump, it was great fun looking at this mapping process and trying to apply it to other magical worlds from stories.

The mystery at the center of the story is also very effective and another huge mark in its favor. Again, the author had half the page count of a typical book to fit in all of these elements. I loved every minute of this book, and while I would love to have spent more time with these characters and this exploration of children traveling to fantasy worlds and their experiences after returning, the best compliment I can give any novella is to say that I felt fully satisfied with it as a short stand-alone.

Rating 9: Really great read! Fun characters, fun mystery, and most importantly, a great exploration of a typical fantasy trope.

Reader’s Advisory:

“Every Heart a Doorway” is included on the Goodreads list “Gender Non-Binary Fantasy & Science Fiction” and “2016 Speculative Fiction New Series And Standalones Books”.

Find “Every Heart a Doorway” at your library using WorldCat!

 

Serena’s Review: “Pirate King”

9970915 Book: “Pirate King” by Laurie R. King

Publishing Info: Bantam, September 2011

Where Did I Get this Book: the library!

Book Description from Goodreads: In England’s budding silent-film industry, megalomaniac Randolph Fflytte is king. At the request of Scotland Yard, Mary Russell is dispatched to investigate rumors of criminal activities. At Lisbon rehearsals for “Pirate King”, based on Gilbert and Sullivan’s “The Pirates of Penzance”, thirteen blond-haired, blue-eyed actresses meet the real buccaneers Fflytte has recruited to provide authenticity. But when the crew embarks for Morocco and the actual filming, troubles escalate.

Review: I have been reading Laurie King’s “Mary Russell and Sherlock Holmes” series on and off for the past…decade?? A long time is all I know. It’s one of my favorite mystery series, and the fact that I can simply jump into the story at whatever point I left off previously (perhaps years previously) with such ease is a huge mark in its favor. All that said, when I was feeling the need for a little mystery action in my reading cycle, I knew just where to look. And King’s “Pirate King” did not disappoint!

Following the usual track for these stories, the book begins with Mary Russell being sent off on some investigation or another. This right here is one of the reasons I enjoy this series so much. The focus is well and truly on Mary Russell’s character, with Holmes firmly in the supporting role. The fact that I love the Sherlock Holmes mythos so much makes me all the more appreciative of this decision. Like the originals, told from Watson’s perspective, Holmes is a character best appreciated from a slight distance and in sprinklings of narrative brilliance. And Mary Russell, herself, is a strong lead for the series. Adventurous, witty, clever, and full of energy, it has never been a challenge picturing her as the equal and companion of our famous detective throughout the series. She drives the story, and while I always look forward to Holmes’ next appearance, I am never antsy waiting for it. Russell is a great lead on her own.

As noted in the jacket description, this mystery revolves around a silent film production featuring pirates. The film company “Fflytte films” is known for the “realism” in its production quality. So, naturally, this means that the eccentric director must hire “real” pirate actors, rent a pirate ship, load 13 flighty British actresses on board and head off for Morocco, with poor Russell trailing along attempting to solve a mystery of criminality in the production history all while arranging the administrative details of such a venture. No small task!

Mary Russell and Sherlock Holmes, as I mentioned earlier, have always been great characters in this series. That being the case, the strength of individual novels in the series often depends on the supporting characters that are introduced. “Pirate King” has a great cast! The aforementioned eccentric director, his long-suffering cousin who is in charge of arranging the “realistic” pieces (“A pirate parrot!” “A real castle!”), the Moroccan man-of-mystery hired to play the pirate king, and, of course, the 13 actresses and their doting chaperone mothers. It is easy to see why Russell might have been hesitant to sign up for this one!

A few criticism of the book. The pacing was rather uneven. The story gets off to a slow start, at times feeling dragged down by the minutiae of the film industry and the challenges of the bloated cast of characters. While enjoyable, it’s hard to keep track of 13 teenage actress characters right off the bat! But, by a third of the way in, the story really takes off and is highly enjoyable. However, the ending is then wrapped up all too quickly. These abrupt shifts in pace were rather distracting and interrupted the flow of the story, ultimately.

My second criticism will really depend on how much of a mystery element one wants in a mystery series. This book is definitely light on the mystery itself. The investigation that Mary Russell sets out on initially is even acknowledged by herself as likely much ado about nothing. And the additional mystery that is tacked on towards the end has much less to do with an actual mystery than in character analysis. I, personally, was ok with this as I found the adventure and light-hearted tone to be a nice reprieve from the more grim and serious books that came directly previous to this in the series. But if you’re looking for a capital “M” mystery, this might not be your best choice.

All in all, “Pirate King” is another solid entry in this series. While I recommend checking out the other books in the series, especially if you like historical mysteries, it is by no means necessary to have read them all, or any, to enjoy this book.

Rating 7: Another fun adventure with Mary Russell! The pacing in the first and third act were my only holdups, and whether the mystery is compelling enough is going to be highly dependent on reader expectations.

Reader’s Advisory:

“Pirate King” is included on these Goodreads lists: “The Best British Crime/Mystery Fiction” and “Women who Solve Crimes.” 

Find “Pirate King” at your library using Worldcat!

 

Serena’s Review: “This Shattered World”

13138734Book: “This Shattered World” by Amie Kaufman and Meagan Spooner

Publishing Info: Disney-Hyperion, December 2014

Where Did I Get this Book: audio book from the library!

Book Description from Goodreads: Jubilee Chase and Flynn Cormac should never have met.

Lee is captain of the forces sent to Avon to crush the terraformed planet’s rebellious colonists, but she has her own reasons for hating the insurgents.

Rebellion is in Flynn’s blood. Terraforming corporations make their fortune by recruiting colonists to make the inhospitable planets livable, with the promise of a better life for their children. But they never fulfilled their promise on Avon, and decades later, Flynn is leading the rebellion.

Desperate for any advantage in a bloody and unrelentingly war, Flynn does the only thing that makes sense when he and Lee cross paths: he returns to base with her as prisoner. But as his fellow rebels prepare to execute this tough-talking girl with nerves of steel, Flynn makes another choice that will change him forever. He and Lee escape the rebel base together, caught between two sides of a senseless war.

Review: After reading and liking “These Broken Stars,” the first book in the “Starbound” trilogy, I was excited to jump right into the sequel. As I said in that review, I was even more intrigued by this book (and this series) by the fact that it was being written as companion novels, each featuring new characters, while spinning out a larger mystery that connects them all. When most YA series have recently followed a very predictable path, this was a creative take and a way to “have your cake and eat it, too” as an author. Sustainable series that will build and maintain a reading followership? Check. Get to write exciting, new characters and storylines? Check. Garner new readers with each book by not requiring knowledge of a previous story to engage with the current one? Check. So, in theory, “This Shattered World” was a brilliant concept. In reality, it was a swing and a miss for me.

Starting with the things I liked. Strengths from the previous novel were still present here: strong grounding in science fiction, not shying away from the realities and horror of the story’s premises, and the ability to draw characters who are both flawed and sympathetic and whose journey to mutual understanding is believable and compelling. These are no easy marks to meet, and I can’t emphasize enough how impressed I have been by the authors’ ability to balance alternating character chapters in a way that makes each perspective relatable and interesting in both of these stories. I personally found Jubilee’s voice more compelling, but this is likely due to my own personal preference for her character type as opposed to the more quiet and introspective Flynn.

Further, I was impressed with the way that the previous book’s main characters were tied into this story. The larger conflict dealing with Lilac’s father, his company, LaRoux Industries, and the experiments they have been undertaking on a mysterious alien life form were neatly woven in to this book. The unique conflict and peril of the story, the growing rebellion between the military and rebel leaders, were balanced nicely with this larger plot point. And while Lilac and Tarver are not present for much of the story, when they do make an appearance, it doesn’t feel forced or contrived. This story neatly builds upon the first one and does a good job laying down more groundwork and pushing the narrative towards the inevitable confrontation that will take place in the final book in the trilogy.

Now, sadly, for the negatives. First off, the writing in this book, overall, felt weaker than the last. The limited vocabulary was noticeable to a point of distraction. At one point, the word “shattered” was used 4 times within 2 pages. Hearts shattering. Sound shattering. Thoughts shattering. And it was only later that day when I remembered that that word was also in the title! I wouldn’t necessarily say that this is a marked difference from the first book, but instances like this did happen often enough to make me notice it in this story. Whether that comes down to the fact that there was an actual drop in writing quality in this book, or instead an indicator that I was not as thoroughly invested in this story enough that I was noticing things like this, I don’t know. Honestly, neither explanation is very good.

For some reason, beyond the alternating character chapters, the authors chose to include dream sequences from Jubilee’s perspective between each chapter. In a book as long as this is and with chapters as short as they were, that’s a lot, A LOT, of dream sequences. Way too many to be of any actual use to the story. A few of them may have contributed some background knowledge into Jubilee’s past, but I’m not convinced that this method was the best way to go about this. We learned Flynn’s past fine without resorting to 20+ dream sequences spread out through the entire book. And by the time the story gets to the final act, these dream sequences were not only failing to add to the story, but actively distracting from it and inserting a jarring tonal change between action-packed sequences. Further, there were more writing quality issues with the decision to refer to Jubilee as “the girl” throughout each dream sequence. “The girl hid under the table. But the girl could not see anything.” This writing technique is only rarely successful, from my experience, and there needs to be a good reason to choose to do it. That wasn’t the case here.

This also ties in neatly to my last critique. Typically I don’t have a lot to say about the audiobook version of a book I’ve read. Maybe I’ve just been lucky so far and had good experiences. This, however, was decidedly not. The writing challenges were only further highlighted, I feel, when listening to the story. And some of the creative decisions were very poor. For instance, they decided to have three narrators, one for Jubilee, one for Flynn, and another for the dream sequences portion.

The direction for the dream sequences was absolutely atrocious, and I don’t say that lightly. For some reason, they decided to include this whispery murmuring and wind sound affect in the background for each bit. And the voice actor read the entire thing in a very dreamy, whispered voice. It was almost impossible to take it seriously. The combination of these affects, and the dramatic reading voice,  alongside the very simplistic writing style and the whole “the girl” narrative style, was severely off putting. It was taking itself way too seriously and ultimately made a joke of the whole thing. This is very unfortunate. I feel like I would have disliked the dream sequences even if I had simply read the book for the reasons I highlighted earlier, but the audio book version almost made them unbearable.

And sadly, the voice actor who read for Flynn was also not a favorite of mine. His tonal inflection was very bland and he didn’t vary his voice at all between characters which made several portions of the story very difficult to follow. The woman who narrated Jubilee, however, did a very good job. It is just too bad that having only one successful voice actor out of three makes a serious impact on the audio book’s success overall.

I would have rated the story alone as a 6. The strengths from the previous book were still present, however this book suffered from slightly weaker characters, a slightly weaker plot, and even perhaps slightly weaker writing. However, when the audio book is as bad as this one, I have to detract another point. It just goes to show how important it is to properly cast and direct an audio book. It has a huge effect on a story, making small flaws that much more noticeable and potentially adding points of distraction and distaste to an otherwise adequate story.

Rating 5: The story was ok, but the audio book was not.

Reader’s Advisory:

“This Shattered World” is included on these Goodreads lists: “Australian Women Writers – YA Speculative Fiction”and “Companion Novels”.

Find “This Shattered World” at your library using Worldcat!

Previous Review of “These Broken Stars.”

 

Serena’s Review: “These Broken Stars”

13138635Book: “These Broken Stars” by Aime Kaufman and Meagan Spooner

Publishing Info: Disney Hyperion, December 2013

Where Did I Get this Book: from the library!

Book Description from Goodreads: Luxury spaceliner Icarus suddenly plummets from hyperspace into the nearest planet. Lilac LaRoux and Tarver Merendsen survive – alone. Lilac is the daughter of the richest man in the universe. Tarver comes from nothing, a cynical war hero. Both journey across the eerie deserted terrain for help. Everything changes when they uncover the truth.  

Review: For all the proliferation of young adult fantasy novels, there is a distinct lack of young adult science fiction. I’m not quite sure why this is the case as the two genres are so often combined into one “fantasy/sci-fi” due to the vast number of similarities. Further, if there was ever a saturation point for readers, I have to think we’re reaching it with the number YA fantasy series out there right now. In this way, “These Broken Stars” stands out. Not only is it distinctly science fiction, but it is also a book that can be read as a stand alone! Both of these aspects were a refreshing change, and while there were some weak points in the story, for the most part “These Broken Stars” left me very satisfied.

Heiress and socialite Lilac LaRoux and war hero Tarver Merendsen have a typical meet-cute: plummeting towards a planet aboard a malfunctioning escape pod from an exploding spaceship. But really, the ship was called the “Icarus,” what did they expect? Why would anyone, ever, get on a ship named the “Icarus”?? There’s your first mistake. After crash landing, the two discover they are the only survivors of the wreck and must trek across an unknown planet in the hopes of discovering some means of sending a distress signal and escaping alive.

This is a solid plot. I appreciated the fact that Kaufman and Spooner didn’t pull any punches with the realities of a disaster of this magnitude. Not only do Tarver and Lilac have to deal with the challenges of their maroonment, but gruesome details of the crash and its aftermath are not shied away from. There are no easy outs. Injuries, starvation, dehydration, the confusion of a new environment, the grief and fear of a situation so fully out of one’s control: these are all painted with deft strokes. At one point, Tarver and Lilac reach the main wreck of the ship and the practicalities and horror of the situation is fully explored. Often, young adult novels can have a tendency to go easy on the realities of the story in favor of focusing on character drama. It can be very disappointing and also distracting. (Why is that character fretting between her love interests when an army is invading her kingdom?!?!) Not so, here.

And that’s not to say the characters in this do not experience their own drama. It’s only that their drama seems more grounded in the situation they find themselves in and their own biases and preconceived notions of the individual they have been forced to experience this trial alongside. The love story feels earned with its two characters going through misunderstanding, frustration, and anger, before building mutual understanding, respect, and care.

There were a few points where Tarver and Lilac fell a bit too closely into stereotypical characterizations. Or, more like, their “shocking reveal” anti-stereotypical characterizations. Of course Lilac isn’t just a socialite, but also a wiz at mechanics! However, each time I was about to roll my eyes at some overdone character moment, the authors would surprise me with a bit of realism that was enough to draw me back in. Lilac may be a wiz at mechanics, but she still struggles with her situation. So, too, Tarver, who could easily be written as the character more fully in the know and the right with his judgements of his companion, is also given flaws that make him more relatable and believable. Their physical and emotional journey is surprisingly balanced.

The mystery was also surprising. I enjoyed the reveal, and the final challenge in the third act of the story came completely out of left field. Also, while loose ends remained, the story also wrapped itself up in a way that was satisfying. Again, in young adult fiction where trilogies, cliff hangers, and dangling romantic plot lines that are drawn out through at least three books are the norm, I can’t emphasize enough how much I appreciated this respite.

There are two more books in this “series.” However, they each seem to focus on a new pair of individuals. This is a unique framing technique for what I’m guessing will be the larger conflict that was begun in this story. I’m curious to see how it will all pan out!

Rating 7: A solid outing for a young adult science fiction novel!

Reader’s Advisory:

“These Broken Stars” is included on these Goodreads lists: “Teenagers . . . IN SPACE!” and “Space Opera Romance”.

Find “These Broken Stars” at your library using Worldcat!

 

 

Serena’s Review: “Flamecaster”

Flamecaster Book: “Flamecaster” by Cinda Williams Chima

Publishing Info: HarperCollins, April 2016

Where Did I Get this Book: the library!

Book Description from Goodreads: Adrian sul’Han, known as Ash, is a trained healer with a powerful gift of magic—and a thirst for revenge. The son of the queen of the Fells, Ash is forced into hiding after a series of murders throws the queendom into chaos. Now Ash is closer than he’s ever been to killing the man responsible, the cruel king of Arden. As a healer, can Ash use his powers not to save a life but to take it?

Abandoned at birth, Jenna Bandelow was told the mysterious magemark on the back of her neck would make her a target. But when the King’s Guard launches a relentless search for a girl with a mark like hers, Jenna assumes that it has more to do with her role as a saboteur than any birth-based curse. Though Jenna doesn’t know why she’s being hunted, she knows that she can’t get caught.

Eventually, Ash’s and Jenna’s paths will collide in Arden. Thrown together by chance and joined by their hatred of the king, they will come to rescue each other in ways they cannot yet imagine.

Review: I had read and thoroughly enjoyed Chima’s “Seven Realms” series, so I was very excited to hear that she was returning to that world for a second go with a new cast of characters from the next generation. From past experience, series that are set in the same world, but later in time, can be very hit or miss. It’s hard to not want to spend time with the characters I am already familiar with and the jump in time can come with some nasty surprises. While I enjoyed “Flamecaster,” I did fall prey to this type of disappointment when comparing it to the last story and featured characters.

Right off the bat, I was reminded why I enjoyed the first set of books. Chima’s world building is solid, and it was very easy to slip back into this time, place, and culture even with the years that have passed since I finished the last book. Much of this book is set in the kingdom of Arden, now ruled by the tyrant King that Raina, the Wolf Queen of the Fells and one of the main characters from the first series, refused to marry 25 years ago. Things have not improved since. He’s still busy rounding up, burning or collaring the magic users of his kingdom while conducting  a long, drawn out war with the Fells. It hasn’t been going well, but he is anything if not persistent.

Here enters Jenna, a coal miner, orphan, and rebel with a personal vendetta against the King. Unfortunately, rebel!Jenna is the most interesting part of her character and we get very little of that in this book. Her secret and forgotten past play a large part in driving this story, but we only get a few tidbits of answers towards the end of the story. And in the meantime, she is largely a pawn stored away in a dungeon through significant chunks of the book. For a character with mysterious abilities and a penchant for blowing things up, I wish we had gotten more from her.

Ash, the other main character mentioned in the description, is the son of Raina and Han, our protagonists from the first series. His story starts off with the type of tragic happenings that I always dread from next-generation-stories. But as a character, he was fairly enjoyable. His magic and personality are distinctly different than his father’s, which is important in a character who could have easily read as Han 2.0. We spend more time with Ash and that alone makes his story line more enjoyable than Jenna’s. Though, here too, I didn’t feel like he was as fully fleshed out as either Raina or Han were from the first series.

What wasn’t mentioned in the book description and what surprised me as I read is the fact that Jenna and Ash are not the only protagonists of this book. Lo and behold, there are two other characters whose perspectives are given a decent amount of page time: smuggler and quick witted, Lila, and Destin, a mage and spymaster working for the King of Arden. Destin only has a very few chapters, so I don’t have much to say about him. He serves his purpose, but didn’t add a lot to the story, in my opinion. Lila, however, is by far my favorite character in the book. She is the most action-oriented, we see her weaving in between all of the other characters with ease and skill, and her personality reads the strongest on the page. In all honesty, while events at the end of this book make it clear why Jenna will be serious player in the future, I finished this story kind of wanting Lila to me our main female protagonist.

So, while I enjoyed aspects of this book, there were some disappointments as well. As I’ve highlighted a bit here, many of the main characters simply weren’t as engaging as I would have wanted. I remember that the first book in the “Seven Realms” series also seemed a bit lackluster only to vastly improve with the three following books, so I’m hopeful that that will prove true with this series as well. However, while I love the addition of Lila, I’m concerned that balancing four perspectives and characters may ultimately weaken my attachment to each. I finished this book not really caring about Destin or Jenna, and mildly interested in Ash (and a lot of that interest still has to do with his connection to the characters from the previous book.) Still love Lila, though.

The other major detractor that has to be mentioned is a very, very unfortunate bout of instalove. If I was going to mention one thing that made the “Seven Realms” series stand out to me amongst the plethora of YA fantasy series, it would be the solid characterization and slow build of its main romantic pairing. Each book read as a solid step in Raina and Han’s relationship, from mere acquaintances who really know nothing of the truth about one another even at the end of the first book, to casually dating with the struggles that come with that, to a serious relationship by the end. And here, in this new series, we get one of the worst examples of an instalove relationship that I cam remember. And I’ve read a lot, so that’s saying something. Again, part of me hopes that there will be some explanation for the rush of this in the first book, perhaps they’re not meant to be together and things will get switched up (go Lila!)? I’m not sure. But if this relationship is supposed to read as a main fixture in the story, this was not a good start.

All in all, this wasn’t the strong return to this world that I was hoping for. However, there were enough elements to keep me reading, and my previous experience with the slow start of the other series leaves me hopeful that this will grow in much the same way.

Rating 6: Decent, but some of the characters were disappointing and the instalove was maddening.

Reader’s Advisory:

This book isn’t on many Goodreads lists yet, but I would highly recommend reading the “Seven Realms” series by the same author. It isn’t necessary to appreciate this book, but I loved it and would recommend it simply for its own worth.

Find “Flamecaster” at your library using Worldcat!

 

 

 

Serena’s Review: “Marked in Flesh”

Marked in Flesh Book: “Marked in Flesh” by Anne Bishop

Publishing Info: Penquin/Roc, March 2016

Where Did I Get this Book: the library!

Book Description from Goodreads: For centuries, the Others and humans have lived side by side in uneasy peace. But when humankind oversteps its bounds, the Others will have to decide how much humanity they’re willing to tolerate—both within themselves and within their community…

Since the Others allied themselves with the cassandra sangue, the fragile yet powerful human blood prophets who were being exploited by their own kind, the delicate dynamic between humans and Others changed. Some, like Simon Wolfgard, wolf shifter and leader of the Lakeside Courtyard, and blood prophet Meg Corbyn, see the new, closer companionship as beneficial—both personally and practically.

But not everyone is convinced. A group of radical humans is seeking to usurp land through a series of violent attacks on the Others. What they don’t realize is that there are older and more dangerous forces than shifters and vampires protecting the land that belongs to the Others—and those forces are willing to do whatever is necessary to protect what is theirs…

Review: This is the fourth book in Anne Bishop’s “The Others” series. I absolutely loved her first book in this series, “Written in Red,” and have been diligently following along ever since. Mostly because of the slow burn relationship building between Simon and Meg, let’s be honest. But Bishop’s version of the world, the complicated and flipped history of a native people retaining their influence and power over their homeland against a colonizing force, has also been a compelling factor in my decision to keep reading. However, my motivation has been slowly waning with each new book, as Bishop seems either unclear of her direction or unwilling to get there in what I consider a timely manner. I was generally frustrated by “Marked in Flesh,” as similarly to previous books, it continues the slow decline since the high of “Written in Red.”

This book starts off pretty much exactly where the last left off. The “Humans First and Last” movement, an anti-Others, radical terrorist group, is going strong in their attempt to claim land that they believe they are entitled to. The problem with this narrative has been the same throughout the series. As the book is framed from the perspective of Meg and Simon, primarily, the reader has first hand knowledge of the strength of the Others and the futility of the HFL movement is clear from the beginning. It’s not a true conflict. It’s more, how badly with the HFL movement fail and how many humans will suffer for it.

But this aspect of the story has also been one of the key elements that has kept me interested in the series. The complete flip in power that Bishop sets up is intriguing. It’s impressive how easily she manages to set up the humans (by and large almost all of them) as the villains of this world. I have increasingly found myself becoming exasperated not by the fact that there is a conflict between the humans and the Others, but because I’m reading along thinking “Just smite them already and be done with it!” A very bizarre take to have, I realize, but one that Bishop pretty effectively imposes on the reader. The humans in this world seem to be either full blown terrorists bombing, poisoning, or simply mowing down innocent Others with machine guns, or ignorant fools, content with not only sitting back as these atrocities are committed, but ostracizing and victimizing other groups of humans who don’t join the cause. It’s hard to feel sympathy for many people other than the ones we are directly exposed to.

But because she sets up the groups in this conflict so unequally, both in sympathy and power, this book was largely a drag. It was clear from the beginning that things were headed south for human/Others relations, and about midway through the book, the HFL movement pounds the last nail in their own coffin by committing an even more egrgious  act of violence. But it still takes so, so long for the conflict to even happen! And when it does, it is largely off screen. Instead, 80% of the story is spend preparing for the new world that will come after this near apocalyptic event. There are pages and pages of people discussing ordering extra supplies (an annoying fixation on female toiletries is I think meant to be some type of “Others don’t understand human females” joke but becomes tired very quickly), details on communication and travel logistics, space planning, etc. It was incredibly tiresome. Bishop has given us all-powerful native people! And instead we’re listening to Simon fixate on Meg’s need for books to read when she’s hunkered down waiting out this oncoming “storm” of the Others’ retaliation. Firstly, I’m pretty sure this is a silly thing to be discussing between multiple people. If this is actually a disaster level event, Meg’s boredom is NOT something that needs to be included in the “to worry about” list. And secondly, I don’t care! Give me some action, already!

Also, the cast of characters only adds to this problem. Simon and Meg are interesting. All of the extra human characters are not. The police men who have been present in the other book make a showing here, and while familiarity lends them a bit of interest, there is very little for them to do in this story. There is no preventing this, so again, it’s largely discussing reacting to an inevitable event. Discussions, discussions. And a few extra human characters show up as well. Guess what they’re doing? That is right. Discussing preparations in yet another town. The more interesting Other characters from previous books are also very underutilized in this book, only adding to the frustration of reading chapters from new human perspectives.

And I can’t finish this review without touching on Meg and Simon. Meg, for one, has sadly gone the route that I have been worrying about for the last several books. She has become increasingly inactive as the books have went along. In the first book, she was new to this world and actively participates in its going ons. Now, however, she is treated as a valuable commodity, to be worried over, but very rarely having anything to actually do. And for a powerful seer, that is incredibly disappointing. Even worse, in the first few books she was verging on becoming a bit of a “special snowflake” character where everyone and their mother loved her right off the bat with very little actual reason. Sadly, this becomes even worse in this book, to the point of being ridiculous.

Simon has now become my favorite character. The few action scenes in this book directly relate to how he sees the world and his position in it. His arc as a character has been steady, realistic, and interesting. And unlike other characters, his relationship with Meg feels earned and is thus much more intriguing. But come on, it’s been four books!

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I haven’t written off the series entirely, but “Marked in Flesh” continues a slow downward trend in my enjoyment of these books. I’ll give it one more go, but if I have to read about the “human female pack” creating lists of toiletries again, I’m out.

Rating 5: I’m very sad that it has come to this. But the primary emotion this book inspired was frustration, unfortunately.

Reader’s Advisory:

As “Marked in Flesh” is new, I’m going to mention Goodreads lists that include the first book in the series, “Written in Red:” “Monster Is Only in the Eye of the Beholder: Paranormal Xenofiction” and “Best Lesser-Known Books.”

Find “Marked in Flesh” at your library using WorldCat!

Serena’s Review: “The Last Mortal Bond”

The Last Mortal Bond Book: “The Last Mortal Bond” by Brian Staveley

Publishing Info: Tor, March 2016

Where Did I Get this Book: the library!

Book Description from Goodreads: The ancient csestriim are back to finish their purge of humanity; armies march against the capital; leaches, solitary beings who draw power from the natural world to fuel their extraordinary abilities, maneuver on all sides to affect the outcome of the war; and capricious gods walk the earth in human guise with agendas of their own.

But the three imperial siblings at the heart of it all–Valyn, Adare, and Kaden–come to understand that even if they survive the holocaust unleashed on their world, there may be no reconciling their conflicting visions of the future.

Spoilers for the first two books in the series.

Review: As I said in my review of the previous books (see end of post for links), Staveley went to great lengths to create a tangled mess of misunderstanding, dueling motivations, and confusion with his first two books. And my question was simple: how? How was he going to resolve all of these dangling threads in a way that stayed true to what has been a compellingly honest, complicated but realistic story up to this point? My doubts have been rested, and sign me up for the Brian Staveley fan club. “The Last Mortal Bond” exemplifies nailing the landing in epic fantasy, by no means an easy feat.

Continuing my pattern from my review of the first two books, it is easiest to review this book by checking in with our main characters, the royal siblings, Adare, Valyn, and Kaden and Kettral leader, Gwenna.

Let’s start with Gwenna, shall we? I love Gwenna. She only had a few chapters in the last book, and there at first it felt a little strange to be in the head of a seemingly random second tier character. She still plays the same role in the narrative, as a character with an exciting, but largely insular, story arc. Between all the politics, magic, secrecy, and anger going on between the royal siblings, Gwenna’s chapters were a breath of fresh air. A problem was presented, the downfall of the Kettral training islands, and Gwenna and her team were deployed to solve it. I really enjoyed returning to this aspect of the story. In the first book, when Valyn was still in training, we learned a lot about the Kettral and the role they play in the Empire. However, in the second book, they and their giant falcons, were largely absent. It was thrilling to return to the islands, especially as seen through the eyes of Gwenna, a warrior who did not grow up with any expectations of leadership, but has had it thrust upon her and is more than capable of rising to the occasion. And the giant falcons were back. Always a plus.

It’s interesting how Staveley has set up different levels of stakes for his three main characters. Kaden’s story has been one with the highest level of stakes (the war to save humanity), Adare’s has been on the second level (the war to save Annur), and Valyn’s on the most insular level (the war to avenge himself and his family).

Kaden’s story continues to be the one that I have had the hardest time predicting. While throughout the story Adare has been focused on the greater good of the Empire, and Valyn has had a tendency to get caught up in the inner dynamics of whatever group he is in in the moment, Kaden has floated along the periphery, gathering knowledge and making unexpected decisions. For example, his decision to suddenly turn the Empire of Annur into a Republic in the last book. What a huge thing to decide, and so suddenly! I appreciate that Staveley didn’t try and make any political commentary here, which I was concerned with at first. This isn’t our world, and it becomes clear pretty early on in this book that while Kaden might have started from a very idealistic place, the powerful lords and ladies of Annur are not ready for the responsibility of truly ruling, instead focusing on power grabs and becoming mired in debate. So, too, in this book, Kaden’s journey is unexpected. Allying with Triste, who is understandably bitter and resentful of the role she has been thrust in, Kaden makes a desperate journey across the Empire in an effort to both contain the Gods who are walking the earth and also save them from the csestriim out to kill them, and thus, cripple humanity.

Adare remains my favorite character. As before, her practicality, ability to face tough choices, and general pizazz in face of it all, makes her a blast. Kaden could be frustrating with his idealism (come on, we all knew that handing over power to bunch of whining aristocrats was never going to be a good idea) and Valyn could get too caught up in his missions to take a step back and realize the larger implications of his decisions. And it makes sense that it would be this way. Valyn and Kaden grew up largely disconnected from the Empire. Adare, on the other hand, grew up at the foot of her father, by all accounts an incredibly successful ruler. But Adare’s failings are not swept away either. Her misjudgements come to bite her in the butt big time, specifically her choice to save the csestriim general il Tornja by stabbing Valyn.

Valyn’s story was a stumbling block for me, this time around. He started as my favorite character in book one, was still highly entertaining in book two, but then seems to have taken an abrupt change of course in this book. I understand that his wounds were detrimental at the end of the last book, but his decision to isolate himself from his remaining Kettral Wing friends and sink into darkness came a bit out of left field. The reader is constantly told how dark, gritty, and angsty he has become, but it feels unearned. Out of the three siblings, Valyn was the one trained to believe in teamwork and reliance on others, so for him to be the one to sink so quickly into despair and reject human connection felt out of place. He suffers the most physically, it is true. But what has been the strength of the series, its ability to highlight the impossible choices they all have made, makes Valyn’s descent into self-loathing less palatable when compared to the other characters who are facing their own challenges, rather than running away and hiding. I felt myself often growing frustrated with him and wishing that the Flea would show up to slap some sense into him.

“The Last Mortal Bond” does an incredible job of wrapping up this series. I highly recommend it, and the whole “Unhewn Throne” series, to any reader who enjoys epic fantasy. Especially those looking for a series that wraps up nicely in only three books, which is practically unheard of at this point and is frankly a relief!

Rating 8: Great conclusion to a great trilogy! There were a few stumbling blocks, particularly Valyn’s odd character decisions, but other than that, I love it!

Reader’s Advisory:

“The Last Mortal Bond” is very new so is on very few lists. As I particularly highlighted my love of it as the conclusion to a series, it is included in this Goodreads list: “End of Series in 2016”

Find “The Last Mortal Bond” at your library using WorldCat!

Previous Reviews of “The Empire’s Blades” and “The Providence of Fire.”

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