Serena’s Review: “Eidolon”

Book: “Eidolon” by Grace Draven

Publishing Info: Smashwords Edition, April 2016

Where Did I Get this Book: from the library!

Book Description: In a bid for more power, the Shadow Queen of Haradis has unleashed a malignant force into the world. Her son Brishen, younger prince of the Kai royal house, suddenly finds himself ruler of a kingdom blighted by a diseased darkness and on the brink of war. His human wife Ildiko must decide if she will give up the man she loves in order to secure his throne.

Three enemy kingdoms must unite to save each other, and a one-eyed, reluctant king must raise an army of the dead to defeat an army of the damned.

A tale of alliance and sacrifice.

Previously Reviewed: “Radiance”

Review: It’s been a bit since I read “Radiance,” the first book in this fantasy romance series. But it has stuck with me ever since as an excellent example of creating a romantic storyline that is free of angst and drama but still incredibly compelling. Turns out, people being nice to each other and falling in love in a natural way can be entertaining! No need for love triangles, failures to communicate for no good reason, or constant misunderstandings! So, with that happy memory in mind, I was excited to see what this sequel had to offer, especially since it was going where most romance stories fear to go: after love has been discovered and the relationship is established.

At the end of “Radiance,” we saw Brishen’s mother, the Shadow Queen, unleash a force of demons (much to her instant dismay as she was immediately killed). So when this story begins, Brishen and Ildiko are blissfully unaware of the monstrous force that is about to threaten their entire world, but that soon ends when they hear about the mass casualties and destruction that is coming their way. But with the Kai’s magical abilities greatly reduced since their ancestors faced such a force, Brishen and Ildiko’s choices are limited. Not only must they face a dangerous magical decision, but with the crown of the Kai people suddenly coming to Brishen, their marriage itself will face its greatest test.

Writing a sequel is always a challenge. Writing a sequel to a romance novel in which your main characters are already married and in love is practically unheard of. Of course, this series also has the fantasy angle going for it, but the love story is really at its heart. So right off the bat, I have to applaud the author for taking such a risk and secondly, for succeeding so well!

The nature of the demon disaster that is sweeping the country side works in two ways. On one hand, the description of this force is truly terrifying, and we immediately see the power that the Kai (and the entire world) faces. As fantasy monsters go, they’re creepy in all the right ways. But they also work in that they immediately take out a large chunk of the royal family, forcing Brishen into the role of leader of the country. Naturally, this brings a lot of added pressure and stress to his and Ildiko’s lives, not least of which is the unconventional nature of the relationship was never meant to be one that must sustain a monarchy.

I really enjoyed the way both of these threats highlighted the different strengths and weaknesses that Brishen and Ildiko bring to their relationship and their roles now as future monarchs. And while we see the beginnings of cracks, what I appreciated the most was the very adult way that each continues to deal with the other, even in the midst of misunderstanding and fear. Yes there is drama. But no there is no unnecessary angst or silliness. We have two different people dealing with an impossible situation in different ways. I can’t rave enough about how lovely it is to read a love story about two people who actually behave like well-adjusted adults and treat those around them with respect. It’s such a refreshing take on romance when many insist on miring themselves in silliness almost constantly.

Beyond the romance, I also really enjoyed the action of this story. The dial has been turned up to 10, and it’s clear from the beginning that no one will escape this situation unscathed. Indeed, choices are made that will affect the entire nature of Kai society going forward perhaps forever. I see that there is a third book in this series, but it looks like it will pivot to new characters. On one hand, due to the events of this book, I’m super curious to see what the fallout will be in that one. But on the other hand…I just love Brishen and Ildiko so much that I’m not sure I’m ready to switch to a new pair!

Rating 8: An excellent sequel. Fans of the first book will definitely be pleased with this one!

Reader’s Advisory:

“Eidolon” is on these Goodreads lists: NEW ADULT fantasy & paranormal romance and YA and NA Royalty.

Find “Eidolon” at your library using WorldCat!

Serena’s Review: “A Memory Called Empire”

Book: “A Memory Called Empire” by Arkady Martine

Publishing Info: Tor, March 2019

Where Did I Get this Book: audiobook from the library!

Book Description: Ambassador Mahit Dzmare arrives in the center of the multi-system Teixcalaanli Empire only to discover that her predecessor, the previous ambassador from their small but fiercely independent mining Station, has died. But no one will admit that his death wasn’t an accident—or that Mahit might be next to die, during a time of political instability in the highest echelons of the imperial court.

Now, Mahit must discover who is behind the murder, rescue herself, and save her Station from Teixcalaan’s unceasing expansion—all while navigating an alien culture that is all too seductive, engaging in intrigues of her own, and hiding a deadly technological secret—one that might spell the end of her Station and her way of life—or rescue it from annihilation.

Review: I feel like I’ve been on the audiobook holds list for this title for…forever. The wait made worse by the fact that I was continuously being barraged by stellar reviews, recommendations, and notifications of the awards it was sweeping in. But, finally, my time has come! Time to, belatedly, say pretty much the same thing every one else has been saying for over a year now!

Teixcalaan is both the wonder of many galaxies as well as a persist threat: an empire that is the heart of culture, but that is also an ever-hungry beast looking for the next part of space to absorb. As such, Ambassador Mahit has always balanced a strange love for the very empire she is sent to protect her independent Station from. But what is already a delicate balancing act is made all the more challenging when she’s called to duty by the mysterious death of her former Ambassador. Upon arrival, Mahit quickly discovers that her predecessor has been into things much deeper than she could possibly have imagined. And now, not knowing who to trust in this polished world, Mahit must begin untangling a knot of intrigue and politics that will determine not only the future of her own Station but perhaps the future of Teixcalaan itself.

It’s been a while since I’ve read a sci-fi novel, but man, did I choose the right one to jump back in with! Like I said earlier, it’s a bit hard to review a book like this, one that’s been out for over a year and has been very popular in its genre. And unlike the hype for many YA fantasy novels that I often feel is undeserved and more pushed on readers by hopeful publishers than anything else, sci-fi still has a comparatively smaller readership, so if a book is popular in the genre, it’s usually for good reason. And that’s definitely true here!

The world-building alone make this book an excellent read. Teixcalaan and the idea of empire as a whole is immediately appealing. It’s easy to see the comparison to the Roman empire or the British empire or any culture that swept across our own world seemingly unstoppable in the way it centered the entire planet around itself. I loved the deep dive this story took into the complicated nature of empire, how it is at once a destructive, violent force, but also one that holds a strange appeal to even those potential new conquests quivering in its path. How it can be like a shining sun of culture and sophistication while also overshadowing and consuming others that may have their own lights to add. It’s really fascinating while also not coming across as preachy. The book allows the reader to view Teixcalaan through their own eyes and form their own opinions.

Mahit is also an excellent character to take this journey with. As a scholar of Teixcalaan from an early age, she’s always struggled with her fascination and love for this empire that views her and her people as barbarians. And while there, she’s clever with her use of this knowledge, both in how others view her and how her actions are interpreted. But, at the same time, she still feels herself drawn to the language and poetry of this culture and longs to belong as one of them. This tension is at the heart of all of her decisions, and it’s supremely relatable.

And even with all of this reflection and grander commentary, the story itself feels action-packed and fast-moving. The mystery surrounding Mahit’s predecessor is compelling and trying to untangle the political maneuverings of everyone Mahit comes in contact with was definitely a challenge. I also really liked that this book wraps up its main storyline while also leaving a sufficient number of clues and shadowy threats to spur interest in the next book that comes out this spring. I’ll definitely be checking it out!

Rating 10: Succeeds in every way and introduces a fantastic new sci-fi world.

Reader’s Advisory:

“A Memory Called Empire” is on these Goodreads lists: Hugo Awards 2020 Finalists and Excellent Space Opera.

Find “A Memory Called Empire” at your library using WorldCat!

My Year with Jane Austen: “Northanger Abbey” [2007]

Movie: “Northanger Abbey”

Release Year: 2007

Actors: Catherine Morland – Felicity Jones

Mr. Tilney – JJ Field

Isabella Thorpe – Carey Mulligan

John Thorpe – William Beck

Comparison – “Indulge your imagination in every possible flight.”

I really like this adaptation of “Northanger Abbey.” To be fair, I haven’t seen any others, so there isn’t much of a comparison to be had. But in comparison to the book itself, I feel like it hits all the right points. The characters are all perfectly cast. The tone is just right, landing somewhere happily between romance and comedy. And it manages to use a clever device of dream sequences to capture Austen’s satiric intent with Catherine’s preoccupation with gothic novels and the fanciful thoughts they can bring about.

The dream sequences are probably the most notable point out of those three. They’re handily sprinkled throughout the movie, so from the very beginning, we have a clear idea of Catherine’s own head space. The movie also cleverly uses the same actors in many of the fanciful imagings, highlighting how Catherine herself is casting those around her. Henry, of course gets to be the hero, while John Thorpe and Captain Tilney are villains. Isabella, before Catherine wakes up to her true character, is a helpless victim of Captain Tilney’s.

There are a few bigger changes towards the end of the movie with the order of operations between Henry discovering Catherine’s suspicions about his family and her being turned out of the house. It does lose some of the gallantry of Henry, but probably makes for a more dramatic move overall. The audience, like Catherine, is left in suspense of his thoughts and feelings. And, what’s more, we’re given a red herring explanation for why she is suddenly thrown out by General Tilney.

The movie also makes good use of the narrator. The voice, meant to be Jane Austen I believe, only really picks up at the beginning and the ending of the movie. But it does a nice job of bookending the story and, again, giving it that meta sense that the book itself had with regards to stories: stories talking about stories, heroines inspiring heroines, and so on.

Heroines – “I hate to hear you talk about all women as if they were fine ladies instead of rational creatures.”

Felicity Jones is pitch perfect for Catherine. She’s an excellent balance of youthful naivete and earnest goodwill. Catherine could easily come across as silly, what with her dramatic and rather silly mental dramas. But Jones manages to reign that in, leaving Catherine seeming simply young, but at her heart, good-natured. Her wide-eyed depiction of the character also makes it easy to understand why Catherine is so easily forgiven and taken in by the more level-headed characters around her.

She also does a good job portraying the balancing act that Catherine undertakes initially, between the silly vivacity that her first friends, the Thorpes, are encouraging, and her own wishes to be esteemed by the more polished Tilney siblings. At the same time, Jones’ Catherine is never overshadowed by the larger-than-life characters around her, and she has excellent chemistry with JJ Field.

Heroes – “What are men to rocks and mountains?”

For his part, JJ Field also fits the role of Henry Tilney perfectly. He’s affable, charming, and wholesome. As I mentioned in my review of the book, Tilney stands out as the most approachable and easy of all of Austen’s main heroes. He doesn’t have any angst to speak of and his road to romance is the most straight forward. Field has great delivery with many of the Tilney’s comedic lines, teasing Catherine and being teased back himself. There’s a joyousness to his portrayal that is very appealing.

Of course, he also has a bit harder of a sell towards the end, in that unlike the book, he’s not given the chance to fulfill Tilney’s most romantic overture: the immediate forgiveness of Catherine for her silliness and all the effort put out afterwards to make her feel secure again. Instead, he has to do all the lifting in the final scene that includes the explanation of his father’s behavior, his feelings towards Catherine despite her imaginings, and the proposal itself. It’s all handled neatly, and I think is a testament to all the goodwill that has already been built up for the character. Even if we don’t see him immediately forgive Catherine, it’s easy to believe that that was the case. He even admits that his own teasing of Catherine early on, mentioning a certain sort of vampirism at Northanger Abbey, makes him at least partly responsible for her wild theories.

Villains – “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.” 

The villainous characters are all also well-cast. We can see the appeal of Isabella to Catherine, but the viewer is never quite as taken in as she is. Isabella’s obvious disappointment in the lack of wealthy coming her way through her engagement to James is pretty telling. And from there, it’s just a skip and a hop to talking to Catherine about how Captain Tilney is the heir of the family. Of course, the movie goes a much more dire route with this entire affair, having Captain Tilney actually seduce Isabella into his bed, a much bigger transgression than the book presents.

The book does hint that he must have given Isabella some strong signals for her to give up her engagement in pursuit of him, but I don’t think it really meant that things had went as far as the movie portrays. For one thing, it makes Captain Tilney into quite the villain himself. In the book, he’s fairly disagreeable and obviously pursues Isabella inappropriately. We know he means to marry well. But that’s about it. Here, he’s cast with characters such as Wickham and Willoughby, the blackest scoundrels of Austen’s villains, in following their footsteps in ruining young women.

General Tilney is also presented in a fairly foreboding light from the start. The book does a lot of work talking about how thickly he lays on the charm for Catherine, but how oppressive his presence still is overall. That comes through very clear here, it perhaps not too clear. He’s fairly off-putting from the very beginning, and the few lines he gets hint fairly heavily to his confusion about Catherine’s coming wealth from the Allens. The movie is even more strict with his comeuppance, however, as it does away with the bargaining aspect of Eleanor Tilney’s engagement. Instead, it implies that both Eleanor and Henry marry against their father’s wishes leaving him lonely and angry at the gloomy Northanger Abbey.

Romance – “A lady’s imagination is very rapid: it jumps from admiration to love, from love to matrimony in a moment.”

The romance is also very sweet in this movie. Like I said early, the chemistry between Jones and Fields is great, making all the flirty dialogue ring true and their mutual teasing is very cute. I like the effort that is put into building this relationship, not only at Bath but at Northanger Abbey itself. There, we see Henry and Catherine going on walks, with Catherine quizzing him on his feelings about marrying not to great wealth. There are also nice smaller moments of them and Eleanor roasting food by the fire. The movie also replaces the entire family’s visit to Henry’s estate with a horseback ride taken by just Henry and Catherine.

I also really like the final scene with the proposal. Most of Austen’s other stories all are still attempting to resolve misunderstandings or greater dramas by the time the proposal comes along. So it’s often a bit more of a serious situation. Here, that’s not so much the case. Yes, there are misunderstandings that are cleared up. But here the entire thing is played with a much lighter feeling and the semi-awkward fumblings of two youngish people declaring their feelings for each other. The movie then goes straight into them having a baby to round out the story, which, from a modern perspective, feels very strange given said young-ness, but you know, such were the times.

Comedy – “For what do we live, but to make sport for our neighbors, and laugh at them in our turn?”

I really liked the comedy in this movie, too. Obviously, as I’ve mentioned, Tilney is the most comedic hero we see in Austen’s books, so it’s important that they hit that right with the casting and with the script. But they also did good work with the Allens, giving them almost more of a presence than they had in the book. We see less of Mrs. Allen’s insipidity, but she retains her preoccupation with clothes, even mentioning Tilney’s good eye for muslin and a recommendation for him still even after the bewildering events that lead to Catherine’s being sent home alone.

John Thorpe is also pretty funny in just how intolerable he is. He perfectly captures the brash, loud, uncouth character that Austen describes. And his attempts at hinting around to Catherine about a second wedding after the engagement between Isabella and James is pretty funny. It’s clear to the audience what is happing, but Catherine is so obviously clueless, and even John doesn’t seem to really want to clue her in on what he’s getting at.

I think one of the funniest little bits comes towards the very end of the movie. Henry Tilney is visiting the Morlands and suggests Catherine show him the way to the Allens’ so he can pay his respects. And then one of the younger sisters points out that you can see their house from the window before being quickly cut-off by her mother, who knows what’s what. The actress who plays Mrs. Morland doesn’t have tons of screen time, but she nails this little moment, and it’s pretty funny.

Fun facts – “Life seems but a quick succession of busy nothings.”

There weren’t too many fun facts that I could find, other than costume-related things. But the one costume thing did stand out: that Mr. Tilney wears the same green coat and tan pants as Mr. Darcy does in the 1995 film.

Best Movie Gif/Meme: “I dearly love a laugh.”

Just some good, ole reaction comedy here:

I also like this one:

In two weeks, I’ll review the first half of “Persuasion.”

Serena’s Review: “The Invisible Life of Addie LaRue”

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Book: “The Invisible Life of Addie LaRue” by V.E. Schwab

Publishing Info: Tor Books, October 2020

Where Did I Get this Book: NetGalley

Book Description: France, 1714: in a moment of desperation, a young woman makes a Faustian bargain to live forever and is cursed to be forgotten by everyone she meets.

Thus begins the extraordinary life of Addie LaRue, and a dazzling adventure that will play out across centuries and continents, across history and art, as a young woman learns how far she will go to leave her mark on the world.

But everything changes when, after nearly 300 years, Addie stumbles across a young man in a hidden bookstore and he remembers her name. 

Review: I’ve been a fan of V.E. Schwab’s work for a while now, so whenever her books pop up, they’re instant requests for me. This one was all the more intriguing for the very unique-sounding description. A gift that turns out to be a curse. Time travel. Deep explorations of the meaning of self and what it is to exist in the world. Sign me up!

For a young woman growing up in the 1700s in a small village in France, the concept of “the world” is a small thing. Much if not all of her life will be lead in the same place, walking the same streets, meeting with the same people. But this isn’t enough for Addie LaRue, and in her desperation she makes a desperate bargain that turns her life on its head. Yes, she can now travel the world, free from the fear of death. But no one will remember her name, her face, her at all. A life like this comes with all kinds of challenges, but in the present year, we meet an Addie who has largely come to accept her transient existence only partly of the world she walks. That is until she meets a strange young man who sees her…and remembers.

I was completely right in my initial impression of this book: it was unlike anything I had read before! The story alternates between Addie’s past, as she makes her original deal and then checking in on her state at various point in the ensuing centuries, and Addie’s present in New York City. I think this was a really clever way of highlighting just how complicated her blessing/curse is. On one hand, it seems simple enough, and Addie herself clearly thought so when making it. But as the story travels through time, we see both the very large problems facing Addie as well as the small, daily challenges that come with not being remembered.

It’s not just romanticism and emotional consequences. What happens when you pay for a room in a hotel but five minutes after the clerk looks away, they forget you’ve paid for it? And that’s assuming Addie even has any money! I really liked the way the story was willing to fully engage with the harsh and sometimes brutal reality of what a life like this would look like, especially for a woman in the 1700s and through many of the following centuries.

The story in the present isn’t any less interesting. My one point of nervousness going into this story was that the young man who ultimately is able to remember Addie would just be some type of fluky, special snowflake type love interest where his ability is never really explored or explained. Not so! Instead, we get a good number of chapters from his perspective and his story was full of surprises, both leading up to his first meeting with Addie and going on well past it. The romance between the two was a bit on the aggressively quirky side at times, but overall, I think it was balanced out by the more weighty topics that were tackled in the rest of the story.

I’m not really into much of the art scene myself, but I did really enjoy this theme throughout the book and how Schwab used Addie’s curse to highlight the role that artwork and artists place in society. It’s much more than just creating pretty, fanciful pieces. It’s about a broader, grander conversation that is ongoing across centuries’ worth of individuals all speaking back and forth to one another.

And, of course, Schwab’s writing is solid and engaging throughout, and her mastercraft at creating deep characterization is on full display here. If you’re a fan of her past work, this is definitely worth checking out. And those new to her writing, this is a great an entry point as anyone could ask for!

Rating 9: Beautiful and heart-wrenching, I couldn’t put it down!

Reader’s Advisory:

“The Invisible Life of Addie LaRue” is on these Goodreads lists: “Heart Stopping Books” and “Best Books Set in New York City.”

Find “The Invisible Life of Addie LaRue” at your library using WorldCat!

Serena’s Review: “The Court of Miracles”

Book: “The Court of Miracles” by Kester Grant

Publishing Info: Knopf Children’s, June 2020

Where Did I Get this Book: Edelweiss+

Book Description: In the violent urban jungle of an alternate 1828 Paris, the French Revolution has failed and the city is divided between merciless royalty and nine underworld criminal guilds, known as the Court of Miracles. Eponine (Nina) Thénardier is a talented cat burglar and member of the Thieves Guild. Nina’s life is midnight robberies, avoiding her father’s fists, and watching over her naïve adopted sister, Cosette (Ettie).

When Ettie attracts the eye of the Tiger–the ruthless lord of the Guild of Flesh–Nina is caught in a desperate race to keep the younger girl safe. Her vow takes her from the city’s dark underbelly to the glittering court of Louis XVII. And it also forces Nina to make a terrible choice–protect Ettie and set off a brutal war between the guilds, or forever lose her sister to the Tiger.

Review: Like every YA fantasy that has came out in the last couple of years or so, this book was marketed for fans of “Six of Crows.” Now, typically, that’s almost a warning off sign for me these days, as it seems this strategy almost always leads to disappointment when the book either turns out to be nothing like that one or, perhaps worse, way too similar. But this was also listed as an alternative history of the French Revolution and a retelling of “Les Miserables,” so I thought it was worth checking out.

After the failure of the French Revolution, the divide between the nobility and commoners has only gotten worse. In in the wake of much disorder, new points of power have risen in the form of nine crim guilds. Nina, a talented thief, works for the Thieves Guild, scraping together a life for herself and her adopted sister. But no one can stay hidden forever, even a master thief, and soon enough Nina finds herself thrust out of the comforts of her criminal underworld life and instead in a glittering and even more dangerous royal court.

Just to get it out of the way right away, I didn’t enjoy this book. I’m sure there are readers who will, but for me, it failed to deliver on any of the promises it set out for itself: It had no connection to “Six of Crows” that I could identify (other than ridiculously broad strokes in that they both deal with criminal underworlds); As a retelling of “Les Mirables” it pick and chose to such an extent that I’m not sure I would have made the connection between the two stories on my own; And as an alternative history, I found it to be wildly anachronistic and shallow in its world-building. So, yeah.

These were all issues on their own, of course, but the book isn’t helped by weak characterization and chopping storytelling. Many of the characters who were pulled from “Les Miserables” can be reduced to one trait descriptions that seem to serve as the entire foundation for their character. We’re given very little more than “This person is a revolutionary!” “This person is a thief!” Readers are either supposed to be satisfied with these bare minimums or superimpose more characterization onto these individuals from their comparative characters in the original story.

And the story itself is very choppy and includes several large time jumps. And during those time jumps, you guessed it, all the necessary character development has already occurred! Readers are just informed of the improvements in main characters without seeing any progression or natural development for themselves. Motivations are laid down in a clinical, info-dumping manner, and the story continues on.

Lastly, I really hated the “romance” in this book. I add the quotes because tehre really is no actual romance laid out. But there are so many possibilities of it that it began to feel ridiculous. I counted at least three love interests that were introduced over the course of this book. And while Nina didn’t devote any crazy amount of time towards any of them, it was still pretty annoying to be given the impression that everyone/anyone who came into contact with her was immediately attracted to her and has the potential of becoming a more serious love interest in the future. I’m so tired of this trope, and while it does seem to be slowing down in general, I’m always still disappointed when I see it pop up again.

I’m unclear who to really recommend this book to. It’s not like it was absolutely abysmal, but I also don’t think that it’s the kind of book that would appeal to the people it most seems to be trying to attract. Super fans of “Les Miserables” for sure will be disappointed. And fans of “Six of Crows” at this point know to be wary of most books that promote themselves as readalikes. I guess if you’re at all intrigued by the alternative history angle and have a fairly flexible approach to what history means, this may be worth checking out?

Rating 5: Not for me. It fails to live up to its own promotional tactics and fell into the trap of introducing too many love interests all at once.

Reader’s Advisory:

“The Court of Miracles” is on these Goodreads lists: 2020 YA Historical Fiction and Glittering Glamorous Fantasies.

Find “The Court of Miracles” at your library using WorldCat!

Serena’s Review: “Murder on Cold Street”

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Book: “Murder on Cold Street” by Sherry Thomas

Publishing Info: Berkley, October 2020

Where Did I get this Book: Edelweiss+

Book Description: Inspector Treadles, Charlotte Holmes’s friend and collaborator, has been found locked in a room with two dead men, both of whom worked with his wife at the great manufacturing enterprise she has recently inherited.

Rumors fly. Had Inspector Treadles killed the men because they had opposed his wife’s initiatives at every turn? Had he killed in a fit of jealous rage, because he suspected Mrs. Treadles of harboring deeper feelings for one of the men? To make matters worse, he refuses to speak on his own behalf, despite the overwhelming evidence against him.

Charlotte finds herself in a case strewn with lies and secrets. But which lies are to cover up small sins, and which secrets would flay open a past better left forgotten? Not to mention, how can she concentrate on these murders, when Lord Ingram, her oldest friend and sometime lover, at last dangles before her the one thing she has always wanted?

Previously Reviewed: “A Study in Scarlet Women” and “A Conspiracy in Belgravia” and “The Hollow of Fear” and “The Art of Theft”

Review: Overall, I’ve been enjoying Sherry Thomas’s “Lady Sherlock” series. I’ve found all of the mysteries to be appropriately complicated, and I’ve really liked the swaps and changes to staple characters that Thomas has added in. I have had some growing questions, however, as the series has continued, mostly having to do with the very slow burn romance, the use of Moriarty, and the role of Charlotte Holmes’s sister. So those were all elements I had on my eye on this go around. Kind of a mixed bag as far as results go, but I did enjoy this book quite a bit and more than the previous one, so that’s always good.

After returning from their last mystery, Charlotte Holmes and company are immediately set upon by a distraught Mrs. Treadles. Her husband, the inspector, has been arrested for a double homicide. Charlotte takes on the case, of course, but considering the locked room that Mr. Treadles is found in along with the two dead bodies, the mystery posed is quite a stumper. As she wades through the various clues, more and more questions arise with regards to the Treadles themselves, as well as with the family company over which Mrs. Treadles has recently taken operation.

To start out with the basic things I review, this book was successful in all the ways its predecessors were. The mystery itself is complicated with a wide assortment of red herrings, false clues, and various suspects, all with their own motives. Each time I thought I was beginning to piece together where things were going, I’d be pulled in a different direction and realize I’d been heading down the completely wrong path. The various motives and suspects that are introduced are all plausible, and many of them aren’t even directly laid out, leaving it to the reader to begin to piece together their own theories, never quite knowing what is going on in Charlotte Holmes’s mind.

The writing also continues to be solid and engaging. I’ve read quite a few of Thomas’s books over the years (I just finished one of her romances, which is the genre she started out in), and her writing style has always clearly unique to her and solid throughout a wide variety of genres. She has a way of writing that always seems to pull me in. It somehow manages to be completely engrossing and pull the story along quickly, even when the sentences themselves are often not incredibly action-packed and more often read in a more dry, lofty tone.

As for the concerns that have slowly been building as the series progressed, I’m happy to report that on at least one count things seem to be moving along. The romance between Charlotte and Lord Ingram seems to have finally turned a new bend. Things are obviously not resolved on this front, but I was pleased to see that the relationship itself was evolving, with Charlotte now being the one to confront her own role in this burgeoning relationship, what it has been in the past and what she wants it to be in the future. It was a nice change of pace to have Lord Ingram, for once, the more confident and secure in his decisions of the two. I’m curious to see where things will go from here!

On the other hand, however, my other two questions, those regarding the of Livia Holmes and Moriarty, were less satisfactory. Frankly, I would have preferred Livia Holmes to have been completely absent from this book. She only has a handful of chapters as it is, and her story felt wholly unconnected from the mystery and goings-on of the other characters. I think the character would be better served to show up when/if the story call for it, as, here, she felt shoe-horned in in a way that disrupted the flow of the greater plot line altogether.

In some ways, I have the same complaint/suggestion regarding Moriarty. I’d been starting to feel that the ties to Moriarty in every single mystery thus far were beginning to feel like a bit much. It’s maybe a bit of a spoiler, but the character once again is connected here, though in a very small, sideways manner. So small and so sideways, even, that I really questioned the necessity of involving him at all. It seems to be meant to continue building the tension between the inevitable clash between Charlotte and Moriarty, but honestly, here, it just felt tacked on and unnecessary. Most fans of this series are likely already fans of the original Holmes and need very little manipulation to become quickly invested in this rivalry. It also just begins to feel implausible that all of these mysteries that seem to randomly fall on Charlotte’s plate are also connected to this shadowy other character.

Overall, however, I really enjoyed this book. I thought the mystery itself was much more compelling than what we had in the previous book, and I was excited to see some movement on the romance front. Now, alas, another year or so until the next entry. Luckily, I’ve found a YA fantasy series also written by Thomas, so that’s probably on the schedule for this winter.

Rating 9: Another great entry in the “Lady Sherlock” series, though, bizarrely, I wish for a little less Moriarty.

Reader’s Advisory:

“Murder on Cold Street” is on these Goodreads lists: “Best Sherlock Holmes Fiction (Pastiches)” and “Historical Mysteries and Thrillers Featuring Women.”

Find “Murder on Cold Street” at your library using WorldCat!

My Year with Jane Austen: “Northanger Abbey”

Book: “Northanger Abbey”

Publication Year: 1817

Book Description: Jane Austen’s first novel—published posthumously in 1818—tells the story of Catherine Morland and her dangerously sweet nature, innocence, and sometime self-delusion. Though Austen’s fallible heroine is repeatedly drawn into scrapes while vacationing at Bath and during her subsequent visit to Northanger Abbey, Catherine eventually triumphs, blossoming into a discerning woman who learns truths about love, life, and the heady power of literature. The satirical novel pokes fun at the gothic novel while earnestly emphasizing caution to the female sex.

History – “I read it a little as duty, but it tells me nothing that does not either vex or weary me.”

“Northanger Abbey” was written long before it was published, likely around 1798 or 1799. Austen then shelved the novel and didn’t even send it to a publisher until 1803 for 10 pounds. And there it languished, even though Austen has been assured it would be published soon. After six years, Austen wrote to the publisher under a pseudonym to complain. She signed it thus:

I am Gentlemen &c &c                                                                 

– MAD.

She was given the option to buy it back, but couldn’t afford to do so until several years later. At this point, Austen was concerned that the novel would be as relevant as many of the gothic novels and authors that are referenced in the book were decidedly of the time when it was originally written, now over a decade earlier. Austen was also focused on her new novel, “Persuasion.” Shortly there after, Austen passed away. The book along with her others and the copyrights to the published novels passed to her sister. After some negotiation, “Northanger Abbey” finally came to the public in December of 1817 almost twenty years after it was originally written.

Story – “The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid.”

Catherine Morland comes from a large but perfectly normal family. But adventure makes its way to her in the form of a trip to Bath with some wealthy family friends, the Allens. Once there, she is ready to view the world through the lens of her gothic novels that she loves to read. However, life seems rather ordinary, if still more exciting than her small-town. Luckily, a hero enters her world in the form of a gentleman named Mr. Tilney who is very lively and perfectly suits Catherine. Her social circle then extends further with the introduction of the Thorpe family and the eldest daughter, Isabella, who quickly becomes Catherine’s fast friend.

While Isabella’s temperament is much more lively than Catherine’s with much nonsense about hating flirting while flirting constantly herself, Catherine is happy to have a friend. Soon after, Isabella’s brother, John, comes to bath bringing with him Catherine’s own brother, James. It becomes quite clear that James has been in love with Isabella for some time (having met the family earlier that year). Catherine is informed that John is a good man more than she sees it herself, often finding him to be loud and verging on rude. Her biggest complaint comes at a ball where she is forced to uphold a commitment to dance with John at the detriment of her greater desire to dance with Mr. Tilney. She does make the acquaintance of his sister Miss Tilney and makes plans to go on a country walk with the two of them the following day.

The next morning, however, she is bombarded by James, John, and Isabella to join them on carriage rides out to visit a castle. Catherine informs them that she has previous plans, but they continue to badger her on and on. Eventually, John informs her that he saw the Tilney’s heading off in their own carriage, so they clearly meant to skip the walk based on the early morning rain. Catherine doesn’t know what to do, but eventually gives in, more in the hopes of seeing the castle than spending more time with John in his carriage. But shortly after setting off, Catherine sees the Tilneys walking down the street towards her house. John refuses to stop and let her out, however, and Catherine ends up trapped on the trip. They don’t even make it to the castle, and Catherine ends the day very upset knowing the Tilneys must be confused and hurt by her behavior.

The next day, she goes out of her way to track down the Tilneys and explain the situation. She’s so earnest and clearly upset that they both quickly forgive her. She also meets their father, General Tilney, a stately man who Catherine saw John speaking to earlier. He is extremely gracious and urges the friendship on between Catherine and his son and daughter. Soon after, they are able to schedule their walk, and Catherine grows closer with Miss Tilney and continues to enjoy greater attachment to Mr. Tilney.

Soon, Isabella approaches Catherine with exciting news: she and James are engaged! Catherine is thrilled, though confused by Isabella’s worries that she is not James’s financial equal. James quickly makes his way home and returns with glad tidings that his parents approve and will be able to give him a decent, though not large, amount of money and living in a few years. Isabella is greatly put-out, but insists she never complains. Much to Catherine’s dismay, however, she sees Isabella behaving more and more poorly by flirty with Mr. Tilney’s older brother who has also come to town. Catherine sees that this behavior hurts her brother and doesn’t know what to make of it.

She is diverted to more pleasant things when she receives an invitation to visit the Tilney’s at their home of Northanger Abbey. Catherine is thrilled, not only to be spending more time with her dear friends, but also at the prospect of wandering through such a dramatic, gothic location that is sure to hide all sorts of dreadful mysteries (per her novels, of course). Mr. Tilney laughs at her anticipations, and Catherine is happy enough to laugh at herself, too. But upon arrival, she can’t help but become intrigued by mysterious, old chests and wardrobes set up in her room. All she discovers, however, are old washing lists and the extent of her own silliness.

Life at the Abbey is ruled by the strict schedule of the General. While still very gracious to Catherine, he also has strange habits and refuses to let Eleanor show Catherine the deceased Mrs. Tilney’s rooms. Catherine begins to become more and more suspicious of the General’s relationship with the dead Mrs. Tilney. Is she even dead at all, or locked up in some drafty corner of the Abbey? Catherine decides to explore on her own, but is caught by Mr. Tilney in Mrs. Tilney’s very normal-looking rooms. He immediately figures out what Catherine was up to and chastises her for letting her imagination rule her. Catherine is extremely ashamed of herself and upset that she has lost Mr. Tilney’s respect forever. However, he goes out of his way to make her comfortable over the next few days, and Catherine comes out of the ordeal having learned a much needed lesson about sensational novels and real life.

During her visit, she receives an upsetting letter from her brother James saying that the engagement between him and Isabella is off. He hints to her behavior being increasingly concerning and notes that Catherine will soon hear news about Isabella’s upcoming attachment to the Tilney family. Both Miss and Mr. Tilney are sure that whatever poor behavior has taken part, it is very unlikely that their older brother will become engaged to someone as poor and lowly as Isabella. Sure enough, Catherine does hear from Isabella who pleads with Catherine to intercede with James on her behalf fearing there has been some sort of “misunderstanding.” Catherine is appalled and, now finally seeing Isabella for what she is, swears off the friendship forever.

Her happy visit comes to an abrupt and confusing end, however, when the General returns from a trip and insists that Catherine leave at once. She is practically forced out the very next day and sent home alone and by post. Catherine is confused and upset. Eleanor is beside herself at the poor treatment of her friend. And Mr. Tilney is from home when it all happens, so Catherine doesn’t even get to say goodbye to him. She arrives home safely, but is much out of spirits, to her parents’ great dismay.

Shortly after, however, Mr. Tilney arrives to clear matters up. He confesses that General Tilney is a bad tempered man who only wants his children to marry fortunes. He was deceived by John Thorpe into thinking that Catherine was very wealthy, hence his immediate approval of her. Later, a bitter John also exaggerated just how poor Catherine’s family was which lead to her dismissal from Northanger Abbey. Mr. Tilney proposes to Catherine, and while they are happily in love, they worry about their future, needing the General’s approval to marry. Eventually, however, Miss Tilney becomes engaged to a very rich man and insists that her father approve of Mr. Tilney and Catherine which he grudgingly does, and the two get married.

Heroines – “I hate to hear you talk about all women as if they were fine ladies instead of rational creatures.”

Catherine Morland is the quintessential heroine. For all that she’s the main character in a book that is largely a satire of the popular Gothic novels of the time, she’s still a very likable, undestandable character in her own right. She both acts her age, but is also not overly silly and dramatic. Especially against the backdrop of Isabella’s behavior, Catherine’s own nonsense is all kept well in check for the most part (silliness at the Abbey aside). It’s easy to see how both Tilney siblings would be drawn in by her earnest, naive goodness. She’s truly bewildered when coming up across the Thorpe’s and elder Tilney’s of the world, having very little ability to anticipate the foibles or meaner streaks of others. The reader easily sees through both Isabella and John, but not poor Catherine.

She does make her fair share of mistakes, but they all are of the type that seem to come from her young age rather than anything else. She also always pays a price for her poor choices. We see her get talked into the carriage ride with Isabella, James, and John. Though to be fair to her, this is only after she resists for quite a while and then is lied to. But, again, she’s so earnest in her apology to the Tilneys, so not bothered by laying all of her feelings out in the open, it’s easy to understand why she is quickly forgiven. Later, when John Thorpe tries to pull a similar move, she’s even stronger and immediately corrects the situation.

Obviously, her behavior at the Abbey is her at her worst, though even there much of her nonsense is contained to her own antics in her room. But she is discovered by Mr. Tilney in her grim imaginings of the late Mrs. Tilney and is quite chastised by him. One can only imagine how humiliating this entire situation would be. It’s a credit to both of them that they recover as well as they do. From there, one can only expect that Catherine has gotten most of her nonsense out of her system and will grow into a very proper young woman. At her heart, she’s clearly a good sort of girl. She’s definitely the most simple of Austen’s heroines, but this doesn’t make her less compelling. And, as an excuse if she even needs one, she’s definitely the heroine of the most straight-forward story. There is very little drama, confusion, or general angst that she must deal with. And thus she’s allowed her simple flaws and her vast reward at the end.

Heroes – “What are men to rocks and mountains?”

While it can be argued that Edmund rather deserves to be one of the more forgotten Austen heroes, what with his main love arc being with an entirely different woman than the one we’re rooting for, it’s unfortunate that Henry Tilney is routinely also falls in this lesser-known category. Unlike Edmund, Henry has his head on straight from the very beginning, and beyond that, he is probably the most likable hero we’ll find in Austen’s entire catalog. He’s definitely the best humored. We don’t have pride, or restraint, or shyness, or prior bad decisions that are haunting him, etc. etc. No, he’s gallant, funny, and likable from start to finish. The worst that can be said for him is that he probably comes to love Catherine largely due to her initial interest. And this speaks more to Austen’s clear-eyed view of how love affairs often go than to any actual flaw on Tilney’s part.

Probably one of his best moments in the book is how he handles discovering Catherine’s wild suspicions about his father. Of course, he’s been teasing her about her love for gothic novels (though admits to devouring them himself, as well), but it had to be truly shocking to see her take her imagination that far. He’s fairly frank in his assessment of her behavior and tells her so. But then…but then! Austen goes into great detail to describe the effort that Mr. Tilney puts out that evening and over the next couple of days to make Catherine feel comfortable again. It shows not only great awareness on his part, understanding how awkward and uncomfortable she must be feeling, but also just a truly kind spirit who does not hold things like this against a young Catherine.

Villains – “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.” 

For villains, we have the Thorpe siblings and Colonel Tilney himself. The Thorpes are both the more obviously rotten apples from the very start. This is where poor Catherine is truly let down by the shoddy guardianship of Mrs. Allen. Most of Mrs. Allen’s foibles are contained to silliness about clothes and not having much to say, but in overseeing her young ward’s new friends, she really drops the ball. Isabella is less obviously bad, but John Thorpe shows his colors almost immediately. He’s rude, brash, and generally unpleasant. The wildness of many of the group’s plans are also clear warning signs to any good guardian, and even Catherine goes so far as to express surprise that Mrs. Allen didn’t say anything about whether the planned carriage rides were all together proper. To her credit, Catherine is never convinced that John is quite the thing from the very start and even wonders a bit at her brother’s praise of him. And then, of course, the shock and horror of finding out that John thought she was encouraging him!

Isabella is a tougher nut to crack, and it’s easier to see how Catherine could have the wool pulled over her eyes easily by a young woman who so quickly proclaims Catherine dear to her. Up to the point where Catherine meets Isabella, it’s clear that she is quite lonely. So a firm friend with almost built-in intimacy was sure to be a great temptation. And it would take some very clear thinking to really dig through all of Isabella’s grand speeches about her own values and compare them, clear-eyed, with Isabella’s actual behavior. But Catherine is still quick to see that something is not right in Isabella’s treatment of her brother and with her flirtations with the elder Tilney. While we feel for Catherine’s distress when it all comes crashing down, the reader at least feels a good amount of smug approval at the way Isabella’s blatant scheming leaves her ultimately with nothing.

Colonel Tilney fulfills the more traditional villain role as the one to keep our hero and heroine from each other. Of course, this only after he spends a good majority of the book pushing them together. We later learn, of course, that his behavior, first at encouraging the couple and then evicting Catherine, all come from John Thorpe’s big mouth. But these are still actions of a selfish, hard-hearted man. The Mr. Tilney and Miss Tilney’s clear discomfort when around their father is the first clue, and even Catherine notes that his presence a

Romance – “A lady’s imagination is very rapid: it jumps from admiration to love, from love to matrimony in a moment.”

This is the most straight-forward romance in all of Austen’s books. Girl meets boy. Girl falls in love with boy. Boy falls in love with girl. Girl does something foolish, but boy quickly forgives her with no misunderstandings or drawn-out angst. Father tries to interceded, but boy and girl get married in the end. But it’s also a testament to the fact that a good romance story doesn’t need to be mired in drama, lack of communication, and unnecessary misunderstandings. Mr. Tilney and Catherine are sweet, likable, and the reader is invested in their relationship from the very beginning.

Of course obstacles are put in their way, but even those are few and far between and often fairly quickly dealt with. Any early misunderstandings between the two of them are quickly rectified by, shocker!, actually talking about the situation. Catherine goes out of her way to track down Mr. Tilney and explain what happened over the missed engagement for their country walk. And when Catherine is caught in her nonsense and the Abbey, Mr. Tilney is quick to go out of his way to reassure her that his attachment to her is unchanged. And, of course, after Catherine is banished from Northanger, Mr. Tilney quickly follows to make his apologies to her and her family and declare himself to Catherine. From their, being a Jane Austen novel, the rest of the couples problems are succinctly dealt with while also assuring that Eleanor Tilney also gets her own happy ending.

Comedy – “For what do we live, but to make sport for our neighbors, and laugh at them in our turn?”

Before she shows the depths of her true character, Isabella Thorpe is good for some laughs early in the book. Unlike Catherine, the reader quite quickly picks up on the disconnect between Isabella’s statements and her actions. There is an especially funny moment when Isabella starts bemoaning two gentleman that she claims are plaguing her with their unwanted attention. But then they leave, and she essentially drags Catherine after them in a chase to catch up to them once again and regain their attention.

Mrs. Allen is also a pretty good comedic character. She doesn’t have a ton of page time, but we still get a pretty good picture of her personality. Constantly fretting about her clothes and repeating the same useless sentiments over and over again followed by no change in her actions, it’s easy to see how Catherine could be quickly taken in by the excitement of a new companion like Isabella Thorpe.

And, like I said earlier, Mr. Tilney himself is pretty funny. More than any other Austen hero, we see Tilney poking fun at Catherine as well as himself throughout the story. We also see a lovely sibling relationship between him and Eleanor Tilney, with Eleanor often stepping in to explain her brother’s ridiculousness to a bewildered Catherine. We’ve seen a lot of good sibling relationships, but Eleanor and Mr. Tilney stand out in being the most equal-seeming and essentially teamed up against the trials of their family life. Catherine really strikes gold in them both, ending up with an excellent husband and a supreme sister-in-law to boot.

Favorite quotes – “What did she say? Just what she ought, of course. A lady always does.”

“[I]t is well to have as many holds upon happiness as possible.”

I’ve always loved this quote and have used it as a touchstone in my own life at points. It’s just such straight-forward, good common sense. And a nice reminder to not let any one thing or person becoming too defining in our own life. Of course our loved ones are at the center of it all, but our happiness is not reliant on them. Happiness is entirely our own responsibility, not someone else’s, and with that in mind, why not give yourself the best chance of success by finding happiness in a wide range of things?

“Miss Morland, no one can think more highly of the understanding of women than I do. In my opinion, nature has given them so much, that they never find it necessary to use more than half.”

This is a quote from Mr. Tilney and one that is immediately followed by Eleanor Tilney’s continued scolding/teasing that he is misrepresenting himself to Catherine. It’s a funny comment on its own, and a good example of Mr. Tilney’s excellent sense of humor.

“I cannot speak well enough to be unintelligible.”

Another good, short quip that I always wish I could remember to pull out at just the right moment. Alas, I cannot speak well enough to quote literature at the perfect moments.

Final thoughts – “I declare after all there is no enjoyment like reading!”

I’m not going to go into much as far as final thoughts for this book. Funnily enough, “Northanger Abbey” had previously been probably one of my least re-read books of Austen’s, but I’ve now read and reviewed it in some form or another twice in the last year and a half! That, and because the book itself is fairly short, is why I’m only devoting one post to reviewing this book. But for some more general thoughts from both me and Kate, check out our Bookclub Review of “Northanger Abbey.”

In two weeks, I’ll review the 2007 movie “Northanger Abbey.”

Serena’s Review: “How to Break an Evil Curse”

Book: “How to Break and Evil Curse” by Laura Morrison

Publishing Info: Black Spot Books, October 202

Where Did I Get this Book: NetGalley

Book Description: The King of the Land of Fritillary has incurred the wrath of his ex-bestie, the evil wizard Farland Phelps. Farland curses the King’s firstborn to die if touched by sunlight, and just like that, Julianna must spend her life in the depths of a castle dungeon (emptied of prisoners and redecorated in the latest fashion, of course). A young woman of infinite resourcefulness, all she needs is a serving spoon, a loose rock in the wall, and eight years of digging, and Julianna is free to explore the city—just not while the sun is out!

Warren Kensington is a member of a seafaring traveling theater troupe and the unwitting magical cure to the curse. When the pirate ship he’s sailing on is damaged in stormy seas, he goes ashore and bumps into Julianna on the streets of the capitol. The pair accidentally set in motion a chain of events that uncovers Farland’s plans to take over the throne. Julianna, Warren, and some friends they meet along the way are the only ones who can save the monarchy.

But the farther they go along their increasingly ludicrous journey, and the more citizens they meet, the more Julianna wonders whether her dad’s throne is worth saving. From an evil and greedy wizard? Well, sure. But from the people of Fritillary who are trying to spark a revolution? The people suffering in poverty, malnutrition, and other forms of medieval-esque peasant hardship? It doesn’t take Julianna long to find that the real world is far more complicated than a black-and-white fairytale.

Review: I’m always on the look out for a good fantasy/comedy series. While most of what I consider good fantasy obviously contains comedy elements, it’s typically nothing more than some witty dialogue. Nothing that would justify an added genre to the book itself. But, of course, they exist! “The Princess Bride” is a perennial favorite. And as I just discovered in a recent review of “The Princess Will Save You” , the comedy is central to the success of that story. So I was excited to see fantasy story that was actively marketed as a comedy, finally!

Julianna has grown up in a dungeon. Well, a dungeon that her mother practiced her interior design skills on to make as comfortable as possible, but there’s no getting rid of the decidedly dungeon-ness of it all, old prisoner ghosts and all. But with a curse that dooms her to death if touched by sunlight, Julianna’s royal parents didn’t see another choice. But that hasn’t stopped Julianna from taking things into her own hands and tunneling outside the castle walls. There she meets the young man who could be her salvation, a strange mix of boy who loves music and grew up on a pirate ship. Things only get more strange from there as they set out on an adventure that may finally free Julianna from her curse.

This book was an interesting read. There were times where I was all in on it and its concept, laughing out loud and just enjoying the romp that was being laid out before me. But at other times, I found the humor and comedy elements to be almost relentless and a bit overbearing. Unlike “The Princess Will Save You” that was almost aggressively earnest and lacking witty dialogue even, this book throws itself as the comedy element, never letting a single joke slide by. It’s a tough thing to review or critique because much of it was successful. The story uses footnotes to pretty great effect and doesn’t ever take it or its own ridiculous concept too seriously. But at other times, I felt I need some sense of weight or a different emotional tone to help balance out this nonstop comedy.

The characters themselves sere all very engaging, maybe especially the villains and the backstory we get for them at the very beginning of the story. I also liked Julianna and Warren, though it was with these two main characters that I most wished for a bit more emotional depth from the book. The funny moments for them hit home, but it was hard to feel truly invested in either of their stories when everything was played for laughs.

The pacing was also a bit strange in the book. As I mentioned, the first part of the story focuses on the villains and their history with Julianna’s parents and the curse that is ultimately laid upon them. So there are a number of time jumps involved in telling this part of the story. Id din’t find it confusing or anything, but it does take a while for the story to finally settle in on our main characters. It seems to take quite a while for them to even meet.

Lastly, I do want to touch on the marketing failure with this book. From what I saw, this was being marketed as a high fantasy novel. This isn’t doing anyone any favors. Not the book, not the author, and not the readers. High fantasy is a fairly specific brand of fantasy (we’re talking “Lord of the Rings” and “ASOIAF” type fantasy). It is usually more serious, has a grand scope, and includes a lot of complicated world-building. But it is by no means the only type of fantasy, and it’s also not “better” fantasy than any other type. I think too often that seems to be the perception which then leads to publishers trying to attach that genre description to all of their new releases in the hopes of attracting more readers. But it’s not “better!” Sure, some people prefer that type of fantasy, but others actually prefer more light-hearted fantasy or want a good fantasy comedy now and then. By not properly identifying the book, you have a bunch of readers picking it up expecting the wrong thing and becoming disappointed. And then the readers who were actually looking for this type of book could be put off by the often intimidating aspects of what we expect from typical high fantasy. It’s too bad, because I feel like they almost set this book up to fail by doing this.

So, while it’s definitely not high fantasy, if you are looking for a comedy fantasy story, this might be a good one to check out. Just know that when I say comedy, I really mean it. In some ways the comedy aspect felt more prevalent than the fantasy itself.

Rating 7: A fun enough story, though missing the necessary emotional weight to balance out all of the fluff and laughs.

Reader’s Advisory:

“How to Break an Evil Curse” is a newer title, so it isn’t on any Goodreads lists yet. But it should be on “Fantasy-Comedy Novels Outside of ‘Discworld.'”

Find “How to Break an Evil Curse” at your library using WorldCat!

Serena’s Review: “Blood & Honey”

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Book: “Blood & Honey” by Shelby Mahurin

Publishing Info: HarperTeen, September 2020

Where Did I Get this Book: Edelweiss+

Book Description: After narrowly escaping death at the hands of the Dames Blanches, Lou, Reid, Coco, and Ansel are on the run from coven, kingdom, and church—fugitives with nowhere to hide.

To elude the scores of witches and throngs of chasseurs at their heels, Lou and Reid need allies. Strong ones. But protection comes at a price, and the group is forced to embark on separate quests to build their forces. As Lou and Reid try to close the widening rift between them, the dastardly Morgane baits them in a lethal game of cat and mouse that threatens to destroy something worth more than any coven.

Previously Reviewed: “Serpent & Dove”

Review: Well, after enjoying the first book well enough this summer, it was kind of a given that I’d include it in my fall reading schedule. After all, I’d had a lot of success this summer with reading books that had been very popular last year and then were followed up by equally good, if not better, sequels (“The Merciful Crow” and its sequel, for example!). And, while the first book in this duology (ugh trilogy) wasn’t as strong as that one, it still caught my interest, and I had hopes the trend would continue. Alas, no. Not only did the trend decidedly not  continue, but I actively disliked this book and am probably out on this (again, ugh ) dulogy-turned- trilogy.

After the dramatic events at the end of “Serpent & Dove,” Reid, Lou and their friends find themselves on the run and in need of allies. Their search is a long and arduous one, pushing them all to the limits. On top of this all, Reid and Lou are still managing the new waters of their marriage after secrets on both of their sides have now been revealed. Will they all be able to stand strong together and will they be able to outwit the powerful force amassing against them?

So, that’s a pretty junky book summary that I just wrote. And that’s because…this is a pretty junky book? Seems harsh, but I really am having  a hard time coming up with any positive to say about this book. The problems start right away when I can’t write a good summary of this book because nothing happens in it. And it’s over 500 pages long! Instead of any plot to speak of, it’s made up of angst, drama, out of character actions/thoughts, and the worst case of “middle book syndrome” that I’ve ever seen. Part of the blame for this is, of course, because either the publisher or author (I’m guessing this was pushed by the publisher after the success of the first book) decided to stretch what originally envisioned as a duology into an unnecessary trilogy. And it shows. In a bad, bad way.

There is practically no action in this book until the last 40 pages. It’s just Lou, Reid and the others looking for allies, and with not much success. It’s not so much a story plot as a story plot point…a small one, at that. Definitely not one that justifies this book’s extreme length either. I mean, on one hand, it was always going to be a hard sell changing what was meant to be a duology into a trilogy kind of late in the game. But then to make the now-added middle book into a massively long middle book? The plot can’t support it. The character arcs (if there are any to speak of) can’t support it. It’s just not good storytelling.

The other major problem for me was in in the character arena and the romance. As I pointed out, this book was clearly stretched too thin on plot, and it feels the same with the characters. Their arcs no longer felt natural, but instead each character felt, at best, wildly out of character at times, and at worst, like they had been made into totally unlikable, totally different characters altogether. I struggled with Reid’s likablity in the first book. He was downright unpleasant in this one. His overly protective attitude towards Lou was in no way endearing and was often aggressively sexist in its portrayal. When he wasn’t caught up in that, it was internal angst and indecision all the live long day. Lou was a bit better, but still less likable than she was in the first. For her, much of her “arc,” such as it was, was more confusing than anything. She seemed to lose much of the personality she had in the first book and was at times almost unrecognizable.

To top a bad situation off, the book ends on a massive cliffhanger. And at this point, given how bad the rest of the book had been, this did not have the desired affect of cajoling last minute interest out of me, but instead just pissed me off more. It’s almost as if the publisher/author knew the book on its own wasn’t enough to keep most fans around, so they added this final twist as a last ditch effort. Really, the entire book seems to serve an example of publishing greed gone to far. If it had remained as a duology, with this the second and final portion, I’m sure we would have had a lot more actual plot and a lot less unnecessary character drama. The tone of the entire series could have remained consistent, and fans would have been satisfied. Instead, out of a need to squeeze the last drops out of the golden goose that was the first book, the series was stretched to a breaking point that is now losing fans. At least, they’ve lost me.

Rating 4: Supremely disappointing and barely recognizable as having come from the same author as the first book.

Reader’s Advisory:

“Blood & Honey” is on these Goodreads lists: “2020 YA Sequels” and “Can’t Wait Sci-Fi/Fantasy of 2020.”

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Serena’s Review: “The Silvered Serpents”

45044785Book: “The Silvered Serpents”  by Roshani Chokshi

Publishing Info: Wednesday Books, September 2020

Where Did I Get this Book: NetGalley

Book Description: Séverin and his team members might have successfully thwarted the Fallen House, but victory came at a terrible cost — one that still haunts all of them. Desperate to make amends, Séverin pursues a dangerous lead to find a long lost artifact rumored to grant its possessor the power of God.

Their hunt lures them far from Paris, and into the icy heart of Russia where crystalline ice animals stalk forgotten mansions, broken goddesses carry deadly secrets, and a string of unsolved murders makes the crew question whether an ancient myth is a myth after all.

As hidden secrets come to the light and the ghosts of the past catch up to them, the crew will discover new dimensions of themselves. But what they find out may lead them down paths they never imagined.

A tale of love and betrayal as the crew risks their lives for one last job.

Previously Reviewed: “The Gilded Wolves”

Review: I wasn’t blown away by “The Gilded Wolves,” the first in this YA fantasy trilogy. But as I liked it more than Chokshi’s other books I’ve read and the cast of characters was compelling, I decided to keep going with the series. Well, I have, and…I don’t think I liked this one any better? Maybe worse? And yet I still will probably read the third? I’m not sure what this says about me as a reader or about the trilogy itself. Me, probably a completionist. The trilogy, something about it must be intriguing enough to keep me invested.

Things have kind of fallen apart for our crew after the dramatic events at the end of “The Gilded Wolves.” Each on their own, each has been trying to make their own way in the world, feeling cut-off from the rest. But when a lead on “The Divine Lyrics,” the magical book at the heart of Severin’s (and Laila’s) quest, finally comes to light, Severin brings them back together for one last adventure. Into the heart of the north and through mysteries new and astounding, the crew must once again bring each of their unique skill sets to hand in order to pull of this last job. But, of course, nothing goes as planned and a darker price is waiting than any of them could have imagined.

So, a lot of the problems I had with the first book (and with this author in general) were still present here, unfortunately. There’s something about her style of writing that I struggle with. On one hand, there’s the turns of phrase that seem to be written more because they sound beautiful and poetic rather than the fact they convey any actual image. The titles, for example, of both of these books doesn’t seem to really connect directly to much in the story. But they sure sound pretty! Most of the time it didn’t bother me too much, but there were definitely other times when I would re-read a sentence and be like “Sure…sounds nice…but…what?” And that confusion carries over to my second struggle with the writing.

While the author does a good job with characterization for the most part and clearly has a bunch of unique fantasy ideas. She’s not lacking in imagination on either front. But when it comes to the actual description of locations, objects, and how they interact with each other…it’s just not good. There were entire locations (where the book spent a significant amount of time) that I couldn’t describe to you. There was an entire action scene that was a blur of movement, and by the end, again, I couldn’t tell you what exactly had happened. The writing looks pretty on the front of things, but it too often failed at its most basic requirement: conveying ideas clearly.

I also struggled with the plot itself. The mystery was both at times not clear at all (Severin and his cohort would jump through leaps of logic that were either impossible to follow or just totally unbelievable that anyone would connect those dots). And at other times so bizarrely obvious that I couldn’t be less impressed when AHA! the reveal finally came and Severin and his crew were just oh, so clever for putting it together.

And, sadly, on top of all of this, my favorite part of the first book, the characters, was a let-down here as well. They’re all still interesting enough, but man, this was a glum book. Severin was practically unrecognizable, and his decisions were, again, hard to buy at times. As for the rest, they all seemed to become more and more caught up with unnecessary secret keeping that served no other purpose than to stir up more drama. It was just all kind of sad and tiring.

And yet…I’m probably going to finish out the story. For one thing, this book mostly felt like a place hold and necessary vehicle for the author to get from point A to point B. So while this middle portion of the trip was a let down, I can still be hopeful that it was all to the purpose of getting us somewhere more interesting. I’m not really holding out much hope for the writing to clear up and suddenly become my cup of tea, but I do have hopes that the characters themselves will go interesting places and resolve their own story lines in compelling ways. Fans of the first book are sure to like this one. But if you were on the fence there, you’ll probably have similar feelings here. I leave it to you whether it’s worth going through it based on only the hope of a well-executed landing.

Rating 6: Fairly glum and mired in its own “middle-ness” in the trilogy.

Reader’s Advisory:

“The Silvered Serpents” is on these Goodreads lists: “Asian MG/YA 2020” and “2020 YA Sequels.”

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