Book Description: Seventeen-year-old Althea is the sole support of her entire family, and she must marry well. But there are few wealthy suitors–or suitors of any kind–in their small Yorkshire town of Lesser Hoo. Then, the young and attractive (and very rich) Lord Boring arrives, and Althea sets her plans in motion. There’s only one problem; his friend and business manager Mr. Fredericks keeps getting in the way. And, as it turns out, Fredericks has his own set of plans . . .
Review: This book has been hanging around on my Goodreads TBR pile for quite a while. Like, years. Between all the new releases and series that I’ve been reading so far, it’s never made its way to the top. Until last month when I was heading out on vacation and realized I had nothing on my Kindle that was particularly calling to me. Not to mention, I’ve been reading a heavy dose of fantasy/sci fi books recently, it was about time I got back to good, old historical fiction. So without further ado, I checked it out and raced through it.
The castle that Althea, her mother, her brother and her two snobby (but rich!) step-sisters live in is falling apart around them. Literally. Pieces of the ceiling pose a danger at any moment and the family must carefully arrange chairs when they have guests over to limit the risk of said chairs caving in from sheer age and decrepitude. Althea knows her duty: to save the castle by marrying well. Luckily, while fortune is not on her side, she does have a good amount of looks. Armed with this and a healthy dose of determination, Althea sets her eyes on their new neighbor, Lord Boring. But can she even get at him when the ever present, ever annoying Mr. Fredericks is always by his side?
From that description alone, you can probably guess the majority of the story. That, or having read/been exposed to any Jane Austen in your lifetime. I’m not leading with this as a criticism of the book (though it did have its downsides, which I’ll get into later), but as a general description of what this book sets itself up to be from the very beginning. There are no illusions of creating a completely distinct work. Instead, the story walks a line between parodying other classic works while also trying to work in a few surprises of its own. Some pieces of this were more successful than others.
Many of the characters had similarities to other stereotypical characters one usually finds in historical romance. Althea was an entertaining blend of Emma from “Emma” and Elizabeth from “Pride and Prejudice.” At her core, she’s a good-willed, smart woman. But she also has a healthy dose of foolishness that leads to all of the some-what expected shenanigans one could hope for from a light-hearted story like this. The two step-sisters were, of course, terrible, each exhibiting comical combinations of idiocy, selfishness, and petty cruelty.
The characters I was a bit more surprised with were Althea’s mother and the two gentlemen who are introduced. The mother was neither foolish nor absent! That alone is kind of shocker for stories like this. Instead, Althea’s mother is a very compassionate character and had her own mini arc throughout the book. As for the men, it’s not a spoiler to reveal that OF COURSE Althea has it all wrong about both of them. But their backgrounds and motivations where different than one might expect. This played to varying success. I liked the evaluation of Lord Boring and the choices he makes, revealing that in some ways, men and women in this time are not all that different.
But, while I liked Mr. Fredericks for the most part, I still struggled a bit with his “change” and the romance between him and Althea. Her frustrations with him are, largely, completely valid. And while he does make up for some his errors, I wasn’t quite convinced that I saw a discernible change in their relationship as the book progressed. Althea just kind of suddenly realizes that she has feelings. But it several of the better traits about Mr. Fredericks haven’t even been revealed! It isn’t a huge complaint, as I still enjoyed their scenes and dialogue together. But I also never really felt the chemistry between them either, which is a problem for a book like this where the romance is key.
As for the plot, like I said earlier, there are a lot of references to plot points from Jane Austen novels and the like in this book. While I enjoyed these for the most part, there were also moments when the book simply felt predictable because of how closely it was following the storyboard of those types of books. There were very few real surprises in here.
But, again, this is a book that one reads for the light, fluffy romance and for the writing style itself. There, the author very much succeeded. She did manage to neatly grasp the way of talking and writing that is common to stories set in this time period, and there were several turns of phrase that had me laughing out loud and highlighting bits.
All in all, it was a very pleasing book. It didn’t push any boundaries or surprise me, but it was just what it claimed to be: a light historical romance with some witty banter.
Rating 7: A fun, easy read, but don’t expect to be surprised or challenged in any way.
Publishing Info: Scholastic Paperbacks, October 1999
Where Did I Get this Book: own it!
Book Description:Cassie’s losing her mind. But she’s gaining the mind of another. Aldrea — daughter of Seerow, Andalite Prince. Aldrea’s persona, her memory, and a valuable bit of information now belong to Cassie.
Plot: Another book where I only had vague memories! Most notable, perhaps, was my lack of memories at being frustrated by a Cassie book, which had been the standard for the last few. And there’s a reason! I think this, so far, is the best Cassie book in the series! I always want to give book #4 credit for introducing Ax, but, really, it’s not that great what with the magical whale nonsense and some of Cassie’s “ponderings” on the morality of morphing dolphins. Is the fact that this is only half a “Cassie book” since she shares the narrative with Aldrea part of the reason I enjoyed it?
But I also think it’s legitimately one of the better ones for Cassie herself. Let’s dive in!
We start with the required mini-adventure that seems to lead off all the books now. This time it’s cat!Rachel and rat!Cassie invading a teacher’s house to retrieve a piece of paper with an “I love Jake” doodle that Cassie accidentally turned in with her homework. Teasing happens, but they manage to retrieve it.
Back at the barn, Cassie is surprised to find Jara Hamee waiting for her. He’s come to fetch the Animorphs to the Hork Bajir valley where something shocking as occurred: an Arn, the alien species that created the Hork Bajir long ago, has arrived and has a request.
The Animorphs all fly to the valley. Once there, Toby, the Hork Bajir seer, explains that the Arn arrived out of nowhere in a stolen Yeerk ship and wants the Hork Bajirs’ help, but she wanted the Animorphs’ insight before making any decisions. The Arn claims to be the last of his species. But he doesn’t want to go quietly into the night and has come up with a way to try to reclaim his, and the Hork Bajirs’, home world. Before Aldrea and Dak died, they had managed to capture a Yeerk ship that was loaded with weapons. With these, the Arn proposes to gather some Hork Bajir DNA and create another guerilla warfare combatant group on the home world that can fight the Yeerks who remain there. The Hork Bajir are all willing to contribute DNA. But the hold up becomes clear: the Arn doesn’t know where the cache of weapons was hidden, only Aldrea herself knew this. But, luckily (?) for everyone, before she died, Aldrea had her personality/memories transferred into this jar thing that can be used to bring her back, sharing the mind and body of a host. Once she locates the weapons, she can be returned to the jar. The danger is that Aldrea herself will need to choose to leave her host body, making it quite a risk.
Rachel, of course, volunteers, as does Toby. After some debate, they all agree it’s for the best, and the ritual begins. But it is Cassie who is chosen. Caught completely by surprise, Cassie still knows that the only choice she really has is to accept. From this point onward, the story breaks into alternating chapters between Cassie and Aldrea.
Sharing minds and bodies, Cassie and Aldrea struggle to find a balance. Aldrea is shocked, confused, and scared by this sudden turn of events. From her perspective, she was just alive, with Dak and their child Seerow on the Hork Bajir homeworld. She’s now awoken to find herself in the mind of an alien girl, years later, and that both her son and husband are long dead. Her, too. There is also a lot of tension and mistrust between Ax and Aldrea. But eventually, they explain what they need from her. Aldrea is able to keep some of her thoughts private and realizes that she doesn’t know where the cache is, it was hidden after she had transferred her memories. But still wanting to travel back to her home, she agrees to the mission anyways.
The Arn, Toby, and the Animorphs all take off in the Yeerk ship on their way to the Hork Bajir world. The Chee remain behind to pose as the Animorphs while they’re away. Days later, when they arrive, they get in a brief battle with an Andalite ship that is patrolling near the Hork Bajir home world (the Andalite only sees the Yeerk ship). They manage to escape by using Aldrea’s skills as a pilot and markswoman. This gains her further trust with the group. She also begins to appreciate Jake’s leadership skills as he makes calls.
On the home world, Aldrea is shocked and saddened to see the destruction the Yeerks have brought to her planet. Many of the trees have been razed and the land is barren in many places. The Arn leads the group down into one of the deep trenches where his civilization used to exist. As they discuss next steps, the mental barrier between Aldrea and Cassie slips for a second and Cassie realizes that Aldrea lied, and doesn’t know where the cache is. The other are furious and say that Aldrea has lost their trust.
There is nothing to be done, however, but to move forward with Aldrea’s best guess as to where she might have hidden it. They all morph Hork-Bajir and swing through the massive forest. Aldrea leads them to the valley that used to be her home with Dak and Seerow. But the Yeerks have destroyed it, razing the trees and damming up a portion of the valley to now serve as a Yeerk pool. Aldrea is crushed, the reality of her situation finally hitting home. However, she is able to spot one tree that is part of the dam that has a marking that she and Dak had put on it. That’s where the cache would be. The problem is that the entrance to the hollowed out tree is on the other side, submerged in the Yeerk pool itself.
Jake and the others come up with a crazy plan. Aldrea calls it crazy and is horrified when they decide to move forward. Cassie tells her that they been pulling off crazy missions for quite a while now, and that she trusts Jake’s leadership skills. The team sets up to put the plan in action. Of course, it all relies on Cassie and her unique morphing skills.
All of the Animorphs morph bugs and climb into osprey!Cassie’s mouth. She then flies as high as she can above the Yeerk pool and then begins to let herself fall. As she falls, she slowly begins demorphing, saving her wings for last. At one point, she manages to completely demorph her lower half and begin the whale morph, all while still retaining her wings. As they fall, Aldrea is in awe of what Cassie is managing, never having heard of anyone being able to control their morphing like this. But as Cassie draws things out (to avoid being spotted as a human girl somehow on the Hork Bajir planet), Aldrea begins to panic and tries to take control of Cassie’s body. Cassie manages to not only continue her complicated morph but shut down Aldrea’s attempts as well. Finally, fully whale, Cassie lands in the Yeerk pool. In her huge mouth, the other Animorphs begin their next morphs. She surfaces and Ax, Andalite!Tobias, and Hork Bajir!Marco leap out onto the dam and start fighting off the Yeerks. Shark!Jake and shark!Rachel take care of the Taxxons powering towards them in the water. Lastly, Aldrea/Cassie demorph from whale and morph back to Hork Bajir. In this form, they are able to open the secret door into the tree and they all escape into it. There they find the Yeerk shop and the cache of weapons.
There is only one way out, however. They all load into the ship and blast their way out, creating a massive sink hole into which thousands of Yeerks are sucked down to their deaths. Cassie mourns this and Aldrea, again, wonders at these humans. When they get back to the Arn’s home, Aldrea knows that it is time. After seeing her home destroyed and realizing there is nothing for her in this life (and that she cannot wrestle control away from Cassie), she agrees to return to the jar. She also insists that Toby, her remaining kin, not stay on the Hork Bajir home world. She wants one family member, at least, to not get caught up in a guerrilla war. With the Animorphs’ help, she puts on a scene saying she is trying to take over Cassie. Ax grabs Toby and tells Aldrea that they are keeping her as a hostage if Aldrea doesn’t leave. Aldrea leaves Cassie and slowly fades away. The other return, knowing that Toby will realize it was a trick, but that by then it would be too late.
Peace, Love, and Animals: This is actually a really good book for Cassie. The personal arcs/plot points fall directly into her wheelhouse. And the action itself is of the kind that could be accomplished only by her.
In the beginning, she is sure that Aldrea’s spirit won’t choose her. Aldrea was known as an independent, fierce woman. Naturally, they all assume she’ll gravitate towards Rachel or Toby. After being chosen, Cassie then spends most of the rest of the book wondering why she was chosen. As Aldrea begins to push the boundaries on controlling Cassie’s body, Cassie begins to suspect that Aldrea must have sensed some sort of weakness in her, one that she could exploit to remain in the living world. But it is only in the end when Cassie asks Aldrea that she finds out the truth: Aldrea can’t know for sure, as she wasn’t consciously choosing, but she suspects that she knew she would be tempted to stay and that she needed to be with someone who could remind her of her own “humanity” essentially and strong enough to show her that. I think this fits very well with Cassie as a character.
Also, Aldrea really struggles throughout this book, as would be expected for someone who just woke up years later and finds out they have lost everything. Cassie’s simple sorrows for her and empathy are comforting to Aldrea. Lord knows Rachel wouldn’t have pulled that off. And Toby would also have had some self-interest involved in a way that Cassie’s simple focus on supporting Aldrea’s emotions didn’t.
The morphing scene at the end was also awesome. We’ve seen Cassie pull off some amazing stunts before (all seemingly involving morphing whale while falling from the sky), but what she manages here takes it to a new level. I don’t believe we’ve ever seen her (or obviously, anyone) pull off morphing two different animals at once, getting her legs fully human and started up on whale while her arms are still osprey and waiting to go through the human stage. It’s pretty incredible and Aldrea’s own shock and awe is a nice cipher for readers to understand how truly extraordinary what Cassie is pulling off is. Throughout the book, Cassie also notes to herself that even while she has a particular talent, the Animorphs in general are all probably morphing experts, as compared to the Andalites who rarely actually use the ability, including Aldrea.
Aldrea: It’s great having another book with Aldrea in it. Through her memories, we get more insight into what her and Dak’s life was like with their baby before the end of everything. Obviously, we know it ended tragically, but there are some sweet moments between the two that we get to see through her memories and dreams.
She is also, understandably, dealing with a lot of anger, confusion and denial throughout this book. She’s never even heard of humans and now suddenly she’s on their planet inside the body of one. She’s rightly skeptical of the Arn’s motivations for his whole plot, and sees the Animorphs as children and finds it difficult to trust and follow their lead. Further, she and Ax have an ongoing conflict, each looking on the other with a sense of distaste.
The space fight scene is a good moment to highlight her skills as a combatant, and while they are all in Hork Bajir morph on the planet, we see just how comfortable she is in that form, having truly adopted it as her own.
We also see her struggle with the idea of returning to her unconscious state. She never outright plots to take over Cassie, but when, in a moment of panic, she tries to take over while they’re falling through the air, the realization that she actually can’t is a helpful push for her to realize just how wrong what she had been considering was.
It’s also a nice touch, in the end, for her to feel so strongly about Toby returning to Earth, not wanting the same life for Toby as the one Aldrea lead.
Our Fearless Leader: Jake really highlights his strength by repeatedly standing up to Aldrea. It’s mentioned several times that she’s essentially a war hero straight out of history. So it’s natural that there might be tension regarding who makes the calls. Jake never wavers, however, and as the story progresses, Aldrea begins to see why he has been so successful for as long as he has and why the other Animorphs trust his judgement with some of their more crazy plans.
Xena, Warrior Princess: Rachel, of course, volunteers immediately and is very confused when she isn’t chosen. She outright asks Aldrea about it early in the book, but Aldrea doesn’t really know at that point. Along with Jake, Rachel is also the most on the alert for signs that Aldrea may be trying to take over Cassie or not give her up. There were a few instances when Aldrea talked from Cassie’s mouth and Rachel was immediately angry and upset, insisting that she let Cassie back.
A Hawk’s Life: Tobias doesn’t have much in this book, other than it being recognized that he is the closest to the Hork Bajir and the one who had heard Aldrea’s story from Jara Hamee originally. When they’re all on the Hork Bajir planet, he stays in hawk morph and struggles to navigate around the massive trees.
The Comic Relief: Marco also doesn’t have much. He has a few good one-liners here and there. His usually commentary on how insane all of their plans are. And there is a moment when Jake is in the middle of a big “leader” speech where he interrupts him to make a joke. Cassie notes this as a good service that Marco provides his best friend when he thinks Jake is getting too serious or caught up in things.
E.T./Ax Phone Home: Ax struggles the most with the appearance of Aldrea. His normal Andalite arrogance is amped up when presented with the daughter of the Andalite who essentially created the Yeerk threat. Not only does he have the usual Andalite disdain for Seerow, and through him, his daughter, but his own prejudices regarding Andalite superiority are on display. He cannot understand why an Andalite would choose to live as a Hork Bajir. Aldrea does a good job calling him out on both of these fronts, noting that Elfangor did the same by giving the Animorphs their powers and naming his prejudice for what it is with regards to her decision to become a Hork Bajir. By the end of the book, both have come to an understanding and appreciation for the other, but it’s rough there at the start.
Best (?) Body Horror Moment: Cassie has one of her biggest moments of panic and horror when Aldrea takes over the morphing process when they morph wolf back on Earth as a practice run. For the first time, the morphing process is described as being painful, likely largely due to the psychological strain of having one’s body go through that but not to be in control of it. Probably especially for Cassie, as she is used to having more control over the process in general than any of the rest of them, so to have it completely out of her hands…
Couples Watch!: Obviously there’s the bit in the beginning when they’re fetching the love note. Maybe aware that Tobias/Rachel jumped the “using the ‘L'” word hurdle in the last book, it is noted here that Cassie and Jake have kissed other times (though usually just after battles) and, while they haven’t told each other, they both know they love each other.
Unfortunately, what should have been big miles stones for these two (but AGAIN, all of that supposed kissing happened off screen, so I’m still calling these two the wet blanket couple of the bunch) are over-shadowed by the much-more compelling and adult-feeling relationship between Aldrea and Dak. Not only do they have a whole book of backstory for the two of them together, but Aldrea’s emotions and memories of Dak just feel deeper and more meaningful.
If Only Visser Three had Mustache to Twirl: Another book without Visser Three! Really, this is one of the few books that had no main villain. Like we saw in the last book, sometimes other Controllers step in for the villain role, but here we don’t have much other than the generic Hork Bajir and Taxxon Controllers they all fight in the end. And even there, Cassie/Aldrea are never really in that battle. But the Arn is viewed with quite a lot of suspicion from everyone. He says he is the only one left, and they all question his motivations for wanting to start up another guerilla war with the Hork Bajir serving as warriors. What’s in it for him? It’s not like the Arn have a great history about caring for anyone other than themselves, especially not the Hork Bajir. He also has an unfortunate habit of referring to the planet as only his own. Though, to be fair, they were there before the Hork Bajir. So while it’s the Hork Bajirs’ home, too, they can’t really deny the Arn some ownership of it. But, in the end, there doesn’t appear to be anything to all of this suspicion, and while the Arn is still arrogant and a bit off-putting, his claims seemed to be true.
An example of his sliminess, when they are discussing who needs to make the trip to the Hork Bajir planet:
“But she is just a vessel,” Quafijinivon [the Arn] said with a sort of greasy smile. “Why would you humans need to come?”
<Because you think she’s nothing but a vessel, that’s why,> Tobias said.
Adult Ugly Crying at a Middle Grade Book: The scene where Aldrea first sees what used to be her, Dak, and Seerow’s home, now converted to a Yeerk pool of all things. It’s pretty crushing. Especially because up to this point, some small part of Aldrea has been in denial about her situation. Seeing it really makes it hit home what she’s lost and how far removed she is from everything she knew. It’s really tragic when you think about it. To her, she had just minutes ago been alive and well, transferring her memories. And now it’s all gone. Her husband is dead. Her son went on to be taken by the Yeerks and die in captivity. Her home is a freaking YEERK POOL. The tree in which she and Dak essentially carved “A hearts D” is part of the dam itself!! It’s rough. And then, in the end, she has to choose to return to oblivion, not knowing if she’ll ever wake again.
What a Terrible Plan, Guys!: The plan with Cassie’s morphing feats was really awesome. The plan to trick Toby was…really not. It all happens in about two pages and it just doesn’t make sense. I feel like Toby knows that Ax threatening her is an empty threat, so it’s hard to believe she’d fall for it. Beyond that, I have to think she’d be more open to an honest conversation with Aldrea and none of it might have been necessary. Beyond that, once she does learn the truth, I’d think the fallout would be massive. That’s a HUGE betrayal by the Animorphs. And it’s only made worse by the general way that Hork Bajir have been mistreated in the past, manipulated by “smarter” species “for their own good.” I have to believe that Toby would see it as such and have a hard time forgiving them all for taking away her agency.
Aldrea notes with some confusion the Animorphs’, and Cassie in particular, sadness over the death of all the helpless Yeerks in their pool. It’s over this concept that Ax and Aldrea begin to understand each other:
<Let us agree, then, that all civilized species must share a hatred of war,> Aximili said.
Funny AND super dated moment. Marco expresses an opinion that does not hold up well!
<He [the Arn] had to come. Star Wars: The Phantom Menace isn’t coming out on DVD there for, like, two years. He buys up a bunch of copies here, takes ’em home, makes a fortune.>
<Good grief, Marco, you live science fiction, why do you want to watch science fiction?>
<Don’t be dissing TPM,> Marco said. <Cool is cool.>
Scorecard: Yeerks 8, Animorphs 14
This is a big win for the Animorphs. Like huge. Having another battlefront break out on the Hork Bajir home world will be a huge help in dividing the Yeerk’s attention and assets. Plus, as sad as they all are about it, they took out a good number of Yeerks in the process.
Rating: I actually really enjoyed this book! All of Cassie’s strengths were utilized in excellent ways, and of course, it was great having the character of Aldrea back, if only briefly. I’m not sure why I forgot this one as much as I did, given how much I liked it this go around. But I was definitely pleasantly surprised.
Note: I’m not going to rate these books since I can’t be objective at all! But I’ll give a one sentence conclusion and you can take from that what you will!
Book: “Beast: A Tale of Love and Revenge” by Lisa Jensen
Publishing Details: Candlewick Press, July 2018
Where Did I Get this Book: ARC from the publisher
Book Description: They say Château Beaumont is cursed. But servant-girl Lucie can’t believe such foolishness about handsome Jean-Loup Christian Henri LeNoir, Chevalier de Beaumont, master of the estate. But when the chevalier’s cruelty is revealed, Lucie vows to see him suffer. A wisewoman grants her wish, with a spell that transforms Jean-Loup into monstrous-looking Beast, reflecting the monster he is inside. But Beast is nothing like the chevalier. Jean-Loup would never patiently tend his roses; Jean-Loup would never attempt poetry; Jean-Loup would never express remorse for the wrong done to Lucie. Gradually, Lucie realizes that Beast is an entirely different creature from the handsome chevalier, with a heart more human than Jean-Loup’s ever was. Lucie dares to hope that noble Beast has permanently replaced the cruel Jean-Loup — until an innocent beauty arrives at Beast’s château with the power to break the spell.
Review: Oof, another challenging “Beauty and the Beast” retelling. I think I could probably write an entire PhD on the pitfalls of re-telling this fairytale. When I first saw the book description, I was excited to read a version that was seemingly focused on an entirely new character, not “Beauty” herself. And while that aspect was still interesting, the book itself was very difficult to read and I will have a hard time recommending it to others, unfortunately.
Lucie is a servant in the house of the rich lord, Jean-Loup. After a horrific event, she is the one to wish the worst on her master, resulting in him turning into a beast, and her into a sentient household item. As time passes, she begins to suspect that this new, beastly version of her master might not be the same, and when a stranger arrives on the scene, the world begins to change once again.
So this is obviously not a positive review, but there are a few things I’d like to highlight as positives for this book. One, I still very much appreciate the originality behind the concept of this story. We’ve all read a million and one versions told from various “Beauty’s” perspectives. Some are better than others, but the basic construct is the same. They all arrive on the scene, confused and scared. And slowly come to change their minds and fall in love with the Beast. Here, Lucie knows Jean-Loup before his change and her experiences with him as a Beast are from the perspective of a servant, not the traditional heroine’s role. What’s more, Lucie isn’t even the “Beauty” in this story, and that character does make an appearance and play a part in the story unfolding. It’s a very creative take on things, and I truly wish that other choice had been made that would have allowed this new version to stand well on its own.
Further, I did like the writing for the most part. The “voice” fits well with the re-telling of a fairytale. It verges on rather simplistic and “younger” sounding, but I think that, done right, this tone actually works really well for fairytales which can be unique for having a different cadence, such as this. However, the writing also directly lines up with some of my major criticisms of the book.
It is very simplistic and straight forward. As I began reading, I started thinking “Huh, ok. So this is maybe more of a middle grade version of ‘Beauty and the Beast.’ Great!” Mentally, I started aligning it with the words of Shannon Hale, who’s written a bunch of fairytales, many of which have a younger-sounding voice and simple story-telling technique. But alas, this comparison died a sudden, very harsh death only a few chapters into the story.
(This might be a spoiler, but it’s pretty crucial to understanding the negative reaction I’ve had to this book, so if you want to go in blind, skip the rest!)
The prologue to the story sets it up that Lucie is the one who directed the fairy to go “all in,” as it were, on the curse on Jean-Loup. So we know that something awful has to happen to inspire this level of hatred. And something awful does indeed happen, in the form of a graphic sexual assault scene.
This was shocking to see on several accounts, but not least of all is the direct contradiction that the graphic nature of this scene lays across the middle-grade nature of the writing itself. I was mentally comparing this book to Shannon Hale, of all people, based on the writing style itself. The most sweetest fairytale writer you can find! And that’s a problem. Likely, the type of reader who is going to appreciate the tone of this writing style is going to verge younger. Even for me, a fan of middle grade and YA fiction, I was distracted by the simplistic nature of this writing. So those who may truly enjoy it are going to be young. And then you get a scene that could have been straight out of “Game of Thrones.” It’s going to be tough to read for even the most hardened among us who are semi-used to running across scenes like this in adult fantasy, let alone younger readers. But, on this side of things, readers who are prepared for this type of dark scene, are likely going to be completely turned off by the young-sounding writing. So there’s a contradiction there where the writing and content are, conversely, going to turn off both options for a reader-base.
Beyond this, I have problems with the actual story line, having included a scene like this as the basis for Lucie’s hatred of Jean-Loup. For all intents and purposes, Lucie ends up as the romantic interest for the Beast, instead of Belle. The book tries to roll out the tried and true rug of “magically separated/changed selves” that would absolve the Beast of past actions, as he is now no longer truly that person. I will always struggle with this type of wand-waving. Regardless of the fact that the “reasons” that Lucie points to as evidence that these two beings are inherently different are horribly minor (like food preferences and fears of spiders), there’s always going to be an insurmountable hill, in my mind, between forgiving an attacker (a hard ask on its own) and falling in love with him. I just can’t get behind that story, and I don’t think this book did nearly enough, even, to highlight any exception that could be made.
While the latter argument could be a matter of personal preference (though I still don’t think there is a huge swath of readers out there who are just searching for that great tale highlighting a victim falling in love with her attacker), my first point about the very real conflict between writing style and content is enough for me to give this a low rating. I honestly just have a hard time really focusing in on who exactly the audience is supposed to be for this book. At the very least, I wasn’t part of it.
Rating 4: Not for me. I don’t think this is a message we want to send out, regarding victims and their attackers, and the writing style was in direct conflict with the content.
Again, honestly, if you want a good “Beauty and the Beast” retelling, go read “Beauty,” (the classic, in my opinion), “Heart’s Blood,” (by may favorite author, Juliet Marillier), or “Hunted” (for a more recently published option).
Publishing Info: Orion Children’s Books, September 2016
Where Did I Get this Book: own it!
Book Description:Kaz Brekker and his crew have just pulled off a heist so daring even they didn’t think they’d survive. But instead of divvying up a fat reward, they’re right back to fighting for their lives. Double-crossed and badly weakened, the crew is low on resources, allies, and hope. As powerful forces from around the world descend on Ketterdam to root out the secrets of the dangerous drug known as jurda parem, old rivals and new enemies emerge to challenge Kaz’s cunning and test the team’s fragile loyalties. A war will be waged on the city’s dark and twisting streets―a battle for revenge and redemption that will decide the fate of the Grisha world.
Review: As was established in our bookclub review of this book, I was definitely the side of our blogging duo who loved the first book. I was all the more surprised given the massive burn I’m still nursing from the author’s original Grisha trilogy that I’ve come to see as an example of how even great writing and great characters can fall prey to some unfortunate YA fantasy tropes. But “Six of Crows” seemed blessedly free of the concerns that plagued those original books, and I was so excited after reading it that I immediately ordered this, the second half of the duology. And, I’m pleased to report, that she stuck the landing on this one!
Kaz and crew are in a tight spot. While they pulled off their last crazy stunt, the reward they were promised not only wasn’t forthcoming, but the powerful merchant with whom they had bargained instead kidnapped Inej and tanked the reputation of the entire crew with the other powerful gangs that make up Ketterdam. Now, stuck between a rock and a hard place, the group must not only recover their lost member and loot, but somehow resolve a political situation has the potential the change the world for the worse.
What sold me on the fist book was the strength of this cast of characters. There are a lot of them, and it speaks to Bardugo’s abilities as an author that she was able to balance so many competing personalities and story arcs. Many of those continue into this book, though there are slight shifts in focus. While much of the first book was taken up by slowly revealing Nina and Mattias’s shared past and resolving their ongoing prejudices, here, their romance and role in each other’s lives has settled down more. The fallout of Nina’s use of the highly addictive, powerful stimulant that she used in the last book to save the team at the very end, was an important and captivating arc for her.
Jesper and Wylan, instead, received more word count and chapters than they had had in the first book. Jesper’s own past was delved into, as well as his continued confrontation with his own gambling addition and the ongoing damage that his past poor choices are wreaking on his own life and the lives of those he loves. Wylan, too, further explores his own highly toxic familial relationships and the true horror that lies at the heart of many of his father’s lies. Their relationship, together, is also given more focus, especially as Jesper begins to realize that his crush on Kaz is a dead end and that Wylan may have always been the better match for him.
Of course, for me, Inej and Kaz were my main points of interest. I enjoyed both of these two the most in the first book, and I continued to enjoy their chapters here. I do feel like they each had a bit less, ultimately, due to the increased focus on Jesper and Wylan, however, I still loved what we were given. Inej, specifically, had come to some pretty frank realizations about what she saw for herself in the future by the end of the last book. And here, it was learning how to follow through with two competing desires. She’s also confronted by a mysterious assassin who may actually be even more skilled than the Wraith herself. Kaz, too, still struggles to overcome the lasting effects of his past. His arc didn’t have as many clear points, as it was more a simple continuation of his rise as a force to be reckoned with in Ketterdam. However, his relationship with Inej and the vulnerability that is required to maintain (begin!) it, is a continual point of challenge for him.
As for the plot itself, I very much enjoyed the complicated heist that was put into effect. There were several points that were laid down here and there that later came to play in new and surprising ways. There was just enough made clear to see the building blocks of the plan, but enough was hidden from various characters to have a good number of surprises in store (this is probably another reason why we had fewer Kaz chapters than I’d like, since, by necessity of the plot remaining a mystery, the man who knows it all can’t have a lot of focus). I liked the multiple showdowns that came into play and the ways in which various crew members’ strengths were called upon at different times to solve different problems.
The story was a bit more sprawling than the close-focused mission of the first book and I both appreciated the added complication but also felt a bit more adrift in the middle when the pieces were still being put together. The goal itself was almost too ambiguous to give the action a clear focus. This resulted in some of what should have been compelling action scenes feeling a bit disjointed from the book, as it wasn’t clear until the end how they all added together to get the result.
I also really enjoyed the ending. The story definitely didn’t shy away from some grim choices, and while I know this will disappoint some readers, I felt that these decisions were necessary to reflect the true dangers of the situation at hand. Further, while broad paths were laid before each character, their stories were by no means neatly wrapped up. Instead, we saw glimpses into what could be the future, but they were left so wide-open that there’s room to imagine various outcomes for them all.
Overall, I very much enjoyed this duology. It’s hard to think of many fantasy/heist books (of course, there’s the insurmountable Megan Whalen Turner), so in many ways these stories felt like a breath of fresh air in YA fantasy fiction (is it even YA? This was a question we discussed at bookclub, and I’m not sure of the answer for books like this). If you enjoyed “Six of Crows,” or Megan Whalen Turner’s “Queen’s Thief” series, or other books by Leigh Bardugo, definitely check this one out!
Rating 9: A thoroughly satisfying conclusion to this duology.
Where Did I Get this Book: audiobook from the library!
Book Description: Leah Westfall, her fiancé Jefferson, and her friends have become rich in the California Territory, thanks to Lee’s magical ability to sense precious gold. But their fortune has made them a target, and when a dangerous billionaire sets out to destroy them, Lee and her friends decide they’ve had enough—they will fight back with all their power and talents.
Lee’s magic is continuing to strengthen and grow, but someone is on to her—someone who might have a bit of magic herself. The stakes are higher than ever as Lee and her friends hatch a daring scheme that could alter the California landscape forever.
Review: This is the last in the “Gold Seer” trilogy and after the previous book which seemed to wrap up much of the story and do-away with its main villain, I wasn’t sure where this book would go from there. I was also still smarting from the pretty graphic and hard-to-read scenes that made up a good chunk of that book, so I went into this one hopeful that we’d have a return to the “Oregon Trail” adventures of the first book. What we got was probably something in-between.
Life is moving along in Glory, California. Lee and her friends have on their hands what looks to be a growing and bustling town. Except for the fact that the town charter they had paid for from the wealthy Henry Hardwick in the last book has yet to arrive. With this problem before them, a large chunk of our main characters head off to San Fransisco. What they find is a man much more villainous than they had suspected and before long, Lee and her friends have much more to deal with than just a small town charter.
With this as the last book in the trilogy, looking back, it’s hard to get a real sense for this series as a whole. The first one was a fairly straight-forward travelogue with fun call-outs to the tropes of Oregon Trail games and stories. The second took a nose dive into the worst parts of humanity and left Lee as a bit of a passive character. And this one gets the gang back together, adds a new villain, and pretty much turns into a heist story. It’s all a little strange, from that angle.
But to judge this book on its own, there were definite areas of improvement from the last book but it still didn’t manage to reclaim the highs of the first. I very much enjoyed the return of many of our familiar characters who were largely absent in the second book. In particular, Becky, who had snuck up on me in the first book as a favorite and then disappeared in the second installment. As a heist story, it makes sense to have this large cast and the book already had many of these people on hand, so it was fun seeing them all interact and plan together in a way that was intentional, rather than the hap-hazard manner in which they had been forced by circumstances on the trail to work together before.
Lee and Jefferson’s relationship was also good. I was glad to see them working together for much of this book after being separated for so much of it during the previous one. The lack of relationship drama was also a welcome relief given that all too often it seems as if authors feel the need to throw a wrench in their romances in the last book from a misguided attempt to “build tension.”
One of the strongest portions of this book, for me, was the increased focus on Lee’s abilities. There was a big shift in the end of the last book with how her gold sense operated, and it was interesting watching Lee continue to practice and explore the possible new uses of her powers. There were several moments in this book where she came up with clever ways to put this power to use, and after being mostly useless in the second book, the success of their plans ultimately did fall to Lee’s own abilities, both with her powers and her planning. I was also surprised when an arc was introduced that dealt more fully with where these abilities might have come from and what other forms of magic might exist in the world. It was a nice addition as, up to this point, it felt a little strange to have Lee be the only exception to a world that otherwise seemed magic-less and true to history.
Those were the stronger aspects of the book. However, I did still struggle with the main plot itself and the villains. It’s a weird complaint, but like the second book, the villains were almost TOO villainous. In that they all seemed evil simply…because. And while I know that money and influence could go a long way then (and still can today), it also bordered on unrealistic that some of the villains’ actions could have been overlooked for so long. A man is killed in a crowd of people at one point, and no one bats an eye. Even with prejudices in mind, I have to think that this would have lead to something more.
The heist itself was interesting enough. But it was also a bit too complicated, for my thoughts. Or, barring that, not easy enough to put together on ones own without a massive infodump at the end explaining it all. A good heist story keeps some cards hidden, but still leaves room for the reader to put things together for themselves. Here, while there were parts that I could guess, the infodump where “all was told” was still long and confusing. This could partly be due to the simple fact that no finesse was used for said infodump: characters just spilled it out in long chunks of dialogue. At the best, it was just boring. At the worst, it left me still confused but not wanting to expose myself to the boredom again in an attempt to try to understand with a second read-through.
In the end, the series never quite regained the high that was the first book and seemed to flounder around for purchase and focus in the last two books, each presenting wildly different stories both in tone and topic. If I was to recommend this series, I’d almost say to just stop with the first. The second two are not worthless, but they’re also the kind of books that I will quickly forget. But if you are still enjoying these characters and the unique combination of realistic history with small doses of magic, this book was still an improvement on the second and might be worth checking out.
Rating 6: A serviceable story with a few highs relating to Lee’s magic, but a heist that was too confusing to be truly enjoyable.
Publishing Info: Scholastic Paperbacks, September 1999
Where Did I Get this Book: own it!
Book Description:The Yeerks possess a weapon that could be the biggest threat to the Animorphs yet. The anti-morphing ray transforms a person in morph back to natural form. Unless they find and destroy the top-secret ray, the Animorphs could be exposed for good.
Plot: What made getting through the last book so terrible (beyond the fact that it was god awful all on its own) was that I knew this one was coming up next. And this was one of my favorites as a kid growing up. Other than the first few and the David trilogy, this was by far the book I re-read the most and thus one of the rare later series stories that I have clear memories of. And yet, even I didn’t remember just how sob-worthy this story was!!
Tobias is at a school dance and feeling awkward. While many of us realize this is how ALL teenagers feel at school dances, Tobias attributes it to his discomfort being human again after spending so much time as a hawk. What’s more, he’s pretty sure Rachel wants to dance. Halfway through their dance, however, Tobias sees the clock on the gym wall and realizes he only has a few minutes left before he would be trapped in his human morph and out of the Yeerk war altogether. As he bolts for the outdoors, Rachel catches up with him and finally opens up about some of the challenges of their relationship. Notably, that with all of the craziness in her life, she needs something normal and would it really be that bad if Tobias were human once again? Unnerved, Tobias still makes a break for it and manages to escape outside and regain his hawk form. Jake, who also noticed the mad dash, comments that he is glad Tobias made it back to hawk as the team needs him for his eyes in the air. Tobias suspects that while this may be true, Jake has also become the type of leader to use his assets wisely and say what needs to be said to keep people in line.
The next day the team meets in the barn. Erek had caught up with Jake earlier and had some news to share about the Anit-Morphing Ray that the group had failed to destroy in their last mission. The problem is that they have no idea where the Yeerks are keeping the ray, but they do know that the Sharing is hosting a big unveiling for their new community center. Through this they come up with a plan: the Yeerks are likely looking to trap a “Andalite bandit” at this event to test their ray on. Instead, the Animorphs will purposely walk into said trap and then through capture figure out where the ray is located so they can destroy it. It’s clear to Tobias that Jake has more in mind than this, and he quickly understands that Jake means for Tobias to volunteer, reasoning that if Tobias is captured, the Yeerks will assume he in morph, use the ray gun on him, and then think that it doesn’t work when Tobias fails to “demorph.” Tobias will also need to acquire Ax so he can pretend to attempt “demorphing” to further convince the Yeerks that they do in fact have an Andalite in morph. Of course, there is no guarantee that the ray gun is even safe and won’t just kill its target, so this is a very high risk mission for Tobias. But the whole group recognizes it as the only option, and Tobias moves forward with acquiring Ax.
Back in their forest, Tobias and Ax bond over Tobias’s experiences as an Andalite, especially given their familial relationship with Ax essentially being Tobias’s uncle. Ax teaches him a few tail blade moves and walks him through the evening ritual.
The next day, the team goes into action at the Sharing event. Jake sits with his family as Tom is given an award. Tobias flies above. Ax is in human morph and is meant to guide the remaining team who are all in fly morph. Hi-jinks ensue as Ax inevitably gets distracted by food and causes a minor scene. Eventually, he and Tobias manage to sneak into the back of the community center and discover the location of the Yeerk’s “trap:” a playground with a tunnel. It’s clear that the Yeerks are trying to set it up to look as if this tunnel is a new entrance to the Yeerk pool so as to temp Andalite bandits into it.
The group all reconvene near the playground. Fly!Rachel hides in Tobias’s feathers and it is her job to report back to the rest of them where the ray gun is so they can attack and rescue him. Ax and Tobias make a break for the tunnel, drawing the attention of the Yeerks. Tobias flies all the way in while Ax “aborts” at the last minute and draws the rest of the Controllers after him. Inside the tunnel in the connected room, hawk!Tobias confronts the Controllers who are in place to spring the “trap.” At their head is a young woman who looks eerily like Rachel. She identifies herself as “Taylor” and she is a sub-visser in the Yeerk ranks. She also happens to have a stun gun of sorts that she shoots at Tobias, not caring if it takes down a few Hork Bajir in the process. Paralyzed, fly!Rachel slips off to land on the floor, vulnerable to be stepped on. Now alone and with the plan already in shambles, Tobias is stuffed in a box and relocated.
When he is let out of the box, he finds himself in a larger clear box with the ray gun pointed directly at him. Visser Three shows up with two Controller scientists in tow. They test the ray gun on Tobias. When it fails, Visser Three is not pleased, feeding the scientists to a pit of Taxxons that is located beneath the floor. He instructs Taylor to torture Tobias into demorphing so he can be infested and give information on the other bandits.
And so begins pages of poor Tobias being tortured. Taylor uses the ray gun to shoot some type of rays at him that trigger pain sensors in his brain.Through it all, we get some great flashbacks to periods in Tobias’s life that highlight why he might be so hesitant to want to return to a human life. We see a bully who persistently comes after him. And a very sad scene where Tobias comes home with an award, only to be told by his lazy uncle that if there’s no money in it, than it’s worthless and Tobias should just get a job (we’re to remember that these kids were like 13 at the beginning of this series and that this scene presumably happened sometime before that even, so….yeah, the uncle is a piece of work). The scene and Taylor’s dialogue within it are a clear reference to the classic “Pit of Despair” scene from “The Princess Bride.” Eventually, Tobias realizes that he can retreat to the mind of the hawk in order to survive the pain. The hawk has no understanding of what is causing this pain or that it has any way of preventing it from happening again; to him it is just another unpleasant part of life now.
Eventually, Taylor figures out what Tobias is up to and introduces a third setting on the ray: the ability to send beams that connect to pleasure sensors in the brain, which brutally yanks Tobias back and forth between pain and pleasure, thus disallowing him from using the hawk for safety. In a few flashbacks here, we see there was once an elderly woman who would take Tobias in after school and feed him treats, one of the few good memories, it seems, from his childhood. He also has memories of showing up at Rachel’s room for what must be regular flying dates they go on.
During a break in the action, Tobias realizes that something strange is up with Taylor. It becomes clear that she has gone insane and Tobias is able to wheedle the story of her past out of her. It turns out that the girl Taylor had once been the homecoming queen of her highschool, but after a house fire she was left badly burned and missing an arm and leg. Having lost her looks, all that was important to her it seemed, she turned to the Yeerks who offered to heal her in exchange for becoming a Controller. Somehow throughout this all, the Yeerk who infested her and Taylor herself somehow merged their personalities, leaving the current Taylor to routinely switch between identifying past Taylor as herself or as a separate being. By this point, Tobias is past the two hour “limit” and Taylor realizes that she has failed to get the “Andalite” to demorph. The knowledge that there is a good chance Visser Three will also feed her to the Taxxons in the pit, she turns up the torture to a new level.
It is too much. Tobias feels himself dying and right near the end he experiences a vision. An Andalite comes to him and presses his tail blade to his forehead. He then experiences a series of “memories” from his father, Elfangor’s, point of view. At the end, Elfangor says that Tobias has come from a long line of warriors who put others before themselves, and that death to save his friends is a noble way to go. But before the light can finally go out, the other Animorphs arrive. They battle Taylor and the Hork Bajir who come to her defense and manage to destroy the ray gun.
Towards the end, grizzly!Rachel has an opportunity to kill Taylor, one that she is just about to take when Tobias tells her to stop. Throughout it all, he hasn’t been able to avoid drawing comparisons between Rachel and Taylor, two girls who are rarely beautiful. But where Taylor’s strength came from her beauty and without it lead her to do terrible things, Tobias sees the grizzly morph as an outer representation of Rachel’s stronger inner self. He asks her to let Taylor go; to be Rachel, and not Taylor.
The last scene is the Animorphs on the beach, trying to gain a bit of normalcy after all of the craziness. Tobias describes his last vision to Ax who is quite shocked. He says there is an Andalite legend that some memories are passed through the DNA and that they can be triggered in the last moments of life, but he’s been sure those were just tales.
Finally, Rachel joins them on the beach. Tobias runs to her and they hug, Rachel asking how bad it was and Tobias confessing that it was really bad, he almost gave in. But through it all, he comes to the conclusion that for now he knows who he is: the person that Rachel loves. She kisses him, and they go flying.
A Hawk’s Life: This is a great Tobias book. He has a lot to contend with before he even gets tot he torture scene. There’s his ongoing struggle with striking a balance between his hawk form and his human form and his fears that Rachel is becoming more and more unwilling to deal with the limbo that is their relationship as it stands.
The book also leans in heavily on the shortened life span of a hawk, something we haven’t seen before. Not only does Tobias see an inconveniently placed poster on this topic on the highschool walls while he flees to demorph, but there is an eagle that is dying from old age in Cassie’s barn (the team use the eagle as a way to gain entrance to the morphing ray room and save Tobias in the end of the book.) Whenever he looks at the bird, it’s a reminder of the shortened life span and the dangers that wild birds face.
He really gets into his Andalite heritage for the first time, morphing an Andalite and learning more about Andalite history and culture through his moments with Ax. The DNA-memory thing is also a great addition as it finally gives Tobias a more clear connection with his father. In one of the memories, Elfangor spends a moment thinking about how he misses Loren and wishes he was on Earth with her and his son. One has to imagine that this memory is a great comfort to Tobias, knowing Elfangor loved his mother and him and didn’t want to leave them.
And then, of course, there’s all the stuff in the torture scenes with the dark glimpses into Tobias’s past, as well as some of the more happy memories with Rachel and the woman who used to give him treats. Tobias also wisely catches on to there being something strange going on with Taylor and uses that knowledge to draw her into talking about herself and giving himself a break.
In the end, he confesses to Rachel that he almost broke. But Rachel reassures him that she knows who he is and that he’d never give them up, and Tobias realizes that his sense of self is well cared for him Rachel’s hands.
Our Fearless Leader: Tobias makes some pretty blatant statements about Jake’s transformation as a leader. He suspects immediately that while Jake might truly mean his words about being glad Tobias made it back to his hawk morph because he knows that’s what Tobias wants, Jake is also a leader who will say whatever he thinks will further his mission. He needs Tobias in his hawk form, and Tobias suspects that that is at the heart of anything he says.
Tobias also sees the manipulation at play when they’re all in the barn planning what to do about the ray gun. Jake volunteers at first, but Tobias sees that he isn’t expecting this plan to go forward. And then when Ax volunteers, he’s silent. It’s clear that he had a person in mind and is waiting for that person (Tobias) to volunteer himself, so that Jake doesn’t have to ask/order him to do it. It’s one of the more clear examples we’ve seen of Jake starting to use his friends a chess pieces. It’s cold, but it’s also necessary and Tobias recognizes this.
Xena, Warrior Princess: This book did a great job following up on the awfulness that was the last book. Rachel is clearly shaken from the experience and looking for normalcy in her life, and her romance with Tobias isn’t helping. In the very beginning of the book, she has one of the more honest conversations we’ve seen between the two. It’s clear that it’s not simply selfish, romantic reasons that she wants Tobias to consider staying human, but that her own inner struggles make it even harder for her to deal with the burden that is their romance. Further, she seems to be the only Animorph who is concerned by the way that Tobias is leaning into his life as a hawk and more and more prone to discomfort whenever he’s human. She repeatedly reminds him that his human form isn’t just a “morph,” it’s who he naturally is and that it’s worrisome if he doesn’t remember this.
It’s never made clear whether or not she was actually aware of the time and had been trying to trick Tobias into staying. My interpretation is that she didn’t really know herself what she wanted to happen, and that a small, secret part of her was both hoping he wouldn’t realize but not actively plotting to trap him.
Early in the barn conversation, she also volunteers for the mission before it becomes clear that Jake has Tobias in mind. We don’t see the scene when she insists on going in with him as a fly, but I feel confident we can assume it wasn’t much of a “discussion” at all. As they’re going in, she tells Tobias not to put the mission first. That if things get too bad, he should forget about the mission and save himself.
Peace, Love, and Animals: Cassie does very little in this book. After they all agree that Tobias is the one to go on this mission, Tobias notes that she gives him a particular sympathetic look that she reserves for only the most series moments. And then in the end when they’re all on the beach, she’s off looking for injured animals on the reef. Because of course she is.
The Comic Relief: Marco is the only other one to quickly realize that Jake has another plan in mind when they’re talking in the barn. He also is one of the quickest to realize what exactly that plan is. In the final battle scene, gorilla!Marco is the one to save Tobias, getting very torn up in the process. It’s a nice scene as often Marco and Tobias don’t have many scenes together and are two of the more disconnected members of the group, both due to differing personalities and a lack of any significant connection on their own. But here is is clear that Marco is unwilling to give up and leave Tobias behind, even if that means putting his own life on the line.
E.T./Ax Phone Home: This was a big book for really establishing the connection between Ax, Tobias, and their shared Andalite heritage. The scenes of Ax teaching Tobias about Andalite culture were very well done, and there’s an interesting moment when Tobias first morphs an Andalite when he realizes that the natural state of Andalites is to be optimistic. Ax confirms that they have had to “train” themselves to be warriors, against their natural instincts. Later, when Ax and Tobias are infiltrating the Sharing community center, it is clear that Ax is very worried about Tobias’s role in this mission, again highlighting the strong bond between them.
Best (?) Body Horror Moment: The scenes of the damage that is done to Tobias during the torture sessions is pretty vivid. Not only is the ray setting of pain sensors in his head, but in his mindless thrashing, he does a lot of physical damage to himself. He breaks a wing, loses feathers, and, yikes, breaks his beak. It’s so bad that when the other Animorphs show up, grizzly!Rachel takes one look at him and knows how bad it must have been, further spurring her anger and wish to kill Taylor at the end.
Couples Watch!: This is by far the most romance-centric book so far (and from my memory, in the entire series). It starts right out with the challenges that Rachel and Tobias face and the increasing pressure they both feel to make this impossible thing work. Rachel is clearly hitting a wall with her ability to juggle so much craziness in her life and is concerned about Tobias’s well-being, not only his increasing association with his hawk self but the fact that the stark reality is that hawks have much shorter life spans than humans.
Then of course we have all of the concern from Rachel about Tobias going on this mission, though it’s worth noting that even she doesn’t come out against it, knowing it’s the best option. She goes in with him and tells him to put himself first.
While captured, Tobias repeatedly refers to the fact that Taylor looks like Rachel and notes how very different these two beautiful teenage girls are. It’s not only a reflection on his own thoughts on Rachel (and his ongoing concern that something terrible might have happened to her when she fell off him while paralyzed. She even began to cry when this happened, one of the few times we see this), but a good reminder for readers (after the book that shall not be named…) that while Rachel is dangerous, she’s still a good person and nowhere near the type of person who would have fallen in with the Yeerks had she lost her beauty.
Then there’s the end, of course. I think this is the first time either member of either couple has said the “love” word. And not only is he saying it, but Tobias sees this love and his relationship with Rachel as the foundation of his own identity, whether human or bird. They also kiss, rather casually even, further highlighting how much more established their relationship is than Jake and Cassie who are still awkwardly skirting around each other and (like in the last Jake book) barely referencing the thing between them.
If Only Visser Three had Mustache to Twirl: When Ax and Tobias sneak in to find out where the “trap/Yeerk pool entrance” is located, they stumble on two Controllers who are discussing the mad idea that Visser Three has had that somehow in an open-air Sharing event they’re supposed to catch any animal that wanders in. But they note that you can’t say this to him or you’ll end up dead, as the two scientists discover when they try to assure Visser Three that they ray can’t possibly not work.
Taylor also makes this comment to Chapman after they’ve caught Tobias, which I’m sure is a direct jab at his learning to speak “villain talk” from Visser Three, though luckily for her, Visser Three’s not there to hear it:
“A bird in the hand is worth two in the bush,” he offered, smirking.
“Shut up, Chapman,”the girl said calmly. “You sound like some pun-spouting villain from a Batman movie.”
Adult Ugly Crying at a Middle Grade Book: As evident by the gif at the very beginning of this post, this book has by far been the biggest tear jerker of the series. Not only do you have an extended torture scene taking up a large chunk of the book (talk about not pulling your punches for a young audience!), but the thoughts and memories that come with it are rough. The scene with Tobias’s uncle is particularly heart-breaking as we have to imagine that this is just once moment from a long list of moments where a very young Tobias has been completely ignored and beaten down by the only parental figures he has had.
Then there are scenes of animal abuse that Tobias imagines when thinking about the hawk’s approach to pain and fear. Oof. There were legit tears in this section, what with the descriptions of the fear, the pain, and, in my opinion worst of all, the confusion that these animals would feel when being tormented by humans. Some of them were so specific (like the scene of a wild goose being clubbed to death on a golf course by cruel teenagers) that you have to imagine the ghost writer who wrote this book was pulling from some traumatic memory of their own. Yikes, it was a lot.
What a Terrible Plan, Guys!: This is another good plan from the Animorphs. It’s pretty complex, too, with all of the moving pieces, especially in the beginning. They really sell it hard that they are “accidentally” getting caught, even putting Ax at risk by having him run out and away in the open to be chased (and maybe caught) by the Yeerks. It’s not really their fault that they didn’t anticipate the freeze gun as that’s not technology they’ve run into before. I do feel like there is still a pretty big question mark about how exactly fly!Rachel was supposed to get off Tobias and, with very poor eyesight, find a place to demorph and get out to return to the others. But I’m sure this was a risk they felt they had to take (just like sending Tobias in in the first place) to destroy what would have been a game-changing weapon.
The Yeerks’ plan, however, was not that good. The group all comment that the Yeerk “trap” with the playground tunnel was all too easy to spot and that the Yeerks must really think the Andalites are idiots if they fell for it. But then again, the Animorphs were still choosing to go in, so….
There’s a great scene where Jake and human!Visser Three come face to face while at the Sharing event when Visser Three tries to swat fly!Cassie off Jake’s arm. It’s a really cool moment and one of the ones that I can so easily picture as if it were in a movie:
“Such filthy insects. Allow me to . . .” He swung at Jake.
Jake’s hand shot up. He grabbed the Visser’s wrist in his fist. For a long few seconds the two of them glared at each other. Visser Three, leader of the Yeerk forces on Earth. And Jake, his unrecognized foe.
The “Ax goes crazy with food” scene at the Sharing event also provided some much needed levity to an otherwise very serious and sad book:
<Marco,what exactly are you doing in the fondue?> Rachel asked.
<Exactly? Well … I wanted to see if it would still taste good sucked up through a fly mouth.You gonna help me or do you just want to bust me?>
<Let him get eaten,>Rachel advised.
Scorecard: Yeerks 8, Animorphs 13
The Animorphs manage to take out the ray gun and came up with a pretty clever way of tricking the Yeerks into thinking it didn’t work, in the event that they hadn’t been able to destroy it. Plus, bonus, the two scientists who came up with what was actually a brilliant idea, ended up fed to Taxxons by a very short-sighted Visser Three who had a tantrum. So a win/win/win!
Rating: I loved this book. Always did and still do. All of the characters are exactly on point. There are good references to past events, particularly Rachel’s struggle to find normalcy in her life after being so shaken up by her last book. Jake’s ongoing descent into pure leadership mode and his showdown with Visser Three. Marco’s smarts. Cassie’s concern. Ax’s acknowledgement of his and Tobias’s shared Andalite heritage. And all of the confusion and inner strength that make Tobias such an interesting character. We get a lot of extra information on what his life was like before the Animorphs, and I think at this point in the series, it’s very important to get these scenes to fully understand why Tobias is so hesitant to go back to life as a boy.
We also get a very good villain in Taylor. It’s always nice to have another villain other than Visser Three to focus on in these books, and Taylor is given quite a bit of character development herself. Not only does she have an interesting back story that ties into her crazed perspective that we see on display, but her similarities to Rachel lead Tobias to make some poignant and important comparisons and contrasts between the two.
And, of course, as I’m fully on the Tobias/Rachel ship, I like the focus on their relationship in this book. It doesn’t feel silly or immature, but really highlights the challenges faced by these two and why they are so drawn together and serve as much needed support systems to each other.
This is probably one of the better ghost written books in the series, and I feel like that had to have been clear since I’m pretty sure this same writer also wrote a good number towards the end of the series. It does present a weird contrast when placed next to the last book that was somehow written by Applegate herself. Just goes to show that even good authors can make big missteps and that the ghost writers shouldn’t be completely written off either.
Note: I’m not going to rate these books since I can’t be objective at all! But I’ll give a one sentence conclusion and you can take from that what you will!
Book Description: Miryem is the daughter and granddaughter of moneylenders… but her father isn’t a very good one. Free to lend and reluctant to collect, he has loaned out most of his wife’s dowry and left the family on the edge of poverty–until Miryem steps in. Hardening her heart against her fellow villagers’ pleas, she sets out to collect what is owed–and finds herself more than up to the task. When her grandfather loans her a pouch of silver pennies, she brings it back full of gold.
But having the reputation of being able to change silver to gold can be more trouble than it’s worth–especially when her fate becomes tangled with the cold creatures that haunt the wood, and whose king has learned of her reputation and wants to exploit it for reasons Miryem cannot understand.
Review: I was so excited when I saw that this book was coming out! “Uprooted” is one of my favorite more recent fairytale novels, and part of the reason I loved it was that it was a stand alone book. So to see that Novik was releasing yet another fairytale that would likely also be a standalone made my day. I was even more excited when I realized that it looked to be a reinterpretation of “Rumpelstiltskin” which has been, by far, one of the more underutilized fairytales in the midst of this retellings resurgence. And all of my wildest hopes and dreams have come true! I absolutely adored this book and my hardback copy is already pre-ordered.
Miryem’s life has been one filled with strained relationships. Her grandfather, a wealthy money lender, has struggled to watch his daughter’s family slowly slip into poverty as his son-in-law, Miryem’s father, has failed to make an earning as a moneylender himself. What’s more, Miryem, a decisive and strong-willed young woman, has never understood her father’s struggles to collect. After being pushed to far, with her mother’s health at risk, Miryem finally takes over the business, to her father’s shame and sadness, as this is by no means a “proper” task for a young lady. But Miryem excels. Far too well even, as she draws the attention of the magical beings who wander the winter woods looting and raiding villages for gold. And who could be more valuable than a woman you seems to turn anything she touches to gold? Now tangled in a complicated world of fairy rules and wars, Miryem will need to draw on all the strength she has to save not only herself but perhaps even her country.
It’s no secret that I love fairytales, be they original or retellings. But as I’ve had a string of bad luck with “Beauty and the Beast” retellings (oof, there’s another one coming, folks, so look forward to that!), I have been hankering for a more original tale, unbound from conventions that all too often skew what could have been a good story. What’s more, Novik has already proven herself as being able to masterfully take the bare bones of a fairytale and make it something that only marginally resembles the original. And this held true for “Spinning Silver,” as well. While there are the barest tinges of the original “Rumplestilskin” tale before the story quickly (I’m talking a few chapters in) swerves into new and uncharted territory. And much better territory, when it comes down to it.
For one thing, given the description above and my own false assumption that it would follow the standard set by “Uprooted,” I went into this book fully expecting it to be Miryem’s tale following her struggles to turn rooms of silver into gold. And for the first several chapters, that’s what I got. But then a new character was introduced, a young woman from the same village whose home life is terrible and who is looking for a way out for her and her young brothers. Ok, now we have two. A few chapters more and yet another new character comes in, this time a young woman who is the disappointingly plain heiress to a father who has high hopes of rising his family’s position in the nobility. And that’s only the first three and the three who would turn out to be the more traditional lead characters for a book like this! But Novik doesn’t stop there and we get even more chapters from characters like the younger brothers, the nurse maid to the heiress, and even the villain himself at one point.
As has been documented on this blog several times before, I typically prefer books with only one narrator. I can handle two. But, like all silly reading “rules,” an exception was bound to come along, and that exception came here. While I did have favorites, Miryem herself, of course, as well as the heiress who played a much bigger role than I had expected at first, I enjoyed ALL of these characters. Not only did they all contribute important view changes on what became a very twisty plot, but each had a distinct voice, a “must” for any multiple POV book, and the point where I usually have criticisms for same-ness. They also all experienced clear character growth as the story progressed, though the amount of this was tied to the varied amount of page time each was given. Miryem’s sense of responsibility warred with the pride that lead her to become entangled in fairy wars. The peasant girl with the bad home life grew to have an appreciation for what family should mean. And the heiress found her own power in a world that had already written her off.
It also takes a lot of plot to provide ample room for movement and growth for a book with a cast of characters as large as this. And, again, Novik met this challenge head-on. The story slowly builds with several seemingly disparate through lines following each of these characters. But as the book continues, steadily these lines get woven together until by about halfway through the book the complicated network of intrigue is coming together. The players have been established and it is now up to several young women, all of whom are hugely out of their depth with creatures of magic and power surrounding them, to come together and save a country that is more and more plagued by long-lasting winters.
The magical elements were also surprising and unique. With the “Rumpelstilskin” parallel presented right at the get-go, I fully expected to see plenty of struggles regarding turning various things into gold. But that was only a small part of the fantasy world Novik created here. For one thing, the villain came completely out of left-field and was appropriately threatening and devious. Further, Miryem is not the only one to encounter and wield power in this story, and I was thrilled to see small references to other fairytales sprinkled here and there throughout the story.
The book also surprised me with a careful look at the anti-Sematism that Miryem, her family, and her people experienced throughout this book. While the story is set in a fantasy world, the challenging tension that is balanced between the Jewish people, their neighbors, and their roles in finance and banking was all too familiar to real-life history. Through Miryem, we see the struggles her family has faced with these prejudices, but also the important role her religion and culture holds in her life. Through other characters, we see their own biases and prejudices challenged and changed. It’s a nice added commentary in an otherwise purely fantastical tale.
Like “Uprooted,” the romance is understated in this story and isn’t a driving force for any of its characters. While I could have liked a bit more of it, I was quite pleased with what we did get, and, again, surprised that it wasn’t limited to our primary main character.
All in all, I absolutely loved this book. If you liked “Uprooted,” or like fairytales, or like fantasy, or just like good books, get your hands on this one!
Rating 10: Should I have been surprised? No. Was I thrilled? Yes. I can pretty much guarantee this will make my “Top Ten” list in December.