Book: “My Favorite Thing Is Monsters (Vol.1)” by Emil Ferris
Publishing Info: Fantagraphics, February 2017
Where Did I Get This Book: The library!
Book Description:Set against the tumultuous political backdrop of late ’60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen’s investigation takes us back to Anka’s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge. Full-color illustrations throughout.
Review: I remember the moment that I first laid eyes on the book “My Favorite Thing is Monsters (Vol.1)”. I was unloading boxes of new books at work, and I literally gasped when I saw it. I mean, my GOD. Just look at this cover. THAT IS ALL BALLPOINT PEN, GUYS. And plus, it has ‘monsters’ in the title. My boss said she was surprised that the request wasn’t for me, and I admitted that I hadn’t even heard of it. So I said that I was going to request it…. And then I didn’t. It entered in and out of my mind for the next few months, until I was at a staff training and it was on the shelf. So… I grabbed it. I wish that I had grabbed it sooner. Because “My Favorite Thing Is Monsters” was just amazing.
I mean, I just need to talk about the art. Like I said, this is all done in pen, and it just pops off the page. It’s seriously astounding. The detail and the coloring, as I kept turning page after page in this book I just kept saying ‘wow’ as I would see a new image that took my breath away. Ferris really dives into her artwork, and the painstaking detail is so evident up close, while seeming to be a la Robert Crumb from a further distance. It’s a style that I really enjoy, and while it seems to be a little surrealistic in some ways, in other ways it was so human and so real. There are images of people, images of monsters, and images of urban landscapes that all take their own lives through her style. She also draws classic artwork through this lens, when Karen and her brother Deeze go to the art museum in Chicago, and seeing these works recreated in this style was also incredible. I loved the use of colors as well, as sometimes she would draw characters certain shades to describe different feelings. The premise is that these are the drawings of our ten year old narrator within her lined journal, and even that is consistent and well laid out.
The story itself if both a charming and bittersweet coming of age story, and a gut punch and tense mystery. Karen, or narrator, is a ten year old girl who is quite precocious in a lot of ways, and fancies herself as a Wolfman-esque monster who takes on the role of detective. I gotta say, the images of this little Wolf-creature in a trench coat is precious and funny, Seeing her try to piece together the possible murder of her upstairs neighbor, Anka, is classic bildungsroman in it’s premise, but in it’s execution it feels fresh. Karen is delightful, as her imagination sparks on the pages and her personality shines as she starts to learn more about those around her and learn more about herself. You also get to see late 1960s Chicago and all of it’s political turmoil through her eyes, which gives it a unique, and even more heart wrenching, perspective (I’m thinking of one specific scene where she is very nearly sexually assaulted by some bullies in her neighborhood, and she just writes about it matter of factly and as if it’s just something that could happen, but didn’t, so life goes on. It’s rough.). Karen loves monsters, and is starting to learn that monsters are very real, but not in the way that she would like them to be. We hear of an see violence and racism around her, and we see her reaction (and the reaction of her friend Franklin, an African American boy) to the murder of Martin Luther King Jr. Her family life isn’t easy by any means, as Dad is out of the picture, her older brother Deeze is loving but reckless, and their mother is kind and gentle but has some problems Karen isn’t quite privy to, though the reader is. We also see the struggles of being a lower class family of multiracial descent, as the fact that Karen and her brother Deeze are part Latino and part Native is thrown at them by the white people around them from time to time. Struggles and all, I loved this family, and it’s tenuousness made me love them even more, and ache for them as well.
The mystery of Anka’s death is one of the main themes of this book, and we see some of her own childhood mirrored in Karen’s through diary entries. Anka came of age in Weimar Germany, and as a young woman was taken to a concentration camp because she was Jewish. This story is another example of monsters in this world, and the rumors of a potential Nazi in town is one of the threads in the mystery that Karen is hoping to solve. But to tell you the truth, even though this mystery is ongoing (as there is another volume of this coming out next summer!), I’m more interested in the journey getting there and Karen learning things about Anka and the world around her then actually finding out who killed her.
There is one storyline that I’m not quite feeling as of right now, and that involves Karen and her friend Sandy, a malnourished little girl who may actually be a ghost. But hey, I suppose in a book about monsters it doesn’t hurt to have something of the supernatural there to shake things up.
Rating 9: A sumptuous and beautiful book with a gripping mystery, “My Favorite Thing Is Monsters (Vol.1)” is a great book and a huge achievement. The art is gorgeous, the story is bittersweet and haunting, and I can’t wait for the next book to come out.
Book: “The New Boy (Fear Street #20)” by R.L. Stine
Publishing Info: Simon Pulse, 1994
Where Did I Get This Book: ILL from the library!
Book Description:He stole their hearts…Does he want their lives, too?
What a hunk! When handsome, mysterious Ross Gabriel comes to Shadyside High, all the girls want to date him…even the ones who already have boyfriends! Janie, Eve and Faith go so far as to make a bet…which one of them will he go out with first?
But then the murders begin, and it starts to look like dating Ross means flirting with a gruesome and untimely death. Will Janie’s dream date with Ross turn out to be the night of her life? Or the night of her death?
Had I Read This Before: Yes.
The Plot: Janie Simpson is in the school hallway, two weeks before the first murder (ooh, ominous!). She sees the new boy Ross Gabriel for the first time on that day, and she is immediately smitten with him because he’s such a hunk. As she gawks after Ross, she goes off to find her best friends Faith and Eve, as they are supposed to be delivering the money that was made at the school dance to Principal Hernandez’s office. While both Faith and Eve went with their boyfriends (Paul and Ian respectively), Janie went by herself and is feeling kind of desperate for a boyfriend of her own. She and Eve meet up and Eve informs her of the latest school gossip, as Deena Martinson and Gary Brandt broke up (I guess things with Rob didn’t really take for Deena and Gary is still relishing being free of Della). Janie asks Eve where the money is, and Eve says that she doesn’t have it, Faith had it and said that Janie must have taken it for safe keeping because now SHE doesn’t have it. GULP! Janie freaks out and she and Eve rush to find Faith, who says yes of course she has the money. It was just a mean trick by Eve! Janie can’t be mad for long, though, as the new boy Ross shows up and his arm is bleeding pretty badly. He says he cut it on a fence while helping a girl free her bike. Faith and Eve are instantly taken with his looks too, and they volunteer to take him to the nurse while Janie takes the money to the principal’s office for the transfer. Janie is peeved, as she ‘saw him first’.
As Janie counts the money in Mr. Hernandez’s office, Faith and Eve show up gushing about how CUTE Ross is, and then give us some exposition on their boyfriends. Paul is a jock football player, and Ian is impoverished and working two jobs so he can potentially go to college. The girls start banding the money together, and Janie says that she saw Ross first and why are they so into him when they have boyfriends? Just the Paul and Ian show up, and they all start playing with the money. Mr. Fernandez catches them dicking around, but let’s it slide, giving the ladies the key to the file cabinet they are going to store the money in. He goes back into his inner office, and the girls keep arranging as the boys leave. Once they money is all organized, Janie writes down the total and locks the money in the file cabinet, and they all go into Mr. Hernandez’s office to give him the total. Unfortunately, he’s on the phone with a high maintenance parent and they have to wait. Both Eve and Faith excuse themselves at different times to let their rides know they’re going to be late, and Janie, hard up for a man, ogles the picture of a young Mr. Hernandez with his sports team. Janie, come on. When Eve and Faith are back Mr. Hernandez finally hangs up and asks for the total. Janie can’t remember, so she goes back to check it… and the money really IS gone this time!
That night Janie goes to hang out with Faith and Paul, who are acting kind of suspicious. They start talking about Ross, and Paul says that he thinks he’s a tool while the girls say they think he’s cute. Paul leaves, and Faith asks Janie if she’s going to ask Ross out, or if Faith can. Janie is astounded because what about Paul, and Faith says that Paul doesn’t have to know, and why not make it interesting: first person to ask Ross out gets ten bucks from the other! Conveniently Eve rings on the phone then, and Faith gets her in on the bet too! Janie has no faith that she will win now, and then asks Faith why she and Paul were acting weird when she arrived. Faith says that it’s because they know that Janie took the money. Janie freaks out, and then Faith says April fools! They know Janie is innocent. Man, friends like these…
In chem class the next day, Janie is paired up with Ross. Huzzah huzzay, maybe she can ask him out! He talks down to her and then sets off a stink bomb with the chemicals he mixes, and says that he likes ‘messing with people’. Oh swoon baby swoon. Janie almost asks him out, but then chickens out at the last minute, and as they leave the classroom he suddenly stops and stares at a girl with long curly blonde hair. Then he rushes off. A short while later Eve runs into Janie in triumph: she asked Ross out and the money is hers!
That Friday while Eve is out with Ross, Janie and Faith are hanging out and feeling sorry for themselves. They wonder how the date is going, and talk about her incredibly coquettish outfit of a blue blazer, a blue scarf, and red denim pants. Then Faith confides that she thinks her parents are getting divorced and that Paul is only dating her because she’s rich. Meanwhile, Eve is on her date with Ross. They make out, and then go for a walk in the Fear Street woods…..
The next morning Janie gets a call from Ian. He says that Eve never came home the night before and is missing! Ian asks if he can come by and Janie says sure, then she calls Faith but there’s no answer. So she calls Eve’s parents and Eve’s Mom picks up in hysterics, saying that Ross is missing too! Uh huhhhhhhhh…. Ian and Janie go driving around, and Janie doesn’t tell him about the date. As they drive past Fear Woods Janie sees something… a blue blazer!!! They get out of the car and find Eve’s body, sunk in the mud, very very dead. They call the police and Janie tries to comfort Ian, who says that not only did Eve steal the dance money (WHAAAAAAAT?), but someone must have killed her for it! Janie comes clean about the date, and he gets more upset. At the police station they see Ross arrive, and he claims that he and his folks were back in his old hometown of New Brighton early that morning and that he dropped Eve off at 11pm.
At Pete’s Pizza that Sunday, Faith and Janie are talking about Eve. They think there’s no way that she could have taken the money, because she was a very honest person. Ross crashes their lunch and starts berating Faith because she thinks that he killed Eve, and Faith leaves Janie alone with him to join Paul and Ian outside (some friend you are, Faith!). Janie and Ross talk, and he says that he only went out with Eve because she said they’d split the winnings 50/50. He also makes some offhanded comment about how he can’t believe this is happening, especially after what happened to him in New Brighton. When Janie joins her friends they tell her that they think Ross killed Eve.
The next evening Janie is at home doing homework when Ross shows up unannounced. He says he needs help with French homework, but he’s being a real creepo. But Janie agrees, and he suggests they go get something to eat. In a twist of fate, his car sputters out a mile from her house, and they push it to the nearest gas station. She pays for the gas because he realizes that he forgot his wallet (UGH!), and he says that they should go to his house so they can get it. Surprise surprise, he lives on Fear Street! She waits for him to get his wallet, and is more and more paranoid, but still goes to get burgers with him. He drops her off, they make out a bit in the car, and he drives away, But she finds his text book that he left behind, and decides that she needs to return it that very moment. Maybe there’s a test the next day, who knows? She drives back to the house they stopped at earlier, but when she knocks on the door an old lady answers and says that there is no Ross Gabriel living there.
Janie is determined to find out what’s up with Ross. Well, he’s a liar with a short fuse, Janie, and therefore you should probably dump him. Faith tells her that she should stay away from Ross because she’s heard lots of bad rumors about him, specifically from the new girl Jordan. The one with the blonde hair who Ross was not happy to see. Faith starts to explain that Jordan went to Ross’s old school, but is interrupted by Paul, who says that he heard that Ross was just arrested for murder! Turns out that’s just a rumor because Ross is actually across the cafeteria, and Janie goes to confront him about the old woman. He says that that’s just his grandmother who is very confused about things these days and doesn’t recognize him anymore. And the murder charge rumor started because he WAS at the police station that morning, but it’s just because the police think that HE stole the dance money! He then pulls out a blue scarf, saying that he has this for her. Janie freaks, because it’s the scarf that Eve was wearing the night she was murdered! Janie runs off.
After school Janie sees Faith and Paul arguing across the parking lot and decides not to interfere. Little does she know that it’s THE LAST TIME SHE IS GOING TO SEE FAITH, or so the book says. She goes to see Ian at his donut job at the mall to see how he’s doing, and tells him that she’s going to call Faith because she saw Faith and Paul fighting. She gets home and calls Faith, who tells her that Jordan has told her a lot of disturbing stuff about Ross, so she needs to come over right now so they can talk. It’s perfect because she’s home alone. Janie agrees, and rushes over… but when she arrives, she finds Faith BEATEN TO DEATH WITH A FIREPLACE POKER!!!! She calls the police and the dispatcher tells her to get the FUCK out of that house, so starts to run out of the house, but runs into Ian, who says that Faith called him too. They’re both devastated, at least outwardly, but I’m suspicious now.
After Faith’s funeral, Janie seeks out Jordan to hear what she was saying about Ross. Jordan says that in New Brighton Ross went by Robert Kingston, and that there were rumors that he murdered his girlfriend Karen. He had an alibi, but no one believed it. He and his folks moved to Shadyside to escape the rumors. YIKES. Later Janie is walking home and it starts to downpour just as Ross speeds up next to her. He says ‘what a ride?’, and oh, it isn’t actually Ross, it’s another cat caller. When Janie refuses he says that she can just drown then. But then Ross DOES show up and demands that she get inside his car, which is across the street. When she refuses he roughs her up a bit. He tells her that he just wants to talk, and that she’s been acting like a real bitch ever since he tried to return her scarf. She tells him that she knows his real name and that he killed Karen. He says if she would just get in his car he’ll explain everything. She still refuses but says she’ll meet him at Pete’s Pizza that evening at 8, when what she SHOULD be doing is getting a restraining order for his violent ass.
With her parents not at home and no intention of actually meeting Ross at Pete’s Pizza, Janie is working on homework when the power goes out. And the phone. At 8:30 her folks still aren’t home, and who should come knocking but ROSS. He forces his way into the house and demands why she stood him up. She lies saying Paul was supposed to take her, but Ross sees right through it. He throws the blue scarf at her, and she realizes that it IS her scarf, not Eve’s, and that she left it in his car. But she also realizes that he’s still wackadoo, and he literally tells her that he could KILL HER FOR NOT TRUSTING HIM. He tells her that he didn’t kill Karen, he was just walking in the woods and he found her body and no one believed him. He starts ranting about the police hounding him and lying about an alibi for when Faith was killed, and he gets more and more frenzied so Janie makes a break for it. He chases her outside and then TACKLES HER TO THE GROUND, holding her down until she tells him why she’s afraid of him.
Maybe it’s because you’re INCREDIBLY THREATENING AND VIOLENT, ROSS. (source)
Her parents arrive home in that moment and Ross runs away.
At school the next day Janie does everything she can to avoid Ross, who is STILL STALKING HER demanding that she talk to him. Luckily, Paul is there to punch out the little creep and I’m so Team Paul. Janie runs off and hides in the park to get away from it all, but returns to the school to get her things. She sees Ross and Mr. Hernandez, and dives into a broom closet to avoid them. She’s so paranoid that she thinks a broom is a corpse, so she runs home. She gets a call from Ian, who says that he found proof that Ross killed Eve and Faith! He picks her up and says he’s taking her to get proof and I think where we see where this is going. Yep, he takes her to the spot where Eve was found, and then full on confesses to her while holding a baseball bat that HE WAS THE ONE WHO KILLED THEM. Apparently Eve did steal the dance money saying that they could split it, but then she freaked out and wanted to return it. Ian, sick of being worked to the bone, went to confront her and try to change her mind, but then saw that she was on a date with Ross. In a rage he hit her with the bat. He killed Faith because he was convinced she’d figured it out. And now he’s going to kill Janie. But then Ross is there (WILL THIS NIGHTMARE NEVER CEASE?!), and Ian hits him with the bat. Janie gets the bat away from him and knocks him over, choking him with it. Ross is okay, and he sits on Ian and tells Janie he saw them going into the woods. He tells her to go call for help. She notices that he has a nice smile, tells him that she isn’t running away from him this time, and goes to call the cops. The End.
Romance Rating: 1. Ian killed his girlfriend, Paul and Faith were on the rocks, and Ross/Robby is so incredibly toxic and abusive there are no good options here. Like, holy shit, Ross is just as much a predator as Ian is and yet Janie seems to possibly be ending up with him at the end?! HELL NO. I’m hoping that Janie’s crush on Paul comes to fruition at some point because that seemed to be the only good option. Sure, Paul punching Ross wasn’t ideal, but DAMN was it good to see.
Bonkers Rating: 4. It wasn’t terribly twisty and turny, though Ross’ backstory was a bit of a shake up.
Feat Street Relevance: 7. Ross lives on Fear Street and Eve’s body was found by the Fear Street Woods.
Silliest End of Chapter Cliffhanger:
“Mr. Hernandez turned bright red as his hand went up to his head. Then his eyes narrowed as they swept from one face to the next. ‘You’re all suspended for the rest of the year,’ he said.”
… And then JK! He was just teasing them! What a joke!
That’s So Dated! Moments: At one point Janie is described as pulling up the antenna as she dialed her super modern cordless phone. I remember how slick those things were when they first came out!
Best Quote:
“A fly buzzed near Janie’s ear – its sound seemed to swell and block out everything else. Was it one fly or a hundred? She closed her eyes, but she still saw them. She still heard them buzzing. Flies. They descended like black death over her once-beautiful friend.”
Either Janie is having a serious hallucination or this is one of the nastiest crime scene descriptions we’ve gotten from R.L. Stine.
Conclusion: “The New Boy” is pretty ho-hum and was a weak follow up to the bananas grove that was “Sunburn”. It also has a lot of terrible messages about boundaries and how women should be treated. I say of the two books about new kids, stick to “The New Girl” because that one’s better. Up next is “The Dare”.
Book: “New Super-man (Vol.1): Made in China” by Gene Luen Yang, Viktor Bogdanovich (Ill.)
Publishing Info: DC Comics, June 2017
Where Did I Get This Book: The library!
Book Description: #1 New York Times best-selling author and National Book Award nominee Gene Luen Yang continues his work at DC with New Super-Man, Volume 1, a part of DC Universe: Rebirth!
An impulsive act of heroism thrusts an arrogant young man into the limelight of Shanghai as China begins to form its own Justice League of powerful heroes. As the government creates their own Superman, will they live to regret the person they’ve chosen? Rising from the ashes of Superman: The Final Days of Superman and the death of the Man of Steel, will this New Super-Man step up to the challenge, or be crushed under the weight of his hubris and inexperience?
Award-winning writer Gene Luen Yang (American Born Chinese, Superman) and on-the-rise art star Viktor Bogdanovic (Batman: Arkham Knight) introduce readers to Kong Kenan, an all-new superhero who could change the world…or be the end of it, in New Super-Man, Volume 1.
Review: For those of you keeping track, one of the best moments that I had at the ALA Annual Conference this year was getting to hear Gene Luen Yang speak about his career and his “Reading Without Walls” Initiative. Yang has written some of the best graphic novels I’ve read, and I was thrilled to hear that he not only really likes Superman, but writes Superman stories for DC. He focuses on the idea of Superman as an immigrant, and when he was writing Superman stories before this new endeavor the question of identity was a huge theme in those arcs. But now with Rebirth, Yang is doing something different: He’s writing a new Superman story, with whole new characters. Was I skeptical? I mean, kinda? After all, isn’t Clark Kent Superman? But I also knew that Yang is super awesome, so skepticism aside, I was all over getting my Superman loving mitts all over it.
One of the things that “New Super-Man” does right is the origin story. Instead of giving Clark Kent a completely new origin, or getting rid of Kent to make room for a new person to take over the Superman mantle, Yang goes in another direction. Kong Kenan is a regular teenage boy in Shanghai, China whose random and out of character act of heroism gets the attention of Dr. Omen, a scientist for the Chinese Government. China has decided that it wants to have a group of superheroes not unlike America’s Justice League, and Kenan is recruited to be Super-Man. One super science experiment later, and he is given super human powers. Sometimes I have a hard time swallowing it when old secret identities are swept aside for new ones, but when they’re done right I think they can be great. Yang does it so right. It not only avoids a new character being shoe horned into a role that’s already been well defined, but it also gives the familiar role, i.e. Superman, a new mythology that is more about expanding mythos instead of changing it.
Kong Kenan himself is a very complex and interesting character. When we think of Superman we tend to think of earnest and loyal and dutiful Clark Kent, an all American hero and Boy Scout. With Kenan, well, it’s a little different. He’s not a bad person at all, but he is definitely flawed. He’s kind of a bully, as we meet him bullying a classmate (whose father is the CEO of an airline, the airline that Kenan’s Mom was on when her plane went down), and then acting like a bravado filled narcissist for the TV cameras. But he is also desperate to impress his father, who is an outspoken critic of the Chinese Government who has been emotionally shut off ever since his wife died. It isn’t exactly the environment of Ma and Pa Kent, but it does give Kenan some difficult emotional issues to work through. His Super-Man powers are freeing for him, which is kind of a fascinating dichotomy when compared to Clark, who has always had an underlying sense of Otherness because of them. But I also really liked that we didn’t just get Super-Man, but we also get Bat-Man and Wonder-Woman, as China wants their powers too. Wang Baixi is a chubby tech nerd who has taken on the Bat-Man cowl, and I love his dry with and quiet seriousness. But Wonder-Woman is the most fascinating, as Peng Deilan is very determined and willing to call Kenan out on his nonsense as well as being a moral center in a lot of ways. She feels like the true leader of the team, and I want more more MORE of her in later issues. And yes, there is a Lois Lane equivalent, which is definitely important! Her name is Laney Lan, and she’s very adorable. And it’s refreshing that she actually doesn’t seem to hold any torch for Super-Man, at least not yet. Don’t get me wrong, they should probably absolutely be together, but she’s very focused on getting the story and not the superhero.
I also greatly enjoy the art in this series. I’m so used to Yang’s own artwork, but it wouldn’t really fit for the superhero/DC aesthetic. Viktor Bogdanovich’s artwork definitely feels more comic book-y, and I love the vibrant splashes of color and the vibrancy. I love the greens and reds and blues, and love how the characters tread the line of realism and pure comic pop.
I am so excited to see where Yang takes his characters in this take on Superman! I knew that I didn’t have to worry, but it’s still great knowing that he’s really doing the original story all the justice in deserves.
Rating 8: An action packed and fun filled ride, “New Super-Man (Vol.1): Made in China” is a creative and splendid new take on the Superman story.
Book: “Sleeping Beauties” by Stephen King and Owen King
Publishing Info: Scribner, September 2017
Where Did I Get This Book: The library!
Book Description:In this spectacular father-son collaboration, Stephen King and Owen King tell the highest of high-stakes stories: what might happen if women disappeared from the world of men?
In a future so real and near it might be now, something happens when women go to sleep; they become shrouded in a cocoon-like gauze. If they are awakened, if the gauze wrapping their bodies is disturbed or violated, the women become feral and spectacularly violent; and while they sleep they go to another place. The men of our world are abandoned, left to their increasingly primal devices. One woman, however, the mysterious Evie, is immune to the blessing or curse of the sleeping disease. Is Evie a medical anomaly to be studied, or is she a demon who must be slain? Set in a small Appalachian town whose primary employer is a women’s prison, Sleeping Beauties is wildly provocative and gloriously absorbing.
Review: Happy Halloween, friends!!!! I hope that you are all doing (or have been doing some great things to celebrate the holiday!! I’m unfortunately working today, but then tonight I’m going to watch some gory horror movies and hand out candy to the neighborhood children. I have been saving an epic book for my Halloween review, and what better book than the newest one by Stephen King and his son Owen, “Sleeping Beauties”. Clocking in at about seven hundred pages, this book is a bit of a behemoth, but the timing was such that it ended up being the book with which I close out my HorrorPalooza reviews (though fear not, lots more horror reviews to come in the near future).
Stephen King has always known how to write a tense and dark disaster tale, be it “Under the Dome”, or my personal favorite “The Stand”, and when he teams up with Owen King they bring us a dark and dreamy tale of a world without women. Well, mostly. The human women of the world have started to fall asleep, and a gauzy film grows over their faces as they refuse to awaken. If you try to remove the film, the woman will violently and graphically attack you before going back to her slumber. This is definitely the stuff of nightmares, but in this book it never really treads fully into pure horror territory. Tense, yes. But there is also a dreaminess about it that makes you feel more like you’re living within, well, a dream. The cast of characters is huge, and we see perspectives of many different people. At times it was hard to keep up with them all, but they all mostly had connections to each other within the small town of Dooling and the Women’s Prison that is nearby. The characters come from a number of different backgrounds, be it Clint Norcross, the Prison psychologist, or Lila, the Sheriff of the town and Clint’s wife, or Jeanette, a prisoner who is trying to do good so she can do right by her son, or many many others. I liked seeing how all of them responded to the sudden crisis, and the places that the Kings took the reactions, from the sad, to the disturbing. My favorite character by far, though, was Evie, the mysterious woman who shows up in town just as the ladies start falling under the mysterious spell. She is both menacing and whimsical, frightening and utterly charming, and I loved that we got to know her, without getting to know much at all.
I also liked the setting of this book. Stephen King has always done a very good job of creating a small town and exposing it’s underbelly, but along with Dooling we get to see where these women ‘go’, when they are ‘asleep’ (though not all of the women characters fall asleep; some stay awake through either drug induced interventions). A sort of post-apocalyptic world comprised entirely of women is a fascinating concept, and where they are is a little “Y, The Last Man” and a little “The Stand”, but without the carnage and tragedy and violence. Sure, it kind of raises some hamfisted musings about how if women ran society it would be a peaceful place because they are just so so good, but I liked seeing a new society built up without the usual bickering and power plays that come with a story like this when dudes are in charge. Especially given some of the stuff coming out about violence and sexual mistreatment of women across our present society. Did I think it was a bit cloying and kind of ‘madonna’-esque? Sure. But man, it did kind of sound nice, if only for a short while.
I do think that this book was kind of long and filled with so many characters it was hard to keep up. The Kings provide a handy dandy chart at the beginning of the book giving us all the characters and their roles in town. This was a nice resource to have, but damn, if you need that resource maybe there are just too many characters you’re trying to juggle. I think that some of the subplots were kind of unnecessary, and it could have probably been trimmed down by a hundred pages or so. But I also understand that when you have two writers, both of them from the King family, there might be lots of ideas that are ultimately going to want to make the final cut. And when you’re part of the King family, who is to say no to that? I just found myself having to go back and remind myself of various things because there was so much to keep straight, and that’s not always a good thing when you’re trying to be absorbed in an otherwise well thought out story.
Overall, I thought that “Sleeping Beauties” was a well done collaboration between father and son. They blended their voices together well enough that it did feel like one voice and contributor, and that can be hard. This may not be the usual fare that one may expect from Stephen King, but hey, the guy is expanding his horizons, and it’s nice to tag along. It also makes me interested in picking up more of Owen’s work, to see if I can pinpoint his influence.
Rating 7: An epic and dark fantasy that explores gender, human nature, and societal roles between the sexes. It was a little convoluted, a little hamfisted at times, and a little long, but Stephen and Owen King mostly achieve a book that raises some legitimate questions and examines the human condition.
Where Did I Get This Book: An ARC from the publisher at ALA.
Book Description:A collection of four chilling novels, ingeniously wrought gems of terror from the brilliantly imaginative, #1 New York Times bestselling author of The Fireman, Joe Hill
“Snapshot” is the disturbing story of a Silicon Valley adolescent who finds himself threatened by “The Phoenician,” a tattooed thug who possesses a Polaroid Instant Camera that erases memories, snap by snap.
A young man takes to the skies to experience his first parachute jump. . . and winds up a castaway on an impossibly solid cloud, a Prospero’s island of roiling vapor that seems animated by a mind of its own in “Aloft.”
On a seemingly ordinary day in Boulder, Colorado, the clouds open up in a downpour of nails—splinters of bright crystal that shred the skin of anyone not safely under cover. “Rain” explores this escalating apocalyptic event, as the deluge of nails spreads out across the country and around the world.
In “Loaded,” a mall security guard in a coastal Florida town courageously stops a mass shooting and becomes a hero to the modern gun rights movement. But under the glare of the spotlights, his story begins to unravel, taking his sanity with it. When an out-of-control summer blaze approaches the town, he will reach for the gun again and embark on one last day of reckoning.
Review: While we were at ALA, Serena and I were making our way through the throngs of eager librarians at the publisher tables. After all, the vendor’s hall had just opened up, and that meant free books. At one point Serena grabbed my arm and pointed to a stack of books. I immediately saw that they were ARCs of the new novellas collection by Joe Hill, entitled “Strange Weather”. Given that you all know my deep deep love for Joe Hill, it should come as no surprise that I basically went like
I saved it and saved it and SAVED IT for Horrorpalooza, and I can say that it was basically worth the wait. I’m going to talk about all four novellas, split up into four sections. I’ll try to keep it concise, but this may be a ramble, y’all.
“Snapshot”: Okay, so I’ll be honest. I read “Strange Weather” for Horrorpalooza, but I would say that this story was the only one in the set that was a mostly ‘conventional’ horror story. More on the others later. What I liked about “Snapshot” was that it had the nostalgia feel down pat, with our protagonist being a teenage boy named Michael who is fairly normal, if not a little awkward. His neighbor and family friend Shelly Beukes has been succumbing more and more to memory loss and dementia, and Michael keeps an eye on her for her aging husband Larry. She keeps talking about a “Polaroid Man” who is stalking her, but it’s chalked up to her failing memory. Of course, Michael then meets this “Polaroid Man” and his camera that steals memories from people. From the description of this guy to the very concept of someone stalking you to steal your memories, I was sufficiently spooked by this first novel. I thought that Michael also had a very realistic voice, and it just proves that Hill, like his father Stephen King, really knows how to write a book from the perspective of kids and pull it off. There was also a lingering sense of pathos about this story, as it didn’t end after a battle of good and evil, like so many horror stories do. I had to wipe tears away from my eyes as Hill ruminated and explored the ideas of losing oneself to time and old age, and how it affects those who love you. Man does this man know how to make me cry.
“Loaded”: This was probably the ballsiest, and most maddening, book in the collection. Hill doesn’t shy away from his personal politics and opinions in his public persona, and he has a lot to say about gun violence in this country. “Loaded” takes the themes of gun violence, racism, privilege, and, dare I say, the Alt-Right (before it became so prevalent), and turns it into this sucker punch of a story. Basically, a white mall cop with a history of racism and violence is said to have stopped a mass shooting at a mall, in which five people were killed, including the suspect. He becomes a hero to the community. But then his story starts to fall apart as a reporter with her own painful memories involving racist cops and police brutality starts to dig into his ‘heroic act’. This one built up nice and slow, piecing things together bit by bit until I was on the edge of my seat. This was also the story in the collection that made me yell out in anger at the end, and have to walk around my house a bit before I could continue onto the next one. Hill brings up a lot of hot button by ever relevant issues in how we view authority, how we downplay racism in our culture, and how deadly situations that can totally be prevented instead explode because of our obsession with guns and the inability (or refusal) to confront our racist culture and disdain for gun control. DAMN this one pulsated with indictments and anger, and while it was bleak as HELL, I like that he took it on, even if there were a couple of tropes used that feel a bit outdated and not so culturally sensitive (like, why did the father of Aisha’s daughter have to have run off on her?). Overall, this one lights up the page with frustration and misery. Be ready.
“Aloft”: This story might have been my favorite in the book, actually, which I wasn’t expecting because it was the one that was the LEAST horror-oriented. A guy named Aubrey is skydiving with the girl he pines after, as part of a promise they made to a mutual friend who has now passed on. But he manages to land on a solid, cloud-like…. thing. It tries to provide him with everything he needs, as if it has a mind of it’s own and wants him to stay, and Aubrey is tempted to take it up on it’s hospitality. What I liked about this one was that it just kind of felt a little whimsical, as well as bittersweet. We learn about Aubrey and his relationships with his crush, Harriet, and their now deceased bandmate June. You slowly see his strengths and weaknesses, and how his inability to take various plunges in life now applies to not taking ‘the plunge’ off this weird ‘cloud’ that so entices him to stay. I just loved the mechanics and the world building of this ‘cloud’. We don’t really know what it is, we don’t really know how it works, but I was so tickled by the various things that it could do. It’s just such an original concept, even if it wasn’t particularly ‘scary’. It reminded me of some of the more whimsy-based stories in “20th Century Ghosts” that didn’t scare, but entertained through sheer creativity.
“Rain”: Hill is no stranger to the Apocalypse story. You remember how much I LOVED “The Fireman”, so when I realized that “Rain” was an end of the world story but with NAIL RAIN, I was pretty pumped. Our protagonist this time is Honeysuckle, a woman who lives in Boulder and is excited that her girlfriend is finally moving in with her. Unfortunately, the day that Yolanda is going to move in, a storm cloud comes through, and instead of water, the sky rains sharp crystals that look like nails. They shred every living thing below, causing death, damage, and panic. In the acknowledgments Hill said that he was kind of having a bit of fun with the fact he’d already written such an epic end of the world story, but “Rain” isn’t exactly light hearted. It is very despondent, as Honeysuckle travels on foot to Denver to try and find Yolanda’s father, having to deal less with rain than the human wreckage and evils along the way. From a strange cult to homophobic misogynists, Honeysuckle has a long road ahead of her. This one made me cry deeply at one point, because, fair warning for a spoiler here, a person that Honeysuckle comes upon is completely broken over the fact his cat Roswell has been impaled by these crystals. Roswell is still alive, but in agony, and Honeysuckle decides to put the poor animal out of it’s misery. And it was here that all my tears for other things in this collection decided that enough was enough.
Actually, the bed/covers setting and the hair isn’t too far off either. (source)
But even though Hill said in the acknowledgments that the Trump election made him make this story far less hopeful that he originally intended, he doesn’t leave it totally hopeless. I appreciate that even in darkest times in his writing, he will usually give us the strength to keep on hoping. Unless it’s “Loaded”. GOD that was a rough one.
All in all, I thought that “Strange Weather” was a very strong collection of stories. Joe Hill continues to amaze me and move me, and if you haven’t already, please do seek him out. This might be a good collection to start with, as it balances so many of the genres that he excels in.
Rating 8: A solid and enjoyable collection of four novellas that made me laugh, cry, shudder, and have to walk around my house in a rage. So you know, everything I want Joe Hill to do.
The perfect suntan. Soaking up the rays. Fun on the beach. That’s what Claudia Walker had in mind when she accepted her friend Marla’s invitation to spend the weekend at her cliffside beach house. Little did she know that horrible accidents—fatal accidents—would occur on the beach and in the house.
But Claudia knows they’re not “accidents.” She’s sure somebody is out to get them…out to kill them. The week of “fun in the sun” has turned dark and deadly!
Had I Read This Before: No
The Plot: Meet Claudia! Claudia is in a sticky situation, as we first meet her when she’s waking up on a beach, with a whole lot of sand on top of all of her but her head. And the tide is coming in! In a ‘record scratch, yeah that’s me, you’re probably wondering how I got here’ kind of moment, we then flashback to find out who Claudia is and what she’s doing on this beach.
Apparently, a few weeks prior, she got a letter from her summer camp friend Marla Drexell! Marla invited her to go spend some time with her at her summer home in the beach town of Summerhaven, sort of a reunion for them and their other friends Sophie and Joy. Since Claudia’s summer had been a bust at that point, what with breaking up with her boyfriend and losing her waitressing job, she thought why not. It may help them all forget about the accident at camp…. When she got to Summerhaven she was reunited with Marla, Sophie, and Joy (side note: casual racism alert, as not only does Stine refer to Joy as ‘exotic’ looking, she is also described as having ‘slightly slanted green eyes’. Holy. Shit. That’s problematic as hell). They got to Marla’s summer home, which was a palace to say the least, and maybe they immediately went swimming and that is how Claudia got in this situation.
So anyway, back on the beach, Claudia is panicking because the tide is coming in closer, and then a shadow starts to enfold her. Is it the shadow of imminent death? Naw! It’s a handsome guy who just came in with the tide. He asks her if she needs any help (no shit buddy, she was literally screaming about five seconds ago), and she says yeah, she’s stuck under the sand pile. He digs her out and mentions that she has a bad burn on her face. Claudia says she must have fallen asleep, but where did her friends go and why did they leave her? He helps her back towards the Drexell estate, and he says his name is Daniel. She asks if he lives around there and he evasively says ‘not really’. Somehow, though, he knows the code to the gate to the estate, and Claudia doesn’t seem to find this odd as they walk back through the grounds. Claudia finds her friends and confronts them, but Joy and Sophie say that after they buried her they went for a walk, and then they ran into Marla who told them that Claudia had gone back to the house. Marla says she thought that Claudia had gone back too, and asks who helped her out? Claudia says Daniel, and Marla asks who that is. When Claudia turns, Daniel has disappeared.
At dinner that night we are introduced to Alfred, the Drexell’s near sighted servant, who is cooking them all dinner (NOTE: in this moment there is a typo in which Stine writes ‘Marla told us’, even though it’s in the third person. Was it originally in the first person??? Mysteries!). He brings the salad bowl in, and Marta starts to serve all of them. Then Joy freaks out, as she finds a big brown WORM in her salad! Marla chides Alfred about it, and he says that he’s sorry and that the lettuce is ‘locally grown’. I feel so bad for Alfred. The girls laugh at this as he walks away, and Marla says she wishes he’d get glasses. POOR ALFRED. He’s the only servant on duty for these little brats. Marla asks Claudia about the boy who saved her, and says that it must have been a hallucination because there ARE no boys around here, just a bird sanctuary. But then she remembers about the GHOST BOY who lives in the guest house who died a hundred years ago. She’s seen him around the estate, and this “Daniel” was so cold because he’s a ghost… But PSYCH!!! Marla’s just fucking with them! There is not ghost boy. After dinner and movies, the girls are getting ready for bed. As Claudia is looking out the window, she sees a light go on in the guest house! And a figure!!! MAYBE THERE IS A GHOST BOY?! Marla comes in and scoffs at the thought, as there’s no one else at the house but them. She says the light was just a reflection. Claudia isn’t so sure, but goes to sleep.
When she wakes up the next morning, she thinks about how luxurious this house is, and we get some Drexell exposition (Dad’s a financial genius, Mom’s a socialite, they’re always traveling). She examines her burn, and is still a bit bitter that they all just left her, but whatevs. She goes downstairs and finds that Marla’s the only one up, so they go to play tennis. Marla’s game is off, and Claudia suggests that maybe she’s ‘upset to see them’ again. Because of ‘the accident’, where Marla’s sister Alison died. OH. That’s what this is. Marla yells that she really doesn’t want to talk about it and storms back to the house. When Claudia gets back Sophie and Joy are up and Marla seems okay, so they all decide to go to the beach (though Claudia puts on lots of sun protection). They get to the gate and Marla tells Sophie to open it…. And then Sophie is ZAPPED BACKWARDS because it’s ELECTRIFIED!! Marla runs and turns off the power, and Sophie is stunned but seems okay. Marla says that it’s supposed to be turned off during the day, so what gives?! Sophie insists that she’s okay, and Marla says that she’s going to talk to Alfred when they get back.
At the beach, the girls all get ready for a nice afternoon by the water. Claudia notices that Marla is pretty pale, which is weird because she said she’d been spending so much time outside all summer long. But there isn’t time to wonder, because suddenly two guys are on the beach with them from the surf. Claudia thinks one of them in Daniel at first, but it’s not. They say that they must not be at the bird sanctuary anymore, and that a riptide pulled them this far down shore. Marla is visibly angry that they’re there, and demands that they leave. But Joy and Sophie think they’re cute, and the guys say they’re Dean and Carl. Dean immediately starts rummaging through their cooler, making himself at home.
At first I thought Marla was being defensive, but now I’m in agreement with her. (source)
Joy and Sophie are totally down with this, though, and the boys horn in on the day as Marla goes to sulk and as Claudia feels uncomfortable at all of it. Daniel/Ghost Boy wouldn’t do this. Marla once again insists they leave, and Dean starts to get a bit menacing on her saying that they should go back to her house and ‘party’. They exchange more words, and then Dean SLAPS her (WHAT THE FUCK) on the arm. He claims there was a horsefly there, but I’m not so sure. Carl says that they should go (a little late to wrangle it all in, buddy), and Dean says that his Dad worked for Marla’s family at one time before parting. Claudia asks Marla why she was giving the guys a hard time (REALLY?), and Marla says she promised her parents no boys. As they go back to the house Claudia remembers that Marla was always weird about boys.
At the house Claudia, Joy, and Sophie are talking. They all agree that Marla’s acting weird, not like she used to, but Claudia reminds them that a lot has happened since those days (like her SISTER DYING). Joy and Sophie tell Claudia that they have a confession: they wanted to go back to check on her at the beach the other day, but Marla insisted they not. They also think it’s weird that Marla won’t talk about Alison at all. After dinner they all decide to go to a boardwalk amusement park, and when Claudia says she wants to ride the Ferris Wheel, Joy says that she’s afraid of heights ‘after what happened last summer’. Another clue. They get to the boardwalk and run into Dean and Carl, aka Predatory Squiggy and Lenny, and as Joy and Sophie each lay claim and Marla gets miffed, Claudia decides to go explore by herself…. And then she runs into Daniel/Ghost Boy! She calls him Ghost Boy, even and he doesn’t quite get it, but they still walk and talk pleasantly. He thinks her friends are jerks for leaving her on the beach, but she insists it was an accident. They then go on the Ferris Wheel together, and at the top Claudia flashes back to the night Alison died.
Apparently Alison was a bratty little sister, and after getting on Marla’s nerves during Truth or Dare at Camp Full Moon, Marla dared her to walk across a log that goes over Grizzly Gorge, at night. Alison took the dare, and they all said they’d meet after lights out. Marla was busted by a counselor before she could get there, and when Claudia and co. got to the Gorge Alison was waiting. They gave her the option to not do it, but Alison crankily insisted she could because THEY all had, so SHE COULD TOO… But, as it turned out that was false, as while the others begged her not to, and then to come back, she persisted, and when the arrival of camp counselors scared the others off, Claudia ran and heard a snap of a log, signaling Alison falling to her death.
After getting off the Ferris Wheel, Claudia loses Daniel in the crowd again before reuniting with the others. The guys aren’t the big jerks they pretend(?) to be, and the girls go back to the summer house. As Claudia is falling asleep, thinking about Daniel/Ghost Boy, she is awakened by screams!!! She runs into Joy’s room, Sophie and Marla on her tail, and Joy is covered in LEECHES! How odd! They pull them off Joy, who is hysterical. The window is open and they realize that someone must have put them on her while she was sleeping. Marla asks Alfred if he knew about any of this, but he’s confused too. After they all calm down they decide to go back to sleep, but Claudia first goes to get some water from the kitchen… And she sees Daniel/Ghost Boy!! She calls out to him, but he retreats, and before she can go after him she runs into Alfred, who says that it’s impossible for anyone from the outside of the property to get in, what with the electric fence and the guard dog. Especially since Marla changed the code that night (so don’t even try saying he knows the code, Claudia!). Was Daniel the one causing the problems? Was he a ghost?
While the police and Alfred search the house, the girls go water skiing. Sophie is up first, even though she’s not very good in the water, and all is going well… Until the rope snaps, and Sophie fallsf behind the boat! Marla tries to start it up to go help her, but the motor stalls! Claudia grabs a flotation belt and jumps in, swimming for Sophie… But then they’re BOTH taken by the riptide! Before they can drown, though, Carl and Dean to the rescue! They pull them both in, and take them back to shore. Marla and Joy catch up in Marla’s boat, and Marla says she got the engine to turn over. As they inspect the rope, they notice that it isn’t frayed, it’s been cut part way and then snapped! Marla thinks it’s Daniel, or maybe Carl and Dean, and the girls go back to the house. Joy says to Sophie and Claudia that she’s convinced Marla is trying to kill them, because she must know that Alison’s death WASN’T AN ACCIDENT! We get a NEW story now, in which Alison actively asked for their help but they still ran away. I don’t know, that still seems like an accident. Apparently Alison’s body was never found and no one knew that the three of them were there that night. The three of them make plans to try and make a break for it the next day, but Claudia’s Mom can’t come until the day after tomorrow, so it will have to do As they’re planning, though, they see Marla has been in the doorway listening.
The next day starts out okay, with the girls doing their own things. Claudia decides to go for a run on the beach. She gets close to the bird sanctuary, but then realizes that the birdsongs randomly ceased. Down the beach she sees someone who looks like Marla from a distance, but she doesn’t answer when Claudia calls for her. And then…. A HUGE DOG JUMPS OUT OF THE BUSHES, growling at her. It’s an Irish Wolfhound, and Claudia remembers that they’re bred to be killing machines.
Claudia runs into the water and tries to swim away, but the dog bites her foot. She kicks if off and decides that she can keep going back further and further and be safe. It works for a bit…. UNTIL A SHARK ARRIVES!!! So Claudia tries to swim away smoothly, so as not to attract attention in spite of her bleeding foot… AND GETS PULLED INTO THE RIPTIDE. Sweet Jesus! On TOP of that, the SHARK decides to EAT THE IRISH WOLFHOUND!!! In full, gory, upsetting details. Involving dog chunks floating away.
Somehow she washes up on shore and Marla finds her. They start to make their way back to the house, and Marla mentions that it’s Alfred’s day off. Claudia has a moment of clarity: that was Marla on the beach, and that dog was her family guard dog. Marla is DEFINITELY trying to kill her. When they get back to the house, Marla goes to find antiseptic, and Claudia checks the dog pen. Yep, the dog didn’t break out, it was let out. She limps up to find Sophie and Joy, but Joy is in town with Carl. Claudia tells Sophie they need to get to town ASAP, and then Marla walks in and tells them that they’re going to have dinner in the rain gazebo so they can watch the incoming thunderstorm over the ocean. That would sound super cool, if Marla WASN’T TRYING TO KILL THEM.
Joy gets back and Sophie and Claudia fill her in. They haphazardly pack as the storm comes in. They go towards the gazebo to demand that Marla take them to town, but are waylaid by a smell coming from a shed nearby. They open it, and MARLA’S LIFELESS BODY TOPPLES OUT!!! And boy does she look like she’s days dead. They girls freak out and run to the house! They’re alone with a killer!!! Is it Alfred? Is it Daniel/Ghost Boy!? As they run towards the guest house, they find out who it is. Why…. it’s MARLA, who is holding a gun! Except, NOPE, IT’S ALISON!!!!!! IT’S BEEN ALISON THE WHOLE TIME!!! MARLA’S BEEN DEAD FOR A WEEK!!!
Okay, I need to call bullshit on this. I will give you that sure, Alfred is near sighted, and I’m sure the Drexells tell their servants to NEVER look them in the eyes, so maybe he can’t tell the difference. But Alison and Marla were NOT TWINS!!! HOW DID THESE THREE GIRLS NOT RECOGNIZE THIS WAS ALISON THE WHOLE TIME?!?!?!?!
So Alison survived the fall at Camp Full Moon, and was rescued by a nice, down to earth family who lived in the woods! But Marla apparently DID see her fall (which doesn’t make sense because wasn’t she captured by a counselor?), and she was SMILING, or so Alison says. Alison pretended to have amnesia so she wouldn’t have to go back to her shitty family with her shitty sister who dared her to cross the gorge and was happy she fell, but now she’s back for revenge. She arrived a week prior and killed Marla, and saw that these three were coming and decided to kill them too!!! Before she can finish the job, however, a dark figure steps out of the guest house. It’s Daniel!!! Claudia tells Alison it’s the Ghost from the Guest House!! Alison starts to panic in confusion, and a lightning strike knocks out the power. Alison and Daniel struggle in the dark, and Daniel gets the gun away. Alison runs for the gate, and they all scream at her that it’s electric. She says that ‘the power is out, idiots!’… but then, the family generator kicks on JUST IN TIME as she grabs for the fence…. Well, let’s just say she didn’t fare well as Sophie. She twitches a few times, and dies.
Daniel comes to the three girls left standing, and explains that he’s Alfred’s son. The Drexells never let Alfred have enough time off to see him, and so he was secretly visiting this weekend, coincidentally the weekend the reunion was. He and Claudia kiss as they go inside to call the police. The End.
Body Count: 3. Imagine what it’s going to be like for their parents to get home from vacation. Also, the dog getting eaten by a SHARK. I will never get over that.
Romance Rating: 5. I liked Daniel quite a bit whenever he was on page, but Dean and Carl were either creepy (Dean), or a dud (Carl).
Bonkers Rating: 7. From the identity switcheroo that made no sense to a dog getting eaten by a goddamn SHARK, this book had some great batshit moments.
Fear Street Relevance: 1. Claudia lives there but we just get ONE mention of it and that’s it. Another one that could have been a standalone.
Silliest End of Chapter Cliffhanger:
“Claudia stared in horror as Daniel, his arms still outstretched, went sailing over the safety bar and fell head first to his death.”
…. But no, he actually didn’t at all. Claudia was just remembering Alison’s death.
That’s So Dated! Moments: Not so much in this one, sadly, though there is mention of watching a VHS of “Bye, Bye, Birdie” and laughing at the sexist attitudes towards women, so maybe that’s a meta moment or sorts? Otherwise, just the usual mentions of fashion that sounds fit for Lisa Frank. Oh, and the thought that tanning was still perfectly harmless.
Best Quote:
“There, she thought with satisfaction. I look like a total jerk, but the sun won’t get near me!”
As someone who has to slather in sunblock and wear a hat at all times when outside, I felt this Claudia moment so, so hard.
Conclusion: “Sunburn” was pretty entertaining for what it was, and we finally got some over the top ridiculousness which had been sorely lacking for the past few reads. Up next is “The New Boy”.
Book: “The Lost Boys (Vol.1)” by Tim Seeley, Scott Godlewski
Publishing Info: Vertigo, August 2017
Where Did I Get This Book: The library!
Book Description:In this follow-up to the 1987 cult classic film, horror masters Tim Seeley and Scott Godlewski wade into the bloody, badass world of California vampires for an all-new tale of thrills, chills, and good old-fashioned heart-staking action in THE LOST BOYS VOL. 1!
Welcome to scenic Santa Carla, California. Great beaches. Colorful characters. Killer nightlife. And, of course, all the damn vampires.
The Emerson brothers (Sam and Michael) and the Frog brothers (Edgar and Alan) learned that last part the hard way–these underage slayers took on the vampire master Max and his pack of punked-out minions, and drove a stake right through their plans to suck Santa Carla dry. After scraping the undead goo off their shoes, they figured everything was back to normal.
But now there are new vamps in town.
A coven of female undead called the Blood Belles has moved in, and they’ve targeted Sam, Michael, the Frog Brothers, and every other vampire hunter in Santa Carla for bloody vengeance.
It’ll take every trick in the brothers’ monster-killing book to stop these bloodsuckers from unleashing an entire army of the damned. And they’ll need help from an unexpected source–a certain shirtless sax-playing savior known only as the Believer!
Do you still believe? Collects #1-6.
Review: Everyone who knows me knows that “The Lost Boys” is one of my very favorite movies of all time. OF ALL TIME. It’s a tongue in cheek, earnest as hell, and in some ways a legitimately creepy vampire movie. I love it so much that this past year my friend Laura (of our “It” video review fame) and I went to a Fantasy/Sci Fi convention cosplaying as Edgar and Allan Frog, the sibling vampire hunters played by Corey Feldman and Jamison Newlander.
Destroy All Vampires.
So of course when I found out about the comic series that Vertigo created to work as a canonical sequel to that movie after two not so great film ones (though I have to say I kind of love “Lost Boys: The Thirst” because it’s basically just Corey Feldman acting exasperated the whole time), I was over the moon! A continuation of one of my favorite vampire tales, all in comic form? Hell yes! I started it in comic form but then just decided to wait for the trade collection, and when it finally came in at the library I snatched it up and dove right in.
One thing that struck me right away is that Tim Seeley and Scott Godlewski struck the proper tone that the movie had. It continues to have the earnestness and charm that the original had, and all of the characters feel in character and true to how they should be. It gives a good balance to the man characters, and gives a little more focus to the Frog Brothers, which is a-okay by me. Sam and Michael are still centered as the protagonists, but the spotlight is more equally distributed between the players. It also gives a little more gender equity to this universe, as there are actual honest to goodness female vampires in this called The Blood Belles. Unlike Star (more on that in a bit), the girl vampire from the movie, The Blood Belles are aggressive and formidable villains, with their own motivations and personalities that give ladies more to do this time around. They are a gang that lives up to the previous vampire villains, which was a true relief not only as a fan of the movie, but as someone who resents the fact that Star and Lucy Emerson are so passive in the original story. I also appreciated that this comic is partially steeped in pure, unadulterated fan service. Not only do we have The Frog Brothers becoming actual vampire hunters (under the tutelage of Michael and Sam’s Grandpa), there are also some other character returns that I never thought that we’d see. For one, David is back (which is kind of a spoiler, but it happens very early so I’m not going to feel THAT bad about it), and he’s brought back in a feasible way even after being impaled. He also doesn’t shove aside the Blood Belles with his presence, which I was quite worried about. Worry not. These chicks know how to take care of themselves. But the fan favorite return that I was the MOST excited about wasn’t David, or the Frogs, or even the adorable Laddie (more on him later). Nope. It was most definitely the triumphant return of The Saxophone Man.
And not only is he back, he’s also a rogue vampire killer who calls himself, wait for it…. THE BELIEVER. I screamed my goddamn head off when all of this was revealed. This one off scene of a random band on the boardwalk has given us a treasure of a plot point.
But now I have to address the issues I had with this comic, because issues abound. The first involves the continuity problems. The biggest one was the fact that the little boy and former half vampire Laddie is now living with Sam and Michael now, in spite of the fact there was a milk carton with his face on it in the movie. Someone is looking for Laddie, guys!! You can’t just keep him! So either the Emersons and just prolonging his abduction, or that has been thrown out the window in interest of keeping Laddie there for plot purposes. But the bigger issue I had was with Star. Star is a character that I both love and kind of resent. She’s beautiful and charming, and Jami Gertz plays her so well, but she is so passive and just there to be a vaguely moral center. She’s another half vampire, but doesn’t even get to vamp out once! I had higher hopes that she would have more to do in this one, and at first it seemed like she did (and the reasons I say this I won’t spoil)….. But then she really just ended up being passive and unwilling or unable to act at times she could. AGAIN. They had the chance to redeem Star, or at least give her the credit that was never afforded her, but they still relegated her to the sidelines again.
The artwork is a fun style, kind of reminding me of “Locke and Key” in the way the people are drawn. The colors pop off the page, and while the characters don’t really look like their inspirations, it kind of gives them a new chance to become their own characters that can evolve beyond the film.
While I had my qualms, for the most part I had a blast reading “The Lost Boys (Vol.1)”. It feels like a worthy follow up to the classic vampire film, and I really hope that it goes for awhile. I need the Emersons, The Frog Brothers, and all their vampire foes in my life.
Rating 7: A fun follow up to one of my favorite movies. While there were continuity issues and I was frustrated with Star STILL having little to do, as a “The Lost Boys” fan I was pretty pleased with it overall.
Book: “You Should Have Left” by Daniel Kehlmann, Ross Benjamin (Translator)
Publishing Info: Pantheon Books, June 2017
Where Did I Get This Book: The library!
Book Description:From the internationally best-selling author of Measuring the World and F, an eerie and supernatural tale of a writer’s emotional collapse
“It is fitting that I’m beginning a new notebook up here. New surroundings and new ideas, a new beginning. Fresh air.”
These are the opening lines of the journal kept by the narrator of Daniel Kehlmann’s spellbinding new novel: the record of the seven days that he, his wife, and his four-year-old daughter spend in a house they have rented in the mountains of Germany—a house that thwarts the expectations of his recollection and seems to defy the very laws of physics. The narrator is eager to finish a screenplay, entitled Marriage, for a sequel to the movie that launched his career, but something he cannot explain is undermining his convictions and confidence, a process he is recording in this account of the uncanny events that unfold as he tries to understand what, exactly, is happening around him—and in himself.
Review: Back when I was just out of college but still hadn’t quite found my footing, my dear friend Blake (bestie from high school, now far away friend) told me about this creepy book that he was reading called “House of Leaves” by Mark Z Danielewski . He said that it was basically three stories combined into one, told with transcripts, footnotes, weird spacing choices, and a claustrophobic nuance that made the reader feel like they were going a bit loony. I asked my sister to get it for me for my birthday, and when I picked it up it was so intricate and odd that it took me awhile to read it. But boy did I love the concept of a scary story told in weird, experimental ways. Flash forward to this fall, when my Mom sent me another of her emails saying “I found this book through the New York Times, you should look into it.” That book was “You Should Have Left”, and when I finally picked it up a few weeks later, I started having flashbacks to my time spent with “House of Leaves”. Only this one, clocking in at less than 150 pages, was possible to read in one night.
When we meet Narrator (as he has no name), his wife Susanna, and their little girl Esther, they have taken a cabin retreat to give him time to work on his newest screenplay. I mean, if you want isolation from the world around you, a mountain cabin is probably the way to go. The only parts of Narrator’s story we get to see are through his own writings, be it meditations on writing, the screenplay itself, or his random diary-esque entries talking about his family, the cabin itself, and other observations within the moment. It’s when he makes off the cuff remarks about things that seem odd that you start to slowly realize that something isn’t quite right here. Narrator is under such pressure, both in his professional life and his personal life, that as the reader you are constantly wondering how reliable these various things are. It’s a great device, and Kehlmann uses it pretty well. As various things happen, both in his personal and professional life AND within the house itself, it’s hard to know if one causes the other or vice versa. There were some really good moments of uncanny horror in this one, from strange silhouettes out of the corner of the eye to Narrator maybe seeing himself walking around inside the house even though he’s outside of it. Moments like these made it so that I was thrown for a loop and a bit weirded out, which was fun and unsettling and very satisfying because of it. Even though I read this all in one sitting, throughout that sitting I would find myself looking towards the dark corners of my bedroom and into the hallway, knowing I wouldn’t see anything, of course, but worried that I might. Any Gothic novel worth it’s weight knows how to make fear from isolation and darkness, and I felt like Kehlmann achieved it.
The translation itself was pretty good, Benjamin was very skilled and making the prose flow easily, and it never felt clunky or forced, or like anything was being lost from German to English. I find that can sometimes be a problem for translated works, so it was good that the suspense was still palpable and the tension still tight.
But sadly, because I went in with “House of Leaves” on the brain, this one didn’t quite live up to all of my expectations. I know that short and sweet horror can be very effective when it is done right, and while I do think that “You Should Have Left” was done very well, it sort of felt like a been there, done that kind of read for me. While that isn’t necessarily a relevant thing for those who haven’t read “House of Leaves”, it just wasn’t quite strong enough to buck that association and comparison. Had it been longer, and had we spent more time with Narrator as he either a) falls victim to a haunted house, or b) falls victim to his own emotional breakdown, perhaps I could have left my past associations at the door. While I do fully intend to go back someday and re-read “House of Leaves”, “You Should Have Left” is probably a one and done kind of ghost story for this reader.
If you’re in need of something short this Halloween season, “You Should Have Left” will probably whet your appetite pretty thoroughly. It’s unsettling and creepy, and knows how to push the right buttons.
Rating 7: An unnerving and eerie novella that kept me on edge, “You Should Have Left” was strange and raw. At times it felt like “House of Leaves”-Lite, but a solid and fast horror story it still is.
Reader’s Advisory:
“You Should Have Left” is not on any Goodreads Lists as of right now, but honestly, if you want some similar books dealing in isolation and potential mental breaks, give “The Shining” and “House of Leaves” a try.
Book Description:For fans of John Dies at the End and Welcome to Night Vale comes a tour de force of horror, humor, and H.P. Lovecraft. The surviving members of a forgotten teenage detective club (and their dog) must reunite as broken adults to finally solve the terrifying case that ruined them all and sent the wrong man to prison. Scooby Doo and the gang never had to do this!
1990. The teen detectives once known as the Blyton Summer Detective Club (of Blyton Hills, a small mining town in the Zoinx River Valley in Oregon) are all grown up and haven’t seen each other since their fateful, final case in 1977. Andy, the tomboy, is twenty-five and on the run, wanted in at least two states. Kerri, one-time kid genius and budding biologist, is bartending in New York, working on a serious drinking problem. At least she’s got Tim, an excitable Weimaraner descended from the original canine member of the team. Nate, the horror nerd, has spent the last thirteen years in and out of mental health institutions, and currently resides in an asylum in Arhkam, Massachusetts. The only friend he still sees is Peter, the handsome jock turned movie star. The problem is, Peter’s been dead for years.
The time has come to uncover the source of their nightmares and return to where it all began in 1977. This time, it better not be a man in a mask. The real monsters are waiting.
With raucous humor and brilliantly orchestrated mayhem, Edgar Cantero’s Meddling Kids taps into our shared nostalgia for the books and cartoons we grew up with, and delivers an exuberant, eclectic, and highly entertaining celebration of horror, life, friendship, and many-tentacled, interdimensional demon spawn.
Review: Though I was definitely more of a “Pup Named Scooby-Doo” viewer as a child, “Scooby-Doo, Where Are You?” was definitely a show that I was pretty familiar with thanks to visits to Grandma’s house and the local video store. I can’t say that I have a huge nostalgia for it, but it’s enough of a cultural icon that I am familiar with it and all the references, tropes, and influences that come with it. When my friend David sent me this book title on Facebook, I was immediately intrigued. Given that I love send ups of classic shows like “The Venture Bros”, “Sealab 2021”, and “Harvey Birdman: Attorney At Law”, I was stoked to see that FINALLY someone decided to take on “Scooby-Doo, Where Are You” and add in some Lovecraftian horror elements to boot.
The start of way too many “Scooby-Doo” gifs. (source)
To start, I really enjoyed how Cantero took the characters that we are oh so familiar with and gave them some serious issues, issues that would make perfect sense for a bunch of kids who chased after criminals. Meet the Blyton Summer Detective Club: Kerri (Velma) was an incredibly smart girl, a genius, but has ended up an alcoholic tending bar. Andy (I think she’s supposed to be a inverted Daphne? She doesn’t really fit) was the tomboy of the group, who went on to get military training but is now on the run from the law. Nate (Shaggy) was the geeky and carefree one, but has voluntarily committed himself to Arkham Asylum (of Lovecraftian fame, not “Batman”)… Mainly because he keeps seeing Peter (Fred), who died of a drug overdose a few years prior. Throw in Tim (Scooby-Doo), the canine descendant of their original group, and there you have it. I liked how Cantero explored the damages that their friendship and group wrought upon them. Seeing all of these broken people try to come back together to fight the one case they didn’t quite solve was bittersweet and heavy, and I really appreciated that Cantero explored how a scenario like this may go. Kerri and Andy have a deep bond, stemming from childhood when Andy was almost in love with Kerri, and seeing them reconnect is very sweet, even if it feels like doom could come for them at any time. Nate’s struggle with his mental illness is also very revealing, though at times you are kind of wondering if maybe Peter’s ghost really is with him. After all, if monsters are real, why not this? They all need each other as much as they wish they didn’t, and that was both lovely and tragic because at the heart of it they are all survivors of a terrible trauma, and they need to confront it before they can move on with their lives. Cantero does a great job of reminding us that they were kids when this terrible stuff happened to them, and that sometimes you can’t just walk away and that’s the end of the story. Sometimes it’s not just a kook in a mask.
I also really liked that Cantero has taken the ol’ chesnut that is Lovecraft and has applied it to this kind of story. Given that the original “Scooby-Doo” always ended with the villain being a plain old person in a mask, for them to be facing actual monsters and magic is SUPER fun, and at times genuinely creepy. From lake monsters that decompose at an alarming rate to mysterious books and words in an attic, Cantero has really taken the inter-dimensional horror theme and given it a fun little spin here. It’s meta as well as creepy and weird, and it’s just different enough that I wasn’t feeling like he was trying too hard to make two different themes fit together. He also did a good job of retaining the plausible explanation theme, as while a guy in a mask isn’t a solution, there are other natural disasters that pose just as much risk to these people as the supernatural creatures. That isn’t to say that this book is just doom and gloom and a Nolan-like take on “Scooby-Doo”. As a matter of fact, this is not only kind of sad, at times it’s a VERY funny book. The snide and sarcastic banter between the characters had me in stitches, as well as the occasional insight into Tim’s doggie mind (his love for a toy penguin, for example, is delightfully whimsical when it’s from his POV).
That isn’t to say that it was a perfect book. I will admit that I had a hard time with some of the stylistic choices, as it could jump from a novel narrative to a playwright’s dialog in the same scene, even the same breath. I found it to be a bit distracting, but it was never so jarring that I had to stop. I also do kind of question some of the influences that Cantero took from, specifically that sometimes it felt like he was kind of appropriating some indigenous legends, even if he put his own spin on them in the end. It kind of treaded the line, and while I don’t think that he ever really crossed it, I’m no expert. I would probably have to do more research and get other people’s opinions on the matter.
Overall, I really liked “Meddling Kids” and think that it’s both super fun and super creative. I also liked how it took the familiar tropes of a beloved series and spun them on their head.
Rating 8: Both a nostalgic send up and solid adventure/horror story, “Meddling Kids” brings some real world insight and consequences to a group of former teen detectives with heart and scares.
Book: “The Cheater” (Fear Street #18) by R.L. Stine
Publishing Info: Simon Pulse, April 1993
Book Description:Carter Phillips is under a lot of pressure to ace her math achievement exam – so much pressure that she gets Adam Messner to take the test for her . . . in exchange for one date. But Adam wants more than a date – much more. Carter has no choice. She has to do whatever he asks. If not, he’ll tell hers secret and ruin life. Adam’s control over her gets more and more unbearable. Carter is desperate to get rid of him – but how? Is murder the only way?
Had I Read This Before: Yes.
The Plot: Our main gal Friday this time is Carter Phillips, a spoiled little rich girl who is the daughter of a Judge and has his high expectations thrust upon her. Also, her mother is one of those wealthy do gooder ladies who probably raises money for the less fortunate but her definition of ‘less fortunate’ smacks of racism. The most recent issue for Carter is that, while she is great at most academic subjects, math is just not her thing. I FEEL YA, CARTER. She has an upcoming math achievement exam (which I just assume is supposed to be the SAT or ACT in this parallel universe in which Shadyside resides), and she’s very stressed about it. If she doesn’t score 700, Princeton will surely tell her to take a hike. Given that she’s terrible at math, she’s certain that a 700 is not in the cards, and she’s terrified that she’ll disappoint her father, as she laments to her bestie Jill. While on a date at a local burger joint with her boyfriend Dan, who is honest and kind and totally devoted to her, she asks that maybe he could take the test for her? He tut tuts her for even suggesting such a thing, and in her shame she back tracks and says ‘nah, jokes!’. They part ways amicably, as Dan leaves and she remains, stressing about the upcoming test. This is when Carter is approached by Adam Messner, burger hawker, classmate, and goth/grunge weirdo. Carter doesn’t know Adam very well, but does know that 1) he’s strange, and 2) he has a girlfriend named Sheila who sounds like Courtney Love during the ‘unfortunate years’. Adam admits that he was eavesdropping, and offers to take the test for her. After all, it’s at a different school, and her name is like a boy’s name. Carter is hesitant, thinking that the proctor would ask for ID, but Adam assures her that it won’t be a problem. She asks why he’s offering, and he says that she needs his math skills, and he would like her to go on a date with him. One date. And that will be that. Even though Carter already has a boyfriend, she accepts the offer, because how could ONE SINGLE DATE possible hurt?
How indeed, Carter.
Adam takes the test for her, and while he maliciously tricks her at first saying that they did ask for ID (they didn’t, funny joke, Messner), he assures her that all went well and that he’s pretty sure he crushed it. In fact, he scored a 730, as the results come back, and Carter is thrilled, even if she is a little uneasy. But her father, The Judge, is so happy, he gives her a pair of diamond earrings as a congratulations, because that’s how the wealthy are. Carter and Adam go on their date that Friday, and it actually isn’t so bad. They even do a little kissing and gentle petting, as while Carter does really care about Dan, Adam is just so EXCITING and FORBIDDEN. When he drives her home, Carter, being the stuck up snoot she is at the heart of her, asks if he would please drop her off at the curb instead of up at her house. Lest someone see them together. While it’s probably prudent given that she has a boyfriend, it also smacks of elitism. He asks her what she’s doing the next day, and she says she’s going to play tennis at the country club with her BFF Jill. Adam says that he’ll meet her there, and speeds off. As if that wasn’t stupid enough, as Carter walks the rest of the way home, she is ambushed by Sheila, who jumps out of the bushes, angry that Carter was on a date with her boyfriend. Carter assures her that nothing happened (not true), and Sheila storms off.
At the country club the next day, Carter arrives to find Adam arguing with the guard. The guard isn’t convinced that this boy dressed in a black tee shirt and black jeans is here to play tennis with Shadyside’s Vanderbilt Equivalents, but Carter says that yes, he is. They go to the courts and play doubles against Jill and her flavor of the month, a real top drawer boy named Richard. Adam is actually pretty good, and once again Carter is a bit aroused by him. Thank God he knows his way around a racket. After they are done, he asks her on another date. This time she tries to be firm in her refusal, but he tells her that if she doesn’t go out with him, she’ll be sorry. Girl, this is ALWAYS how these things go! And where does poor Sheila enter into this? In the locker room, she opens her gym bag and finds an ANIMAL HEART. Sheila’s doing?
So the next weekend, Carter and Adam go to a movie, and then they go back to his house on, you guessed it, Fear Street. It’s one of the dilapidated ones, as you either have slum houses on Fear Street or gorgeous and perfectly okay ones, depending on whether a protagonist or antagonist lives in it. They go into the kitchen, and Carter tries to leave, but Adam shoves her into the wall and starts kissing her against her will. She tells him that she’s leaving, and he lets her, but tells her that he wants another favor: his friend Ray has a huge boner for Jill, and he wants them all to go on a double date the next night. Carter doesn’t want to, but feels like she has no choice because, you know, blackmail. Carter calls Jill and asks her to do this for her (rudely interrupting a mauling sesh with Gary Brandt), and Jill is rightfully perplexed and horrified. Ray is a creep, you can tell because he has tattoos! But she agrees because she’s too good a friend.
So they go on the date to some seedy club that country club girls probably wouldn’t be caught dead in usually. Unfortunately, Carter and Jill are basically fresh meat to the thugs in this bar who sound like they’re hot off a spitting session in a Sex Pistols pogo pit, as they are well dressed AND underage girls. Ray starts grinding up on Jill, who is repulsed and terrified, and when Carter tries to help the punks surround them and grab at them and to be frank, this felt like it was one big sexual assault and I was very uncomfortable. Carter grabs Jill and barrels through them, running to her car and speeding them far far away. Once they’re safe at Carter’s house back in North Hills (I assume? That is the fancy part of Shadyside), Jill weeps as Carter begs for forgiveness.
At school the following week, Carter basically rips Adam a new one and tells him that they are done with this bullshit. He counters her offer by demanding she give him one thousand dollars, unless she wants him to spill his guts. I call bullshit on this, because he too would be held accountable as HE WOULD ALSO BE A CHEATER. I think Adam Messner doesn’t have the balls, but Carter seems to think he does, so she pawns those earrings that The Judge gave her. At dinner that night The Judge asks her where her earrings are (I guess she’s supposed to wear them at all times), and she lies saying that the backing fell off one so she’s getting them repaired. How bittersweet.
After the heat seems to be off her, as she has paid Adam off and he’s leaving her alone, Carter FINALLY goes on a date with Dan. You remember Dan! Her actual boyfriend! They watch movies on the couch at his house and probably mess around a bit, and eventually she leaves for home. While she’s driving, some crazy person tries to run her off the road! Given that she has some enemies now, she thinks it must be either Adam or Sheila. She gets home, and Adam is there, waiting for her. He demands another cool grand, saying that he’ll tell if she doesn’t fork it over.
Later, Carter’s parents go out of town for a family wedding, and Carter stays behind. That night Dan comes over and confronts her about how weird she’s been acting, saying that he AND Jill have noticed it. Carter breaks down, confessing everything to him, the cheating, the blackmail, maaaaybe not the vague excitement she felt around Adam at first. She then grabs her Dad’s handgun out of a drawer, and says that she wants to KILL ADAM!! Dan tells her that that’s a terrible idea, and then, not at ALL suspiciously, leaves. Carter gathers up more jewelry to pawn, and once she gets the cash she drops it off at Adam’s house without going to find him, driving around afterwards aimlessly. She gets home to find Dan waiting for her, and before they can have any kind of reunion, the police show up. ADAM MESSNER HAS BEEN SHOT AND KILLED. And they have reason to believe that Carter may have been connected to him because of evidence they found at his house. She tells the police that no way, she hadn’t been to his house that night. The cops leave, and Dan points out her lie, as hadn’t she gone to Adam’s house? She says she doesn’t want to get the cops involved in her life. Dan leaves, suddenly acting strange. A short while later, the phone rings, and Carter answers, hoping it’s Dan. But instead, it’s someone who just whispers “I know what you did.”
At school people seem to have heard the rumors about Carter and Adam, as everyone is avoiding her, including Jill. Dan is even saying he doesn’t know what to say to her anymore. That night her parents have gone off to one of her mother’s charity drives , so Carter is alone. And then, of course, the power goes out. No go on the phone, as it’s dead too! And then she hears footsteps in the basement. A STRANGE MAN emerges and attacks her, saying that he was the one who tried to run her off the road. As he tries to strangle her, the police come in, in the nick of time! Thank god for rich people and their alarms! Carter’s parents come home in the middle of this, and The Judge recognizes this guy as a hired muscle for a guy whose case he is presiding over. Huh! That was actually a pretty okay twist! If a bit superfluous.
A few nights later, Carter is feeling like maybe things are going to go her way, but then Sheila calls. Now SHE wants money, because Adam told her everything, and Sheila is convinced that Carter is the one who killed him because she somehow has ‘proof’. She asks for five hundred smackaroos, and Carter pawns her fancy stereo system. She meets Sheila in the woods, and they do an exchange. Carter gives Sheila the money, and Sheila gives her the proof…. a necklace that says ‘Carter’ on the back of it. It was by Adam’s body. Hmmmmmmm….
Carter calls Dan and says she’s going to confess everything to her father, and she wants him to be there when she does. He says that he will. They go into The Judge’s office, and Carter confesses to cheating, and then she confesses to killing Adam as well!!! The Judge seems totally disappointed in his little girl. Dan asks if The Judge can get her off the hook, but The Judge isn’t totally sure, and says he’s going to call the police…. And this is when DAN ADMITS TO KILLING ADAM!! He accidentally shot him, he went to confront him about blackmailing Carter and Adam pulled a gun on him. They tussled, and Dan accidentally pulled the trigger….. And then Carter says ‘See Daddy? I told you he’d confess!’
Yes, the necklace was one that Dan had bought for her. When she saw it, she knew, and she knew that he would eventually own up if she tried to take the fall. Though he almost didn’t! Anyway, The Judge says that he can probably pull some strings, but that Carter does have to own up for cheating in the first place. Her mother is more concerned about how scandalous this is than anything else, but it does seem like The Judge is using his connections to not only get Carter a pass, but to get Dan some really great lawyers who can get him kind of deal, or no charges whatsoever, etc etc. The book ends with Carter and Dan playing chess together, and it sure makes it seem like there will be no consequences for these two privileged white kids from North Hills. And of course, while they’re playing, Dan says to Carter ‘no cheating!’, and then beats her because she doesn’t cheat anymore. The End.
Body Count: 1. That piece of crap Adam Messner. Good riddance.
Romance Rating: 7. I don’t know, Dan is a pretty okay guy who really cares for Carter, and while accidentally shooting Adam wasn’t great, he did own up to it. Though, he was willing to let Carter take the fall for a bit, so….. Maybe let’s bump it down to a 6.
Bonkers Rating: 3. It’s actually not that crazy, but it does get some points for the red herring of the hired goon from Judge Phillips’s case trying to hurt Carter.
Fear Street Relevance: 3. Carter doesn’t live on Fear Street. Adam does, but only a little of the plot takes place at his house.
Silliest End of Chapter Cliffhanger:
“Desperately, she struggled to straighten the wheel. Too late! She screamed – closed her eyes – and waited for the crash.”
…. And then she just brakes the car.
That’s So Dated! Moments: Well first of all, just look at the cover. Look at that phone. But what made me cackle (and gave me pangs of nostalgia to my grade school years) was that the choices of hot movies from the video store were “Batman Returns” and “Waynes World”.
Best Quote:
“Mrs. Phillips was horrified, of course, at having her daughter mixed up in such a scandal. ‘They’ll be dragging our name through the mud in the papers!’ she cried tearfully at the dinner table that night. ‘I just hope they don’t kick us out of the club!'”
Priorities.
Conclusion: As silly as it was, I pretty much enjoyed “The Cheater”. There’s a reason I remember it so vividly from my childhood. Next up is “Sunburn”! And let me tell you, the cover alone is glorious.
Book: “My Favorite Thing Is Monsters (Vol.1)” by Emil Ferris
Book: “The New Boy (Fear Street #20)” by R.L. Stine
Book: “New Super-man (Vol.1): Made in China” by Gene Luen Yang, Viktor Bogdanovich (Ill.)
Book: “Sleeping Beauties” by Stephen King and Owen King
Book: “Strange Weather” by Joe Hill
Book: “Sunburn” (Fear Street #19) by R.L. Stine
Book: “The Lost Boys (Vol.1)” by Tim Seeley, Scott Godlewski
Book: “You Should Have Left” by Daniel Kehlmann, Ross Benjamin (Translator)
Book: “Meddling Kids” by Edgar Cantero
Book: “The Cheater” (Fear Street #18) by R.L. Stine
The Library Ladies 