Book: “Victor LaValle’s Destroyer” by Victor LaValle, Dietrich Smith (Ill.)
Publishing Info: BOOM! Studios, March 2018
Where Did I Get This Book: The library!
Book Description: The legacy of Frankenstein’s monster collides with the sociopolitical tensions of the present-day United States.
Mary Shelley’s Frankenstein beseeched his creator for love and companionship, but in 2017, the monster has long discarded any notions of peace or inclusion. He has become the Destroyer, his only goal to eliminate the scourge of humanity from the planet. In this goal, he initially finds a willing partner in Dr. Baker, a descendant of the Frankenstein family who has lost her teenage son after an encounter with the police. While two scientists, Percy and Byron, initially believe they’re brought to protect Dr. Baker from the monster, they soon realize they may have to protect the world from the monster and Dr. Baker’s wrath.
Written by lauded novelist Victor LaValle (The Devil In Silver, The Ballad of Black Tom), Destroyer is a harrowing tale exploring the legacies of love, loss, and vengeance placed firmly in the tense atmosphere and current events of the modern-day United States.
Review: Victor LaValle is an author whom I greatly enjoy, as I don’t think I’ve read one thing by him that underwhelmed me. I really liked his mental institution horror story “The Devil In Silver”, I found “The Ballad of Black Tom” to be a fun deconstruction of a racist Lovecraft tale, and I REALLY liked “The Changeling” and how it made a modern day dark fairy tale out of New York City. So when my friend Tami told me that he had written a graphic novel that decided to take on “Frankenstein”, I absolutely had to read it. It was a long wait at the library, but when “Destroyer” finally came in I sat down and devoured it in one setting. Even if it ran me through the wringer and then some. I guess I never thought about how “Frankenstein” could be combined with present day socio-political themes, and yet LaValle meshed them so well that I was blown away.
The Monster has emerged from the Arctic in modern times, and his former longing of being included and understood has been thrown out the window. He is a beast that is intent on destruction of the human race, as he believes that it has wronged him, as well as everything else around it, and does not deserve to go on. In contrast, we meet a modern day descendent of Victor Frankenstein. Her name is Dr. Baker, and she, too, has her heart set on destroying the society that she has continuously wronged her. For her, though, that is mostly because she lost her son Akai after a witness mistook his little league bat for a gun, and police killed him. Her science experiment has brought Akai back from the dead, though her scientific genius has made him a wonder of modern technology as well as an undead twelve year old. It’s the perfect metaphor for the rage and despair that parents like her have felt over and over again, and her urge to destroy every part of the racist society that destroyed her life. Her rage and plotting is utterly terrifying, but damn does it make sense. I loved Dr. Baker, as you get to see her life before Akai’s death through flashbacks, including her time at a top scientific research organization (that basically fired her when she got pregnant, because heaven forbid a woman in a STEM profession want to start a family). That organization has also stolen her ideas and technology and intends to use it against her, which is another indictment of power structures stealing ideas from groups that it wrongs. LaValle does a very good job of showing how she could go from a bright eyed and enthusiastic young scientist to a revenge intent victim, and while I don’t think he ever makes it seem like her urge to kill everyone in society is correct, he makes you really understand why she’d feel that way.
Dr. Baker a great juxtaposition to The Monster, who has also decided to take a path of destruction because of his grievances. It takes those themes of science gone too far and what makes a monster and applies them to a T. Hell, the other little homages are also on point, like the names of the agents Percy and Byron, named for the two men to whom Mary Shelley first shared her vision of a Modern Prometheus. The Easter eggs are plentiful, and I had a hell of a time finding them. It’s a really fun thought exercise about what The Monster would possibly be like today if it finally left the Arctic, and boy is it bleak. I don’t know if I really like the idea of The Monster being reduced to, well, a monstrous/brainless being, because far too often has Shelley’s vision been misinterpreted from the thinking, and therefore plagued, creature of her intention. But in this case, I think that LaValle does it in a way that would be a potential foregone conclusion, and it does add to the symbolism all the more.
I really enjoyed the art work that Dietrich Smith brought to this story. It felt sufficiently comic book, but it also had bits of depth and darkness and shadow that conveyed various points of tragedy and sadness. I also liked the more abstract design of the cover (done by Micaela Dawn), though the drawing style inside was the design that I preferred. The details from the gore and the violence to the varied facial expressions are very well done.
“Destroyer” is a superb reinterpretation of a classic story of horror and tragedy, and LaValle has once again shown his talent and retelling stories with a socially conscious lens that reflects today’s ills. It’s another update of “Frankenstein” that I think Mary Shelley would appreciate.
Rating 8: A dark and biting retelling of “Frankenstein”, “Victor LaValle’s Destroyer” takes a classic story and applies it to modern social justice themes with powerful results.
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