Book: “Markswoman” by Rati Mehrotra
Publishing Info: Harper Voyager, January 2018
Where Did I Get this Book: audiobook from the library!
Book Description: Kyra is the youngest Markswoman in the Order of Kali, one of a handful of sisterhoods of highly trained elite warriors. Armed with blades whose metal is imbued with magic and guided by a strict code of conduct, the Orders are sworn to keep the peace and protect the people of Asiana. Kyra has pledged to do so—yet she secretly harbors a fierce desire to avenge her murdered family.
When Tamsyn, the powerful and dangerous Mistress of Mental Arts, assumes control of the Order, Kyra is forced on the run. She is certain that Tamsyn committed murder in a twisted bid for power, but she has no proof.
Kyra escapes through one of the strange Transport Hubs that are the remnants of Asiana’s long-lost past and finds herself in the unforgiving wilderness of a desert that is home to the Order of Khur, the only Order composed of men. Among them is Rustan, a disillusioned Marksman whose skill with a blade is unmatched. He understands the desperation of Kyra’s quest to prove Tamsyn’s guilt, and as the two grow closer, training daily on the windswept dunes of Khur, both begin to question their commitment to their Orders. But what they don’t yet realize is that the line between justice and vengeance is thin . . . as thin as the blade of a knife.
Review: As I was scrolling through upcoming releases, I happened upon a book that seemed intriguing. Once I looked into it a bit further, I realized that it was in fact a sequel to this book that came out last year and somehow missed my radar. Mission in hand, I set off to the library and was able to snag an aubiobook version of the story. I knew from a few other book reviewers I follow that this was a fairly popular title last year, so I had high hopes. Sadly, the hype machine let me down once again.
Ever since tragedy struck her village and family when she was young, Kyra has been raised by an order of all-female assassins, training to become a Markswoman herself. In this land, Markswomen (and the one order of men to also take on this calling, though there is much controversy over the legitimacy of their claim) are the sole arbitrators of justice, doling out death sentences when crimes have been committed. To do this, they use specially crafted blades that they have bonded with and hold unique powers. But soon after Kyra gains her role as Markswoman, things go wrong in her order and she finds herself alone in the world and on the run from her own kind. She meets up with a young man from the male version of the assassin order, and together they must face the growing strife overtaking the land.
There is a lot to like about this story, and I can understand why it was popular for so many readers. Most notably, the world-building is incredibly unique. The story appears to be set in some version of India and there are various references to gods that come from the Hindu religion, most notably, Kali, the Markswoman’s patron goddess of death. But on top of this fantasy version of the region, we’re also quickly given hints to an even greater past. There are references to ancient beings who once walked the earth but retreated to the skies long ago. However, they left a series of doorways that operate using some type of technology that is not understood and that can quickly transport an individual from one place to another. This science fiction element was completely unexpected and probably one of the most intriguing aspects of the entire series. I was much more interested in the history of this world and this technology than in Kyra’s story itself, which, of course, is ultimately one of my problems with the book.
Frankly, I didn’t much care for Kyra or Rustan, each coming with their own unique frustrations. We’ll start with Kyra. We meet her during her first assignment that marks her as a fully-fledged Markswoman. She immediately hits with the expected hesitation and moral questioning I’ve now come to (sadly) expect from many assassin stories. Once back at the Order, she continues to flounder in her role, being easily provoked by another girl who is still at an apprentice level to the point where Kyra walks right up to a line of behavior that would see her immediately expelled. Lastly, in a discussion with her mentor, she seems to still be confused by her own order’s purpose, wishing to use her newly-gained role to go on a revenge quest against the people who attacked her family all those years ago. All together, only a few chapters in, we’ve seen literally ZERO evidence that Kyra has the maturity, responsibility, or thoughtfulness to have earned her this promotion. She doesn’t seem to have engaged at all with the greater meaning and purpose behind her own order; she questions authority at every opportunity; she is easily pushed into poor decision making by peers who are now her lessers; she’s not even particularly skilled in any of her lessons. I came away from these chapters with literally no idea what had made Kyra special enough to have been granted an early promotion other than, of course, the necessity of it for plot purposes, the WORST kind of story structure. I found it incredibly frustrating and it ultimately irreparably damaged the character in my mind early in the book. Even when the action picks up to the point that some of these flaws fade into the background, the damage was done.
Rustan, too, has similar character issues. He’s given fewer chapters than Kyra from the get-go, leaving the character with an uphill battle. And, again, we see another assassin who is really pretty terrible at being an assassin. He ultimately spends much of the first half of the book fretting over events in a way that was both repetitive and useless. Not to mention, again, at odds with the basic concepts of any assassin order that one could imagine.
Then the two get together and the inevitable romance begins. Here, too, the book flounders and this element of the story falls into many tropes and pitfalls. We’re never given any solid reasons why these two are drawn together and really, it seems to happen over night and out of nowhere. What starts as an antagonistic relationship literally upends itself for no good reason. I’d be more mad about it if I wasn’t quite so bored by how predictable it all was.
Ultimately, I was pretty disappointed by this book. The world-building and story at the heart of it had so much potential. But this just made it all the more frustrating to see those things being squandered and buried beneath poor characterization and an aggressively trope-ridden romance. I had already requested the sequel book for review when I picked up this one (this is what I get for blindly trusting in the hype machine), so we’ll see how that one turns out. Hopefully improvements will be made!
Rating 5: Having a lot of good things going for it just made it all the more painful to watch this one stumble its way through.
Find “Markswoman” at your library using WorldCat!