This post may contain affiliate links for books we recommend. Read the full disclosure here.

Book: “Japanese Gothic” by Kylie Lee Baker
Publishing Info: Hanover Square Press, April 2026
Where Did We Get This Book: NetGalley;
Where You Can Get This Book: WorldCat.org | Amazon | Indiebound
Book Description: In this lyrical, wildly inventive horror novel interwoven with Japanese mythology, two people living centuries apart discover a door between their worlds.
October, 2026: Lee Turner doesn’t remember how or why he killed his college roommate. The details are blurred and bloody. All he knows is he has to flee New York and go to the one place that might offer refuge—his father’s new home in Japan, a house hidden by sword ferns and wild ginger. But something is terribly wrong with the house: no animals will come near it, the bedroom window isn’t always a window, and a woman with a sword appears in the yard when night falls.
October, 1877: Sen is a young samurai in exile, hiding from the imperial soldiers in a house behind the sword ferns. A monster came home from war wearing her father’s face, but Sen would do anything to please him, even turn her sword on her own mother. She knows the soldiers will soon slaughter her whole family when she sees a terrible omen: a young foreign man who appears outside her window.
One of these people is a ghost, and one of these stories is a lie.
Something is hiding beneath the house of sword ferns, and Lee and Sen will soon wish they never unburied it.
Kate’s Thoughts
Given how much I adored Kylie Lee Baker’s previous novel “Bat Eater and Other Names for Cora Zeng” I knew that I wanted to get my hands on “Japanese Gothic”. Baker really has a solid grasp on how to craft a well done horror story that not only reflects her cultural background, but also universal fears across many different people. Reading about “Japanese Gothic” had me excited, and when Serena asked if we wanted to do a joint review I was in because I really wanted to see how our two different perspectives of the genres involved (fantasy and horror) would meld. It’s always fun to see how we approach the same book through these lenses.
As I was reading it I kind of found myself feeling like this book was more dark fantasy than horror (only because while it had spooky elements it didn’t really invoke dread in me), but given that I love dark fantasy as well that wasn’t a detriment. The suspense was there and as we follow two different perspectives (that of murderer Turner in our modern timeline, and that of ambitious would be samurai Sen in a timeline centuries before, who both live in the same house), Baker creates a time bending and mysterious story with murder, mystery, and two damaged people making a connection. We don’t really know why they are having this overlap, but as we learn more about the both of them I found myself getting more attached even though both of them, especially Lee, seem pretty menacing. I also liked how Baker carefully peels the layers back of both Lee and Sen, letting them learn about each other and letting us see how they could be drawn to one another through a weird dreamlike connection that feels otherworldly and strange. I liked both of them and all of their trauma, be it Lee’s mother who disappeared and who he thinks was kidnapped for human trafficking purposes, or Sen trying so desperately to impress her uncompromising samurai father. All of it worked for me and kept me on edge.
I will say, though, that if you are a little squeamish around violence and gore, this book has it’s moments. I still don’t really think it’s horror, but others may disagree due to some of the story beats and violent moments.
I enjoyed “Japanese Gothic”! It’s unique and weird and it will surely satisfy horror and dark fantasy fans alike.
Serena’s Thoughts
It’s always fun when we can find authors that cross over between our two genres. I had read Baker’s YA duology, “The Scarlet Alchemist,” a few years ago and really loved it. Her next book, “Bat Eater,” I saw was more horror-focused and left to Kate. But when I saw this one coming down the pike, the mentions of “dark fantasy” and “gothic” sounded more up my alley, so a joint review was definitely in order!
And it really came through in that way! I’d agree with Kate that this felt much more like a dark fantasy than a horror novel. I’ve read and enjoyed a few horror novels here and there, and as Kate identified, a feeling of dread is key to that genre. And while this had spooky elements, it didn’t have that lingering feeling in the back of your mind that something terrible was right around the corner. That said, it’s definitely not a book for the faint of heart; Baker doesn’t back away from some of the more gruesome moments and depicts them quite starkly on the page.
Part of the darkness came down to the two main characters, each with their own simmering issues. They are the sorts of characters that you catch yourself rooting for, and then take a step back and look at them objectively and start questioning whether you really should be supporting them so fully. It’s an interesting dynamic and one that had me sucked into each of their stories, perhaps even despite myself at times.
I also really liked the way she used the two timelines and wove them together. There were plenty of twists and turns throughout, and I was on the edge of my seat for much of it to see how it was all going to come together in the end. Towards the end, some of these twists and turns began to feel a bit overwhelming as characters were dropping left and right, but I found the end itself satisfying.
Overall, I enjoyed this one and definitely think it’s a great read for dark fantasy fans!
Kate’s Rating 8: A suspenseful and time bending dark fantasy with two complicated protagonists and a hell of a hook.
Serena’s Rating 8: Dark in just the way like: full of twists and turns and grounded in two protagonists that you’re not quite sure what to do with at times.
Reader’s Advisory
“Japanese Gothic” is included on the Goodreads lists “Weird Lit”, and “2026 Women in Horror”.