Not Just Books: September 2017

While we do love us some books, believe it not, we do have a life outside of reading. So to highlight our other pop culture interests, on the last Monday of each month, we each will highlight three other “happenings” from the last month. Big events on favorite TV shows, new movies we’ve watched, old movies we’ve “discovered,” etc. Pretty much whatever we found of particular interest outside of the book world during the last month. Share your own favorite things in the comments!

Serena’s Picks:

mv5bmjm3mjq1mzkxnl5bml5banbnxkftztgwodk1odgymji-_v1_sy1000_cr006741000_al_Movie: “Baby Driver”

The name alone is confusing for this one. Add to that a very low level marketing scheme for a summer movie, and you couldn’t be blamed for blinking in confusion at this entry. But let me tell you, if you enjoy action movies, especially ones with good car chases ala “The Bourne Identiy,” this is the movie for you. It’s all about Baby, a young man with some definite driving skills who gets caught up in a criminal underworld filled with unhinged bank robbers. Beyond the superb action scenes, this movie has a killer soundtrack. And without spoiling the movie, the soundtrack doesn’t exist to simply backup the movie’s action, but plays a rather pivotal role in the story itself. Sound ambiguous? Good! Check it out and find out what I mean!

mv5bmtewmduymzgyndveqtjeqwpwz15bbwu4mdq3odu3odiy-_v1_sy1000_cr006661000_al_TV Show: “Outlander”

Droughtlander is over! Finally! It’s been almost two years since Season 2 ended with Claire and Jaime being torn apart by the centuries that exist between their own time periods. Confession: I didn’t even finish Season 2 until just this summer purely because I knew that it ended on, essentially, a cliffhanger. And since it took forever and a day for this third season to make it to our screens, I feel like this was the right choice. My other confession is that I haven’t read the books this series is based on. But from a non-reader perspective, this show definitely stands on its own, full of historical drama, romance, and two outstanding lead characters. If you like period piece dramas with a heavy dose of romance (and can stand some heavy stuff, cuz this show definitely doesn’t shy away from that), definitely check out the first two seasons, and now the few first episodes of season three, of “Outlander.”

mv5bmtcynteyoty0m15bml5banbnxkftztgwotaynzu3mdi-_v1_sy1000_cr006741000_al_Movie: “The LEGO Batman Movie”

This is late coming, but I sadly missed getting to see this while it was in theaters, so I’ve been patiently monitoring my Netflix DVD queue to move it up to the top once it was released. And I’m glad I did! As we all know, here at Library Ladies, we’re definitively Team Superman. But, in many ways, that’s what makes this movie so perfect for me! My biggest complaint about Batman, and especially the more recent movies with him, is the overly serious take they had on this hero. Not so here. All of Batman’s flaws are played perfectly and hilariously! It’s also chock full of references to other iterations of Batman that we’ve seen in comics, TV, and movies. I’m sure I didn’t catch them all, but those I did were great. Robin and the Joker were great foils to Batman, and in many ways, these relationships had much more heart than we’ve seen in any relationships given to us with past versions of the character. Definitely worth seeing if you (like me) have been living under the rock for the last 6 months and somehow missed this one.

Kate’s Picks:

mv5bmtg2mzi0ntq3ov5bml5banbnxkftztgwodmymzc1mde-_v1_uy1200_cr9306301200_al_TV Show: “Bob’s Burgers”

Last summer I binged through the first couple of seasons of the hilarious and actually kind of heartwarming show “Bob’s Burgers”, but it tapered off when Netflix ran out of episodes. I’ve picked it up again, though, and it’s still such a great sitcom that I’ve been obsessing over making my way through it until there aren’t any more episodes to watch. The Belchers are such a funny and eccentric, but absolutely loving, family, and I love watching the shenanigans that they get into as they run a burger restaurant. It’s hard to pick a favorite because all of them are great, but Mom Linda and Daughter Louise are probably the characters who make me laugh the most. I do have to say that there is a certain, relatable something to awkward and somewhat odd teenager Tina, though, and I really do have to applaud the show for giving us a teenage girl that is comfortable with who she is and has no qualms about her eccentricities. “Bob’s Burgers” is a real hoot.

mv5bmjazmte1nzqxnf5bml5banbnxkftztgwnjcwody3mti-_v1_ux182_cr00182268_al_Movie: “Everything, Everything”

Though my usual book fare doesn’t contain much on the romance front, every once in a blue moon I stumble into a book that is both romantic, and appealing to me. I absolutely LOVED Nicola Yoon’s book “Everything, Everything” (putting it on my Top Ten list in 2016), and was interested in seeing the movie. I ended up watching it twice on our long plane trips to and from New Zealand, because I couldn’t get enough. While there are some small differences, it’s still the story of Madeline, a girl raised indoors her entire life because she was diagnosed with SCID, an autoimmune disorder. When Ollie moves in next door and they start communicating via internet and text, she starts to want more from her life. Amandla Stenberg is the perfect Maddie, and her chemistry with the adorable Nick Robinson is supercharged. It’s romantic and sad and I just really like it.

maxresdefaultTV Show: “American Horror Story: Cult”

To be quite honest, I have a very love/hate relationship with the horror anthology series “American Horror Story.” Some seasons I loved (“Coven”), others I thought tried way too hard to be edgy (“Murder House,” “Asylum”), and others I was solidly meh on (… the rest?). But I keep coming back, and this time it’s “Cult.” Sure, I still find it a bit on the ‘trying too hard’ side in some ways, but then there are other things about it that I really like (Billie Lorde and Billy Eichner specifically). While I’m not sure that my opinion of it will end up like my deep love for “Coven” or my disdain/ indifference towards other seasons, I do know that as of right now I’m entertained. And really, that’s all that matters when it comes to this show. I AM STILL HOLDING OUT HOPE FOR FINN WITROCK TO MAKE AN APPEARANCE, THOUGH.

 

The Great Animorphs Re-read #16: “The Warning”

363405Animorphs #16: “The Warning” by K.A. Applegate

Publishing Info: Scholastic Paperbacks, March 1998

Where Did I Get this Book: own it!

Book Description: Jake has made an amazing discovery: a Web site about the Yeerks. Should the Animorphs investigate? If they do, they might walk right into a trap. And if they don’t, they’ll never know if they’re fighting their enemies alone…

Narrator: Jake

Plot: We’re into a section of the series that I only have vague memories of. Yes, I recognized this cover. No, I didn’t remember the craziness within. And now it’s dated craziness as well, so even better! Right away, I had an inkling of what I was getting into when the story started with Jake methodically explaining his online screen name: Bball25. “Bball,” in case you were confused, means basketball! Glad he clarified. The story quickly falls into place after Jake runs an Internet search for the word “Yeerk” and discovers an entire website devoted to discussing the topic.

I’m going to just make a happy little list right here in the beginning of the many, many dated references made in this book.

  • bizarre online screen names
  • Yahoo (as a relevant thing)
  • chain letters
  • chat rooms
  • limits of 10 words typed in chat rooms
  • Internet speeds

And all of that is referenced quite a bit, because the whole story revolves around this website and the Animorphs’ mission to discover how much of it is legit and whether or not it is an elaborate Yeerk trap.

The group decides that while most of the users in the chatroom on this site are the usual Internet crazies, there are a few that seem to actually know what they are talking about. More worringly, one user is concerned that his father may be a Controller and is contemplating confronting him about it. But with nothing but screen names to go on, the Animorphs are stuck. They decide they will need to break into the headquarters of the billionaire techie who owns much of the Internet, essentially, to discover who these users are and whether or not this is a trap or these are real, potential allies. Unfortunately, this headquarters is located far, far away.

To get there, they come up with the rather ingenious plan to morph flies, hop a plane, and simply fly there, free of charge! Perks of being an Animorph, I guess! But this plan quickly falls apart as some of the flight passengers are rather put off by the presence of a swarm of flies on their plane, and Jake gets swatted. The rest of the group has to….gather up pieces of him off the wall, and he barely makes it off the plane to demorph. Breaking into the headquarters, however, does go much more smoothly. For a distraction to allow Marco and Ax (the two most tech-capable of the group) to hack into a database and pull the user info for the chat room screen names, the others morph into their battle morphs and put on a little show for everyone in the building: a grizzly bear with a mop, a tiger with a bucket in its mouth, a hawk flying around above it all. This seems to work, though I do question why they never worried that there might be Controllers working there who would immediately see through this bizarre little scene.

The trip back home goes as well as can be expected, though Jake is still very rattled by his near-death experience. Once home, the team must decide what to do with the list of names they now have: go after the kid who might confront his Dad about being a Controller any day now (Cassie’s primary objective) or break into the mansion of the owner of the website and figure out whether he is a potential ally. Jake decides for the latter, reasoning that the stakes are much higher than the fate of one boy.

Breaking into the mansion, however, proves to be a disaster. The mansion is completely locked down: multiple levels of gates, guard dogs, the works. While in bird morph, they even over hear the guards discussing their boss’s orders to shoot any animals that look “strange.” This just makes their need to know what’s truly going on all the more urgent, so spotting an open window, they decide to fly in, demorph, and check it out. At least, that’s what they want to happen. Turns out that the owner is even more paranoid than they thought and that there are some type of security wards on the windows as well. They only discover this, however, after Rachel has flown threw and lies knocked out (or dead?) in the room within. Ax, too, who was flying close behind her veers away only to get knocked to the ground and dragged off by a guard dog.

The Animorphs are in a state of panic. They weren’t prepared at all for this mission, and it’s showing. Now, down two people, the only goal is to get them back before they’re hurt, killed, or, in Rachel’s case, forced to make the decision to trap herself in morph rather than reveal her human form once two hours have passed.

Desperate, Jake decides the only way in is through. With that in mind, he veers off to The Gardens, quickly acquires a convenient rhino morph, and makes his way back to the group. What follows is a fun little scene of Jake simply smashing his way through everything in front of him. I don’t remember this morph being used too often after this, but the sheer destruction that the rhino leaves in its wake seems to make a good case for its more regular use. The eyesight is pretty bad, though, so I guess that’s why it doesn’t make its way into their regular rotation.

After bashing through everything in his way, Jake and the others finally come face to face with Mr. Fenestre, the billionaire tech wizard himself. They then learn the full truth, and I swear, it’s straight out of a soap opera. Turns out that yes, Fenestre is a Controller (though he implies a sort of partnership between himself and his host body, claiming that with his own superior technical skills, he was able to raise their lives from one of obscurity to the wealth they now both enjoy). But he’s not just any Controller, he’s the “lesser twin” of Visser Three himself. Guys. It’s an evil twin plot line! Though I guess the case could be made for either of them being the “evil” one. Yeerks, however, don’t look kindly on twins, immediately granting one the more privileged life over the other. Not able to make anything of himself and his life in the shadow of his brother, Fenestre turned to making a life for himself in his host body, hence the tech wealth. Visser Three, however, didn’t like this, or any, success by his brother and has been hunting him ever since. Hence why the place is locked down and the guards are to shoot any animal, in case it’s Visser Three in morph.

The Animorphs rightly wonder how he has survived being hunted by Visser Three if he needs to feed in a Yeerk pool once every three days. Fenestre, however, has yet another secret: he’s discovered a way to gain Kandrona rays through another source. Instead of soaking in a Yeerk pool, he simply eats one of his fellow Yeerks, somehow absorbing the Kandrona rays directly from their flesh. So, yes, we now have evil twins AND cannibalism. To do this, he set up the website to attract Yeerk Controllers that he can then track down, extract (you can guess how well this goes for the hosts), and eat at his leisure, thus never needing to leave the fortress that is his house and make himself vulnerable to Visser Three.

The Animorphs are horrified, Cassie most of all at the fate of the human hosts. Jake and the others, however, also see the benefit of a Yeerk who is single-handedly taking out more Controllers than they ever have. Their main priority, however, is still to rescue Rachel and Ax. Fenestre agrees to hand them over and to remain in his mansion forever. Jake warns that if they ever catch him outside of it, they will kill him.

The story ends with the mansion mysteriously burning down days later, though Fenestre does escape alive. Jake doesn’t admit whether this was him, Cassie, or just a happy coincidence that Fenestre is now out in the world again, free to be hunted by them and Visser Three.

Our Fearless Leader: Poor Jake. In all of the other books, we see him as a strong, competent leader who for the most part always makes the right decisions when he needs to. Then we get to his books. And, importantly, we see that these decisions are painful and difficult for him. And, worse, his stories are always the ones where those plans just don’t work so well.

In this book, we got another good look into Jake’s mindset of what it means to be leader and have to make big decisions. We also saw his thought process for what it means in the smaller moments. On the way back from breaking into the tech center, Cassie tells him that it is alright to be afraid and to change the plan from morphing flies due to his near death experience. He ends up getting fairly mad at her saying that the others don’t want him to be the leader who lets them know that it’s ok to be afraid and make different decisions based on that fear. He needs to be the leader that shows that you can push through fear and move forward. He rightly points out that if he began changing missions based on fears, as a group, they would rack up such a list of things that they all had legitimate reasons to fear doing, that they would essentially paralize themselves.

It’s a good moment showing both the thought that Jake has put into his own view of leadership, and showing the weaknesses of Cassie’s view of life. Her empathy is a major strength for the team, but here, we see that her approach is not always right, and Jake fairly harshly calls her out on it.

The last scene where Jake must make a decision about what to do with Fenestre is probably one of the more ethically heavy decision points we’ve seen in the series (the other big one probably being in “The Andalite Chronicles” when they debated flushing the pool of Yeerks into space). As we see with Jake’s ultimate decision, he is beginning to walk down the harsh, but pragmatic, path that many war-time leaders find themselves on. This is good foreshadowing for the Jake we see in the end of the series.

Xena, Warriar Princess: Rachel and Tobias as a pair are the most skeptical of the Yeerk website, both believing it to be a trap and not likely real allies in their fight. Not sure what this says about them both. Other than that, Rachel spends almost the entire last third of the story knocked out as a bald eagle.

A Hawk’s Life: Tobias, as well, is skeptical of the website. This seems pretty in-line with his general less trusting outlook on humanity. He’s the most dedicated to the fight, but he’s the least likely to expect help along the way. I think this makes a lot of sense considering the way he grew up with an aunt and uncle who didn’t care for him at all. Tobias is also probably the most upset when Ax and Rachel are trapped. It’s his best friend and his quasi girlfriend, so this reads true.

Peace, Love, and Animals: In this book, we really see the different perspectives that Jake and Cassie bring to the group. Their conversation about what it means to be a leader was very enlightening both for her own perspective, and, more importantly, to hear Jake’s thoughts on the matter. Further, we see the role of support that Cassie provides Jake. Jake clearly trusts Cassie’s read of people and situations.

However. Towards the end where they learn what Fenestre has been up to, and the fact that the human hosts don’t survive the “extraction” process of the Yeerks from their heads, Cassie goes a bit crazy and tries to attack him. And then the real problems start. She doesn’t agree with the idea of letting him continue, and would obviously rather he die, even if this goes against her general philosophy. This exchange between Jake and her follows:

<What do you expect me to do?> I asked her. <You want to get rid of this
man because he’s evil? Do you want to do it yourself, Cassie?>
<You . . . your morph would do It better,> she said.
<You want me to get rid of him for you?> I asked. <That’s what you want?>

And again! Again I lose all respect for Cassie! Whether I agree with her convictions or not (in this case, she definitely not wrong, though there’s also no right answer here), the fact that she uses the excuse of Jake’s tiger morph “doing it better” to kill this guy rather than bloodying her own hands for her convictions just pisses me off. She’s essentially wanting to dictate the tough choice but make someone else do the dirty work for what that would really mean. It just reads as cowardly and selfish to me. I’d like to think that she burned down the mansion in the end, as a way for making up for this truly horrible moment.

In the end of the book, I did like the fact that she’s the only one who still thought of the boy in the chatroom with the Controller father. She goes to his house in wolf morph and tells him that he can’t trust his father anymore. And this is terrible and soul crushing for her to do, basically taking this child’s faith in his parent away from him to protect him. Another good redeeming moment for her.

But still.

The Comic Relief: At one point, Marco and Jake have a conversation about whether or not they would be able to transition back into “real life” if the war suddenly ended tomorrow. Jake is adamant that this is possible. But Marco, ever the pragmatist, is doubtful that anyone of them could live a normal life after experiencing all they have. And they’re not even halfway through their whole ordeal! It’s even more sad that Jake insists that he could be a “normal boy” again in a book where we’re really beginning to see the toll that leadership is taking on him. The Jake from book 1 would have never imagined leaving a Yeerk Controller alive who is killing human hosts just because he’s also killing off hundreds of Yeerks as well.

E.T./Ax Phone Home: Ax plays a crucial role early in the book with his alien tech skillz. Right when the book started and Jake was searching the Internet for the word “Yeerk,” modern-day me was like “No!!!! They can track that!!” But in the very next scene they discuss taking precautions to mask their presence when searching around the chat room and website, and Ax is able to quickly do this. There are a lot of jabs doled out between him and Marco about the backwards earthlings and their rudimentary technology. And then in the last part of the book, he, too, is trapped and missing for most of it.

Best (?) Body Horror Moment: Jake swatted as a fly! We’ve had a few near-death experiences so far, but the description of just how bad Jake’s situation is…it’s bad. The other Animorphs are literally discussing how to best “scoop” up the remains of his body. As they’re flying away, legs that they are carrying are falling off. They’re concerned that they left behind to much of his body for him to demorph. It’s just terrible.

Couples Watch!: Not a whole lot for either couple. Jake has some good conversations with Cassie, though they are more representative of the different perspectives they each represent in the group than having to do with their relationship. Marco sends a fake message to Jake from “Cassie” in the opening scene which Jake responds to with a funny put-down that he can’t date until his friend Marco gets a girlfriend, which they both know will never happen, so “Cassie” will just have to live with disappointment

However! Jake is with me on the interesting relationship between Marco and Rachel!

Marco and Rachel have a strange sort of relationship. I haven’t figured out whether they pretend they can’t stand each other but secretly like and admire each other, or if they really just can’t stand each other.

If Only Visser Three had  Mustache to Twirl: Of course Visser Three is the evil twin! And of course he’s been a total ass to his lesser Yeerk brother this entire time. And then of course once the guy gets even a little taste of success Visser Three decides that it’s best to just kill the guy off all told. Not that this brother is really a joy either, but it does seem that he is largely a product of his circumstances. He also claims that he is in some type of partnership with his host body, which is something Visser Three would never even contemplate.

Adult Ugly Crying at a Middle Grade Book: There weren’t any overtly tragic moments in this book. But this does feel like the beginning of the end for Jake’s ability to exist outside of his leadership role. He has to make so many very tough decisions in this book. His view of leadership, the fact that he can’t really allow himself to even have human emotions, is so sad. And then to see him slowly start down some highly ethically questionable paths…Marco is more right than he knows: none of them can go back, least of all Jake.

What  a Terrible Plan, Guys!: This whole section exists because of the group’s predisposition for not really planning at all. And here we see the results that, statistically, should probably be more common than we see. They did virtually no scouting of the mansion, and then when they tried to infiltrate it through one of the most obvious routes (the window) things go downhill pretty much immediately. They only escape through sheer luck based on Fenestre having very different goals than almost any other Yeerk Controller who could have been holed up there.

Favorite Quote:

“A ‘mix of truth and lies’ is like the definition of the Internet,” Rachel said. “Equal parts reality and delusion.”

Truer words have never been spoken.

Scorecard: Yeerks 3, Animorphs 7

No score. Not a huge impact either way with this one.

Rating: I really enjoyed this book. I didn’t remember hardly anything about it, but it’s a great combination of funny moments (even more than there were originally with the dated stuff), action scenes (the rhino part is great), and a good introspection into Jake’s philosophy on leadership and where he is headed as a character.

Note: I’m not going to rate these books since I can’t be objective at all! But I’ll give a one sentence conclusion and you can take from that what you will!

Kate’s Review: “DC Bombshells (Vol.4): Queens”

35500613Book: “DC Bombshells (Vol.4): Queens” by Marguerite Bennett, Laura Braga (Ill.), Mirka Andolfo (Ill.), and Marguerite Sauvage (Ill.)

Publishing Info: DC Comics, June 2017

Where Did I Get This Book: The library!

Book Description: The explosive creative team of writer Marguerite Bennett (BATWOMAN) and artists including Laura Braga (Witchblade), Mirka Andolfo (Ms. Marvel) and Marguerite Sauvage (Faith) bring an all-new chapter in the acclaimed alternate-history saga inspired by the hit DC Collectibles in DC COMICS: BOMBSHELLS VOL. 4: QUEENS.

Technology and terror form an unholy alliance in a world at war, and only the heroines known as the Bombshells can shut it down!

As World War II rages around them, Batwoman, Catwoman and Renee Montoya take a journey to Africa to get help from an old ally: Vixen, Queen of Zambesi and co-founder of the Bombshells.

But they’re not alone. The lethal Cheetah has her claws out, and she’s digging them directly into a forbidden site: the dwelling place of the mechanical gods, whose incredible powers could spell triumph for the Reich and the destruction of all that the Bombshells hold dear.

Now Vixen, her fellow Bombshells founder Hawkgirl and the rest of the squadron must face their biggest threat yet! Can this brilliant but beleaguered African queen count on the support of a fellow royal-Wonder Woman-to turn the tide?

Find out in DC COMICS: BOMBSHELLS VOL. 4: QUEENS. This volume contains the debuts of Vixen and Hawkgirl-and the secret origin of the Bombshells! Collecting issues #19-24.

Review: As you all know, I really really REALLY love the “DC Bombshells” series because damn does it give my favorite superheroines something to do. There is something so organically feminist about this series, and it keeps the thrills, action, humor, and pathos balanced out expertly. Seeing some of the best and brightest DC ladies at the forefront is a delight, and whenever a new one comes out I can’t wait to read it. We are now on Volume 4, and after an action packed Volume 3 in which the Nazis were dealt a severe blow by our Bombshells, we’ve moved the action to North Africa and been introduced to Vixen and Hawkgirl! Also mechanical animals and Cheetah, aka the woman who killed Batgirl and Renee’s adopted son Jacon!

I sometimes get worried when new characters get brought into the fold in comics, especially since sometimes I have a hard time keeping track of characters as it is. But with “Bombshells” I am always excited to see which classic heroines will show up next and in what capacity, and Vixen and Hawkgirl were no exception. Vixen (aka Mari) was especially great, as we got to see her stand up to Hitler and steal his dog Blondie, as well as see her in a position of power as the Queen of Zambesi. She and Hawkgirl (who is delightfully tech minded and a very clever inventor) also helped found The Bombshells, so we got to see them interact with the team they created, as well as interact with each other as confidants, partners, and lovers. I think that ultimately the relationships between the women in these stories are the strongest parts of them, and these two fit right in in that regard. I liked seeing more interaction and background between Kate (aka Batgirl) and Renee as they faced their past relationship and the death of Jacon, but I have to admit that I’m kind of not digging the fact that Kate seems to have completely forgotten about Maggie back on the home front. Sure, Batwoman and Renee Montoya have a shared past and a shared pain, but Maggie is Kate’s present.

Speaking of Maggie, we got a fun story back on the homefront with the Batgirls again. I had thought that they were going to be a one-off story, seeing as so much is going on with the Bombshells in Europe, but I really liked seeing them and Lois get some more time to shine. I think that my favorite aspect of it is the way that their presence is handling some familiar storylines. And with that, I give you a

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(source)

I think I mentioned that Harvey (eventually Two Face) Dent was in the previous Batgirls storyline as a mayor who was promoting an “America First” agenda. Well, he eventually got over that and had become an ally to the Batgirls, with self reflection and redemption on the mind. But given that Harvey really does have to turn into Two Face, I braced myself for it, and indeed, it does happen in this collection (won’t say how, but it does). Ever since I read the classic “Long Halloween” story arc, I’ve felt so incredibly bad for Two Face and the road that he takes, and I was worried that it was going to happen here as well. After all, Batman couldn’t help him in that universe, so my hope was slim. But in this one….. he doesn’t take the road to villainy, at least he hasn’t yet. Because while yes, he’s been horrifically scarred and has had something of a fall from grace, The Batgirls have done what Batman never could: they have rallied around him and affirmed that he is still Harvey Dent, imperfect but trying to be better Harvey Dent, and that they are going to support him and be there for him. And it seems that because of this, he’s MAYBE going to stay on the side of good, and remain their ally and friend. Cheesy? Maybe. But I think that it’s also a testament to the power of empathy and understanding towards those who have experienced trauma, something that Batman just couldn’t ever pull off the way that a bunch of awesome ladies can. The last panel of the Batgirls embracing him got me like

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I have so many feels. (source)

But all that said, I was a bit disappointed seeing that the big problem to overcome this time around was a group of mechanized animals from another planet. I liked the Zambesi setting to be certain, but it felt like a whole lot more conflict crammed into a story that is already rife with conflict. Plus, given that it’s more ‘Nazis want to get their hands on otherwordly weaponry’ stuff, it kind of feels like more of the same. The good news is that we get a couple returns here, including Wonder Woman, Lex Luthor, and Supergirl, all of whom I dearly missed in the last collection. I just wish that we could have seen more Wonder Woman and Supergirl (seriously, Kara was barely in this), before the last fourth of the book.

So while this is the weakest “Bombshells” collection for me so far, it’s still incredibly strong and I can’t wait for the next one. And I think I only have to wait a little while longer for that!! “DC Bombshells”, you still got it!

Rating 8: While I enjoyed the new characters quite a bit and the Batgirls story was heartwarming, I wasn’t totally sold on mechanical animal fights, and wish that Wonder Woman and Supergirl had been in it more.

Reader’s Advisory:

“DC Bombshells (Vol.4): Queens” isn’t on many Goodreads list at this time. But it is included on “Graphic Novels Featuring LGBTQ Themes”, and would fit in on “Female Power Comics”.

Find “DC Bombshells (Vol.4): Queens” at your library using WorldCat!

Previously Reviewed: “DC Bombshells (Vol 1): Enlisted!”, and “DC Bombshells (Vol 2): Allies”, and “DC Bombshells (Vol.3): Uprising”.

Serena’s Review: “River of Teeth”

31445891Book: “River of Teeth” by Sarah Gailey

Publishing Info: Tom Doherty Associates, May 2017

Where Did I Get this Book: from the library!

Book Description: In the early 20th Century, the United States government concocted a plan to import hippopotamuses into the marshlands of Louisiana to be bred and slaughtered as an alternative meat source. This is true.

Other true things about hippos: they are savage, they are fast, and their jaws can snap a man in two.

This was a terrible plan.

Contained within this volume is an 1890s America that might have been: a bayou overrun by feral hippos and mercenary hippo wranglers from around the globe. It is the story of Winslow Houndstooth and his crew. It is the story of their fortunes. It is the story of his revenge.

Review: The fact that this novella is based on a true consideration undertaken by the U.S government, importing hippos to the U.S. to be used alongside cows in meat production, was all it took to land it on my TBR list. The fact that the cover features several characters riding hippos moved it quickly to the top.

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And if the finished result wasn’t all I had hoped it could be, there’s still no denying the pure fun that is delivered with such a unique concept as hippo-riding outlaws!

First for the parts I did enjoy. As I said, the pure genius of this concept is spot on. I mean, who knew about the late, great hippo plan? If anything, this proves that the U.S. government was just as capable of thinking up ridiculous plans back in our earlier days as country as it seems to be now! But Gailey doesn’t just rest the historical wackiness of this plan, she brilliantly conceptulizes what this plan would have looked like if implemented.

The Louisiana territory is largely converted to extensive marshland, as hippos can only travel so far out of water. Various breeds of hippos have emerged, beyond the ones simply raised for meat. Some are faster than others, some larger, some more capable of managing longer distances on dry land. They are imagined to be a combination of a horse and a cow: close traveling companion in some cases, purely a form of meat production in another.

But, let’s not forget, hippos are very much NOT cows. They are strong, faster than they look, and fully capable of enacting their tempers on poor, unaware people who may get in their way. And, like all good plans, the great hippo importation quickly got out of control in this case, leaving wide range of the Mississippi river chocked up by an out-of-control feral hippo population, one that the notorious riverboat crime lord, Mr. Travers, has fully made use of to create his own scary, little kingdom.

Enter our heroes, tasked with a government funded mission to clear out the feral hippo population, once again opening up the river to commercial traffic. Unsurprisingly, Mr. Travers is not on board with this plan.

As I’ve said, the setting and creative use of the hippos was spot on in this story. So, too, the pacing is strong, reading like a charming classic Western adventure story, but with hippos. It’s easy to see these influences play out in many scenes, and in many ways the writing reads like a screenplay for what would surely be a super cool TV mini series.

But this strength is also a weakness. It almost reads too much like a screen play with a few beats hitting just slightly off target. There are moments when the dialogue veers a tad too close to the cheesy, and the descriptions could also seem pedestrian at times, lacking the detail and cohesion.

Which leaves us with our cast of characters. And there are many. We have the leader of our little troop, a man with a dark past tied up with Mr. Travers. A con woman. An assassin. A poisoner/munitions expert. And a man who knows the Mississippi region like the back of his hand. This is a lot of characters, all with big personalities, to be jammed into a short novella that also has a lot of story to tell. Characters would come and go so quickly that the fates that awaited them never really struck any chord. See you later, I barely knew you, I guess?

Further, Bailey attempts to right in a romantic story line, as well. And while I applaud her for her representation of this couple, their romance feels rushed to the point of unbelievability. And, in many ways, this relationship is used as a driving force for the decision-making of several of our characters, which just plays all the weaker for being given so little time to develop.

So, while I loved the conceptualization and adventure of this story, I was left wanting in a few areas. The writing style seemed to slip at points, and the numerous characters often overwhelmed any attachment I could develop for any single one, leaving some of the more important story beats to land flat. However, being a novell, this is a low stakes read, time-wise, so if you’re looking for a fun, quick adventure story unlike any other you’ve probably come across, I’d still recommend checking out “River of Teeth.”

Rating 6: An overwhelmingly large cast and some writing slips prevented me from fully committing to the Western adventure romp.

Reader’s Advisory:

“River of Teeth” is still relatively new and is on only one relevant Goodreads list “Alternate History in 2017.”

Find “River of Teeth” at your library using WorldCat

 

Kate’s Review: “The Last Days of Jack Sparks”

28765598Book: “The Last Days of Jack Sparks” by Jason Arnopp

Publishing Info: Orbit, March 2016

Where Did I Get This Book: The library!

Book Description: Jack Sparks died while writing this book. This is the account of his final days.

In 2014, Jack Sparks – the controversial pop culture journalist – died in mysterious circumstances.

To his fans, Jack was a fearless rebel; to his detractors, he was a talentless hack. Either way, his death came as a shock to everyone.

It was no secret that Jack had been researching the occult for his new book. He’d already triggered a furious Twitter storm by mocking an exorcism he witnessed in rural Italy.

Then there was that video: thirty-six seconds of chilling footage that Jack repeatedly claimed was not of his making, yet was posted from his own YouTube account.

Nobody knew what happened to Jack in the days that followed – until now. This book, compiled from the files found after his death, reveals the chilling details of Jack’s final hours.

Review: I’ve probably mentioned it before, but I don’t find stories about demonic possession particularly scary. I think that there are certainly elements to them that can be creepy, but movies like “The Exorcist” and “The Exorcism of Emily Rose”, while well done, don’t get my fear levels on the rise. The book “A Head Full of Ghosts” is probably my favorite exorcism related book, but even that one is filled with ambiguities instead of solid fact and over the top devilry. And then there is, of course, “My Best Friend’s Exorcism”, but that one is in it’s own little category since it’s so 80s candy coated and about the power of female friendship. So when I picked up “The Last Days of Jack Sparks”, I figured that it would at the very least be entertaining. Little did I know that I was going to be basically freaking out on an airplane while reading this book. And then once again while walking down a dark hallway at two in the morning days after the fact. Yep. “The Last Days of Jack Sparks” has sufficiently messed me up, y’all.

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(source)

This story is built on the premise that notorious journalist Jack Sparks died while working on a new book, and that we are reading his writings around the time of his strange death. So right out the gate, we’re pretty certain that we are dealing with an unreliable narrator. Sparks is an established addict, narcissist, and sanctimonious prick, so having him as a narrator is maddening but also absolutely perfect. It’s made even better because throughout the book we are also given other perspectives from those that he interacts with, in footnotes from Sparks’ brother Alistair, transcripts of conversations, and personal diary entries. The moment that I realized that I really couldn’t trust anything that ANYONE was saying, it blew my mind. This set up made it all the more paranoia inducing, as I really didn’t know what to believe from anyone involved. It also made it so that clues that were given throughout the story could harken back in multiple formats and through multiple lenses, and seeing the puzzle pieces come together in different layers was mind boggling for me.

Sparks himself is a fabulous component to the story. Yes, he’s absolutely terrible for much of the narrative, as an egomaniacal, pretentious and abusive liar, but as he slowly starts to fall apart you see the other parts of him bit by bit, which makes him feel all the more human and relatable. I went in thinking that I was going to be just fine with him getting his comeuppance, but as he becomes more desperate and as his identities fall away I ended up being really attached him him, as rotten as he can be at times. I also liked other characters in this book, specifically Sherilyn Chastain, a combat magician who Sparks sort of teams up with on one of her cases involving a houseboat haunting in Hong Kong. She not only provided a centered and badass female voice in all of this, she was also a way for Arnopp to really delve into some deep philosophy about faith, belief, and the supernatural. While some of the other characters felt a little trope-y, such as Sparks’ love interest/flatmate Bex with her cool girl persona, I did feel that Arnopp had a place for each and every one of them.

And finally, this book is pretty darn scary. This is coming from a self professed snob when it comes to demon possession stories. I think that this one had a lot of other factors within it that made it feel unique from the others in the genre, and given that it also bent genres a bit into some science fiction principles it felt all the more creative. The imagery of a dark apartment with a silhouette in the corner is always going to set me on edge, and Arnopp really knows how to make this scenario complete and total nightmare fuel. His use of social media like youtube and twitter and things like that really gave it a modern horror flair as well, as while I was skeptical at him just describing a video would be scary, I was totally wrong. It was terrifying, especially since it totally sounded like one of those weird unexplained viral horror videos that pop up occasionally. I also really liked, and perhaps this is a bit spoilery so tread carefully, that the entire premise of this book is that the Devil (or whatever demon Sparks is dealing with) really hates having the spotlight taken off of him/it when on a serious dramatic tear.

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Come on, Pazuzu, share the attention. (source)

“The Last Days of Jack Sparks” was a freaky and fun read that I cannot recommend enough. If it can make this skeptic towards the genre cheer, think of what it can do for those of you who always love your possession stories.

Rating 9: A tense, creepy, disturbing, and fresh feeling horror novel for the social media age. It had me on the edge of my seat and I think that it’s must read for horror fans.

Reader’s Advisory:

“The Last Days of Jack Sparks” is included on the Goodreads lists “Unconventional, Seductive, Intelligent, and Dizzyingly Surreal”, and “Terrifying Tearjerkers”.

Find “The Last Days of Jack Sparks” at your library using WorldCat!

Movie Review: “It” (2017)

As much as we like books, sometimes we like to check out the movie world as well. And perhaps you thought that this had fallen to the wayside, this movie review thing. Well, not anymore, as how could Kate pass up the chance to talk about one of her favorite horror novels and the movie that took it on. Today Kate reviews “It” with a special guest host, her friend Laura. We talk about our history with the book and Stephen King in general, the propensity for strange tween girls to binge on his stories, and the differences between the movie, the miniseries, and the book that they both took their inspiration from (all while I positioned the camera awkwardly. My bad!). Stay tuned until the end to see our book recommendations if you liked the movie (titles also listed below).

Laura’s Recommendations:

17406545“NOS4A2” by Joe Hill

 

 

 

25533076“Hex” by Thomas Olde Heuvelt

 

 

 

Kate’s Recommendations:

54607“Something Wicked This Way Comes” by Ray Bradbury

 

 

 

9897624“Summer of Night” by Dan Simmons

Serena’s Review & Giveaway: “The Stone Sky”

31817749Book: “The Stone Sky” by N. K. Jemisin

Publishing Info: Orbit, August 2017

Where Did I Get this Book: ARC provided by Orbit

Book Description: The Moon will soon return. Whether this heralds the destruction of humankind or something worse will depend on two women.

Essun has inherited the power of Alabaster Tenring. With it, she hopes to find her daughter Nassun and forge a world in which every orogene child can grow up safe.

For Nassun, her mother’s mastery of the Obelisk Gate comes too late. She has seen the evil of the world, and accepted what her mother will not admit: that sometimes what is corrupt cannot be cleansed, only destroyed.

Previously Reviewed: “The Fifth Season” and “The Obelisk Gate”

Review: At this point, I’m honestly baffled by N. K. Jemisin. The fact that the previous two books both won Hugo awards is awe-inspiring enough. But to not miss a single step in a complete trilogy? Crazy impressive. What’s more, as I was reading this book and unpacking the many, many more new layers being added to an already impossibly complex  history and world, I was seriously questioning my own mental capacity to even keep track of it all, let alone write an entire trilogy with all of these details in mind from the first. All of this, she had to have all of this in her mind when she started the first book! These aren’t tiny little breadcrumbs that could be sprinkled in early with only vague ideas for how they are going to be used later. This is an entire history, on top of another history, on top of ANOTHER HISTORY and our slow-revealed narrator, Hoa, has been talking about it all right in front of our faces since the very beginning! I really can’t express my bafflement at the mastery that one needs to possess to juggle this type of storytelling.

But I should probably start a more coherent review at this point. When we finished off “The Obelisk Gate,” Nassun and Essun were set up on opposite sides of a final confrontation that would determine the future of the world. Nassun, broken, hurt, and disillusioned to the point of hopelessness about humanity, sees only one way forward: it can’t be fixed, so let’s just end the bad things. Essun, on the other hand, has only recently begun to see that through all the brokenness, through all the loss of children, family, lovers, and communities, there still might be a way forward, a way to change things and fix what isn’t right.

These two dynamics are so incredibly strong. Through these three books, we’ve seen a lifetime of pain and horror through Essun’s eyes. She has been devastated, horrified, apathetic, furious, and here, in the last, she still manages to find hope. Her time with the comm of Castrima has opened her eyes to a new way of life where orogene and still can live and work together. It’s not perfect by any means, and there are a million fights ahead to make progress, but here, in the end, she sees that fight as one that is worth having and saving.

Nassun sees nothing worth saving, but for Schaffa, and even he is plagued by a life riddled with pain and confusion. Wouldn’t it be best for it all to just end? Her story has been the most tragic in this series. Essun at least has been an adult for the majority of it, and to some extent (while very small at times), she’s had the ability to choose and make a path for herself, even if that path leads into more darkness. Nassun is a child, and while she’s had to grow up much too fast, she still sees the world through eyes of a person whose only lived 11 years on it, and those 11 years have been filled with nothing but abandonment, horror, and no signs that things will ever improve. After killing her father at the end of the last book, Nassun is done. If even a father sees only a monster in his orogene child, then she will be that monster and end it all, for the sake of all monsters everywhere.

Nassun and Essun’s stories are poignant and beautiful, and by setting the two on opposite sides of this fight, as a reader, you’re caught wishing for the impossible. And Jemisin delivers it! The conclusion to these two’s story ended in the only way it could and was immensely satisfying.

But this isn’t only Nassun and Essun’s book. While in the last book we learned much more about the stone eaters and their involvement in this war for the future of the Earth, here we go even farther back in time, back to the great civilization in the past that understood magic just well enough to become greedy, building the Obelisk Gate in an attempt to tap the life magic of the Earth as well and triggering the Shattering. This is Hoa’s origin story, finally. And with it comes, you guessed it, more tragedy and evidence of the brokenness of humanity, the shortsightedness that comes with greed and small lives, and the ever present fear for those who find themselves in power and are frantic to keep it. We learn how and why the Obelisks were created, we learn more about the living Evil Earth itself, we see the history of the Guardians and who they were, and we see that the same terrible choices have been made again and again.

Not only do I not want to spoil the many reveals presented in this book, I’m fairly certain that I need to immediately re-read the entire series to fully appreciate the story that’s been told and finally connect all of the dots of this complicated world. If you asked me to  storyboard this series in chronological order, I’m pretty sure I’d struggle. But that is absolutely no criticism of the book. The best books, in my opinion, are the ones that are so fully alive that you can’t possible fully understand them in one (or even two!) go-arounds.

So hopefully by this time you’ve already read the first two in the series, because here’s your chance to get your hands on the final book in this amazing series! Enter to win a paperback copy of “The Stone Sky!” Giveaway ends Sept. 21 and is open to U.S. entries only. Happy reading!

Enter the Giveaway!

Rating 10: If this doesn’t win another Hugo, I’ll be shocked.

Reader’s Advisory:

“The Obelisk Gate” is on these Goodreads lists: “#ReadPOC: List of Speculative Fiction by Authors of Color” and “Best Picks: Adult Science Fiction, Fantasy and Horror Novels of 2017.”

Find “The Stone Sky” at your library using WorldCat

 

 

 

Kate’s Review: “Every Last Lie”

32735394Book: “Every Last Lie” by Mary Kubica

Publishing Info: Park Row Books, June 2017

Where Did I Get This Book: The library!

Book Description: New York Times bestselling author of THE GOOD GIRL, Mary Kubica is back with another exhilarating thriller as a widow’s pursuit of the truth leads her to the darkest corners of the psyche. 

“The bad man, Daddy. The bad man is after us.” 

Clara Solberg’s world shatters when her husband and their four-year-old daughter are in a car crash, killing Nick while Maisie is remarkably unharmed. The crash is ruled an accident…until the coming days, when Maisie starts having night terrors that make Clara question what really happened on that fateful afternoon. 

Tormented by grief and her obsession that Nick’s death was far more than just an accident, Clara is plunged into a desperate hunt for the truth. Who would have wanted Nick dead? And, more important, why? Clara will stop at nothing to find out—and the truth is only the beginning of this twisted tale of secrets and deceit. 

Told in the alternating perspectives of Clara’s investigation and Nick’s last months leading up to the crash, master of suspense Mary Kubica weaves her most chilling thriller to date—one that explores the dark recesses of a mind plagued by grief and shows that some secrets might be better left buried.

Review: I have many anxieties in my life, some that are realistic, others that are unrealistic. Or at the very least not worth worrying about. One of those anxieties is becoming unexpectedly widowed. I’m the person who can’t sleep too well at night if her husband isn’t home, especially if I’m expecting him home and he is late to return. Because OBVIOUSLY it isn’t that he’s just running late or finding that time has run away from him. Obviously he’s dead.

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Yes I am, Gene Wilder. (source)

So reading “Every Last Lie” kind of made me confront my anxieties on that at least a little bit, so it has that going for it. Mary Kubica is one of those authors that I really, really want to like, mainly because I really enjoyed her book “Pretty Baby” and the subversion of expectations that we were given. I wasn’t as thrilled by “Don’t You Cry” (if you remember) just because it was less a subversion of expectations and more a tangle of unnecessary twists and turns. But I was willing to give “Every Last Lie” a chance because overall, I like the author. Unfortunately, this was less of a “Pretty Baby” experience and more of a “Don’t You Cry” experience.

Note: I am going to try avoiding spoilers here, but I can’t really critique it without saying at least a little bit of how scenarios kind of play out. So even though I’m avoiding specifics, you may want to skip this review if you want to read it.

“Every Little Lie” is told through alternating perspectives. The first is Clara’s perspective as she’s trying to piece together what happened to Nick, finding potential clues to suggest that maybe her husband didn’t die by accident and that perhaps he was murdered. The other is Nick’s perspective in the weeks leading up to that fateful car ride that sets the plot in motion. I will give this book credit where it is due, I really enjoyed this structure. It allowed for the reader to be able to see the clues that were presented in ways that Nick and Clara couldn’t see them, and I liked picking up on truths that one or the other weren’t privy to. It’s good when these books find fun and interesting ways to reveal the solution to the reader, and I definitely felt like Kubica did a bang up job in terms of pacing and reveal. It also made it for a fast read, and a pretty entertaining one in the moment.

But plotting aside, I didn’t really care for either Clara or Nick. I didn’t feel like I knew that much about Clara as a person outside of the trauma that she was experiencing and what it was doing to her mental state. Sure, that makes sense that we are only going to see that side of her in her chapters, but even in the chapters that Nick had before the car accident we only got a partial view, and it wasn’t a very telling one. Nick was a bit more interesting, seeing Clara’s views of him alongside the truths about him was a very good way to get to know him as a character. But ultimately, he wasn’t terribly interesting, and just fell into pretty familiar tropes of a desperate man with a lot of secrets. And then you add into that a lot of really odd red herrings that never felt satisfying, as they never led anywhere. I know that red herrings usually don’t, but there were so many things in this book that I wanted to have SOME sort of resolution, only to find that there is no resolution in sight for a good deal of them as we turn the last page. And some of them, I felt, really needed resolution for me to be satisfied with the story. I was left saying “Well what about ______?” too much to be happy or at least okay with how things ended up.

I still fully intend to keep giving Mary Kubica a shot, because there is a lot of potential there. And “Pretty Baby” was proof that I do like stuff that she has done, and can like it again. It’s just too bad that this one fell flat. I keep hope alive that the next will be better.

Rating 6: A quick and entertaining enough read, but none of the characters really grabbed me and I wasn’t terribly invested in how it all turned out. Especially when many problems were left unresolved.

Reader’s Advisory:

“Every Last Lie” is fairly new and not on many relevant Goodreads lists. But it is on “2017 Suspense and Thrillers”, and I think it would fit in on “Female Psychological Thrillers and Suspense”.

Find “Every Last Lie” at your library using WorldCat!

Serena’s Review: “City of Blades”

23909755Book: “City of Blades” by Robert Jackson Bennett

Publishing Info: Broadway Books, January 2016

Where Did I Get this Book: audiobook from the library!

Book Description: The city of Voortyashtan was once the domain of the goddess of death, war, and destruction, but now it’s little more than a ruin. General Turyin Mulaghesh is called out of retirement and sent to this hellish place to try to find a Saypuri secret agent who’s gone missing in the middle of a mission, but the city of war offers countless threats: not only have the ghosts of her own past battles followed her here, but she soon finds herself wondering what happened to all the souls that were trapped in the afterlife when the Divinities vanished. Do the dead sleep soundly in the land of death? Or do they have plans of their own?

Previously read: “City of Stairs”

Review: It’s been over a year now since I read the first book in this series, “City of Stairs” and in that time the third and final book, “City of Miracles” has been published. I’d like to say I plan my reviews like this, as I have a preference for reading series in a binge-like style and this works best when that series is completed. But the honest answer is that I get distracted by the million other good books out there, so when I am reminded of a good series by a more recent publication…it just a lucky coincidence for my binge-reading style!

That said, “City of Blades” is not a direct sequel to “City of Stairs,” picking up several years after the fact and re-focusing the story on General Turyin Mulaghesh who we met in the first book when she fought off a resurgence of Gods in Bulikov alongside our heroes of that book, Shara and Sigrud. Now, years later, Shara has been elected Prime Minister, Sigrud has been roped into a delegate role, representing his nation of origin, and Mulaghesh has retreated in retirement, suddenly quitting, for unknown reasons, the political atmosphere in which she had been steadily rising. But things are not all well on the Continent and Shara, whose popularity has greatly waned (turns out many people can’t and won’t just forget a past that was ruled by cruel Gods), calls on one of the few people she still trusts to discover what has been going on in the city of Voortystan, the capital city of the late Voortya, Goddess of War. So Mulaghesh is off, albeit grumpily, to a city that is in the midst of a forced transformation to the modern, but whose past is perhaps more close than anyone would have guessed.

I had really and truly forgotten just how excellent this series is. This book, like “City of Stairs” before it,  checks all the boxes for fantasy I love. World-building is excellent. The characters are complicated, interesting, and, importantly, have a wicked sense of humor. The themes are drawn upon using masterful technique.

While Shara’s story was one of a young woman discovering her dreams are not quite what she once thought, Mulaghesh’s story is that of a middle-aged woman who feels that the imprint she’s left on the world is not one to be proud of. Throughout the story, we have a slow reveal of Mulaghesh’s past history with the military, the choices she and her troops were forced to make, and the influence these choices have had on her life since. Throughout this all, Mulaghesh’s voice is strong, surly, and darkly witty.

Her own story ties neatly into a larger discussion of what it means to be a soldier. Voortya, the Goddess of War, and her followers created a complete culture around this question. War was art. War was life. War was at the center of every choice her people made. And now, decades after the Gods have been killed off, is this fact any different?

One thing that particularly stood out as I was reading this, and that makes Bennett’s writing and his characters so excellent is that he never dumbs things down. Not the mysteries or history for the reader: there were many times that I had to stop reading for a bit to re-order my thinking of the timeline of this world, or how this one magical element or another worked again, as it had been explained chapters ago. And, especially, not his own protagonist. All too often I’ll read a story where the heroine fails to ask the most obvious questions. This is, of course, necessary by the author’s thinking to draw out the mystery or the suspense. In reality, all this does is frustrate the reader and make your characters seem stupid. Mulaghesh is a smart protagonist, and it was beyond satisfying that at multiple points in this story, right when I came up with a theory about what was going on, she almost immediately voiced it herself. This might seem like a small thing, but I truly think that when it comes to the general enjoyment of books like this, it is one of the most crucial elements.

The fantasy elements that are tied up with this complicated history of the Continent and their Gods almost played even better in this book than in the first. Here, we have a deep-dive into one specific divinity and how her influence shaped a people and a city. And, as can be expected with this series at this point, the lingering remains of these long-gone Gods are not quite as distant as the people would wish. I particularly loved the way Voortya’s legacy was brought to life in this book. After the first story, there seemed to be only one path laid forth for bringing these Gods’ stories back into this world and I was half-expecting Bennett to simply recycle this process. Oh me of little faith.

Beyond Mulaghesh herself (who is an utter joy), this book saw the return of our protagonists from the first book, as well. Shara makes a few brief appearances, but Sigrud plays a vital role. Alongside these familiar faces, we get an excellent cast of new characters, including Signe, Sigrud’s long-lost daughter who is a brilliant technician and hopes to restore the city of Voortaystan to a place of influence and innovation.

It’s hard to say whether I liked one of these book more than the other. While “City of Stairs” laid forth an enormous new world and history, full of lost Gods and a bright-eyed leading lady, “City of Blades” presents a darker, more intricate look at one city, one God, and one woman who struggles to define herself and to determine what it means to have lived a life full of violence.

While technically you could probably read this book without checking out the first in the series, why would you?? But for those who were wondering where the story could go from there, never fear. “City of Blades” is a worthy successor and now I’ll move right along to “City of Miracles,” thank you very much. Binging commence!

Rating 10: If you love detailed fantasy stories with a strong dose of action and a grumpy but lovable heroine, this is the book for you!

Reader’s Advisory:

“City of Blades” is on these Goodreads lists: “Favorite Epic Grit” and “Best Sci Fi Books with Female Main Characters.”

Find “City of Blades” at your library using WorldCat

A Revisit to Fear Street: “First Date”

1513424Book: “First Date” (Fear Street #16) by R.L. Stine

Publishing Info: Pocket Books, January 1992

Where Did I Get This Book: The library!

Book Description: Dying for a Date

Chelsea Richards is shy, lonely, and looking for love. She would give anything to finally go on a date. Soon there are two new boys in town, and both ask her out.

Too bad one of them is a crazed killer. Poor Chelsea. Will her first date also be her last?

Had I Read It Before: No.

A NOTE: It was suggested to me that there may be some people who want to read the “Fear Street” series without being spoiled, but also want to know what my thoughts on this books are. Since these recaps are basically a rundown of the whole plot, I’m going to try and meet in the middle. I thought of putting a quick opinion at the front of these posts, but it kind of upset the flow of the narrative. SO, what I’m going to do instead is suggest that those who don’t want to be spoiled for a specific book scroll down down down to the end of this post, and look for my final paragraph, which I will put in bold lettering and which will give my final and non spoiler-y thoughts. Okay. On we go!

The Plot: We start our story at a random Make-Out Point, with a girl named Candy and a black haired leather jacket clad boy named Joe. Candy is stoked that they’re parking and making out together, and Joe is starting to feel smothered by her. She also reminds him of his mother, who he doesn’t remember fondly. He suggests they leave the car, but drops his wallet. Candy finds it, sees his license, and sees that it says his name isn’t Joe, it’s Lonnie. He says it’s a fake license. Then, after an inner monologue about how he’s actually twenty and how he’s feeling smothered, he leads her off and kills her. He then sees a sign for a town called Shadyside, and decides that sounds like his kind of town.

Meet Chelsea. Chelsea plays the sax, has recently moved to Shadyside with her parents, and has a very ‘dry witted’ mother who works in a nursing home with dear old Dad is running his new restaurant. Chelsea works there too, but feels lonely, and laments that she is short, pudgy, ugly, and too shy to get anyone to notice her. She lives on Fear Street, which is ‘creepy’. Her Mom tells her that she’ll adjust and make friends, and then goes off to work. Chelsea decides to go to the house of her only friend in town, Nina. But when she arrives at Nina’s house, Nina and her boyfriend Doug are already on the way out. Poor lonely Chelsea! To make matters worse, on the way home a car of rowdy (read: misogynistic) boys drives up and cat call her. Which then progresses to them grabbing at her, throwing a cigarette at her, and chasing her. She hides in some bushes until they go away, and she wishes she could meet a nice boy. I’m feeling very uncomfortable at this blatant display of rape culture. Ah, the 90s.

At school the next day a shy new boy named Will is seated next to Chelsea. She notices how cute he is with his black hair and dark eyes(?!), but once again laments how SHY she is and won’t talk to him. That evening while working at the coffee shop that night (diner, coffee shop, it’s interchangeable in this book), and daydreaming about Will, another boy with black hair and a leather jacket comes in, running into Chelsea. He sits down, and she thinks about how tough he looks (‘tough’ is the adjective used a few times on this page). They proceed to have an awkward conversation, he says his name is Tim Sparks (but everyone calls him Sparks), and he asks her out to a movie. Brazen, that Sparks. But before she can answer him fully, her Dad says that she needs to attend to restaurant business. Sparks looks PISSED AF, and storms out of the restaurant without his hamburger. Chelsea is kind of sad that he went away, even though she doesn’t know if she would have gone on a date with him because he’s so ‘dangerous’ looking. Then she thinks about Will again, hoping that HE will be her first date. But before she can pine for long, a group of young men enter the diner, try to rob the place, hit Chelsea’s Dad on the head with a lead pipe, and run off.

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(source)

Poppy Richards is alive, but taken to the hospital where he is declared in ‘serious but stable’ condition. Mrs. Richards tells Chelsea to go home and wait, and to stave off a panic attack Chelsea invites Nina over. Nina comes by happily… but has boyfriend Doug in tow, which means all of her attention is on Doug and not on her friend who is scared to death for her Dad. Some friend you are, Nina! While Nina and Doug make out, Chelsea thinks about Sparks. He sure ran off fast when her Dad showed up. Was he casing the joint? Was he in on the robbery?

Meanwhile Joe/Lonnie/whoever is out for a walk, thinking about class struggle in Shadyside (those snoots in North Hills!) and how much he resents his mother for leaving him to his own devices with a drunken father while taking his sister instead. That’s admittedly messed up. Then he strangles a kitten. Goddammit. We’d gone so long without animal death.

So with her father in recovery for awhile, Chelsea is left to man the diner with Ernie the line cook as her only back up. And Ernie is ever around when he’s needed, let me tell you. As Chelsea daydreams about Will (who has smiled at her and said ‘good morning’ as well! Progress!), two toughs walk into the restaurant right before closing (at 7? odd hours) and start giving Chelsea a hard time. And where is Ernie??? WHO KNOWS. She thinks that they are going to rob the place, but they start sexually harassing her and asking her when she gets off work. Before they can do anything else, Sparks walks in and they back off, leaving. She pours him a cup of coffee, and says that they seemed scared of him, to which he replies ‘they should be’, and ‘it’s dangerous around here’. Now Chelsea is scared of him too (though honestly it seems to me he’s just really bad at flirting). Ernie FINALLY makes his presence known just in time to say he’s leaving, and Chelsea and Sparks are alone. She pours him another refill, and he hightails out of there. She’s both disappointed and relieved he’s gone (girl, get it together), and closes up BY HERSELF before going to see Dad at the hospital. Sparks goes home, laments not asking her out, and trashes his place in a rage.

At school the next day Chelsea and Nina are talking. Nina is mad at Doug for talking to Suki Thomas (YASSS SUKI!!!), and then randomly a giant dog runs past them and out the doors, never to be mentioned again. Chelsea tries to tell Nina about Sparks, but then Nina sees Doug and runs off to meet him. Bitch. Luckily, Will is there, and he and Chelsea start talking! He asks her if she wants to go for a walk, and she says yes. They go for a walk in the woods, and Chelsea is thrilled that she’s going for a walk with a boy, ALONE. He falls behind, and when she turns he’s wrapping a length of GRAY CORD IN HIS HAND?! He says that he just randomly found it, and then asks her to go on a SECRET date with him, and to not tell anybody about it. Though this should be setting off alarm bells, Chelsea is SO EXCITED!!!

Chelsea tells her Mom about her date, and Mom tells her that Dad is now in a semi private room at the hospital. Good news on both fronts. At the diner that night Sparks comes in, and they continue the Dance of the Awkward Flirts, in which Sparks says that he’s a drop out, she says that she’s in the band, and he asks if she plays the tuba. Which insults her because OBVIOUSLY that must mean he thinks she’s fat. When she asks him about work he gets defensive, lies about having an interview at the mill that has been closed for years, and then he asks her out that Saturday. That’s the night of her SUPER SECRET DATE, so she says no, and he leaves, looking angry. Dammit, Sparks. You are so emotionally stunted and so obviously NOT the killer.

It’s date night! Will is taking Chelsea to the movies, though not in Shadyside for some reason, but Waynesbridge. He says he’s had this car forever, but he doesn’t know how to work the defroster. When she asks him about it, he says it’s because he’s a klutz. RIGHT. He almost forgets his wallet in the car, and when she hands it to him he yanks it back in a suspicious manner. She forgets all about it though, and after the movie they go a parking on River Ridge. They can see over the town, and he suggests they go for a walk. He beckons her to the cliff to look at the view, but she balks and says she’s afraid of heights. So they go walking again, and he falls behind and PULLS THE CORD FROM HIS POCKET, READY TO STRANGLE HER. I give Stine credit for not trying to keep up the ‘is it Sparks or is it Will?’ mystery. Before he can strangle her, though, another car shows up. Thank God for horny teenagers. But then Chelsea suggests they go back to her house, as they will be alone. Not so shy anymore, eh Chelsea?

They get to her house and start to make out on the couch. Will pulls out the cord again but Chelsea declares she’s making hot cocoa and walks to the kitchen, blissfully unaware that her cold feet have saved her from death again. Will tries to sneak up behind her and strangle her, but then the doorbell rings!!! COCK BLOCKED AGAIN, JERK! Chelsea goes to the door and sees Nina there, sobbing over her boyfriend. For once it’s good that Nina thought only of herself, because Will gives up and runs out the backdoor.

The next day Will calls and Chelsea asks where he ran off to. He claims he called to her a ‘goodnight!’ before leaving, and asks her out for that evening. She says she can’t, but then suggests he meet her after her shift the next night. He says it’s a date. Then the doorbell rings, and Chelsea is face to face with an FBI agent named Martin. Agent Martin tells her that they are looking for a young man with curly black hair and a good build who may be new to the area. When she asks if he may be dangerous, and he says yes, she rats on Sparks, because OBVIOUSLY he’s the one who it has to be! She tells him everything about Sparks and he thanks her, telling her to be careful. At school the next day she and Nina talk about Will and Chelsea can’t wait to see him that night.

At the diner, Chelsea is worried that Sparks may come in, and is jumpy throughout her whole shift. As it gets close to closing, Ernie disappears AGAIN, and Sparks comes in right at the last minute. Drunk as a skunk, and unfortunately he’s an aggressive drunk who keeps asking her to come here. She freaks and runs for the kitchen, and Sparks follows trying to tell her he was just joking. He manages to burn his hand pretty badly on the stove, and while he’s writhing in pain Chelsea calls Agent Martin and asks if he will come and also send an ambulance. After Sparks is taken away, Chelsea is relieved to see that Will has finally arrived.

They got back to her house, and snuggle on the couch. Chelsea admits that she didn’t keep their date a secret, and that she told Nina all about it. That’s a big wrench in Will’s plan!!! But no matter, he’ll just kill them both. He tells Chelsea to invite Nina over RIGHT NOW so he can meet her, and Chelsea does so straight away. Nina is game. But then the phone rings, and it’s Agent Martin telling Chelsea that Sparks isn’t the guy that they are looking for…. and Chelsea FINALLY puts two and two together. WILL IS THE ONE THEY’RE LOOKING FOR! She tells Martin that he’s in the house with her, and he tells her to just get out and go. She starts to, but remembers that Nina’s coming over! She runs out hoping to intercept Nina or the FBI, but unfortunately she intercepts Will. She tells him she knows who he is, and he attacks her with the cord, wrapping it around her neck until she struggles no more. He assumes she’s dead, and remembers that Nina is coming too, she he drags Chelsea’s body into the house and waits. When Nina arrives he makes small talk, and then attacks her with the cord. He chases her into the kitchen when she pulls free, and hits her with a vase. BEfore he can deal any fatal blows, he gets yanked back, and sees that CHELSEA IS THERE! He has another ‘BUT I KILLED YOU’ moment that Stine and Verhoeven alike are so fond of, and Chelsea fights him off long enough for the FBI to show up and arrest him. Chelsea explains that she plays the saxophone, and can hold her breath for a looooong time.

Chelsea goes to visit poor Sparks in the hospital. His hand is pretty messed up but he’s expected to make a full recovery. After some awkward apologies on both ends, Sparks asks her out on a date. And she says “It’s bound to be better than my FIRST date!”

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I mean, probably, but that’s a low bar, Chelsea. (source)

Body Count: 2. Poor Candy right out the gate and that poor sweet kitten. And probably countless other girls off page.

Romance Rating: Uh, 1. Because Will/Joe/Lonnie/Whoever was trying to kill Chelsea the whole time and Sparks is kind of a prick.

Bonkers Rating: 4. The random robbery at the beginning was pretty crazy and unexpected, I suppose, but otherwise it wasn’t very shocking.

Fear Street Relevance: 5. Chelsea lives on Fear Street and we once again get some references to what a kooky place it is. But Will isn’t even from Shadyside, much less Fear Street!

Silliest End of Chapter Cliffhanger:

“She gasped when she saw an enormous, hulking man in a dark trench coat on her stoop. His face was nearly pressed against the glass of the storm door, staring down at her with the coldest eyes she had ever seen.”

… And then it’s the pretty decent and sweet Agent Martin. The only guy we can fully trust in this book who isn’t incapacitated.

That’s So Dated! Moments: Sadly, this was one of the updated “Fear Street” books, and because of that the really dated things were taken out and replaced with new things (a movie starring Will Ferrell… but also the Quaid Brothers, so huh?). But there was one thing: a reference to watching music videos on MTV. May they rest in peace, those music videos.

Best Quote:

“‘Frankly your looks are great. It’s your personality I’m not crazy about,’ her mother said, doing her impression of a stand-up comic.”

DAMN, Mrs. Richards!!

Conclusion: “First Date” was pretty lame and predictable, though some of the characters I had a soft spot for. Up next is “The Best Friend”.