Book: “Dark Night: A True Batman Story” by Paul Dini and Eduardo Risso (Ill.)
Publishing Info: Vertigo, June 2016
Where Did I Get This Book: The library!
Book Description: This is a Batman story like no other-the harrowing and eloquent autobiographical tale of writer Paul Dini’s courageous struggle to overcome a desperate situation.
The Caped Crusader has been the all-abiding icon of justice and authority for generations. But in this surprising original graphic novel, we see Batman in a new light-as the savior who helps a discouraged man recover from a brutal attack that left him unable to face the world.
In the 1990s, legendary writer Paul Dini had a flourishing career writing the hugely popular BATMAN: THE ANIMATED SERIES and TINY TOON ADVENTURES. Walking home one evening, he was jumped and viciously beaten within an inch of his life. His recovery process was arduous, hampered by the imagined antics of the villains he was writing for television including the Joker, Harley Quinn and the Penguin. But despite how bleak his circumstances were, or perhaps because of it, Dini also always imagined the Batman at his side, chivvying him along during his darkest moments.
A gripping graphic memoir of one writer’s traumatic experience and his deep connection with his creative material, DARK NIGHT: A TRUE BATMAN STORY is an original graphic novel that will resonate profoundly with fans. Art by the incredible and talented Eduardo Risso (100 BULLETS, TRANSMETROPOLITAN).
Review: I’m a lifelong Batman fan. Superman is my favorite DC Superhero, but Batman will always have a piece of my heart because I grew up with him and all the villains that came with him. Batman pajamas, Batman sheets, Batman comics, Batman school supplies (well namely Catwoman, but still), I love Batman unabashedly even if I think that he’s kind of a lunatic. Even though I grew up with Batman, I only sporadically watched “Batman: The Animated Series”, as I think it ran opposite “Bill Nye, The Science Guy” where I grew up. Apparently to me the only hero greater than Batman was Bill Nye.
But of the episodes I did watch, I greatly enjoyed, and Paul Dini is one of the people to give huge thanks to for that (along with “Tiny Toons” and “Batman Beyond”). We also need to bow down and kiss his feet for creating Harley Quinn. I had no idea that Dini went through a traumatic near-death experience, as how much does the average comic fan know about those who write the stories? So when I heard that he was releasing a graphic memoir of his attack and recovery, I was definitely interested. Dini is a master storyteller, and when it comes to telling his own story it’s that much more powerful.
Not only is this a story of trauma and healing, it’s also a story of self reflection. Dini had a lot of problems even before he was attacked by two random men while walking home one night. His anxiety levels were high, his self esteem levels were low, and he had moments of depression and self mutilation even before the night he was nearly killed. The way that Dini lays his anxieties out in this comic are as various Batman villains he has written for. Poison Ivy is there to torment his conceptions about his sexual life. Scarecrow is there to freak him out about medicine and the healing aftermath of his attack. And then there is the original Big Bad himself, Joker, who is used to show Dini just wanting to turn his back on his world and self destruct. These villains are the perfect representations of all the worst fears he had at the time, and they are matched up well to those fears. And then there is the Caped Crusader himself, representing Dini’s struggle to overcome these issues and fears. I liked how Dini stayed true to the nature of all of these characters, but still was able to apply them to his own personal issues at the time. They never felt shoe horned in to fit his agenda, which I was worried about when I picked this book up. But Dini is a great writer, and he knows what he’s doing with these characters.
I think that Dini is also very brave for telling this story. He is more than willing to talk about his own flaws as well as the cruelty of others, and never makes himself out to be a sad sack perpetual victim in this. He calls himself out in the moments that he was acting foolish, and is honest about when he hit rock bottom and failed not only himself, but those around him as well. He talks about his PTSD after the fact, but the near emotional breakdown he was teetering towards even before he was attacked, stemming from a childhood of being an outsider and an adulthood of neuroses. A lot of his story really resonated with me on a personal level, and as someone with her own personal Jokers, Ivys, and Scarecrows she deals with (though not as extreme as Dini’s), seeing one of comics greatest minds open up about his demons was very, very satisfying and relatable. The message I loved most from this story was his message of “When someone hurts you, you are so much more than what they took from you.” A mentality that is very hard for victims of trauma to remember sometimes. Dini certainly had a hard time remembering. But he fought to remember.
I also need to note the artwork in this book. Eduardo Risso is no stranger to amazing artwork in the comics world, as he has done the art for “100 Bullets”, “Transmetropolitan”, and other Batman stories. He’s an Eisner Award winner as well. The art in “Dark Night” is gritty and haunting, with lots of shadows, darker or muted tones, and vibrant splashes of reds and oranges and pinks for blood and panic and mania.
But when there is hope, and yes, there is hope, the colors are lighter, less harsh, and more vibrant and welcoming. One scene in particular, with Dini’s creation Harley Quinn, has a soft and kind feel to it that made me smile, and made me feel comfortable that there is light at the end of the tunnel for him, and for others struggling with mental illness and traumatic events. Dini takes solace in his creative works, just as many take solace in them as well. It’s a lovely concept.
“Dark Night: A True Batman Story” is incredibly brave and poignant. Dini continues to amaze, but this time it’s with his own redemptive arc rather than that of the Caped Crusader. Batman fans, I implore you to pick this up and read it. It is a testament to how important Batman, and other fictional characters, can be, especially when the night is at it’s darkest.
Rating 9: A deeply personal story that explores the importance of creative works within a healing mind and soul. This is a beautifully written memoir, with Batman at his most important.
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