A Revisit to Fear Street: “First Date”

1513424Book: “First Date” (Fear Street #16) by R.L. Stine

Publishing Info: Pocket Books, January 1992

Where Did I Get This Book: The library!

Book Description: Dying for a Date

Chelsea Richards is shy, lonely, and looking for love. She would give anything to finally go on a date. Soon there are two new boys in town, and both ask her out.

Too bad one of them is a crazed killer. Poor Chelsea. Will her first date also be her last?

Had I Read It Before: No.

A NOTE: It was suggested to me that there may be some people who want to read the “Fear Street” series without being spoiled, but also want to know what my thoughts on this books are. Since these recaps are basically a rundown of the whole plot, I’m going to try and meet in the middle. I thought of putting a quick opinion at the front of these posts, but it kind of upset the flow of the narrative. SO, what I’m going to do instead is suggest that those who don’t want to be spoiled for a specific book scroll down down down to the end of this post, and look for my final paragraph, which I will put in bold lettering and which will give my final and non spoiler-y thoughts. Okay. On we go!

The Plot: We start our story at a random Make-Out Point, with a girl named Candy and a black haired leather jacket clad boy named Joe. Candy is stoked that they’re parking and making out together, and Joe is starting to feel smothered by her. She also reminds him of his mother, who he doesn’t remember fondly. He suggests they leave the car, but drops his wallet. Candy finds it, sees his license, and sees that it says his name isn’t Joe, it’s Lonnie. He says it’s a fake license. Then, after an inner monologue about how he’s actually twenty and how he’s feeling smothered, he leads her off and kills her. He then sees a sign for a town called Shadyside, and decides that sounds like his kind of town.

Meet Chelsea. Chelsea plays the sax, has recently moved to Shadyside with her parents, and has a very ‘dry witted’ mother who works in a nursing home with dear old Dad is running his new restaurant. Chelsea works there too, but feels lonely, and laments that she is short, pudgy, ugly, and too shy to get anyone to notice her. She lives on Fear Street, which is ‘creepy’. Her Mom tells her that she’ll adjust and make friends, and then goes off to work. Chelsea decides to go to the house of her only friend in town, Nina. But when she arrives at Nina’s house, Nina and her boyfriend Doug are already on the way out. Poor lonely Chelsea! To make matters worse, on the way home a car of rowdy (read: misogynistic) boys drives up and cat call her. Which then progresses to them grabbing at her, throwing a cigarette at her, and chasing her. She hides in some bushes until they go away, and she wishes she could meet a nice boy. I’m feeling very uncomfortable at this blatant display of rape culture. Ah, the 90s.

At school the next day a shy new boy named Will is seated next to Chelsea. She notices how cute he is with his black hair and dark eyes(?!), but once again laments how SHY she is and won’t talk to him. That evening while working at the coffee shop that night (diner, coffee shop, it’s interchangeable in this book), and daydreaming about Will, another boy with black hair and a leather jacket comes in, running into Chelsea. He sits down, and she thinks about how tough he looks (‘tough’ is the adjective used a few times on this page). They proceed to have an awkward conversation, he says his name is Tim Sparks (but everyone calls him Sparks), and he asks her out to a movie. Brazen, that Sparks. But before she can answer him fully, her Dad says that she needs to attend to restaurant business. Sparks looks PISSED AF, and storms out of the restaurant without his hamburger. Chelsea is kind of sad that he went away, even though she doesn’t know if she would have gone on a date with him because he’s so ‘dangerous’ looking. Then she thinks about Will again, hoping that HE will be her first date. But before she can pine for long, a group of young men enter the diner, try to rob the place, hit Chelsea’s Dad on the head with a lead pipe, and run off.

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(source)

Poppy Richards is alive, but taken to the hospital where he is declared in ‘serious but stable’ condition. Mrs. Richards tells Chelsea to go home and wait, and to stave off a panic attack Chelsea invites Nina over. Nina comes by happily… but has boyfriend Doug in tow, which means all of her attention is on Doug and not on her friend who is scared to death for her Dad. Some friend you are, Nina! While Nina and Doug make out, Chelsea thinks about Sparks. He sure ran off fast when her Dad showed up. Was he casing the joint? Was he in on the robbery?

Meanwhile Joe/Lonnie/whoever is out for a walk, thinking about class struggle in Shadyside (those snoots in North Hills!) and how much he resents his mother for leaving him to his own devices with a drunken father while taking his sister instead. That’s admittedly messed up. Then he strangles a kitten. Goddammit. We’d gone so long without animal death.

So with her father in recovery for awhile, Chelsea is left to man the diner with Ernie the line cook as her only back up. And Ernie is ever around when he’s needed, let me tell you. As Chelsea daydreams about Will (who has smiled at her and said ‘good morning’ as well! Progress!), two toughs walk into the restaurant right before closing (at 7? odd hours) and start giving Chelsea a hard time. And where is Ernie??? WHO KNOWS. She thinks that they are going to rob the place, but they start sexually harassing her and asking her when she gets off work. Before they can do anything else, Sparks walks in and they back off, leaving. She pours him a cup of coffee, and says that they seemed scared of him, to which he replies ‘they should be’, and ‘it’s dangerous around here’. Now Chelsea is scared of him too (though honestly it seems to me he’s just really bad at flirting). Ernie FINALLY makes his presence known just in time to say he’s leaving, and Chelsea and Sparks are alone. She pours him another refill, and he hightails out of there. She’s both disappointed and relieved he’s gone (girl, get it together), and closes up BY HERSELF before going to see Dad at the hospital. Sparks goes home, laments not asking her out, and trashes his place in a rage.

At school the next day Chelsea and Nina are talking. Nina is mad at Doug for talking to Suki Thomas (YASSS SUKI!!!), and then randomly a giant dog runs past them and out the doors, never to be mentioned again. Chelsea tries to tell Nina about Sparks, but then Nina sees Doug and runs off to meet him. Bitch. Luckily, Will is there, and he and Chelsea start talking! He asks her if she wants to go for a walk, and she says yes. They go for a walk in the woods, and Chelsea is thrilled that she’s going for a walk with a boy, ALONE. He falls behind, and when she turns he’s wrapping a length of GRAY CORD IN HIS HAND?! He says that he just randomly found it, and then asks her to go on a SECRET date with him, and to not tell anybody about it. Though this should be setting off alarm bells, Chelsea is SO EXCITED!!!

Chelsea tells her Mom about her date, and Mom tells her that Dad is now in a semi private room at the hospital. Good news on both fronts. At the diner that night Sparks comes in, and they continue the Dance of the Awkward Flirts, in which Sparks says that he’s a drop out, she says that she’s in the band, and he asks if she plays the tuba. Which insults her because OBVIOUSLY that must mean he thinks she’s fat. When she asks him about work he gets defensive, lies about having an interview at the mill that has been closed for years, and then he asks her out that Saturday. That’s the night of her SUPER SECRET DATE, so she says no, and he leaves, looking angry. Dammit, Sparks. You are so emotionally stunted and so obviously NOT the killer.

It’s date night! Will is taking Chelsea to the movies, though not in Shadyside for some reason, but Waynesbridge. He says he’s had this car forever, but he doesn’t know how to work the defroster. When she asks him about it, he says it’s because he’s a klutz. RIGHT. He almost forgets his wallet in the car, and when she hands it to him he yanks it back in a suspicious manner. She forgets all about it though, and after the movie they go a parking on River Ridge. They can see over the town, and he suggests they go for a walk. He beckons her to the cliff to look at the view, but she balks and says she’s afraid of heights. So they go walking again, and he falls behind and PULLS THE CORD FROM HIS POCKET, READY TO STRANGLE HER. I give Stine credit for not trying to keep up the ‘is it Sparks or is it Will?’ mystery. Before he can strangle her, though, another car shows up. Thank God for horny teenagers. But then Chelsea suggests they go back to her house, as they will be alone. Not so shy anymore, eh Chelsea?

They get to her house and start to make out on the couch. Will pulls out the cord again but Chelsea declares she’s making hot cocoa and walks to the kitchen, blissfully unaware that her cold feet have saved her from death again. Will tries to sneak up behind her and strangle her, but then the doorbell rings!!! COCK BLOCKED AGAIN, JERK! Chelsea goes to the door and sees Nina there, sobbing over her boyfriend. For once it’s good that Nina thought only of herself, because Will gives up and runs out the backdoor.

The next day Will calls and Chelsea asks where he ran off to. He claims he called to her a ‘goodnight!’ before leaving, and asks her out for that evening. She says she can’t, but then suggests he meet her after her shift the next night. He says it’s a date. Then the doorbell rings, and Chelsea is face to face with an FBI agent named Martin. Agent Martin tells her that they are looking for a young man with curly black hair and a good build who may be new to the area. When she asks if he may be dangerous, and he says yes, she rats on Sparks, because OBVIOUSLY he’s the one who it has to be! She tells him everything about Sparks and he thanks her, telling her to be careful. At school the next day she and Nina talk about Will and Chelsea can’t wait to see him that night.

At the diner, Chelsea is worried that Sparks may come in, and is jumpy throughout her whole shift. As it gets close to closing, Ernie disappears AGAIN, and Sparks comes in right at the last minute. Drunk as a skunk, and unfortunately he’s an aggressive drunk who keeps asking her to come here. She freaks and runs for the kitchen, and Sparks follows trying to tell her he was just joking. He manages to burn his hand pretty badly on the stove, and while he’s writhing in pain Chelsea calls Agent Martin and asks if he will come and also send an ambulance. After Sparks is taken away, Chelsea is relieved to see that Will has finally arrived.

They got back to her house, and snuggle on the couch. Chelsea admits that she didn’t keep their date a secret, and that she told Nina all about it. That’s a big wrench in Will’s plan!!! But no matter, he’ll just kill them both. He tells Chelsea to invite Nina over RIGHT NOW so he can meet her, and Chelsea does so straight away. Nina is game. But then the phone rings, and it’s Agent Martin telling Chelsea that Sparks isn’t the guy that they are looking for…. and Chelsea FINALLY puts two and two together. WILL IS THE ONE THEY’RE LOOKING FOR! She tells Martin that he’s in the house with her, and he tells her to just get out and go. She starts to, but remembers that Nina’s coming over! She runs out hoping to intercept Nina or the FBI, but unfortunately she intercepts Will. She tells him she knows who he is, and he attacks her with the cord, wrapping it around her neck until she struggles no more. He assumes she’s dead, and remembers that Nina is coming too, she he drags Chelsea’s body into the house and waits. When Nina arrives he makes small talk, and then attacks her with the cord. He chases her into the kitchen when she pulls free, and hits her with a vase. BEfore he can deal any fatal blows, he gets yanked back, and sees that CHELSEA IS THERE! He has another ‘BUT I KILLED YOU’ moment that Stine and Verhoeven alike are so fond of, and Chelsea fights him off long enough for the FBI to show up and arrest him. Chelsea explains that she plays the saxophone, and can hold her breath for a looooong time.

Chelsea goes to visit poor Sparks in the hospital. His hand is pretty messed up but he’s expected to make a full recovery. After some awkward apologies on both ends, Sparks asks her out on a date. And she says “It’s bound to be better than my FIRST date!”

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I mean, probably, but that’s a low bar, Chelsea. (source)

Body Count: 2. Poor Candy right out the gate and that poor sweet kitten. And probably countless other girls off page.

Romance Rating: Uh, 1. Because Will/Joe/Lonnie/Whoever was trying to kill Chelsea the whole time and Sparks is kind of a prick.

Bonkers Rating: 4. The random robbery at the beginning was pretty crazy and unexpected, I suppose, but otherwise it wasn’t very shocking.

Fear Street Relevance: 5. Chelsea lives on Fear Street and we once again get some references to what a kooky place it is. But Will isn’t even from Shadyside, much less Fear Street!

Silliest End of Chapter Cliffhanger:

“She gasped when she saw an enormous, hulking man in a dark trench coat on her stoop. His face was nearly pressed against the glass of the storm door, staring down at her with the coldest eyes she had ever seen.”

… And then it’s the pretty decent and sweet Agent Martin. The only guy we can fully trust in this book who isn’t incapacitated.

That’s So Dated! Moments: Sadly, this was one of the updated “Fear Street” books, and because of that the really dated things were taken out and replaced with new things (a movie starring Will Ferrell… but also the Quaid Brothers, so huh?). But there was one thing: a reference to watching music videos on MTV. May they rest in peace, those music videos.

Best Quote:

“‘Frankly your looks are great. It’s your personality I’m not crazy about,’ her mother said, doing her impression of a stand-up comic.”

DAMN, Mrs. Richards!!

Conclusion: “First Date” was pretty lame and predictable, though some of the characters I had a soft spot for. Up next is “The Best Friend”. 

 

Serena’s Review: “Rebel Angels”

51428Book: “Rebel Angels” by LIbba Bray

Publishing Info: Ember, December 2006

Where Did I Get this Book: audiobook from the library!

Book Description: Ah, Christmas! Gemma Doyle is looking forward to a holiday from Spence Academy, spending time with her friends in the city, attending ritzy balls, and on a somber note, tending to her ailing father. As she prepares to ring in the New Year, 1896, a handsome young man, Lord Denby, has set his sights on Gemma, or so it seems. Yet amidst the distractions of London, Gemma’s visions intensify–visions of three girls dressed in white, to whom something horrific has happened, something only the realms can explain…

The lure is strong, and before long, Gemma, Felicity, and Ann are turning flowers into butterflies in the enchanted world of the realms that Gemma alone can bring them to. To the girls’ great joy, their beloved Pippa is there as well, eager to complete their circle of friendship.

But all is not well in the realms–or out. The mysterious Kartik has reappeared, telling Gemma she must find the Temple and bind the magic, else great disaster will befall her. Gemma’s willing to do his intrusive bidding, despite the dangers it brings, for it means she will meet up with her mother’s greatest friend–and now her foe, Circe. Until Circe is destroyed, Gemma cannot live out her destiny. But finding Circe proves a most perilous task.

Spoilers for “A Great and Terrible Beauty”

Review: Oof, this review, it’s going to be tough. It seems that “Rebel Angels” is widely believed to be the stronger book of the first two in Bray’s “Gemma Doyle” series. But man, I had some problems with this one.

But first, the good. There is no questioning Bray’s strength as a writer. The dialogue is always excellent, the descriptions of Victorian London are spot on. She includes many historical details that keep the atmosphere rich and poignant, and she’s mastered writing her action set pieces, something that was perhaps lacking in the first book. Further, the stakes have been raised in this book. Gemma, Felicity, and Anne have experienced real hardship with the death of their friend Pippa. And Circe, Gemma’s mother’s murderer, seems to circle ever nearer throughout this story. I enjoyed the expansion of both the “real world” setting, moving the story out from the walls of Spence Academy and into the social workings of London itself, as well as that of the Realms. We get to move beyond the perfectly lovely Garden and begin to see that now that the magic is released, things aren’t quite right in this magical land. Further, they might not have been right even before when the Order was in power.

So, there you go. This is a long book (a mark against it, really, since I think Bray could have used an editor to help trim this book up in places), but the writing and general plotting of the story are strong and got me through it. And considering my list of complaints to come, getting through it in a timely manner is actually a big mark in…something’s favor.

First off, the characters. As I said, there were some serious happenings in the first book. Pippa died. Felicity (and Anne in following her) did some truly awful things in the pursuit of power. It was made clear that the Realms weren’t all pretty flowers and magical powers with no strings attached. With this all, characters needed to grow! Other than mourning Pippa’s death, the threesome of girls quickly falls into the exact same pattern of behavior they exhibited in the first book as if they had learned absolutely nothing.

Felicity continues to bully Gemma into making bad decisions with the Realms, behaving as if it is still the free-for-all they had first supposed it to be, as if she hadn’t sacrificed a deer bare-handed in the previous book only to come this close to becoming a dark denizen herself. She routinely advises Gemma to ignore warnings and plays hot and cold with her friendship. You’d think that after coming through together what was experienced in the first book there would be a real foundation of friendship. Instead, we continue to see examples of a “mean girl” who only cares for Gemma when it is convenient. This doesn’t speak well to Gemma’s character either for tolerating such one-sided friendships (Anne has similar issues, siding with Felicity in all of her worst moments and never giving anything back to Gemma to justify Gemma’s continued loyalty).

Further, about half way through the story Bray introduces a dark backstory for Felicity with regards to her family. I have mixed feelings on this as I do think in many ways it was handled very well. But it was also used as a magic wand to somehow excuse Felicity’s behavior, which I don’t agree with. Further, after showing up briefly, there are many implications that are never fully addressed, which leaves the whole situation feeling all too close to a “plot convenience” which doesn’t sit well at all.

Anne has changed not at all. If anything, her character’s uselessness is doubled down upon. She has gained no bravery, no sense of self worth, and has actually actively stepped back into bad behaviors (self harm) that much time was spent on overcoming in the first book. Why was our time wasted then if she wasn’t going to improve at all here? And in this book, I can’t think of a single time when she truly aided the group. She was nothing more than dead weight throughout the entire story, and has now been given almost every negative stereotype a character like her can have, and gained none of the the strengths one would expect from a character moving beyond and through these set backs. Halfway through the book she ends up in a dangerous situation, and I was openly rooting for her to just be written out of the book. Alas, no.

And Gemma. The problems with Gemma aren’t even character problems. For the most part, I still very much like her as a leading lady. Unlike the other two, she has more sides to her that fully flesh her out and make her character arc interesting to follow. And while she does seem to grow throughout this book, there is the same problem from the previous to this: she has learned nothing! She naively believes everything that is told to her by every single person, even when she has explicitly been warned against this. Told not to trust anyone in the Realms? She immediately trusts EVERY SINGLE PERSON SHE MEETS. Oh, here’s a girl who was in the Order before and has made herself “mad” to avoid Cerci? Let’s NOT believe anything she has to say. It’s endlessly frustrating.

What’s more, the story opens with the reader witnessing a scene that explicitly makes it clear that a few characters are set against Gemma from the start. But then we have to go through an entire book watching her naively work with these characters. So not only is Gemma herself frustratingly naive to follow, making all of the wrong decisions for no good reason, but the reader is already set ahead of her, knowing more than she does from the start and yet still stuck in her ignorance. For any canny reader, the “twists” could be spotted a mile away which just makes it all the more frustrating watching Gemma and Co. struggle on. When she finally does realize things, there isn’t any breath of relief. You’re already 100 pages past that stage and simply want to smack her for not getting it earlier. Her following morose is all the more infuriating.

And lastly, the third member of the love triangle (you know it’s bad when the presence of a love triangle hasn’t even made the cut for my list of things to vent about) is essentially a date rapist and THIS IS NEVER ADDRESSED. He tries to get Gemma away from the others at a ball, and when this doesn’t work, he gets her drunk on absinthe, and then lures her to a remote part of the house and begins seducing her. They’re only interrupted by one of her visions which scares him out of it. And then the whole thing is forgotten, other than Gemma being embarrassed by her own behavior mid-vision!

There is zero discussion about this man’s intentions, the wrongness of his drugging her and attempting to seduce her, or anything. He continues to be a romantic interest! For a book, and author, that makes a big deal about talking about feminist and societal issues, I honestly couldn’t believe what I was reading. I kept waiting for the admonitions to role in, for Gemma to realize what a scumbag this guy was, for anything! There was nothing. It was left as if nothing had happened, he had done no wrong, and Gemma’s only concern was the worry that her own behavior would put him off. There’s no excuse for this. For young women reading this book, they are left with a scene like this presented as ordinary, ok, and not worth revisiting other than potentially shaming the girl caught up in it for getting too drunk and putting off the potential husband.

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(source)

So, it’s clear I had a lot of feelings about this book. For as many complaints as I had, I do feel compelled to finish the series, if only to see where Bray ends up leaving her characters in the end. Again, a lot happened in this book and you’d expect some character growth to come out of it, for us to have new versions of the same characters in the next book. But I had that expectation for this book and was utterly disappointed, so I’m not holding out hope. My prediction is that they will all behave the same exact way for way too many pages. I guess we’ll find out.

Rating 4: Complete lack of character growth and some very irresponsible messages leave this book as a disappointment.

Reader’s Advisory:

“Rebel Angels” is included on the Goodreads lists “Victorian YA Novels” and “Private School Paranormals.”

Find “Rebel Angels” at your library using WorldCat!

Previously Reviewed: “A Great and Terrible Beauty”

 

 

A Revisit to Fear Street: “The Knife”

89806Book: “The Knife” (Fear Street 14) by R.L. Stine

Publishing Info: Simon Pulse, January 1992

Where Did I Get This Book: ILL from the library!

Book Description: Quiet—hospital!

Sshh. There are a lot of things they want to keep quiet at Shadyside Hospital. In fact, just about every private room holds a private secret of its own.

Poor Laurie Masters. The student volunteer innocently happened to stumble onto the hospital’s sickest secret of all.

Laurie has seen too much—and now the doctors and nurses are taking a close look at Laurie.

What they come up with is a deadly diagnosis. Laurie may not be sick, but she’s getting a prescription anyway—a prescription for horror!

Had I Read It Before: No.

The Plot: R.L. Stine has taken his “Fear Street” books through multiple horror tropes. You have the camping trip, the cabin in the woods, the prom court, the haunted house, and many many more. But with “The Knife”, we are finally treated to the evil hospital trope! We first see our protagonist, Laurie, being chased by a man, and she is worried about the knife that he’s holding. Then we go back a week and the story begins. Laurie and her friend Skye are volunteers at the children’s ward at the Shadyside Hospital, having given up their summer break for garnering karmic points. While Skye is delivering balloons, Laurie looks towards the newest wing that is being built, the Franklin Fear Wing. Yep, named for the Fear Family. Soon Laurie hears crying from another room, and lets herself in to find a crying little boy. She tries to calm him down, but to no avail. She checks his chart (not sure if she’s allowed to do that since she’s a volunteer and not a doctor….?), and finds out that this little boy’s name is Toby, he’s three, and has pneumonia. She decides to just hold his hand and keep him company, which is actually kind of sweet, but is interrupted by a mean nurse named Nurse Wilton, who tells her to get out.

While eating lunch in the cafeteria (and I gag because the meat is described as ‘blue’), Laurie and Skye chat to let us get to know them a bit better. Skye is juggling two boys and thinks that she’s destined to win a car in the hospital raffle. Laurie is dating Andy Price, the son of one of the hospital’s administrators, but he’s a real dud. Luckily for both of them, a handsome man walks into the cafeteria at that moment, and walks right up to their table. He says his name is Rick Spencer (which is gross now because Rick is short for Richard and Richard Spencer these days…. well….. yeah), and he’s a college student who is also volunteering that summer, though he is on the surgical floor. Skye is practically in heat over him, but he seems to be more interested in Laurie. Before Laurie can really gaze into his eyes, a Code Blue goes over the intercom for room 903… Toby’s room!!! Laurie runs off to check on that precious little boy, but when she gets to his room she instead finds Nurse Wilton who tells her the Code was for another room, 503, and kicks her out again. Laurie walks to the nurses station to talk to the kinder, gentler Nurse Girard, who is talking to…. Toby’s MOM!!! She says that she wants her son back. Where he went, I don’t know? Laurie notices Nurse Wilton going into the Fear Wing…. and then sees Rick follow her in. Odd.

That night Laurie is at her house, the one she shares with her Aunt Hillary in the part of town called North Hills. Laurie’s folks were killed in a boating accident when Laurie was a little girl, so now she lives with Hillary who is rarely home because of her job. While reading the phone rings. She answers, but hears nothing but breathing on the line. After hanging up, the phone rings again. This time it’s Rick, who has called to ask her out for that weekend. Laurie politely declines, as she has a date with Andy, and asks how he got her number. He says Skye gave it to him. But once they hang up, Laurie calls Skye, because OBVIOUSLY, and asks if that was true. Skye says nope, and now Rick is a liar as well as a college guy hitting on high school girls.

The next day Laurie finds a note from Hillary saying she’ll be late that night. Then the phone rings again, and this time it’s Dr. Price, Andy’s Dad. He tells Laurie to skip out on work and play tennis with his son instead…. because JUST KIDDING, it was Andy the WHOLE TIME!

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Look asshole, some people have responsibilities. (source)

Laurie declines, and says that she’ll see him after work when they go out for pizza with Skye and one of her boyfriends.

At work she buys Toby a teddy bear and intends to bring it to him, but she freaks out when she gets to his room and it’s empty. Because clearly the only answer is that he must have died tragically. In actuality he’s been discharged, and she sees him at the nurse’s station while his Mom talks to Rick. She gives him the bear and tells him to go with his Mom… and Toby says ‘she’s not my Mommy’. Okay, that’s weird, but before Laurie can question it too much his ‘Mom'(?) says it’s time to go, and Toby follows. She asks Rick what they were talking about, and he tells her she was giving her directions to the pharmacy. Laurie isn’t buying it, because he said he was new to the area so HOW COULD HE KNOW WHERE THE PHARMACY IS? The phone at the station rings, and he answers. Laurie starts to leave, but lingers, and sees that after he hangs up, he slips a pack of surgical knives into his pocket!!! Liar AND thief!

Laurie can’t stop thinking about Toby and decides to check up on him. After very illegally going through his file, she gets his address… which is, of course, on FEAR STREET!! She thinks that she can go there under guise of selling raffle tickets for the hospital, though she’s nervous about going to Fear Street alone, because, you know. All the horrible things that have happened there. Before she can make a clean getaway, Nurse Wilton plants herself at desk to the file room. Laurie manages to kind of sneak past, but Wilton sees her anyway and demands that she come back. Laurie, however, runs to the elevator and gets in, only to be kicked off on an unfamiliar floor (as a patient was coding maybe? It’s a plot device). She starts to explore, ignoring the ‘personnel only’ signs, and hides in the first room she can in case Wilton tracks her down. Sadly, it’s a room with a dead body in it….. and then someone locks her inside!! But she manages to get out (because it locks from her side), and once out sees Nurse Wilton and Dr. Price talking. Assuming it’s about her, she gets indignant that Wilton would rat her out…. But honestly, Laurie, you were violating SO MANY HIPAA LAWS THERE.

At the pizza place Laurie tells her friends about her ethics violation and convinces them to go to Fear Street with her. They all get into Andy’s Volvo and drive to Fear Street. Toby’s Mom greets Laurie and Skye with an angry ‘what do you want?!’, and they convince her to buy a ticket. When Toby’s Mom goes to find her purse, they hear crying inside the house. Laurie sneaks in further, and sees Toby on the steps looking a lot thinner and paler than he did earlier. His Mom catches them, throws money at them, and tells them to get the hell out.

The next day Laurie is told that she’s being transferred to another floor on Wilton’s orders. Hoping to convince her otherwise, Laurie hangs around until shift end to try and find her. SHe sees Nurse Wilton sneak into the Fear Wing, and then Rick does so as well. She decides to wait a bit for one of them to come out, but loses patience after probably about five minutes and goes in to find them. As she stumbles around in the dark, she trips over something….. and it’s NURSE WILTON’S CORPSE, WITH A SCALPEL STICKING OUT OF HER NECK! But when she runs to get help and comes back with Skye and Nurse Girard, the body, of course, is gone. They think she’s playing a joke on them. Laurie now believes two things: 1) Rick is the murderer, and 2) It has to do with Toby somehow. She tries to go check the files again, but they’ve up and absconded.

The next day Laurie puts on a disguise and goes back to Fear Street to stalk outside Toby’s house. She sees him at the kitchen table, and then sees him being whisked off with a suitcase into a car and driven away. Though she hears a child’s scream from inside the house, she decides to ignore it (?!?!) and talk to Dr. Price the next day. When driving home she is stopped by a car that blocks her path, and the driver is none other than Rick in a weird Batman tee shirt. Laurie turns around and drives off. She gets home to her empty house and calls Andy, asking to talk to his Dad. He wants to know why, and she lies saying she is doing a project that involves interviewing him. Andy invites her over for a hook up, and she hangs up to call Skye to see if she can crash at her place, as she’s scared to be home alone after the weird stuff she’s seen. She hears footsteps on the steps, and tells Skye never mind, Hillary is home… BUT IT’S NOT HILLARY, it’s some intruder!! But when Aunt Hillary does come home, the intruder runs away. Laurie is convinced it’s Rick, but Hillary says she saw Andy’s car in the street (maybe). Laurie tells her everything, and Hillary says that since she’s working with the Board of Trustees maybe she can talk to Dr. Price. Laurie gets upset and says she thinks she doesn’t need any help, but frankly Laurie…

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Rick calls. Asks why she ran away from him on Fear Street. She confronts him about the knives, he tries to brush it off, and so she asks why he was even on Fear Street to begin with and he tells her to stay away from Fear Street, ominously.

Laurie meets with Dr. Price. Tells her that she saw Nurse Wilton’s dead body. He calls the hospital to ask why he didn’t hear about any of this, and tells Laurie that he was told that Wilton is on vacation. Laurie tells him she thinks Toby is in trouble, and to placate her he says that he’ll check the kid’s files. Laurie informs him that the files have gone missing and he tells her he’ll track them down. Later Laurie and Andy are talking about why she was talking to his Dad, and she tries the ‘extra credit’ excuse again, and Andy puts the moves on her and she says nah, which leads to a fight and she dumps his ass. When going to the mall to meet Skye, Laurie conveniently sees Toby and his Mom in the parking lot!! Laurie waves, and Toby waves back, but then he’s shoved into the car by his Mom and they drive away. Laurie hates seeing Toby hurt like that, but instead of calling the cops to report a possible case of child abuse, she resolves to figure it out on her own!

So she calls Toby’s Mom pretending that she has an extra raffle ticket. Toby’s Mom is not convinced and tells her she’s a ‘nuisance’. There’s a slap and a child crying right before hanging up, and so Laurie decides to drive to Fear Street and save Toby herself! To what end, idiot? She sneaks into the house through a window, but is knocked over the head and dragged to the basement where she is tied up by Toby’s Mom. Toby’s Mom goes upstairs to make a phone call, and Laurie overhears that perhaps they have nasty plans for Aunt Hillary! Laurie sees a pair of scissors, and tries to get them. But the someone is coming down the steps.. and it’s Toby! Toby cuts the ropes, and Laurie says that she thought he had been taken away…. and Toby tells her that that wasn’t him, that was his twin brother Terry. Because OF COURSE IT WAS. They sneak up the steps and out of the house and get in her car and drive away. At a payphone Laurie tries to call Hillary to warn her, but can’t get an answer. So she calls the hospital, and gets a message that Hillary left for her: her car won’t start so please come pick her up from her meeting at the hospital, and she will be at the nurses station. So she and Toby rush for the hospital, and on the way they hear a radio report that Nurse Wilton’s body has been found. To make matters worse, Rick’s car is following them!! They get to the hospital and it looks like maybe they lost him.. but as they get into the building Rick pulls in the lost. Laurie and Toby get in the elevator and the doors close JUST AS RICK IS ABOUT TO GET IN TOO.

They get to the nurses station and Laurie leaves Toby with a nice nurse. Hillary isn’t present, and Nurse Girard tells her no one has been by for nearly two hours. Laurie tries to use the phone, but then Rick is there! He’s distracted by Nurse Girard, so Laurie runs into the Fear Wing (of course) to try and hide. While dicking around in there she finds a random trap door, and surmises that’s how Rick moved Nurse Wilton’s body. So Rick enters and we’re back to the prologue, with him grabbing her and her worried about the knife he must have. Turns out he grabbed her to keep her from falling down a broken elevator shaft she almost ran into. Someone else enters the wing, and Laurie screams for help. Rick shoves her away so he can tangle with whomever it is, and Laurie hears a fight. She sees Dr. Price, who tells her she can come out now. She runs to him, jumping over unconscious Rick… But Rick is waking up! And he tells Laurie that it was Dr. PRICE who killed Nurse Wilton! Because Nurse Wilton found out that Dr. Price and Toby’s Mom (not really his MOm!) were selling children in an illegal adoption scheme, and she was blackmailing him! Dr. Price and Rick fight again, and this time it ends with Dr. Price falling down the elevator shaft.

Rick and Laurie leave the Fear Wing and are reunited with Hillary, who explains that Dr. Price thought that she was getting too close to his secret and that’s why he wanted her dead. Rick and Laurie kiss. The end.

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Body Count: 2. You get Nurse Wilton and Dr. Price (I think? I have to imagine).

Romance Rating: 4. Rick is fine and he and Laurie are an okay couple with similar interests. But Andy is obnoxious and having her have to spend ANY time with him is upsetting.

Bonkers Rating: 5. A complex conspiracy theory in a hospital that involves selling children and then the fact that there is a set of twins as well gets it a bit of a boost. But it feels more Lifetime Movie, plot wise.

Fear Street Relevance: 8. The wing in the hospital that seems to cause the most trouble is named after Simon Fear. So it’s The Fear Wing, and THAT is pretty great. Also, Toby is being kept in a house on Fear Street.

Silliest End of Chapter Cliffhanger:

“Then she had a sickening new feeling. Something in the room behind her was moving!”

… But nope, it wasn’t. She was alone the whole time.

That’s So Dated! Moments: Laurie and Skye first see Rick and the comparisons to Tom Cruise are thrown around pretty readily and heavily. I’m not so certain seventeen year old girls these days would be making THAT reference when trying to describe a cute boy.

Best Quote:

“He grabbed the front of the shirt, his face filled with mock horror. ‘Get rid of my bleeding knife t-shirt? Are you crazy?’

‘Get rid of it,’ she insisted.

‘But it’s so… so totally cutting edge!’ he cried.”

YEAH YEAH, I LAUGHED, OKAY?

“The Knife” was pretty lame. Less conspiracy, more GHOSTS, dammit! Next up is “The First Date”. I can only imagine how this is going to be.

Serena’s Review: “Down Among the Sticks and Bones”

31450908Book: “Down Among the Sticks and Bones” by Seanan McGuire

Publishing Info: Tor, June 2017

Where Did I Get this Book: the library!

Book Description: Twin sisters Jack and Jill were seventeen when they found their way home and were packed off to Eleanor West’s Home for Wayward Children.

This is the story of what happened first…

Jacqueline was her mother’s perfect daughter—polite and quiet, always dressed as a princess. If her mother was sometimes a little strict, it’s because crafting the perfect daughter takes discipline.

Jillian was her father’s perfect daughter—adventurous, thrill-seeking, and a bit of a tom-boy. He really would have preferred a son, but you work with what you’ve got.

They were five when they learned that grown-ups can’t be trusted.

They were twelve when they walked down the impossible staircase and discovered that the pretense of love can never be enough to prepare you a life filled with magic in a land filled with mad scientists and death and choices.

Review: Last year’s “Every Heart a Doorway” , aYA fantasy novella by Seanan McGuire, completely took me by surprise. It asks the important, but rarely asked, question: what happens when these special, chosen children return from their adventures in other worlds? In that book, we met Jack and Jill, twin girls who had spent years in their own magical land. Like many others at the school, they each had their own struggles adjusting to life back in this reality. Here, we have their back story. And, while I still love the creativity of this series, the fact that I knew the end story for these two did affect my perception of this story. It’s purely a personal problem, however, so all in all, this is a strong second outing for this series.

Like most children who wander into strange worlds, Jack and Jill don’t quite fit into the reality that they were born, too. Their mother, Serena (oh no!) makes a princess out of Jill, and their father, Chester, attempts to turn Jack into the son he wished he had. Growing up within these strict definitions that were chosen for them, it’s no surprise that when they discover a doorway in their attic, they choose to walk forward. The world that awaits is filled with monsters, science, and chaos. But perhaps most frightening and thrilling of all: choices. For two girls who have been told who they are since birth, this new found ability to decide offers temptations and dangers.

The greatest strength of “Every Heart a Doorway” was the clear-eyed approach it took on childhood. It’s all too easy to wrap up childhood in fluffy dreams of nostalgia, to wave away the worries and pains of childhood as nothing more than immaturity. This strength comes to the forefront in this book, a story that is even darker than the original novella. Jack and Jill’s childhood until age 12 in “reality” is one full of struggle against the various constraints of gender. I greatly appreciated the fact that both definitions, the “princess” and the “tomboy” are shown equally for the damages they can inflict. They both demonize a type of behavior in girls in lieu of presenting the “one true way.” It is made clear that the strictness of both and the lack of flexibility in the definition of “girlhood” is the root of the problem with either perception.

I also greatly enjoyed the time spent in the fantasy world, obviously. This world is dark, scary, and the choices presented to the girls have real consequences. As we saw in the first book, both girls are changed by their time in this world, and it was fascinating watching them each slowly develop into the characters we are familiar with from the first book.

This, however, was also where I found myself struggling with this book. I like darkness in my fantasy novels, but I do struggle to fully enjoy stories that end on this same dark note. I think the fact that I knew the events that took place in “Every Heart a Doorway” before reading this colored my perception of certain things and prevented me from fully committing to both of the main characters. I felt like I was almost keeping the story at a distance, because I knew not to get too attached. This is clearly a very personal flaw with the story and one that’s completely tied up in my own reading experience, so take it with a million grains of salt. Because, even saying that, knowing the end result also kept me interested as the girls transformed into the characters I knew, as I said before.

This was a solid second outing in this novella series. I believe there is a third, “Beneath the Sugar Sky,” in line to be published this coming January, and I will definitely be at the front of the line to get my hands on it! Definitely check this book out if you’re a fan of dark fantasy, especially of the classic monster variety!

Rating 7: An excellent dark, fantasy story, both benefiting and, for me, suffering from the fact that we had already been introduced to these characters in the first book in the series.

Reader’s Advisory:

 “Down Among the Sticks and Bones” is a new book so isn’t included on any relevant Goodreads lists, but it should be on  “The Monster Mash”  and “Best Gothic Books.”

Find “Down Among the Sticks and Bones” at your library using WorldCat!

 

Serena’s Review: “An Enchantment of Ravens”

30969741Book: “An Enchantment of Ravens” by Margaret Rogerson

Publishing Info: Margaret K. McElderry Books, September 2017

Where Did I Get this Book: ARC from ALA

Book Description: Isobel is a prodigy portrait artist with a dangerous set of clients: the sinister fair folk, immortal creatures who cannot bake bread, weave cloth, or put a pen to paper without crumbling to dust. They crave human Craft with a terrible thirst, and Isobel’s paintings are highly prized among them. But when she receives her first royal patron—Rook, the autumn prince—she makes a terrible mistake. She paints mortal sorrow in his eyes – a weakness that could cost him his life.

Furious and devastated, Rook spirits her away to the autumnlands to stand trial for her crime.

Review: This was an ARC that I nabbed at ALA purely because of the beautiful color and my vague guess that it was probably some type of fairytale…maybe? Honestly, ALA is such a mad house that I don’t think I even got around to reading the book description until I was back in my hotel. But man, what luck! This story was one giant mash-up of all of my favorite things about fairtyales: a relatable heroine, a hilarious and charming hero, and the darker side of magic.

In Isobel’s village, fairies are common customers. Humans possess the ability to make Craft, construct things out of materials, something that is deadly to fairies, and thus fascinating to these long-lived beings. Isobel is a prodigy portrait artist, and as such, as worked with fairies most of her teenage life, becoming quite familiar with the quirks and dangers of these people. In exchange for her work, she is paid with magical favors, like chickens that produce a certain number of eggs each week. But in every fairy gift, there lurks the potential for disaster, so Isobel has gotten quite skilled at carefully wording every request she makes. More so than other in her village, she understands that even the ultimate fairy gift, a drink from the Green Well which grants immortality and is reserved for only the most special cases of humans who posses Crafting talent over and beyond the usual and who come along maybe once every century, is not all its cracked up to be. So when whisked away by an unhappy fairy prince client, Isobel knows that her trip to the fairy realms is rife with potential disaster.

Isobel herself was one of my favorite parts of this book. From the very beginning, we see that she has grown wise through her experience with the fairies. She doesn’t trust them and sees the loss that immortality has inflicted upon them. They can’t seem to relate to others or feel real emotion about anything. In fact, the presence of emotion is what makes Rook stand out to her, and the painting of it is what gets her carried away. And even then, trapped in the fairy world with a volatile prince, Isobel never loses her head. The relationship she develops with Rook over their travels develops in a natural way and Isobel always retains her common sense about the dangers this is presenting to both her and him, since relationships between humans and fairies are forbidden.

Rook, too, was exactly the type of romantic hero I love. He’s lovably arrogant about his own kind, a trait that both amuses and exasperates Isobel. There were several laugh out loud moments for him throughout the story. He’s also given a strong backstory to justify the differences between him and the other fairies. But never loses his inherent “otherness.”

As readers of this blog know, my favorite fantasy stories often mix a good dash of darkness and horror into the story (see: “The Beast is an Animal”). Here, the fairy court is like a brilliant confectionery cake, but once you cut into it, you see the mold. Time has not been kind to beings who live forever. There is madness, isolation, and loneliness mixed behind every aspect of the fairy realm.  At the center of it is the Summer King, the ruler of the fairies, who has withdrawn from the world, but whose madness lurks and has begun to trickle into the human world as well.

For a fairytale not directly tied to re-telling any of the tales we are familiar with, “An Enchantment of Ravens” reads as a staple in the genre. Magic, adventure, danger, comedy, and romance are all balanced in this story, held together by two protagonists you quickly grow to love. I can’t recommend this enough to fans of fairytale retellings!

Rating 9: What a wonderful surprise! Sometimes judging a book by its cover has a massive upside!

Reader’s Advisory:

“An Enchantment of Ravens” is on these Goodreads lists: “Traveling in the Faerie Realms” and “Dark Fairy Tales.”

Find “An Enchantment of Ravens” at your library using WorldCat!

Serena’s Review: “Now I Rise”

22817331Book: “Now I Rise” by Kiersten White

Publishing Info: Delacorte Press, June 2017

Where Did I Get this Book: the library!

Book Description: She has no allies. No throne. All she has is what she’s always had: herself.

After failing to secure the Wallachian throne, Lada Dracul is out to punish anyone who dares to cross her blood-strewn path. Filled with a white-hot rage, she storms the countryside with her men, accompanied by her childhood friend Bogdan, terrorizing the land. But brute force isn’t getting Lada what she wants. And thinking of Mehmed brings little comfort to her thorny heart. There’s no time to wonder whether he still thinks about her, even loves her. She left him before he could leave her.

What Lada needs is her younger brother Radu’s subtlety and skill. But Mehmed has sent him to Constantinople—and it’s no diplomatic mission. Mehmed wants control of the city, and Radu has earned an unwanted place as a double-crossing spy behind enemy lines. Radu longs for his sister’s fierce confidence—but for the first time in his life, he rejects her unexpected plea for help. Torn between loyalties to faith, to the Ottomans, and to Mehmed, he knows he owes Lada nothing. If she dies, he could never forgive himself—but if he fails in Constantinople, will Mehmed ever forgive him?

As nations fall around them, the Dracul siblings must decide: what will they sacrifice to fulfill their destinies? Empires will topple, thrones will be won…and souls will be lost.

Previously Reviewed: “And I Darken” (some spoilers!)

Review: “And I Darken” was another surprise hit from last year, so much so that it made my “Top Ten” list at the end of the year. So I was anxiously awaiting this sequel. The stakes (…pun intended?? with impaling?? get it???) have never been higher for Lada, Radu, and Mehmed. Impossible dreams are being pursued, but how much will need to be sacrificed in the attempt? And once they get what they want, was it worth the price?

The narrative is again split between Lada and Radu, however, so many of their choices revolve around their conflicting feelings towards Mehmed, their childhood friend, ruler of the nation that has held them hostage from family and country, and lover/wished for lover of both, that he almost feels like a POV character, too.

As I mentioned, this story is mostly about obsessions that have taken the place of love. Lada, Radu, and Mehmed all serve as prime examples of how letting one goal become your purpose in life can begin to rule you and lead to choices you never would have imagined. Each of their goals are impossible in different ways.

For Lada, it turns out that reclaiming her homeland isn’t as easy as she thought. Also, Mehmed’s “support” isn’t all that it was cracked up to be. Lada’s story here is a tragic example of expectations vs. reality and her slow realization that she is truly alone in the world, even from those she loves best. Lada wishes to become Prince of her homeland of Wallachia, a nation that has never had a female ruler and has been willing subservient to the Ottomans for decades. She is routinely dismissed by those around her for simply being a girl, and it takes the entire book for her to realize that even those closest to her see and use her this way. And along her own path, she is forced to make choices, betray those she loves, in pursuit of this seemingly impossible goal. Terrible acts are committed all for the good of Wallachia. And what makes her story, and these books, most compelling is the morally grey area these choices always exist within. Lada does terrible things, but in a certain light, she also does incredibly good things. She betrays those around her and is betrayed herself. Routinely, she chooses Wallachia over those who love her and those who claim to love her. She pushes forward with a single-minded determination, dealing out consequences left and right, that both help and hurt her. So, too, she must deal with the fact that Mehmed and Radu are equally single-minded in their own pursuits, and those don’t always align with her own goals.

Radu’s unrequited love for Mehmed is front and center in this book. He has been shunted to the side in Mehmed’s court to serve as a “sleeper agent,” essentially. But this also results in real isolation and distance between the two. And then he is sent in to Constantinople as a spy and things go from bad to worse. The “enemy” is now humanized for him, and while he despises their strange obsession with “signs” and holy artifacts, he also grows to respect Constantine himself, and especially, the young man, Cypiran, who serves as host to Radu and his wife, Nazira. He is forced to double cross and double cross again his friends on both sides of what he is increasingly convinced is nothing more than a war of egos between Mehmed and Constantine.

While Lada, too, makes choices that are hard to read about, she’s also fighting for respect and acknowledgement for her accomplishments, a goal that I can very much understand. She’s also simply a badass character, and has some fun moments between herself and her soldiers that were even comedic. Radu…I struggled with more. His obsession with Mehmed is the epitome of unhealthy, something that Nazira (probably the most likeable and objectively “good” character there is in this book!) is quick to point out in the most strong language. His choices, while understandable for his character, routinely made me want to smack him up the backside of the head. But, all of this said, he is an intriguingly conflicted character. It’s a sign of incredible strength as an author to make a character whom I often very much disliked at the same time read as incredibly interesting and whose story I am still fully invested in.

And Mehmed. As I said, we don’t get a POV for him, but he’s so instrumental to the other two, that we are painted a fairly clear picture. And that picture is: nothing and no one matters except for Constantinople. His obsession is arguably the worst of them all. He uses Lada and Radu in truly unacceptable ways. He claims to love them both, and I believe he probably does, but by the end of this story, to me, he reads as the true villain.

The themes of this book are dark and heart-breaking. Again and again, Lada, Radu, and Mehmed choose impossible dreams over the love of family and friends. Radu abandons Lada in pursuit of Mehmed. Mehmed uses Radu’s feelings for him against him and abandons Lada in the wilderness in pursuit of Constantinople. And Lada sacrifices the goodness and softness in herself to become whom she must to be Prince of Wallachia. Poetic tragedy, conflicted characters, and a stark historic landscape that proves that no one wins when obsessions rule over love and kindness.

This isn’t an easy read, but the writing is incredibly strong, the characters are full fleshed out, and the story is like watching a slow-motion car crash that you can’t look away from. Definitely check this book out if you enjoy books that look at the darker side of history.

Rating 10: Poignant and beautiful, terrible and tragic, a must-read for historical fiction fans.

Reader’s Advisory:

“Now I Rise” is on these Goodreads lists: “Historical Children’s and YA with LGBT characters” and “Diverse YA Retellings.”

Find “Now I Rise” at your library using WorldCat!

 

A Revisit to Fear Street: “The Secret Bedroom”

176577Book: “The Secret Bedroom” (Fear Street #13) by R.L. Stine

Publishing Info: Simon Pulse, September 1991

Where Did I Get This Book: ILL from the library!

Book Description: Lea Carson can’t believe it when her family moves into the creepy, old house on Fear Street. Most creepy of all is the secret room up in the attic.

The room has been locked and boarded up for at least a hundred years. A murder was committed in that room, the story goes, and it has been closed up ever since.

Lea knows she should stay away. But she thinks she hears footsteps inside the secret room. And voices.

Someone—or something—is waiting for Lea in there.

Should she open the door?

Can she resist?

Had I Read It Before: Yes

The Plot: Once again, we are introduced to a new student at Shadyside High. This time it’s a girl named Lea, and I have to wonder about enrollment policy at this school. Are kids just joining willy nilly at any time, or are all these things supposed to be happening on the same timeline? Regardless, Lea makes a splash at her new school in week two where she spills chili on the white sweater of class megabitch Marci Hendryx. After getting a severe tongue lashing from Marci, who goes to clean up, Lea gets in help cleaning up her tray from a cute boy. He says his name is Don, and she says that she’s Lea and she just moved to Fear Street. When Don is, of course, shocked, she explains her parents are the predecessors to “Flip This House” and are going to focus on Fear Street. After some more chit chat, Don asks her out, and Lea is excited and says yes! But when she returns to her seat, her new friend Deena (from “The Wrong Number”!) tells her that Don is Marci’s boyfriend and Lea will catch hell if she goes out with him. Don, you’re a creep.

Lea walks home and thinks about the first time she and her parents entered the house. Their realtor, Mrs. Thomas (Suki’s Mom! I love Suki, so this bitch is tops in my book), told them about a boarded up room in the attic after Lea stumbled upon the locked door. Apparently it was a bedroom, but someone was murdered in their and it’s been shuttered ever since. Um, that should probably have been disclosed before they closed on the house, Mrs. Thomas, but perhaps when selling homes of Fear Street you’re encouraged to leave stuff out. Lea’s parents say they’ll just leave it alone. I bet not.

So now it’s Saturday night and Lea is on the phone with Deena, waiting for Don to pick her up. While giving Lea advice, Deena then has to hang up because her friend Jade has arrived (no word on whether or not she’s still dating her rotten half brother). So Lea waits, and waits, and waits… And Don doesn’t show. She calls his house, and Don’s mom says that he’s out with Marci. Ouch, girl. But instead of accepting that she’s been stood up, Lea decides that the thing to do is… CALL MARCI?????

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Predictably, it doesn’t go well. Marci tells Lea she dared Don to ask her out, and that Don would NEVER go out with her, and that Lea deserves it for hitting on her boyfriend. Yikes. Lea goes to sleep that night convincing herself that Don really DID ask her out, but then chickened out because Marci found out and that he does really like her. As she falls asleep she thinks she hears footsteps in the secret bedroom in the attic.

Monday at school Don approaches her and says he’s really sorry about the date thing and that Marci is jealous. While trying to explain himself, Marci shows up, and he runs off to her like the spineless jellyfish that he is. After lunch, Marci approaches Lea at her locker and tells her that she’s sorry. It was a joke that went too far, and to make it up to her she wants Lea to join the school sorority! How nice! She tells Lea that the next meeting is the next day in room 409. But Lea isn’t a dummy, and tells her that the school only has three floors so there ISN’T a room 409!! Boy, she sure was spared some kind of douchey prank a golf pro might pull off.

That next Saturday after a night of watching movies by herself (as even her parents have a social life), Lea decides to go to bed. But again, she hears footsteps above her in the attic. She goes up to investigate, but finds nothing up there. Yet as soon as she turns out the light, the footsteps start again… in the secret bedroom! She presses her ear against the door and calls inside, but then hears a new sound… the sound of blood flowing from the doorway!!! She freaks out and calls Deena (instead of her parents? I know this is before cell phones but did they not leave an emergency number?) and asks her to come over. Then she calls the police. When Deena arrives they go up to investigate, but they find nothing. So have fun explaining THAT to the cops who show up a few moments later. Lea apologizes, saying she thought she heard something, and after both cop and Deena leave, she tries to go back to sleep… But the sounds start again, louder this time.

At breakfast the next day her parents brush off her concerns. That night Lea is thinking about Don, for some reason that I can’t fathom… Yes I can, I was a teenage girl once. But the noises start up again. This continues for the next few nights, and then it even evolves into a voice! Lea dreams that she goes into the attic, and into the bedroom… and finds Marci in there, right before waking up. Marci is truly a jerk so the stress dreams are understandable.

The next weekend Lea, having been blown off by Deena, is all by her lonesome at home again, and when she hears the sounds this time she’s going to investigate. She hears a voice on the other side of the door, but this time she decides she wants to open the damn thing up. Of course, when she tries, a bunch of iron spikes slam through the wood and almost gore her. I just….. WHAT. They pull back into the secret bedroom, and Lea is left dazed. When the phone rings she almost misses it, but she answers, and it’s DON!! Who wants her to meet him at the mall right away!!! Lea, foolishly, thinks that her time has come, and she rushes in the rain to her car and drives over to meet him. I have no idea where her parents are. When she gets to the mall and to good ol’ Pete’s Pizza, she sees Don… and that he’s sitting across from Marci. Lea, the definition of insanity is to repeat an action expecting a different result. This is you to a t. Don says she should sit with them, but Marci shuts that shit down. Lea, after accidentally knocking into a waitress and making  a scene, returns home.

Given that the house is still empty but the sounds are still happening, Lea storms up the steps to settle this once and for all. This time when she calls through the door, she hear’s a girl’s voice asking her to open it up. Lea complies, prying the boards off with a hammer, and finds a key in the lock. When she walks in, she finds an ornate bedroom with an old fashioned looking girl sitting on the bed. The girl says that she ‘lives’ there, so that means she’s haunting the place because she’s clearly a ghost. A ghost who wants to touch Lea’s hair. Which is a bit too much, and Lea runs out of the room, slamming and locking the door behind her.

The next day Lea convinces herself that it was all a dream, and goes to play tennis with Deena. Deena agrees that it must have been a dream and then tells her that Marci is spreading rumors about her being a floozy. Fun. That night, while her parents are engrossed in a nature show, Lea tries to go to bed early. But the noises start again, and Lea goes upstairs to investigate. She finds the room and the girl again, and realizes that it wasn’t a dream. The ghost says that her name is Catherine, and that while she knows she’s dead it took her awhile to believe and understand it. She says that she was locked in this room because her parents didn’t want the world to know about her, as she was born out of wedlock. When she tried to escape one day, they killed her, and kept her body up there to rot. Lea isn’t convinced, and Catherine gets angry with her AND wants to touch her hair again. Lea runs out and slams her bedroom door, but doesn’t remember if she closed the door to the secret bedroom. She goes back to look, and all seems locked up and okay… But then in her own room Lea’s stuffed tiger’s eyes start to glow red.

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This bodes well. (source)

At school the next week, Lea overhears Marci spreading more lies about her, and wonders just why Marci keeps doing this even though she clearly has her beaten into submission. Well, Lea, it’s because girls like Marci are like a dog with a bone and can’t get enough of torturing you because you have been seen as weak, and weakness is easy to exploit and fun too, if you’re a total sociopath. No, I don’t have personal experience. Lea, however, gets the bright idea to use her new ghost friend (?) to teach Marci a lesson (and I am convinced that Ryan Murphy lifted this for “AHS: Murder House”). When she gets home she goes up the secret bedroom and formally introduces herself. Catherine tells her how much she loves her hair, and that she wishes her blonde tresses were dark like hers. Lea, undaunted, asks Catherine if she will help her scare Marci. Catherine agrees, but starts to press her ghostly essence into Lea, explaining that she’d use all her energy if she traveled on her own, and that she should really just hitch a ride in Lea’s body. Lea is a little weirded out, but convinces herself that it’s a legit request.

Lea goes to Marci’s house to confront her, and Marci tries to slam the door in her face but Catherine (who did leave Lea’s body) prevents that from happening. Lea gets into the house and starts to read Marci the riot act, but then Catherine lifts Marci up in the air and drops her. Marci, now freaked out, runs up the stairs in a panic… and runs right through the railing and plunges to the floor. Oops. Lea calls 911 as Marci’s Mom is screaming and sobbing (this was actually way upsetting, thanks Stine), and when the cops arrive Marci is pronounced dead. An officer drives Lea home, and she feels Catherine re-enter her body. When they get home Catherine returns to her attic room and Lea tries to eat dinner, but just has to confront Catherine about how things went down at Marci’s house. She asks Catherine if she pushed Marci, and Catherine just smiles at her, saying that she did Lea a favor and now Lea has to do one for her. Catherine wants to be inside Lea’s body PERMANENTLY. She tries to possess Lea, but Lea fights her off and runs out of the room screaming for her parents. When she tells them everything, they think that she’s suffering from PTSD because she saw Marci fall. Lea tries to show them the attic door she broke into, but it looks all boarded up, as if never touched. Huh?

A doctor recommends bedrest to Lea. As she’s trying to rest up, suddenly Catherine appears and REALLY flips things on its’ head: she says that she’s been messing with Lea the whole time! Lea never actually went into the secret bedroom, that Catherine was ALWAYS in THIS room and that she just planted those memories. When asked why, Catherine says that that secret bedroom is evil and Catherine boarded it up herself one hundred years prior, and the blood and the spikes were to keep Lea out before she just started planting memories. And now they’re going to share this room AND LEA’S BODY!!! Catherine succeeds in possessing her this time. Holy shit, this is getting real.

A few days later Catherine tells Lea that they have some stuff to take care of. I have a feeling it isn’t running to get paper towels from the store. CLea (as I will be referring to them) pulls a long rope out of the closet, and Catherine tells Lea that they’re going to go make Don Jacobs pay. They end up at Don’s house, and right before CLea can strangle him in cold blood, his friends arrive. Lea is able to fend off the control for a bit, and they make a hasty exit. But Catherine tells her that soon Don will be dead and so will his stupid friends. WHAT DID CORY AND GARY DO? The next day Lea realizes that Catherine has left her body for a bit, and thinks that perhaps the key to her salvation is opening up the secret bedroom. She grabs a hammer and gets to work on the boards, but then Catherine shows up to try and stop her. Lea tells her that she won’t be stopped, and she manages to get into the bedroom…. AND FINDS THE LONG DRIED OUT CORPSES OF CATHERINE’S PARENTS ON THE BED!!!! Catherine manages to possess Lea just then, and then the BODIES GET UP AND START SHUFFLING TOWARDS CLEA! ZombieDad wraps his hands around CLea’s neck, and Catherine leaves her body saying they killed her once and now they want to do it again…. But ZombieMom says that it was CATHERINE who was the murderer, who killed THEM and locked them in the bedroom. Suffice to say, the corpse parents start to circle Catherine faster and faster, and when Catherine reaches to Lea for help (ha, yeah right), one of the corpses LITERALLY rips her hand off and tosses it away. I AM LIVING!!! They ghostly family spins and disappears into nothingness, and Lea, presumably, passes out.

She wakes in the hospital some time later and is told she’s been battling a fever that’s left her in and out of consciousness. But Don has been calling to check on her and Deena has been bringing her school work for her to work on when she gets better. So maybe it was all a dream? When she gets home, she does find the attic door all boarded up, and is thinking that yes, it was all a dream. But the she sees one of Catherine’s hair ribbons on her dresser, and she thinks of Marci and the ghost in the secret bedroom. The end.

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(source)

 

Body Count: 2. Well, technically one with Marci falling to her doom. But I think that I may count Catherine too, since she was kind of taken out again.

Romance Rating: 3. Don is a total wimp when it comes to his girlfriend, but he and Lea could have some potential now that she’s out of the way (sorry, Marci).

Bonkers Rating: 10. This one has a secret bedroom, a ghost, possession, mind alterations, murder, AND skeletons just drying out in an attic. Seriously, it’s crazy.

Fear Street Relevance: 9! Lea living on Fear Street and the ghosts living in an attic in a Fear Street house are exactly the kind of setting these books need to be as good as they can be.

Silliest End of Chapter Cliffhanger:

“Lea was the first to break the silence. “I don’t believe it,” she said, her hands pressed tightly against her face.”

… and then there’s literally nothing there. Though I have to say, this book had some really SOLID cliffhangers.

That’s So Dated! Moments: Lea is watching “Ghost” on her parents VCR. Also, many descriptions of Lea’s bangs. Also, see below….

Best Quote:

“Patrick Swayze is a real babe, she thought, stretching sleepily. He can come haunt me any time.”

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Ditto, Lea. Ditto. (source)

YEP, this one was a really fun and great read. It’s right up there with “Missing” in terms of “Fear Street” faves. The next one up is “The Knife”, and the cover alone makes me think it’s going to be a journey.

Serena’s Review: “Scythe”

28954189Book: “Scythe” by Neil Shusterman

Publishing Info: Simon & Schuster Books for Young Readers, November 2016

Where Did I Get this Book: Giveaway from ALA 2017!

Book Description: Thou shalt kill.

A world with no hunger, no disease, no war, no misery. Humanity has conquered all those things, and has even conquered death. Now scythes are the only ones who can end life—and they are commanded to do so, in order to keep the size of the population under control.

Citra and Rowan are chosen to apprentice to a scythe—a role that neither wants. These teens must master the “art” of taking life, knowing that the consequence of failure could mean losing their own.

Review: Confession: I had never really heard of Neal Shusterman before attending the YA Coffee Klatch at ALA with Kate and hearing her get excited cuz apparently he’s a big deal. So big miss for me! What’s worse is the day before I had walked by a line where he was signing this book and passed it up, not knowing who he was! But after hearing from Kate that he was quite good and hearing his own synopsis for “Scythe” when he came around our table, I tool the time to seek out a copy of his book later that day. Alas, no signature, but these are the trials.

Shusterman described his book as growing from the question “What would happen if the world solved all of its problems? What would people do in a true Utopia?” “Scythe” is his answer to that question. There are so many interesting concepts presented in this book that I don’t even know where to start!

First off, the basic premise of the story is incredibly original and ripe for exploration. Immortality has been reached, but for reasons only briefly touched upon in this book, space exploration was a failure, so humanity is stuck with the world it has. This being the case, overpopulation is a real concern. To solve this problem, the Scythe organization came into existence. Their task is to randomly (emphasis on random) cull the population by killing a certain number of people per year. The family of this person is then granted immunity from culling for the next year. There are so many interesting ideas packed into this seemingly straightforward concept that I can’t begin to cover them all: the methods by which Scythes choose their victims, the methods by which they kill them, the combination of hero worship and fear they inspire in the population, the punishment for defying being chosen to die, and the fact that the odds are incredibly low that you will be chosen, though Scythes are a visible presence in the world. So much great stuff!

As mentioned in the synopsis, the central conflict of the story revolves around our two protagonists, Citra and Rowan who have both been chosen to be apprentices to a Scythe. The story alternates between these two and each character was well-drawn and presented a unique reason for why they were selected and how they approach the challenges of killing people for a living. Essentially, neither wanted the job, and that’s why they have it. Through their eyes, the layers of the Scythedom are peeled away and we begin to see that for all of its advancement, when left to their own devices for long enough, even the most well-intentioned organization begins to grow rot. There are deviations and factions of the Scythedom, all fighting for control and to shape the direction of the future. Should Scythes remain on the periphery of society, chosen for their distaste of their work but equipped with a strong sense of moral obligation? Or should a “new guard” take over, one that relishes in its task and in the glory that is allowed to all Scythes?

All of this and I still haven’t touched on half of the creative and unique world-building aspects of this book. There is the Thunderhead, a rare example of a benign A.I., that essentially runs society. There’s Rowan’s friend who loves “splatting,” jumping off high places only to inevitably be brought back to life each time. There’s Citra’s and Rowan’s training, and there are the well-drawn Scythe elders who alternatively take them under their wing, or force them forward down paths they wish not to tread. Throughout it all, Citra and Rowan form a tenuous alliance, each experiencing very different paths through their year of apprenticeship. The final act was tension filled, and I was on the edge of my seat waiting to see how the many conflicts laid out throughout the story would be wrapped up. The end was satisfying, but did its job and left me all too eager for the next!

I honestly can’t say enough good things about this book. It’s been a long time since I’ve read a story that was so totally engrossing, perfectly balancing an action-packed plot, complicated characters with clear story arcs, and fully realized world-building. Definitely check this one out of you are interested in sci-fi or dystopian fiction!

Rating 9: One of the most unique and creative reads of the year so far!

Reader’s Advisory:

“Scythe” is on these Goodreads lists: “Fiction Books About Grief, Death and Loss” and “Grim Reaper Books.”

Find “Scythe” at your library using WorldCat

 

 

Serena’s Review & Giveaway: “The Waking Land”

32671619Book: “The Waking Land” by Callie Bates

Publishing Info: Del Rey Books, June 2017

Where Did I Get this Book: ARC giveaway from Goodreads & ARC NetGalley e-book

Book Description: Lady Elanna Valtai is fiercely devoted to the King who raised her like a daughter. But when he dies under mysterious circumstances, Elanna is accused of his murder and must flee for her life.

Returning to the homeland of magical legends she has forsaken, Elanna is forced to reckon with her despised, estranged father, branded a traitor long ago. Feeling a strange, deep connection to the natural world, she also must face the truth about the forces she has always denied or disdained as superstition powers that suddenly stir within her.

But an all-too-human threat is drawing near, determined to exact vengeance. Now Elanna has no choice but to lead a rebellion against the kingdom to which she once gave her allegiance. Trapped between divided loyalties, she must summon the courage to confront a destiny that could tear her apart.

Review: First off, thank you to the publisher and Goodreads for providing me this book through a give away! I also read a portion of it through an e-book ARC provided by NetGalley. You know, cuz I need to be able to read the book at ANY GIVEN MOMENT and thus need copies available in every format.

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(source)

Anywho! On to the review! Beyond the beautiful cover (yes, I do judge a book by its cover when it suits me, thank you very much), I was instantly intrigued after reading the story synopsis. It sounded like an appealing mix of political intrigue, manners and etiquette, and, of course, magic. And while it was all of those things, there were a few stumbling blocks along the way.

First off, the political intrigue. It became very clear early in the book that the author was drawing inspiration from the Jacobite rebellion between Scotland and England to create the history and heart of the conflict in her story. There are two countries occupying an island nation, one has been overthrown in recent history, but still hopes to put their own choice leader on the thrown and regain independence for their portion of the country. Obviously, there’s much more to it than this, but at its core, it’s fairly straightforward. I was very pleased with this portion of the story. It was interesting finding similar threads to real history sprinkled within this fantasy novel, especially when those threads diverged from the path with which we are familiar.

Bates clearly had a lot of world building she was trying to pack in this novel. Beyond these tie-ins to the Jacobite rebellion, there’s a complicated history that goes back centuries before it, involving not only these two nations, but another powerful nation who had conquered the entire region at one point and then retreated again.  Detailed histories likes this make a story interesting, but they also present a challenge to authors. All too often books end up with large info-dumps presenting all of these details, which no one loves. But here, we saw the opposite side of the coin. I was a good 150 pages into this story and was still trying to work out the timeline of who conquered who when and why. At a certain point, it was so frustrating that I simply gave up trying to understand. I hesitate to recommend more info dumping, but in circumstances like this, it’s probably the better option than sprinkling in details throughout a long-ish book where much of the plot revolves around the political implications of this history and readers end up just confused.

I did love the magical set up that was brought into the story. Sure there was the cool magic that Elanna was able to create, but the more interesting part was, again, the detailed framework and history behind her power. Not only are her powers needed for the rebellion, but the symbol that she represents as a corner of the tri-part governing force that traditionally ruled the land is highly motivating to the people.

I had mixed feelings with regards to Elanna herself. Her history (the stolen child of a failed rebel leader being held to keep the other side in check) is one that sets her up to have many conflicting feelings and views of those around her. Things like family, friendship, and even national loyalty are all tied together in knots. She feels abandoned by one family, guilty for developing attachments to her captors, questions everyone’s motives around her, questions her own loyalties. Much of this was very interesting and created a rich character arc for her to travel. Unfortunately, all too often she would perform complete 180s on a dime with very little explanation for why she changed her mind. She hates her father! She’ll join her father in this rebellion! Also, while the stress and frustration that would arise from her situation is understandable, at times she read as very unlikable and immature. I never could quite decide how I felt about her. Ultimately, I think I was more invested in the story that she was living than in her as a character on her own.

So there are my thoughts! To be summed up, I was very conflicted with this book. It had true moments of brilliance with a unique and complicated history, both political and magical, and the main character also had flashes of greatness. But I was also all too often confused by the same history and frustrated with Elanna herself. I would still likely recommend this book to readers who enjoy historical “fantasy of manners” type books based on its strengths. Want to judge for yourself? Enter our giveaway to receive an ARC of this book!

Enter to win an ARC of ‘The Waking Land!”

Rating 6: Had so many things going on (complicated history, complicated characters) that it didn’t quite manage to fully flesh it all out.

Reader’s Advisory:

“The Waking Land” is new and isn’t included on any relevant Goodreads lists, but it should be on “Fantasy of Manners” and “Best Books Containing Elemental Powers.”

Find “The Waking Land” at your library using WorldCat!

Kate’s Reviews: “When I Am Through With You”

32957193Book: “When I Am Through With You” by Stephanie Kuehn

Publishing Info: Dutton Books for Young Readers, August 1st, 2017

Where Did I Get This Book: I received an ARC at ALA thanks to the publisher.

Book Description: “This isn’t meant to be a confession. Not in any spiritual sense of the word. Yes, I’m in jail at the moment. I imagine I’ll be here for a long time, considering. But I’m not writing this down for absolution and I’m not seeking forgiveness, not even from myself. Because I’m not sorry for what I did to Rose. I’m just not. Not for any of it.”

Ben Gibson is many things, but he’s not sorry and he’s not a liar. He will tell you exactly about what happened on what started as a simple school camping trip in the mountains. About who lived and who died. About who killed and who had the best of intentions. But he’s going to tell you in his own time. Because after what happened on that mountain, time is the one thing he has plenty of. 

Review: I am always on the lookout for well done and legitimately suspenseful YA thriller fiction. While sometimes it’s well written and holds my attention, there are other times that the characters are too trope-ridden and the plot is too spoonfed to the reader, as if teens couldn’t possibly stomach a bit of nuance once in awhile. This is why I thank my lucky stars for Stephanie Kuehn, as she is one of the consistently shining stars of the genre when it comes to writing it for teens. I have loved her ever since I read her book “Charm and Strange”, and every book she’s written since has pleased me and sated my need for cerebral and dark themes with complex and damaged characters. Because boy, do I LOVE complex and damaged characters, and no I’m not sorry about it.

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Case in point, my longtime obsession with Bobby Briggs from “Twin Peaks”, who demonstrates how resigned I am to my tastes. (source)

Our complex and damaged character this time is Ben Gibson, a migraine-riddled teen who lives with an addict mother who resents him and has no hope of ever leaving his small California town. True, he has a girlfriend named Rose, but she is a bit manipulative and has big dreams of college, and a life that’s on the other side of the tracks. Ben is our narrator, and while he does sort of fit the mold of unreliable, he also is incredibly honest, so the reader is left not sure if what he’s saying is true, but knows he believes that it is. While Ben has accepted that his life is pretty much going to be stuck park and not deviate from it’s current path, he still tries to make those around him happy, even if it’s to his detriment. Be it trying to please Rose, or striking a deal with his teacher Mr. Howe to become a wilderness guide for a modest fee so that he can support his mother, Ben is both a doormat and a knight in shining armor for those who don’t want saving. Kuehn slowly peels back the layers to show just why Ben is like this, and his added dimensions and complexity make him all the more interesting, and yet slightly uncomfortable, to follow.

The wilderness survival story also went above and beyond expectations. I had expected one way that it was going to go, but then it went in a whole different way than I anticipated. I don’t want to give much away, but I will say that Kuehn doesn’t pull her punches when it comes to portraying a bunch of multi-faceted, and pretty realistic, teenagers who make trouble for themselves and don’t know how to react when it blows up in their faces. The group is filled with a few different tropes, the artsy and mysterious girl, the troublemakers, the emo snob (who also happens to be Rose’s twin brother), the sporty girl, but while they all have their niches to fill, Kuehn gives all of them their due and fleshes most of them out. It would be easy to keep them in the lines of their various stereotypes, but instead we kind of get to see the perspectives of a good number of them and that makes them a bit messier and also sympathetic to a degree. Along with being unafraid to try and draw complexity from these kids, Kuehn is also unafraid to be frank and honest in depictions of violence and sexuality. The violence and the consequences of the violence are upsetting and appropriately gory, but it never feels like it’s being written just for the sake of shocking the reader. She seamlessly walks the line between exploitative and realistic, and while some of it made me cringe, it wasn’t because I felt like a voyeur to something gross. She also does a good job of portraying sex and sexuality in a number of ways, from a couple of momentary sex scenes to brief portrayals of fleeting intimacy between lovers. I know that some people would probably be uncomfortable with the sex in this book, and while even I was like ‘whoa’ during one scene in particular, I think that Kuehn clearly gives her readers credit and thinks that they can handle it. If they can handle the violence, they can certainly handle the sex.

I think that for me the one problem I was was a final twist that didn’t feel like it really fit in too well. I understood the thought behind it and while it was set up pretty well, ultimately I didn’t really feel that it added much to the story overall. But given that everything else was so well done I wasn’t too upset about it, and was far more willing to accept it.

And it wouldn’t be a Stephanie Kuehn book if there wasn’t a whole lot of tragedy. I just want to put that out there because 1) fair warning, and 2) I love that Kuehn is more than willing to pile it on, and does so in a way that never feels melodramatic. I love melodrama, but the fact that this ISN’T melodrama makes it all the more tragic.

If you haven’t already picked up books by Stephanie Kuehn, “When I Am Through With You” would be a good place to start. If you like dark and suspenseful, and super honest, thrillers, I implore you to check out her entire body of work. You will not be disappointed.

Rating 8: Kuehn once again delivers a dark and suspenseful book that takes the YA genre above and beyond the usual expectations.

Reader’s Advisory

“When I Am Through With You” is new and isn’t on many relevant lists yet, but I think that it would fit in on “Books About Survival”, and “Best Wilderness Survival Books”.

Find “When I Am Through With You” at your library using WorldCat!