Book Club Review: “Eliza and Her Monsters”

31931941We are part of a group of librarian friends who have had an ongoing bookclub running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is a “Dewey Call Number” theme. This book comes from a Dewey Decimal Call Number range, and has to fit the theme of that range.

For this blog, we will post a joint review of each book we read for bookclub. We’ll also post the next book coming up in bookclub. So feel free to read along with us or use our book selections and questions in your own bookclub!

Book: “Eliza and Her Monsters” by Francesca Zappia

Publishing Info: Greenwillow Books, May 2017

Where Did We Get This Book: The library!

Dewey Decimal Call Number: 800s (Literature, Writing)

Book Description: Her story is a phenomenon. Her life is a disaster.

In the real world, Eliza Mirk is shy, weird, and friendless. Online, she’s LadyConstellation, the anonymous creator of the wildly popular webcomic Monstrous Sea. Eliza can’t imagine enjoying the real world as much as she loves the online one, and she has no desire to try.

Then Wallace Warland, Monstrous Sea’s biggest fanfiction writer, transfers to her school. Wallace thinks Eliza is just another fan, and as he draws her out of her shell, she begins to wonder if a life offline might be worthwhile.

But when Eliza’s secret is accidentally shared with the world, everything she’s built—her story, her relationship with Wallace, and even her sanity—begins to fall apart. 

Kate’s Thoughts

My high school years were during the time before social media really became a huge thing. My parents had Internet, but it was a dial up connection that we could only use if we weren’t expecting or planning to make any pertinent phone calls. And honestly, I’m so relieved that the Internet wasn’t the big social zone that it is now, for regular people as well as celebrities. I think that teenage Kate would have both loved living a lot of her life online, but I also think that it would have been isolating in its own way (and given that I was bullied a fair amount, it probably would have opened up a huge target on my back from my peers). And that is where “Eliza and Her Monsters” comes in. As a teenager who suffered from social anxiety and depression, I saw a bit of me in Eliza, our main character who has found the online world to be more comforting than the real world. And as someone who has written some fanfiction in her life (and was a vaguely well known author in a niche fandom at one point, though I’m not telling which), the ups and downs of online artistry also spoke to me. But the core of Eliza herself, and how she interacted with those around her, didn’t do as much for me as one might think that it would.

But I want to start with what I liked here. I thought that Eliza’s social anxieties were pretty spot on in terms of characterization. Without really outwardly saying that she was suffering from it, you get a slow and well painted picture of what Eliza’s insecurities are like, how they hinder her, and how she tries to cope with them. It was refreshing to see this character portrayed in a realistic and honest way, and that while it was understandable that she would act in various ways, she wasn’t totally let off the hook when she was being a jerk to those around her. I also really liked that this book brings up the philosophical question of ‘what do artists owe their fans?’. Sure, this is something that has been going on for a long time, but with the advent of social media, now fans can not only interact with each other, but they now have the opportunity to address and interact with their favorite creators in a more direct way. And while this is great in lots of ways, in other ways, sometimes lines are crossed and fan entitlement gets a bit out of hand. From the “Song of Ice and Fire” fandom to the “Harry Potter” fandom to the wonderful world of comics across the board, sometimes healthy and relevant critiques of topics turn into “YOU OWE US THIS.” This book allows us to see that from the creator’s POV through Eliza and one of her favorite authors, and it’s a great way to raise these questions and get the reader to think about them.

But there were other things about this book that frustrated me. Mainly, I didn’t really care for Eliza, as relatable and realistic as she was. I think that seeing it from the perspective of an adult who had to tramp through that swamp of teen angst and came out on the other side, a lot of me was saying “goddammit, suck it up.” Teen Kate would have TOTALLY loved Eliza though, and given that this is, ultimately, written with teens in mind, I think that she probably works well. I also was a bit frustrated with her relationship with Wallace, if only because I felt like there were some things that she did that were SO manipulative and she never really was taken to task for it. I didn’t really like what it said about acceptable things in teen relationships.

Overall, I liked how “Eliza and Her Monsters” approached fandom, artistry, and teenage mental illness. I wish that I had liked the protagonist more, but hey, you can’t have everything.

Serena’s Thoughts

As Kate has lain out so nicely, my evaluation of the strengths and weaknesses of this book is pretty similar. I don’t have the personal experience of existing as a creator on an online platform, but I follow various fandoms online fairly avidly and have witnessed first hand the strength in community that these groups can bring, as well as the viscous cycle of entitlement and possession that can also be on display at times. In these ways, I think this book is very much speaking to an ongoing struggle in today’s teens’ lives that I, like Kate, never had to deal with.

Like Kate, I was never part of the popular crowd in highschool. I wasn’t the most bullied either, and instead existed somewhere in the probably lucky “no one cares” zone of being unnoticed. I also had no other “version” of life or a representation of my life that I had to maintain, like today’s teens who must carefully navigate and manage not only their day-to-day activities, but also the version of themselves that exists online. Eliza, uncomfortable and shy in real life, has found a niche for herself online. But no social sphere comes without its own strings.

I very much enjoyed the exploration of creativity on an online platform. Eliza is both safely at a distance from those who interact with her online (one of the appeals of her online persona), but is also exposed and at the mercy of those same fans. No longer do fans need to write a letter and mail it in to an author who may or may not even look at their fan mail. Creators online are exposed across so many formats to the visceral reactions of the same fans whose admiration and appreciation they are hoping to garner. I think one of the best representations of the push/pull relationship of this kind is Bo Burnham’s raw, and almost tragic, song “Can’t Handle This.”

But, in general, I read books for the characters, so as much as I loved the themes that were tackled in this story, I had a similar hang up with Eliza as Kate did. I think Kate hit it on the nose when she mentioned the fact that she and I are reading this having come out on the other side of that hellish tunnel called “highschool.” Many years (yikes!) distanced from these same struggles, they begin to lose their edge. This is good, but it also presents a reality check when reading books like these. I don’t want to dismiss these problems as “just highschool stuff, get ready for REAL life, kids!” But…I’m still a 30 something woman reading this and that’s what I felt. So with that perspective, maybe there’s nothing wrong with this character for highschoolers themselves, and it’s probably touching on many relatable challenges. But there are many YA stories out there that present the challenges of their young protagonists in ways that are more approachable and sympathetic to their adult readers as well than this one did, which is a legitimate mark against it.

Kate’s Rating 7: This book brings up a lot of good questions about artistry and creativity, the relationship artists have with their fans, and mental illness, but I was put off by Eliza, as relatable as she could be at times.

Serena’s Rating 6: Many great themes are discussed, but the protagonist wasn’t as widely relatable as she could be to readers beyond highschool themselves. And as a reader who goes in mostly for characters, this put a pretty big dent in my enjoyment of the book.

Book Club Questions

  1. What did you think of Eliza as a main character? Did you find her to be relatable and/or likable?
  2. Have you ever had a friend you met online, or know solely from online interaction? What do you think about the claim that online friends aren’t ‘real’ friends?
  3. Eliza has a complex relationship with the fans of her work. What do you think an artist owes their fans when it comes to content production, or characterization? Do they owe their fans anything?
  4. Eliza has a contentious relationship with her parents. What did you think of how they all interacted with each other? What could they have done differently?
  5. Have you ever followed an online work that is posted occasionally like “Monstrous Sea”? What was it? Is it still going on? If not, how did it end?

Reader’s Advisory

“Eliza and Her Monsters” is included on the Goodreads lists “YA Fiction Featuring Fangirls, Fanboys, or General Fandom”, and “YA Nerd/Geek Books”.

Find “Eliza and Her Monsters” at your library using WorldCat!

Next Book Club Book: “Every You, Every Me” by David Levithan

Kate’s Review: “The Town Built On Sorrow”

34773852Book: “The Town Built on Sorrow” by David Oppegaard

Publishing Info: Flux, September 2017

Where Did I Get This Book: I received an ARC from NetGalley in exchange for an honest review.

Book Description: Welcome to the strange mountain foothills town of Hawthorn, where sixteen-year-old Harper Spurling finds herself increasingly obsessed with the diary of a local 1860s pioneer girl while a serial killer runs unchecked through the area, dumping his victims into the town’s dark river. As Harper’s curiosity leads her closer and closer to the killer, she’ll have to think fast or join the killer’s growing list of victims. Because in Hawthorn, a town built on sorrow, the barrier between life and death is as fragile as an old, forgotten skull.

Review: First and foremost I’d like to give a huge thank you to both NetGalley, for providing me with this book, and David Oppegaard, whose FB post pointed me towards the book on NetGalley in the first place.

We are officially kicking off Horrorpalooza, in which I try and keep my focus (mostly) on horror/scary stories for the month of October! October is my very favorite month because of Halloween, and I intend to honor it with tales to chill your bones and give you nightmares! So let’s begin!

A few years ago I took a horror writing class at a local writing workshop in downtown Minneapolis. My teacher was a man named David Oppegaard, who also happened to be a friend of a friend. Not only did I enjoy his class immensely, I still see David at Halloween and Christmas parties each year, in which we stand over various punch bowls and talk about any and all things. David has written a few books, his previous book “The Firebug of Balrog County” a Minnesota Book Award Nominee (and one that I quite enjoyed). While that one was more realistic/contemporary teen fiction, his newest book “The Town Built on Sorrow” is straight up horror/thriller, with a little historical fiction thrown in for good measure. It’s a combination that works pretty well, and sets up for a dreamy and atmospheric setting.

We follow the storylines of three characters. The first is Harper, an ambitious and driven high school girl living in the small town of Hawthorn. She has been obsessing over the diary of a pioneer girl who was part of the settling party of the town in the 1800s, named Sofie Helle. Right off the bat I thought this was pretty unique, as what YA novels as of late have shown their lady protagonists having a healthy interest in history? Perhaps there are some, but I haven’t read them. The second is Olav, an outsider from his peers at the high school is is also, spoiler alert but not really, a serial killer. The third is Sofie Helle herself, through not only her diary, but also flashbacks to see what the diary never did. Of the three, I probably liked Harper’s the most, just because she did feel like a pretty typical teenage girl, and her interests were of interest to me. And since we know that Olav is bad news, it was rife with tension when we saw her slowly getting to know him and becoming attracted to him. I really liked that aspect of the story, as the suspense about her wellbeing would teeter towards unbearable. I also liked the Sofie story, as the dangers and horrors of the prairie to the untrained interloper can have dire consequences. Right out of the gate a baby is taken and eaten by a wolf, which really got my attention. You know from the get go that Hawthorn is going to have a dark pall over it, and darkness is indeed oozing off the page. It’s definitely a dark, dark book, as death is always just within striking distance, and watching it slowly circle Harper in the form of Olav is distressing. And then when a strange dark form appears in a dark room part way through the book, well, the gothic tension just shuddered and oozed off of the page, and damn was it effective. The blend of real life horror and supernatural horror works well here, and I almost always imagined Hawthorn with a dense fog because of how Oppegaard builds it in the reader’s mind.

But while the atmospheric notes are tight and on point, the characters themselves, likable as some were, kind of fell a bit flat for me. I liked Harper enough but she didn’t really stand out too much outside of her interest in history. Olav gave me the creeps to be sure, but it was definitely rooted in his actions and not in who he was as a person. Sofie, too, is likable enough, but there was little connection to her for me and little investment in what exactly did happen to her. I suppose that I was worried for Harper as I read the book, but only because you are supposed to be.

So while the characters themselves didn’t do much for me, Hawthorn the town was enough of a character in and of itself that the chills there made up for it. I think that “The Town Built on Sorrow” would be the perfect read for a chilly autumn night this Halloween season. So wrap yourself in a blanket, pick it up, and if you live in small town setting or in a place with forest and nature surrounding you, maybe try not to get too freaked out as you read it. I’m sure come Halloween I will get to talk to David about this story, and I know that I will definitely give him props for Hawthorn and it’s demons.

Rating 7: Tense and atmospheric, “The Town Built on Sorrow” weaves three stories together over two time periods. While the characters were kind of flat, the setting was eerie and unsettling.

Reader’s Advisory:

“The Town Built on Sorrow” is new and not on many Goodreads lists as of yet. I think that it would fit in on “Small Towns with Secrets”, and “Epistolary Fiction”.

Find “The Town Build on Sorrow” at your library using WorldCat!

Serena’s Review: “The Sweet, Far Thing”

While I make an effort to complete most books I read, every once in a while I come upon one  that I just can’t get through. When I find myself repeatedly putting down a book to the point that attempting to finish it is taking up weeks of my time, I sometimes come to the conclusion that a book is a book, not a life and death contract to read until completion. There are too many books in the world that I will never get to to spends days on end trying to finish a book that I already know will not be my cup of tea.

127459Book: “The Sweet, Far Thing” by Libba Bray

Publishing Info: Delacorte Press, December 2007

Where Did I Get this Book: audiobook from the library!

Book Description: It has been a year of change since Gemma Doyle arrived at the foreboding Spence Academy. Her mother murdered, her father a laudanum addict, Gemma has relied on an unsuspected strength and has discovered an ability to travel to an enchanted world called the realms, where dark magic runs wild. Despite certain peril, Gemma has bound the magic to herself and forged unlikely new alliances.

Now, as Gemma approaches her London debut, the time has come to test these bonds. The Order – the mysterious group her mother was once part of – is grappling for control of the realms, as is the Rakshana. Spence’s burned East Wing is being rebuilt, but why now? Gemma and her friends see Pippa, but she is not the same. And their friendship faces its gravest trial as Gemma must decide once and for all what role she is meant for.

Previously Reviewed: “A Great and Terrible Beauty” and “Rebel Angels”

Review: As I said above, I try to push through most books, and those I can’t, I often choose not to review on this blog. After all, I rarely have much positive to say about the experience (and we do try to include positives in most of our reviews, even for lower rated ones), and…I didn’t finish the book! Can I really accurately speak to the book as a whole in a review? But since I’ve reviewed the previous two books in this trilogy, I didn’t want to leave the series hanging without a conclusion to my thoughts. So here they are.

The thing I most enjoyed about the first book was the juxtaposition of these young girls growing up in a very prim, restrained Victorian boarding school against a wild and mysterious magical backdrop made up of an organization of powerful women who have operated behind the scenes throughout history. Gemma and her friends are challenged to re-think their position in society, their own abilities, and the way they relate to each other and those around them. The magical world was unique and by no means “fluffy,” full of lurking danger and unknowns. By the end of the story, our main characters had learned that they did know all that much in the grand scheme of things, and perhaps there were more important things out there than petty, girl fights. They had lost a friend, discovered a new enemy, and seemingly grown closer, knowing that together they must face the challenges ahead.

The second book squandered all of this excellent set up, dialing back any growth the characters had gone through in the first book, making their decisions and thought processes confusing and frustrating. They still focused on the silly, bickered as if they had learned nothing, casually dismissed warnings, knowing full well the major consequences this type of behavior had lead to before, and generally behaved as if the first book had not happened, other than knowing that magic existed. Beyond this, the author introduced a terrible love triangle and some truly problematic scenes about consent.

So, with this second book as an example, I did not have high hopes going into the third. My only reassurance was that, after the events of the second book which were even more dire and traumatic than the first, there was no way that the author couldn’t address the growth and new outlook on the world that Gemma, Felicity and Anne must now have gained. How wrong I was.

I made it about a third of the way into the book before realizing that nothing had changed. Absolutely nothing. The girls were still caught up in petty nonsense, made decisions that made no sense, and behaved as if nothing had happened in the previous two books now that would influence the choices they made going forward. The author actively walked back on all progress that had been made in book two. I quickly realized that I was simply reading the same book over again.

Pippa was turning to the dark side? Nope, she’s still just there in the Realms, hanging out and making Gemma feel guilty for a decision that Pippa made herself back in book one. Gemma had decided to share the magic with everyone in the Realms? Nope, best to re-debate that decision AGAIN for huge chucks of this book,too. Kartik had decided to support Gemma and the girls? Nope, he’s distancing himself again and, of course, won’t tell Gemma why. Learned that when others much more experienced with the Realms warn you about something then you should really listen? Nope, Gemma will stop listening to others (when did she ever??) and maker her own choices!

It was truly incredible how neatly and quickly the author pulled back any and all progress that had been made in the last book and quickly seemed to start re-writing that book all over again. It was inexplicable to me. That last point, where Gemma once again refused to listen to warnings given to her by those in the Realms, was the point where I put down the book. Gemma does not read as a real person, or at least not one whom I could have any respect for at that point. Somehow she had learned nothing, and I’m not interested in reading another 700 pages about a character who is nothing more than a device for the author to indulge herself in a writing exercise that badly needed an editor.

I can’t speak to the end of the novel, but I’ve read a few reviews that further justify my decision to set it down. I won’t speak to these ending issues, as I didn’t technically get to them myself, but it doesn’t surprise me that the author ended up scrambling to pull things together and then missed the mark. How can you end a story when you haven’t really told a story? A story involves characters who learn, grown, and come out the other side as different people than they went in. That just didn’t happen in this trilogy.

Bray is an author with ideas, but she couldn’t write a single character arc for any of these girls. In a stand alone book (or the first in a series, like in this case), limited abilities with characterization might be passable. But it’s unacceptable for a trilogy. I’m having a hard time thinking of another trilogy that started as promising and then plummeted so steadily over the next two books.

Kate read only the first book in this series and liked it, as did I. For those out there in the same boat? Just stop there. Turns out you’ve already read books two and three as well in one go! Why waste the time re-reading that one again for another 1400 pages?

Rating: DNF

Reader’s Advisory:

“The Sweet, Far Thing” is included on these Goodreads lists “Thickest Books Ever” and “Worst Ending.” Yes, I know those are negative lists, but that’s how I feel about this book and others seem to agree.

Find “The Sweet, Far Thing” at your library using Worldcat!

 

Kate’s Review: “There’s Someone Inside Your House”

15797848Book: “There’s Someone Inside Your House” by Stephanie Perkins

Publishing Info: Dutton Books for Young Readers, September 2017

Where Did I Get This Book: I received an ARC of it from the publisher at ALA.

Book Description: Scream meets YA in this hotly-anticipated new novel from the bestselling author of Anna and the French Kiss.

One-by-one, the students of Osborne High are dying in a series of gruesome murders, each with increasing and grotesque flair. As the terror grows closer and the hunt intensifies for the killer, the dark secrets among them must finally be confronted.

International bestselling author Stephanie Perkins returns with a fresh take on the classic teen slasher story that’s fun, quick-witted, and completely impossible to put down.

Review: We’re nearing the end of September, guys, which means that October is just around the corner! For me, that means HORRORPALOOZA is on the way, in which my reading tastes gravitate towards all horror, all the time. I had to get a little taste of that before the calendar turned over, though, as I just couldn’t wait to pick up “There’s Someone Inside Your House” any longer. So I don’t know if it was the waiting and the hype that I built up in my head for it, but I’m wondering if waiting was a mistake. because while there were definitely things I enjoyed about this book, it was something of a let down.

I’ll start with what I did like, though. “There’s Someone Inside Your House” has had comparisons to “Scream”, one of my favorite slasher movies of all time because of how it cheekily deconstructs the tropes and tricks of the slasher genre. While I was reading this book, I one hundred percent could see it in my mind’s eye as a film. It has the right amount of characters, it has the right dynamic for the group that we follow, and it has so many visual moments in it that would translate very well to a movie screen. I also enjoyed Makani, our protagonist and surmised ‘final girl’, as of course this book would need one to play to genre type. She is a fish out of water, but not in the ways we may be used to seeing. Not only has she moved to small town Nebraska from freakin’ Hawai’i (I can totally get her bitterness), she is also a biracial girl living in a town with a majority of white people. Being half black and half native Hawaiian means she gets a lot of ‘but where are you from really?’ questions, and this book deals with that openly and frankly, which is very important. She does, of course, have a dark secret in her past that she fears getting out, and while I was rolling my eyes at this cliche when it was revealed what had happened, I was actually at peace with it, as it wasn’t too melodramatic, yet she also did have legitimate things to be sorry for while having reason to be hurting and traumatized. From characters who are POC to LGBTQIA to socioeconomically different, I feel like Perkins was committed to exploring diversity for this story when other authors may have not bothered.

The slasher killer plot line (so, the main plot line) had some issues that I couldn’t quite wrap my head around. I give props in that while Perkins starts out making us wonder who the killer is (mainly is it Ollie, Makani’s brooding but sensitive love interest), once it is revealed who they are, there are no more questions or twists, or suppositions of coming twists. It was who it was, and that was that. But once it was revealed WHY the killer was doing what they were doing, this book kind of lost me. It’s one thing if you are doing it because you’re a supernatural being that is taking revenge for your deserved but untimely murder (“Nightmare on Elm Street”), or because camp counselors weren’t paying attention and you drowned (“Friday the 13th), or because you’re just one big metaphor for Evil (“Halloween”). Even in “Scream” the trauma of parental abandonment mixed with the need to be famous/notorious worked out as a solid motive. But in this one it’s just so…. not that, and without more background to the killer I couldn’t and wouldn’t swallow it so easily. On top of that, each teenager killed by this person has something cut off and taken away, and it seemed like it was going to build up to one big gross reveal of just what was happening with these absconded body parts…… But then nah, the pomp and dramatics were all for naught, it was maybe just because reasons (note, I will admit that perhaps I’m wrong on this, as when I start getting near the end of a tense book I sometimes inadvertently skim in my anxiety).

While there were a few hang ups I had with “There’s Someone Inside Your House”, I do think that it’s a quick, simple, and totally appropriate book for the upcoming Halloween season. Teens that are craving horror but maybe aren’t feeling something a but denser and darker will probably find a lot to like here, and anything that nurtures kids and teens loves of horror gets props from me.

Rating 6: The characters were fine and I liked the diversity. While the identity of the killer wasn’t drawn out or too twisty turny, the motivation and MO felt flimsy at best.

Reader’s Advisory:

“There’s Someone Inside Your House” is included on the Goodreads lists “Teen Screams”, and “2017 YA Books With LGBT Themes”.

Find “There’s Someone Inside Your House” at your library using WorldCat!

A Revisit to Fear Street: “The Best Friend”

842655Book: “The Best Friend” (Fear Street #17) by R.L. Stine

Publishing Info: Pocket Books, 1992

Where Did I Get This Book: ILL fromhe library!

Book Description: Best friends…to the end!

Who is Honey Perkins? She’s been telling everyone in Shadyside that she’s Becka Norwood’s best friend. But Becka’s sure she’s never met Honey before.

Honey systematically moves in on Becka’s life, copying her in every way. But when Becka presumes to have more than one “best friend,” the horrible accidents begin.

Does Honey just want a friend? Becka wonders. Or does she want more—much more!

Had I Read It Before: No

The Plot: The Fear Street Protagonist in this book is Becka, whom we meet while she’s on a date with her snooze of a boyfriend Eric. They’re sitting in his car and she’s working up the nerve to dump him because he’s such a dud, and because he’s really handsy and she’s not too comfortable with it. She finally tells him it’s over, and he says that it’s okay as he tries to keep it together. He takes her home, and says that he’ll see her in school. Becka decides to drive around for a bit to clear her head, and then proceeds to crash into another car.

The next day she’s hanging out in her room with her BFFs Lilah and Trish, telling her about the very minor car accident she was in. Why that even happened, I couldn’t say, because soon they’ve moved their talk to Bill Planter, Becka’s ex whom Becka is still hung up on. Her parents never approved and so she and Bill broke up (I think it was because of that?), but now it’s the holiday season and she’s LONGING for him. As they talk, suddenly a strange girl runs into the room, and starts freaking out in a good way about Becka, throwing her arms around her. Becka is rightfully confused and put off, and the girl says that it’s her former BFF from childhood Honey, who moved away but is now back in town and right next door! Honey and Becka, Becka and Honey, the gruesome twosome who were always together. But Becka has no clue who this girl is, as she remembers Honey, but was never friends with her, and I feel like I’m reliving a scene in “Drop Dead Gorgeous”. Becka and pals decide to play along, but whenever Trish and Lilah try to talk to Honey she ignores them and continues to talk about how much she missed Becka. She even puts off Becka’s mom, Mrs. Norwood, but hugging her and saying how much she missed her. After Honey leaves, Becka, Lilah, and Trish find their fourth grade year book and spot Honey, who they now all remember, but also remember as having no friends. Becka realizes that the parrot pin that Bill gave her is missing from her dresser, the dresser Honey was futzing with. Trish suggests to go ask Honey if she forgot to take if off, and Becka says she will. After her friends leave she’s about to head next door, but then Bill calls asking her if she will meet him at the mall. She says no because her parents will kill her, but you can tell she wants to. She goes next door to confront Honey… But the house appears to be empty! She knocks on the door and looks inside, and sees nothing but darkness.

Some time later, Becka and Lilah are walking home together talking about the Christmas party that Trish is throwing soon. Bill is going to be there, and Becka plans to wear a sexy catsuit just for the occasion. When she gets home she hears a voice in her room, and sees HONEY is in there trying on her clothes. Becka storms in and rightfully asks what the HELL she’s doing, and Honey says that Mrs. Norwood let her in, and that she left but said Honey could wait in Becka’s room. Also, she loves Becka’s clothes and remember how they used to share clothes when they were besties? Becka does not. She asks Honey why the house next door is empty. Honey says that the furnace croaked and they’re in a hotel until it’s fixed. She asks Honey what happened to her parrot pin. Honey…. REACHES OUT TO CHOKE HER TO DEATH??? Or not, she just chokes her for a bit, and then says ‘don’t you remember the gotcha game?’ I’m appalled, as is Becka. Before leaving (FINALLY) Honey says that Becka GAVE her the parrot pin, don’t you remember? Then she leaves and Becka is quite shaken. So she calls Bill, suggesting that maybe they could start seeing each other again, like old times. He says they should sneak off, and she balks at that. Becka hangs up when her Mom returns home with groceries, and Becka asks why she let Honey into the house. Mom has no clue what Becka’s talking about, she hasn’t been home all afternoon.

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(source)

At school, Becka and Lilah are preparing to go home when Honey rushes up saying she and Honey should walk home together. Becka says no, she and Lilah are riding their bikes home (in December? In “Ski Weekend” it’s implied Shadyside is a days-ish drive from a snowy part of Vermont, how are they biking?). Honey ignores Lilah again and says she should get a bike so she and Becka can ride. Whatever, crazy. As Becka and Lilah are biking they start down a hill…. And Lilah’s brakes don’t work!!! As she’s flying towards a busy intersection!! She’s hit by a truck and flies over the handlebars!! She’s (kind of) alive, taken away in an ambulance, and the police tell Becka that someone cut the brake cable away from her bike. OH WHO COULD IT BE? When Becka gets home she calls Bill, saying she WILL sneak out with him because, honestly, she may not be alive much longer with Honey going full Robert John Bardo on her. She turns around and sees HONEY in the doorway!! SHe hangs up and demands how she got in, but Honey just goes into how sorry she is about Lilah before giving her a literally suffocating hug. Becka says she wants to be alone, and Honey doesn’t leave. Becka starts crying, and Trish comes in, to which Honey whisks her away saying “Becka wants to be alone”. Luckily she leaves too.

On Saturday Bill and Becka are gettin BIZAY in his car with some make outs and heavy petting. After they break for air, Becka complains about Honey, saying that Honey will NOT leave her alone. She doesn’t want to be mean, though, because she thinks that Honey means well (COUGH COUGH). But now that she thinks of it, Honey was asking her about Lilah’s bike, specifically how the brakes worked. ANd she was at the bike rack. She looks out the window and freaks out because she thinks she sees Honey hiding behind a tree. Closer inspection implies otherwise, and Bill thinks Becka’s losing her mind.

On Monday Becka is home sick. Her Mom brings her breakfast and says that Honey volunteered to bring her homework to her after school. BECKA, FOR GOD’S SAKE, TELL SOMEONE ABOUT THIS GIRL. Trish calls that afternoon and asks Becka why she isn’t in the hospital, since she heard she had a complete mental breakdown because of Lilah. When asked where she heard this, Trish says that Honey is telling EVERYONE. Not only that, there will be no adults at the Christmas party that weekend, ooh la la. After hanging up, Becka is living, and then Honey arrives… And she’s cut and styled her hair just like Becka’s. STINE, YOU’RE LIFTING FROM “SINGLE WHITE FEMALE” NOW?! Later that night Honey calls her to reiterate that she’s always around if needed (WE KNOW), and that Trish was totally lying about Honey spreading rumors about her mental health. Which is totally refuted the next day when another girl outside of the group asks Becka how she is doing, mentally. Then Honey shows up wearing Becka’s clothes and the parrot pin and WE GET IT. Trisha and Becka go for a walk outside, and then they see Honey making out with Becka’s ex Eric, and Becka is disturbed by this. Honey sees them and tries to explain, but Becka isn’t having it. Honey runs off, crying probably. When Becka gets back to her locker, ti’s totally trashed. Thinking it must be Honey’s doing, she confronts the little creeper in the bathroom, accusing her of the locker misdeeds, which Honey denies, saying she’s just saying that because she’s mad about Eric. Becka FINALLY goes off on Honey, telling her to leave her the hell alone, and Honey starts crying that they’re best friends before pulling out a GUN!?! Which is just a water gun, another ‘gotcha’ joke on her part, and Becka runs out screaming.

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This is too much. (source)

That night at Bill’s house Becka tells him about all the Honey stuff that happened that day, but before the locker moment he asks her if she heard about the random guys who CONVENIENTLY broke into the school and trashed a bunch of lockers. Oh great. So Becka feels bad that she accused Honey of that now, but really, she shouldn’t because Honey is just the worst. She asks Bill if Honey has ever approached him for anything, and he’s kind of….. mum about it. She goes home, and is confronted by her mother… who somehow found out that Becka was out with Bill that night? GEE, HOW DID THAT HAPPEN?! They have a huge fight, and Mom grounds Becka from Trish’s upcoming party. Becka runs upstairs to her room to sulk, and Honey jumps out of the closet, as if that was a perfectly normal place to wait for her. She says she’s sorry for ratting Becka out to her Mom, but thinks that Bill wasn’t right for her. Becka tells her to get out, they aren’t friends, they never were, they never will be, and the only friends she has are Trish and Lilah. Honey slowly leaves, but not before telling her that she broke up with Eric that day.

Good news! Becka’s Dad, who has never actually shown up on page, caves and lets Becka go to Trish’s Christmas party! While there things are going okay, until Honey shows up in the same outfit as Becka. Becka freaks at her again, and makes a big scene. Honey walks away. Later, Trish is at the top of the steps with a cake. Becka sees Honey there…. who then shoves Trish down the stairs! WHO LANDS ON HER NECK ODDLY. While someone calls for help, Honey sees Becka saw her, and says ‘I tried to stop her from tripping but it was too late!’ Becka turns her attentions to Trish, who is still alive but breathing funny, and Honey says to her (Low enough so no one else can hear, natch) that she’s her only friend now. Becka runs, sees the police, tells them Honey pushed Trish, then faints.

She wakes up the next day in her bed with her Mom and a doctor (No Dad again!). They tell her that Trish is alive but has a broken neck (OH, IS THAT ALL?), and that Becka is having a nervous collapse and she should rest. The doctor leaves, and then Mom says she’s stepping out too. And then, just like clockwork, the phone rings. And it’s Honey, who tells Becka that she should come over right away because she has something Becka should see. Becka is going to not, but then hears a voice in the background… Bill’s voice! She rushes over and looks through the kitchen window. She sees Bill and Honey at the table HOLDING HANDS! Becka’s officially done. She storms into the kitchen, grabs a KNIFE, and LUNGES FOR HONEY! About friggin’ time. But she can’t do much because of her fragile (and vague) physical and mental state, and collapses. Bill says ‘I thought you told her I was here!’, and Honey tells him to stay away because Becka is HER friend!!! They wrestle over the knife, and Honey STABS BILL IN THE CHEST. GOOD FUCKING GOD. And THEN, and I cannot BELIEVE it, she PUTS THE KNIFE IN BECKA’S HAND. As Becka slowly starts coming to, Honey tells her that that she won’t tell the police that Becka murdered Bill, but that it was in self defense, because she’s her best and now only friend. To which Becka….. thanks her. THE FREAKING END.

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(source)

Body Count: 1??? Bill died but I think that Lilah and Trish are okay???

Romance Rating: 5. Bill has his problems but he seems okay, even if Becka is only willing to sneak around with him.

Bonkers Rating: 9. This is the darkest and most fucked up “Fear Street” ending yet!

Fear Street Relevance: 7. Becka lives on Fear Street and so does Honey, and the final showdown is there.

Silliest End of Chapter Cliffhanger:

“Becka gasped and hit the brakes. Her car slid hard into the other car. She closed her eyes against the crunch of metal and shattering glass.”

… And it turns out she was fine and the most damage was a broken headlight. What’s the point?

That’s So Dated! Moments: At the Christmas party the song on the CD player is Bruce Springsteen’s “Santa Claus Is Coming To Town”, and I think that was kind of dated even for it’s original publication! Unless this is a bunch of hipsters, which it very well could be.

Best Quote:

“‘What a night you had,’ Trish said, shaking her head. ‘First you wreck Eric. Then you wreck the car.’ Lilah laughed. ‘You should be a writer, Trish. You have such a way with words.'”

Yeah, that witty banter is sure to win a Pulitzer some day.

Conclusion: “The Best Friend” is truly the most disturbing “Fear Street” book I’ve read so far, and I’m kind of impressed that Stine was willing to do what he did with it. Apparently people were so incensed by this book he offered a contest to write the sequel, in a ‘well if you think you can do better, DO IT!’ kind of play. Up next for us, though, is “The Cheater”. 

A Revisit to Fear Street: “First Date”

1513424Book: “First Date” (Fear Street #16) by R.L. Stine

Publishing Info: Pocket Books, January 1992

Where Did I Get This Book: The library!

Book Description: Dying for a Date

Chelsea Richards is shy, lonely, and looking for love. She would give anything to finally go on a date. Soon there are two new boys in town, and both ask her out.

Too bad one of them is a crazed killer. Poor Chelsea. Will her first date also be her last?

Had I Read It Before: No.

A NOTE: It was suggested to me that there may be some people who want to read the “Fear Street” series without being spoiled, but also want to know what my thoughts on this books are. Since these recaps are basically a rundown of the whole plot, I’m going to try and meet in the middle. I thought of putting a quick opinion at the front of these posts, but it kind of upset the flow of the narrative. SO, what I’m going to do instead is suggest that those who don’t want to be spoiled for a specific book scroll down down down to the end of this post, and look for my final paragraph, which I will put in bold lettering and which will give my final and non spoiler-y thoughts. Okay. On we go!

The Plot: We start our story at a random Make-Out Point, with a girl named Candy and a black haired leather jacket clad boy named Joe. Candy is stoked that they’re parking and making out together, and Joe is starting to feel smothered by her. She also reminds him of his mother, who he doesn’t remember fondly. He suggests they leave the car, but drops his wallet. Candy finds it, sees his license, and sees that it says his name isn’t Joe, it’s Lonnie. He says it’s a fake license. Then, after an inner monologue about how he’s actually twenty and how he’s feeling smothered, he leads her off and kills her. He then sees a sign for a town called Shadyside, and decides that sounds like his kind of town.

Meet Chelsea. Chelsea plays the sax, has recently moved to Shadyside with her parents, and has a very ‘dry witted’ mother who works in a nursing home with dear old Dad is running his new restaurant. Chelsea works there too, but feels lonely, and laments that she is short, pudgy, ugly, and too shy to get anyone to notice her. She lives on Fear Street, which is ‘creepy’. Her Mom tells her that she’ll adjust and make friends, and then goes off to work. Chelsea decides to go to the house of her only friend in town, Nina. But when she arrives at Nina’s house, Nina and her boyfriend Doug are already on the way out. Poor lonely Chelsea! To make matters worse, on the way home a car of rowdy (read: misogynistic) boys drives up and cat call her. Which then progresses to them grabbing at her, throwing a cigarette at her, and chasing her. She hides in some bushes until they go away, and she wishes she could meet a nice boy. I’m feeling very uncomfortable at this blatant display of rape culture. Ah, the 90s.

At school the next day a shy new boy named Will is seated next to Chelsea. She notices how cute he is with his black hair and dark eyes(?!), but once again laments how SHY she is and won’t talk to him. That evening while working at the coffee shop that night (diner, coffee shop, it’s interchangeable in this book), and daydreaming about Will, another boy with black hair and a leather jacket comes in, running into Chelsea. He sits down, and she thinks about how tough he looks (‘tough’ is the adjective used a few times on this page). They proceed to have an awkward conversation, he says his name is Tim Sparks (but everyone calls him Sparks), and he asks her out to a movie. Brazen, that Sparks. But before she can answer him fully, her Dad says that she needs to attend to restaurant business. Sparks looks PISSED AF, and storms out of the restaurant without his hamburger. Chelsea is kind of sad that he went away, even though she doesn’t know if she would have gone on a date with him because he’s so ‘dangerous’ looking. Then she thinks about Will again, hoping that HE will be her first date. But before she can pine for long, a group of young men enter the diner, try to rob the place, hit Chelsea’s Dad on the head with a lead pipe, and run off.

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(source)

Poppy Richards is alive, but taken to the hospital where he is declared in ‘serious but stable’ condition. Mrs. Richards tells Chelsea to go home and wait, and to stave off a panic attack Chelsea invites Nina over. Nina comes by happily… but has boyfriend Doug in tow, which means all of her attention is on Doug and not on her friend who is scared to death for her Dad. Some friend you are, Nina! While Nina and Doug make out, Chelsea thinks about Sparks. He sure ran off fast when her Dad showed up. Was he casing the joint? Was he in on the robbery?

Meanwhile Joe/Lonnie/whoever is out for a walk, thinking about class struggle in Shadyside (those snoots in North Hills!) and how much he resents his mother for leaving him to his own devices with a drunken father while taking his sister instead. That’s admittedly messed up. Then he strangles a kitten. Goddammit. We’d gone so long without animal death.

So with her father in recovery for awhile, Chelsea is left to man the diner with Ernie the line cook as her only back up. And Ernie is ever around when he’s needed, let me tell you. As Chelsea daydreams about Will (who has smiled at her and said ‘good morning’ as well! Progress!), two toughs walk into the restaurant right before closing (at 7? odd hours) and start giving Chelsea a hard time. And where is Ernie??? WHO KNOWS. She thinks that they are going to rob the place, but they start sexually harassing her and asking her when she gets off work. Before they can do anything else, Sparks walks in and they back off, leaving. She pours him a cup of coffee, and says that they seemed scared of him, to which he replies ‘they should be’, and ‘it’s dangerous around here’. Now Chelsea is scared of him too (though honestly it seems to me he’s just really bad at flirting). Ernie FINALLY makes his presence known just in time to say he’s leaving, and Chelsea and Sparks are alone. She pours him another refill, and he hightails out of there. She’s both disappointed and relieved he’s gone (girl, get it together), and closes up BY HERSELF before going to see Dad at the hospital. Sparks goes home, laments not asking her out, and trashes his place in a rage.

At school the next day Chelsea and Nina are talking. Nina is mad at Doug for talking to Suki Thomas (YASSS SUKI!!!), and then randomly a giant dog runs past them and out the doors, never to be mentioned again. Chelsea tries to tell Nina about Sparks, but then Nina sees Doug and runs off to meet him. Bitch. Luckily, Will is there, and he and Chelsea start talking! He asks her if she wants to go for a walk, and she says yes. They go for a walk in the woods, and Chelsea is thrilled that she’s going for a walk with a boy, ALONE. He falls behind, and when she turns he’s wrapping a length of GRAY CORD IN HIS HAND?! He says that he just randomly found it, and then asks her to go on a SECRET date with him, and to not tell anybody about it. Though this should be setting off alarm bells, Chelsea is SO EXCITED!!!

Chelsea tells her Mom about her date, and Mom tells her that Dad is now in a semi private room at the hospital. Good news on both fronts. At the diner that night Sparks comes in, and they continue the Dance of the Awkward Flirts, in which Sparks says that he’s a drop out, she says that she’s in the band, and he asks if she plays the tuba. Which insults her because OBVIOUSLY that must mean he thinks she’s fat. When she asks him about work he gets defensive, lies about having an interview at the mill that has been closed for years, and then he asks her out that Saturday. That’s the night of her SUPER SECRET DATE, so she says no, and he leaves, looking angry. Dammit, Sparks. You are so emotionally stunted and so obviously NOT the killer.

It’s date night! Will is taking Chelsea to the movies, though not in Shadyside for some reason, but Waynesbridge. He says he’s had this car forever, but he doesn’t know how to work the defroster. When she asks him about it, he says it’s because he’s a klutz. RIGHT. He almost forgets his wallet in the car, and when she hands it to him he yanks it back in a suspicious manner. She forgets all about it though, and after the movie they go a parking on River Ridge. They can see over the town, and he suggests they go for a walk. He beckons her to the cliff to look at the view, but she balks and says she’s afraid of heights. So they go walking again, and he falls behind and PULLS THE CORD FROM HIS POCKET, READY TO STRANGLE HER. I give Stine credit for not trying to keep up the ‘is it Sparks or is it Will?’ mystery. Before he can strangle her, though, another car shows up. Thank God for horny teenagers. But then Chelsea suggests they go back to her house, as they will be alone. Not so shy anymore, eh Chelsea?

They get to her house and start to make out on the couch. Will pulls out the cord again but Chelsea declares she’s making hot cocoa and walks to the kitchen, blissfully unaware that her cold feet have saved her from death again. Will tries to sneak up behind her and strangle her, but then the doorbell rings!!! COCK BLOCKED AGAIN, JERK! Chelsea goes to the door and sees Nina there, sobbing over her boyfriend. For once it’s good that Nina thought only of herself, because Will gives up and runs out the backdoor.

The next day Will calls and Chelsea asks where he ran off to. He claims he called to her a ‘goodnight!’ before leaving, and asks her out for that evening. She says she can’t, but then suggests he meet her after her shift the next night. He says it’s a date. Then the doorbell rings, and Chelsea is face to face with an FBI agent named Martin. Agent Martin tells her that they are looking for a young man with curly black hair and a good build who may be new to the area. When she asks if he may be dangerous, and he says yes, she rats on Sparks, because OBVIOUSLY he’s the one who it has to be! She tells him everything about Sparks and he thanks her, telling her to be careful. At school the next day she and Nina talk about Will and Chelsea can’t wait to see him that night.

At the diner, Chelsea is worried that Sparks may come in, and is jumpy throughout her whole shift. As it gets close to closing, Ernie disappears AGAIN, and Sparks comes in right at the last minute. Drunk as a skunk, and unfortunately he’s an aggressive drunk who keeps asking her to come here. She freaks and runs for the kitchen, and Sparks follows trying to tell her he was just joking. He manages to burn his hand pretty badly on the stove, and while he’s writhing in pain Chelsea calls Agent Martin and asks if he will come and also send an ambulance. After Sparks is taken away, Chelsea is relieved to see that Will has finally arrived.

They got back to her house, and snuggle on the couch. Chelsea admits that she didn’t keep their date a secret, and that she told Nina all about it. That’s a big wrench in Will’s plan!!! But no matter, he’ll just kill them both. He tells Chelsea to invite Nina over RIGHT NOW so he can meet her, and Chelsea does so straight away. Nina is game. But then the phone rings, and it’s Agent Martin telling Chelsea that Sparks isn’t the guy that they are looking for…. and Chelsea FINALLY puts two and two together. WILL IS THE ONE THEY’RE LOOKING FOR! She tells Martin that he’s in the house with her, and he tells her to just get out and go. She starts to, but remembers that Nina’s coming over! She runs out hoping to intercept Nina or the FBI, but unfortunately she intercepts Will. She tells him she knows who he is, and he attacks her with the cord, wrapping it around her neck until she struggles no more. He assumes she’s dead, and remembers that Nina is coming too, she he drags Chelsea’s body into the house and waits. When Nina arrives he makes small talk, and then attacks her with the cord. He chases her into the kitchen when she pulls free, and hits her with a vase. BEfore he can deal any fatal blows, he gets yanked back, and sees that CHELSEA IS THERE! He has another ‘BUT I KILLED YOU’ moment that Stine and Verhoeven alike are so fond of, and Chelsea fights him off long enough for the FBI to show up and arrest him. Chelsea explains that she plays the saxophone, and can hold her breath for a looooong time.

Chelsea goes to visit poor Sparks in the hospital. His hand is pretty messed up but he’s expected to make a full recovery. After some awkward apologies on both ends, Sparks asks her out on a date. And she says “It’s bound to be better than my FIRST date!”

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I mean, probably, but that’s a low bar, Chelsea. (source)

Body Count: 2. Poor Candy right out the gate and that poor sweet kitten. And probably countless other girls off page.

Romance Rating: Uh, 1. Because Will/Joe/Lonnie/Whoever was trying to kill Chelsea the whole time and Sparks is kind of a prick.

Bonkers Rating: 4. The random robbery at the beginning was pretty crazy and unexpected, I suppose, but otherwise it wasn’t very shocking.

Fear Street Relevance: 5. Chelsea lives on Fear Street and we once again get some references to what a kooky place it is. But Will isn’t even from Shadyside, much less Fear Street!

Silliest End of Chapter Cliffhanger:

“She gasped when she saw an enormous, hulking man in a dark trench coat on her stoop. His face was nearly pressed against the glass of the storm door, staring down at her with the coldest eyes she had ever seen.”

… And then it’s the pretty decent and sweet Agent Martin. The only guy we can fully trust in this book who isn’t incapacitated.

That’s So Dated! Moments: Sadly, this was one of the updated “Fear Street” books, and because of that the really dated things were taken out and replaced with new things (a movie starring Will Ferrell… but also the Quaid Brothers, so huh?). But there was one thing: a reference to watching music videos on MTV. May they rest in peace, those music videos.

Best Quote:

“‘Frankly your looks are great. It’s your personality I’m not crazy about,’ her mother said, doing her impression of a stand-up comic.”

DAMN, Mrs. Richards!!

Conclusion: “First Date” was pretty lame and predictable, though some of the characters I had a soft spot for. Up next is “The Best Friend”. 

 

Serena’s Review: “Rebel Angels”

51428Book: “Rebel Angels” by LIbba Bray

Publishing Info: Ember, December 2006

Where Did I Get this Book: audiobook from the library!

Book Description: Ah, Christmas! Gemma Doyle is looking forward to a holiday from Spence Academy, spending time with her friends in the city, attending ritzy balls, and on a somber note, tending to her ailing father. As she prepares to ring in the New Year, 1896, a handsome young man, Lord Denby, has set his sights on Gemma, or so it seems. Yet amidst the distractions of London, Gemma’s visions intensify–visions of three girls dressed in white, to whom something horrific has happened, something only the realms can explain…

The lure is strong, and before long, Gemma, Felicity, and Ann are turning flowers into butterflies in the enchanted world of the realms that Gemma alone can bring them to. To the girls’ great joy, their beloved Pippa is there as well, eager to complete their circle of friendship.

But all is not well in the realms–or out. The mysterious Kartik has reappeared, telling Gemma she must find the Temple and bind the magic, else great disaster will befall her. Gemma’s willing to do his intrusive bidding, despite the dangers it brings, for it means she will meet up with her mother’s greatest friend–and now her foe, Circe. Until Circe is destroyed, Gemma cannot live out her destiny. But finding Circe proves a most perilous task.

Spoilers for “A Great and Terrible Beauty”

Review: Oof, this review, it’s going to be tough. It seems that “Rebel Angels” is widely believed to be the stronger book of the first two in Bray’s “Gemma Doyle” series. But man, I had some problems with this one.

But first, the good. There is no questioning Bray’s strength as a writer. The dialogue is always excellent, the descriptions of Victorian London are spot on. She includes many historical details that keep the atmosphere rich and poignant, and she’s mastered writing her action set pieces, something that was perhaps lacking in the first book. Further, the stakes have been raised in this book. Gemma, Felicity, and Anne have experienced real hardship with the death of their friend Pippa. And Circe, Gemma’s mother’s murderer, seems to circle ever nearer throughout this story. I enjoyed the expansion of both the “real world” setting, moving the story out from the walls of Spence Academy and into the social workings of London itself, as well as that of the Realms. We get to move beyond the perfectly lovely Garden and begin to see that now that the magic is released, things aren’t quite right in this magical land. Further, they might not have been right even before when the Order was in power.

So, there you go. This is a long book (a mark against it, really, since I think Bray could have used an editor to help trim this book up in places), but the writing and general plotting of the story are strong and got me through it. And considering my list of complaints to come, getting through it in a timely manner is actually a big mark in…something’s favor.

First off, the characters. As I said, there were some serious happenings in the first book. Pippa died. Felicity (and Anne in following her) did some truly awful things in the pursuit of power. It was made clear that the Realms weren’t all pretty flowers and magical powers with no strings attached. With this all, characters needed to grow! Other than mourning Pippa’s death, the threesome of girls quickly falls into the exact same pattern of behavior they exhibited in the first book as if they had learned absolutely nothing.

Felicity continues to bully Gemma into making bad decisions with the Realms, behaving as if it is still the free-for-all they had first supposed it to be, as if she hadn’t sacrificed a deer bare-handed in the previous book only to come this close to becoming a dark denizen herself. She routinely advises Gemma to ignore warnings and plays hot and cold with her friendship. You’d think that after coming through together what was experienced in the first book there would be a real foundation of friendship. Instead, we continue to see examples of a “mean girl” who only cares for Gemma when it is convenient. This doesn’t speak well to Gemma’s character either for tolerating such one-sided friendships (Anne has similar issues, siding with Felicity in all of her worst moments and never giving anything back to Gemma to justify Gemma’s continued loyalty).

Further, about half way through the story Bray introduces a dark backstory for Felicity with regards to her family. I have mixed feelings on this as I do think in many ways it was handled very well. But it was also used as a magic wand to somehow excuse Felicity’s behavior, which I don’t agree with. Further, after showing up briefly, there are many implications that are never fully addressed, which leaves the whole situation feeling all too close to a “plot convenience” which doesn’t sit well at all.

Anne has changed not at all. If anything, her character’s uselessness is doubled down upon. She has gained no bravery, no sense of self worth, and has actually actively stepped back into bad behaviors (self harm) that much time was spent on overcoming in the first book. Why was our time wasted then if she wasn’t going to improve at all here? And in this book, I can’t think of a single time when she truly aided the group. She was nothing more than dead weight throughout the entire story, and has now been given almost every negative stereotype a character like her can have, and gained none of the the strengths one would expect from a character moving beyond and through these set backs. Halfway through the book she ends up in a dangerous situation, and I was openly rooting for her to just be written out of the book. Alas, no.

And Gemma. The problems with Gemma aren’t even character problems. For the most part, I still very much like her as a leading lady. Unlike the other two, she has more sides to her that fully flesh her out and make her character arc interesting to follow. And while she does seem to grow throughout this book, there is the same problem from the previous to this: she has learned nothing! She naively believes everything that is told to her by every single person, even when she has explicitly been warned against this. Told not to trust anyone in the Realms? She immediately trusts EVERY SINGLE PERSON SHE MEETS. Oh, here’s a girl who was in the Order before and has made herself “mad” to avoid Cerci? Let’s NOT believe anything she has to say. It’s endlessly frustrating.

What’s more, the story opens with the reader witnessing a scene that explicitly makes it clear that a few characters are set against Gemma from the start. But then we have to go through an entire book watching her naively work with these characters. So not only is Gemma herself frustratingly naive to follow, making all of the wrong decisions for no good reason, but the reader is already set ahead of her, knowing more than she does from the start and yet still stuck in her ignorance. For any canny reader, the “twists” could be spotted a mile away which just makes it all the more frustrating watching Gemma and Co. struggle on. When she finally does realize things, there isn’t any breath of relief. You’re already 100 pages past that stage and simply want to smack her for not getting it earlier. Her following morose is all the more infuriating.

And lastly, the third member of the love triangle (you know it’s bad when the presence of a love triangle hasn’t even made the cut for my list of things to vent about) is essentially a date rapist and THIS IS NEVER ADDRESSED. He tries to get Gemma away from the others at a ball, and when this doesn’t work, he gets her drunk on absinthe, and then lures her to a remote part of the house and begins seducing her. They’re only interrupted by one of her visions which scares him out of it. And then the whole thing is forgotten, other than Gemma being embarrassed by her own behavior mid-vision!

There is zero discussion about this man’s intentions, the wrongness of his drugging her and attempting to seduce her, or anything. He continues to be a romantic interest! For a book, and author, that makes a big deal about talking about feminist and societal issues, I honestly couldn’t believe what I was reading. I kept waiting for the admonitions to role in, for Gemma to realize what a scumbag this guy was, for anything! There was nothing. It was left as if nothing had happened, he had done no wrong, and Gemma’s only concern was the worry that her own behavior would put him off. There’s no excuse for this. For young women reading this book, they are left with a scene like this presented as ordinary, ok, and not worth revisiting other than potentially shaming the girl caught up in it for getting too drunk and putting off the potential husband.

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(source)

So, it’s clear I had a lot of feelings about this book. For as many complaints as I had, I do feel compelled to finish the series, if only to see where Bray ends up leaving her characters in the end. Again, a lot happened in this book and you’d expect some character growth to come out of it, for us to have new versions of the same characters in the next book. But I had that expectation for this book and was utterly disappointed, so I’m not holding out hope. My prediction is that they will all behave the same exact way for way too many pages. I guess we’ll find out.

Rating 4: Complete lack of character growth and some very irresponsible messages leave this book as a disappointment.

Reader’s Advisory:

“Rebel Angels” is included on the Goodreads lists “Victorian YA Novels” and “Private School Paranormals.”

Find “Rebel Angels” at your library using WorldCat!

Previously Reviewed: “A Great and Terrible Beauty”

 

 

A Revisit to Fear Street: “The Knife”

89806Book: “The Knife” (Fear Street 14) by R.L. Stine

Publishing Info: Simon Pulse, January 1992

Where Did I Get This Book: ILL from the library!

Book Description: Quiet—hospital!

Sshh. There are a lot of things they want to keep quiet at Shadyside Hospital. In fact, just about every private room holds a private secret of its own.

Poor Laurie Masters. The student volunteer innocently happened to stumble onto the hospital’s sickest secret of all.

Laurie has seen too much—and now the doctors and nurses are taking a close look at Laurie.

What they come up with is a deadly diagnosis. Laurie may not be sick, but she’s getting a prescription anyway—a prescription for horror!

Had I Read It Before: No.

The Plot: R.L. Stine has taken his “Fear Street” books through multiple horror tropes. You have the camping trip, the cabin in the woods, the prom court, the haunted house, and many many more. But with “The Knife”, we are finally treated to the evil hospital trope! We first see our protagonist, Laurie, being chased by a man, and she is worried about the knife that he’s holding. Then we go back a week and the story begins. Laurie and her friend Skye are volunteers at the children’s ward at the Shadyside Hospital, having given up their summer break for garnering karmic points. While Skye is delivering balloons, Laurie looks towards the newest wing that is being built, the Franklin Fear Wing. Yep, named for the Fear Family. Soon Laurie hears crying from another room, and lets herself in to find a crying little boy. She tries to calm him down, but to no avail. She checks his chart (not sure if she’s allowed to do that since she’s a volunteer and not a doctor….?), and finds out that this little boy’s name is Toby, he’s three, and has pneumonia. She decides to just hold his hand and keep him company, which is actually kind of sweet, but is interrupted by a mean nurse named Nurse Wilton, who tells her to get out.

While eating lunch in the cafeteria (and I gag because the meat is described as ‘blue’), Laurie and Skye chat to let us get to know them a bit better. Skye is juggling two boys and thinks that she’s destined to win a car in the hospital raffle. Laurie is dating Andy Price, the son of one of the hospital’s administrators, but he’s a real dud. Luckily for both of them, a handsome man walks into the cafeteria at that moment, and walks right up to their table. He says his name is Rick Spencer (which is gross now because Rick is short for Richard and Richard Spencer these days…. well….. yeah), and he’s a college student who is also volunteering that summer, though he is on the surgical floor. Skye is practically in heat over him, but he seems to be more interested in Laurie. Before Laurie can really gaze into his eyes, a Code Blue goes over the intercom for room 903… Toby’s room!!! Laurie runs off to check on that precious little boy, but when she gets to his room she instead finds Nurse Wilton who tells her the Code was for another room, 503, and kicks her out again. Laurie walks to the nurses station to talk to the kinder, gentler Nurse Girard, who is talking to…. Toby’s MOM!!! She says that she wants her son back. Where he went, I don’t know? Laurie notices Nurse Wilton going into the Fear Wing…. and then sees Rick follow her in. Odd.

That night Laurie is at her house, the one she shares with her Aunt Hillary in the part of town called North Hills. Laurie’s folks were killed in a boating accident when Laurie was a little girl, so now she lives with Hillary who is rarely home because of her job. While reading the phone rings. She answers, but hears nothing but breathing on the line. After hanging up, the phone rings again. This time it’s Rick, who has called to ask her out for that weekend. Laurie politely declines, as she has a date with Andy, and asks how he got her number. He says Skye gave it to him. But once they hang up, Laurie calls Skye, because OBVIOUSLY, and asks if that was true. Skye says nope, and now Rick is a liar as well as a college guy hitting on high school girls.

The next day Laurie finds a note from Hillary saying she’ll be late that night. Then the phone rings again, and this time it’s Dr. Price, Andy’s Dad. He tells Laurie to skip out on work and play tennis with his son instead…. because JUST KIDDING, it was Andy the WHOLE TIME!

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Look asshole, some people have responsibilities. (source)

Laurie declines, and says that she’ll see him after work when they go out for pizza with Skye and one of her boyfriends.

At work she buys Toby a teddy bear and intends to bring it to him, but she freaks out when she gets to his room and it’s empty. Because clearly the only answer is that he must have died tragically. In actuality he’s been discharged, and she sees him at the nurse’s station while his Mom talks to Rick. She gives him the bear and tells him to go with his Mom… and Toby says ‘she’s not my Mommy’. Okay, that’s weird, but before Laurie can question it too much his ‘Mom'(?) says it’s time to go, and Toby follows. She asks Rick what they were talking about, and he tells her she was giving her directions to the pharmacy. Laurie isn’t buying it, because he said he was new to the area so HOW COULD HE KNOW WHERE THE PHARMACY IS? The phone at the station rings, and he answers. Laurie starts to leave, but lingers, and sees that after he hangs up, he slips a pack of surgical knives into his pocket!!! Liar AND thief!

Laurie can’t stop thinking about Toby and decides to check up on him. After very illegally going through his file, she gets his address… which is, of course, on FEAR STREET!! She thinks that she can go there under guise of selling raffle tickets for the hospital, though she’s nervous about going to Fear Street alone, because, you know. All the horrible things that have happened there. Before she can make a clean getaway, Nurse Wilton plants herself at desk to the file room. Laurie manages to kind of sneak past, but Wilton sees her anyway and demands that she come back. Laurie, however, runs to the elevator and gets in, only to be kicked off on an unfamiliar floor (as a patient was coding maybe? It’s a plot device). She starts to explore, ignoring the ‘personnel only’ signs, and hides in the first room she can in case Wilton tracks her down. Sadly, it’s a room with a dead body in it….. and then someone locks her inside!! But she manages to get out (because it locks from her side), and once out sees Nurse Wilton and Dr. Price talking. Assuming it’s about her, she gets indignant that Wilton would rat her out…. But honestly, Laurie, you were violating SO MANY HIPAA LAWS THERE.

At the pizza place Laurie tells her friends about her ethics violation and convinces them to go to Fear Street with her. They all get into Andy’s Volvo and drive to Fear Street. Toby’s Mom greets Laurie and Skye with an angry ‘what do you want?!’, and they convince her to buy a ticket. When Toby’s Mom goes to find her purse, they hear crying inside the house. Laurie sneaks in further, and sees Toby on the steps looking a lot thinner and paler than he did earlier. His Mom catches them, throws money at them, and tells them to get the hell out.

The next day Laurie is told that she’s being transferred to another floor on Wilton’s orders. Hoping to convince her otherwise, Laurie hangs around until shift end to try and find her. SHe sees Nurse Wilton sneak into the Fear Wing, and then Rick does so as well. She decides to wait a bit for one of them to come out, but loses patience after probably about five minutes and goes in to find them. As she stumbles around in the dark, she trips over something….. and it’s NURSE WILTON’S CORPSE, WITH A SCALPEL STICKING OUT OF HER NECK! But when she runs to get help and comes back with Skye and Nurse Girard, the body, of course, is gone. They think she’s playing a joke on them. Laurie now believes two things: 1) Rick is the murderer, and 2) It has to do with Toby somehow. She tries to go check the files again, but they’ve up and absconded.

The next day Laurie puts on a disguise and goes back to Fear Street to stalk outside Toby’s house. She sees him at the kitchen table, and then sees him being whisked off with a suitcase into a car and driven away. Though she hears a child’s scream from inside the house, she decides to ignore it (?!?!) and talk to Dr. Price the next day. When driving home she is stopped by a car that blocks her path, and the driver is none other than Rick in a weird Batman tee shirt. Laurie turns around and drives off. She gets home to her empty house and calls Andy, asking to talk to his Dad. He wants to know why, and she lies saying she is doing a project that involves interviewing him. Andy invites her over for a hook up, and she hangs up to call Skye to see if she can crash at her place, as she’s scared to be home alone after the weird stuff she’s seen. She hears footsteps on the steps, and tells Skye never mind, Hillary is home… BUT IT’S NOT HILLARY, it’s some intruder!! But when Aunt Hillary does come home, the intruder runs away. Laurie is convinced it’s Rick, but Hillary says she saw Andy’s car in the street (maybe). Laurie tells her everything, and Hillary says that since she’s working with the Board of Trustees maybe she can talk to Dr. Price. Laurie gets upset and says she thinks she doesn’t need any help, but frankly Laurie…

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(source)

Rick calls. Asks why she ran away from him on Fear Street. She confronts him about the knives, he tries to brush it off, and so she asks why he was even on Fear Street to begin with and he tells her to stay away from Fear Street, ominously.

Laurie meets with Dr. Price. Tells her that she saw Nurse Wilton’s dead body. He calls the hospital to ask why he didn’t hear about any of this, and tells Laurie that he was told that Wilton is on vacation. Laurie tells him she thinks Toby is in trouble, and to placate her he says that he’ll check the kid’s files. Laurie informs him that the files have gone missing and he tells her he’ll track them down. Later Laurie and Andy are talking about why she was talking to his Dad, and she tries the ‘extra credit’ excuse again, and Andy puts the moves on her and she says nah, which leads to a fight and she dumps his ass. When going to the mall to meet Skye, Laurie conveniently sees Toby and his Mom in the parking lot!! Laurie waves, and Toby waves back, but then he’s shoved into the car by his Mom and they drive away. Laurie hates seeing Toby hurt like that, but instead of calling the cops to report a possible case of child abuse, she resolves to figure it out on her own!

So she calls Toby’s Mom pretending that she has an extra raffle ticket. Toby’s Mom is not convinced and tells her she’s a ‘nuisance’. There’s a slap and a child crying right before hanging up, and so Laurie decides to drive to Fear Street and save Toby herself! To what end, idiot? She sneaks into the house through a window, but is knocked over the head and dragged to the basement where she is tied up by Toby’s Mom. Toby’s Mom goes upstairs to make a phone call, and Laurie overhears that perhaps they have nasty plans for Aunt Hillary! Laurie sees a pair of scissors, and tries to get them. But the someone is coming down the steps.. and it’s Toby! Toby cuts the ropes, and Laurie says that she thought he had been taken away…. and Toby tells her that that wasn’t him, that was his twin brother Terry. Because OF COURSE IT WAS. They sneak up the steps and out of the house and get in her car and drive away. At a payphone Laurie tries to call Hillary to warn her, but can’t get an answer. So she calls the hospital, and gets a message that Hillary left for her: her car won’t start so please come pick her up from her meeting at the hospital, and she will be at the nurses station. So she and Toby rush for the hospital, and on the way they hear a radio report that Nurse Wilton’s body has been found. To make matters worse, Rick’s car is following them!! They get to the hospital and it looks like maybe they lost him.. but as they get into the building Rick pulls in the lost. Laurie and Toby get in the elevator and the doors close JUST AS RICK IS ABOUT TO GET IN TOO.

They get to the nurses station and Laurie leaves Toby with a nice nurse. Hillary isn’t present, and Nurse Girard tells her no one has been by for nearly two hours. Laurie tries to use the phone, but then Rick is there! He’s distracted by Nurse Girard, so Laurie runs into the Fear Wing (of course) to try and hide. While dicking around in there she finds a random trap door, and surmises that’s how Rick moved Nurse Wilton’s body. So Rick enters and we’re back to the prologue, with him grabbing her and her worried about the knife he must have. Turns out he grabbed her to keep her from falling down a broken elevator shaft she almost ran into. Someone else enters the wing, and Laurie screams for help. Rick shoves her away so he can tangle with whomever it is, and Laurie hears a fight. She sees Dr. Price, who tells her she can come out now. She runs to him, jumping over unconscious Rick… But Rick is waking up! And he tells Laurie that it was Dr. PRICE who killed Nurse Wilton! Because Nurse Wilton found out that Dr. Price and Toby’s Mom (not really his MOm!) were selling children in an illegal adoption scheme, and she was blackmailing him! Dr. Price and Rick fight again, and this time it ends with Dr. Price falling down the elevator shaft.

Rick and Laurie leave the Fear Wing and are reunited with Hillary, who explains that Dr. Price thought that she was getting too close to his secret and that’s why he wanted her dead. Rick and Laurie kiss. The end.

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(source)

Body Count: 2. You get Nurse Wilton and Dr. Price (I think? I have to imagine).

Romance Rating: 4. Rick is fine and he and Laurie are an okay couple with similar interests. But Andy is obnoxious and having her have to spend ANY time with him is upsetting.

Bonkers Rating: 5. A complex conspiracy theory in a hospital that involves selling children and then the fact that there is a set of twins as well gets it a bit of a boost. But it feels more Lifetime Movie, plot wise.

Fear Street Relevance: 8. The wing in the hospital that seems to cause the most trouble is named after Simon Fear. So it’s The Fear Wing, and THAT is pretty great. Also, Toby is being kept in a house on Fear Street.

Silliest End of Chapter Cliffhanger:

“Then she had a sickening new feeling. Something in the room behind her was moving!”

… But nope, it wasn’t. She was alone the whole time.

That’s So Dated! Moments: Laurie and Skye first see Rick and the comparisons to Tom Cruise are thrown around pretty readily and heavily. I’m not so certain seventeen year old girls these days would be making THAT reference when trying to describe a cute boy.

Best Quote:

“He grabbed the front of the shirt, his face filled with mock horror. ‘Get rid of my bleeding knife t-shirt? Are you crazy?’

‘Get rid of it,’ she insisted.

‘But it’s so… so totally cutting edge!’ he cried.”

YEAH YEAH, I LAUGHED, OKAY?

“The Knife” was pretty lame. Less conspiracy, more GHOSTS, dammit! Next up is “The First Date”. I can only imagine how this is going to be.

Serena’s Review: “Down Among the Sticks and Bones”

31450908Book: “Down Among the Sticks and Bones” by Seanan McGuire

Publishing Info: Tor, June 2017

Where Did I Get this Book: the library!

Book Description: Twin sisters Jack and Jill were seventeen when they found their way home and were packed off to Eleanor West’s Home for Wayward Children.

This is the story of what happened first…

Jacqueline was her mother’s perfect daughter—polite and quiet, always dressed as a princess. If her mother was sometimes a little strict, it’s because crafting the perfect daughter takes discipline.

Jillian was her father’s perfect daughter—adventurous, thrill-seeking, and a bit of a tom-boy. He really would have preferred a son, but you work with what you’ve got.

They were five when they learned that grown-ups can’t be trusted.

They were twelve when they walked down the impossible staircase and discovered that the pretense of love can never be enough to prepare you a life filled with magic in a land filled with mad scientists and death and choices.

Review: Last year’s “Every Heart a Doorway” , aYA fantasy novella by Seanan McGuire, completely took me by surprise. It asks the important, but rarely asked, question: what happens when these special, chosen children return from their adventures in other worlds? In that book, we met Jack and Jill, twin girls who had spent years in their own magical land. Like many others at the school, they each had their own struggles adjusting to life back in this reality. Here, we have their back story. And, while I still love the creativity of this series, the fact that I knew the end story for these two did affect my perception of this story. It’s purely a personal problem, however, so all in all, this is a strong second outing for this series.

Like most children who wander into strange worlds, Jack and Jill don’t quite fit into the reality that they were born, too. Their mother, Serena (oh no!) makes a princess out of Jill, and their father, Chester, attempts to turn Jack into the son he wished he had. Growing up within these strict definitions that were chosen for them, it’s no surprise that when they discover a doorway in their attic, they choose to walk forward. The world that awaits is filled with monsters, science, and chaos. But perhaps most frightening and thrilling of all: choices. For two girls who have been told who they are since birth, this new found ability to decide offers temptations and dangers.

The greatest strength of “Every Heart a Doorway” was the clear-eyed approach it took on childhood. It’s all too easy to wrap up childhood in fluffy dreams of nostalgia, to wave away the worries and pains of childhood as nothing more than immaturity. This strength comes to the forefront in this book, a story that is even darker than the original novella. Jack and Jill’s childhood until age 12 in “reality” is one full of struggle against the various constraints of gender. I greatly appreciated the fact that both definitions, the “princess” and the “tomboy” are shown equally for the damages they can inflict. They both demonize a type of behavior in girls in lieu of presenting the “one true way.” It is made clear that the strictness of both and the lack of flexibility in the definition of “girlhood” is the root of the problem with either perception.

I also greatly enjoyed the time spent in the fantasy world, obviously. This world is dark, scary, and the choices presented to the girls have real consequences. As we saw in the first book, both girls are changed by their time in this world, and it was fascinating watching them each slowly develop into the characters we are familiar with from the first book.

This, however, was also where I found myself struggling with this book. I like darkness in my fantasy novels, but I do struggle to fully enjoy stories that end on this same dark note. I think the fact that I knew the events that took place in “Every Heart a Doorway” before reading this colored my perception of certain things and prevented me from fully committing to both of the main characters. I felt like I was almost keeping the story at a distance, because I knew not to get too attached. This is clearly a very personal flaw with the story and one that’s completely tied up in my own reading experience, so take it with a million grains of salt. Because, even saying that, knowing the end result also kept me interested as the girls transformed into the characters I knew, as I said before.

This was a solid second outing in this novella series. I believe there is a third, “Beneath the Sugar Sky,” in line to be published this coming January, and I will definitely be at the front of the line to get my hands on it! Definitely check this book out if you’re a fan of dark fantasy, especially of the classic monster variety!

Rating 7: An excellent dark, fantasy story, both benefiting and, for me, suffering from the fact that we had already been introduced to these characters in the first book in the series.

Reader’s Advisory:

 “Down Among the Sticks and Bones” is a new book so isn’t included on any relevant Goodreads lists, but it should be on  “The Monster Mash”  and “Best Gothic Books.”

Find “Down Among the Sticks and Bones” at your library using WorldCat!

 

Serena’s Review: “An Enchantment of Ravens”

30969741Book: “An Enchantment of Ravens” by Margaret Rogerson

Publishing Info: Margaret K. McElderry Books, September 2017

Where Did I Get this Book: ARC from ALA

Book Description: Isobel is a prodigy portrait artist with a dangerous set of clients: the sinister fair folk, immortal creatures who cannot bake bread, weave cloth, or put a pen to paper without crumbling to dust. They crave human Craft with a terrible thirst, and Isobel’s paintings are highly prized among them. But when she receives her first royal patron—Rook, the autumn prince—she makes a terrible mistake. She paints mortal sorrow in his eyes – a weakness that could cost him his life.

Furious and devastated, Rook spirits her away to the autumnlands to stand trial for her crime.

Review: This was an ARC that I nabbed at ALA purely because of the beautiful color and my vague guess that it was probably some type of fairytale…maybe? Honestly, ALA is such a mad house that I don’t think I even got around to reading the book description until I was back in my hotel. But man, what luck! This story was one giant mash-up of all of my favorite things about fairtyales: a relatable heroine, a hilarious and charming hero, and the darker side of magic.

In Isobel’s village, fairies are common customers. Humans possess the ability to make Craft, construct things out of materials, something that is deadly to fairies, and thus fascinating to these long-lived beings. Isobel is a prodigy portrait artist, and as such, as worked with fairies most of her teenage life, becoming quite familiar with the quirks and dangers of these people. In exchange for her work, she is paid with magical favors, like chickens that produce a certain number of eggs each week. But in every fairy gift, there lurks the potential for disaster, so Isobel has gotten quite skilled at carefully wording every request she makes. More so than other in her village, she understands that even the ultimate fairy gift, a drink from the Green Well which grants immortality and is reserved for only the most special cases of humans who posses Crafting talent over and beyond the usual and who come along maybe once every century, is not all its cracked up to be. So when whisked away by an unhappy fairy prince client, Isobel knows that her trip to the fairy realms is rife with potential disaster.

Isobel herself was one of my favorite parts of this book. From the very beginning, we see that she has grown wise through her experience with the fairies. She doesn’t trust them and sees the loss that immortality has inflicted upon them. They can’t seem to relate to others or feel real emotion about anything. In fact, the presence of emotion is what makes Rook stand out to her, and the painting of it is what gets her carried away. And even then, trapped in the fairy world with a volatile prince, Isobel never loses her head. The relationship she develops with Rook over their travels develops in a natural way and Isobel always retains her common sense about the dangers this is presenting to both her and him, since relationships between humans and fairies are forbidden.

Rook, too, was exactly the type of romantic hero I love. He’s lovably arrogant about his own kind, a trait that both amuses and exasperates Isobel. There were several laugh out loud moments for him throughout the story. He’s also given a strong backstory to justify the differences between him and the other fairies. But never loses his inherent “otherness.”

As readers of this blog know, my favorite fantasy stories often mix a good dash of darkness and horror into the story (see: “The Beast is an Animal”). Here, the fairy court is like a brilliant confectionery cake, but once you cut into it, you see the mold. Time has not been kind to beings who live forever. There is madness, isolation, and loneliness mixed behind every aspect of the fairy realm.  At the center of it is the Summer King, the ruler of the fairies, who has withdrawn from the world, but whose madness lurks and has begun to trickle into the human world as well.

For a fairytale not directly tied to re-telling any of the tales we are familiar with, “An Enchantment of Ravens” reads as a staple in the genre. Magic, adventure, danger, comedy, and romance are all balanced in this story, held together by two protagonists you quickly grow to love. I can’t recommend this enough to fans of fairytale retellings!

Rating 9: What a wonderful surprise! Sometimes judging a book by its cover has a massive upside!

Reader’s Advisory:

“An Enchantment of Ravens” is on these Goodreads lists: “Traveling in the Faerie Realms” and “Dark Fairy Tales.”

Find “An Enchantment of Ravens” at your library using WorldCat!