Book: “Feral Youth” by Shaun David Hutchinson (Ed.)
Publishing Info: Simon Pulse, September 2017
Where Did I Get This Book: The library!
Book Description: At Zeppelin Bend, an outdoor education program designed to teach troubled youth the value of hard work, cooperation, and compassion, ten teens are left alone in the wild. The teens are a diverse group who come from all walks of life, and they were all sent to Zeppelin Bend as a last chance to get them to turn their lives around. They’ve just spent nearly two weeks learning to survive in the wilderness, and now their instructors have dropped them off eighteen miles from camp with no food, no water, and only their packs, and they’ll have to struggle to overcome their vast differences if they hope to survive.
Inspired by The Canterbury Tales, Feral Youth features characters, each complex and damaged in their own ways, who are enticed to tell a story (or two) with the promise of a cash prize. The stories range from noir-inspired revenge tales to mythological stories of fierce heroines and angry gods. And while few of the stories are claimed to be based in truth, they ultimately reveal more about the teller than the truth ever could.
Review: We have once again found a book that is inspired by “The Canterbury Tales”, the medieval tome that I have not read. Even though I was excited about “Feral Youth”, enough so to highlight in on this blog, I was a bit worried that I would miss key components because of my ignorance. But I still went ahead and picked it up, and I’m glad that my self doubt didn’t discourage me. “Feral Youth” is a strong collection of short stories from a number of talented YA Authors, some of whom I loved before, others of whom I am now interested in pursuing.
As the description says, the premise is that a number of teenagers at a program for troubled youth are on an eighteen mile team building exercise hike, and tell stories to each other to pass the time or provide distraction. Each author of the collection has written a story for each of the teenagers, and created some insight into their personalities through the stories. As a whole the collection was pretty strong, with a few excellent standouts and a couple of clunkers. I’m going to talk about my three favorites here.
“A Ruthless Dame” By Tim Floreen: Cody is a closeted teen in a religious family. He starts up a romance with Mike, the boy next door who is visiting from college, and has a passionate, yet brief, love affair. But after Mike goes radio silent, Cody feels like he’s been used. When Mike comes home the next break, Cody finds out that Mike not only has a girlfriend, but a number of photos of underage boys on his phone… Cody included. Cody decides to follow the footsteps of the femme fatales of his favorite noir movies to get his revenge. This story was a pure revenge fantasy piece, and I greatly enjoyed Cody and his manipulations. While in many ways he has been victimized by Mike, he doesn’t take things lying down, and is brilliant in his scheming. I was cackling as I read this story, but also always had a sense for the tragic existence that Cody is living and why he loses himself in noir films.
“A Cautionary Tale” by Stephanie Kuehn: C.J. Perez has found himself in the role of Student Safety Escort during a college’s Avalon Festival. He meets Hollis, a sophomore who pulls C.J. into an urban legend and conspiracy theory about a serial killer, or something worse, that kills students at the school in cycles. While C.J. is skeptical, he and Hollis find out that things may not always be what they seem. This story was the one that pulled the rug out from under me, plot wise, and I expected nothing less from Stephanie Kuehn. You all know how much I love her books, and this short story is just another triumph of hers. The suspense builds and the behavior of various characters simmers in unsettling ways, so this combined made for an intense and shocking read. Man, I would love it if Kuehn would do flat out horror in her future works, because this story shows that not only could she pull it off, she could create something fabulous.
“Self Portrait” by Brandy Colbert: When Sunday moves to a new town and new school, she befriends Michah and Eli, two brothers. Michah and Eli have a tumultuous relationship, and Sunday finds herself in the middle of their low simmering feud. But she never could have imagined that she would find herself betrayed so fiercely by one of them. Colbert was the other author that I was very excited for, and “Self Portrait” didn’t disappoint. I feel like Colbert knows how to build up the feel of YA melodrama without ever crossing into the ridiculous, and Sunday’s story continues that theme. It was one of the quieter stories in this book, but it still packed a real emotional punch at the end of it.
The stories are strung together through interactions between the characters on the camping trip, and it was interesting to try and parse out who were reliable narrators and unreliable ones based on those moments. But all in all, it ultimately doesn’t matter if these stories are ‘true’, at least within the context of the story. The point is that they shed insight into those telling it, and with all these different authors telling these different stories it does feel like a group of unique individuals. If I missed anything because of my lack of knowledge of “The Canterbury Tales”, I didn’t notice it. It stood on it’s own two feet well.
“Feral Youth” was an enjoyable collection of short stories that showcases some good writers. If you want a taste of some of these authors, this is the place to start!
Rating 8: A solid collection of stories with a few serious stand outs, “Feral Youth” is a must read for fans of short stories collections with a twist!
Book: “Double Date” (Fear Street #23) by R.L. Stine
Publishing Info: Simon Pulse, 1994
Where Did I Get This Book: Ebook from the library!
Book Description:No girl in her right mind would say no to a date with Bobby Newkirk. Not with those great looks, that easy charm, and the awesome way he plays the guitar. Of course, some people think he’s just a bit conceited. But when it comes to breaking hearts, that hasn’t slowed Bobby down one bit.
At least, not until the beautiful Wade twins move to Shadyside. And Bobby brags to his friends that they’ll both fall for him.
And they do. Too bad for Bobby the twins never learned to share. One of them is jealous, murderously jealous. Is it quiet, shy Bree? Or bold, sexy Samantha? Bobby had better figure it out…or his double fun will turn to double terror.
Had I Read It Before: No.
The Plot: BUCKLE UP FOLKS. THIS IS THE LONGEST ONE YET!! So for this book we meet Bobby Newkirk, a festering shithead of a protagonist. Bobby likes to date girls as long as they entertain him, then he will toss them aside like a wadded up tissue and never look back. When we meet him he’s pressing a skinny redhead named Ronnie up against her locker, kissing her and teasing her. She treats him like a rapscallion up for some fun, but I think he’s sketch as hell right out the gate. He muses in his head about how she’s not the prettiest girl he’s been with, but she’s the last cheerleader on the cheer squad that he has yet to hook up with. As the go their separate ways, her to cheer practice and him to his garage band practice, he says that maybe he’ll call her, but it’s pretty clear he probably won’t. He runs into his acquaintances Markie and Jerry, and confirms that he dumped Cari Taylor, and ribs Jerry for having to work at McDonalds. Bobby wouldn’t know about that, because he’s rich. Oh great, more North Hills jerks. Then, ANOTHER cheerleader Kimmy Bass turns the corner and yells at him for standing her up the night before. He tells her he only did it because he got a better offer. Piece of work, this Bobby. Kimmy rightfully storms away. We then meet Bobby’s bandmates as he saunters into practice, late. There’s Arnie, the drummer, Paul, the keyboardist, and Bobby, the lead guitar. Apparently their band is called Bad to the Bone. After some gross chit chat about the girls that Bobby uses and tosses aside, Paul (the only one who is actually committed to the band and the only one concerned about their gig that Friday) makes an off the cuff remark about how surprised he his that Bobby didn’t try to date them both at the same time.
AND THAT is where the Wade Twins enter, Bree and Samantha. They just moved to Shadyside the previous year, and they are the most beautiful girls in school. They are looking for a teacher, but the guys tell them that he’s not there, so they go on their way. Bobby and Arnie make some objectifying remarks, and then Bobby decides that he is going to ask both of them out! Paul thinks that it can’t be done, but Bobby is totally willing to try. After practice wraps up, Melanie comes looking for Arnie. Melanie is Arnie’s girlfriend, but she used to date Bobby, but Bobby dumped her, natch. And he thinks that if she lost some weight he’d probably ask her out again. THIS. FUCKING. GUY. They then hear the Wade Twins in the hallway, and Bobby heads off to chat them up. Melanie tells him not to do it (at some point Arnie told her and we didn’t notice), but he blows her warning off. He goes in the hall and meets with Bree, who is quiet and demure. After chatting a bit, he asks her to come to the band’s show at the Mill that Friday night. She accepts, and Bobby thinks that’s one down.
Arnie stops by Bobby’s place after dinner and congratulates him on his skeezery, calling him “The Man” at Bobby’s behest. Bobby decides to take that moment to call Samantha and ask her out for Saturday. Samantha answers, and Bobby starts chatting HER up. Samantha says that she and Bree were just talking about him, and is suspicious when he says he wants to talk to her. He asks her out for Saturday night, and she reminds him that he had just asked Bree out for Friday, and then asks if it’s a dare or something. He says no, he’s just been thinking about her a lot, and thought that she’d like to go out with him too. She asks why he thinks she’d do that to Bree, and he says it’s because she’s just dying to go out with him. She calls him conceited, but accepts the date. He says that it has to be their secret, and she agrees. They hang up, and Bobby whoops and hollers with Arnie about how scummy this all is. Bobby is sure Samantha won’t tell because she’s so outgoing and cool. Arnie wonders why Melanie was so against this that she warned him about the Wade Twins, but Bobby doesn’t care.
Bree goes to Bobby’s show at The Mill, and Bobby hot dogs on stage and struts like he’s Mick Fucking Jagger or something. After the set he meets up with Bree on the dance floor and they dance around, but then Bree says she would like to go somewhere quieter. As they’re leaving they run into Paul, who chastises Bobby for taking the attention away from the rest of the band, but Bobby don’t care. He looks back at the dance floor and thinks that Melanie sure looks fat as she dances with Arnie. Christ. He and Bree go driving around Shadyside, and he talks mostly about himself since Bree is so quiet. He even talks about a science experiment he’s doing with two honest to goodness monkeys that his uncle, who imports animals to zoos. Oh, okay. Because it’s totally ethical to give your dumbshit nephew two monkeys he can do a diet experiment on. Anyway, he drives her home and they kiss for awhile. Bree asks him if he wants to hang out again the next night, but NO CAN DO, as he has a hot date with Samantha. He makes an excuse and they say their goodbyes with more kissing.
The next day Bobby meets Samantha at the Mall. When they walk up to each other she pretends that she sees Bree, giving him a jolt, but HA, just kidding! Samantha flip flops between thinking it’s cool that they’re sneaking around, to feeling weird about it, but she also doesn’t beat around the bush and tells him she’s heard of his whorish ways. They go into the Gold Barn, and Samantha starts trying on earrings willy nilly. The clerk asks that she not do that anymore, and she politely agrees. She then asks Bobby if he likes excitement….. and bolts for the door with the earrings in her ears! Bobby is shocked that she’s shoplifting, and then before they know it they’re being chased through the mall by the clerk! They manage to lose their pursuers, and have a moment where a security guard approaches them, but only because they were running. So they get away with it, scott free. ‘Okay, kind of weird, but also sexy,’ were no doubt the thoughts going through Bobby’s mind. As they get to his car Samantha says that she wants to drive, and she drives his car like a speed demon up to River Ridge, Shadyside’s make out point. They start kissing, and Samantha asks if he likes her better than Bree. He says sure he does. She tells him that there’s a way to tell them apart, but she’ll show him later, but then goes on to say to be careful with Bree because she’s ‘fragile’.
Some time later Bobby is heading to band practice. But before that, he detours to harass Kimmy some more, pulling her hair and asking what she’s doing on Saturday, only to tell her to take a bath. He runs into Arnie and Melanie in the bandroom (Paul is there too but pissed, apparently is thinking of quitting the band because Bobby is such a fuck), and Melanie asks if he’s still trying to juggle the Wade Twins. He brags about how Samantha was over for a study date and Bree showed up, but Samantha snuck out back, and how he has them both crazy for him. Melanie asks him what if Bree finds out and it causes a rift between sisters, but Bobby says that that’s just how it is. That night in his room, he gets a strange phone call, someone saying that two’s company, three’s a crowd, and that he’ll pay. It freaks him out for a bit, because who could do this? Turns out, though, it is just Arnie messing with him and telling him that Melanie is mad. Bobby implies that she’s still hung up on him, but hangs up when the doorbell rings. It’s Bree! She walks into the house, and he thinks that maybe he’s busted. Bree says that Samantha is seeing someone, but she won’t tell her who and it’s upsetting her. Bobby assures her that he’ll ask around, and kisses her goodbye, then struts around the house totally pleased that he’s manipulating her so perfectly. Then SAMANTHA calls him and tells him Bree is on the way, and that she suspects something. He assures her that he pulled it off, and she says that he needs to dump her right away because she’s sick of sharing him, and because if Bree finds out there’s not telling what she’ll do. Bobby isn’t ready to break it off yet.
On their usual date to the mall, Samantha insists on driving Bobby’s car. She drives like a lunatic, swerving into traffic and out of it and Bobby is convinced that they are going to die a fiery death. They get to the mall though, and she confides she doesn’t even have her license.
Over a slice at Pete’s Pizza, she asks him if he broke up with Bree while at Suki Thomas’s party the night before (YEAH SUKI MY GIRL!!!). He doesn’t really answer the question, but she seems satisfied when he assures her that she’s more fun than Bree. Eventually they make their way to the jewelry store again, and this time she dares Bobby to steal a charm bracelet. When she calls him a wimp, he says that he absolutely is not a wimp and lifts the case…. only for ALL the alarms to go off. But they make a clean getaway again, and Samantha accepts the bracelet for herself. Their merriment is short lived, however, as they are soon face to face with Bree!!! And Samantha looks absolutely terrified of her. Bobby says that they were just talking about her, and Samantha makes up some excuse about shopping and running into Bobby. Bree seems mollified, and both girls run off together, leaving Bobby in the lurch. Which irks him. But he’s still intrigued by them, and is convinced that he deserves a trophy for having them ‘both at once’. When he gets to his car in the parking lot, he finds that someone slashed some of his tires. EAT IT, CREEP. By coincidence (but Bobby doesn’t think so!), Melanie drives by, and offers to give him a lift. He’s certain that she has to be the one who did this because she’s jealous.
On the way to band practice that week, Bobby has decided that there’s no way that Melanie did it. For one, she does seem happy with Arnie, but for more importantly, there’s no way that a girl could slash his tires! On the way to band practice, he tries to catch up with Bree, but lost her as she went to chorus practice. Instead he finds Samantha, who pulls him into the science room. They kiss a bit, and she shows him the way to tell her and Bree apart: a blue butterfly tattoo on her shoulder. She then demands that he drop Bree because he doesn’t know her like she does. And boy is she adamant. She then shows him her science project: cannibal ants from New Zealand!!!
Yes, because NEW ZEALAND, the country of kiwis and sheep, would TOTALLY have those. (source)
At their rock show some times later, Bobby is being his usual boorish self, hot dogging and blocking Paul as he performs. But then, when he strums his guitar, he is suddenly bowled over by and electric shock! When he comes to, he is told that his amp wire was cut. He sees both Melanie and Kimmy looking down at him, concerned. He starts to wonder if someone is trying to kill him. WHen he gets home he calls Samantha, asking her if Bree could have done this. Samantha says she doesn’t think so, but then, she could be capable of ANYTHING. Sadly for Bobby, he turns around and sees Bree in his doorway. He hangs up and she says that she was SO SCARED. He hugs her, but wonders if she’s being sincere…
Bobby meets Arnie for lunch at a diner, and tells him that he wants to quit the band. He’s convinced that someone is trying to kill him, but Arnie says there wasn’t enough power in the amp to do that. Soon Melanie meets them, and Arnie goes to check in with his parents. Melanie asks Bobby if he’s okay, and says that maybe this is a sign that he needs to stop dating the Wade Twins. He asks her what SHE knows about it, and accuses her of being jealous and wanting him back. He then nuzzles up against her because YUCK! She assures him that no, she’s quite happy with Arnie, and shoves him off. Bobby storms off. He eventually meets Samantha a few blocks from her house, and they go driving together. She tells him that Bree is out with their mother. He asks her if Bree has said anything to him about his guitar, and she gets defensive, saying no, and that they don’t talk much anymore. The arm of her shirt falls to the side, and Bobby notices that there isn’t a butterfly tattoo there… THIS ISN’T SAMANTHA!!! He asks where her tattoo is, but she doesn’t hear him over the music. He pulls over and he asks if she’s Bree. She gets defensive, and says that he KNOWS Bree doesn’t know so how could she be? He asks abotu the tattoo on her shoulder, and she says that she doesn’t HAVE a tattoo. She then demands that he take her home because she’s upset him. He complies.
The next day at school he approaches both twins, but they blow him off. He goes to his locker, but sees a note on it that says ‘THIS IS YOU INSIDE’. He opens his locker, and sees the severed head of one of this monkeys!! He pukes his guts out, and Arnie comes to see what’s going on. He looks in the locker, and shows Bobby the monkey head is fake. But someone is definitely messing with him. Bobby is getting really scared now.
Before his date with Bree that weekend, Samantha demanded that he take her out somewhere so they could talk. She says that she asked him to dump Bree weeks ago, and now it may be too late. She is tired of waiting, and demands that they kill Bree together. Bobby is shocked, but she insists that they do this because she wants him all to herself. He says he will to placate her… but then he notices that there is a butterfly tattoo on her shoulder!!!! He asks her where it went in the car, and she has no idea what he’s talking about. She then tells him she wants to take him to a ‘special place’. While she drives he starts to wonder if maybe SAMANTHA is behind all of this! She drives them to an isolated cabin, She says that they can do the deed here, it’s her family cabin, and no one will ever know. Bobby decides that he has to warn Bree.
He calls Bree when he gets home, and says they have to get together right away. She says he has to wait until their official date because she’s busy, and hangs up. He waits until their date, and drives her away from her house, intending to tell her what Samantha plans to do. When he does, Bree has her own confession: she and Samantha aren’t twins. There is a triplet named Jennilynn who was sent away because of her violent tendencies towards the other two. She was so jealous of Bree and Samantha that she locked them in their room and set the house on fire. Luckily their father got home in time to save them, and they got Jennilynn therapy and sent her to live with relatives. She thinks it must be Jennilynn who wanted her dead, because she’s jealous that Bree has a boyfriend. She tells him that the way to tell it’s Jennilynn is the BLUE BUTTERFLY TATTOO ON HER SHOULDER!!!!!
Well after Bobby drops her off, he goes to tell Arnie about this (even though he promised not to tell anyone). Melanie happens to be there too, and Bobby tells them both, and demands if Melanie knew since she’s known the Wade Twins so long. She says that she ‘can’t say’ because she promised, and she and Arnie got to the movies. Bobby decides to dump both twins because he never bargained for a crazy triplet. The next day he meets with Samantha, who asks him why her sister was so upset when he dropped her off. He says that she told him about Jennilynn… And then Samantha says that THERE IS NO JENNILYNN, this is a sign that Bree is REALLY OFF HER ROCKER. She says that she has to go home and tell her parents…. He soon asks where her tattoo is. She tells him that she has no tattoo, and he says that she showed it to him in the science lab. She says that never happened and he needs to get a grip.
That night Bobby is at home when his phone rings. The caller identifies herself as Jennilynn, and demands to know why he was meeting with Bree at the Mall! He says it was Samantha, not Bree, and she says that she knows her own sister, and when are they going to KILL HER?
SO THE NEXT DAY he still hasn’t called Samantha or Bree or WHOEVER to ask about this, and Samantha drives up to his house in her convertible. He knows it’s her because she’s dressed very boldly. He gets in the car with her, and says that Jennilynn called him. She says that it HAS to be Bree because Jennilynn isn’t real. She says they’ll talk more when they get to the cabin. He then realizes that her shoulder HAS A TATTOO. He points this out, she says duh, he says that she didn’t have it at the mall yesterday, and she says she wasn’t at the mall yesterday, what is his problem? He asks if she’s always had it, and she says she showed him in the science lab!
They get to the cabin and she says that she has Bree’s murder all planned out. They get out of the car, and she hits HIM over the head with a bottle.
When Bobby wakes up, he realizes he’s tied to a chair, stripped to his tee shirt and boxers. He sees Samantha by a roaring fire in the fireplace, and she says that she’s Jennilynn. He says there IS no Jennilyn, and she freaks. OF COURSE THEY SAID SHE WASN’T REAL!! But she’s the one with the tattoo, and she was the one in the science lab! He begs that she let him go, and she says that her sisters can’t be happy, so they both have to lose him. She then dumps a jar of honey on his head, and THAT is when he sees the New Zealand Cannibal Ants. I AM SCREAMING, this is amazing. She takes their container’s lid off, and the ants storm forth, crawling all over him and starting to bite. She tells him to scream, because no one will hear him. She leaves him behind to his apparent doom. He freaks and falls over as the ants crawl all over him, but the tie comes loose due to the honey, and he’s able to get free. He runs out of the house, only to see headlights. He thinks that it might be Jennilynn, but no… It’s Melanie! He tells her what happened and she tells him to get in, they’ll go get help. She says that she wasn’t looking for him, though, she was trying to help Samantha and Bree, as someone stole their convertible and they thought it was Jessilynn. She admits that she knew the whole time, and he says they have to warn them. So they drive to their house….
WELL, when they arrive, he bursts into the house to warn them…. And sees that Bree, Samantha, Kimmy, Ronnie, and a few other girls are there. Mr Wade asks who he is and what he’s doing there. Bobby says that Jennilynn kidnapped him…. To which Mr. Wade says ‘who?’ He then says that his triplet daughter kidnapped him. Mr. Wade says there is no third sister. BUT THE CANNIBAL ANTS. “There is no such thing as cannibal ants.” Also, they don’t own a cabin. Bobby turns to Melanie for confirmation, and she says she has no idea what he’s talking about. BUT THE ONE WITH THE TATTOO-, to which Mr. Wade says they BETTER NOT HAVE TATTOOS. And they don’t. Mr Wade tells Bobby to go home and leaves to get the phone. Bobby says that the Twins did this to him, and they both say they have NO IDEA what he’s talking about they’ve just been with their friends all night. And then Melanie says that they were all in on this together because he’s a misogynistic pig who thinks he can just treat girls like crap. Humiliated, Bobby runs out.
At school that week Bobby is alone, his band has broken up, and he’s confronted by Bree and Samantha who give him a note that says “Twin sisters don’t have secrets. We both knew everything from the very start.” They wave and leave, and inside the envelope Bobby finds a temporary tattoo of a blue butterfly. THE END.
Body Count: Zilch, and I’m not angry about it because this story was baller.
Romance Rating: 1, because Bobby is a serious douche canoe. But again, that’s just fine given how this all shook out. Maybe I’ll up the ante to a 2 because Melanie and Arnie are happy enough.
Bonkers Rating: 8. I say this because these girls went to crazy lengths to teach this misogynistic creep a lesson, like shop lifting, breaking and entering, and probably what one could call assault.
Fear Street Relevance: 4. The Wade Twins live on Fear Street, and there’s some action in the Fear Woods, but altogether it could have been anywhere. Not as bad as books that take place outside of Shadyside, though.
Silliest End of Chapter Cliffhanger:
“Cut off just below the chin, the monkey head rested in a dark puddle of blood. Its tiny black eyes stared up lifelessly at Bobby. Its mouth frozen open in a silent cry of terror and pain.”
… And it’s just a plastic monkey head meant to freak Bobby out. I’m relieved, but how stupid.
That’s So Dated! Moments: Bobby named his test monkeys Wayne and Garth a la “Wayne’s World”, which is the second “Wayne’s World” reference in these books, so maybe Stine really likes this movie? Also their cover band plays a lot of songs from the 1950s, and I can’t imagine teens of today reaching THAT far back for retro points in the 2010s….
Best Quote:
“‘I warned you,’ she said in a low voice. ‘This is what you get for the way you treated Bree and Samantha, and for the way you treated all of us. You’re not Bobby the Man. You’re Bobby the Total Pig!'”
Conclusion: It was unexpected and kind of refreshing in a lot of ways, so I really have to give “Double Date” the props that it deserves. It shows that Stine was a bit more willing to think outside the box when it came to these books and not necessarily stick to a formula, and I LOVED how it all shook out.
Publishing Info: Katherine Tegen Books, September 2017
Where Did I Get this Book: the library!
Book Description: Before
Mira Minkoba is the Hopebearer. Since the day she was born, she’s been told she’s special. Important. Perfect. She’s known across the Fallen Isles not just for her beauty, but for the Mira Treaty named after her, a peace agreement which united the seven islands against their enemies on the mainland.
But Mira has never felt as perfect as everyone says. She counts compulsively. She struggles with crippling anxiety. And she’s far too interested in dragons for a girl of her station.
After
Then Mira discovers an explosive secret that challenges everything she and the Treaty stand for. Betrayed by the very people she spent her life serving, Mira is sentenced to the Pit–the deadliest prison in the Fallen Isles. There, a cruel guard would do anything to discover the secret she would die to protect.
No longer beholden to those who betrayed her, Mira must learn to survive on her own and unearth the dark truths about the Fallen Isles–and herself–before her very world begins to collapse.
Review: This book made its way on to my TBR pile for a few different reasons. First of all, I was intrigued by the inclusion of a fantasy heroine who struggles with her mental health. I’ve also read a few of Jodi Meadows’ books in the past and have mostly enjoyed them. And lastly, dragons. Enough said. For those three interest points, the book does deliver. However, the execution and pacing of the story was off and there simply weren’t enough dragons.
Mira’s life has been one lived upon a stage as the living representative of a treaty that brought several island nations together under a peace and trade agreement. But Mira herself has never felt like the fabled Hopebringer that she is meant to represent. For one, she suffers from anxiety and panic attacks and uses a counting system in her mind to keep her fears at bay. For two, she has an unseemly obsession with dragons, always running off to spend time on the reservation with her two friends and these fantastical beasts. But when she stumbles across a secret betrayal and reports it to her countrymen, she’s not rewarded, but thrown in prison.
I have complicated feelings and thoughts about this book. Many of the things I enjoyed were also parts that I later had criticisms of, which makes it hard to write this review. To start with some of the things I remained “all in” on throughout the book, I guess.
I very much enjoyed the world-building in this story. The islands that have joined together in the Mira Treaty all are based around one of the gods in a shared pantheon. These gods, and the religions practiced in their name, greatly shape the culture and priorities of each unique island nation. Mira is from a pair of twin islands that devote themselves to a pair of gods, a god and goddess of love. Through this lens, we get some insight not only into Mira herself and her struggles in her role as a public figure, but also into her reactions to the betrayal committed against her when she reports wrongdoing.
Part of Mira’s anxiety and insecurities are based on the fact that she sees herself as not perfectly matching the preferred and seemingly often inherent skill sets that make up her island’s culture. The people of her home are known for the social skills, to befriend others easily, to converse freely, and to generally thrive in social interactions. Thus, for Mira, a young woman whose role would require the most of these inherent skills, she sees her own struggles and inabilities in these roles as failures and a sign that there is something wrong with her. Further, her naivety when reporting on the betrayal she uncovers is explained through her perception of her homeland. For a country that’s focus is on love and care, it simply never occurs to her that power dynamics and political maneuvering could lead even her own country’s leaders down some treacherous paths.
As the story unrolls, we see various other island nation’s differing cultures and religions. There is an island nation devoted to Silence, and this is reflected in the power they associate with not speaking (a lesson Mira much needs), and an alternative language that they have developed to communicate without noise. There is also a nation focused on warfare and fighting prowess. A nation whose inhabitants are skillful healers and agriculturalists. A nation that worships shadows. All of these cultures are masterfully woven in throughout the story, and I very much appreciated the non-info-dumpy manner that Meadows worked them into Mira’s journey.
Mira herself was an interesting protagonist. I very much enjoyed the exploration of her anxiety, the strategies she has developed to deal with her panic attacks, her counting method (I don’t believe it is meant to represent an OCD habit, but it’s still incorporated well). Further, Mira is not demonized for missing the beautiful parts of her life when she finds herself in prison. She’s always been clean and been surrounded by lovely things. It’s believable and refreshing that she would miss these things and relish in them when she finds them again, even now knowing the underworkings behind her privileged life. I very much liked that she was written as a believable young woman in this way. And, again, while she sees things through new lens, her character isn’t punished for still loving these creature comforts or presented as superficial for caring that her hair is dry and broken from long days in a prison.
However, while I appreciated these aspects of her character, I never felt truly invested in Mira. I’m not quite sure what the problem was. Perhaps, while I liked the realism that was given to her character, that same realism read as…dull? The story has several action scenes and jumps from one location to another, but Mira was often a passive player in all of this. And that’s what the story requires, I understand that. But that still doesn’t make me enjoy it any more. So, yes, it’s complicated. I see what the author was trying to do, and I think she largely accomplished it, but the downside of that same success is that this goal makes Mira not the most engaging character to follow.
Further, the pacing of the story was strange. In the beginning, her time in prison was broken up with flashbacks to the events that lead up to her ending up where she does. There’s nothing wrong with this approach, but it was hard not to find myself skimming through the flashbacks, eager to get back to the prison plotline that I felt was much more compelling. Part of this is due to the fact that Mira’s fellow inmates were much stronger characters than her two friends back in the outside world. So with a fairly bland leading lady, these variations in strength of supporting characters really drove my appreciation of one plotline over the other.
Further, about halfway through the story, Mira’s experiences take a sudden shift and, again, due to the change of location and supporting characters, it was all just kind of “meh.” This whole section left something wanting in my opinion, and again, I was eager to get back to the prison action.
Lastly, the dragons serve an important role within the story, and yet, somehow, I still felt like there wasn’t enough of them in the story itself. At the point we were at in this book, I almost wish there had been even less? We were right at the teetering point with what was given here, and I feel like committing to one side of the other would have been an improvement. Either make the dragons a more active portion of the story, or keep them more fully on the peripheral as chess pieces in a larger game.
Ultimately, while there were things that I very much enjoyed about this story, I left it feel rather indifferent. I wasn’t “in love” with anything presented here, but I also didn’t actively dislike it. I give tons of credit to Meadows for giving us yet another example of a YA protagonist who isn’t a special snowflake. And the world-building is very interesting. As I recently discovered with “A Poison Dark and Drowning,” sometimes the second book in a trilogy is better having gotten all of the set up out of the way with the first book. That would be my hope with this trilogy.
Rating 6: Doing good work introducing a YA heroine who struggles with her mental health, but lacking in strong pacing.
Book: “A Poison Dark and Drowning” by Jessica Cluess
Publishing Info: Random House Books for Young Readers, September 2017
Where Did I Get this Book: Blogging for Books
Book Description: Henrietta doesn’t need a prophecy to know that she’s in danger. She came to London to be named the chosen one, the first female sorcerer in centuries, the one who would defeat the bloodthirsty Ancients. Instead, she discovered a city ruled by secrets. And the biggest secret of all: Henrietta is not the chosen one.
Still, she must play the role in order to keep herself and Rook, her best friend and childhood love, safe. But can she truly save him? The poison in Rook’s system is transforming him into something monstrous as he begins to master dark powers of his own.
So when Henrietta finds a clue to the Ancients’ past that could turn the tide of the war, she persuades Blackwood, the mysterious Earl of Sorrow-Fell, to travel up the coast to seek out strange new weapons. And Magnus, the brave, reckless flirt who wants to win back her favor, is assigned to their mission. Together, they will face monsters, meet powerful new allies, and uncover the most devastating weapon of all: the truth.
Review: I wasn’t a huge fan of “A Shadow Bright and Burning.” It wasn’t the worst thing ever, but I had a few distinct issues with it and, perhaps worse, after reading it, I pretty much forgot about it and the fact that it was the first in a trilogy. But then “A Poison Dark and Drowning” popped up on Blogging for Books, and I thought “why the heck not?” I also requested an audiobook version from the library, since we all know how I am about needing my multiple formats. And, in this case particularly, I’m very glad I did! While this wasn’t a perfect book and several of my concerns from the first came to fruition here, this sequel is definitely an improvement on the first, increasing the stakes, expanding the setting, and, for the audiobook, read by an awesome narrator who added much needed depth and tone to Henrietta’s voice.
Opening shortly after the end of the first novel, Henrietta has settled into her new life as a sorcerer. As well as she can, that is, knowing that she is being asked to live a lie and pose as the prophesied savior. London is in a precarious point in the war against the almost all-powerful Ancients, lead by the horrifying Skinned Man, Relim. Yes, at the end of the last book they struck a crucial blow, killing one of the Ancients for the first time ever. But the protective ward around the city fell as a result, and now they all wait, exposed, wondering why Relim hasn’t yet struck. Throughout all of this, Henrietta’s focus is also drawn more close to home as her childhood friend and love, Rook, begins to succumb to the darkness that has poisoned him after being attacked in the last book.
It is clear that Cluess felt much more freed up, as it were, when she wrote this novel. It’s not even that surprising. She had a lot of ground to cover in the first book including world-building, the mysteries surrounding Henrietta’s family, and setting up not one but two magic systems. Here, with all of these factors already in place, it feels like the author was finally able to open her wings. The pacing of this story was much more active, and the magical elements fit more naturally into the storyline. Henrietta’s tale takes outside of London, onto the treacherous ocean, ruled by a monstrous spider Ancient, to a misty moor hiding a monster hunter’s house, down into the land of fairy that is ruled by the capricious and cruel Queen Mab, and through many different battles, with the Ancients themselves, as well as their creepy familiars.
Henrietta herself is also more fully fleshed out in this novel. While she still had a tendency to withhold information and lie more often than is likely wise (a pet peeve of mine with YA heroines), she’s also more sure of herself and of her own powers, specifically her magicians magic. She also barely avoids the typical “martyr complex” also all too familiar for YA heroines, and still maintains a practical head on her shoulder, even when atrocities are being committed simply to lure her out. Part of my increased appreciated for Henrietta is due to the clever and nuanced voice that the audiobook narrator managed to give the character. There were moments where she added tones of humor, exasperation, and sense to dialogue that may have read more melodramatic simply from the page. It’s one of those tricky things, in cases like this. I honestly can’t tell how much of my improved attitude towards this character comes from the way she was written (was the characterization actually stronger?) or from simply enjoying this narrator quite a bit (would I have appreciated the first book’s version of Henrietta more had I listened to the audiobook version of that one too?). Ultimately, I do think that Henrietta’s storyline was much stronger in this book, largely freed from the angst and drama from the first book.
We also delved more deeply into Henrietta’s history and into the mystery surrounding how and why the portal that let the Ancients into this world was open 17 years ago. While I found some of this to be fairly predictable, there were enough twists and turns added to still make the reveals feel new and interesting.
The stakes were also much higher in this story. The ward is down, London is in danger, and the odds are not good. And these things aren’t simply left as passive threats. There are battles, soldiers die. Towns are destroyed, and civilians suffer. Beyond this, there are consequences, real and terrible consequences, to the choices that characters make. I was surprised and impressed by the author’s commitment to “going there” with some of these decisions. This added seriousness of tone did a lot to balance out my major, and predictable criticism of this book: a love square.
As I mentioned in my review of the first book, the story is set up with Henrietta surrounded by a bunch of young men, all potential love interests in some manner or another. In that book we had Rook, Henrietta’s childhood love, and Magnus, the charming rogue. The story ended with Henrietta choosing Rook, in no little part due to the fact that Magnus turned into a jerk who was not only already engaged but let loose that he thought Henrietta was beneath him. But here, not only does Magnus get freed back up, breaking his engagement, but somehow is retconned into being much more regretful about his previous behavior. Henrietta’s heart is with Rook, however his descent into darkness and the unknowable future make their relationship challenge. And now we also add in Blackwood, the dark and brooding magicain who was slow to warn to Henrietta in the first book, but looks to be being slotted into a sort of “Mr. Darcy/bad boy” role where he’s made better by his close friendship with Henrietta, a relationship that, at first only on his side but slowly on hers as well, begins to blossom into something more.
The worst part of all of this was the fact that the book was clipping along until about halfway through with barely a reference to any romance, other than a few thoughts and concerns shot Rook’s way. And then BAM, right in the middle of the story and the action the brakes were thrown on and the story became stuck in love-triangle/square-melodrama. Thankfully, the story did kick back into the action eventually, but there were times in the middle of this section where I almost put the book down. I really don’t understand why this is considered to be necessary in YA fantasy. The story was so strong without it, and sure a dash of romance is often appreciated, but tonally, the book takes a massive swerve when it suddenly commits so much page time to these silly romantic flounderings. And ultimately, this middle section soured my opinion on all the characters involved: Henrietta, Blackwood, Rook. Magnus, bizarrely, probably comes out of all of this in the best light. And in the end, I’m not sure how I’m supposed to feel about where things stand. Who exactly am I supposed to be rooting for? The fact that I can’t tell is the biggest problem, and ultimately, I wish Henrietta would just kick them all to the side and go have awesome adventures with Maria.
To end on a good note, Maria, a Scottish witch they pick up on their travels, was probably my favorite part of this story. Not only does she add the much needed female companion to Henrietta, but as a character herself, she’s excellent. Through her we see the horrors that the witches have suffered, alongside the magicians who we’ve heard about through Henrietta’s story, during the systematized persecution put in place after the portal was opened years ago. She has a powerful magical ability, and she wields an ax. And, best of all, the story sets her up in a pivotal role going forward. Again, Henrietta, girl, throw those boys away and hang with Maria. Rook = no personality. Blackwood = kind of a jerk with controlling tendencies. Magnus = already showed his cards as a player. Maria = besty who is the only one Henrietta is comfortable being completely truthful with. Seems pretty obvious to me.
Ultimately, I did enjoy “A Poison Dark and Drowning” more than the first. The story is given increased depth and danger, and while some of my predictions regarding the plethora of love interests did come to icky fruition, the added character of Maria makes up for it. If you like audiobooks, I do recommend checking out that version of the story as some of my increased opinion could be due to the narrator’s skillful reading.
Rating 7: Full of action and dark twisty magic, if unfortunately interrupted by silly romantic entanglements at times.
Reader’s Advisory:
“A Poison Dark and Drowning” is fairly new and isn’t on any very relevant Goodreads lists, but it should be on “Victorian YA Novels.”
Book: “Bad Dreams (Fear Street #22)” by R.L. Stine
Publishing Info: Simon Pulse, 1994
Where Did I Get This Book: The library!
Book Description:Every night Maggie Travers has the same horrible dream. Every night she is forced to watch the same murder. And every night the girl in her dream cries out for help. Maggie is afraid to go to sleep again. But when the terrifying dream starts to come true and the gruesome accidents begin, staying awake is the real nightmare!
Had I Read It Before: No.
The Plot: We open with a girl having a bad dream in her house on Fear Street. She awakens and realizes that it was only a nightmare…. Until she notices someone in the corner of her room who attacks her with a knife! The girl protests ‘but you’re my SISTER!’, and then it’s lights out for her.
So then we meet the Travers family, moving to Fear Street from their posh home in North Hills. Maggie is the oldest, and she’s beautiful, clever, and a great athlete. Andrea is the youngest, and she’s.. less so. They’ve gotten lost on the way to their new home. Andrea says that it’s Maggie’s fault since she’s the navigator, but Maggie says if they hadn’t stopped for Andrea’s bladder they could have followed the moving truck. Mrs. Travers just wants peace and quiet. Turns out they fight so much, they were even fighting the day that their father stroked out and died, POSSIBLY because he was yelling at them to stop fighting. Unlikely, but it’s implied. They get to their new house, and Andrea lets their dog Gus out of the car, who goes rushing down the street. Mom tells her to go get him, but Andrea says that since he’s Maggie’s dog, SHE should do it. Oh this girl is going to be fun. Gus is nearly hit by a car, but isn’t and Maggie is pissed AF at her little sister. Rightfully so, I say. They go into the house, and the girls go to the rooms they called dibs on the previous visit. Maggie walks into her room and sees that the previous owners have left behind a BEAUTIFUL wooden canopy bed, with carvings and pink dressings. Andrea sees it next, and then has the AUDACITY to ask Maggie if she can have it. Maggie reminds her that she got the bigger room, so Maggie is keeping the bed. Andrea starts to temper tantrum, and Mrs Travers says that Maggie gets to keep it. When Andrea whines more, Mrs. Travers gets sad because her family is clearly a wreck.
They go out to dinner that night and Maggie vows to try to keep the family together in spite of her rotten sister. When they get home, Maggie’s new boyfriend Justin calls, and he arranges to come over the next day to see the house. Then Dawn a member of the swim team at school that Maggie and Andrea are on calls. Dawn USED to go out with Justin, but not anymore. Dawn says she missed them at practice, but then asks if Maggie is ready to lose the swimming race the next day. But given that Stine never did care THAT much for the Bechdel test between two girls who could be fighting over a boy, they start talking about Justin. Andrea is jealous of her sister’s seemless popularity. Later that night Andrea is hogging the bathroom and Maggie is getting mad, but doesn’t start a fight. Instead, she gets ready and goes straight to bed. Then she has a bad dream, involving a sleeping mystery girl and a swirling cold mist. She wakes up screaming, and Mrs. Travers and Andrea run in. Maggie tells them about the dream, and Andrea guesses it’s about Dawn, since they were on the phone and both the girl and Dawn have blonde hair. Maggie isn’t totally convinced, but accepts it for the evening.
The next morning Maggie wakes up far later than she wanted (as swim tryouts for State are the next day and she needs to practice!), so she straightens up her room and decides to wait for Justin to come by. She checks in on Andrea, who is jealous that Justin is coming by. She also admits to having ‘strange thoughts’. But soon Justin is there and Maggie is distracted enough to forget about Andrea’s woes. He brings sponges for the housecleaning, and while that may seem dopey, Mrs Travers is won over, and I would be too. Owning a house means lots of cleaning, and I hate shopping for cleaning supplies! Justin and Maggie retreat to her room (how progressive of Mrs Travers), and they talk about the swim tryouts. The coach has narrowed it down to four girls for two spots: Maggie, Dawn, a girl named Tiffany, and Andrea. The odds are in her favor, along with Dawn’s. Then she tells him about her bad dream, and he writes it off as well. They start fooling around, but then are interrupted by Andrea watching them. Maggie tells her to scram, and she says that she worries that the dream was some kind of foreboding. Justin, being a dumb teenage boy, pretends that he’s having some kind of episode…. But then they laugh and laugh.
At the swim tryouts the next day, Dawn, Maggie, and Tiffany are hanging out while Andrea keeps to herself. She only says something when she accuses Maggie of stealing her swim cap, only for Tiffany to point out that it’s in Andrea’s own backpack. HOW EMBARRASSING. They line up to race the 200 IM, and once they are in the water it becomes a real nail biter! But, luckily, Maggie is a beast of a swimmer and she comes in first with Dawn second, followed by Tiffany and Andrea. Maggie and Dawn are going to the tournament! Dawn tries to accuse Maggie of cheating since her wave crest knocked the lane line into her, but Coach says no dice. They have practice as usual, and Maggie is feeling the burn. As she leaves the locker room into the pool area, SHE SEES A BODY IN THE POOL!! And it’s DAWN!!! Maggie jumps in to save her, but Dawn is just fine, only practicing her breath control. They laugh and laugh.
The next night, Maggie has sleep problems again. The dream really pulls her down into a weird state on consciousness. This time she sees the girl in her first dream lying in bed, writhing around, and someone with a knife suddenly attacks her! Maggie wakes up, and comes to the horrible realization that this is the bed she saw! She then realizes that someone is in the room with her! But it’s just Andrea, who heard her making noises. They talk about the dream for a bit, with Maggie describing it all in detail: the knife, the bed, everything. They are having a lovely sisterly moment…. Which is then ruined when Andrea suggests that Maggie is so stressed out that maybe she should cut back on swimming. Maggie finds this UNACCEPTABLE, and tries to pull off a joke that Andrea wants to swim in the tournament herself. Which then ANDREA finds UNACCEPTABLE because Maggie is ALWAYS insulting her and then pretending not. Andrea says Maggie is dreaming about stabbings, so who does SHE want to stab? But Maggie feels more like the victim in the dream….
At school the next day Maggie thinks she sees Andrea’s red hair in the busy hallway, and tries to catch up with her. Then she sees Dawn, and starts calling her name. The crowd is a mad rush between classes, and as she meets up with Dawn on the steps, suddenly Dawn is THRUST FORWARD, and tumbles down the staircase!!! The paramedics are called, and Dawn accuses Maggie of pushing her! Maggie is shocked and asks Andrea for backup, but Andrea says she didn’t see. Maggie realizes the girl in the dream had blonde hair, and so does Dawn. Did she somehow do this? When she sees Tiffany, Tiffany says she doesn’t think Maggie did anything wrong. When Maggie gets home, she falls asleep on the couch, and has a very nice rest. Better than any rest she’s had on the bed!
That Saturday Maggie is still having trouble sleeping in her bed, and falls asleep under a birch tree. Her neighbor, Mr Avery, wakes her up, afraid she is going to get sunburnt, and proceeds to tell her that her new house was unoccupied for awhile, and tells her that it was a terrible thing that happened there. When she asks him what it was, instead of elaborating, he invites her inside to meet his wife. Because OF COURSE, you story cock blocking old man! Maggie says sure, though, and meets Mrs. Avery. Finally, the neighbors come out with it. A family called the Helfers lived there, and they had a teenage daughter named Miranda who was stabbed to death in her own bed! She goes to the movies with Justin that night, feeling more paranoid than ever. They see Dawn and Tiffany in the parking lot of the movie theater, and Dawn says no hard feelings, and reminds us readers that Tiffany and Maggie now have another race to compete in soon to secure a spot in another race in the state tournament. Maggie and Justin go parking and fool around a bit, but Maggie is still too distracted by her dream to let him get past first base. She tells him all about Miranda and her theory that the bed is trying to tell her something. And Justin has the patience of a saint.
So now we have the next tryout for the next race! With just three girls now, that gives Andrea more of a chance for a spot. But if you put your money on her, sorry to say that it is, indeed, Tiffany and Maggie who come in first and second. Dawn, who was watching, only congratulates Tiffany because apparently no hard feelings is for losers. Andrea is crestfallen that she’s only the alternate. But that night, Maggie has the dream again, and this time she wakes up and is convinced someone is with her in the room. She sees Andrea, who says she came to borrow her curling iron (in the middle of the night?). Andrea leaves, and Maggie decides to leave the bed for awhile, walking around the house and going to the kitchen. She hears a floorboard creak, but chalks it up to losing her mind. When she returns to her room, there’s a huge knife shoved into her pillow. She screams and runs to get her Mom, but of COURSE when they return to the room, the knife is gone. Maggie runs to Andrea’s room, and accuses her of it all. Mrs. Travers and Andrea tell her she’s losing it.
The next day at swim practice, Maggie is starting to falter a bit, losing to Tiffany in a for funsies run. Coach asks her if she’s getting enough rest. Maggie lies and says that she’s fine and will be great for the meet. In the locker room Tiffany and Maggie share a light ribbing of each other (though Maggie is worried that Tiffany is right and she IS slipping), and Andrea is sulking still. Maggie goes to talk to coach one last night, and when she leaves she goes back into the pool area… AND SEES TIFFANY LYING IN A PUDDLE OF HER OWN BLOOD!!! Maggie rushes to her side, and finds a knife! Later that night, we find out that Tiffany will be okay, but can’t swim in the tournament, leaving Maggie and Andrea as the only options. And Andrea seems PRETTY HAPPY about the whole thing. Maggie wonders aloud if her dream was trying to warn her, but Andrea shuts all that down. That night, Maggie has the dream again, but this time when she wakes up, THE BLONDE GIRL IS STANDING ABOVE HER, GLARING DOWN AT HER WITH A KNIFE!! Maggie asks if she’s Ghost Miranda, and the girl nods. Maggie darts away, and Miranda goes after her again, until she hears Mrs. Travers calling for her. Miranda jumps out the window, and Maggie is left alone when Mrs. Travers comes in. Still babbling about a ghost, Mrs. Travers says that it’s therapy time!
But first, it’s field trip time at school! To the caverns! Which is all an exercise in paranoia, as Maggie gets separated from her group and is convinced Miranda is chasing her. But it’s just Justin. When she starts with the dream stuff again, he too has had it. The next day he’s back to being his perfectly understanding self, and she says that she’s seeing a therapist now. She didn’t dream about the bed or Miranda the night before. She is worried that the stigma will chase Justin away, but he says that he wants to see her again, and how about tomorrow night after the swim tournament? She hugs him, thinking all is well, but then sees Miranda staring at her from across the parking lot!! She freaks out, but then demurs when Justin asks what’s wrong, and says she’ll see him tomorrow. She goes home, and is roped into a cookout with the Averys and her family. She wonders if the answer is in the bed, but when she goes back to her room, it’s disappeared!!! Andrea comes up behind her and tells her that her therapist said that the bed has to go, and I’m inclined to agree. Mr Avery helped Mrs. Travers take it down, and it’s now in the attic. The attic, hmmmmmm? Andrea says Maggie better not go up there because Mom will be mad, and Maggie says she won’t and returns to the cookout, while totally planning to go into the attic.
SO, that night after everyone else is asleep, Maggie does, indeed, go into the attic. She wants to sleep in the bed one last time, hoping to get the answers. But then she realizes that someone else is in the bed already!!! And it’s Miranda, the ghost! Maggie reaches out and touches her, and Miranda wakes up! She’s not a ghost at all! In fact, she’s not even Miranda!! She’s GENA, Miranda’s sister… and KILLER!!! Miranda had everything, and Gena was jealous, and so Gena murdered her. But Miranda was also a bit psychic, apparently (wat?), and must have been trying to warn Maggie about Gena, who has been living in the attic this whole time because THIS IS HER HOME, DAMMIT, the hospital she escaped from never was!! And now she wants to kill Maggie because Maggie is a BAD OLDER SISTER TO ANDREA, JUST LIKE MIRANDA WAS!! Andrea then pops into the attic, and Gena says that this is all for her!!! At first Maggie thinks that Andrea planned the whole thing, but of course not! As she keeps attacking Maggie, Gena tells Andrea she also attacked Dawn and Tiffany because she knew that Andrea wanted to go to state!! She also pushed the knife in Maggie’s pillow and has caused the general havoc as of late. The sisters struggle with Gena, and tie her up in the canopy before calling the police. As the police take Gena away, the Travers family sits around the table drinking coffee, the sisters now fighting about who HAS to keep the bed, and lamenting how little sleep they got with the swim tournament that afternoon. As Maggie goes upstairs to try and get SOME sleep, she says ‘goodnight…. and sweet dreams!’ The End.
Romance Rating: 5. Maggie and Justin seem like a perfectly functional couple, but there isn’t much to be said for chemistry.
Bonkers Rating: 7. True, there was the combination of psychic dead girl AND a crazy person hiding out in the attic, but it was so poorly constructed I’m docking points.
Fear Street Relevance: 8. The Travers family has just moved to Fear Street AND the house has a haunted bed.
Silliest End of Chapter Cliffhanger:
“She opened her eyes with a startled gasp. And saw a frightening looking man reaching for her throat. ‘This won’t take long,’ he said.
… And then it was actually just the nice next door neighbor saying ‘you been baking long?’, as he was worried about her getting sunburnt.
That’s So Dated! Moments: Maggie is rocking a pretty sweet Trapper Keeper, but could it possibly have been as cool as my once mentioned Catwoman Trapper Keeper???
“‘Welcome to burglar city,’ Andrea joked, pretending to do a tour guide voice. ‘Our neighborhood is proud to announce we have one of the highest crime rates in the country.'”
I mean, she isn’t wrong.
Conclusion: “Bad Dreams” was a big ol’ jumbled mess that didn’t know what it wanted to be. I say skip it completely and spend your time on other “Fear Street” books. Up next for us is “Double Date”!
Publishing Info: Crown Books for Young Readers, November 2017
Where Did I Get This Book: I received an ARC from the publisher and NetGalley!
Book Description:From the New York Times bestselling author of All the Missing Girls and The Perfect Stranger comes a suspenseful psychological mystery about one girl’s search to uncover the truth behind her ex-boyfriend’s death. Perfect for fans of We Were Liars and 13 Reasons Why .
Jessa Whitworth knew she didn’t belong in her ex-boyfriend Caleb’s room. But she couldn’t deny that she was everywhere–in his photos, his neatly folded T-shirts, even the butterfly necklace in his jeans pocket . . . the one she gave him for safe keeping on that day.
His mother asked her to pack up his things–even though she blames Jessa for his accident. How could she say no? And maybe, just maybe, it will help her work through the guilt she feels about their final moments together.
But as Jessa begins to box up the pieces of Caleb’s life, they trigger memories that make Jessa realize their past relationship may not be exactly as she remembered. And she starts to question whether she really knew Caleb at all.
Each fragment of his life reveals a new clue that propels Jessa to search for the truth about Caleb’s accident. What really happened on the storm-swept bridge?
Review: A special thank you to Crown Books for Young Readers and NetGalley for providing me with an ARC of this book!
So perhaps you all remember that I read and reviewed Megan Miranda’s novel “All the Missing Girls”, and I wasn’t very impressed with it beyond the framing of it. But I was intrigued enough by her as a writer that I knew I’d probably pick up something else she had written in the future. That book happened to be “Fragments of the Lost”, a new YA psychological thriller by her. I saw that it was available on NetGalley, and decided to request it. When I finally got to reading it, I figured that I would start it one evening and make my way through, as I did with “All the Missing Girls”. But lo and behold, I actually sat down and read it in one sitting. So you know that we’re off to a pretty good start when THAT happens.
I think that what grabbed me about this book right away was Jessa, our main character. She’s a girl who has gone through the awful trauma of losing her ex-boyfriend Caleb after his car is thought to have gone off a cliff during a rainstorm and flood. She’s believable in that she has mixed feelings about cleaning out Caleb’s room, as they had broken up before his car went off the cliff on that rainy day. She was a very down to earth and realistic person, never treading into the realm of simpering or frustrating in her emotions. Which is funny, because I fully prepared myself for her to be the kind of wreck that Nicolette was in “All the Missing Girls”, and yet it was in the YA novel that Miranda’s main character was bit more nuanced. As she cleans up Caleb’s room, we get to see their relationships through flashbacks, depending on the object that she is sorting in the moment. While it had ample chances to become schmaltzy, it never did because Jessa is that well rounded and complex of a character. As for the other characters, we really only got to see them through Jessa’s eyes, so it was harder to get a gauge of who they were. I think that you certainly can give readers a handle on other characters through a main character filter, but I didn’t feel like we completely got there with Jessa. While I really liked her, everyone else was fairly bland. Caleb was really just this enigmatic good person that we didn’t really get to know beyond this plotline, and while I did like their mutual friend Max, a sweet geeky kind of guy, he was really just there to provide support to Jessa through thick and thin, no matter what. I liked him and I liked how he interacted with her, but he was just there for the ride and showing up when needed.
The mystery was solid enough, and I liked that we were given the pieces as Jessa boxed up his room. From a pair of spare glasses to a broken fan to some sporting equipment, we learn bit by bit what Caleb was like, what his relationship with Jessa was like, and why perhaps none of it was as real as she thought it was. I think that had it stopped there, and been an examination about young love lost, the different sides of people even in relationships, and why we may never know everything about them, this would have been a pretty powerful book. But while the mystery was solid (as to what actually happened to Caleb that day), I think that it may have actually hindered an already powerful narrative. That isn’t to say that Miranda had to write a book that was solely a meditation on grief and loss, because it’s her prerogative to write a mystery and I say have at it. Hell, this mystery was interesting to follow and I liked it enough. But along with it, we started to get into areas that kind of pulled me out of the story because of how unrealistic things were. It was mostly little things, like how a library computer would probably NEVER have search history that went between sign in sessions because of privacy laws, or how it would take a whole lot more than just a fake ID to completely restart your life as a new person. These may not seem like much, but it was enough to take me out of the story even for a little while, which was distracting. There was also a sudden shift in solution in the end, and you all know how I feel about that kind of thing. When I’m told that only options A and B are going to work, I have a really hard time swallowing a sudden option C rearing it’s ugly, if not convenient head.
“Fragments of the Lost” was a twisty turny read, though, and I think that it’s one of the stronger YA thriller/mysteries that I’ve read this year. Meg Miranda should definitely write more for this audience, as she brings the nuance that is needed to write an effective whodunit.
Rating 7: A pretty interesting mystery with an engrossing parsing of clues, “Fragments of the Lost” is a tangled read with some unexpected surprises. The characterization of supporting characters could have been stronger, but I enjoyed reading it.
Reader’s Advisory:
“Fragments of the Lost” is pretty new and not on many Goodreads lists, but I think that it would fit in on “YA Post Death Novels”.
Johanna Wise has always longed to be part of Dennis Arthur’s rich, popular crowd, and she can’t believe it when he finally asks her out. Now she’ll do anything to continue to hang out with his cool friends and keep Dennis as her boyfriend.
So when Dennis dares her to kill their teacher, Mr. Northwood, she doesn’t say no. She can’t. Besides, it was only a joke, right? But now the joke has gone too far, and the whole school is taking bets on Johanna. The dare is serious…dead serious. Will she do it? Will she really kill for love?
Had I Read It Before: Yes.
The Plot: We meet Johanna Wise as she and her BFF Margaret are going to the local 7/11 to get some hotdogs for dinner. Both Johanna and Margaret are unpopular girls at Shadyside High School because they’re both average looking and poor (though Johanna brags about how skinny she is and how ugly Margaret is. So this is the kind of first person POV we get, huh?). As they’re waiting for their hotdogs to cook, a group of five rich kids from North Hills come into the store as well. The leader, Dennis, is Johanna’s crush, because he’s handsome and rich and really really funny. If funny means he and his friends making a huge mess in the 7/11 with the slurpies while daring each other to do it, angering the poor cashier who probably wasn’t even supposed to be there today. When confronted, Dennis pulls a gun and shoots the clerk!… but of course it’s just a water gun. The kids laugh and laugh, and Zack throws cash on the counter as they leave, as if it’s not super condescending and humiliating. Johanna thinks all of this is hilarious.
In history class the next day we meet Mr. Northwood, the stern instructor that everyone is kind of meh about. He’s described as a ‘beardless Clint Eastwood on a bad day’, and honestly, that doesn’t sound too bad if we’re talking younger Clint Eastwood. One could do worse. Johanna is lingering behind to get some clarification on a paper, but sees Dennis arguing with Mr. Northwood about a make up test. Apparently, Dennis’s family is going on their annual trip to the Bahamas in a short while, and Mr. Northwood isn’t letting him make up the midterm at a later date. It’s either be there or fail. Absolutely affronted that he’s not getting his way, Dennis throws a textbook on Mr. Northwood’s desk and Johanna beelines for the hallway. She and Margaret eavesdrop, and Dennis storms out just as Margaret makes her exit. Johanna feels bad for Dennis (though she notes to the reader that SHE isn’t getting any trips to the Bahamas any time soon), and they start a weird game of fantasizing about killing Mr. Northwood after Dennis says that he could just kill him. She tells Dennis that she’s actually Mr. Northwood’s neighbor and they both live on Fear Street. He seems intrigued by this, and they walk to the student parking lot, talking the whole way. But then Caitlyn, Dennis’s girlfriend, pulls up in a red Miata, and tells Dennis to get in. He tells Johanna he’s offer her a life but it only seats two, to which Johanna says she’ll make room, opens the door, and pulls Caitlyn out and dumps her on the pavement as Dennis looks on in awe…. Except NAHHHH, that didn’t happen. It’s just one of Johanna’s violent fantasies about hurting and humiliating people. Totally normal, right? She actually says bye and watches them drive off.
A week later Dennis is off to the sunny Caribbean and Johanna is in history class. Melody, another rich kid who is dressed head to toe in Ralph Lauren, talks back to Mr. Northwood and blows off his request that she stay after class for a talk. Mr. Northwood kind of unprofessionally makes a snide comment about not caring how many banks her father owns, and that she isn’t special, and MAN, I AM FEELING THIS FRUSTRATION. I was SURROUNDED by these types at my high school. That night Johanna and Margaret are talking on the phone about Dennis and Mr. Northwood and how he is always on the rich kids cases, but Johanna hears a weird noise outside, a car door and a crash, and is convinced someone is breaking in! She looks out the window and sees Zack, Melody, Caitlin, and some dickswizzle named Lanny, crouching behind their car on the street outside Mr. Northwood’s house. Johanna goes to investigate, and they’re surprised she lives on Fear Street next to their teacher. They tell her not to tattle about what they’re about to do, and she promises she won’t, though Melody isn’t convinced. The guys dare each other to cause a fuss, and they put sand in Mr. Northwood’s gas tank and slash his tires. They’re about to carve Dennis’s name in the fender, when the porch light comes on and the rich kids bolt, leaving Johanna with Mr. Northwood. He asks her why she’s hanging out with these jerks, and she claims she just heard a noise and came to investigate. He says he’s going to call the cops, but after Johanna goes home nothing really comes of it that night before she goes to bed.
The next day that group is out of class. The police came late and deigned to do anything since it was a bunch of kids of the most powerful people in town, so Mr. Northwood asked that the school suspend them. Mr. Northwood says he believes her that she wasn’t hanging out with them, but is going to keep an eye on her. That night Johanna is studying when the phone rings. It’s Dennis! He’s asks if she’s ready to kill Mr. Northwood! But he’s just kidding, he’s actually back from the Bahamas and was apparently thinking about her (when he wasn’t having a wonderful time, which he gladly brags about). He wants to know if she wants to go to a party that Friday that Melody is hosting. Johanna asks about Caitlyn, and he says that they ‘see other people’ sometimes, and let me tell you, that’s the oldest trick in the book. He also informs her that his friends are no longer suspended because their parents went to Mr. Hernandez, the principal, and threw their weight and power around, and demanded apologies, which they got. SIDE FUCKING BAR: Once in middle school a friend and I were at lunch and a guy we were sitting next to LITERALLY dumped his food tray all over my friend on purpose because he didn’t like her. We reported him to the principal, and he got in some trouble, until his MOTHER marched into the school and threw HER weight around, and the school administration ended up apologizing to this DOUCHE CANOE for dumping his food on MY FRIEND. There is no justice. I take this shit personally and hate these North Hills kids. Johanna now wants to be a part of this group because of the power.
At school the next day Dennis meets Johanna at her locker and gives her a beautiful conch shell that he brought back just for her. Caitlin storms up and says that it is HER CONCH SHELL and demands Johanna hand it over. Johanna instead opts to smash her in the face with it…. Just kidding! Caitlin didn’t even notice, and instead just pulled Dennis off with her. Another psychotic fantasy. At lunch she and Margaret are sitting together and they see Dennis and Caitlyn making out, which makes Margaret skeptical about this date that Johanna says she and Dennis have. And then in history class, Dennis argues with Mr. Northwood again about retaking the midterm. When Mr. Northwood says that it’s about fairness, Dennis says that it’s not fair to HIM and that if he fails he won’t be eligible for track and his Olympic dreams will be ruined. Yeah FUCKING right, you dick. He storms past Johanna like she isn’t even there when Mr. Northwood refuses to relent.
That night Dennis picks her up after she frets about maybe it all being a joke or a hallucination. They go to Melody’s house in North Hills, and she lets them know that her parents are at the movies so the house is all theirs. I hope they’re hitting a triple feature, Melody. As the party goes on it’s pretty clear that Dennis is less interested in associating with Johanna and more interested in hanging out with his friends, and then the conversation turns to Mr. Northwood and how Johanna and Dennis are going to kill him. And maybe it’s a joke? Johanna isn’t so sure. They’re regaled with impressions of Mr. Northwood, and a story about how he docked five points off Carter “The Cheater”‘s Phillips test for forgetting to write her name. Dennis is really keen on joking about it, but Johanna is a little uncomfortable… Until he drives her home and they make out in his car. Of course, they’re shocked to see Mr. Northwood watching them from his front yard. Dennis freaks and tells Johanna he’s leaving, and Johanna goes inside and is CONVINCED that Northwood was spying on her (when he was probably just taking out the garbage or something). She paces around her house and pulls a pistol out of a drawer, continuing to fantasize about killing Mr. Northwood. Her Mom catches her and Johanna claims she thought she saw a burglar, but that it’s gone now, and she goes to sleep with that lie on her conscience.
At school the next day Melody tells Johanna to watch out for Caitlyn, who would be super jealous that she went on a date with Dennis. Dennis then asks if Johanna wants to hang out at her place that night, and since Johanna’s Mom works nights she says okay. But problems, because when she gets home she is reminded she had a friend date with Margaret that night when her bestie calls her. Johanna fakes ill. Dennis arrives, but has brought his whole posse of friends. They all settle into their favorite topic: why Mr. Northwood sucks. Today it’s because he caught Zack cheating on a test (Zack claims he was just asking Deena for the time, but yeah, sure you were asshat). They are convinced that Mr. Northwood hates them because they’re rich and he’s not, and Zack says he brought something to teach him a lesson! He got some Skunk ‘juice’ from his brother, who works at a lab with animals. They conspire to throw it on Mr. Northwood’s porch, and nominate Johanna to do it after another dare escalation happens and she volunteers. Because she’s cool too now!
Mr. Northwood almost catches her but she drops the stink bomb on his porch. She and her new friends go to the Corner to get some burgers in celebration. When she gets home, though, Margaret catches her, as she was bringing her chicken noodle soup since she thought Johanna was sick. They fight, and Margaret drops some truth bombs about how the rich kids aren’t really Johanna’s friends, and leaves in a huff.
Dennis and his friends keep hanging at Johanna’s house in the next few weeks. One night, Dennis finds the gun that Johanna was playing with earlier, and says that THIS is how they can kill Northwood! He then actually puts a bullet in it and starts dicking around because PRIVILEGE, GUYS. Johanna, Caitlyn, and Melody tell him to knock it off, but he doesn’t and he actually shoots Zack. Like ACTUALLY SHOOTS HIM. I thought it was going to be another dark fantasy, but NOPE! The friends panic, and Dennis tells someone to call 911 before he drags Zack out of the house, telling them all to clean up. When the cops arrive the friends and the police find Zack sprawled in Mr. Northwood’s yard. And Mr. Northwood is holding the gun in confusion, since he stumbled upon a bleeding kid on his property. Dennis has tried to frame him for the shooting.
Which of course DOES NOT WORK, since the gun is registered to Johanna’s absent father and there was blood ALL OVER HER HOUSE. The truth comes out and the rich kids parents make it all go away (because Zack isn’t dead, I guess). They try to get their kids transferred out of Northwood’s class (which would probably be best for everyone involved), but to no avail. And according to Johanna, Mr. Northwood is even meaner to them than he was before.
Johanna’s mother had forbidden her from seeing Dennis, but Johanna’s sneaking around with him. They’re parking and mauling and rounding the bases when he gets all hung up on Northwood again (GIVE IT UP, MAN), and he says that Lanny dared him to kill Northwood. Johanna isn’t sure how serious this is, and then Dennis dares her to kill him. She coquettishly takes the dare.
At school rumors start swirling that she is going to kill Mr. Northwood, and she gets a lot of ‘good lucks’ from her peers. FUCKING SHADYSIDE. You know how I know this was pre-Columbine? Margaret confronts Johanna about the rumors, and says that Lanny and Zack are taking bets on whether or not Johanna will actually kill him. Johanna tries to brush it off as not serious. But she sees Lanny later and he tells her that the pool is up to 1000 bucks, and if she does it he’ll give her five hundred of it. Johanna thinks that this is a lot of money, and GIRL. GIRL. GIRL. I know that you are not wealthy but I would imagine that an actual murder hit on the dark web goes for SO MUCH MORE THAN THAT???!!! FIVE HUNDRED BUCKS TO BE A CONTRACT KILLER. ARE YOU SERIOUS? That night she mulls her options, thinking that she’d be doing it for Dennis because she loves him so much, and he calls her to tell her that it has to be Saturday.
On Thursday Johanna has one of her twisted fantasies, this time thinking about maybe beating Mr. Northwood to death with logs from his woodpile. She has stayed home from school because she’s not feeling well. I wonder why? She’s planning a hiding place for the gun (so did the police just give it back to her after Zack was shot?), and trying to plan for Saturday. Dennis calls her that afternoon to update her on the pool. 1200 bucks now! 600 still isn’t the running rate for a hit, Johanna. Starting to get twitchy, she decides that she’s going to SHOOT HIM NOW, and grabs the gun and runs to the backyard where he’s still gathering wood for a romantic fire for one, I’d imagine. Before she can pull the trigger, though, Margaret shows up and Johanna hides the gun. Margaret says she brought notes for her since she was sick, and Mr. Northwood says that she’s such a good friend, but since he is always recording his lectures with his dictaphone she could use that instead. Johanna demurely declines, and Margaret pulls her aside and asks if Johanna is ACTUALLY going to kill him. Johanna lies and says no.
Murder Day approaches, and Johanna is a wreck. She’s watching Northwood paint his shed (in winter because he’s like that) and is planning to shoot him, when there’s a doorbell. She answers and it’s Dennis, who has come to see if she’s going to do it. She says she is, and shows him the gun, but says she needs to go upstairs and take something for her stomach. She is still very jumpy, hearing a car backfire makes her even more on edge. She retrieves the gun from the drawer and notices that Dennis is sweating, he’s as nervous as she is and AWWW HE MUST BE WORRIED ABOUT HER. She trudges through the yard and is going to shoot Mr. Northwood….. but he has ALREADY BEEN SHOT!!!!! Dennis comes up behind her and crows about how she did it, but she says no, she didn’t, he was like this when she found him! But he says nah, she did do it. Just look at the gun. There’s gunpowder residue. The gun was fired, and he’s called the cops! HE SHOT MR. NORTHWOOD AND IS PINNING IT ON HER!!! That car backfire was a gunshot! And to add insult to injury, CAITLIN POPS OUT AND WAS IN ON THE WHOLE THING! Apparently she dared Dennis to get Johanna to take care of their Northwood ‘problem’, and he took her up on it. Dennis faked an interest in her and stung her along because she was so attention starved and in desperate need of their acceptance. Betrayed and devastated, Johanna marches up and shoots Dennis right in the chest!!!… Except NOPE! JOKES! Another hallucination. The police arrive and start to arrest her, as Dennis and Caitlin say that they arrived just after she shot Mr. Northwood……
BUT…. Mr. Northwood is still alive! And on top of that, the cops remove a certain DICTAPHONE from his coat pocket…. which has recorded EVERYTHING!!! Which include’s Dennis and Caitlyn’s confessions. BUSTED YOU LITTLE PSYCHOS!!! As they are hauled away and Mr. Northwood is put in an ambulance, one of the cops says that Johanna has shitty friends, and asks her what they were saying about a dare? Johanna says that it was all just a fantasy, and walks into her house. The end.
Body Count: Zip! It wasn’t looking good there for Zack or Mr. Northwood, but it all ended up fine, mortality wise.
Romance Rating: Zero. Dennis was just using poor Johanna and there were no other love interests.
Bonkers Rating: 6. If only because there were those SUPER VIOLENT FANTASIES interspersed throughout the book, and Zack was totally shot whilst playing with a gun.
Fear Street Relevance: 8. Johanna lives on Fear Street, as does Mr. Northwood, and all of the tension happens there.
Silliest End of Chapter Cliffhanger: EVERY SINGLE ONE THAT STARTED AS CARNAGE AND ENDED UP AS A FANTASY. So, SO many.
That’s So Dated! Moments: Oh man, where to start! From the mention of CD players to the outfits (specifically an ensemble of a denim vest over a work shirt and faded blue jeans with manufactured holes in the knees) to dictaphones to slurpy runs at the gas station, this one was chock full of 90s goodness.
Best Quote:
“I had to ask Mr. Northwood a question about the paper I was writing about Charles Lindbergh. I didn’t know if he wanted me to just write about Lindbergh’s career, or did I have to write about the kidnapping of his baby too?”
This just resonated with me as someone who’d want to write (and has written) a history paper on a horrific true crime incident.
Conclusion: “The Dare” is really more an exercise in trying my patience, as the main characters are either a bunch of spoiled, awful rich kids, or a pushover with a chip on her shoulder. I feel like it kind of wanted to be “Killing Mr. Griffin”, but didn’t have the balls that Lois Duncan had. Up next is “Bad Dreams”!
Book: “All the Crooked Saints” by Maggie Stiefvater
Publishing Info: Scholastic Press, October 2017
Where Did I Get this Book: the library!
Book Description: Here is a thing everyone wants: a miracle. Here is a thing everyone fears: what it takes to get one.
Any visitor to Bicho Raro, Colorado is likely to find a landscape of dark saints, forbidden love, scientific dreams, miracle-mad owls, estranged affections, one or two orphans, and a sky full of watchful desert stars.
At the heart of this place you will find the Soria family, who all have the ability to perform unusual miracles. And at the heart of this family are three cousins longing to change its future: Beatriz, the girl without feelings, who wants only to be free to examine her thoughts; Daniel, the Saint of Bicho Raro, who performs miracles for everyone but himself; and Joaquin, who spends his nights running a renegade radio station under the name Diablo Diablo.
They are all looking for a miracle. But the miracles of Bicho Raro are never quite what you expect.
Review: I have been a fan of Stiefvater for a while now. I have distinct memory of picking up “Shiver” like ten years ago before she was a big name in the YA community and very much enjoying it. But what makes her special, in opinion, is the way she has grown as an author in the year’s between. Every book I’ve read by her seems to be better than the last: the plotting more meticulous, the characters more fleshed out, and, most importantly, the lyrical, poetic style of her writing more beautiful and heartbreaking than ever before. All of this remains true for her latest novel “All the Crooked Saints.”
When Pete wanders into the Bicho Raro ranch, he’s only there to work off the price of a box truck that he hopes to use to start a moving business. He’s heard something about miracles, owls, and saints on his way, but not until he arrives does he fully understand. Now, surrounded by pilgrims whose miracles were not what they expected, Pete finds himself becoming entranced by the entire Soria family, but particularly the “emotionless” Beatriz.
While I have framed my summary around Pete, there is no one character who serves as a central point for the story, truly. Perhaps the Soria family as a whole? Throughout what is really a very small book, I found myself sinking down deeply into this strange family, their history, and the beautiful imagery and philosophy behind what constitutes a miracle. We learn bits about every one of the Soria family, their hopes, their fears, what has them, like the pilgrims around them, seemingly stuck with their first miracle, unsure how to move forward.
Stiefvater’s creativity is boundless. The entire concept is beautiful and terrifying, terrifyingly beautiful, just like the stark desert in which the story takes place. The miracles that the pilgrims experience are surprising and new: twin sisters caught in a tangle of snakes, a man who is growing moss, a woman covered in butterflies whose own personal cloud dumps rain on her head constantly. What makes this all the more special is that we can see how these miracles (lessons) connect to the darkness each of these characters are walking through, but none of them are too on the nose or expected. It would have been very easy for this idea to slip into the trite.
Beyond this, the characters are all gloriously complicated, damaged, and lovely. It’s a true testament of skill to not only work in a complicated magic system, fill the pages with beautiful prose that speaks to complicated philosophies and theologies, as well as create a large cast of characters that all have their own distinct story and appeal, all within such a short page count.
Pete, hard-working, but feeling betrayed by a heart to weak to allow him to serve his country in the military, like his family before him. Beatriz, too comfortable with her own lack of emotions. Joaguin, with dreams of being bigger than his little life on the ranch, feeling the judgement of a family who may deem him frivolous. And Daniel, the current Saint, whose parents died due to their darkness and by breaking the taboo to help the pilgrims who visit them. And while these are our “main” characters, the generation of Sorias before them, too, get their own snips of chapters and histories, loves and heartbreaks.
Throughout this all Stiefvater delves into the meaning of family, questions what makes up love, and explores the courage and fear that comes with recognizing what is dark within ourselves. And, importantly, how necessary this process is, for everyone.
I feel like this review may have been all over the place, but I truly don’t know how to best portray the beauty that was this story. Thinking back on it, I mostly see images: barren, but vivid landscapes of the desert, owls grouped on a porch, strange beings wandering among scattered out-buildings, and a family, gathered closely together, but somehow apart and drifting alone. If you’ve read any of Stiefvater’s work in the past, this will all make more sense to you, knowing her skill and particular style of writing. And if you haven’t, this is an excellent place to start, as a stand-alone book that perfectly illustrates all the gifts Stiefvater has to offer.
Rating 9: Vivid and gorgeously rendered, but challenging readers to look deeper within themselves and wonder “What would my miracle look like?”
We are part of a group of librarian friends who have had an ongoing bookclub running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is a “Dewey Call Number” theme. This book comes from a Dewey Decimal Call Number range, and has to fit the theme of that range.
For this blog, we will post a joint review of each book we read for bookclub. We’ll also post the next book coming up in bookclub. So feel free to read along with us or use our book selections and questions in your own bookclub!
Book: “Every You, Every Me” by David Levithan
Publishing Info: Knopf Books for Young Readers, September 2011
Where Did We Get This Book: The library!
Dewey Decimal Call Number: 700s (The Arts)
Book Description:In this high school-set psychological tale, a tormented teen named Evan starts to discover a series of unnerving photographs—some of which feature him. Someone is stalking him . . . messing with him . . . threatening him. Worse, ever since his best friend Ariel has been gone, he’s been unable to sleep, spending night after night torturing himself for his role in her absence. And as crazy as it sounds, Evan’s starting to believe it’s Ariel that’s behind all of this, punishing him. But the more Evan starts to unravel the mystery, the more his paranoia and insomnia amplify, and the more he starts to unravel himself. Creatively told with black-and-white photos interspersed between the text so the reader can see the photos that are so unnerving to Evan, Every You, Every Me is a one-of-a-kind departure from a one-of-a-kind author.
Kate’s Thoughts
“Every You, Every Me” was my choice for Book Club this time around, and it was my gut reaction when I got the 700s (aka The ARTS!) of the Dewey Call Numbers. I knew that this book was written by David Levithan, but that the photos that were interspersed throughout the book were taken by Jonathan Farmer and given to Levithan as he was writing the story. Levithan wouldn’t know what the next photo would be, and then would have to fit it into the narrative. The concept of this was a fascinating one to me, and I thought that the photos angle fit into the Dewey theme. I haven’t had a lot of luck with ‘concept’ novels such as these, as I was one of those folks who didn’t absolutely adore “Miss Peregrine’s Home for Peculiar Children” and decided to give a hard pass to the “Asylum” series. But my reasoning was that hey, it’s David Levithan.
That said, this wasn’t the thrilling mystery with appropriate and aching teen pathos that I had hoped it would be. There was a great idea here, and glimmers of that idea shined through from time to time, but all in all I felt that “Every You, Every Me” never quite evolved beyond a concept. Evan is our narrator, and he is telling this story through stream of consciousness diary entries and through the photos that he is receiving from an anonymous source. He is set up as an unreliable narrator from the jump, with parts of his diary entries crossed out (but not enough that the reader can’t read the redacted thoughts). It was a little heavy on the crossing out, but I felt that it was a fairly effective way of showing his personal struggles instead of him literally saying ‘I AM CONFLICTED ABOUT ALL OF THIS AND DON’T KNOW HOW TO FEEL OR WHAT ROLE I PLAYED’. Evan himself was both interesting and maddening. Maddening in that goodness gracious was he the epitome of emo teen angst kid, so much so that our book club joked about how much My Chemical Romance and Evanescence would be on his iPod.
Fun Fact, a playlist of his favorite songs was officially created by our book club member Anita. See the bottom of this post to access it.
But along with Evan being so hopelessly angsty, he was also very fascinating as a character, mostly because I felt that Levithan did a VERY good job of portraying the mind of someone who has gone through a very upsetting trauma. No deep spoilers here, but what I will say is that Evan has lost his closest friend Ariel, and he thinks that it is all his fault. While Evan is the narrator and protagonist, this story is really about the mysterious Ariel; who she was, how she was, and where she has gone (which is the main mystery of this book). They have a deep and codependent friendship, and the more you learn about Ariel and how she treated Evan, the more, I think, you get to understand why he is so, so warped and moody in this whole thing. I definitely found Evan to be more sympathetic as time went on, but also stopped caring about what happened to Ariel and who is harassing Evan BECAUSE my opinions of Ariel changed so much. Which is a bit callous of me, within the context of the book, but the sheer manipulation within that relationship just made me uncomfortable and angry and uncaring towards her endgame.
The ending, though. Again, I don’t want to go into deep deep spoilers here, but it felt so tacked on and so clunky that it kind of threw the book off kilter for me. I know that it kind of harkens back to one of the bigger themes in this book (i.e. no one really knows every side of a person), but it almost felt a bit TOO unrealistic in how it all played out. I’m fine with a huge twist coming through, but I want at least SOME groundwork for that twist to be laid out.
So while I was kind of disappointed with “Every You, Every Me”, I did like the characterization that Levithan created for his main players. The concept is unique enough that I would say pick it up just to see how this neat writing exercise turned out, but don’t expect to be super blown away by it.
Serena’s Thoughts
I have read a few David Levithan books before this one and have mostly enjoyed them. He is particularly strong at writing believably complex teenage protagonists who are not only relatable to teens themselves, but also to adult readers. Other than this knowledge of the author, all I knew about this book was a vague understanding of it being a concept book with the photographs being sent to him as he wrote the book. I, like Kate, have never particularly loved the concept books I’ve read in the past. Too often I feel that the author ends up relying on the images to depict much of the drama of their story, thus paying less attention to, or becoming simply lazy with, their own written descriptions. Powerful writing doesn’t need the support of photographs, and while they can serve as a nice backdrop, I don’t love the idea of a story becoming dependent on them.
For the most part, I think that Levithan walked a nice line with the art in this book. The photographs were interesting and he managed to (mostly) tie them in nicely with the overarching plot of the book. There’s a great theme of what it means to know someone that runs throughout the story, and this concept ties neatly with a conversation that seems to always swirl around the small glimpses of a person that are caught in specific photographs. I loved this idea, that like photographs, we’re only ever seeing small glimpses of an entire person. And that another person (another photograph) will see/capture an entirely different side of that individual. These themes were probably my favorite part of this book.
Other than this, I did struggle with the story. Evan is not the type of narrator that typically appeals to me. He’s conflicted and self-questioning to the point that his angst and confusion are more off-putting than sympathetic. I wanted to shake him at multiple times during the story, and frankly had a hard time taking him seriously. As we learn the truth behind his concerns, I could better understand his reasons for feeling the way he does. But that doesn’t wave away the execution of those feelings that presents him as a whiny, overly emotional teen boy who is hard to invest oneself in.
Further, I was not a fan of the crossing out text tool that was used so much in this book. Not only did it negatively play into the already annoyingly self-involved angst machine that was Evan, but at many points in the story the basic function of cross out text seemed to be misunderstood. In some ways, yes, it makes sense for a story like this with a semi-unreliable narrator like Evan to cross out some parts of the text and through these reconsidered aspects of his writing, get a better understanding of his thoughts and character. But at times, especially towards the end of the book, huge sections of the story were crossed out and the format was being used more to indicate a flashback than to highlight a questioned thought of Evan’s. I think the format read as a bit pretentious, and by the end of the story, I was so distracted by it and how it was being used that it was actively throwing me out of the story.
I also agree with Kate about the ending. Without spoiling anything, the explanation of the photographs seemed to come out of left field and a lot of hand waving and hoop jumping was done to explain portions of the mystery. It felt tacked on and unearned.
Lastly, as this entire mystery revolves around Ariel, we learn a lot about her and need to understand the role that she played to all of these friends, specifically Evan, who are all so distressed by her loss. And, like the character of Evan, I couldn’t really get behind the appeal of Ariel. At Book Club, we all had a bit too much fun coming up with all the crazy explanations for why all of these characters seemed so obsessed with Ariel. None of our explanations were favorable to her.
Ultimately, I think this book touched on some very important themes, specifically those having to do with the fact that people are made up of multitudes and that no one person can ever fully know another. But the execution was shoddy with the crossed out text, and Ariel and Evan were pretty unlikable all around. Add to that the fact that this isn’t a favorite genre of mine (no fault of the book’s), and I didn’t end up loving this one. Alas, they can’t all be winners!
Kate’s Rating 6: A fascinating premise with some interesting things to say about trauma and loss, but ultimately a bit underwhelming. Add in a clunky solution and you have an okay book, when it could have been a great one.
Serena’s Rating 5: Good themes were bogged down by the restrictions of the concept art, an angst-fest leading character, and a dud of an ending.
Book Club Questions
What did you think of the device of the photographs that was used in this book? Did you feel that Levithan did a good job of incorporating the random photos he received into this story? Do you think this story needed the photos to feel fully realized?
Evan is our protagonist, and his relationship with Ariel is the crux of this book. What did you think of him as a narrator? How did you feel about him at the end vs at the beginning?
One of the big mysteries of this book is where Ariel is and what happened to her. Were you invested in this mystery, and invested in Ariel as a character?
Another theme of this book is that people tend to have different sides of them that they present to different people. Could you relate to this concept? Do you have different sides of yourself that different people see?
SPOILERS: Let’s talk about the ending. What did you think of the reveal of Dawn, Ariel’s secret best friend that Evan and Jack didn’t know about, being the one sending the photos?
This is what one might call a concept novel, using photos to drive and tell a story as they are presented. What are your opinions on this kind of book (similar to Miss Peregrine, or Asylum, etc)? Did EVERY YOU EVERY ME confirm those feelings, or buck them (in whichever way that may be)?
Book: “The New Boy (Fear Street #20)” by R.L. Stine
Publishing Info: Simon Pulse, 1994
Where Did I Get This Book: ILL from the library!
Book Description:He stole their hearts…Does he want their lives, too?
What a hunk! When handsome, mysterious Ross Gabriel comes to Shadyside High, all the girls want to date him…even the ones who already have boyfriends! Janie, Eve and Faith go so far as to make a bet…which one of them will he go out with first?
But then the murders begin, and it starts to look like dating Ross means flirting with a gruesome and untimely death. Will Janie’s dream date with Ross turn out to be the night of her life? Or the night of her death?
Had I Read This Before: Yes.
The Plot: Janie Simpson is in the school hallway, two weeks before the first murder (ooh, ominous!). She sees the new boy Ross Gabriel for the first time on that day, and she is immediately smitten with him because he’s such a hunk. As she gawks after Ross, she goes off to find her best friends Faith and Eve, as they are supposed to be delivering the money that was made at the school dance to Principal Hernandez’s office. While both Faith and Eve went with their boyfriends (Paul and Ian respectively), Janie went by herself and is feeling kind of desperate for a boyfriend of her own. She and Eve meet up and Eve informs her of the latest school gossip, as Deena Martinson and Gary Brandt broke up (I guess things with Rob didn’t really take for Deena and Gary is still relishing being free of Della). Janie asks Eve where the money is, and Eve says that she doesn’t have it, Faith had it and said that Janie must have taken it for safe keeping because now SHE doesn’t have it. GULP! Janie freaks out and she and Eve rush to find Faith, who says yes of course she has the money. It was just a mean trick by Eve! Janie can’t be mad for long, though, as the new boy Ross shows up and his arm is bleeding pretty badly. He says he cut it on a fence while helping a girl free her bike. Faith and Eve are instantly taken with his looks too, and they volunteer to take him to the nurse while Janie takes the money to the principal’s office for the transfer. Janie is peeved, as she ‘saw him first’.
As Janie counts the money in Mr. Hernandez’s office, Faith and Eve show up gushing about how CUTE Ross is, and then give us some exposition on their boyfriends. Paul is a jock football player, and Ian is impoverished and working two jobs so he can potentially go to college. The girls start banding the money together, and Janie says that she saw Ross first and why are they so into him when they have boyfriends? Just the Paul and Ian show up, and they all start playing with the money. Mr. Fernandez catches them dicking around, but let’s it slide, giving the ladies the key to the file cabinet they are going to store the money in. He goes back into his inner office, and the girls keep arranging as the boys leave. Once they money is all organized, Janie writes down the total and locks the money in the file cabinet, and they all go into Mr. Hernandez’s office to give him the total. Unfortunately, he’s on the phone with a high maintenance parent and they have to wait. Both Eve and Faith excuse themselves at different times to let their rides know they’re going to be late, and Janie, hard up for a man, ogles the picture of a young Mr. Hernandez with his sports team. Janie, come on. When Eve and Faith are back Mr. Hernandez finally hangs up and asks for the total. Janie can’t remember, so she goes back to check it… and the money really IS gone this time!
That night Janie goes to hang out with Faith and Paul, who are acting kind of suspicious. They start talking about Ross, and Paul says that he thinks he’s a tool while the girls say they think he’s cute. Paul leaves, and Faith asks Janie if she’s going to ask Ross out, or if Faith can. Janie is astounded because what about Paul, and Faith says that Paul doesn’t have to know, and why not make it interesting: first person to ask Ross out gets ten bucks from the other! Conveniently Eve rings on the phone then, and Faith gets her in on the bet too! Janie has no faith that she will win now, and then asks Faith why she and Paul were acting weird when she arrived. Faith says that it’s because they know that Janie took the money. Janie freaks out, and then Faith says April fools! They know Janie is innocent. Man, friends like these…
In chem class the next day, Janie is paired up with Ross. Huzzah huzzay, maybe she can ask him out! He talks down to her and then sets off a stink bomb with the chemicals he mixes, and says that he likes ‘messing with people’. Oh swoon baby swoon. Janie almost asks him out, but then chickens out at the last minute, and as they leave the classroom he suddenly stops and stares at a girl with long curly blonde hair. Then he rushes off. A short while later Eve runs into Janie in triumph: she asked Ross out and the money is hers!
That Friday while Eve is out with Ross, Janie and Faith are hanging out and feeling sorry for themselves. They wonder how the date is going, and talk about her incredibly coquettish outfit of a blue blazer, a blue scarf, and red denim pants. Then Faith confides that she thinks her parents are getting divorced and that Paul is only dating her because she’s rich. Meanwhile, Eve is on her date with Ross. They make out, and then go for a walk in the Fear Street woods…..
The next morning Janie gets a call from Ian. He says that Eve never came home the night before and is missing! Ian asks if he can come by and Janie says sure, then she calls Faith but there’s no answer. So she calls Eve’s parents and Eve’s Mom picks up in hysterics, saying that Ross is missing too! Uh huhhhhhhhh…. Ian and Janie go driving around, and Janie doesn’t tell him about the date. As they drive past Fear Woods Janie sees something… a blue blazer!!! They get out of the car and find Eve’s body, sunk in the mud, very very dead. They call the police and Janie tries to comfort Ian, who says that not only did Eve steal the dance money (WHAAAAAAAT?), but someone must have killed her for it! Janie comes clean about the date, and he gets more upset. At the police station they see Ross arrive, and he claims that he and his folks were back in his old hometown of New Brighton early that morning and that he dropped Eve off at 11pm.
At Pete’s Pizza that Sunday, Faith and Janie are talking about Eve. They think there’s no way that she could have taken the money, because she was a very honest person. Ross crashes their lunch and starts berating Faith because she thinks that he killed Eve, and Faith leaves Janie alone with him to join Paul and Ian outside (some friend you are, Faith!). Janie and Ross talk, and he says that he only went out with Eve because she said they’d split the winnings 50/50. He also makes some offhanded comment about how he can’t believe this is happening, especially after what happened to him in New Brighton. When Janie joins her friends they tell her that they think Ross killed Eve.
The next evening Janie is at home doing homework when Ross shows up unannounced. He says he needs help with French homework, but he’s being a real creepo. But Janie agrees, and he suggests they go get something to eat. In a twist of fate, his car sputters out a mile from her house, and they push it to the nearest gas station. She pays for the gas because he realizes that he forgot his wallet (UGH!), and he says that they should go to his house so they can get it. Surprise surprise, he lives on Fear Street! She waits for him to get his wallet, and is more and more paranoid, but still goes to get burgers with him. He drops her off, they make out a bit in the car, and he drives away, But she finds his text book that he left behind, and decides that she needs to return it that very moment. Maybe there’s a test the next day, who knows? She drives back to the house they stopped at earlier, but when she knocks on the door an old lady answers and says that there is no Ross Gabriel living there.
Janie is determined to find out what’s up with Ross. Well, he’s a liar with a short fuse, Janie, and therefore you should probably dump him. Faith tells her that she should stay away from Ross because she’s heard lots of bad rumors about him, specifically from the new girl Jordan. The one with the blonde hair who Ross was not happy to see. Faith starts to explain that Jordan went to Ross’s old school, but is interrupted by Paul, who says that he heard that Ross was just arrested for murder! Turns out that’s just a rumor because Ross is actually across the cafeteria, and Janie goes to confront him about the old woman. He says that that’s just his grandmother who is very confused about things these days and doesn’t recognize him anymore. And the murder charge rumor started because he WAS at the police station that morning, but it’s just because the police think that HE stole the dance money! He then pulls out a blue scarf, saying that he has this for her. Janie freaks, because it’s the scarf that Eve was wearing the night she was murdered! Janie runs off.
After school Janie sees Faith and Paul arguing across the parking lot and decides not to interfere. Little does she know that it’s THE LAST TIME SHE IS GOING TO SEE FAITH, or so the book says. She goes to see Ian at his donut job at the mall to see how he’s doing, and tells him that she’s going to call Faith because she saw Faith and Paul fighting. She gets home and calls Faith, who tells her that Jordan has told her a lot of disturbing stuff about Ross, so she needs to come over right now so they can talk. It’s perfect because she’s home alone. Janie agrees, and rushes over… but when she arrives, she finds Faith BEATEN TO DEATH WITH A FIREPLACE POKER!!!! She calls the police and the dispatcher tells her to get the FUCK out of that house, so starts to run out of the house, but runs into Ian, who says that Faith called him too. They’re both devastated, at least outwardly, but I’m suspicious now.
After Faith’s funeral, Janie seeks out Jordan to hear what she was saying about Ross. Jordan says that in New Brighton Ross went by Robert Kingston, and that there were rumors that he murdered his girlfriend Karen. He had an alibi, but no one believed it. He and his folks moved to Shadyside to escape the rumors. YIKES. Later Janie is walking home and it starts to downpour just as Ross speeds up next to her. He says ‘what a ride?’, and oh, it isn’t actually Ross, it’s another cat caller. When Janie refuses he says that she can just drown then. But then Ross DOES show up and demands that she get inside his car, which is across the street. When she refuses he roughs her up a bit. He tells her that he just wants to talk, and that she’s been acting like a real bitch ever since he tried to return her scarf. She tells him that she knows his real name and that he killed Karen. He says if she would just get in his car he’ll explain everything. She still refuses but says she’ll meet him at Pete’s Pizza that evening at 8, when what she SHOULD be doing is getting a restraining order for his violent ass.
With her parents not at home and no intention of actually meeting Ross at Pete’s Pizza, Janie is working on homework when the power goes out. And the phone. At 8:30 her folks still aren’t home, and who should come knocking but ROSS. He forces his way into the house and demands why she stood him up. She lies saying Paul was supposed to take her, but Ross sees right through it. He throws the blue scarf at her, and she realizes that it IS her scarf, not Eve’s, and that she left it in his car. But she also realizes that he’s still wackadoo, and he literally tells her that he could KILL HER FOR NOT TRUSTING HIM. He tells her that he didn’t kill Karen, he was just walking in the woods and he found her body and no one believed him. He starts ranting about the police hounding him and lying about an alibi for when Faith was killed, and he gets more and more frenzied so Janie makes a break for it. He chases her outside and then TACKLES HER TO THE GROUND, holding her down until she tells him why she’s afraid of him.
Maybe it’s because you’re INCREDIBLY THREATENING AND VIOLENT, ROSS. (source)
Her parents arrive home in that moment and Ross runs away.
At school the next day Janie does everything she can to avoid Ross, who is STILL STALKING HER demanding that she talk to him. Luckily, Paul is there to punch out the little creep and I’m so Team Paul. Janie runs off and hides in the park to get away from it all, but returns to the school to get her things. She sees Ross and Mr. Hernandez, and dives into a broom closet to avoid them. She’s so paranoid that she thinks a broom is a corpse, so she runs home. She gets a call from Ian, who says that he found proof that Ross killed Eve and Faith! He picks her up and says he’s taking her to get proof and I think where we see where this is going. Yep, he takes her to the spot where Eve was found, and then full on confesses to her while holding a baseball bat that HE WAS THE ONE WHO KILLED THEM. Apparently Eve did steal the dance money saying that they could split it, but then she freaked out and wanted to return it. Ian, sick of being worked to the bone, went to confront her and try to change her mind, but then saw that she was on a date with Ross. In a rage he hit her with the bat. He killed Faith because he was convinced she’d figured it out. And now he’s going to kill Janie. But then Ross is there (WILL THIS NIGHTMARE NEVER CEASE?!), and Ian hits him with the bat. Janie gets the bat away from him and knocks him over, choking him with it. Ross is okay, and he sits on Ian and tells Janie he saw them going into the woods. He tells her to go call for help. She notices that he has a nice smile, tells him that she isn’t running away from him this time, and goes to call the cops. The End.
Romance Rating: 1. Ian killed his girlfriend, Paul and Faith were on the rocks, and Ross/Robby is so incredibly toxic and abusive there are no good options here. Like, holy shit, Ross is just as much a predator as Ian is and yet Janie seems to possibly be ending up with him at the end?! HELL NO. I’m hoping that Janie’s crush on Paul comes to fruition at some point because that seemed to be the only good option. Sure, Paul punching Ross wasn’t ideal, but DAMN was it good to see.
Bonkers Rating: 4. It wasn’t terribly twisty and turny, though Ross’ backstory was a bit of a shake up.
Feat Street Relevance: 7. Ross lives on Fear Street and Eve’s body was found by the Fear Street Woods.
Silliest End of Chapter Cliffhanger:
“Mr. Hernandez turned bright red as his hand went up to his head. Then his eyes narrowed as they swept from one face to the next. ‘You’re all suspended for the rest of the year,’ he said.”
… And then JK! He was just teasing them! What a joke!
That’s So Dated! Moments: At one point Janie is described as pulling up the antenna as she dialed her super modern cordless phone. I remember how slick those things were when they first came out!
Best Quote:
“A fly buzzed near Janie’s ear – its sound seemed to swell and block out everything else. Was it one fly or a hundred? She closed her eyes, but she still saw them. She still heard them buzzing. Flies. They descended like black death over her once-beautiful friend.”
Either Janie is having a serious hallucination or this is one of the nastiest crime scene descriptions we’ve gotten from R.L. Stine.
Conclusion: “The New Boy” is pretty ho-hum and was a weak follow up to the bananas grove that was “Sunburn”. It also has a lot of terrible messages about boundaries and how women should be treated. I say of the two books about new kids, stick to “The New Girl” because that one’s better. Up next is “The Dare”.