Where Did I Get this Book: audiobook from the library!
Book Description: Leah Westfall, her fiancé Jefferson, and her friends have become rich in the California Territory, thanks to Lee’s magical ability to sense precious gold. But their fortune has made them a target, and when a dangerous billionaire sets out to destroy them, Lee and her friends decide they’ve had enough—they will fight back with all their power and talents.
Lee’s magic is continuing to strengthen and grow, but someone is on to her—someone who might have a bit of magic herself. The stakes are higher than ever as Lee and her friends hatch a daring scheme that could alter the California landscape forever.
Review: This is the last in the “Gold Seer” trilogy and after the previous book which seemed to wrap up much of the story and do-away with its main villain, I wasn’t sure where this book would go from there. I was also still smarting from the pretty graphic and hard-to-read scenes that made up a good chunk of that book, so I went into this one hopeful that we’d have a return to the “Oregon Trail” adventures of the first book. What we got was probably something in-between.
Life is moving along in Glory, California. Lee and her friends have on their hands what looks to be a growing and bustling town. Except for the fact that the town charter they had paid for from the wealthy Henry Hardwick in the last book has yet to arrive. With this problem before them, a large chunk of our main characters head off to San Fransisco. What they find is a man much more villainous than they had suspected and before long, Lee and her friends have much more to deal with than just a small town charter.
With this as the last book in the trilogy, looking back, it’s hard to get a real sense for this series as a whole. The first one was a fairly straight-forward travelogue with fun call-outs to the tropes of Oregon Trail games and stories. The second took a nose dive into the worst parts of humanity and left Lee as a bit of a passive character. And this one gets the gang back together, adds a new villain, and pretty much turns into a heist story. It’s all a little strange, from that angle.
But to judge this book on its own, there were definite areas of improvement from the last book but it still didn’t manage to reclaim the highs of the first. I very much enjoyed the return of many of our familiar characters who were largely absent in the second book. In particular, Becky, who had snuck up on me in the first book as a favorite and then disappeared in the second installment. As a heist story, it makes sense to have this large cast and the book already had many of these people on hand, so it was fun seeing them all interact and plan together in a way that was intentional, rather than the hap-hazard manner in which they had been forced by circumstances on the trail to work together before.
Lee and Jefferson’s relationship was also good. I was glad to see them working together for much of this book after being separated for so much of it during the previous one. The lack of relationship drama was also a welcome relief given that all too often it seems as if authors feel the need to throw a wrench in their romances in the last book from a misguided attempt to “build tension.”
One of the strongest portions of this book, for me, was the increased focus on Lee’s abilities. There was a big shift in the end of the last book with how her gold sense operated, and it was interesting watching Lee continue to practice and explore the possible new uses of her powers. There were several moments in this book where she came up with clever ways to put this power to use, and after being mostly useless in the second book, the success of their plans ultimately did fall to Lee’s own abilities, both with her powers and her planning. I was also surprised when an arc was introduced that dealt more fully with where these abilities might have come from and what other forms of magic might exist in the world. It was a nice addition as, up to this point, it felt a little strange to have Lee be the only exception to a world that otherwise seemed magic-less and true to history.
Those were the stronger aspects of the book. However, I did still struggle with the main plot itself and the villains. It’s a weird complaint, but like the second book, the villains were almost TOO villainous. In that they all seemed evil simply…because. And while I know that money and influence could go a long way then (and still can today), it also bordered on unrealistic that some of the villains’ actions could have been overlooked for so long. A man is killed in a crowd of people at one point, and no one bats an eye. Even with prejudices in mind, I have to think that this would have lead to something more.
The heist itself was interesting enough. But it was also a bit too complicated, for my thoughts. Or, barring that, not easy enough to put together on ones own without a massive infodump at the end explaining it all. A good heist story keeps some cards hidden, but still leaves room for the reader to put things together for themselves. Here, while there were parts that I could guess, the infodump where “all was told” was still long and confusing. This could partly be due to the simple fact that no finesse was used for said infodump: characters just spilled it out in long chunks of dialogue. At the best, it was just boring. At the worst, it left me still confused but not wanting to expose myself to the boredom again in an attempt to try to understand with a second read-through.
In the end, the series never quite regained the high that was the first book and seemed to flounder around for purchase and focus in the last two books, each presenting wildly different stories both in tone and topic. If I was to recommend this series, I’d almost say to just stop with the first. The second two are not worthless, but they’re also the kind of books that I will quickly forget. But if you are still enjoying these characters and the unique combination of realistic history with small doses of magic, this book was still an improvement on the second and might be worth checking out.
Rating 6: A serviceable story with a few highs relating to Lee’s magic, but a heist that was too confusing to be truly enjoyable.
Book: “What Holly Heard” (Fear Street #34) by R.L. Stine
Publishing Info: Simon Pulse, 1996
Where Did I Get This Book: The library!
Book Description:Holly Silva not only has a big mouth, but ears like satellite dishes. If there’s a rumor, juicy piece of gossip, or scandal anywhere in Shadyside High, Holly can and will dig it up and spread it like peanut butter on bananas. New inklings of romance, BFFs on the outs, cheating, fights…Holly hears it all. Once she does, it’s a short trip from her brain to the brains of Miriam and Ruth, her closest friends.
Usually Holly’s gossip doesn’t amount to anything exciting, but this time is different. Rumor has it Mei Kamata’s involved in an on-going feud…with her own mother. The cause of strife is long-haired bad boy senior Noah Brennan, the guy Mei will no longer be dating if her parents have anything to say about it. When Holly walks by the pair in the parking lot after school one day, she hears the unimaginable: Mei tells Noah she’s going to kill her mother.
Ruth and Miriam don’t exactly see this as the jaw-droppingly incredible insight into teenage female psychology that Holly does. After all, how often to kids threaten to unleash exaggerated bodily harm on their parental units? It isn’t until Mei’s mom takes a fatal tumble down the stairs of her home that the three girls realize they might know more than they should. Somebody knows what Holly heard and is taking steps to ensure none of the girls hear the wrong thing again. Steps up to and including murder.
Had I Read This Before: Yes.
The Plot: Okay, first of all, that plot description above HAS to be updated. It doesn’t read like an old school “Fear Street” summary at all. And I am not totally clear on whether or not this Holly is the same Holly from “College Weekend”, as the descriptions sound similar but I don’t remember if the last names line up. But anyway, Holly Silva runs down the hallway to her friends Miriam and Ruth with some serious hot goss. This is what she’s known for, spreading gossip and feeding off of it like an emotional vampire (and as someone who loves a great gossip sesh over brunch, I feel her on that, though I like to think that I don’t spread so much as I ‘converse’). So maybe I’m more like Miriam, as she evidently lives for this while Ruth isn’t so down. Holly’s latest dish is that Miriam’s old friend and local rich girl Mei Kamata has been having bad fights with her mother all because Mei has been dating Shadyside’s newest bad boy, Noah Brennan. Holly is especially living for this gossip because she has a serious thing for Noah and this may mean trouble in paradise. Ruth is concerned about this, reminding Holly that she does have a boyfriend, a very cool and nice guy named Gary (Ruth and Gary are neighbors and BFFs), but Holly’s eye is wandering. Just then Noah walks up to them and Holly puts on her best flirtation display. Unfortunately, Mei walks up and sees the whole thing. Miriam, trying to diffuse the tension, asks Mei if her party is still on that night (it is), and Noah is immediately drawn back to her and they leave together and she tells him that her parents won’t be home until 6 (woo woo!). Holly is immediately petulant, and when Ruth says that she has Gary Holly gets crabby and heavily implies that she’s going to try and break them up. This girl is awful. Ruth storms off, and Holly tries to say that she can’t help herself because she loves Noah so much. They then run into Miriam’s boyfriend Jed, who is on the basketball team. We are told that Jed has always been Miriam’s dream guy, but he’s been acting strange the past few weeks. He’s been moody ever since the playoff season began. When she asks him if he’s still up for the party, he says he forgot about it, and asks if they REALLY have to go. They fight and he storms off saying he’ll pick her up at eight. Holly wonders what he was putting in his bag, and Miriam is at a loss. Holly says that she’ll dig up some dirt on him for her to find out what his deal is.
Later that night Miriam, Jed, Ruth, and Miriam’s cousin Patrick (who Miriam is trying to hook up with Ruth, who seems not at all interested) are driving to the party. Jed seems back to himself, and says that the playoffs are just stressing him out since college scouts are attending. They arrive at the party at Mei’s house, and Miriam laments the friendship she had with Mei before Mei and Noah started going out. They find Holly, who is wearing a dress that doesn’t sound at all age appropriate. Jed and Gary are basketball teammates so they start talking shop, and Holly tells Miriam that her dress is ‘working’ and that Noah’s been staring at her all night. When Miriam calls her out on it, Holly claims that she feels SO BAD about it now because Mei seems SO MAD at her. Miriam lays the blame squarely on Noah, and I’m not sure THAT’S totally correct. They go find their boyfriends and start dancing with them, but the music the live bad is playing is SO POWERFUL they blow the power in the house and the lights go out. Once the breakers get flipped, the lights come back on and Holly is clinging to Noah. Mei is PISSED, even though Noah seems totally not interested in Holly at all. Miriam asks Holly what she was doing, and Holly says that she was ‘afraid’, and that she wasn’t flirting, she swears, but now Noah has ‘something to think about’.
The next night Ruth and Miriam are in Ruth’s bedroom waiting for Holly to pick them up from the basketball game. Ruth is infuriated at Holly for acting the fool, and thinks that she’s jealous of Mei. Miriam says that no, she just really likes Noah, but I think that it’s VERY possible for those two things to go hand in hand. Ruth also says that she and Patrick didn’t really click as she tends to her two hamsters Lizzy and Tilly. She then says she likes staying at home better than parties, especially since a group of rough necks were pulling up just as they were leaving. Ruth then takes her backpack out and dumps it’s contents on the bed. One item inside it is a hammer, which she says belonged to her Dad, who died a year earlier. She is apparently using it in art class to build a loom. Miriam thinks that Ruth doesn’t like dating because she has Daddy issues, essentially. She also is still mad about how Holly treats Gary, and honestly she isn’t wrong. It’s then that Holly bursts into the room and says that she has AWESOMELY HOT GOSS! After Miriam and Ruth left the party, the roughnecks who showed up were Noah’s drunk friends! After Mei’s Mom kicked them out, the two of them got into a huge fight about Noah, and Mei was told that she’s not allowed to see him anymore. Holly, of course, is ECSTATIC. Ruth calls her out on her bullshit, and Holly says that Gary is boring (SO DUMP HIM), and Miriam begs them to stop fighting and says they should get to the game. Ruth opts to stay home because she’s obviously sick of Holly and her crap.
At the game, Jed is doing awfully. After a Waynesbridge player accidentally elbows Jed in the face, Jed full on attacks him, punching him in the face and then putting him in a choke hold! After he’s pulled off he’s thrown out of the game, and Miriam rightfully freaked out. Holly says she’ll talk to Gary about Jed to see what the scoop is. Once the game is over (the Tigers DO win, by the way, so they’re still in the playoffs), Miriam waits for Jed outside the locker room. She asks if he’s okay and he starts railing about almost getting kicked off the team (um, he probably SHOULD have been kicked off, so count your lucky stars, bucko), and how the other player meant to elbow him. Miriam says he’s been elbowed before and never did anything like that, and he asks how SHE’D like it if SHE was pushed around, and starts pushing her and twisting her fingers, and holy SHIT this is messed up. He then stops, as if pulled from a trance, and deeply and profusely apologizes to her, and she says that if he EVER lays a hand on her again they are DONE. But then they have a ‘cute’ exchange and I could just barf. When Miriam goes to find Holly in the parking lot, she finds her hiding between some parked cars, and she has some news that has actually spooked her: she overheard Mei and Noah talking, and Mei said that she could just KILL her mother, and that Noah says that he would do ‘whatever it took’ for them to be together. So OBVIOUSLY, since Holly has never heard of hyperbole in a fit of emotion, this means that Mei and Noah are going to kill Mei’s Mom! Miriam tells her she’s being ridiculous, and Holly seems to come to her senses. When Holly asks Miriam about Jed, Miriam tells her everything. And for once Holly is a GOOD person because she tells Miriam that Jed is abusive and that he’s not worth being with.
That Monday Ruth and Miriam are hanging out, when Holly comes up to them with not so hot goss, but sad news. Mei’s mother died that weekend. She was found at the bottom of the steps with a broken neck. Holly is convinced that it was murder, and no matter how much Miriam proclaims that Mei wouldn’t do that, Holly and Ruth won’t hear it. Holly thinks they should go to the police, and then when Noah walks up to them and says that Mei’s Mom is dead, and that he saw Holly at the game….. then he walks off. Okay, yeah, that’s admittedly a weird thing to say. Now Holly is convinced that he knows that she heard them and she is in danger! Seems to me that she’s REALLY making a tragedy all about her, but hey, at least she doesn’t seem into Noah anymore. She promises that she’s not going to say anything to anyone about this, and to THAT I say HA. Miriam asks if she can get a ride home from her that night, but Holly says she’s staying late to hang decorations for the victory rally post-basketball game. Miriam wonders if Noah is someone that she should be afraid of. Because you know, Noah wears leather, drinks occasionally, and has long hair, which means he’s gotta be a serial killer.
Later that night Miriam gets a phone call from Holly. She’s still at school but feeling jumpy, and she wonders if Miriam will come keep her company because she thinks she’s seeing Mei EVERYWHERE. Also, she has some news about Jed that she wants to tell her in person. Miriam says she’ll ask her Mom if she can take the car, but when she gets back on the line Holly isn’t answering her. She drives to the school, and when she goes into the gym Holly is nowhere to be seen. She goes by the door to the locker rooms thinking that maybe she went home… until she sees Holly’s scarf. When Miriam looks behind a pep rally sign, she finds Holly, dead. She freaks out and runs for the doors, but then someone grabs her. Luckily it’s just Jed, and when Miriam tells him what she saw, he goes to see for himself. He then takes her hand and says they need to go call the police. After he calls they sit in the parking lot, and he suddenly freaks out, kicking and punching Holly’s car in a fury. Miriam wonders why he’s doing this, but in his defense I don’t know how I’D react if I found the dead body of one of my friends. As they wait for the police, she realizes that it’s weird that he’s here, and she asks him why he’s at the school this late. He says that he and Gary were working out and Gary left just before Miriam started screaming. Miriam starts to suspect that maybe Mei DID do this.
The next day Ruth is dropping school work off for Miriam, who has been in bed basically since it happened. Ruth tells her that Gary is a wreck and wasn’t at school either, and neither was Mei. But Noah was, and Ruth says that he looked completely nuts. Miriam doesn’t want to talk about any of them, and Ruth says that she’s sad too even if she has a hard time showing it. There’s going to be a memorial at school the next day, and since Miriam’s Mom thinks that one day of mourning/processing time is perfectly adequate for a girl who found her best friend brutally murdered, Miriam will be there. Now Ruth is convinced that Mei and Noah killed her, but Miriam says they have no proof. And she says that if Mei DID do it, the police will be able to find proof that she did and will catch her.
Ruth opens up her backpack to give Miriam her homework, but when she pulls her hand out both it and the notebook are covered in a red, sticky liquid. A message in blood is written on the cover: “We know you know, that’s why you die next!” Ruth says that Holly must not have kept her big mouth shut, and Miriam finally concedes that perhaps the police should be involved.
After dropping the notebook off at the police (and it wasn’t blood, of course, just paint), Miriam is feeling better now that she’s home. The police say they’ll look into Mei and Noah, and Miriam calls Jed. He says he’ll come right over, and when he arrives they start to talk about all the horrible things that have happened. Miriam says that she never thanked him for being there for her the night before, he has a ‘murderous glare’ (as Miriam categorizes it, anyway). She decides not to tell him about Mei and Noah, lest he lose it. But then he says he doesn’t want to talk about Holly anymore because everyone is treating her like a saint but she was a bad person who treated his best friend like shit, AND he was trying to dig up dirt on HIM! She asks how he can be so cruel, and he says that it’s Holly’s fault that she was killed, and YUCK. She says that SHE was the one who asked Holly to go on a recon mission because he’s been acting different and being, you know, VIOLENT, and she’s worried about him. He says that it’s just pressure because of the playoffs, and he hasn’t talked to her and Holly about it because excuse HIM if he doesn’t want to gossip about Mei Kamata all the time. Ding ding ding, points for everybody I feel. But Miriam asks what he meant when he said that Holly was at fault for her own murder. He storms off, and she wonders what HE knows.
At school the next day Miriam doesn’t want to go to the memorial, so she ditches off to the bathroom. She’s confronted by Mei and Noah after she leaves it, and Mei asks her how she could spread the lies about her mother that Holly started, and how she could go to the police. Mei’s mother sprained her ankle the week before and it spasmed while she was at the top of the steps, that’s all. Miriam says that she doesn’t believe them, and if they didn’t kill Mei’s Mom then Miriam is being a grade A asshole right now. They also say that they didn’t kill Holly, and that Holly had a LOT of enemies because she got the dirt and spread it around the school. Miriam says that she and Mei used to be friends before NOAH came into the picture, and Mei says that while she WOULD kill for Noah, she DIDN’T. By the end of the day Miriam is totally over everything, and she sees Jed and Gary arguing, with Gary saying that he’s not covering for Jed anymore and that he knows everything that Holly knew. She waits for Gary to leave before she approaches Jed, and he apologizes again. So she asks what his problem is again, and here we go again as he gets defensive. She says that Holly knew something, and then she asks why he was at school the night she was murdered. He says that he was weight lifting, and that Gary was there, but she doesn’t believe him. He says that she can think what she wants, but he has a game to go play, and he looks less angry and more tired. They do their apology dance again.
Miriam asks Ruth to go to the game with her that night while they’re hanging out in Ruth’s room. Ruth says she’s not going anywhere where Mei and Noah are, and when Miriam expresses her doubts that Mei killed her mother, let alone Holly, Ruth says she thinks that it’s Noah who did everything. Miriam says she’s going to the game regardless because Jed needs her. When she gets to the school she sees Jed taking some kind of pill before the game, and when she asks what it was he says it’s a vitamin. They apologize to each other again, and he goes to play. While watching the game Miriam sees Noah watching her, but tries to focus on Jed. But then on the court Jed loses it again, and attacks another player, and now Miriam is convinced that HE is the one who killed Holly. She runs out, and Jed follows her. He tries to stop her from going, but she hits him in the stomach and bolts all the way to Ruth’s house.
Ruth answers the door and Miriam tells her that Jed is the killer, not Mei and Noah, and Ruth says that it couldn’t be him because there were two more murders tonight: LIZZY AND TILLY!!!!! DAMN YOU AND YOUR PET KILLING FETISH, STINE!!!! Ruth says that her Mom is working late and she was asleep on the couch when she heard a noise upstairs. When she got to her room, the hamsters were crushed to death, and they left a note: “Dead hamsters today, dead girls tomorrow.” Ruth goes to call the police, and when she comes back Miriam comforts her and asks if she wants to get dressed out of her pjs, but Ruth says that she can’t go back in her room with the dead hamsters. Miriam says that she’ll go cover them up. She can’t find anyhting to cover them with, so she goes to Ruth’s closet for a shirt, but when she opens the door, a bloody hammer falls out. The hammer that Ruth had in her backpack. Then Ruth walks into the room, and it’s clear from the look on her face that SHE KILLED THE HAMSTERS!! Ruth dives for the hammer and they start wrestling on the ground for it. Ruth wins and pulls an Annie Wilkes (kind of) and smashes Miriam in the knee cap with it. It was Ruth the whole time! Ruth killed Holly! When Miriam asks why, Ruth says it’s because Holly treated Gary like garbage and that Ruth has been in love with Gary this whole time. She had gone to the school that night to tell Holly to just dump Gary and stop leading him on, and Holly LAUGHED at her and said that once she had Noah she’d happily give Ruth Gary but not a moment sooner. In a fury she strangled her. Miriam says that Holly was a good person (I WOULDN’T GO THAT FAR. While this is certainly NOT a capital offense, and while murdering her isn’t the answer or the right thing to do, Holly really was just awful.) and that she didn’t deserve to die, and Ruth says that Holly’s endless hard on for gossip provided the perfect motive to frame Noah and Mei, and that it helped her manipulate Miriam because she, too, took the gossip very seriously. Miriam says that Jed is going to come in here any minute and Ruth says she’ll just kill him too, because he’s been acting like a loon and she will say that he killed Miriam and the hamsters, and then claim self defense. Jed does enter, and Ruth immediately cracks him with the hammer. But before Ruth can kill her, Miriam grabs the hamster cage and smashes it over her head, knocking her out.
Jed comes to and has his own confession to make. He says that it is his fault that Holly is dead, because he told Holly to wait for him in the gym that day so they could talk. See, this whole time Jed has been acting weird because he’s on STEROIDS!!! The anger, the anxiety, the mood swings, ALL steroids. The pressure for a scholarship was too much, and he started the roids in hopes it would improve her performance. Gary knew and told Holly, and Jed wanted to talk to her before she talked to Miriam. But then he got in a weird ambiguous steroid fog, and he was late meeting her. If he’d just been on time, maybe Holly wouldn’t be dead! Miriam tells him it’s not his fault, and they make up. SHe says they need to call the police, and he asks her if she is will stay with him if he promises to get off the roids. She says ‘that’s the latest gossip’. The End.
Body Count: 4, if you include the hamsters. And you know that I do. Godspeed, Lizzy and Tilly.
Romance Rating: 3. Holly is hoping to cheat on Gary with Noah, Jed is lost in a roid rage and may in the future pull a Chris Benoit on Miriam, and Ruth killed Holly because she loves Gary. But that said, Mei and Noah seem like they’re a pretty good fit!
Bonkers Rating: 5. The Roid Rage subplot was totally nutso to me, but otherwise it’s not much to write home about, craziness wise.
Fear Street Relevance: 2. Miriam and Holly both live on Fear Street, but none of the action actually occurs there.
Silliest End of Chapter Cliffhanger:
“They walked away from me now, Miriam thought. But will they come back?”
…. And nope. They won’t. Outside of a moment in the gym with Noah, that was it for them in this book.
That’s So Dated! Moments: I liked that Holly’s stylish hairstyle was very much a 1990s perm.
Best Quote:
“‘I’m sorry. So sorry,’ Ruth murmured. ‘I won’t have any friends left after tonight- will I? Not even my two hamsters. My two real friends.'”
Girllllll….. that was kind of on you.
Conclusion: “What Holly Heard” was a lame duck with a strange Nancy Reagan style anti-drug subplot, and I am kind of flummoxed by it. Do better, Stine. Next up is “The Face”.
Book Description:Jane McKeene was born two days before the dead began to walk the battlefields of Gettysburg and Chancellorsville—derailing the War Between the States and changing America forever. In this new nation, safety for all depends on the work of a few, and laws like the Native and Negro Reeducation Act require certain children attend combat schools to learn to put down the dead. But there are also opportunities—and Jane is studying to become an Attendant, trained in both weaponry and etiquette to protect the well-to-do. It’s a chance for a better life for Negro girls like Jane. After all, not even being the daughter of a wealthy white Southern woman could save her from society’s expectations.
But that’s not a life Jane wants. Almost finished with her education at Miss Preston’s School of Combat in Baltimore, Jane is set on returning to her Kentucky home and doesn’t pay much mind to the politics of the eastern cities, with their talk of returning America to the glory of its days before the dead rose. But when families around Baltimore County begin to go missing, Jane is caught in the middle of a conspiracy, one that finds her in a desperate fight for her life against some powerful enemies. And the restless dead, it would seem, are the least of her problems.
Review:Zombies have been a genre trope of choice for awhile now in horror fiction. They are usually used to show that in a world of zombies, humans are still the real monsters, and that’s a theme that I enjoy no matter how often it is invoked. But the thing is, zombies are starting to feel a bit stale. With “The Walking Dead” hemorrhaging viewers and post apocalyptic horror movies choosing to go other routes, the zombie story has needed a jolt for awhile now to, uh, revive it. So that is probably why I enjoyed “Dread Nation” so much. “Dread Nation” definitely breathes new life into the zombie story, quite possibly because the zombies are not the focus, nor are they the ultimate bringer of the end of the world. Zombies pale in face of the true enemy in this book, and that enemy is racism in American society. So that means fans of “Lovecraft Country”, this might be the next book you should add to your list.
Justina Ireland has created an alternate timeline history of America, the divergence happening during the Civil War when the Undead (or Shamblers, as they are called in this) suddenly rose from the ground. The alternate history is so rich and new, and yet so familiar, that it definitely feels like this how things would have worked out had this occurrence actually happened in American History. Jane is our protagonist, and she is a true delight as a YA historical fiction/horror/thriller heroine. She has some character similarities to other greats in the genre (Katniss Everdeen comes to mind), mainly because Jane doesn’t necessarily seek out being a leader or a rabblerouser and just wants to live life by her own rules. But unlike books like “The Hunger Games” series, which have a vague and malleable version of oppression and dystopia, the one in “Dread Nation” is right out of the history books: Jane is a black girl living in a racist society, and the injustices that she deals with are still relevant in real world American in 2018, not limited to an alternate history of this nation. Jane, like other kids of color her age, has been sent to a school to learn how to fight the zombie hordes so the white people in society don’t have to, and while she is learning to be an Attendant (a more prestigious position in some ways, as she learns not only to fight but also trains in etiquette to serve a rich white woman) it’s still a subservient place in society. Much like the modern wars of Vietnam and the Gulf Wars, it’s the minorities who are on the front lines giving up their bodies while the white elite sit by and live their lives blissfully unaffected. Jane faces systemic racism and oppression from positions of authority because of her skin, but those aren’t the only themes that still apply today. Jane’s classmate/frenemy Katherine is a white passing black girl, and while her skin means she can shield herself from racism, she doesn’t feel like she has a place in the black community or the white community. Ireland does a great job of bringing these themes (and more) to the forefront, and making them feel relevant today even though the story takes place two centuries ago.
(Note: There has been some criticism of “Dread Nation” regarding how it discusses and portrays the Native characters and themes, most prominently from Debbie Reese. While I did like the book for the most part and think that it does a good job with its portrayal of racism in America, these criticisms are important to see and think about.)
But what about the zombies, you may be asking. As a zombie aficionado (even as they start to feel a bit played out), I can say that I really liked Ireland’s take on them. The action scenes with them never failed to disappoint, and the mythology that Ireland has built around them feels fresh because this isn’t a fallen society, but a society that is trying to coexist with these things. That is a narrative that you don’t see often, and given that I’ve always wanted to see it explored more I was so happy that Ireland went in that direction with the Undead world building. I also felt like she integrated it enough into actual events in American History and changed some of the outcomes or paths in response to it that it felt believable that this is how society would have reacted. Because of this, it always does feel like Civil War Era America, even with a zombie uprising. The Undead storyline, too, finds ways to bring forward social justice topics on race that still concern society today and back then, with science, medicine, and research being done at the expense of black lives and bodies.
“Dread Nation” was a great read that has re-energized my love for the zombie genre. Ireland has given it so much more meat, and I hope that people who read it will think about all of the things she’s trying to say, even if they just came in for the Undead.
Rating 8: A tense and unique historical fiction/horror novel, “Dread Nation” not only tinkers with the zombie story, it also uses it to examine modern issues of race and racism in America.
Publication Info: Knopf Books for Young Readers. June 2017
Where Did I Get this Book: audiobook from the library!
Book Description:Julia and a mismatched band of revolutionaries, scholars, and thieves have crossed the world searching for a witch. But for all the miles traveled, they are no closer to finding Ko Dan. No closer to undoing the terrible spell he cast that bound an ancient magic to the life of a small child. Casimir wants that magic will happily kill Theo to extract it and every moment they hunt for Ko Dan, Casimir s assassins are hunting them.
Julia can deal with danger. The thing that truly scares her lies within. Her strange ability to vanish to a place just out of sight has grown: she can now disappear so completely that it s like stepping into another world. It s a fiery, hellish world, filled with creatures who seem to recognize her and count her as one of their own.
So . . . is Julia a girl with a monster lurking inside her? Or a monster wearing the disguise of a girl?If she can use her monstrous power to save Theo, does it matter?
Review: I saw that the third novel in this series was due to come out shortly, so it was a good reminder to check out this second book. Somehow the “Julia Vanishes” had slipped completely off my radar, all the more surprising for it having a few rare qualities that stand out in a sea of fantasy fiction that can be all too filled with tropes. These rarities were on display once again in this second book, and some of the quibbles I had with the first have also largely been resolved.
Several months have passed and miles have been crossed since the ending of the first book. Julia and her rather enormous cast of fellows now find themselves in a foreign land, loosely based on China, still on the search for a way to remove the magical book from the body of little Theo. Julia, in particular, is devoted to this mission in an effort to make up for her past disastrous choices with regards to Theo. But as she works towards this cause, she begins to discover more aspects of her unique vanishing ability and with these discoveries come unwelcome questions about her own history and identity.
First off, it is absolutely necessary to read the first book in this series before getting to this one. Even the several months break I had between the two lead to a longer than usual re-familiarizing period of time when I started this one. Several of the points that make this book and series so good (a large cast of characters, unique worlds, complicated histories) also make it very challenging to jump into with out refreshing oneself on the events of the past book. Beyond our cast of familiar characters, we’re also dropped into the middle of a new portion of this world with its own politics with regards to witches, its own powerful individual with whom Julia and co. must work, and new settings. After I finally felt like I had caught myself up, I greatly enjoyed this change in scenery. (It’s also noteworthy that for all of these challenges with complicated names/histories/etc., I greatly appreciated the author’s choice to trust her audience to catch up with things on their own. There were no info-dumps or clunky prologues to help with this process, but instead readers are left to put the pieces together on their own, which, with some patience, is perfectly doable.)
One of my criticisms of the first book was the fact that it felt like it had two dueling stories competing against each other, both detracting from the other. This problem has been completely handled in this book. The plotting felt much more streamlined and there was an appreciated increase in the action of the story. The book is driven by the mission to save Theo and this action is balanced by the character growth and inspection that comes through the ongoing mystery into Julia’s past and her abilities. Rather than having two plot pieces tangling together, this balance of plot and character development feel much more natural and give this book a stronger sense of natural flow.
Julia’s development is probably one of my favorite parts of this story. Her increased confidence and clever use of her vanishing powers could have opened a door for her character to lose value due to being “over powered.” But instead, the author finds ways to not only bring large questions into her magical abilities and history, but also focus in on the very human struggles that Julia is still managing. Her feelings of self-hatred with regards to her past choice to give up Theo to the enemy. Her relationship with a brother and her realization that he has lived a restricted life in an effort to support her. The ongoing fallout from her broken heart in the last book, and her realization that there are more fish in the sea.
What makes this last point stand out so well is the way the author introduces other fishes without setting any of them up as a “soul mate” or “one true love.” I loved the “Alanna” series by Tamora Pierce growing up. And I think one part that I liked then and have grown to appreciate more and more as I get older was the way that Pierce exposed Alanna to different romantic interests throughout the series until, in the end, she finally is able to recognize what is important in a partner and what she specifically needs. All to often in YA fiction, romantic interests are introduced who are A.) the protagonists first love of any kind and B.) perfect for them in every way, no questions asked. This never sits well, and I commend the author of this book for exploring a more honest take on the trials and tribulations of young love. Your first love may not be perfect for you. What’s more, your SECOND love also may not be perfect for you. But you learn things from them all. I had a hard time thinking of a similar current series that has tackled this subject as well as this book has, especially given how small a role the romantic aspects play in either book, all told.
I really enjoyed this book, even more than the first. My quibbles about the plotting where deftly handled, and this one was a quick read full of intense action sequences, strong characterization for a large cast, and solid character growth and exploration for Julia herself. Of course, as I’ve said, you have to read the first book first. But if you enjoyed that one at all, I definitely recommend this book as I think it’s even better!
Rating 8: With a realistic portrayal of the challenges of young love and an increased amount of action, “Julia Defiant” is an even better novel than the first!
Book: “The Stepsister 2” (Fear Street #33) by R.L. Stine
Publishing Info: Simon Pulse, 2005
Where Did I Get This Book: ILL from the library!
Book Description:The doctor says Nancy is cured…
She’s over the murderous rage that made her try to kill her sister Emily last year. Now she’s home for good…
Or evil. Emily wants to forgive and forget, but the nightmare has started all over again. Someone wants to hurt her. Is it Nancy? Or is there someone else who wants Emily dead?
Had I Read This Before: No.
The Plot: For whatever reason, R.L. Stine has decided to write another sequel to one of his more lackluster early books. While part of me is relieved that he didn’t feel a need to revisit “Missing” or “The Secret Bedroom”, why oh WHY does he pick wet blankets like “Wrong Number” to follow up on? This time we’re revisiting “The Stepsister”, which means that Emily, Jessie, and good ol’ crazy pants Nancy are back at it again. We jump into Emily and Jessie, first sworn enemies now thick as thieves step sisters, waiting for Nancy to come home from her stint at the mental institution. If you remember she was there because she tried to kill Emily because she blamed Emily for their father’s death. We are also reminded that Jessie carries her own baggage, as her friend Jolie died and everyone thought she murdered her. As Jessie is putting her favorite crystal swan (a gift from her no longer around mother) on a shelf, screams startle her and she drops it. Rich, the third musketeer in this blended family recipe, storms into the room yelling at Emily. Apparently they were at the same party and Rich drank some beer. His Dad (remember Hugh? GOD he’s awful) found out and grounded him, and Rich thinks that Emily must have ratted him out. Emily denies it, but Rich says that he’ll get her back and leaves. Jessie and Emily talk about how WEIRD he is, with his love for Clive Barker and weird splatterpunk horror novels, and he doesn’t sound so bad to me. This is that time before Columbine and after the West Memphis Three where everyone thought violent horror media was what was driving kids to violence, so perhaps we’re foreshadowing. Then we get an appearance from Butch, the family’s new dog, and oh Butch, I’m not getting attached to you.
The doorbell rings, and Emily and Jessie go to answer it, assuming it’s Nancy… But it’s not, it’s Jessie’s friend Cora-Ann! Cora-Ann lives in a house where her parents are constantly physically fighting, so she’s spending time at Emily and Jessie’s house a lot. They retreat up to the girls shared bedroom (which is a new thing, and they are both getting used to it as they snipe on and off). Cora-Ann has some gossip about the party the night before, but just before it gets intolerably boring they hear the car doors. Nancy is home for real now. The girls go to the steps and Mrs Wallner greets them SUPER politely, which we are told means that she’s nervous. But then Nancy walks in, and she’s HOLDING A KNIFE!! But not to fear, it’s a prop knife that she found in the bushes, one that Rich must have left while filming a horror movie with his friends, and frankly THAT IS SO COOL. At first Nancy is a bit quiet as everyone bustles around her, but the moment that she says hi to Emily, Emily is super happy to see her. Mr Wallner yells at Rich to come down and say hi (using the phrase ‘insane’ in the process, way to be sensitive you fucking prick), and Rich does so while still showing his anger at Emily by bumping past her. Cora-Ann breaks the ice by telling him she likes horror movies, and then Rich acts like a fucking gatekeeper and tests her on what her favorite horror movie is and I don’t like him anymore. The family scatters, Nancy goes to her room, Cora-Ann and Jessie go to play with make up, and Emily assures her mother that she’s happy that Nancy is home….. But when she goes upstairs to her room she sees that the perfume that her boyfriend Josh gave her, all the way from PARIS, FRANCE, has been shattered on the floor. Emily is immediately convinced it was Nancy. Jessie convinces her not to confront her, and then Rich appears in the doorway and mocks the mess, which makes Emily think that maybe he did it. I find it very hard to give a hoot.
The next day the entire family (sans grounded Rich) goes out for waffles in celebration. Mr. Wallner makes an ass of himself, and Emily thinks about what a boor he is, but then we also find out that she’s been calling him ‘Dad’ now and I can’t comprehend why on Earth she would do that. Nancy says that she wants to talk with Emily when they get home, and after a nice long breakfast they return to the house. Nancy leads Emily into the living room, and then WRAPS HER HANDS AROUND HER NECK! Emily freaks out, and Nancy says that she did it to ‘prove a point’, that Emily is still afraid of her. Emily astutely points out that Nancy just tried to strangle her, but Nancy says that no, she just put her hands on her neck but didn’t squeeze, which is not threatening at all.
Lucky for Nancy, this is Shadyside so Emily mostly concedes the point. They got to Nancy’s room and Emily comments on how it’s starting to look like it used to, sans a big sheet on the wall. Nancy says that’s the mural she’s working on, but no peeking until it’s finished. They chat about Emily’s life and Emily asks about the hospital Nancy was staying in, and Nancy says that it was okay. They have a heart to heart and Nancy says that she’s sorry. All seems well between the sisters, and Emily leaves to go on a date with Josh.
Josh and Emily as ice skating on Fear Lake as their date, and while that may seem like a bad idea given how cursed it is it actually sounds like a pretty tranquil evening. As they wrap up and take off their skates they suddenly hear the sound of dirt bikes, which then turns into actual dirt bikes driving very fast right at them. The bikes stop right before hitting them, and one of them is Rich (okay where did he get a dirt bike?). When Emily reminds him that he’s grounded, Rich threatens her not to tell, but then totally backs down when Josh steps in, and oh God did R.L. Stine predict the Incel movement? Is Josh a Chad and Emily a Becky? Rich rides away and Josh makes like the New York Times and tells Emily that they should feel sorry for Rich. They get back to Emily’s house and start to make out on the couch, but Emily notices someone watching them from the door. She thinks it’s Nancy, but it’s actually Cora-Ann, who gets all flustered and runs off. Emily tells Josh that she likes Cora-Ann and feels bad for her, and Josh suggests that they go out that next Saturday for a dancing date at Red Heat. It ‘takes him awhile to leave’, and what kind of metaphor is Stine throwing our way this time? Emily goes upstairs and chats with Jessie, is thinks that Emily and Josh are too gross and that Emily should try dating other guys, and mind your own beeswax Jessie. Then Emily naps, but when she wakes up to get some water she is tempted to look at the mural on Nancy’s wall. She decides not to, but when she runs into Nancy on the steps her sister must be able to smell the guilt because she tells her that she wants the mural to be a surprise and no one can look until it’s finished. Emily promises her that she won’t, and they seem to be okay. But as Emily starts to descend the staircase, Nancy’s foot shoots out and Emily tumbles down the steps after tripping on it. Emily wakes up to Nancy freaking out over her, and Emily accuses her of tripping her on purpose. Nancy tearfully insists that it’s her anti-psychotic medications make her muscle control completely non-existent. She apologizes profusely, and since Emily is somehow not a bundle of broken matter they don’t call an ambulance. Apparently in Shadyside concussions aren’t a thing.
At school that week Emily and Cora-Ann talk about their home lives. Cora-Ann confides that her father left potentially for good the week before, and when Emily tries to make it about herself by saying she too is having a bad time at home Cora-Ann shuts her down. After their heartfelt talk Emily feels SO bad for Cora-Ann, but when she tells Jessie about it Jessie snaps that Cora-Ann is HER friend. Then we fast forward to the weekend where the three of them are hanging out before Emily’s date with Josh. As Jessie and Cora-Ann lament that they haven’t had dates in a long while, I lament the fact that this book isn’t promoting the idea that a girls night of dancing could be just as fulfilling. But then it was 1995, and the Spice Girls “Wannabe” is two years away from changing all girls lives. When Emily goes to check on her perfect sexy dancing dress, she finds that it has been cut in half, which makes her scream. Jessie, Cora-Ann, and Nancy come running, and Emily accuses Nancy of cutting it. Cora-Ann thinks that it’s actually the press at the dry cleaners that does it, and Nancy runs off to her room. As Emily goes to apologize, she passes Rich’s room. He holds up a pair of scissors and says ‘snip snip’. HE’S ESCALATING!!! I’ve been watching enough “Criminal Minds” to know what escalation looks like!
Emily Prentiss, save me from this book of cliches. (source)
The next morning Emily is talking to her mother about Rich and his ‘shenanigans’, but her mom brushes it off saying that they’re looking for a therapist for him and that until that happens Emily should ‘stay out of his way’. Christ, I can’t even with this. THEN when Emily confides that she is still kind of scared of Nancy (as she watches Nancy tool around outside), the person who tried to kill her, her mother scolds her and reminds her that she needs to be extra sensitive about this whole thing. And I get it. Nancy has problems, no doubt. But to ask her VICTIM to be a little braver and understanding is just wrong. Emily does wonder if she should be more understanding, and goes outside to talk to Nancy. They end up building a snowman to rival the one that Cora-Ann and Jessie made, and it turns into a lovely afternoon. But as Emily is driving to Josh’s house that night, the brakes give out on the car! She crashes into a tree, and wakes up in the hospital. Mr. Wallner, or “DAD”, is there, and Emily tries to tell him that she thinks that Nancy tampered with the breaks. He tells her that no, he knew that the breaks were feeling a bit loose but didn’t take the car in, and besides, how could NANCY possibly know how to tinker with a car? Even when Emily says that Nancy studied car repair during her psych ward stay, Hugh waves off this theory, most likely because Emily is a girl and what does she know?
A few nights later Emily wakes up to Jessie sobbing. She had a bad dream about Jolie again. The sisters bond over their mutual nightmares about the people they lost in their past, and reaffirm that they are good sisters to each other. Jolie realizes that Emily has never seen a picture of Jolie, and so she digs out a memory box and shows her a picture. Emily point s out that Jolie and Cora-Ann are strikingly similar. Jessie wonders if she’s been having nightmares because she’s been hanging out with Cora-Ann so much….. The next day (maybe?) Emily is trying to write a paper about what would happen to Holden Caulfield after “The Catcher in the Rye” (I have a theory: he grows up and becomes a phony). She attempts to call Josh but when she picks up the phone Rich is on the line with a friend who is encouraging him to sneak out. Emily listens in a bit but then hangs up, but Rich knew it was happening and comes into her room to yell at her a bit asking what he has to ‘do to her’ to get her out of his life.
Later, Emily and Jessie are watching a movie when there is a knocking on the door. They go to the door and find Cora-Ann with a white canvas bag. She says her Dad is back and wonders if she can sleep over. They say sure. The next morning Emily wakes up and brushes her teeth, but then can’t get her jaws to open. Then she sees a bottle of super glue in the garbage!!! Okay, this is straight up assault at this point!! She rushes out of the bathroom and demonstrates what has happened to Jessie and Cora-Ann, and Cora-Ann calls 911. She is told that they should take Emily to the ER, and as they are leaving Emily accuses Nancy through her glued teeth, who then bursts into tears, and Mr. Wallner says that they need to act like a family, dammit. But I put forth that it’s hard to act like a family when you are being assaulted by your sibling or stepsibling or WHOMEVER. After she gets fixed up and they are leaving the ER, Cora-Ann says that this is still better than HER family (not the time, Cora-Ann), and says that her Mom may be moving them back to Parkerstown. Jessie stops short, and says that Jolie was born in Parkerstown. Cora-Ann asks if Jolie was the girl who died, and Jessie asks how she knows about Jolie, because she has never mentioned her. Cora-Ann balks and doesn’t answer.
In French class later that week Jessie and Emily whisper about Jessie’s new suspicions about Cora-Ann. Jessie thinks it’s weird that she knew about Jolie, but Emily says that in Shadyside EVERYONE gossips and that must be how she knows. When Emily gets home that day she sees Rich and Nancy up in the second floor window, perhaps arguing. It’s very strange. We THEN jump ahead to Saturday night, as Emily is returning from a movie she saw with Josh. She’s thinking a lot about all the stuff that’s happened, but when she walks into the living room the worst thing that I KNEW was coming has happened: Butch the dog is dead. Emily freaks out, and starts screaming for Nancy. When the family comes down the steps to see what happened, Rich mutters ‘another dog bites the dust’ (prick), and Emily attacks him.
We cut to Jessie driving Emily down the driveway as Hugh digs a hole for Butch the next morning. That night Hugh and Mrs. Wallner are leaving their kids alone (?!?!??!!?!) because of a sick relative (do they BOTH have to go though?!), and Emily is scared that she’s going to be killed next. They drive up to Cora-Ann’s house, but then Jessie freaks out because she sees two people walking out of her house… and they are Jolie’s parents! Jessie wants to hide but they are spotted, so they get out to talk to them. After awkward pleasantries, Jolie’s parents tell them that Cora-Ann is Jolie’s cousin!!! Jessie insists that they have to leave now, and as they’re driving SHE thinks that it was Cora-Ann who did these thints!! When Jolie died Cora-Ann was devastated. Jessie had told Cora-Ann that she was going out the night that the brakes gave out, she may have thought that the dress was hers, and Jessie was always borrowing the perfume. AND Butch was always jumping on Jessie, AND she was there for a sleepover when the glue was put in the toothpaste!! Emily now feels TERRIBLE for accusing Nancy of these things!!! Because obviously it was Cora-Ann, right?
When they get home Emily runs up to Nancy’s room and knocks on the door. She apologizes through the door when Nancy won’t open it. Emily says she’ll come back later, and goes to find Jessie, who can’t get a hold of their parents. The phone rings, and Jessie picks it up. And since it’s Cora-Ann, she loses her cool and yells at her to NEVER COME BACK AGAIN EVER! Then the power goes out because of a poorly timed thunderstorm during a time of year where it’s usually snowing. The girls go to grab candles, when there’s a knocking on the door. When Emily looks out the window, she sees Cora-Ann on the porch, and she’s HOLDING A KNIFE!!! Jessie tries the phone, but the line is dead. Did the storm do it, or did Cora-Ann do it?! They look out the window again and Cora-Ann is gone, but then they remember that they didn’t check the windows and other doors. And then Cora-Ann bursts through the back door in the kitchen, and comes at Jessie with the knife! But NANCY TO THE RESCUE!! She bolts out of nowhere, grabs a pan, and hits Cora-Ann in the head! Jessie and Emily are stoked, and thank her for saving them…. But when Jessie goes to hug her, Nancy hits HER with the pan as well! Then she turns to Emily and says ‘you’re next’. I guess it was Nancy the whole time, and all the red herrings proved to be nothing and we just get a repeat of the first book.
SO apparently, Cora-Ann took Nancy’s bag by accident when she left, and that bag had a huge ass knife in it. Cora-Ann was coming to warn Jessie and Emily. Nancy has been biding her time and waiting, pretending to be well and better and fooling everyone, including the medical professionals who were tending to her. But now she’s going to kill Emily. She tries to stab her but misses, and Emily goes running. She eventually runs up to Nancy’s room, and pulls the sheet off the mural. The mural just says “HATE HATE HATE HATE” a bunch of times and it doesn’t exactly sound like a Diego Rivera level masterpiece. When Nancy comes into the room and says she’s going to kill her, Emily, remembering her mother’s toxic advice about having to forgive Nancy to truly save their relationship, instead wraps Nancy into a bear hug and tells her that she forgives her, squeezing her tight. At that moment their parents come home, thanks to a washed out road, and all seems to be okay.
And in a neat little wrap up around the dinner table a few weeks later, we find out that Cora-Ann’s parents are in marriage counseling, Cora-Ann and Jessie are friends again (Cora-Ann admits that she was trying to figure out if Jessie killed Jolie but figured out right away she hadn’t), and Emily has been visiting Nancy in the hospital, where she is going to stay for a long time. They tell Rich to turn off the TV and join them at the table, and when he does he tells them that he was watching “Family Feud”. The End.
I take last time’s declaration back, I hate these bad jokes in light of such tragedy. (source)
Body Count: 1. Poor Butch. I hate it when Stine kills animals.
Romance Rating: I’ll give it a 7! I liked Emily and Josh’s relationship this time around.
Bonkers Rating: 5. Not really crazy, and kind of a rehash of the first one.
Fear Street Relevance: 4? They were ice skating on Fear Lake and there were mentions of Fear Street here and there, but not much of the true action felt Fear Street related.
Silliest End of Chapter Cliffhanger:
“‘No!’ Emily let out a cry as she saw the blood-stained knife in Nancy’s hand.”
… But it was the prop knife. Which wasn’t a prop knife after all??? I wasn’t clear on this.
That’s So Dated! Moments: Well outside of Emily overhearing Rich talk on a shared land line, at one point Emily and Jessie are watching a VHS of “Sleepless in Seattle” but I’m not even mad about it because I straight up love that movie!!
Best Quote:
“‘Pete is such a loser,’ she murmured. ‘I’m surprised I haven’t gone out with him.'”
I applaud your self awareness, Jessie.
Conclusion: “The Stepsister 2” was just a rehash of “The Stepsister” when it all comes down to it, so I wasn’t impressed. Next up is “What Holly Heard”.
Publishing Info: Little, Brown Books for Young Readers, July 2017
Where Did I Get this Book: audiobook from the library!
Book Description: In this third book in the epic Court of Fives series, Jessamy is the crux of a revolution forged by the Commoner class hoping to overthrow their longtime Patron overlords. But enemies from foreign lands have attacked the kingdom, and Jes must find a way to unite the Commoners and Patrons to defend their home and all the people she loves. Will her status as a prominent champion athlete be enough to bring together those who have despised one another since long before her birth? Will she be able to keep her family out of the clutches of the evil Lord Gargaron? And will her relationship with Prince Kalliarkos remain strong when they find themselves on opposite sides of a war?
Review: This review is a long time in coming given how much I enjoyed the first two books in the trilogy since we’re coming up fast on a years since it’s been out! But I will blame my audiobook library queue. I had this one almost finished months ago, and then had to return it to the library and had to wait in line patiently to get it back. Yes, yes, I could have just read a physical copy or done any number of things to get it sooner. But my dedication to one format and the library knows no bounds! Even if that leads me to nonsensical places like writing a review months later and then dedicating an entire paragraph to these very trials and tribulations. Anyways, on to the review!
Things are coming to a head in the fight for the future of Jes’s homeland. And not only are her parents on opposing sides of this battle, but her beloved Prince Kal is finding himself more and more likely to be called upon as a leader in these trying times. While Jes’s prowess as an athlete and the star-power she has won for herself there has gotten her this far, what role will she play as events greater than she ever imagined begin to unfurl?
The story picks up immediately following the events of “Poisoned Blade.” I always like books that could be read as one, continuous story, but coming after a long break between reads, it did prove a bit challenging for me to fall back into this world. There is just so much here! After two books already, Elliott has set up not only a complex and believable world, but one that is peopled and driven by two different cultures with very different outlooks on life, and, importantly, history. That’s not to mention the ever growing cast of characters, all of whom have been slowly revealed to have their own motives in the ongoing conflict. Once I caught myself up again, all of these details fell neatly into place and this same complexity reestablished itself as firmly a plus for the series.
Especially the history aspect of the book. Throughout the series, Elliott has done a thorough deep-dive into what it really looks like to have a history that has only been told by the winners. Through all three books we have begun to see just how thoroughly retold and rewashed events of the past have been, and how now, in the third book, people are trying to reclaim these lost bits of history. This also was carefully crafted and presented. There are no easy pathways and correct decisions that can be made to right the wrongs of the past. And Elliott explores how the choices made in the present will continue to play into this narrative as the future of these two peoples continues to unfold.
Jes, as always, is a great character through whom to view this conflict. As a girl from both worlds, we are given front row seats to her own harsh realizations about what actual change would entail. Throughout the first two books and a large portion of this one, Jes’s outlook on the future has been, frankly, pretty naive. Here she is forced to truly confront her own ignorance of the political powers at play and the limitations that exist for even rulers themselves.
The action takes a swing away from the excitement of the court of fives games that has made up much of the other books. With stakes as high as these, there simply isn’t room for these type of trials as often. However, even with that being the case, I was impressed by how neatly Elliott was able to tie this aspect of the story into the greater conflict as a hole. Don’t get me wrong, Jes’s skill as a competitor is still important and relevant to this book, and the few races we saw all had incredibly high stakes and were just as thrilling as always.
However, the real action came back to the conflict itself. We saw more battles, more personal struggles in Jes’s ongoing conflict with Lord Gargaron, and a epic resolution to the entire chain of events that was both heartbreaking and incredibly satisfying. Elliott doesn’t back away from the ugliness that would take place in an overthrow of this kind, even with the most benevolent and wise of leaders at its head. Further, Jes and Kal’s romance does not get the “magic wand” treatment and they, too, much confront the challenges of any future they may have together.
I thoroughly enjoyed this final installment in the trilogy. I did knock it down one point from the previous two, simply because there were portions in the beginning and middle of the book where the pacing seemed off (events would move quickly, only to suddenly lag for several pages). This book had to fit a lot into one story and there were times where I felt like it had a few missteps simply due to the challenges of getting it all in there. But that said, this was still a thoroughly enjoyable read and very gratifying end to a solid fantasy trilogy.
Rating 8: An epic conclusion to a high stakes fantasy trilogy, full of action, heartbreak, and an introspection on what it means for a nation to rediscover its history and reclaim its future.
Book Description: Kacey is the new girl in Broken Falls. When she moved in with her father, she stepped into a brand-new life. A life with a stepbrother, a stepmother, and strangest of all, an adoring younger half sister.
Kacey’s new life is eerily charming compared with the wild highs and lows of the old one she lived with her volatile mother. And everyone is so nice in Broken Falls—she’s even been welcomed into a tight new circle of friends. Bailey and Jade invite her to do everything with them.
Which is why it’s so odd when they start acting distant. And when they don’t invite her to the biggest party of the year, it doesn’t exactly feel like an accident.
But Kacey will never be able to ask, because Bailey never makes it home from that party. Suddenly, Broken Falls doesn’t seem so welcoming after all—especially once everyone starts looking to the new girl for answers.
Kacey is about to learn some very important lessons: Sometimes appearances can be deceiving. Sometimes when you’re the new girl, you shouldn’t trust anyone.
Review: I did not grow up in a small town, but both of my parents did, and they have many stories from their childhoods about small town life and culture. Rumors and gossip were things that spread like wildfire, and get passed down from generation to generation and live longer than anyone imagines they would. I think of the story my Dad tells about a rumor that Dick Hickock and Perry Smith, the murderers from “In Cold Blood”, stopped in the town limits on their way to Mexico after they killed The Clutter Family. No can prove that they did, but to some people it’s absolute fact. I really enjoy stories that explore the power of rumor and urban legends, especially within small communities. Enter Kare Thomas and her novel “Little Monsters”. Thomas is making her way up alongside Stephanie Kuehn for must read YA thriller authors, as hot off the tail of “The Darkest Corners” she put out another stellar YA thriller and mystery that kept me on the edge of my seat and needed to know more. I have her upcoming novel “The Cheerleaders” sitting on my Kindle thanks to NetGalley, and I can tell you that’s going to get priority on my reading list thanks to this awesome read about small town society, and interloper trying to fit in, and rumors and urban legends that take on lives of their own.
Thomas brings us to the town of Broken Falls, Wisconsin as our protagonist Kacey settles into her new life with her father and his family. Kacey is damaged and wary, a teenager whose mother had been toxic and abusive and whose behavior prompted social services to step in. Her transition to a new life from a life where she felt completely unwanted makes for an interesting and complex protagonist, and Thomas writes her pretty well and believably. I totally bought into why she would cling to Bailey and Jade, and also understand why she may not see some of their manipulations for what they are. So, too, is she believable when she makes poor decisions in the face of accusations that she has something to do with Bailey’s disappearance. I found myself feeling to Kacey as well as wanting to shake her whenever she was confronted by a suspicious authority or community member, but at the same time a teenager probably wouldn’t be making the best decisions without guidance from a busy father and loving, but stressed, stepmother. The town of Broken Falls itself, from the physical description to those who populate it, also felt well fleshed out and realistic in the reaction to Bailey’s disappearance. My folks have many a story about the mistrust of outsiders, and outsiders being looked at first when something awful happens because of the false idea that no one from the community could POSSIBLY do such a thing. Such ideas can be very damaging, and to see them play out with a teenage girl at the center kept me on the edge of my seat, especially since Kacey herself dabbles in unreliable protagonist tropes herself.
The mystery itself is told through two POVs: Kacey’s, and then through diary entries that Bailey left behind but are seemingly only seen by the reader. This allowed for a slow burn of a reveal to unravel at a good pace, and I loved seeing the facts come out one by one. I was definitely tantalized by the various clues that would be laid out, and they all come together so neatly and tautly that I was pretty blown away by it. Thomas did a great job of setting this all up, and the payoff was well worth it. I definitely didn’t solve this a moment before Thomas wanted me to, and as the results fell into place I was genuinely caught off guard and then totally satisfied by it. The mystery also does a good job of slowly revealing truths not only about Bailey, but other people in the story, which make sense going back before they are revealed. And I don’t want to give anything away, so I’m going to leave the mystery at that.
The other component of this book that I REALLY enjoyed, even if it didn’t have as much obvious play, was the urban legend of The Red Woman. Broken Falls has a story about a man who murdered his family and burned down his house, but the body of his wife was never found. Now there is a legend about her ghost being seen on the property of the farm they shared, given the fact no one bought it and it has been left to rot. I LOVE a good urban legend, and Thomas does a really good job of creating a new, believable one that is INCREDIBLY creepy (images of and specters of bloody women running after dark, anyone?) and plays a very key, but subtle, role in the other themes of this book. I would read a book all about The Red Woman urban legend, if Thomas were so inclined to write it.
So all in all, “Little Monsters” was a fast, fun, satisfying read. Kara Thomas is up there with the other greats of the YA Thriller genre, and I can’t wait to see what she brings us with “The Cheerleaders”, and any other works that she puts into the YA literary world.
Rating 8: A tight and tense thriller with a solid mystery and creepy characters, “Little Monsters” is another winner from YA Thriller superstar Kara Thomas!
Book: “My Plain Jane” by Cynthia Hand, Brodi Ashton, and Jodi Meadows
Publishing Info: HarperTeen, June 2018
Where Did I Get this Book: Edelweiss
Book Description: You may think you know the story. After a miserable childhood, penniless orphan Jane Eyre embarks on a new life as a governess at Thornfield Hall. There, she meets one dark, brooding Mr. Rochester. Despite their significant age gap (!) and his uneven temper (!!), they fall in love—and, Reader, she marries him. (!!!)
Or does she?
Prepare for an adventure of Gothic proportions, in which all is not as it seems, a certain gentleman is hiding more than skeletons in his closets, and one orphan Jane Eyre, aspiring author Charlotte Brontë, and supernatural investigator Alexander Blackwood are about to be drawn together on the most epic ghost hunt this side of Wuthering Heights.
Review: I picked up the first book in this series (?) pretty much on a self dare: how could the tragic story of Lady Jane Grey somehow be turned into a fantasy/comedy YA story and NOT be terrible? Well, I was definitely proven wrong, so when I saw this book coming out, I did nothing more than glance at it, see that it was somehow a Jane Eyre retelling, and instantly request it. Seriously, I didn’t even read the actual book description, because I was surprised as heck that there were two other narrators when I actually started reading, even though it states it right there in the blurb. Anyways, long story short, I loved this book.
Jane Eyre is working as a teacher at the orphanage/school where she was raised, alongside her friend Charlotte Bronte. Their quiet, but not so happy, lives are interrupted with the arrival of ghost hunter extraordinaire, Alexander Blackwell, who sees in Jane a powerful addition to the supernatural services organization for which he works. Jane doesn’t see it the same way and flees to be a certain governess at a certain dark and creepy house with a certain brooding gentleman in residence. Charlotte, on the other hand, is all too willing to prove that she, too, has what it takes to hunt ghosts and gets herself involved, like all good heroines do.
It’s really hard to blurb this book as so much of the plot is caught up in the twists that the authors are constantly lobbing into what is a very well known classic tale of tragic love. And man, I don’t want to ruin the surprises that are in store! In many ways, I enjoyed this book even more than the first book. Other than her terrible end, I didn’t really know anything about the history behind the original Lady Jane Grey and, from what I do know, the story veered from that path pretty early on to allow for our leading lady to have a proactive role, rather than sitting alone and doomed on a throne for a few days.
But here, I am very familiar with the original plot line of “Jane Eyre” so watching the story unfold in a completely unexpected way, artfully tying in characters and events that mirror those from the original but who show up and do things that I would never have guessed was an utter delight. For all that we gain two additional characters, one of whom is the author of the original book in question, it was truly impressive how closely these authors managed to tie it all together with that story. They also neatly explored some of the criticisms that can be thrown at the door of the original, as well.
As characters go, I actually ended up enjoying Charlotte and Alexander more than Jane herself. Charlotte has the go-getter gumption that I like in my leading ladies, and Alexander was appropriately put off but also endeared by her, which I like in my romantic heroes. This all left poor Jane to still have to fulfill the role of the one who falls in love with the very brooding, slightly suspicious Mr. Rochester. Yes, things don’t all turn out as they do in the book, but given the dueling goals of retelling the story while also criticizing some of the peculiarities of its romance, this left Jane in the awkward position of having to mimic some of the foibles (at least they are presented as foibles in this view of the story) of the original Jane as well. But, don’t get me wrong, the book takes a massive turn halfway through the story, and in the latter half Jane gives it as good as she got.
I’m sure this was true of the first book as well, but what stood out to me the most in this one was the bunches of fun I was having simply spotting references to other pop culture memes and moments. I know that “Ready Player One” has come under a lot of fire (I don’t think deserved, save it for the second book!) for being nothing but a loose plot full of 80s references. And while I had fun with that book and those nods, I’m not a pop culture aficionado like Kate, especially not about the 80s, so I’m sure I missed the majority of the more subtle Easter eggs. Not so here! These are the kind of references that I can get behind. We have “The Princess Bride,” “Harry Potter, ” “Ghostbusters,” “Lord of the Rings” and so many more! They were everywhere, and what made this even better was how artfully they were sewn into the story itself. It never felt like they were shoehorned in, but instead each reference came about in a natural and often very subtle way.
I again loved the way that the authors wove supernatural events into this story. Yes, it’s probably a bit easier to sell a ghost story with actual ghosts for “Jane Eyre” than shapeshifters in a real historical event like with the first book, but there are still a million ways this thing could have gotten away from them. Instead, the entire production felt tightly controlled and masterfully directed the entire time. The characters each had distinct and interesting character arcs, the magic was well thought out and integral to the story itself, and the original “Jane Eyre” was deftly retold and lampooned at the same time. I zipped through this book in one day! If you enjoyed “My Lady Jane” or are up for a good comedy version of “Jane Eyre,” than I definitely recommend checking out “My Plain Jane.”
Rating 9: Adding comedy, magic, and bucket loads of literary references only improves this retelling of “Jane Eyre.”
Book: “College Weekend” (Fear Street #32) by R.L. Stine
Publishing Info: Simon Pulse, 1995
Where Did I Get This Book: An eBook from the library!
Book Description:Nightmare weekend
Nothing can ruin Tina River’s big weekend at Patterson College with her boyfriend, Josh Martin. She’s so excited, she doesn’t even mind that her cousin, Holly, will be tagging along.
But when Tina and Holly arrive, Josh is gone. His roommate, Christopher Roberts, says Josh is stuck in the mountains, delayed by car trouble. That’s weird—Josh never mentioned he was going away.
It gets even weirder when Holly suddenly disappears. But Christopher isn’t worried—about Holly or Josh. Christopher seems to have the answer to everything. Tina is confused. But one thing is clear—she’s about to learn more about love and murder than she ever wanted to know.
Had I Read This Before: No.
Review: We open with a short prologue in which our protagonist, Tina, is on the phone with Josh, her college boyfriend. She’s going to visit him that weekend and unfortunately has to bring her cousin Holly with because her Mom doesn’t want her traveling alone. While Josh is a little miffed, they are still excited to see each other and he’s convinced his friends are going to like her. But we find out from the omnipotent narrator that they are going to have some problems that weekend.
Fast forward to Tina and Holly riding the bus from Shadyside to Patterson College. Tina is excited to see Josh because she hasn’t seen him for three months, and Holly is excited to check out all the college boys during the Spring Fling Weekend. Tina wants to be a fashion model, but as of right now all she is interested in is seeing Josh. I’d make fun of her or get snarky, but during my freshman year of college my then boyfriend/now husband and I were in a long distance relationship and I KNOW how it feels like the end of the world until you can see them again. So Tina, you’re a-okay in my book. The train arrives at Patterson Station, and Tina practically drags Holly off the train by her hair. The conductor tells them that they’re the only ones getting off and that the station is super deserted, so they should be careful, but JOSH is supposed to be meeting them so all is well!… Except, big shocker, Josh isn’t there when they get off, and the station is basically empty. Holly says that she hopes this isn’t a sign of how the weekend is going to go, and Holly, you have NO idea. Holly says that she has a bad feeling, but then asks if there are any good dance clubs around because she’s SO breaking curfew and staying out all night, so she’s not THAT worried. They leave the platform and go into the station and it’s JUST as deserted outside of a black cat (BAD SIGN Holly says), and when they go out onto the platform AGAIN Tina sees Josh! Except it’s not, it’s a random creep who demands that they give them money or else. But then another guy swoops in to rescue them from the person who is no doubt a casualty of Reagan Era Social Policy! The guy says his name is Chris and he’s Josh’s roommate, and that Josh got caught on a geology field trip and won’t be back until later that night. Tina is bummed because she wants to have as much time as possible with Josh, but they follow Chris to his Jeep. Chris is confused to see Holly because he thought Tina was coming on her own, but Tina explains the situation of a human chastity belt.
In the car Holly goes on about the drama programs she’s visited, while Chris puts in a CD by Psycho Surfers, which happens to be Tina’s favorite! Chris then tells her that he heard she wants to be a model, and that his uncle is THE Rob Roberts, famous fashion photographer! He could take some photos of her this weekend and then send them to Rob, but Tina says she may not have enough time because she’s planning on spending it all with Josh. They get to the dorm and Chris says that the girls can sleep in his and Josh’s room and he and Josh will crash at his photography studio (I should mention Chris is RICH). Tina asks Chris to call the studio to see if Josh is there yet, but he’s not. Chris leaves for the night, and Holly and Tina settle in. As Tina admires the absurd amount of rocks on Josh’s side of the room, she also notices that the plethora of photos Chris mentioned are all gone. Then there’s a knock on the door, and when Tina opens it a girl is there, who seems to freak out at her appearance. But then she says that Tina just looks like someone she used to know, and introduces herself as Carla. She’s dating Steve, who is in the geology program with Josh, AND she went to high school with Steve and Chris so she’s an old friend. Carla confirms the car trouble situation, and then tells Holly and Tina about Chris’s old girlfriend in high school, Judy. She died in a sailing accident and Chris is still really broken up about it. Carla says that she’s going to talk to Josh when he gets back, because she doesn’t think he appreciates Tina, and Tina thinks that’s a little weird. Chris comes back because he forgot his chemistry notes, and he suggests that they all go to a party to pass the time. Tina is reluctant at first but eventually agrees, and says she needs to put some things away first. But when she opens Josh’s closet, she sees his hiking boots. Why did he leave them behind on a geology trip? The others come back and Carla says that Josh doesn’t deserve Tina because he’s on that trip and he hasn’t seen her in months, but Chris stands up for him and they go to his Jeep. Tina asks Chris about the boots and he says Josh got new ones. He puts in another CD and OH WOW, it’s another band that Tina likes! How coincidental, I’m sure.
They get to the party and Holly is stoked while Tina is intimidated about the COLLEGE GIRLS. Carla takes Holly to meet some drama kids, and Chris asks Tina if she wants a drink. As they drink soda (SUUUUURE) they talk more and they have so much in common! He then asks her if she wants to dance and she says sure. Then they go out to the back porch and he tells her to wish upon a star (Christ). She says that she wishes to be a famous model one day, and he says he can help make that come true by taking her pictures. Then he kisses her. They’re BUSTED by Carla, and Tina is first scared that Josh is going to find out about this. But then she realizes that Holly isn’t there. Carla says she las saw her dancing with a townie. When they go back inside, the party has TAKEN A TURN BECAUSE THOSE ROWDY TOWNIES ARE THERE and perhaps a bike race is the only way to solve all their differences? I’m saying it now, I’m Team Cutters!
One of the townies tries to get Tina to drink beer by forcing it in her mouth and no, the Cutters wouldn’t do that, they’re gentlemen, and Tina can’t find Holly anywhere. But she does hear a scream that sounds like Holly, and she runs out back to see a curly haired girl (like Holly) being dragged off “Road Warrior” style on the back of a motorcycle, and Tina chases after them for a bit but tells herself maybe Holly wanted to go with them (UHHHH), but maybe it wasn’t even Holly at all. Then she finds an earring that looks just like Holly’s and yikes. She runs to find help but finds Carla instead, who tells her that she JUST SAW Holly go off with drama major extraordinaire Alyssa Pryor, who Tina remembers from Shadyside High. Phew, thinks Tina, but then wants to talk to Carla about the kiss she walked in on. Carla says Tina shouldn’t worry because in COLLEGE you totally hook up at will, and she and Steve aren’t monogamous so it’s really not a big deal.
Tina is in a mood by the time they get back to the dorm, and she hopes that Josh is finally back. Chris says he’ll walk her up because he has MORE THINGS to grab, and when they enter the room it’s still just them. She worries Josh has been in an accident, and Chris says he’ll call the studio to see if Josh has left a message, and says he’ll call her when he finds out after he gets there for the night. He does so, and claims that Josh did leave a message that he won’t be back until the next afternoon because the garage can’t get the car part they need til the next morning. Tina is now full on peeved and decides to try to sleep. But she’s awakened by a strange sound, and is convinced that someone is in the room with her, and the door is indeed open (there’s a weird moment here where she doesn’t realize it until she turns the light on, BUT wouldn’t the light from the hallway be a tip off??). She closes the door and locks it, admonishing herself for not locking it in the first place. Then she goes to Josh’s desk and finds his CAR KEYS. How is he on a trip WITHOUT HIS CAR KEYS???
The next morning Tina wakes up at tenish, and sees that Holly’s clothes remain untouched. She still isn’t back! While Tina knows she isn’t Holly’s mother, she is a good cousin and wants to make sure she’s, you know, ALIVE. She calls information and asks for Alyssa’s phone number, but there is no one listed under that name. She calls Chris at the studio to see if he’s heard from Josh, but nope. He says he’ll give her a tour around campus, and when she asks about Josh’s keys he says he can’t hear her and hangs up. Subtle. When he arrives with donuts she asks him about they keys again, and he says that he must have taken his spare set, and when she asks why he didn’t just bring his regular set with the quartz key chain she got him, he says he probably didn’t want to lose them. and she TOTALLY buys into it. Look, there’s gaslighting, and then there’s willful stupidity, Tina, and you are being WILLFULLY STUPID right now. He takes her to fraternity row and tells her that Josh is pledging, and Tina thinks that’s odd since Josh has never been into fraternity life, and maybe she doesn’t know him like she thought she did. They can’t find Holly at the drama department or the cafeteria, and Chris says he’ll go grab Alyssa’s number from the student directory at the bookstore. He comes back with it and gives Tina a quarter for a pay phone, but when Tina calls the number the voice on the answering machine is NOT Alyssa’s! Chris suggests that perhaps Alyssa is trying out a new voice because actresses, and once again Tina thinks that’s a very reasonable explanation.
Carla shows up and tells them that she just heard from Steve and Josh and their car broke down AGAIN, so she’s off to pick them up. Tina says she wants to go but she says no, she can’t come because her car is only a two seater and one of the guys is already going to have to trunk it (I’ve done this before. Don’t be dumb like me, kids!). Tina suggests the Jeep, but then realizes that she should wait around for Holly and Carla heads off to get the boys. Chris suggests that they should go rent a motorscooter and go for a ride. They go around town and he takes pictures of her on his camera, and then they go to the Spring Fling Carnival that afternoon because OBVIOUSLY Holly will turn up there.
As they hang out at the carnival, they run into a guy named Jack, who when to Shadyside the year before. Chris tries to get Tina to head off with him, but Tina wants to hang with her old friend for a bit. She tells him that Holly is here too, but she went off with Alyssa and she hasn’t seen her since. Jack tells her that Alyssa transferred to a school in Seattle and doesn’t go here anymore. Tina FREAKS, and Jack heads off totally unconcerned. Tina says that Carla must be lying, and Chris tells her to relax and that Holly is probably fine and just enjoying a spot of rebellious independence. He suggests they just try to enjoy themselves, and they end up at the Ferris Wheel. And they get stuck at the top, which makes Chris think it’s the perfect time to put the moves on her. They do kiss a little bit, but then Chris gets all pensive and shit. He says he hasn’t been on a Ferris Wheel since Judy, and she comforts him. He starts ragging on Josh for leaving, and says that if HE were her boyfriend he’d NEVER leave her. He then scoots closer, offsetting the balance of their car, and tries kissing her again, and when she refuses he threatens to tip it over because she’s a TEASE. Before he can, though, the car starts up again, and they start to descend. He tells her he was just kidding. and that he’s sorry. Now Tina is back to the ‘I feel sorry for him’ portion of our reading journey, and thinks that if she’d never kissed him in the first place none of this would have happened. To that I say HELL NO AND I HATE THAT STINE EVEN PUT THAT OUT IN THE UNIVERSE.
Tina thinks they’re heading back to the dorm, but Chris says they should go to his studio instead so they can take indoor shots. She is reluctant, but he reminds her that his uncle is THE Rob Roberts, and Tina thinks that this is the only way to achieve stardom. As they ride the scooter Tina thinks she sees Carla who is supposed to be going up to pick up Josh and Steve! But when they swoop back they don’t see her, but another girl in similar clothes and with similar hair. So they get to the studio, which is in a basement, nothing sketchy about that, and she looks at all his state of the art equipment. She sees a picture on the wall of a girl who looks a LOT like her, outside of the darker hair and different eyes, and it’s implied that it’s Judy. Chris shows her where she can go get into modeling makeup, and when she nearly opens a closet door he FLIPS and tells her not that one because it holds lots of chemicals. She finds the bathroom, freaks out because she thinks a mannequin is a body (it’s not), and then he starts telling her how to do her makeup for his ‘vision’. He then applies it the way he likes and tells her what kind of outfit to pick out. Lucky for her all of the dresses are just her size! He starts taking her picture and telling her how to pose, and retouches her makeup just the way he likes….
And when she compliments the dress he says that it belonged to Judy!!! She continues the shoot, and then he starts calling her Judy and tries to kiss her. She tries to remind him that she is NOT Judy, and he kind of gets it but, like, not really? She realizes that she has to play along or he’s going to flip out on her, and he tells her to put on this old fashioned dress now.
As she’s changing, Tina finds a picture in a drawer. It’s of HER SLEEPING IN THE DORM ROOM THE NIGHT BEFORE. When she exits he says that they’re going to photograph a beach scene, and it makes no sense given her gown but Judy died at the beach so it probably makes sense in his mind. She asks if she can have a soda, and when he goes to get her one she bolts! But all the doors and locked. And as Chris starts to chase her around, he says that he’ll have to kill her ‘again’. SO HE KILLED JUDY TOO. They struggle a bit and he locks her in the dark room. When she finds the light for the room, she realizes that she’s surrounded by pictures of her of all shapes and sizes, the photos being the ones that she sent to Josh, and the last one is of her at the train station the night before. She decides she needs to find a weapon, but when she opens that cabinet, JOSH’S BODY TUMBLES TO THE FLOOR!!! Looks like she threw chemicals in his face and then based his brains in. Chris bursts in and grabs her, calling her Judy all the while. She tries to reason with him, and then tries to throw acid in his face… but it’s just water. Some acid does drip on her arm and it sizzles, and just as Chris is about to lunge she distracts him and then hits him in the head with a tripod.
She runs and tries to think of a way to escape and/or call the police. THen she opens the door that Chris didn’t want her to open, and HOLLY IS IN THERE! Chris introduced her to a guy the night of the party, and when hse got back to the dorm Chris grabbed her and tied her up and threw her in the closet. Tina tells her that she thinks she killed Chris, and unties her. But unfortunately, CHRIS IS ALIVE! He’s about to lunge at them with scissors, but then Carla and Steve enter. THey look like they are taking Chris’s side, talking him down and suggesting that he get one more picture of Judy, the two of them together. Tina refuses, but then does when it looks like it could mean life or death. But when Chris goes to get his camera, Carla and Steve subdue him and tie him up. Carla explains that they were only going along with him to disarm him. Chris had told her that Josh was with another girl this weekend and to cover for him, which is why Carla was participating in the lies. But then Steve told her as she picked him up that Josh would never do that, and they put two and two together. Holly calls the police, and Tina tells Carla and Steve that he killed Judy too, and Carla and Steve feel like fools for thinking otherwise. As Chris rants and raves about developing ‘Judy’s’ photos the next day, Tina runs outside into the night. As she looks up at the first start of the night, she thinks forlornly that no matter how much she wishes it away, she’ll never be able to forget what happened to her and Josh this past weekend. The End.
Gee, for once I wish we did have a dumb quippy end line. (source)
Body Count: 1, but if we’re going to count Judy it would be 2. The injustice of Josh dying is too much.
Romance Rating: 2. I feel so badly about Josh because he and Tina seemed happy, but we never saw them actually interact. And Chris and Tina is obviously gross and creepy as hell.
Bonkers Rating: 7, just because of the SUPER disturbing ‘dress this girl up like my dead girlfriend’ photo session that sounds like something out of “The Neon Demon”.
Fear Street Relevance: 1. ONCE AGAIN, we aren’t even in Shadyside and the only time Fear Street is even mentioned is when someone says something about Fear Street having a carnival, but NO, R.L., FEAR STREET wouldn’t have a carnival, SHADYSIDE would have a carnival, and it feels like you just forgot to even mention Fear Street and tossed it in at the last second.
Silliest End of Chapter Cliffhanger:
“She glanced down at Josh’s body sprawled on the floor. Then she let out a horrified gasp. ‘Chris! It’s Josh! He’s moving! He’s getting up!'”
… But it was just a distraction tactic so she could hit him. I mean, of course it was, but what a stupid cliffhanger. A kid reading it might think this was turning into a zombie story, which would have been SO cool….
That’s So Dated! Moments: Chris’s Jeep is described as not only having a fancy CD player, but EVEN A CAR PHONE!!!! And he has a COLOR MAC WITH A CD-ROM AND A LASER PRINTER!
Best Quote:
“‘Well, I always say,’ Carla continued with a grin, ‘if you can’t be with the one you love, love the one you’re with.'”
Uh, NO, Carla, YOU don’t say that! Stephen Stills says that, you goddamn plagiarist! And he isn’t exactly the best person to ask for relationship advice, if you’re going to ask a member of CSN about love I would argue Graham Nash is the way to go. He wrote “Our House” for Joni Mitchell for God’s sake (not that she was very, uh, grateful in the end)….
Conclusion: “College Weekend” was surprisingly dark and a pretty good, creepy read. Definitely one of the more twisted “Fear Street” novels I’ve read. Up next is “The Stepsister 2”!
We are part of a group of librarian friends who have had an ongoing bookclub running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is “B-Sides,” where we pick different books from previous authors that we read in the club.
For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!
Book: “Six of Crows” by Leigh Bardugo
Publishing Info: Henry Holt and Company, September 2015
Where Did We Get This Book: Serena owns it, Kate got it from the library
A-Side Book: “Shadow and Bone”
Book Description: Ketterdam: a bustling hub of international trade where anything can be had for the right price–and no one knows that better than criminal prodigy Kaz Brekker. Kaz is offered a chance at a deadly heist that could make him rich beyond his wildest dreams. But he can’t pull it off alone…
A convict with a thirst for revenge.
A sharpshooter who can’t walk away from a wager.
A runaway with a privileged past.
A spy known as the Wraith.
A Heartrender using her magic to survive the slums.
A thief with a gift for unlikely escapes.
Six dangerous outcasts. One impossible heist. Kaz’s crew is the only thing that might stand between the world and destruction—if they don’t kill each other first.
Serena’s Thoughts
This book is probably one of the perfect diverging points for Kate and my own differing book tastes. I’m pretty sure that everything I love about these genres are the same things that turn off Kate, so be ready for some whiplash in our opinions!
It’s no secret that I love fantasy. Pretty much any fantasy, but high fantasy (rather than, say, urban fantasy) is definitely my preferred type. After all, that’s the primary genre that I cover on this blog. But I also love heist stories. I don’t read many heist books, because frankly most of the ones I’ve tried fall into the worst category of “beach reads” where the writing and plotting is so simplistic that I just can’t acknowledge it as worth my time to read. But I do love heist movies (though even I have my doubts about this new “Oceans 11” reboot…). So reading this book description, I was all over this!
I did have a few points of hesitancy, however, going in. I don’t typically prefer books with multiple narrators, let alone five. And I’ve been burned by Bardugo in the past. While I liked the first book in her “Grisha” series, my rage boiled over in the second and I don’t think I even finished the third. So, I was excited, but hesitant.
All for nothing! I had a blast with this book! Set in the same world and a few years (?) after the events in the last book of the “Grisha” trilogy, our team is made up of a ragtag group of individuals all with complicated pasts and motivations that lead them to be involved in what everyone says is an impossible mission.
I very much enjoyed the world building in this story. It’s been a few years since I read the other two books, but for the most part this world and history is presented in such a way that prior knowledge of it was not necessary. If anything, I think my half reading of the first trilogy almost made it worse, as I could sort of remember things here and there and was never quite sure whether something new was being introduced or whether I should be remembering it from before. In that respect, it might even be easier to read this book with zero knowledge of the original trilogy. All of that said, this story takes place in two new and distinct locations: the gang-riddled streets of Ketterdam and the Ice Court where the people of the north capture and exterminate Grisha, as they see their magic as contrary to the natural world. Bardugo does an excellent job in painting clear and brilliant scenes on which to work her stories. I particularly liked the Ice Court itself, and the complex inner workings that the team had to overcome to break in and out.
As for the characters, Bardugo masterfully juggled a very full cast, somehow managing to weave together a very action-packed story while also slowly revealing the complicated and often dark histories of each individual character on this journey. I had a few favorites, but I ultimately enjoyed them all. I would say that Jesper was probably my least favorite, due to the fact that he had the least developed back story of the group and, for plot reasons, had to be kept in the dark about certain events. I enjoyed Inej the most, as her character type (silent, deadly, masterfully proficient at what she does best) is one of my favorites. But I think that Nina and Matthias, as a pair, had the most compelling journey in this story. Raised in very different cultures and with very different views on the world, they both have to confront prejudices and the darker side of their own beings.
I had a few quibbles of plausibility here and there, as far as the heist itself goes. But for the most part, I was having such a blast that I didn’t have time to pause and really think about the viability of some of their more outrageous plans. Bardugo is particularly effective with her dialogue, and with a cast of 6+ characters, there were ample opportunities for this strength to shine and overcast any weaker plot points. Over all, I greatly enjoyed this book and have the second one sitting on my shelf ready to read!
Kate’s Thoughts
Say it with me folks: I don’t like heist stories, I don’t like high fantasy, and while I read “Shadow and Bone” in Leigh Bardugo’s Grishaverse, I didn’t particularly care for it and never went back to that trilogy. So yeah, going into “Six of Crows” I wasn’t terribly stoked. But I like to think that I’m a good sport and something of a trooper, and given that I really liked other works by Bardugo (specifically “Wonder Woman: Warbringer”, and the short story “Verse Chorus Verse”), I had a little bit of hope that I would enjoy at least parts of it.
Turns out I was right on both counts. So, yay?
For not liking heists or high fantasy, there were plenty of things that I did find likable in this book. As Serena mentioned, Bardugo has a knack for world building, and while I remember very little from her Grishaverse I greatly enjoyed seeing aspects of it popping up in this book, even if it was in a different time and place. The Dutch influence in Ketterdam is a fun thing to watch as well, with references to various familiar landmark types and certain words clearly being derived from the Dutch language. Bardugo has a clear world idea, and in some ways she expands upon it in this book (as far as I know) with how Grishas (or witches) are viewed, and how this society functions in a more poverty stricken and corrupt society.
Bardugo also has a talent for characterization and dialog, and I ended up really enjoying a number of the characters. While in book club the solid consensus seemed to list Inej as a favorite, I myself greatly, GREATLY enjoyed Nina and her morally grey, duplicitous yet empathetic ways. Like Serena I was quite intrigued by her relationship with Matthias, and how they both have a deep connection but deep resentment and mistrust because of past actions. Whenever the story was focused on her, it had my rapt attention.
But, at the end of the day, Serena knows me very well: “Six of Crows” manages to run with a number of story themes that I don’t care for, mostly heists and high fantasy. And because of that, I didn’t enjoy it as much as I could have, and as much as others have. I am not a good judge for how good this story is because this is not a book that was written with me in mind, and it’s not quite strong enough (outside of a few aspects I did like) to rise above my preferences and prove me wrong. It’s no one’s fault. It just didn’t do it for me as a whole.
Serena’s Rating 9: Strong dialogue and a great cast of characters added to what was already a thrilling heist story.
Kate’s Rating 6: While the characters compelled me and the dialog was snappy, the story line and themes didn’t interest me.
Book Club Questions:
This story is set in the same world as Bardugo’s original “Grisha” trilogy. How did reading that trilogy before (or not reading it) affect your experience with this book?
This book is made up of a large cast of characters. Which ones stood out to you as particularly interesting? Were there any that you felt less connected to?
Through Nina and Matthias’s story arc, this book confronts some challenging themes regarding prejudice and persecution. What moments stood out to you in this area? Do you think this could have been explored even further?
The heist itself is made up of several moving pieces and changed throughout the story. Did any parts of it strike you as particularly surprising or fun to read about? Did you have questions about any parts of it?
There are a lot of surprises revealed throughout the story. Which ones took you by surprise and which ones could you predict?
The story ends on a bit of a cliffhanger. Where do you think it will go from here?
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We are part of a group of librarian friends who have had an ongoing bookclub running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is “B-Sides,” where we pick different books from previous authors that we read in the club.
The Library Ladies 