Kate’s Review: “Supergirl: Being Super”

35531016Book: “Supergirl: Being Super” by Mariko Tamaki, Joelle Jones (Ill).

Publishing Info: DC Comics, June 2018

Where Did I Get This Book: The library!

Book Description: She’s super-strong. She can fly. She crash-landed on Earth in a rocket ship. But for Kara Danvers, winning the next track meet, celebrating her 16th birthday and surviving her latest mega-zit are her top concerns. And with the help of her best friends and her kinda-infuriating-but-totally-loving adoptive parents, she just might be able to put her troubling dreams–shattered glimpses of another world–behind her.

Until an earthquake shatters her small town of Midvale…and uncovers secrets about her past she thought would always stay buried.

Now Kara’s incredible powers are kicking into high gear, and people she trusted are revealing creepy ulterior motives. The time has come for her to choose between the world where she was born and the only world she’s ever known. Will she find a way to save her town and be super, or will she crash and burn?

Caldecott Honor and Eisner Award-winning writer Mariko Tamaki (This One Summer) and Eisner Award-nominated artist Joëlle Jones (Lady Killer) combine forces for this incredible coming-of-age tale! This is the Girl of Steel as you’ve never seen her before.

Review: Kara Danvers, aka Supergirl, has recently had something of a pop culture renaissance. The success of the CW show “Supergirl” has had a huge hand in that, as it has brought Kara to the forefront for the past few years. I enjoy “Supergirl” for the most part, and I think that it does do Kara justice, but what we didn’t get from that show was Supergirl’s teenage years, instead putting her solidly in her early twenties when it began. I think that part of the appeal of Supergirl initially was that she is a teenager, and therefore has the usual trials and tribulations that a teenage girl would have (though back when she was first created a lot of that was steeped in sexism of the time). So while I’ve enjoyed the TV version of Kara, and the “Bombshells” version of her as well, I was really hoping to get a new take on a teenage Kara eventually. And my hopes were answered thanks to Eisner Award Winner Mariko Tamaki, who wrote the mini series “Supergirl: Being Super”.

giphy4
Exactly. (source)

Mariko Tamaki has been at the graphic novel game for awhile, with one of her more notable books being “This One Summer”. This story is about early teenage girls spending the summer at a cabin, and focuses on coming of age themes as well as learning about some sad truths about the world. It’s a quiet and emotional story, and therefore Tamaki is the perfect person to helm a Supergirl origin story. This version of Kara has loving family and good friends, but her powers have been kept secret from most people in her life. While she understands why they need to be kept secret, we’re told in bits and pieces the cost of hiding her identity from those around her has had in her life. Life is hard enough when you’re a teenager trying to find yourself, it’s even harder when you don’t know where you came from, you don’t know why you are the way you are, and you have to keep it inside. Much like “This One Summer”, “Supergirl: Being Super” has a lot of heartbreaking and poignant themes and moments, with Kara going through loss and and identity crisis at the heart of the story. After a horrific trauma happens to her and the rest of the town, and someone close to her dies, Kara begins to spiral. The pain that she is going through, as well as seeing her parents trying to help her get through it while letting her know her pain is valid and real, led to many a teary eyed moment as I read this book. Kara is flawed and angsty, but she is also bright and friendly and very real, and I loved the arc that she followed in this story.

Tamaki also created a lovely cast of characters to be in Kara’s life. From her parents to her mentors and her friends, the supporting characters are all well rounded and add depth and vibrancy to the story. The two who I would argue are the most important are her two best friends, Liz and Dolly. They are all on the track team together, and their conversations and interactions were all very true to life and familiar to me, as someone who was a teenage girl once. Additionally, I liked that while they are all best friends with similar interests, they are also pretty different as well, having their own unique personalities that contribute different things. And even the antagonists in this book (and there are a few) are so well structured and characterized that the reader can see where they are coming from, and why they do the things that they do, even if they are ultimately terrible things.

And do not worry. Krypton plays a large role in this story too, even if Kara is well beyond her time on that doomed planet. It isn’t a Superman or Supergirl story unless Krypton is involved, and Tamaki made it feel fresh and original.

The artwork is done by Joelle Jones, who I have reviewed here for her “Ladykiller” series. I love Jones’s artwork and style, and I think that she brings such vibrant detail to these characters, as well as making them all so original and unique.

161229064415ar14_10
(source)

I cannot recommend “Supergirl: Being Super” enough. I love the story that Tamaki and Jones have given Kara, and while I know that there are no official plans for Tamaki to continue the story I am holding out hope that DC will beg her to come back and give us more.

Rating 9: A wonderful and fresh origin story for Supergirl, “Supergirl: Being Super” is a great story for fans of Supergirl of all ages.

Reader’s Advisory:

“Supergirl: Being Super” is (maddeningly) not included on many Goodreads lists, but I think that it would fit in on “Comics and Graphic Novels by Women”, and “Comics for Teen Girls (that are not Japanese Manga)”.

Find “Supergirl: Being Super” at your library using WorldCat!

Serena’s Review: “Lies You Never Told Me”

36547961Book: “Lies You Never Told Me” by Jennifer Donaldson

Publishing Info: Razorbill, May 2018

Where Did I Get this Book: BookishFirst

Book Description: Gabe and Elyse have never met. But they both have something to hide.

Quiet, shy Elyse can’t believe it when she’s cast as the lead in her Portland high school’s production of Romeo and Juliet. Her best friend, Brynn, is usually the star, and Elyse isn’t sure she’s up to the task. But when someone at rehearsals starts to catch her eye–someone she knows she absolutely shouldn’t be with–she can’t help but be pulled into the spotlight.

Austin native Gabe is contemplating the unthinkable–breaking up with Sasha, his headstrong, popular girlfriend. She’s not going to let him slip through her fingers, though, and when rumors start to circulate around school, he knows she has the power to change his life forever.

Gabe and Elyse both make the mistake of falling for the wrong person, and falling hard. Told in parallel narratives, this twisty, shocking story shows how one bad choice can lead to a spiral of unforeseen consequences that not everyone will survive.

Review: Whaaaat? A thriller review by Serena and not Kate?! That’s right, people! Buckle up and get ready for a good look at what it’s like for a fantasy reader to read a YA thriller! Spoiler alert: probably not that different, though much more naive as far as predicting twists. I’m sure Kate would have figured this one out, but oh well!

The story is told in dueling, first-person narratives. In one, we follow the story of Gabe, a teenage boy who, after being involved in a car accident and rescued by a mysterious girl, finds himself struggling to escape the clutches of his mean-girl girlfriend, Sasha, to pursue this new savior girl. The other narrative follows Elyse who on a whim auditions for a role in “Romeo and Juliet” and quickly finds herself entangled in a complicated web revolving around a person she knows she should avoid.

Both stories were engaging, however I did find myself more pulled into Elyse’s plot. Her struggles and circumstances were a bit more relatable to the average reader, while Gabe’s story could verge a bit into the unbelievable, particularly where his ex-girlfriend Sasha was involved. It was a bit hard to believe that she had so little oversight in her life that she could pull off some of the very unbalanced stunts she did.

The story is told in first-person, which I thought worked fairly well for the story. At times it did make the writing feel a bit too simple, and I found myself wanting a little more depth in the descriptions of scenes. This is a typical limitation of this writing tense, however, so it wasn’t overly distracting, just not my preferred type. And I do think that keeping it in first-person allowed readers to more fully identify with the mental and emotional struggles that Elyse and Gabe go through.

I also very much liked the diversity of the cast. Gabe is Mexican American and his sister has Down Syndrome. I especially loved the relationship between Gabe and his sister, and it was great to see a relationship like that portrayed on the page. The story also tackled several other topics such as poverty, addiction, and, of course, abusive romantic relationships.

As I’ve said, I haven’t read too many thrillers. So, while I know that there will some twist coming, I wasn’t able to spot this one. Maybe fans more familiar with the genre would have had an easier time of it, but I was genuinely surprised. Specifically, I was left wondering throughout most of the book how Elyse’s and Gabe’s storylines were tied together, and it was exciting to finally find out in the end. However, as surprising as it was, it also had an affect on how I viewed the rest of the story in the end, and I’m not sure it was a change for the better.

Ultimately, I very much enjoyed “Lies You Never Told Me” even though it falls outside of my usual genre preferences. I’m sure it will be a hit for regular thriller fans as well!

Rating 7: While thrillers are probably never going to be my favorite, I found this book a compulsive read and a fun reminder of what this genre has to offer!

Reader’s Advisory:

“Lies You Never Told Me” is on these Goodreads lists: “Secrets and Lies” and “2018 YA Mysteries.”

Find “Lies You Never Told Me” at your library using WorldCat.

Kate’s Review: “Toil and Trouble: 15 Tales of Women and Witchcraft”

36426163Book: “Toil and Trouble: 15 Tales of Women and Witchcraft” by Tess Sharpe (Ed.), and Jessica Spotswood (Ed.)

Publishing Info: Harlequin Teen, August 2018

Where Did I Get This Book: I received an ARC from NetGalley.

Book Description: A young adult fiction anthology of 15 stories featuring contemporary, historical, and futuristic stories featuring witchy heroines who are diverse in race, class, sexuality, religion, geography, and era.

Are you a good witch or a bad witch?

Glinda the Good Witch. Elphaba the Wicked Witch. Willow. Sabrina. Gemma Doyle. The Mayfair Witches. Ursula the Sea Witch. Morgan le Fey. The three weird sisters from Macbeth.

History tells us women accused of witchcraft were often outsiders: educated, independent, unmarried, unwilling to fall in line with traditional societal expectations.

Bold. Powerful. Rebellious.

A bruja’s traditional love spell has unexpected results. A witch’s healing hands begin to take life instead of giving it when she ignores her attraction to a fellow witch. In a terrifying future, women are captured by a cabal of men crying witchcraft and the one true witch among them must fight to free them all. In a desolate past, three orphaned sisters prophesize for a murderous king. Somewhere in the present, a teen girl just wants to kiss a boy without causing a hurricane.

From good witches to bad witches, to witches who are a bit of both, this is an anthology of diverse witchy tales from a collection of diverse, feminist authors. The collective strength of women working together—magically or mundanely–has long frightened society, to the point that women’s rights are challenged, legislated against, and denied all over the world. Toil & Trouble delves deep into the truly diverse mythology of witchcraft from many cultures and feminist points of view, to create modern and unique tales of witchery that have yet to be explored.

Review: I want to thank NetGalley for providing me with an eARC of this book!

As I’ve made abundantly clear on this blog numerous times, I am a huge fan of witches and witchcraft in my stories. Basically, if there is a witch, I want to read it. So imagine how genuinely thrilled I was when I heard about “Toil and Trouble: 15 Tales of Women and Witchcraft”, a short stories collection edited by Tess Sharpe. Not only is it a collection of witch stories, it has a feminist centered theme of witchcraft. On top of THAT, there are also DIVERSE stories involving these witches, from authors like Zoraida Córdova, Robin Talley, Brandy Colbert, and more! My goodness did the description of this book get me in a witchy mood, and make me want to break out “The Craft”/relive my 8th grade Wicca phase.

giphy8
Hail to the guardians of the watchtowers of YA feminist witch fiction…. (source)

There are some really great stories in here, and I want to give them credit where credit is due. I will talk about my favorites and what it is about them that made them stand out.

(NOTE: Yes, this book originally had 16 stories in it, but after Tristina Wright was accused of sexual harassment her story was removed from the final product. My ARC had her story, but knowing that it wasn’t going to be in the final work I skipped it completely.)

“Starsong” by Tehlor Kay Mejia

A young witch named Luna has garnered a social media following because of her posts about star charts, fate, and magic. One evening she starts a conversation with a science minded girl who is very much a skeptic. As they start to chat over messages, Luna realizes that she’s starting to fall for her spirited intellectual nemesis. In terms of just sweet and calm stories, “Starsong” fit the bill. The first reason is that it feels very relatable with the social media bent that it had as it’s base. I liked the idea of a teen witch giving guidance to her followers and coming into herself in a medium she is comfortable with. And while I’m not so much into the romance genre in general, this one was super charming and didn’t feel overwrought or melodramatic as these two girls get to know each other and start to feel the first pangs of attraction. It’s just super cute, and since it’s the first story in the collection you get to ease into it with an upbeat first course.

“The Legend of Stone Mary” by Robin Talley

This one felt the most like the kind of witch story that I wanted from this collection, and it’s probably my favorite of the lot. A town has been long haunted by the urban legend of Stone Mary, a witch who was murdered a couple centuries prior and has supposedly put a curse on the town. Now there are legends and myths surrounding the gravesite of Stone Mary, a popular spot for teens to goof off at. Wendy is a descendent of Mary, and her family has long had an unspoken stigma about them because of the family line she is a part of. When she starts to start a romance with a new girl in town, she just wants to be seen as normal, but her lineage may have more of an effect on her relationship than she could have imagined. From the ghostly legend of Stone Mary to the actual real life consequences of small town small mindedness, Talley delivers a strong, somewhat bittersweet, story about what it’s like to be an outsider. The Mary legend is tragic and upsetting, and Wendy’s present day obstacles feel real and very much placed in Othering, be it because of her lineage, or because of her sexuality. There is also something of a twist that took me by surprise, and I think that it gave the story a little more depth. As someone who has memories of urban legends regarding graveyards (specifically the Black Angel in my aunt’s home of Iowa City), “The Legend of Stone Mary” was a treat in all regards.

“The One Who Stayed” by Nova Ren Suma

This is one of the darkest and saddest stories in the book (though just wait, we’ll be getting to the other one), but I didn’t expect any less from Nova Ren Suma. A coven of witches, brought together by trauma and pain, are preparing to bring in another member to their group as the same trauma is about to befall her. Suma is one of those authors who knows how to make the darkness in humanity twisted and blistering, but still present it in a bittersweet way. This story definitely has some strong implications in regards to sexual assault, so I have to give it a trigger warning, but the eeriness and the sadness is written in a flowing and haunting prose that I greatly enjoyed. While a large number of these books had very feminist roots, this one felt like a riot act towards those who do women wrong, and how victims can find their own voices and power by finding each other and coming together to support one another. This is also one of the shorter stories in the collection, though it packs a huge emotional punch that had me enthralled the entire time reading it.

“Why They Watch Us Burn” by Elizabeth May

This is the last story in the collection, and boy oh boy is it a strong note to end it on. Women accused of witchcraft are taken to a forest work camp and are made to ‘repent’ for their actions, though they are not witches, but victims of society. Shamed and silenced, abused and mistreated, a group of women come together to support, endure, and find their voices again. This story absolutely weaves together the idea of witch hunts and trials and applies it to modern social mores such as rape culture and misogyny, and it brings forth a powerful read that struck hard and hit home. Especially given the current social climate, where sexual abusers in the highest offices of Government get off without consequence and someone can be sentenced to THREE MONTHS for rape (AND STILL FEEL LIKE THE CONVICTION WAS TOO HARSH), “Why They Watch Us Burn” strikes a chord. It’s angry, it’s raw, but it’s also hopeful.

Another positive is this book is chock full of Own Voices authors and a lot of great diversity in it’s characters. Not only are a number of the witches in these stories LGBTQIA+, there is also a wide range of racial representation, with varying cultures having a huge influence on the types of witches that these characters are. The witches in our stories need not be wholly influenced by Anglo-Saxon mythology alone, and “Toil and Trouble” takes cues from all around the world.

And yet, if you take the collection’s stories as a whole, a large number of them didn’t really stand out to me. None of them were BAD, per se, but they were either a bit muddled, or a little too bland for my tastes. Some of the stories felt stilted and dragging, and with others I found my eyes glazing over (and I’ll admit it’s probably because of the high emphases on romance in those ones). So because of that, “Toil and Trouble” wasn’t the consistently satisfying collection that I expected it to be. The stories that were good were VERY good, but I wanted more of them to be as appealing to me as the four that I mentioned.

But in terms of important, diverse, and feminist anthologies, “Toil and Trouble” is absolutely noteworthy. The stories I mentioned are worth a look by themselves, and you may find more value in the ones I struggled with. And hey, Halloween isn’t too far away. This is the perfect read for the upcoming Season of the Witch.

Rating 6: While the strong stories in this collection are very strong and the representation is top notch, “Toil and Trouble” didn’t have the consistent strength across all of its tales of witches and witchery.

Reader’s Advisory:

“Toil and Trouble: 15 Tales of Women and Witchcraft” is included on the Goodreads lists “YA Anthologies”, and “2018 Queer Sci-Fi and Fantasy”.

Find “Toil and Trouble: 15 Tales of Women and Witchcraft” at your library using WorldCat!

A Revisit to Fear Street: “The Perfect Date”

656718Book: “The Perfect Date” (Fear Street #37) by R.L. Stine

Publishing Info: Simon Pulse, 1996

Where Did I Get This Book: The library!

Book Description: Brady Karlin is getting on with his life. The memory of his girlfriend — killed in a gruesome sledding accident last year — is beginning to fade. Now he’s met Rosha Nelson, the girl of his dreams. And he’s never been happier. 
Until Brady starts to see a strange figure — with a terribly scarred face — following him everywhere. Until the horrible accidents start happening — every time Rosha’s around. 
Has dating Rosha made Brady’s dreams come true? Or brought his worst nightmares back to life?

Had I Read This Before: Yes (and after re-reading it I’m thinking this was when I gave up on “Fear Street” as a whole)

The Plot: We start with another prologue, but this one isn’t vague at all. Brady and his girlfriend Sharon Noles are going sledding on a snow day. Brady, after commenting on Sharon’s cute button nose, says they should go sledding down a huge, ice covered, ski slope of a hill. Sharon is skeptical and suggests the smaller kiddie hill, but Brady, speaking like a true Kennedy, says he’s more interested in the dangerous one. So Sharon agrees, and he promises they’ll go down it together and that nothing will happen. Since we as women have been conditioned to be polite, Sharon agrees, and they climb the hill and start the slide down. And, surprising no one, it’s a terrible idea. Brady bails out, but then watches Sharon hit a tree and go flying into some thorn bushes. When he runs to her, he turns her lifeless body over. Not only is she dead, but her face has been totally torn up by the thorns.

FLASH FORWARD to a year later. Brady and his friend Jon are having a pizza lunch, and Brady is telling Jon that he DID ask Lisa if Lisa was interested in Jon, but she’s actually interested in HIM. Apparently Brady has all the girls fawning over him, and revels in the attention in spite of the fact he has a new girlfriend named Allie. Not only is the cashier flirting with him, he also has caught the attention of a pretty girl sitting a few tables over. Brady decides that she’s SO pretty that he HAS to go talk to her, and brushes off Jon’s protests about the fact that he has a girlfriend. What a catch this Brady is. He goes over and introduces himself to the pretty girl, and she says her name is Rosha Nelson. He asks her about her name, and she says that her Mom is obsessed with romance novels and named her after some obscure protagonist. He then asks her out, and she suggests Saturday. He offers to pick her up, but she says that they can just meet at the mall at 6 since she’s going to be there to do some shopping for her Mom. She then accidentally spills hot coffee on his hand. She apologizes profusely, and they part ways. Jon suggests that Brady do something about his hand, but Brady doesn’t care.

At school the next day, Allie asks Brady what happened to his hand and he deflects. She asks if he wants to go out for pizza that night, but he says he has to study. She then asks him what time he’s picking her up for the game the next night, but OH NO, that’s the night that Brady has a date with Rosha! So Brady says he has to babysit some random made up cousin who is VERY sick, and Allie falls for it, poor thing. They agree that they’ll meet each other for a study date on Sunday, and part ways. Brady feels a little weird lying to his GIRLFRIEND, but is SO entranced with Rosha he doesn’t really care. He then thinks about Sharon (yes, it took this long to even acknowledge the girl he had been dating who died horrifically), and all he really thinks about is how awful her face was when he found her.

giphy2
(source)

Brady goes to the mall and worries that Rosha isn’t going to show, but she is there and she seems as happy to see him as he is to see her. She suggests that they go to Waynesbridge to go see the new Brad Pitt movie, and he thinks that’s a good idea because that means their chances of running into Allie’s friends are low. He then asks where her shopping bags are, since she’s supposedly shopping for her Mom, and she claims she didn’t find anything her Mom would like.

They go to the movie (it’s described as some kind of horror film so I GUESS these guys are seeing “Se7en”?), and Rosha cuddles up to Brady the whole time. WHen the movie is done they walk to his car, and he talks about how he feels like he knows her so well already. She says it must be fate, and they continue walking. As they do, however, Brady sees a strange girl watching them. A girl with ugly scars all over her face, and she is staring at them. Brady is a little freaked out, but forgets about it when Rosha asks if she can drive his car. But it’s his Dad’s precious Oldsmobile Cutlass, a car that Brady had to PROMISE to be extra careful with because it’s SO important (BUY AMERICAN, FOLKS!). Rosha sulks, and her petulance convinces Brady that yes, she should absolutely drive his car back to Shadyside. Rosha, of course, drives like a lunatic, and after pulling some kind of Evil Knieval bullshit she crashes the car and sends Brady smacking into the windshield. He’s a bit dizzy, and Rosha freaks out saying that they HAVE to switch places because she doesn’t have her license yet. Brady agrees, and they switch seats. When the police come, Brady turns to reference his date, but Rosha has disappeared.

The next day Brady and Jon are walking up to Allie’s house. The car is totaled and Brady took the fall, and has a huge lump on his head. Jon thinks that Rosha is bad news, but Brady defends her behavior. At this point I decide that this must have a supernatural element to it because unless she has some kind of thrall on him, there’s NO WAY THAT HE WOULD WANT TO SEE HER AGAIN AFTER THAT. He also reminds Jon that Allie think he was babysitting the night before, and Jon agrees to cover. Allie asks him why he was taking such a FANCY car to go babysitting, but Brady says he thought the tires would be better. Brady is also sad because, even though he has a lovely and kind girlfriend, he doesn’t have the phone number of the girl who berated him into handing the keys over, crashed the car, and then ditched out. But he DOES have her last name! While Allie goes to check on Jon, Brady skims the names, finding a whole lot of Nelsons. He says he isn’t feeling well and leaves, determined to find Rosha.

When Brady gets home, he finds a cop car parked outside his house. He panics, thinking that maybe they found out he wasn’t driving, but the cop instead shows him that they found a purse underneath the front seat of the car. It’s Rosha’s! Brady, wanting to explain away her fleeing of the scene of an accident, says that she must have left it in his car after he dropped her off on a separate occasion. Plus, now he can look at her ID (not a driver’s license though, brainiac) and get her address that way. But when he takes the purse up to his room, he finds that it’s completely empty. Which makes little sense, because wasn’t she shopping for her Mom??? The phone rings, and it’s Allie, not only checking in on him, but also telling him that she copied all the notes that she and Jon took and that she will give them to him tomorrow. But Brady is still thinking only about Rosha.

giphy2
It bears repeating. (source)

She then brings up the fact that they’re going to Mei Kamata’s ice skating party the next Saturday, and he says sure before making an excuse to hang up so he can start calling all the Nelsons in the phone book. He doesn’t get far before his phone rings again. He thinks it’s Allie, but no. It’s a strange voice telling him to stay away from Rosha. Perhaps it’s his common sense giving him a ring.

The next day at school Brady gives Allie the brush off again and tells Jon that they’re going to St. Ann’s, the school that Rosha said she goes to. Jon says that he has work, but Brady tells him that he has PLENTY OF TIME and should totally risk his job for his would be girlfriend, were Allie out of the picture. Jon declines, expressing his disapproval again. Brady goes to St. Ann’s, but no one has heard of Rosha, by name or description. One guy Brady is convinced is lying and he starts to wail on him, but then thinks he sees Rosha and runs for her. But it’s the scarred girl! Disgusted and disturbed, Brady rushes off, and then DOES see Rosha across the field. He asks her about the scarred girl, but Rosha says she doesn’t know anyone like that. He says that no one at St. Ann’s knows who she is, and she blows up at him, saying that she’s a brand new student, so of COURSE they don’t, and also is he spying on her?! She tells him to go, but he begs her to stay, apologizing for checking around the school about her. She then apologizes for ditching, and says she’d love to help pay for the damages but if she tells her Dad he’ll be angry and won’t let her see him again. And since they can’t have THAT, Brady agrees to keep quiet. He gives her her purse back, and asks why it was empty, and Rosha says that she was SO excited to hang out with him she grabbed the wrong one. She then asks if he’ll go out with her again that Saturday, and even though he has Mei Kamata’s party with Allie, he agrees. That night when he gets home he gets another mysterious phone call from a strange girl saying that she saw him with Rosha. He figures out it’s the girl with the scarred face. She tells him to stay away from Rosha, and he tells her to leave him alone.

At school the next day  while they are lifting weights, Jon asks Brady about the party, and Brady says he broke his date with Allie in favor of dancing with Rosha, claiming that he’s grounded until he can get a job to pay for the car repairs. Jon says that he should really just dump Allie if he’s going to keep doing this, but Brady is dragging his dumb ugly feet, and then tells Jon about the scarred girl and the phone calls. Jon thinks it’s weird too, and as Brady keeps lifting weights above his head he glances out the window and sees the scarred girl! He’s so startled he drops the weights on himself, and as Jon helps him he tells Jon what he saw. Jon looks out the window, but says no one is there, and suggests if there IS a scarred girl Brady is probably upset because she reminds him of Sharon. Brady says he has to go find Rosha and see if she can remember anything, and Jon says that he doesn’t really KNOW anything about her, but Brady isn’t concerned. He grabs the phone number and address she wrote down for him, and finds a pay telephone to call her. But the phone number doesn’t work! So he looks at the address, 7142 Fear Street, and decides to go to her house. But when he gets to Fear Street, there are no more houses above 7136!!

The next day Brady is at home OBSESSING over Rosha, when she arrives at his door! He’s SO happy to see her, and invites her inside. They trip over the rug (gee is THAT going to be important later?), and he leads her into the living room. She picks up a letter opener (and is THAT going to be important later?!), and asks her about her house. She says that she does so live on Fear Street, and when she looks at the napkin she says that it’s CLEARLY a 1, not a 7, and he must have driven right past. He’s not sure, and asks about the phone, and she says that it was working that morning, and what is this, a ‘court-trial’!? She asks why he’s so suspicious, but before they can really hash out her lies, they hear a car door slam! Brady looks out the window, and it’s ALLIE!! He asks her to make herself scarce, but as he’s shooing her away she trips on the rug and impales Brady with the letter opener! Allie rushes inside and demands to know who Rosha is, and Brady passes out as they are trying to take him to the hospital.

Brady wakes up in the hospital, and his parents tell him that he’s going to be fine. When they go to the cafeteria to get some coffee, Brady tries to sleep. But he opens his eyes and sees THE SCARRED GIRL! She tells him that she didn’t come to hurt him, but the warn him about Rosha. But before she can, a doctor comes in and tells her that she has to leave. So she does before she can tell Brady what’s going on.

Brady gets home from the hospital on Saturday, and Allie comes to visit him. Allie, who had come to visit him, and cared about him, and worried about him. But he wants ROSHA, who…. hasn’t been seen since. As he and Allie talk, she reveals that Rosha told her EVERYTHING, and she dumps him. GOOD. FOR. YOU. GIRL. That night, Jon calls Brady, and says that the girl with the scars is at his house and has told him stuff about Rosha, so can he please come over? I think that maybe Jon should go to Brady, since Brady just got discharged from the hospital, but what do I know? Brady gets another call, but no one is on the line, so he switches back to Jon, who is no longer answering. So Brady decides to go over there to see what’s up. But when he arrives, there are emergency vehicles!! And Jon is DEAD! His throat has been crushed with a marble candlestick! Brady is questioned by the police who are on the scene, and after they’re done he wonders if the girl with the scars killed Jon, since she was supposedly there. But then, what did he want to tell Brady about Rosha??? When Brady gets home, he finds a message from Rosha on the answering machine, seeing if they’re still going dancing that night, and suggesting that he meet her at the park. Brady, now wanting answers, tells himself that he will be there.

He gets to the park and doesn’t see Rosha anywhere. Also, it’s super cold and windy, because of course it is. Thinking that Rosha may be at the top of it, Brady climbs up Miller Hill, and then sees Rosha approaching him. He meets her, so totally happy to see her, and she is happy to see him too. She says that it reminds her of the day that they went sledding together. Brady, confused, says ‘huh?’ and she tells him that he couldn’t have forgotten, becaus after all, that was the day that he KILLED HER!!

And this, my friends, is where it all. Falls. Apart.

She says that she isn’t Rosha, she’s Sharon! When Brady expresses his confusion at this, she says that DUH, ROSHA NELSON IS AN ANAGRAM OF SHARON NOLES. And as if a goddamn ANAGRAM is going to explain how Rosha is Sharon in spite of the fact 1) Sharon is VERY dead, and 2) Rosha looks NOTHING like Sharon, we get a lesson in what an anagram is. She says that she blames him for her death (valid, kinda), and she’s still so incensed that she came BACK FROM THE DEAD to get her revenge. How, you ask? WHY, BY ‘BORROWING’ A BODY! And how did she ‘borrow’ this body?

giphy3
(source)

We aren’t told how. We’re just told that she did. And then she starts to strangle him. And Brady is convinced that he’s dead. But NEVER FEAR!! Because Scarred Girl shows up, and she’s ready to throw down!! Apparently, it is HER body that Sharon ‘borrowed’, and she wants it back! But Sharon says that she’s keeping this body and too bad, because now Scarred Girl is dead and just a shell, and Scarred Girl says that no, she has been gathering strength and she is now strong enough to fight her for it!

giphy4
WHAT. IS. THIS. MAGICAL. SYSTEM. (source)

We are NOT given any explanation as to how any of this would work. Not even given some kind of magic spell, curse, hex, or whatever. Instead, Scarred Girl and Sharon start fighting each other over Sharon’s stolen and ‘beautiful’ body (yes, Scarred Girl, who is NEVER actually named, refers to it as her ‘beautiful body’), and they wrestles each other. Scarred Girl rips Sharon’s arm off, Sharon rips Scarred Girls legs off, more limbs are torn away, and then they rip each other’s HEADS off and tumble down the hill, disappearing when they hit the bottom. SO WAIT, I’M SORRY, was Scarred Girl’s body Sharon’s old body?! Wouldn’t Brady have recognized SOME PART of that, even if her face was horribly scarred? Was her body decomposed and THAT was the problem, not a bunch of scars?!? WHAT THE HELL JUST HAPPENED HERE?!?!!?

Brady drags his sorry ass to Allie’s house. He surprises her on the back stoop, and says that he came to apologize and ask her to take him back. She says yes, and they go to embrace, and she remarks how cold he is. He tells her that he has to talk to her about that. See, he’s dead. Sharon killed him on Miller Hill. But he still wants her back, and moves his dead ass corpse in on her as she starts to scream. The End.

giphy5
That’s all I have to say about THAT. (source)

Body Count: 3? 4? I don’t even know.

Romance Rating: 1. Brady’s a cheater and he’s also a prick who pressured his girlfriend into performing a feat that killed her.

Bonkers Rating: It gets a 9, but not in a good way!

Fear Street Relevance: 3. Rosha sends Brady to Fear Street and we got a new rundown of the mythology. But none of the real action really happens there.

Silliest End of Chapter Cliffhanger:

“Then the pain hit him. A searing, sizzling pain. His hand. His hand was on fire!”

…. IT’S JUST COFFEE, ASSHOLE.

That’s So Dated! Moments: This was an updated version of this book so nothing was really glaring, though Brady does use a printed White Pages phone book. OH, there’s also the Oldsmobile CUTLASS, the pinnacle of modern American engineering.

Best Quote:

“‘Whoa!’ Jon’s voice cried. ‘Major disaster with the nacho chips in here!'”

That, to me, is one of the most dire of disasters.

Conclusion: THIS. MADE. NO. SENSE. “The Perfect Date” was lazy and shocking for the sake of being shocking without having any reason to it. I know I read it and remembered not liking it, but I must have blocked all the nonsense out. PASS. Next up is “The Confession”. 

Kate’s Review: “#Murdertrending”

34521785Book: “#Murdertrending” by Gretchen McNeil

Publishing Info: Freeform, August 2018

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: WELCOME TO THE NEAR FUTURE, where good and honest 8/18 citizens can enjoy watching the executions of society’s most infamous convicted felons, streaming live on The Postman app from the suburbanized prison island Alcatraz 2.0.

When eighteen-year-old Dee Guerrera wakes up in a haze, lying on the ground of a dimly lit warehouse, she realizes she’s about to be the next victim of the app. Knowing hardened criminals are getting a taste of their own medicine in this place is one thing, but Dee refuses to roll over and die for a heinous crime she didn’t commit. Can Dee and her newly formed posse, the Death Row Breakfast Club, prove she’s innocent before she ends up wrongfully murdered for the world to see? Or will The Postman’s cast of executioners kill them off one by one?

Review: Special thanks to NetGalley for providing me with an eARC of this book!

One of my cinematic weaknesses is Arnold Schwarzenegger movies from the 1980s. The best way to give me a great day is a glass of champagne and a marathon of movies like “The Terminator”, “Predator”, and “Commando” (and maybe toss in “Kindergarten Cop” just to lighten things up a bit). But if I had to pick the one that I like the most just based on cheese factor, it’s going to be “The Running Man”. For the uninitiated, the plot is that Arnold is a fugitive who gets roped into a reality show in which convicts are hunted down and killed by flamboyant ‘stalkers’, all in the name of entertainment. Richard “Family Feud” Dawson plays the nefarious TV show host Killian, and Minnesota’s own former Governor Jesse Ventura plays retired stalker turned Aerobics Coach Captain Freedom.

giphy3
Minnesota, hail to thee. (source)

“#Murdertrending” wants to be “The Running Man” with sprinkles of “The Breakfast Club” thrown in, and while it had the ambition to combine the two, it falls a little short.

But first I will start with the good. Given that I am a huge sucker for these deadly dystopian stories involving death as entertainment, “#Murdertrending” was going to always have the advantage right out of the gate. Honestly, if you have a story where people are being killed on a reality show and it stands in as a critique of society, I am going to be here for it. And McNeil has created a world that feels familiar enough so the reader can relate to it, but removed enough that it can definitely be considered future dystopia. Dee Guerrera is thrust into Alcatraz 2.0 at the beginning of the book, and it’s the perfect way to slowly reveal the world building in an organic way. One of my favorite aspects of this book was the social media bookends to each chapter, with viewers and ‘fans’ of the show chatting on message boards and Twitter-like sites. It was a good way to show how the world reacts to and perceives the show they are watching, and also shows how their perceptions start to change as Dee and her allies on Alcatraz 2.0 try to survive the island. The tech on the island was fun too, with cameras and drones being used in creepy and interesting ways. The stakes did feel fairly high, as McNeil did a good job of showing consequences and how deadly they could be if you made a wrong move on the island. In terms of plot and world building, “#Murdertrending” was an addictive and fun book.

But when it comes to the characters in this book, aka the Death Row Breakfast Club, I was left a bit underwhelmed overall. Dee was fine for the most part, but a lot of the time (given that it’s first person) she slips into the ‘I’m snarky and sarcastic, isn’t that cool?’ attitude that we see far too often in YA thrillers and horror. I wasn’t all that invested in her story, be it surviving the island or clearing her name in the murder of her stepsister, and while I liked how she interacted with some of her fellow prisoners (specifically Nyles, a British teen who is geeky as heck) I wasn’t worried about her well being. I also felt that some of her backstory involving a kidnapping didn’t quite mesh well with other parts of her character, and I wish that it had been integrated a bit better. The group mostly fit a bunch of familiar tropes: the jock, the bad girl, the nerdy boy, the weirdo, etc, and none of them felt like they were much more beyond their tropes. If I was pressed to pick a favorite character, I’d probably go for Griselda, the snarky and mean bad girl who is clearly the Bender of this Breakfast Club. But even that was more because I LOVE that character trope of ‘damaged bad boy/girl who is actually hurting’ and less because of who she was as a full person. Even when a big reveal came near the end of the book, while I didn’t necessarily see it coming I didn’t really have an “OH MY GOSH WHAT?!” moment from it either. And oh man, the ending. I hate endings like this one. I won’t spoil it, but just know that it was frustrating to get to the last page and have that tossed out there.

“#Murdertrending” had a lot of positives going for it and a couple negatives as well, but I did find it to be an entertaining read that kept me going. If you aren’t so worried about characterization and are just here for straight up thrills, it’s a good book to end the summer with!

Rating 6: An entertaining thriller that doesn’t rock any boats, “#Murdertrending” is a solid story that feels part “Running Man”, part “Breakfast Club”. I just wish that the characters had been a little more well rounded outside the usual tropes.

Reader’s Advisory:

“#Murdertrending” is new and isn’t on many specific Goodreads lists, but it is included on “Should Be Made Into a TV Show” , and would fit in on “Let the (Deadly) Games Begin!”

Find “#Murdertrending” at your library using WorldCat!

Serena’s Review: “These Rebel Waves”

294220911Book: “These Rebel Waves” by Sara Raasch

Publishing Info: Balzer + Bray, August 2018

Where Did I Get this Book: Edelweiss!

Book Description: Adeluna is a soldier. Five years ago, she helped the magic-rich island of Grace Loray overthrow its oppressor, Argrid, a country ruled by religion. But adjusting to postwar life has not been easy. When an Argridian delegate vanishes during peace talks with Grace Loray’s new Council, Argrid demands brutal justice—but Lu suspects something more dangerous is at work.

Devereux is a pirate. As one of the outlaws called stream raiders who run rampant on Grace Loray, he pirates the island’s magic plants and sells them on the black market. But after Argrid accuses raiders of the diplomat’s abduction, Vex becomes a target. An expert navigator, he agrees to help Lu find the Argridian—but the truth they uncover could be deadlier than any war.

Benat is a heretic. The crown prince of Argrid, he harbors a secret obsession with Grace Loray’s forbidden magic. When Ben’s father, the king, gives him the shocking task of reversing Argrid’s fear of magic, Ben has to decide if one prince can change a devout country—or if he’s building his own pyre.

As conspiracies arise, Lu, Vex, and Ben will have to decide who they really are . . . and what they are willing to become for peace.

Review: After devouring “Song of the Current” and “Whisper on the Tide,” I felt a deep hankering for more fantasy/pirate good times. And, luckily for me, the topic seems to be a popular one right now in the YA fantasy world, as not only this book, but another “Seafire” (to be reviewed soon) were up and available on Edelweiss. I didn’t hesitate to request it. However, while the story was enjoyable enough, I think the unabashed joy and adventure that came from the “Song of the Current” series kind of left me feeling a bit cold about this more serious, political story.

The story is told from three perspectives: Adeluna, a young woman who grew up as the solider daughter of two revolutionary parents, fighting for the freedom of her island nation. She now finds herself transitioning into a role of politics, but is finding her fighting instincts harder to dismiss than she had thought. Deverux is the pirate of this story and is seemingly only for himself and his crew, collecting and selling the island’s magical plants. But all too soon, he finds himself caught up in intrigues that are way above his pay level. Benat is on the other side of things, quite literally growing up in another country and the one that fought on the other side of Adeluna’s revolution. The son of the king, Benat struggles to reconcile his own interest in magic with the teachings of his faith that draw any connection to magic as heresy.

Even in that brief description, you can see that this book is biting off a pretty big plot to chew upon. Not only do each of these three characters have very different histories, but they each represent a complicated group of individuals who are all operating against each other (openly and not so openly) in a nation-level tug of war over the future of the island and its valuable plant magic. I did like the complicated weave that the author put together here. None can say that she dumbed this story down for younger readers. However, I don’t necessarily think that she fully committed to the complexities of her world either, or, at the very least, explained them fully enough. I never really understood the religion that drove Benat’s nation, and as a major player in the series, this was a constant annoyance.

Further, the story was much more political than I had expected. This is one of those hard criticisms to diagnose. Is it really a fault with the story that readers went in expecting something else? Or is this simply a failure of marketing? Either way, I started this book hoping for more rollicking adventures on the high sea. What I got instead was a lot more political shenanigans. And I’m not against political stories as a whole, but I also don’t feel that this book pulled that aspect of the story off very well.

For example, we are told that Adeluna’s parents were both brilliant revolutionaries, able to successfully lead a group of guerilla soldiers against a much stronger nation and ultimately win freedom for their island. They came up with and planned intricate strikes. But in the very first few chapters, we see a political council meeting where both of Adeluna’s parents are apparently perplexed by the political maneuverings of a few of the other council members. But Adeluna, of course, sees right through this. And yes, I know this is a YA novel and that Adeluna needs to be the one to drive her portions of the story. But weird moments like this just make me roll my eyes. There are ways to make your teenage protagonist drive your story and come up with unique insights without directly undercutting the adults that you just spent some much time building up. I would recommend “The Tethered Mage” and “The Defiant Heir” as excellent examples of how to have powerful parental figures while not damaging the competence and leading force of your younger main character. This is only one example, but it was present throughout the book and I started having a hard time taking it seriously.

As for the main three characters, I did like them for the most part. The romance was completely predictable, however, and again, I didn’t feel like this book was really introducing anything new with either of these characters. I did appreciate the fact that it presented a gay main character and gave him a decent story. There have been some complaints that his wasn’t the main romance of the story, but I feel like, again, this was a disconnect between the way this book was marketed and what it turned out to be ultimately. I think a lot of readers were expecting “gay pirates” and that’s not this. I didn’t know much about this aspect of the story, so I didn’t have those expectations going in. So, from my perspective, it was still a good example of including diversity in your main cast. But, in the end, I still didn’t feel overly invested in any one of the three of these characters. They all felt familiar, but in a “been there, read that” type of way.

Ultimately, I didn’t love “These Rebel Waves.” There’s nothing objectively “bad” about the book, but it also wasn’t introducing anything truly new. Even the magic system, which on face value should have been points in the “new” column, turned out fairly bland. We never got any real look into how this work or any details: plants were just magic. Ok. I also feel like this book struggles against reader expectations. The story was much slower-moving and politically focused than I had expected. But even had I know this going in, I don’t think this is the strongest example of that type of story either. In the end, there have just been better books telling very similar stories.

Rating 6: Nothing terrible or anything, but pretty forgettable in my opinion.

Reader’s Advisory:

“These Rebel Waves” is newer, so it isn’t on many relevant Goodreads lists, but it is on “2018 Queer SFF Releases.”

Find “These Rebel Waves” at your library using WorldCat.

 

A Revisit to Fear Street: “Secret Admirer”

308672Book: “Secret Admirer” (Fear Street #36) by R.L. Stine

Publishing Info: Simon Pulse, 1996

Where Did I Get This Book: The library!

Book Description: Selena is on top of the world. Her acting career at Shadyside High is blossoming—everyone admires her. So when she starts receiving bouquets of dead flowers from a person called “The Sun,” she treats them as a joke.

But Selena soon realizes that this is no laughing matter. Her understudy is injured in a suspicious accident. Then a speeding car nearly kills her. Selena knows “The Sun” is responsible.

And that her number-one fan has become her number-one nightmare.

Had I Read This Before: No (I think we’re getting to the point where I aged up from “Fear Street” and dove head first into adult books).

The Plot: Another “Fear Street” book, another ominous prologue. This time it’s a bad and threatening poem directed at our protagonist, Selena, signed by “The Sun”. Then we jump into our story, where we find out that Selena is the star of the Shadyside drama department, and has just finished up the last night of the most recent play. Everyone loves Selena! She and her theater friends gather back stage, and they all congratulate her on a job well done. Alison, the second best, says she’ll NEVER be as good as Selena, and Jake, one of her best friends from her childhood, calls her ‘Moon’ (as Selena means ‘moon’), but says he’s not feeling up to going to the cast party. Mr. Riordan, the drama club director, says that the next show they are going to do is “Romeo and Juliet”, and Selena is thrilled because she would LOVE to do Shakespeare. She is then approached by her ex boyfriend Danny, who wants to congratulate her as well, though she’s not so keen on talking to him. Luckily for her her bestie Katy, a stagehand, comes up and pulls her away. She says that Selena will almost assuredly be Juliet, and Selena plays coy and says that there’s no guarantee she’ll get it. But she’s pretty and think and has been the lead multiple times before this, so…. yeah, she’ll probably get it. Mr. Riordan says that “Romeo and Juliet” will be an especially important production because theater scouts from colleges are going to be in the audience, including Northwestern, the school that Selena would love to go to. When Selena goes for her backpack, she finds a wrapped bouquet, but when she opens it it’s a bunch of dead roses, and a threatening note with a sticker of a Sun on it (hilariously, Stine decrees that these dead flowers ‘smell of decay’, and I wonder if he knows that’s not really how flowers work). Katy thinks that is’s scary but Selena brushes it off as a dumb joke, probably pulled by Jake, who has pulled jokes since they were kids. Katy says that Jake has been acting weird lately, but Selena hasn’t noticed.

They go back to Selena’s house, and Selena is already excited for the spring play. Katy laments the fact that she’s ‘too big’ to be in theater, as she’s about twenty pounds overweight, and Selena suggests that she could play Juliet’s nurse! Oh my God. Katy asks Selena if she ever thought she would be so popular, as Selena also used to be overweight, but then got thin because she loved theater SO MUCH and she knew she couldn’t get lead roles if she was fat. Jesus Christ this isn’t really body positive, is it? Selena also notes that she got the lead in a play sophomore year because the original lead actress had to leave the school (and later we find out this is a shout out to “The Prom Queen” when Simone went crazy and killed all those people). There’s a tapping at the window and then a crash. The girls rush to see what the commotion was, but don’t see anything… until they leave the house to go to the party. A metal ladder is on the ground beneath Selena’s window. Katy thinks that someone is stalking Selena, but Selena thinks her mother was probably working on something outside and didn’t put it away. Except there’s a sun sticker on the bottom rung…

As they are driving to the party Katy is practically begging Selena to take this seriously. Selena says she isn’t famous so why would someone stalk HER, but Katy rightfully points out that she doesn’t have to be Rebecca Schaeffer to have a predator target you. Selena thinks that it’s probably just Danny wanting to get back together. Just then a car starts following them and drives up super close to them. Katy starts to panic, but Selena keeps her cool and tells her to just drive to Mr. Riordan’s house, whoever this person is wouldn’t dare follow them into a crowded home. Yes and no, maybe a police station is better. When they park at Mr. Riordan’s, the person following them does too, and it turns out it’s Danny, who was ‘just playing a joke’. Well ha fucking ha, Danny. Mr. Riordan calls everyone around, and introduces them to Eddy, a handsome (as noticed by Selena) second year drama student from Waynesbridge Junior College, who is going to assist with the spring play. Selena feels like she’s seen him before, and goes to introduce herself. Eddy says that he’s seen her in a number of plays and that he thinks she’s a natural. He also says that he thinks it’s great that she can balance her grades and her acting, and when Selena asks HOW EXACTLY he knows this he claims it’s part of the job of being an intern, knowing everything about your actors. He then gets called away, and Selena is more flattered than freaked. She then goes to talk to Jake, who seems bummed as hell. When she asks him why he freaks out at her, and she asks him if he left her the dead flowers. He denies it, and says that it sounds like more than just a joke and that she should tell Mr. Riordan, or maybe the police. Selena does go over to talk to Mr. Riordan, but before she can Danny stumbles out of no where, covered in blood, and collapses in front of Selena! But, turns out, he’s pulling another prank, as it’s fake blood. No one is amused. When Selena goes out to get some air, Eddy is there. He says that he can’t believe she used to date Danny, and when she asks how he knew about THAT, he says he must have just overheard it, and then excuses himself.

giphy10
(source)

Alison comes out to inform Selena that she, too, is trying out for Juliet, but Selena says that’s fine. Katy says that she can take Selena home if she’s ready to go, and Selena is, but before they can go Danny says that HE will take Selena home. Selena says she’s not interested, and then JAKE comes out and starts to knock Danny away, saying that if ANYONE is going to take Selena home HE will. He and Danny fight, and Mr. Riordan, you have OFFICIALLY lost control of this cast party. Selena breaks it up, and when Jake tries to apologize she won’t hear it. He then says he wants to see Danny dead. Then, to make matters worse, as Selena is trying to fall asleep that night her phone rings. When she answers it’s a weird voice saying that they are watching her before hanging up.

At school the next week, Danny tries to apologize to Selena, and she confronts him about the dead flowers, the note, and the phone call. He denies it all. Then we must jump ahead by a few WEEKS because we’re already at Spring play auditions! I did theater in high school, there was usually a month or two AT LEAST between productions. Regardless, Selena, Katy, and Jake are sitting around waiting for their turns to audition. Jake asks Selena if she still thinks it’s Danny, and she says maybe, and he says that she should tell Mr. Riordan. Selena says she doesn’t want to, because if she does he may not cast her in the play out of fear for her safety. My guy reaction was to say ‘OH COME ON’, but then I realized that she’s probably right, and instead of going after the stalker, it would be seen as easier to limit the victim. Fucking patriarchy. Regardless, Jake admits that he understands wanting something that he can’t have. Selena and Alison go to practice for their auditions, and Alison claims the usual area that Selena takes, which is by the wardrobes, so Selena goes somewhere else…. And then a horrible crash is heard! Everyone rushes to the wardrobe area, and Alison has been crunched by a heavy wardrobe cabinet that fell on her! Luckily she’s alive, and paramedics are called. Jake points out that usually that spot is where Selena practices, and when Selena inspects the cabinet there is a sun sticker on it.

A little time later Selena is practicing her Juliet lines at home (given that Alison is still hospitalized) when Danny calls her, asking if she wants to go grab a bite to eat. Selena goes off on him, telling him she doesn’t want to go out with him and that he needs to stop harassing her and/or trying to crush her with a wardrobe. Danny continues to deny his involvement, and Selena hangs up. The phone rings again, and this time it’s Eddy, who is calling to tell her that Alison will be back the next week and not to worry. They start talking, and he mentions that he is so impressed with how confident she has become, given that she used to be so introverted and used to wear baggy clothing. Selena asks how he knew that, and he claims that he must have seen an old yearbook, and then asks her out to a movie. She says yes, and he tells her that they shouldn’t talk about it since it’s probably totally unethical for this boy who is assisting with drama club to be dating the girl who is part of the club. She promises she won’t tell ANYONE, and I gotta say, this is some kinda power dynamic that’s not ethical AT ALL. After hanging up it starts to rain, so Selena decides to make sure all the windows in the house are closed. When she gets to the window by the front door, she sees a bundle on the porch. When she opens the door, she finds a dead, mutilated rat, and a note from The Sun telling her quit the play or else. She calls Katy and tells her about the dead rat, and Katy says that it must be someone in drama club…. And asks if maybe Selena should quit the play for her safety. Selena refuses, saying she needs the scouts to see her if she wants a scholarship. Katy asks her to at least tell Mr. Riordan, and Selena says that she will. Katy then reminds her about the sleepover they’re having that Friday, but OOPS, that’s the day that Selena made a date with Eddy, so she tells Katy she can’t make it after all and tells her about the date with Eddy, EVEN THOUGH she promised not to tell anyone. Katy is skeptical of this, given the ethical implications, but Selena is insistent that it’s all fine. She hangs up, and then tries to sleep. But she can’t stop thinking about her stalker. Her Mom comes home from her night shift (Dad died a few years ago so her Mom has a busy work schedule), and Selena considers telling her about the stalker, but doesn’t want to worry her, so doesn’t.

The next day the official cast list is posted, and Jake is upset that Danny got the part of Romeo over him. When Selena can’t even muster a fake ‘yeah fuck that guy’ for Jake and opts to say that Danny was good, Jake gets mad and says that Danny won’t get everything he wants THIS time. Katy tells Selena that Jake’s parents are splitting up and that’s why he’s been so moody lately. Selena had NO idea that her best friend’s parents were having problems, I guess. Katy asks Selena if she’s going to tell Mr. Riordan about the stalker, and Selena says that she will, soon. She and Danny talk and he asks if they can just try and get along since they’re starring opposite each other, and she agrees. As Mr. Riordan blocks a scene with Selena and Jake (who is Juliet’s father), suddenly a set of lights fall from the ceiling! Katy knocks Selena out of the way, undoubtedly saving her from grievous injury/death. Katy hurts her arm, and Selena feels awful since the lights were obviously sabotaged by her stalker.

After the movie that Friday, Selena and Eddy decide to get some burgers at a place called Sam’s. Eddy continues to praise Selena about how good she is, and is convinced that she will get the scholarship, but offers to give her private acting feedback if she wants it. Selena is wary, and wonders to herself why she is so SUSPICIOUS of him, and gee, Selena, perhaps it’s the fact that he is oddly interested in YOU and is in his twenties and you are still a teenager? When he asks why she’s so reluctant, she tells him about her stalker, and tells him that Mr. Riordan didn’t take it seriously, so the police probably won’t either. To that I say fuck you, Mr. Riordan. When Eddy goes to pay for the check, Selena sees Danny in the doorway! She goes to chew him out for following her, but then realizes that he’s there on a date with a girl named Susie. Embarrassed by her reaction, Selena meets Eddy outside (who is relieved that Danny didn’t see them there, UGH). Selena is now certain Danny isn’t her stalker since he has a new lady friend. As she and Eddy are walking back to the car in the parking ramp of the building (down a narrow tunnel), Eddy admits that he went to Shadyside High, and that he had a crush on her when he was a senior and she was a sophomore. So THAT is why he knows her. Selena finally feels safe with him (I wouldn’t go THAT far, Selena), but as they are going down the tunnel suddenly a squeal of tires gets their attention. A car comes ZOOMING down the tunnel with no headlights, and Eddy pushes Selena! IN FRONT OF THE CAR? No, past it so that the car doesn’t hit her. The car speeds off, and Eddy says that they were walking down the wrong side of the ramp so that must be why this happened. Selena isn’t so sure…. And wonders WHY they were walking on the wrong side….

The next day Selena gets a flower delivery! She thinks that it must be from Eddy, as it’s a pretty bouquet and not a bunch of dead ones. As she’s practically rubbing her face with the flowers and the greens, her mother comes in and points out WAIT THOSE LEAVES AS POISON IVY!!!! And Selena is VERY allergic. She’s still dealing with the rash a week later, and wonders how the stalker knew that she was so allergic. As she is sitting in the library with Katy and Jake, her friends say that they think she should quit the play, but Selena refuses. So Jake says he’ll do some snooping and try to figure out who is doing this to her. Later at rehearsal Selena sees Jake snooping around Danny, and Selena thinks that he’s too biased to investigate properly, so she goes to the theater lockers. She goes to Danny’s locker and opens it up… AND FINDS A SHEET OF STICKERS!! She double checks the locker numbers, but realizes to her horror that she didn’t open Danny’s locker… she opened JAKE’S LOCKER!!!!

That afternoon Selena and Katy are talking on the phone, and Selena tells Katy that she found the stickers in Jake’s locker! Katy doesn’t want to believe it, but says that Selena needs to talk to Mr. Riordan. Selena doesn’t want to get Jake in trouble because she feels so bad since he’s having such a hard time, but Katy says that if he needs mental help SElena needs to tell people anyway! Then there’s a call waiting click, and Selena answers, and it’s Jake! He says that he needs to talk to her, and asks that she meet him at the school ASAP. She tells him that she found the stickers in his locker, and he says he can explain it but it has to be in person, so PLEASE meet him at the school. She agrees, then goes back to Katy and tells her what’s up, and asks Katy if she can drive her. Katy says sure and they hang up, but then Katy calls right back and her Mom took the car so she can’t take her after all. So Selena goes by herself by taking the bus. When she gets to the school she goes to the auditorium, but doesn’t see Jake anywhere… until she finds him crumpled in a heap at the bottom of the ladder to the catwalk, DEAD!!!

Selena gets home after talking to the police and she tells Katy what happened, the theory being that he must have been hiding in the catwalk and then fell to his death after slipping. Both are very upset, but Selena is convinced that her stalker is dead, and wonders why Jake was doing it. After staying home for a few days and rehearsals being postponed, they start up again and everyone is bummed. Selena has decided to drop out of they play because she’s so upset, but Mr. Riordan is in SUCH a hurry he says that she can tell him whatever it is she needs to tell him the next day, and rushes off.

flj
In that moment I kind of really loved Mr. Riordan. (source)

Katy tells Selena that she thinks that she’s doing the right thing, and Danny asks what they are talking about. Selena tells him that she’s quitting the play because it’s ‘what Jake would have wanted’. And Danny finally, FINALLY, tells Selena what a self centered little jerk she is. And it may be harsh, but I am with Danny on this one. As far as Selena knows, her stalker is dead, so it’s not a matter of her safety that’s in question here, it’s her feeling sad about Jake and not wanting to do the play because of that. WE’VE ALL HAD DISAPPOINTMENT, SELENA. After Danny’s smackdown, Selena realizes that he’s right, and that the show must go on. So despite Katy’s skepticism, Selena says that she’s still in. That night, Selena isn’t able to sleep, so she goes down to the kitchen for a glass of water….. AND SEES A NOTE ON THE FRIDGE WITH A SUN STICKER! It basically says that Jake wasn’t the stalker and had to die because he knew too much, and that the stalker will be in the audience at the dress rehearsal.

Okay, now you could totally quit, Selena. But does she? NOPE! Unfortunately Mr. Riordan invited the entire football team and then some tot he dress rehearsal, so Selena won’t be able to notice any lone stalker in the audience. Eddy has to go to class that afternoon but wishes her luck, and Selena knows that the show must go on. The dress rehearsal goes well, and Selena is riding such a high she almost forgets her backpack in her locker, but retrieves it at the last moment, shoving all the locker contents inside in a rush. That night after dinner she opens her backpack, and finds another letter from the stalker! This one says that THEY KILLED SOMEONE THAT NIGHT!!! Selena panics a moment, but then remembers that, oh wait, NO ONE DIED AT REHEARSAL. She deduces that the stalker must not have meant for her to find it until the next day…. which meant that the stalker was going to kill someone TONIGHT!!! And Selena is convinced that Katy is going to be the next victim! She tries to call Katy, but there’s no answer at her house. She knows she has to go to the school. Before she can, though, the phone rings, and it’s Eddy, asking her out for later that night, but she says that there’s something that she has to take care of first. When he asks if she needs help, she says that only SHE can do it, and hangs up.

Selena gets to the school, and tries to find Katy in the auditorium. It seems like no one is there, but then she hears the soft voice of someone calling for help… and it’s coming from the catwalk. Selena, who is desperately afraid of heights, steels herself and climbs up to the catwalk, calling for Katy. But she doesn’t find Katy, she finds Danny in the prop room up top…. and he’s been beaten up and tied up. In his daze he tells her that she called him, telling him to come to  the school. She starts to look for something to cut his ropes, but hears a noise. Katy suddenly pops up, and Selena says that they have to untie Danny and go. Katy asks why they should untie Danny, as since he’s tied up he can’t cause any more trouble. Selena explains that he isn’t the stalker, that she thought the stalker was going to hurt Katy but it was Danny instead, and they need to help him. But Katy, instead, HITS HIM IN THE HEAD WITH HER FLASHLIGHT. She then tells Selena that she wants to talk about their friendship, and how she misses the time that it was just the two of them. And then she shows Selena the sticker sheet. YUP, YOU GUESSED IT, Katy is the Sun. Katy says that she knew Selena would assume it was a boy in love with her because she’s so vain and selfish now that she’s so thin and popular and obsessed with drama. Katy didn’t even WANT to join drama club, but wouldn’t see Selena anymore if she hadn’t joined!!! Katy was mad that she was losing her friend to drama and college, and that was why she stalked her, to try and scare her to drop out of the play and not get the scholarship. Jake found the stickers in Katy’s locker and was going to tell Selena, so Katy killed him by pushing him off the cat walk. Katy then attacks Selena, who runs out of the prop room and onto the catwalk. They scuffle and Selena ends up dangling from the catwalk, with Katy about to hit her with the flashlight, but then Eddy shows up at the top of the ladder, and so Katy’s attentions turn to him. But HE TOO ends up stumbling and then dangling from the catwalk as well! Katy starts to smash his fingers with her flashlight, and Selena pulls herself up and knocks her away. They wrestle a bit more (gawd they wrestle forever) and Eddy FINALLY gets Katy subdued. He drags her to the prop room and somehow keeps her subdued WHILE untying Danny (two sets of arms?), and ties Katy up. Selena asks how he knew that she was here, and he tells her that he had a hunch she’d come here. They kiss, and he asks if she’s acting. She tells him no, she’s not, she’s happy the show is over (no it isn’t, opening night is the next night). And he says, as he pulls her close, “Hey don’t say that, this may only be Act One!”. The End.

giphy
Not the time for romance, guys. (source)

Body Count: 2, one for Jake, one for the rat.

Romance Rating: 3ish? Eddy was really just there to be a red herring, but hey, at least he wasn’t completely toxic (outside of the ethical issues of being the assistant director guy).

Bonkers Rating: 4. A fight on the catwalk is always going to be stellar, but everything else was kinda pedestrian.

Fear Street Relevance: 3. Selena lives on Fear Street and the woods cast a lot of long shadows in her room. But otherwise, all the action elsewhere.

Silliest End of Chapter Cliffhanger:

“Selena didn’t even see the bank of the spotlights fall. But she heard the crash. Felt the stage rock. Heard the shatter of glass. The crunch of metal. Heard the high screams of horror all around. And knew that she was dead.”

…. But she isn’t dead, of course. In the words of Trixie Mattel….

ezgif-4-66a5d762c5
(source)

That’s So Dated! Moments: Not as many as I would have thought! Though I got an edition that was clearly updated. Outside of a reference to a tape player in Eddy’s car, it was fairly neutral in terms of dating itself.

Best Quote:

“Actually, she thought that if Eddy had suggested going to a place that served baked worms, she’d probably agree to it!”

… Oh.

Conclusion: “Secret Admirer” had the potential to be over the top ridiculous, but it just kind of limped home. Up next is “The Perfect Date”. 

Kate’s Review: “The Cheerleaders”

30969755Book: “The Cheerleaders” by Kara Thomas

Publishing Info: Delacorte Press, July 2018

Where Did I Get This Book: I received an ARC from NetGalley.

Book Description: There are no more cheerleaders in the town of Sunnybrook.

First there was the car accident—two girls gone after hitting a tree on a rainy night. Not long after, the murders happened. Those two girls were killed by the man next door. The police shot him, so no one will ever know why he did it. Monica’s sister was the last cheerleader to die. After her suicide, Sunnybrook High disbanded the cheer squad. No one wanted to be reminded of the girls they lost.

That was five years ago. Now the faculty and students at Sunnybrook High want to remember the lost cheerleaders. But for Monica, it’s not that easy. She just wants to forget. Only, Monica’s world is starting to unravel. There are the letters in her stepdad’s desk, an unearthed, years-old cell phone, a strange new friend at school. . . . Whatever happened five years ago isn’t over. Some people in town know more than they’re saying. And somehow Monica is at the center of it all.

There are no more cheerleaders in Sunnybrook, but that doesn’t mean anyone else is safe.

Review: I want to extend a special thanks to NetGalley for providing me with an eARC of this book.

I am so, so pleased that the YA Thriller community has someone like Kara Thomas repping it these days. As you all know I’ve had a harder time with YA thrillers in the past, if only because they either aren’t gritty enough, don’t have enough interesting characters, or have predictable and spoon fed mysteries for their audience. While I understand that sometimes straight forward narratives are considered to be more ‘teen friendly’, I also think that it’s refreshing when authors don’t talk down to their teen readers and give them some serious narratives to chew on. And Kara Thomas trusts her readers enough that there is NO talking down to them. After reading her previous books “The Darkest Corners” and “Little Monsters”, I was practically chomping at the bit to read “The Cheerleaders”, her newest thriller mystery. When I finally sat down and began to read it, I pretty much devoured it all in two sittings. Thomas has done it again.

The first thing that really stood out to me about this book was our protagonist, Monica. Monica could at first glance be written off as your typical thriller heroine in novels like this: when we meet her she is in the middle of a medication induced abortion after a fling with an older man who happens to be the new soccer coach at her high school (side note: I super super appreciate the fact that Thomas has an abortion in this book and doesn’t use it as a melodramatic moment or a moment to proselytize to either side: it’s just a fact that Monica has one and that she made that choice without any hesitation). She has been having trouble coping for the past five years ever since her older sister Jen committed suicide, the fifth cheerleader in the five cheerleader deaths that have shaken the town, and has been distancing herself from everyone and succumbing to numbness. I appreciate the fact that while it’s never outwardly stated that Monica is suffering from a deep depression, Thomas makes it clear through her actions. Monica is flawed and Monica has moments where you just want to shake her, but she feels so freaking real that I just longed to hug her. I loved how intrepid she was, and think that she is one of the strongest protagonists I’ve seen in a YA thriller, or ANY thriller, in the past few years.

The mystery, too, was solid and intricate, and kept me guessing up until the end. It’s laid out in two different narratives: there’s Monica’s first person POV, and then a third person POV that follows Jen five years before in the months leading up to her death. Monica is starting to wonder if Jen actually committed suicide, and if all of the cheerleader deaths were as cut and dry as they seemed at the time. This leads her on a noire-like mystery with her own sidekick in Ginny, a neighbor that Monica has never really gotten to know in spite of the fact Ginny has always been around. The mystery surrounding the cheerleaders deaths is well paced and ever suspenseful, and Thomas doesn’t show her hand until she is good and ready to. I was once again left guessing until the end, and even though I had some small inklings of where things were going, I was mostly left surprised by the main mystery, and TOTALLY surprised by another that flits about off to the side, almost unnoticed but always present. The flashbacks to Jen’s story also give us clues that we can piece together while Monica is doing the same, and I really liked seeing Monica pick up on something that we picked up on previously, and vice versa.

And it’s gritty and bleak to be certain. Thomas doesn’t hold back in bringing up hard issues like abortion, statutory rape, violence in schools, and suicide, but they never feel like they’re exploitative, titillating, or over the top. At the same time, they they don’t feel like moments in an after school special either. Again, she trusts her readers to see nuance and darkness and be able to sort it out for themselves without any hand holding or deeper explanation. I think that it’s because of this trust that she knows how to strike the right balance in tone, and to make this book feel realistic and thrilling without having to go to any kind of extremes to send the point all the way home.

“The Cheerleaders” is another great mystery from Kara Thomas. Thriller fans, if you are reluctant to give YA thrillers a try, know that she is not going to let you down.

Rating 9: A suspenseful and well crafted mystery with realistic characters and a responsible handle on important issues, “The Cheerleaders” was a fulfilling read that kept me guessing.

Reader’s Advisory:

“The Cheerleaders” is included on the Goodreads lists “Cheerleading”, and “Best Mystery & Thriller 2018”.

Find “The Cheerleaders” at your library using WorldCat!

A Revisit to Fear Street: “The Face”

176604Book: “The Face” (Fear Street #35) by R.L. Stine

Publishing Info: Simon Pulse, 1996

Where Did I Get This Book: An eBook from the library!

Book Description: Why can’t she remember?

They say something horrible happened that day. But Martha can’t remember any of it—not the smallest detail. They say it will come back to her in time.

But someone wants her to remember now. She draws his face, over and over—the face of a dead boy. She can’t control her hand. And she can’t remember how he died.

But she’s going to find the answer. Even if it lies with the dead.

Had I Read This Before: No.

The Plot: We start with a strange dream about drawing silver lines on a piece of paper and then the paper becoming soaked in blood or something. I don’t care for these prologues because they’re just nonsense. But then we meet Martha. Martha was in some kind of accident before the story began that has robbed her of huge chunks of her memory. Her besties Adriana and Justine don’t really know how to interact with her now that she’s an amnesiac, but her boyfriend Aaron is still loyal and loving (though Justine has a blatant crush on him, as is demonstrated during a wrestling match he’s in that they are both attending). We also find out that her friends MAY have been in the accident too but Martha was the only one who went into shock? It’s a confusing and clunky first chapter of exposition. We pick up after that inside Aaron’s den, where he and Martha are watching “Lethal Weapon”, and Martha tells the reader that Aaron kind of looks like Mel Gibson. I’m hoping she’s talking about The Mel Gibson “Thunderdome” era and not The Mel Gibson “He’s A Misogynistic Bigoted Abuser” era.

mel-gibsons-dui-arrest-los-angeles
Remember, Hollywood welcomed him back with open arms. (source)

Martha confides that she’s worried about Adriana, who has been looking super skinny and tired and whose grades have been slipping. Aaron asks if she’s talked to Adriana, but no, they haven’t spoken about the accident or anything. Martha wonders why it has affected Adriana so much but not the rest of them (excluding herself, I would imagine, since she CANNOT REMEMBER ANYTHING).

We THEN jump to the next day where Martha is out and about in Shadyside buying art supplies and she runs into Ivan, Adriana’s older brother who has adopted a new ‘bad boy’ look, with an earring and a goatee. He’s also been getting into trouble and drinking more, so you know that I am smelling a love triangle here because Stine LOVES his ladies to be into misunderstood bad boys. After teasing her about her ‘doodles’, he offers to give her a ride home. While they’re driving he asks if she wants to just keep on going and leave Shadyside for good, and Martha asks if he’s joking, to which he says ‘of COURSE’, but we know better, don’t we? She asks him if he knows what’s up with Adriana and he seems less than interested/sympathetic to his own sister, but does say that she’s been taught some kind of self hypnosis. Also the atmosphere at home is awful with his parents fighting and literally throwing dishware at each other, and Ivan is so upset about it he starts driving erratically and the car drives off the road and heads for a tree! But it seems that it stops right before impact, and both Ivan and Martha hug and cry and he apologizes that he almost took her out in his impromptu suicide attempt that he couldn’t follow through with. He drives her home.

The next day Martha and Adriana are hanging out at Martha’s house and Martha brings up the murder suicide kinda thing that almost happened. Adriana doesn’t seem too worried and seems more interested in her make up, but confirms that she has been taught self hypnosis to try and help her fall asleep. Adriana says that Ivan is messed up because his girlfriend Laura (the most BEAUTIFUL girl in Shadyside, I guess) dumped him. Given that no one got why they were going on in the first place the only person caught off guard was Ivan himself. Martha thinks that someone should talk to him, but Adriana says that Martha should focus on herself and her own well being before leaving the house. Martha decides to draw a self portrait. But as she’s drawing, her hand starts to act of it’s own volition and draws on it’s own, as if a ghostly presence is controlling it!

giphy5
So you’re saying it’s a Kanderian Demon problem? (source)

When the hand stops, there is the face of a boy on the page. Martha thinks that it’s too detailed to be made up in her head, and notices that the face has a scar on the eyebrow. She freaks out and crumples it up, and decides to try again. She thinks maybe she should call Laura and ask her to work as a model, but apparently Laura isn’t cooperative and is always critical of the final product, so tries to draw herself again. But, once again, she draws the boy. She then rips but the drawings, and thinks she’s going nuts.

Later that night Martha is meeting Aaron at the mall for a movie. She’s running a little late, and when she arrives she sees Aaron and Justine are both there, with Justine flirting with Aaron. Martha is okay with Justine flirting with him when she is present, but when she’s NOT around and Justine is flirting? Could Justine possibly be a, dare I say it, BAD FRIEND? But since Martha doesn’t want to ‘start having evil thoughts’ about Justine, she just joins them and says hello, Justine backing off right away, claiming she happened to run into him, and he invited her to come to the movie too. Martha thinks that she sees Justine brushing up against Aaron the whole show.

Later that night, Martha is back home trying to sleep, when Justine calls. She wants to talk about the movie they saw and how much Aaron liked it, but then it turns into a ‘my life sucks’ kind of thing and she tells Martha straight up that she’s jealous of her because Aaron is so great. Justine doesn’t have a boyfriend AND she can’t afford to go to college next year AND Martha is such a good artist with good parents. When Martha says that her life isn’t actually perfect, Justine, oddly, agrees, and says that Martha’s life ‘isn’t as perfect’ as Martha thinks. Then she hangs up with a lame excuse.

That Sunday evening Martha is on the couch watching TV, when there’s a flash of a cabin on the TV. Which instigates a flash of memory for Martha! She remembers being at two cabins, with Justine, Adriana, Laura, and herself inside one of them. There’s a knocking at the door, and when Adriana answers it’s Aaron and two other boys whose faces she can’t remember. And then it’s all gone. And when Martha looks down she sees that she drew the face again.

The next morning there is no school because of teacher conferences, and when Martha goes downstairs into the kitchen Laura is there, reminding her that Martha was accompanying her to a photo shoot for her aspiring acting/modeling/whatevering career. Martha drives them, and wishes that she could ask Laura if she recognized the face, but her doctor told her friends not to tell Martha anything or give her any hints, because her memory has to come back on it’s own. That sounds like nonsense, but I’m not a medical professional. After the shoot is over, Martha is driving Laura back home, and Laura says that she was at a party the night before and Ivan showed up, acting a fool. Martha says that Ivan is a mess because of her dumping him, and Laura doesn’t give a rip. Laura then tells Martha to watch out for Justine, and declines to elaborate.

The next day Martha goes to meet with Dr. Sayles, the man in charge of her case and recovery. She tells him about the cabin memories, and he doesn’t betray any sort of emotion. But when she shows him the drawings she’s done, he looks genuinely shocked. Do we get to learn more about this? NOPE, we jump forward to that next weekend. Martha is still wondering WHAT DOES IT ALL MEAN, when Adriana and Laura burst into her room and tell her to get inside, bitch, we’re going SLEDDING!, or something very close to it. So they go to Miller Hill and Martha resolves to have a little bit of FUN for once. Once they are at the top of the hill, Laura and Adriana take off, leaving Martha at the top. When Martha starts down, she starts to scream, and then doesn’t stop screaming, even when she gets to the bottom. She doesn’t remember how she got home, just that Laura and Adriana brought her back, and she wonders what triggered her. But apparently, she had another memory. Now she, Aaron, Justine, Laura, Adriana and IVAN are there, having a snowball fight. Then Justine takes it way too far and starts hurling them at Martha, hitting her hard and starting a huge fight between them. Then she remembers kissing someone in the cabin, but it wasn’t Aaron. It was the boy in the drawings!!

Martha decides to ask Aaron about everything the next day. She goes to his house, and his little brother Jake lets her in, albeit reluctantly. Then Aaron meets her in the hall and doesn’t want her to come in much further…. Because JUSTINE is there! They claim that she was just picking up a graphic calculator because hers broke, and that she only hid because they didn’t want Martha to get the wrong idea, especially after she had a freak out at Miller Hill. Justine leaves, and Martha wonders if she should believe them. She asks Aaron about the cabin trip, and he says that he isn’t supposed to tell her, doctor’s orders, and that she’s lucky that she doesn’t remember because something TERRIBLE happened on the cabin trip. She shows him the drawings, and he begs her to stop asking him. When she asks if he knows the boy he tells her that the boy is DEAD!

With Aaron not speaking to her and more questions than answers, Martha is at home on Tuesday evening and Adriana comes to visit. She tells Martha that things at home are bad. Her Dad has finally moved out but Ivan has a new tape player and a new Discman and she doesn’t know how he paid for it, so she thinks that he’s been stealing. After all, he’s been hanging out with some tough characters! She then notices that Martha’s been drawing the whole time, and that it’s the dead guy’s face. And after swallowing down whatever she MUST have been thinking in that moment. Adriana invites Martha to the basketball game that Friday. Not that the sudden change in topic is at ALL strange, right?

So Martha, Laura, and Adriana go to the basketball game. All is going well for a bit, but then Martha starts hallucinating that every player on the opposing team has the dead boy’s face! She starts to freak out, and so Laura and Adriana drag her out of the gym. While Laura goes to find her a drink (most likely just water even though Martha could PROBABLY use a nice hard whiskey), Adriana pulls out a coin and starts to use hypnosis on Martha, claiming that it’s to calm her down. Martha says she’s feeling better, and when Laura comes back they start to leave. Martha asks if they will tell her anything about this boy, but they refuse and say they’re going to take her home. But who does Martha see making out by the lockers???? AARON AND JUSTINE! Since the graphing calculator excuse is no longer viable, he starts to say something, but Adriana and Laura tell him to back the hell off, and Justine too, and they take Martha home.

Back at home Martha tries to calm down by drawing. But then another memory surfaces! She remembers kissing the strange boy, but this time it becomes clear that she doesn’t want him to be kissing her. She asks him to stop, and then calls him Sean, and the memory ends with them shoving each other and her slapping him. As she’s pulled from the memory she wonders why they were fighting (maybe because he was sexually assaulting you, Martha?), and then she notices that she has a message on her answering machine. The message is a low raspy woman’s voice saying ‘You keep drawing him because you killed him’. Martha thinks that it sounds like Laura, but why would Laura do this?!

Martha decides to go visit Adriana’s doctor, Dr. Corben, to see if hypnosis can help her. My first thought goes to planted false memories and Satanic Panic, but let’s see how this all plays out before I start ranting about the irresponsibility of this kind of therapy. So anyway, Martha asks if Dr. Corben will help her, because Adriana hypnotized her and Martha thought it might help. Dr. Corben is aghast that Adriana did that because it’s very dangerous since the girl has no training, and she says that she would need to get permission from both Martha’s parents AND her doctor before she would do anything. Martha decides that she needs to split because this woman isn’t helping her at all. Outside of the office, Aaron appears, and he tells Martha he isn’t going to sneak around anymore and that he and Justine have been going out for months, and that is what Martha and Justine were fighting about at the cabin. She asks him what happened to Sean, and he is shocked she remembers him. But he still won’t tell her because it is ‘too horrible’!

That Wednesday at school, Ivan gets into a huge fight with another kid and gets suspended. Laura and Martha are on the phone talking about it, and another memory comes back to Martha: Laura was going to dump Ivan for Sean! When she confronts Laura, Laura clams up and says she doesn’t want to talk about it before hanging up. But now the memories have recovered pretty much completely, and as they say on “Monk” here’s what happened!: After a day of sledding and Ivan and Laura fighting outside the cabin, Adriana suggests that the group go skiing! Ivan and Aaron bicker a bit, and Adriana suggests that Martha should go first because she was the sledding winner, and Sean says he’ll go second. Martha realizes that her ski straps are messed up, and says that Sean should go before her so he doesn’t have to wait. So he does. And then Martha realizes that there is a weird silver line between to trees that Sean is skiing right towards…. a silver wire. Before Martha can yell to warn him, he skis into it, and it cuts his FRIGGIN HEAD OFF!!!!!!

giphy6
(source)

So she calls Adriana and tells her she remembers everything, and Adriana starts to cry as well, saying that she can’t sleep and can’t concentrate because she’s been so traumatized. The police couldn’t figure out who set up the wire, and Martha asks if Adriana thinks that one of their friends killed him. Adriana says she doesn’t know, but no one else was up there so who else could it have been? Then she says she’s coming over so they can commiserate or something. Martha goes to find a change of clothes, wondering why she was the only one to lose her memory when all of her friends saw it. Then she finds her unpacked back from the trip, and when she opens it up, she finds SILVER WIRE!! She must have lost her memory because SHE killed Sean!!! She wonders if everyone has stopped talking to her because they know that she killed Sean! Adriana arrives and Martha tells her about the wire, saying that she must have killed him. Adriana asks why, and Martha admits she doesn’t know but says she’s going to tell her parents. But then IVAN comes in and says that Martha can’t turn herself in because HE KILLED SEAN!! Adriana understandably freaks out, and Ivan tells them what happened: he had stolen a car and felt so guilty about it he had to tell someone, so he told Sean. And then Sean, the asshole that he was, decided to start blackmailing Ivan. So Ivan took the wire and tied it up between the trees! But oddly, he remembers tying it up much lower, around ankle height, thinking it would trip Sean and rough him up a bit (yes, because THAT would absolutely stop a blackmailer). He saw the wire had moved, but only once it was too late to do anything. Ivan says that he’s going to  turn himself in so Martha doesn’t admit to something she didn’t do. But then Adriana freaks out at him, saying that he KNOWS that Martha did it, and that he can’t ruin this for her!

Yeah, as it turns out, Adriana had moved the wire to the height that it was! And she had done it because she wanted it to catch Martha in the wire and kill her!!! She was jealous because she liked Sean, and Sean liked Martha, and Adriana saw Sean kissing Martha and lost it. Martha tries to explain that she did NOT want to kiss Sean, but Adriana doesn’t believe her, of course. And apparently she hid the wire in the bag AND she used hypnotism on Martha to make her memories stay repressed!! And then she grabs the wire from the bag, kicks Ivan in the stomach, and wraps the wire around Martha’s neck, trying to strangle her and/or decapitate her. But as they struggle, Adriana suddenly stops. Because she sees Sean’s face drawn on the piece of paper that is on Martha’s desk. So Ivan disarms her and grabs her arms, subduing her. She then goes into a catatonic state, and Ivan and Martha hug as she just keeps staring at the portrait, the portrait of the face that ‘saved [Martha’s] life.’. The End.

giphy7
I mean, okay? (source)

Body Count: 1, and what a badass death it was!

Romance Rating: 2. Everyone was cheating on each other and it was a huge mess!

Bonkers Rating: 5. The story itself was kind of standard, but the misuse of hypnotism AND a ski death involving decapitation was excellent.

Fear Street Relevance: 0. There is NO mention of Fear Street in this book. Not even an off handed mention of one of the characters living there. I’m done with that kind of thing in these books, if Fear Street isn’t even mentioned, it’s a zero for me.

Silliest End of Chapter Cliffhanger:

“To my surprise, he was staring at the drawings with bulging eyes. His mouth wide open. No longer the blank faced professional. He was staring at my drawings in total shock.”

…. And then we don’t get any kind of follow up as to how the rest of the appointment went. Like, as if that was that. I hate it when Stine ends a chapter on a cliffhanger that doesn’t have any resolution.

That’s So Dated! Moments: Well outside of Mel Gibson still being an acceptable sex symbol, Martha, Justine, and Aaron went to see a Jim Carrey movie with mentions of lots of gross out humor. OH, and Martha compares her doctor to a surfer on “Baywatch”. And he wears Bass Wejun loafers?? What are those?

Best Quote:

“Why do cats always have to act like cats?”

I ask myself that every single day.

Conclusion: “The Face” was pretty lack luster. I wish that it had been a recreation of the A Ha video for “Take On Me”, but instead we got something meh and not even trying to be a part of the Fear Street mythos. Up next is “Secret Admirer”! 

Kate’s Review: “The Invasion”

35292343Book: “The Invasion” by Peadar Ó Guilín

Publishing Info: David Pickling Books, March 2018

Where Did I Get This Book: The library!

Book Description: After so much danger, Nessa and Anto can finally dream of a happy life. But the terrible attack on their school has created a witch-hunt for traitors — boys and girls who survived the Call only by making deals with the enemy. To the authorities, Nessa’s guilt is obvious. Her punishment is to be sent back to the nightmare of the Grey Land for the rest of her life. The Sídhe are waiting, and they have a very special fate planned for her.
 
Meanwhile, with the help of a real traitor, the enemy come pouring into Ireland at the head of a terrifying army. Every human they capture becomes a weapon. Anto and the last students of his old school must find a way to strike a blow at the invaders before they lose their lives, or even worse, their minds. But with every moment Anto is confronted with more evidence of Nessa’s guilt.

For Nessa, the thought of seeing Anto again is the only thing keeping her alive. But if she escapes, and if she can find him, surely he is duty-bound to kill her…

Review: I was so very pleasantly surprised by Peadar Ó Guilín’s novel “The Call” that when I found out that it was getting a sequel I was on pins and needles for it to be released. His take on a malevolent and violent faerie world was something that I hadn’t seen before in such brutal and disturbing fashions, and it definitely took the concept of faerie worlds and put it in a dark reality, all while making their rage somewhat understandable. I also loved our protagonists Nessa and Anto, friends and would be boyfriend and girlfriend who beat the odds when they were ‘called’, Anto being a pacifist and Nessa having a disability because of childhood polio. Plus, the concept of humans being the actual monsters at the heart of that book (in the form of violent misogynist Conor) is a theme that I always enjoy. It combined into one of my favorite reads of that year. So when “The Invasion” showed up in my holds, I waited a little bit to savor the anticipation of revisiting Nessa, Anto, and the Sídhe of the Grey World.

Perhaps I put too much anticipation into it, because ultimately, I was kinda disappointed with “The Invasion”.

giphy17
Why have your forsaken me? (source)

I do want to give “The Invasion” credit where credit is due. Ó Guilín is relentless in his portrayal of war and violence, and the price of war for those who are part of it. While Nessa and Anto think that perhaps they can live their lives out together and have a happy ending, the Irish Government has other ideas for both of them. Anto is recruited to fight against the invading Sídhe (against his will), even though he has survived the Call with a disfigured, giant arm and is a pacifist at his heart. And Nessa is assumed to be a traitor, because they don’t believe that a girl whose legs were weakened because of childhood polio could have POSSIBLY survived The Call without making a deal with the enemy, and so she is carted off to a life in prison, and then to be sent to the Grey Land as punishment. While it was a super bummer to see that these two are probably not going to get their happy ending together, I appreciated that Ó Guilín doesn’t try to sugarcoat how a reality these two are living in would actually be. He still keeps the violence and disturbing imagery and themes up to a solid eleven, and there were many times that I pretty much squirmed in my seat while reading this book. I also liked seeing Aoife have more of a role in this book. In “The Call” she is merely the mourning girlfriend to Nessa’s best friend Emma. In “The Invasion”, she is with Anto and other classmates of their old school, and she is becoming a warrior out of necessity, even though she is questioning so much. Her character arc was very satisfying to see. We also get to see more of the flora and fauna of The Grey Land itself, beyond the evil faeries. I liked Ó Guilín’s world building here and found it to be as creative as it was messed up.

But there were so many things about this book that didn’t make it feel as satisfying as I wanted it to be. As much as I appreciate that realistically Nessa and Anto are going to have obstacles, I wanted to see them together. I wanted to see them adjusting to life after The Call, but they really didn’t have much interaction outside of the two of them pining for each other. And I found myself frustrated with Anto’s storyline, Aoife aside. Yes, I appreciate Ó Guilín portraying war the way that it should be portrayed, I just didn’t care about Anto and his compatriots fighting on the front lines. ESPECIALLY since some things happen with Liz Sweeney, the mean girl from the first book who is still pretty much awful. And Nessa herself didn’t get as much credit this time around. She got some cool accolades and I did like her new adventure in The Grey Land, but I felt like she didn’t really get much to do. And she deserved so much more than she got.

Overall, “The Invasion” probably ended Nessa’s and Anto’s story realistically, wrapping it up and pretty much tying all the loose ends up as well. But it felt abrupt, and I wanted more, and not in a good way. I appreciate choosing the end that he did, but wish it had felt more like a worthy successor to “The Call”. I’ll definitely give another book by Peadar Ó Guilín a try, but I had wanted more from this.

Rating 6: A sequel that focuses on the price of war and how it tears people apart, “The Invasion” is a not as satisfying conclusion to “The Call”. While it didn’t live up to the first of the two, it was a realistic follow up.

Reader’s Advisory:

“The Invasion” isn’t VERY new but isn’t on many relevant Goodreads lists for some reason. But I think it would fit in on “Books About Faery”, and “Best YA Fantasy Series About The Fae”.

Find “The Invasion” at your library using WorldCat!

Previously reviewed: “The Call”