Kate’s Review: “The Black Girl Survives In This One”

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Book: “The Black Girl Survives in This One” by Desiree S. Evans (Ed.) & Saraciea J. Fennell (Ed.)

Publishing Info: Flatiron Books, April 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Be warned, dear reader: The Black girls survive in this one.

Celebrating a new generation of bestselling and acclaimed Black writers, The Black Girl Survives in This One makes space for Black girls in horror. Fifteen chilling and thought-provoking stories place Black girls front and center as heroes and survivors who slay monsters, battle spirits, and face down death. Prepare to be terrified and left breathless by the pieces in this anthology.

The bestselling and acclaimed authors include Erin E. Adams, Monica Brashears, Charlotte Nicole Davis, Desiree S. Evans, Saraciea J. Fennell, Zakiya Dalila Harris, Daka Hermon, Justina Ireland, L. L. McKinney, Brittney Morris, Maritza & Maika Moulite, Eden Royce, and Vincent Tirado, with a foreword by Tananarive Due.

Review: Thank you to NetGalley for providing me with an eARC of this short stories collection!

2023 was the year of the Short Stories collection for me, as I tackled so many anthologies and had a pretty good time doing so. I think I can safely retire my previous disclaimers about me not being super into short story collections, as lately they have been working pretty well for me. Because of this, I had no hesitation when requesting “The Black Girl Survives in This One”, a YA horror anthology edited by Desiree S. Evans and Saraciea J. Fennell. I’m always looking for more diverse voices in my genres, and seeing a collection that showcases some well known Black YA horror authors was pretty neat. I was lucky enough to have my request granted, and once I dove in I found a pretty fun horror anthology.

As I am wont to do for short stories collections, I will pick my favorite three stories to spotlight, and then I will talk about the collection as a whole.

“Ghost Light” by Erin E. Adams: As a former theater kid who did both acting AND tech work (Saturday mornings were usually spent at the auditorium building and painting sets in high school), I knew that “Ghost Light” was going to be a favorite from the jump. Janine, a stage manager with ambitions and drive is running a show of “Macbeth”, and after a performance she is left behind to tend to the theater. While working, she meets up with the resident ghost. And that ghost is up to no good. This one was probably one of the less traditionally scary stories in the collection, as Janine is dealing more with a poltergeist and having to duke it out with her, but I really loved the action, and I really loved the way that Adams worked theater superstitions regarding ghost lights and The Scottish Play into this story. It made me all nostalgic for my theater days as a teenager.

“The Brides of Devil’s Bayou” by Desiree S. Evans: This was one of the stories that wove in dark historical themes with the horror elements, and it was my favorite to do so. Aja is a college freshman who has returned to her childhood home in the Louisiana Bayous, who has been haunted by a supposed family curse that takes the eldest daughters down the family line on their nineteenth birthdays. With her birthday approaching, Aja wants to confront her fears and prove to herself once and for all that it’s not real. But then she starts seeing visions of the ancestors who were lost, and wonders if the demon is coming for her after all. I am always a huge sucker for family curse and prophecy stories, but what I really enjoyed about this one is that Evans creates the lore around a female ancestor who was so desperate to escape slavery she makes a pact to sacrifice people down the family line. It makes for an added layer of tragedy and injustice, as well as a really solid metaphor for the familial and generational trauma Aja’s family has suffered because of slavery in America. It’s powerful (and scary) stuff.

“The Skittering Thing” by Monica Brashears: I think this was my favorite story in the collection, and for me it was definitely the scariest. Friends Sunny and Charlotte accept the invitation of their new classmate Ray to sleepover at her house. When the family brings up playing a game they call “Skitter”, which is a blackout version of hide and seek, Sunny and Charlotte find themselves in a dark house playing a weird game. And it may not be one of the new family members that is on the hunt in the dark. This was was so uneasy and so unsettling, the tension building higher and higher until it reaches a weird and disturbing conclusion. I really loved this one.

As a full collection, it was a bit more of a hit or miss endeavor for me. I think that part of this is that this is, at its heart, a YA collection, and while the authors are all talented story tellers and are really hitting the nail on the head when it comes to audience and message, young adult horror and I have a complicated relationship due to the fact I’m not the target audience. What I mean by that is that it always feels like YA has a tendency to feel a need to really spell things out for their readers, and it can sometimes feel hamfisted for me. But as noted, I’m not the target audience, and this kind of writing choice could very well go over better with a teenage reader than it does me.

“The Black Girl Lives in This One” is a fun collection that showcases some great authors. If you have teenage horror fans in your life, especially Black girls who may be sick of a lack of representation in the genre, this is the book to check out!

Rating 7: A solid horror collection written by and about Black women who will not be stopped, “The Black Girls Survives in This One” is scary and empowering.

Reader’s Advisory:

“The Black Girl Survives in This One” is included on the Goodreads lists “2024 Books by Black Authors”, and “Horror to Look Forward to in 2024”.

Kate’s Review: “Dead Girls Walking”

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Book: “Dead Girls Walking” by Sami Ellis

Publishing Info: Amulet Books, March 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A shocking, spine-chilling YA horror slasher about a girl searching for her dead mother’s body at the summer camp that was once her serial killer father’s home—perfect for fans of Friday the 13th and White Smoke.

Temple Baker knows that evil runs in her blood. Her father is the North Point Killer, an infamous serial killer known for how he marked each of his victims with a brand. He was convicted for murdering 20 people and was the talk of countless true crime blogs for years. Some say he was possessed by a demon. Some say that they never found all his victims. Some say that even though he’s now behind bars, people are still dying in the woods. Despite everything though, Temple never believed that her dad killed her mom. But when he confesses to that crime while on death row, she has no choice but to return to his old hunting grounds to try see if she can find a body and prove it.

Turns out, the farm that was once her father’s hunting grounds and her home has been turned into an overnight camp for queer, horror-obsessed girls. So Temple poses as a camp counselor to go digging in the woods. While she’s not used to hanging out with girls her own age and feels ambivalent at best about these true crime enthusiasts, she tries her best to fit in and keep her true identity hidden.

But when a girl turns up dead in the woods, she fears that one of her father’s “fans” might be mimicking his crimes. As Temple tries to uncover the truth and keep the campers safe, she comes to realize that there may be something stranger and more sinister at work—and that her father may not have been the only monster in these woods.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

There are a number of known truths in my world, and one of those truths is that if you make a reference to “Friday the 13th” in relation to another movie plot or story, I’m going to be automatically interested. I have a special place in my heart for Jason Voorhees and those pretty not great but super campy and gory slasher movies, so much so that my Terror Tuesday friend group is slowly working our way through the movie series as group member Michael had never seen any of them. Because of my love, when I was browsing NetGalley for upcoming horror novels, I was immediately intrigued by “Dead Girls Walking” by Sami Ellis. It not only dropped “Friday the 13th” in its description, but also “White Smoke” by Tiffany D. Jackson, one of my favorite horror authors. These two things and a very eye catching cover made me pretty excited to read this book. Which means I was a bit bummed when it didn’t quite rise to the occasion.

But as always I will start with the good! I will say right off that this harkens less to “Friday the 13th” (outside of the summer camp setting) and more to the original “Evil Dead” when it comes to the scares. Which is a-okay with me, because I love both of those franchises but “Evil Dead” isn’t seen nearly as much when it comes to general cultural references to gory slasher and horror films, whereas I feel like even those who don’t know horror are familiar with Jason Voorhees at least in passing. Ellis knows how to craft a horror casualty that feels like it’s coming from a gory slasher movie, and I could definitely visualize those moments in all their bloody glory.

I do love a gorefest at times. (source)

I also really liked how Ellis has paid something of an homage to a sub-genre that is, very often and certainly during its heydey, a very white, cis, and straight playing field, and has subverted it by featuring queer Black girls. At the center of that is Temple, our protagonist whose father has been convicted of being a serial killer, and whose hunting ground was her family property which has now been transformed into a summer camp. Temple gets the job of a counselor in hopes of finally finding her mother’s body, and her prickliness and hidden identity is a clashing point for the campers. Temple herself is a character I liked a lot, because even though she is probably seen as pretty unlikable, her trauma, family history, and inability to process makes that prickly personality completely understandable. And while a lot of the other campers weren’t super well fleshed out, there were a few that I thought had a lot of good character development and background foundation (the one that really comes to mind is Yaya, a queer teenager who is also a devout Christian and knows that the two things can be reconciled). It’s just refreshing seeing a cast of characters that buck the narrow trends of the genre.

But there were a few hiccups that didn’t work for me. The first is that there were some aspects of the plot that felt a little undercooked, and at times confusing. I felt like I really understood Temple and her motivations, but when it came to the lore of her family history, the land that the murders/camp was on, and her parents and their own motivators and even their trains of thought, these things felt brushed over, or in some ways a bit unclear. I know that slasher movies don’t really need that much motivation beyond ‘slasher A has motivation B and kills horny teenagers’, but even in those that have stood the test of time we have a very clear motivation set. Even the aforementioned closer analog “The Evil Dead” compensates for a very loosey goosey motivation by leaning into slapstick humor in the second two of the trilogy (and doesn’t make Ash Williams much more than a poor sap with quippy lines and a constitution that can endure buckets of blood and a chainsaw hand). With Temple being so well rounded, I had hoped that her adversary would be well rounded too, but it felt lacking. Add in a bit of a pacing issue and it knocked points off from the overall read. All of this said, I am not the target audience for this book, and while these things didn’t work for me, I know that I would ABSOLUTELY be recommending this book to my teenage patrons who like their horror on the gory side.

I will be interested in seeing what Sami Ellis does with her next novel. “Dead Girls Walking” was brimming with lots of horror goodness in spite of some missteps here and there, and I hope she keeps bring her perspective to the genre.

Rating 6: I liked the cast of characters and some of the gory bits, but the plot was a little confusing and the background felt a bit off at times.

Reader’s Advisory:

“Dead Girls Walking” is included on the Goodreads lists “Queer Horror”, and “Summer Camp Horror”.

Serena’s Review: “The Last Bloodcarver”

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Book: “The Last Bloodcarver” by Vanessa Le

Publishing Info: Roaring Brook Press, March 2024

Where Did I Get this Book: NetGalley

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Nhika is a bloodcarver. A cold-hearted, ruthless being who can alter human biology with just a touch. In the industrial city of Theumas, she is seen not as a healer, but a monster that kills for pleasure.

When Nhika is caught using her bloodcarving abilities during a sham medical appointment, she’s captured by underground thugs and sold to an aristocratic family to heal the last witness of their father’s murder.

But as Nhika delves deeper into their investigation amidst the glitz of Theumas’ wealthiest district, she begins to notice parallels between this job and her own dark past. And when she meets an alluring yet entitled physician’s aide, Ven Kochin, she’s forced to question the true intent behind this murder. In a society that outcasts her, Kochin seems drawn to her…though he takes every chance he gets to push her out of his opulent world.

When Nhika discovers that Kochin is not who he claims to be, and that there is an evil dwelling in Theumas that runs much deeper than the murder of one man, she must decide where her heart, and her allegiance, truly lie. And – if she’s willing to become the dreaded bloodcarver Theumas fears to save herself and the ones she’s vowed to protect.

Review: I feel like there’s been a lot of exciting new Asian fantasy stories coming out this spring, and this one was definitely high on my TBR list, as I’m even less familiar with Vietnamese mythology than Chinese, Japanes, or Korean. The cover art is also very unique and intriguing, and I thought the main character’s magical trait of manipulating human biology had a lot of promise. I also love murder mysteries, so I was excited to see how well these two genres would be blended together. And, well, it was all pretty good!

What first stood out to me was the lush and descriptive style of writing the author employed. The story starts out fairly quickly as far as plot and pacing go, but I was still able to picture the details of this world and character. This felt like a fully realized, fully peopled fantasy world, complete with a culture that felt distinctive and elaborate. Of course, central to the story were Nhika’s bloodcarving abilities, and this detailed style of writing helped to truly flesh out how this power worked. Many fantasy stories devolve to fairly simplistic explanations of their magical elements, but here I felt like we were given a true insiders-look into Nhika’s magic. This felt important as it helped the reader understand why an ability that could be so useful to humanity could also be seen as something to fear and hate.

I also really liked Nhika’s character and the arc she has in this book. Through her eyes, we see the experiences of a diaspora character, a young woman who finds herself in a world that no longer feels like her own. Even more interesting, her experiences as an outsider who does not fit within this world were mirrored in the other main character Kochin who experiences a similar disconnect. But while this disconnection and “out-of-place-ness” might be similar between them, their experiences and views of how they fit (or don’t fit) within this world are very different.

That said, this is one of those rare circumstances where I feel like the story might have been better without any romance at all. I liked both of these characters, but frankly, by the time the romance really started to amp up, I’d forgotten that was even the direction it was heading. These two were very definitely enemies for much of the time, so the change of tone when it came, did feel a bit strange. It was also rather sudden, not feeling nearly as developed as many of the other aspects of the story.

Overall, this was a great debut novel! I had some quibbles here and there with the way the romance was developed, but the writing and world-building were strong and promise of great things to come from this author in the future!

Rating 8: Rich and vivid worldbuilding combined with a compelling vision of the diaspora experience created a fantastic debut all around!

Reader’s Advisory:

“The Last Bloodcarver” can be found on these Goodreads lists: Around The World 2024 – Asia Continent and Asian SSF.

Serena’s Review: “The Encanto’s Daughter”

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Book: “The Encanto’s Daughter” by Melissa de la Cruz

Publishing Info: G.P. Putnam’s Sons Books for Young Readers, March 2024

Where Did I Get this Book: NetGalley

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: A young woman claims the throne of a realm inspired by Filipino mythology in this YA romantic fantasy, the first in an enchanting new duet by #1 New York Times bestselling author Melissa de la Cruz.

MJ Rodriguez has spent her life hiding in the human world, keeping a heavy secret. She’s half-encanto. As the only child of King Vivencio of the Sirena Court, she’s also next in line for the throne. And now, upon her estranged father’s sudden death, MJ must claim her place as rightful heir.

In wondrous Biringan, the road to the throne is paved with thorns. Without a reigning monarch, the realm has spiraled into disarray. MJ has to win over a backstabbing council that objects to a half-human ruler. And when it looks like her father’s passing wasn’t natural but possibly inflicted by a curse, she must hunt down the sorceress behind this merciless magic.

In a bind, MJ forges an unlikely alliance with the striking Sir Lucas of the feared Sigbin Court, and soon, she loses her heart to the mysterious knight. But with peril looming over Biringan, the princess must decide if she can both open herself to love and carry the weight of the crown.

Review: So, I’m going to just say this up front: I mistook this author for another “Melissa” author when I initially requested this book on NetGalley. I’ve only read one other book by de la Cruz, and to say it wasn’t a favorite is probably an over-statement. I think it might be one of my lowest rated books on the blog, actually. That said, even after I realized, I still wanted to give this one a shot. Over the last year or so, I can think of a few examples where I’ve really loved books by authors who didn’t work for me the first time around. So, who knows? This could have been another situation where, with a new project, my mind could be changed.

All of that nice intro just to find out…nope, turns out everything that I disliked about the first de la Cruz book was more a feature of her writing than a bug. Ah, well, worth the shot I guess! But, as always, let’s talk a bit at first about the things that did work for me. Really, not much did. But I can see more where things would work for other readers whose tastes differ from mine. I did like the elements that were drawn from Filipino mythology (I especially appreciated the author’s note about this), and I wish there had been even more of these elements included on the whole. By the end, I still felt like we’d only scratched the surface of what could have been a rich fantasy tapestry. I also think that many of the choices made with regards to characterization and plot will appeal more to younger YA readers, so they may find more to like in this book than I did.

But for me, this was really a disaster of a read. Both the characters and the plot felt like cardboard cut outs of the most stereotypical elements of storytelling that on could cobble together. From the ridiculousness of the “magical royal school” setting, to the plot quickly devolving from MJ taking seriously her task to learn to take the throne in only a month’s time to instead partaking in juvenile bickering and drama. And to people these scenes, we have all of the stereotypes you can imagine: quirky best friend? Check. Mysterious romantic interest? Check. Hot girl that the main girl must hate? Check. This last one was most disappointing to see. I vaguely remember having problems with this in the other book by de la Cruz I read, this propensity to making the main female character seem special by degrading the other women around her. It was distasteful then, and it’s pretty depressing to still see it popping up here in YA fiction years later.

Beyond this, it felt like the book didn’t know what it wanted to be. You have, of course, the boarding school aspect. But the story also has elements of a fantasy thriller and then a murder mystery is introduced. And yet, even with all of these elements, I found myself so, so bored while reading this. Not being able to connect to any of the characters is always an uphill battle as far as engagement with a book goes, but it also felt like the pacing of this one was simply very slow. It felt like nothing was really happening for large chunks of the story. And as it went, it was easy to guess exactly where every plot line was going which sucked any tension out of the experience. And then we get to the end and what do we get? A cliffhanger!

I really disliked this book. The writing felt limited, the plotting was questionable, and the characterization could be reduced to stereotypes. All of that said, I know this author is popular with a lot of readers, so if you’re a fan of her previous books, take all of this with a massive grain of salt. Also, if you’re very dedicated to checking out a book that draws from Filipino mythology this might be worth a shot, though, I have to say, I feel like there have to be better examples out there than this. Overall, while I’m glad I gave this author another shot in the service of not having fixed opinions of an author based on one reading experience, after finishing this one, I’ll think I’ll call it quits.

Rating 5: At best it doesn’t stand out from the pack of other YA fantasy stories, and at worst, it’s a muddled mess of stereotypes and predictable plot lines.

Reader’s Advisory:

“The Encanto’s Daughter” can be found on this Goodreads list: Asian YA/NA Books 2024:

Kate’s Review: “The Bad Ones”

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Book: “The Bad Ones” by Melissa Albert

Publishing Info: Flatiron Books, February 2024

Where Did I Get This Book: I received an ARC from the publisher at ALAAC23.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Goddess, goddess, count to five. In the morning, who’s alive?

In the course of a single winter’s night, four people vanish without a trace across a small town.

Nora’s estranged best friend, Becca, is one of the lost. As Nora tries to untangle the truth of Becca’s disappearance, she discovers a darkness in her town’s past, as well as a string of coded messages Becca left for her to unravel. These clues lead Nora to a piece of local folklore: a legendary goddess of forgotten origins who played a role in Nora and Becca’s own childhood games

An arresting, crossover horror fantasy threaded with dark magic, THE BAD ONES is a poison-pen love letter to semi-toxic best friendship, the occult power of childhood play and artistic creation, and the razor-thin line between make-believe and belief.

Review: Thank you to Flatiron Books for providing me with and ARC of this novel at ALAAC23!

It has been more than half a year since Serena and I attended to Annual ALA Conference in Chicago, but we have my last straggler of an ARC that I got while on that fantastic trip. When I saw that “The Bad Ones” by Melissa Albert wasn’t coming out until February, I placed it in an organized pile, and coming back to it in January was like letting go of that trip (though we’re planning on going to San Diego in fourish months, so, I’m not exactly shedding nostalgic tears). I loved the cover when I first got it, and it still really stands out as an eerie yet poppy image of a creepy angel. I didn’t really know what to expect, honestly, and once I was in it I started building expectations. Some of which were well exceeded! Others of which were not.

But as always, first the good. I really thought that Albert captured the complicated, sometimes toxic, and certainly enmeshed relationship between our narrator Nora and her missing best friend Becca. You get to see through Nora’s perspective as well as a series of flashbacks for Becca just how close these two girls are, and how they mean so much to each other, but how that can also lead to codependence and an unhealthy relationship. I thought it was great that neither girl was being judged for this, per se, but how it is also pointed out that both girls, especially Becca, have some pretty hefty baggage that is seeping into their interactions, and how that isn’t fair to either of them. Albert is careful not to villainize Becca, and instead looks at the ways that teenage girls can be failed by a community that tries to hide or look away from trauma or predation, and how that can damage a person. I also did like seeing Nora slowly piece together the mystery of her missing best friend, and the other missing people who disappeared on the same night, and how that connects to the town’s past. The mystery itself was well conceived and it had me guessing for awhile.

But the downside of all of this is that “The Bad Ones” is a horror/supernatural/dark fantasy tale, and I think that this was the weaker aspect of the novel. I liked the slow reveal of Becca and Nora’s Goddess Game and how it was far more powerful than Nora realized, and I REALLY loved the imagery of the creepy angel statue in the cemetery that was looming throughout the narrative (it reminded me of the Black Angel in Iowa City, which I loved to visit when I was in town seeing my Aunt). But once we got into the full on nitty gritty of the horror and supernatural aspects, and we got one of the big reveals in the last third of the book, I was left underwhelmed, as it was suddenly a whirlwind of wrapping things up and tying it all together. The revealed motivations of the bigger picture (no spoilers) were also pretty well worn territory, thematically wise, and while I liked said motivations, it didn’t set itself apart from other stories like this. This could, however, be more about my own vast experience with these kinds of stories, and me not being the target audience.

“The Bad Ones” is a book I found entertaining and enjoyable, and I know exactly who I would recommend it to. I will definitely be keeping my eye on Melissa Albert going forward, as this one had lots of potential, horror wise, and lots of wins, realism wise.

Rating 6: I really liked the mystery at hand and thought that the exploration of enmeshed friendships was interesting, but the supernatural and horror bits weren’t as fleshed out as I had hoped they would be.

Reader’s Advisory:

“The Bad Ones” is included on the Goodreads lists “Bubblegum Horror”, and “Horror to Look Forward to in 2024”.

Serena’s Review: “A Tempest of Tea”

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Book: “A Tempest of Tea” by Hafsah Faizal

Publishing Info: Farrar, Straus & Giroux, February 2024

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: On the streets of White Roaring, Arthie Casimir is a criminal mastermind and collector of secrets. Her prestigious tearoom transforms into an illegal bloodhouse by dark, catering to the vampires feared by society. But when her establishment is threatened, Arthie is forced to strike an unlikely deal with an alluring adversary to save it—and she can’t do the job alone.

Calling upon a band of misfits, Arthie formulates a plan to infiltrate the dark and glittering vampire society known as the Athereum. But not every member of her crew is on her side, and as the truth behind the heist unfolds, Arthie finds herself in the midst of a conspiracy that will threaten the world as she knows it. Dark, action-packed, and swoonworthy, this is Hafsah Faizal better than ever.

Review: Yet another book that is promoted as a “Six of Crows” read-alike! And, spoiling my own review, I will say that this is one of the few of these books that I’ve read recently where that comparison does seem to hold true! I hadn’t read any other books by this author, but I do know that other readers very much enjoyed her other fantasy series, so I was excited to see what all the fuss was about on that front, too. There were a few things that I think could have improved this read, overall, but it was also such a fun time that I mostly didn’t mind!

But let’s start out with the unequivocally good parts of the book. The story was definitely at its most successful during its main character’s, Arthie’s, POV chapters. And, really, if you have the main character right, you’re already mostly there as far as a good reading experience goes! This is also where the book most resembles “Six of Crows.” Arthie reads as a very similar character to Kaz from that duology. Both are morally grey characters with dark histories that are slowly revealed as the story unspools. And in both cases, morally grey means, you know, actually morally grey. In that Arthie can be manipulative, cold-hearted, and single-mindedly focused on her own goals in spite of others.

But also like Kaz, she is supremely loyal to those she cares about, in this case, her chosen brother, Jin. As I’ll get into, I think the romances were the weakest points of this book. In counterbalance, this sibling relationship between Arthie and Jin was the true heart of the story. Through Jin’s perspective as well, we see how these two characters have essentially re-constructed their lives around one another and their shared goals. As the story unfolds, this relationship is tested and pushed, and much of the stakes regarding their character arcs came down to this counterbalance of trust and secrets.

The world-building was also interesting, with a unique take on vampires and half-vampires, essentially. Some of the details about these beings, and about the world itself, were delivered in a bit of a ham fisted, expositional manner early in the book, but as the book continued, I was pleased to see this tendency smoothing out. I liked the general themes that explored colonialism and imperialism, but, again, I wish at times there had been a bit more subtlety in some of this messaging. Our characters’ stories speak for themselves, and I wish authors would trust readers to draw the correct conclusions without having characters just outright say some of these points.

The plotting was also good, though the story does take a bit to really get going. There’s a lot of planning that goes into the heist itself, and then when it all actually goes down, we find that that’s not even the true peak of the conflict. Instead, the last 25% of the book really sweeps the reader up into a rush of action, reveals, and numerous twists and turns. I was able to predict a few of these switches and turns, but I was also honestly surprised by others, which is always refreshing.

I will say, however, that the book is let down by its romances, both the unfortunate love triangle that is set up for Arthie, and also Jin’s more straight-forward romance with the third POV character, Flick. This was frustrating because I feel like a few adjustments to these romances would have easily elevated this book to a truly excellent level.

First off, Flick didn’t need a POV of her own. Her story had a few interesting moments, but it all could also have been explored through Jin’s perspective and his burgeoning relationship with Flick. Not only would this then allow Jin and Arthie to have more page time, as the true main characters, but by pushing Flick’s development to character interactions with others, we’d actually have better relationship building between her and Jin on the page. As it stands, the reader is mostly just told that Jin and Flick have this burgeoning relationship, but we barely see them truly interact or speak to each other.

And then with Arthie, do away with the love triangle all together. As it stands, it feels like this book spent almost the entire time building up one side of this relationship, only to pull the rug out and point to the other relationship as the end game on literally the very last page. Which, frankly, is a waste of the reader’s time and energy. Arthie is such a great character as it is, and her history and relationship with Jin was more than enough to ground her story in an interesting arc. We could have had small teases of a relationship in her future, but we didn’t actually need anything in this book. As it stands, because there are three POVs and then two love interests for Arthie, her page time is so reduced with each of these romantic options that there’s no opportunity for anyone’s interest in one another other to be more than pure lust-at-first-sight. Which…does not make a compelling love story for any of them.

So, that’s how I’d move this book from an 8 to a 10: remove Flick’s POV, get rid of the love triangle, limit Arthie’s “romance” to more hints of a future plot point, and spend the increased page time (without Flick’s POV) to further build on the Arthie/Jin sibling bond, which is clearly the true heart of this first book, regardless of what comes next. Fixed it! As it stands, however, I still very much enjoyed this book. Arthie was a fantastic character, not only in her own POV chapters but as we see her through other character’s eyes, and the plot and final action of the book perfectly primed me to want to jump into the next book. If you’re looking for a fun, fantasy heist book, this is definitely one to check out!

Rating 8: Some adjustments to the romances may have improved it, but this was a still a romp of a fantasy heist ride that is sure to please fans of “Six of Crows!”

Reader’s Advisory:

“A Tempest of Tea” can be found on this Goodreads list: Some of the Most Interesting Covers

Serena’s Review: “Heartless Hunter”

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Book: “Heartless Hunter” by Kristen Ciccarelli

Publishing Info: Wednesday Books, February 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: On the night Rune’s life changed forever, blood ran in the streets. Now, in the aftermath of a devastating revolution, witches have been diminished from powerful rulers to outcasts ruthlessly hunted due to their waning magic, and Rune must hide what she is.

Spending her days pretending to be nothing more than a vapid young socialite, Rune spends her nights as the Crimson Moth, a witch vigilante who rescues her kind from being purged. When a rescue goes wrong, she decides to throw the witch hunters off her scent and gain the intel she desperately needs by courting the handsome Gideon Sharpe – a notorious and unforgiving witch hunter loyal to the revolution – who she can’t help but find herself falling for.

Gideon loathes the decadence and superficiality Rune represents, but when he learns the Crimson Moth has been using Rune’s merchant ships to smuggle renegade witches out of the republic, he inserts himself into her social circles by pretending to court her right back. He soon realizes that beneath her beauty and shallow façade, is someone fiercely intelligent and tender who feels like his perfect match. Except, what if she’s the very villain he’s been hunting?

Review: I debated requesting this book for a while. This author has been very hit and miss for me in the past. While I struggled a bit with the first book I read by her (“The Last Nimsara”), I barely managed to not DNF the second book in the trilogy (“The Caged Queen”) and never even bothered with the third one. That said, I do remember thinking that the overall quality of writing was high and that the characters, especially in the first book, were fairly good. Those are two pretty foundational aspects of storytelling, so if an author has those in hand, I always feel like there’s a decent chance that a book by them will work for me. But, while this book didn’t sink to the lows of “The Caged Queen,” it also didn’t change my opinion massively about this author. Let’s get into the details!

I’m going to start off with a point that may at first seem tangential, but I swear, I have a point. A few weeks ago, a reader left a comment on one of my more negative reviews expressing relief that they had passed on the book in question. Specifically, they mentioned being glad that they have a fairly thorough vetting process before accepting books for review. Now, I also vet my book choices, trying to balance what I prefer in my own read alongside trying to cover the books that I know many people are interested in and those for which they may appreciate having reviews that provide some insights. And there’s a whole debate going on currently about how much or little publishers/marketers should rely on tropes when advertising their books. You can definitely see where publishers are falling into the trap that a popular trope is all you need to make a popular book. But, for this kind of vetting process, some basic tropes up front can be very helpful in either grabbing my attention or warning me away. And (finally, my point) this book failed to mention anywhere in its book description that the love stories is not only a love triangle, but a love triangle with two brothers as the options. *sigh* Frankly, if I had know that, I could have steered clear.

I won’t go on and on about the love triangle itself, but I always find the whole “brothers” thing kind of icky in a love triangle. Add on that it’s barely a love triangle since once of the love interests has a POV and the other doesn’t, so you always know which way this is going. And it’s all the more frustrating when the one who is the (of course) enemy is set up as this great love, and the other is the solid guy who’s been Rune’s friend and support system for years. You know, helping her, keeping her secrets…not trying to genocide her people like certain (oh so hot) other brothers.

Anyways, that last point gets to one of my main struggles with this book: the characters. For one thing, it falls into the trap that I find all too often in YA where its main characters have to be teenagers for it to be YA, but the things they’ve accomplished already in life are so incredibly unbelievable in the time they’ve had to do them that my suspension of disbelieve is immediately and thoroughly broken right from the start. Why oh why can’t authors just age up their characters to their early to mid 20s, call it a NA book, and probably get the exact same readership out of their book, but at least now it’s all plausible? I honestly don’t understand it.

I also just didn’t buy the primary “love story” between Rune and Gideon. I’ve read other witch/witch hunter love stories, and there have been some that definitely prove this set up can work. But for me to buy any burgeoning love story, the witch hunter has to have a pretty serious change of heart and regret sequence. But…Gideon just seemed fine with his choices of genocide? Because he had been hurt by a witch? It read as strange, and, more over, it really made me struggle to understand Rune’s willingness to overlook the realities of this guy she was becoming so interested in.

The book also tackles some fairly serious topics about sexual assault, and I’m not sure how well it was handled. I don’t really feel that the book gave this serious topic the framing it needed to be useful. Instead, it felt more like shock value and as a way to justify the things that the characters were thinking and doing. The seriousness of this subject also paired strangely with some of the “Bridgerton”-like aspects of the story, when the book would switch into “society mode” with a strong focus on fashion and gossip. And, look, I enjoy “Bridgeton” and enjoy a good “fantasy of manners” as much (if not more!) than the next person, but it paired very strangely with some of the darker tones of this book.

Overall, I struggled to enjoy this one. Again, the writing itself was strong enough, but the author makes choices with her characters, especially with their romances, that just don’t work for me. However, that said, I do think there are a decent number of readers who will enjoy this one, especially if you’re a fan of this author’s previous work. And, I do think this is a case where the use of tropes in the book description might have helped get this in the right readers’ hands, as well as changing it from YA (why?!?!?) to NA.

Rating 7: For me, this was a 6, but I’ll admit this came down to some very specific preferences of my own. Readers who have a more flexible approach to their romances may enjoy this one!

Reader’s Advisory:

“Heartless Hunter” can be found on these Goodreads lists: Fantasy Romance and Female fantasy authors – Children’s, YA and adult.

Kate’s Review: “From A Whisper to a Rallying Cry”

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Book: “From a Whisper to a Rallying Cry: The Killing of Vincent Chin and the Trial That Galvanized the Asian American Movement” by Paula Yoo

Publishing Info: Norton Young Readers, April 2021

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: America in 1982: Japanese car companies are on the rise and believed to be putting U.S. autoworkers out of their jobs. Anti–Asian American sentiment simmers, especially in Detroit. A bar fight turns fatal, leaving a Chinese American man, Vincent Chin, beaten to death at the hands of two white men, autoworker Ronald Ebens and his stepson, Michael Nitz.

Paula Yoo has crafted a searing examination of the killing and the trial and verdicts that followed. When Ebens and Nitz pled guilty to manslaughter and received only a $3,000 fine and three years’ probation, the lenient sentence sparked outrage. The protests that followed led to a federal civil rights trial—the first involving a crime against an Asian American—and galvanized what came to be known as the Asian American movement.

Extensively researched from court transcripts, contemporary news accounts, and in-person interviews with key participants, From a Whisper to a Rallying Cry is a suspenseful, nuanced, and authoritative portrait of a pivotal moment in civil rights history, and a man who became a symbol against hatred and racism.

Review: Along with my usual New Years Resolutions of trying to get in better shape and trying to keep more on top of my household chores (both of which I have mixed results on every year), I always try to pick a reading associated resolution. And for 2024, I have chosen to try and review more Non-Fiction books on the blog, as I cover that genre, but haven’t done much with it as of late. So when I was looking for interesting books to take on, I found “From a Whisper to a Rallying Cry: The Killing of Vincent Chin and the Trial That Galvanized The Asian American Movement” by Paula Yoo, I knew that I wanted to add it to the resolution pile. I had heard of Vincent Chin, who was murdered by two white men in Detroit in 1982 after a fight, but I didn’t know the details and didn’t know the fallout. I’m here to learn, and as I was reading I couldn’t help but be reminded that, sadly, some things never change in this country.

Yoo has written a well researched and powerful book about a horrible crime that jump started the Asian American movement in the United States, in that it unified the groups across the Asian Diaspora to find commonalities after Chinese American Vincent Chin was murdered by two white men in what was considered a hate crime (as witnesses said that the perpetrators were hurling slurs at him before the beating). After the murderers plead out and received probation and a fine, outrage reverberated throughout the Asian American community across Detroit, and then across the country. Yoo presents the story in a straightforward way, and presents perspectives from many of the people involved, making for a detailed read that covers a lot of the ins and outs and nuances and complexities. I could see this book being a fantastic book for a classroom when teaching the histories of various Civil Rights movements in this country, as it is written for a teen audience so it is easy to digest, but still tackles hard topics and examines them in ways that make the reader think while learning. It’s a very hard, maddening, and frustrating read, and Yoo captures the anger and sadness as well as the important stepping stones towards hope and solidarity that Chin’s murder led to.

This is such a great resource for those who are not only wanting to learn more about the Asian American movement in the United States, but also for those who want to see how history can repeat itself when it comes to racism and scapegoating during times of turmoil and uncertainty. The connections that Yoo makes between the automobile bust in Detroit and the rise of imported cars and the animosity it fed at the time, as well as the recent spike of anti- Asian American racism and hate crimes during the COVID-19 pandemic, are stark and unable to be ignored. Yoo clearly lays out how racism thrives in times like this, and how it must be called out and laid out as unacceptable. Between this and the historical beats on the Asian American rights movement, this book would be a must read in classrooms when trying to teach these harder aspects of history. Yoo makes it very easy to understand for a YA audience, but it’s also informative and interesting for older readers as well, at least in my experience.

“From a Whisper to a Rallying Cry” is essential and difficult reading. I didn’t know so much about this story, and this was a great way to familiarize myself.

Rating 8: A compelling and devastating account of a murder that kick started a movement, “From a Whisper to a Rallying Cry” is must read social justice history.

Reader’s Advisory:

“From a Whisper to a Rallying Cry” is included on the Goodreads list “YA Social Injustice” .

Serena’s Review: “Sun of Blood and Ruin”

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Book: “Sun of Blood and Ruin” by Mariely Lares

Publishing Info: Harper Voyager, February 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: In sixteenth-century New Spain, witchcraft is punishable by death, indigenous temples have been destroyed, and tales of mythical creatures that once roamed the land have become whispers in the night. Hidden behind a mask, Pantera uses her magic and legendary swordplay skills to fight the tyranny of Spanish rule.

To all who know her, Leonora de Las Casas Tlazohtzin never leaves the palace and is promised to the heir of the Spanish throne. The respectable, law-abiding Lady Leonora faints at the sight of blood and would rather be caught dead than meddle in court affairs.

No one suspects that Leonora and Pantera are the same person. Leonora’s charade is tragically good, and with magic running through her veins, she is nearly invincible. Nearly. Despite her mastery, she is destined to die young in battle, as predicted by a seer.

When an ancient prophecy of destruction threatens to come true, Leonora–and therefore Pantera–is forced to decide: surrender the mask or fight to the end. Knowing she is doomed to a short life, she is tempted to take the former option. But the legendary Pantera is destined for more than an early grave, and once she discovers the truth of her origins, not even death will stop her.

Review: So, I went into this one with some trepidation. On one hand, I love the idea of a fantasy re-imaging of “Zorro” with a gender-swapped main character and taking place during the 16th century in the Spanish-colonized part of Mexico. So many parts of that premise have me interested, and, as a massive “Zorro” fan, I’ve been looking for a great version of this story for ages and have yet to find one. But on the other hand, this is one of those examples of a book that definitely suffers from its publication date. In that, it was published several months ago in the U.K. and picked up by various book boxes since then. That being the case, there are a ton of reviews available with readers thoughts on the book. And, unfortunately, they’re largely middling. However, given how excited I was initially and the fact that I often find myself disagreeing with the prevailing take, I still wanted to give this one a shot.

So, right away, I can understand why this book was a struggle for many readers. And while, as you’ll see from my rating, I largely agreed with the general consensus of this book, there are a few points that didn’t work for others that bothered me less. First of all, the book starts out in a very disjointed manner, with lots of jumps in time from the present day and then back in time Leonora’s days training in the jungle. I have no problem being plopped down in books like this, with very little information to start with, but it is a problem point for many readers. I will say, that while this basic structure wasn’t a problem for me, the overall execution of it was not the best. The way it was done severely impacted the pacing of the story, preventing me from connecting with the characters or really finding as solid footing in this world.

This was made more difficult by the need to rather regularly check the glossary at the back of the book to understand what was actually being discussed at times. Here, again, I like glossaries for the most part, but in general, I feel like they should support the story, rather than being required for basic comprehension of plot points of the story. This wasn’t helped by the fact that this is a very political book. I do like political stories, and, knowing less about this particular region and time period, I went into this one excited to learn more. However, again, the actual plotting and progression of the story that explored these ideas was so disjointed that it made the reading experience itself a challenge, and it wasn’t until the mid-point of the story that I really began to place how everyone was interacting with one another.

On top of this, I was disappointed in the “Zorro” aspects of the story. For all that we’re told that the Pantera is this badass vigilante, we get to see very little of this on the page. I was interested in the politics, sure, but I’m a simple woman at heart: I just wanted a bunch of badass Zorro/Pantera fight scenes, and I felt like that was severely lacking.

The writing, overall, was ok. I think the author had more success with her world-building and descriptive prose, however, than with the dialogue. Much of the latter felt stilted and scripted in a way that constantly took me out of the story. This wasn’t helped by the fact that I wasn’t super invested in the heroine or her love interest. There wasn’t anything actively bad about either of these characters, but I also simply didn’t care about their stories or their romance.

Overall, unfortunately, I have to agree that the general consensus for this book was largely right. Perhaps it will find its place with readers who are more interested in a political fantasy story than a “Zorro” story and who aren’t thrown by the slow start. But, sadly, my search for the definitive “Zorro” book continues.

Rating 6: Kind of a mess, with a plot that was all over the place and a main character who spent a lot of time telling us about being a badass vigilante, but less time showing us.

Reader’s Advisory:

“Sun of Blood and Ruin” can be found on these Goodreads lists: Historical Fiction 2024 and 2023 Debuts.

Serena’s Review: “Infinity Alchemist”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Infinity Alchemist” by Kacen Callender

Publishing Info: Tor Teen, February 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: For Ash Woods, practicing alchemy is a crime.

Only an elite few are legally permitted to study the science of magic―so when Ash is rejected by the Lancaster Mage’s College, he takes a job as the school’s groundskeeper instead, forced to learn alchemy in secret.

When he’s discovered by the condescending and brilliant apprentice Ramsay Thorne, Ash is sure he’s about to be arrested―but instead of calling the reds, Ramsay surprises Ash by making him an offer: Ramsay will keep Ash’s secret if he helps her find the legendary Book of Source, a sacred text that gives its reader extraordinary power.

As Ash and Ramsay work together and their feelings for each other grow, Ash discovers their mission is more dangerous than he imagined, pitting them against influential and powerful alchemists―Ash’s estranged father included. Ash’s journey takes him through the cities and wilds across New Anglia, forcing him to discover his own definition of true power and how far he and other alchemists will go to seize it.

Review: While I hadn’t read any other books by this author, I was aware that he had written a good number of books before this one and was generally quite enjoyed! So I jumped at the opportunity to see what types of books he had in store! Plus, I’m always down for a good alchemist story! Unfortunately, however, I really struggled to enjoy this one. But, as always, let’s start with a few things I did enjoy!

While heavy-handed at times, I enjoyed the world-building and society that this book presented and the ways in which the author used these fantastical features to make commentary on the real world struggles and prejudices that people may face. I wouldn’t say any of it was particularly subtle or ground-breaking, but it also got the job done, and I think readers who enjoy a good social commentary built into their fantasy novel will likely enjoy this aspect of the story. I also enjoyed the unique take on the magic system, in which everyone is capable of alchemy since it pulls from one’s life force, but use of this magic is still heavily regulated and licensed. It sets up a good foundation for our main character, a young man who practices alchemy in secret.

But while this premise is good, I found myself really disliking Ash throughout much of this book. Yes, it is YA and Ash is young and thus somewhat excused for bursts of emotion, but this character really took it to new levels. He would react so explosively to situations that it was immediately off-putting, especially given how often these reactions placed him and his friends in more danger. At a certain point, “fiery” becomes just plain dumb and unfortunately, Ash crossed this line more than once. And then he’d swing wildly back to swooning over love interests the very next moment.

And this got to another struggle point: love interests, plural. As far as my romance preferences go, throuple stories are fairly low in my interest. For me, they’re like love triangles that just…continue. And all of the struggles I have with love triangles then just…continue. In that I often don’t feel like enough has been done to build up actual relationships between all three of the characters and everything quickly begins to feel superficial and like instalove (more really, instalust, given the lack of time/development given to these relationships). Such was the case here. On one hand, this is on me. If I had dug a bit deeper, I may have just passed on this book, knowing that I’m not going to be the best reader for it. But on the other hand, objectively, I do think these relationships are lacking in any real substance, unfortunately.

And, lastly, I do have to touch on some readability issues. One of Ash’s love interests is a character named Ramsey who is genderfluid. This is then expressed on page by switching the pronouns from “they” to “him” between chapters. I’m not sure what the solution is to writing these types of characters, but this approach really left me struggling and more often than not pulled me out of the story while I re-read sentences to find the context that might clue me in on who the “he” was at any given moment. Given that the character also used “they,” it might have been best to just leave it at that. I’m not sure if switching pronouns between chapters served any real purpose, narratively, and, for me at least, it took me out of the book enough times to severely disrupt my reading experience, from a practical point.

Over all, I really struggled with this book. While there is a lot of action on the page, I felt disconnected from all of the characters and had a hard time maintaining interest in their stories. Fantasy readers who enjoy throuple stories and are looking for a good fantasy world with social commentary built in nicely may want to check this out. But I do think there are better books out there with all of these things.

Rating 6: A dislike of the main character and a struggle with some of the writing mechanics left this one as a bit of a downer for me.

Reader’s Advisory:

“Infinity Alchemist” can be found on this list: 2024 Dark Academia Releases.