Tag: Thriller

Book: “The Death of Mrs. Westaway” by Ruth Ware

Publishing Info: Gallery/Scout Press, May 2018

Where Did I Get This Book: I received and ARC from NetGalley

Book Description: From the #1 New York Times bestselling author of In a Dark, Dark Wood, The Woman in Cabin 10, and The Lying Game comes Ruth Ware’s highly anticipated fourth novel.

On a day that begins like any other, Hal receives a mysterious letter bequeathing her a substantial inheritance. She realizes very quickly that the letter was sent to the wrong person—but also that the cold-reading skills she’s honed as a tarot card reader might help her claim the money.

Soon, Hal finds herself at the funeral of the deceased…where it dawns on her that there is something very, very wrong about this strange situation and the inheritance at the center of it.

Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, this is an unputdownable thriller from the Agatha Christie of our time.

Review: I want to extend a thank you to NetGalley for sending me an ARC of this book!

I was so excited when I opened up Ruth Ware’s previous book “The Lying Game”, as I had thought up until that point that I had found a new guaranteed-to-read author to keep in mind. I love having authors whose works I know I am going to like and therefore need to get my grubby mitts on ASAP. But when I was done with “The Lying Game” I was left with a slight dissatisfaction. It just hadn’t lived up to “In a Dark, Dark Wood”, nor “The Woman in Cabin 10” (which hadn’t lived up to  “In a Dark, Dark Wood” either, though it was still enjoyable). I hoped that my ennui with “The Lying Game” was a fluke, and picked up “The Death of Mrs. Westaway” with apprehension. This was going to make or break the guaranteed-to-read status of Ruth Ware.

In “The Death of Mrs. Westaway”, Ware exchanges the whodunnit murder storyline for a treasure trove of family secrets and scandal, which is a whole other kind of beast when it comes to mystery themes. While the slow decline of the aristocracy and family manor houses has made these stories less and less common, the Westaway Family at the center of the novel harkens back to a time of squabbles over inheritance and land ownership, which I quite enjoyed. I do love a good scandals of the upper class plotline, and Ware makes it feel believable even though the time of “Downton Abbey” has long past by the time we meet Hal and the family she is trying to infiltrate. Hal is the perfect protagonist for this kind of book, as she is a twentysomething who has recently found herself alone in the world and in monetary straits while she tries to run her deceased mother’s tarot card/psychic booth on a boardwalk carnival. While you know that her trying to masquerade as someone she isn’t is morally wrong, Hal is likable enough and sympathetic enough that you have to root for her. Unlike other train wreck protagonists that you see in the genre, Hal’s life is a mess, but she herself doesn’t seem like one, just a victim of circumstance and bad choices made during a time of vulnerability (in this case being the death of her mother). The various members of the Westaway Family are also well developed and understandable in their actions because of the fallout of their terrible mother’s death, and the sudden appearance of someone they believe is the daughter of their long lost sister. I loved seeing the conflict of a few of their members, the resentment of losing part of the inheritance mixed with the longing of connecting to their supposed niece. It makes Hal’s own inner turmoil about deceiving them that much more high stakes, because most of them are legitimately good, if not damaged, people.

The mystery itself was also pretty well done. This book didn’t have as many high stakes thrills as previous novels, but it was solid in it’s footing and the puzzles surrounding the family kept me reading. I was also left questioning many of the twists and turns that Ware threw out there, the clues being given in both Hal’s story and diary entries of someone who lived at the estate years in the past. While I kind of guessed the solution to part of the puzzle early on, there were definitely pieces that I didn’t get. Along with that, I did find myself questioning my guesses, so Ware did keep me on my toes until the final reveals. While there weren’t many moments of intense suspense, it was still what I would consider a page turner. It just wasn’t as focused on blood and gore as it was on intrigue and family scandals. I liked the diary entry angle, because it did give out clues at an even pace, and while it was truthful and reliable in its contents, it was written in a way that still could have been deceptive if you didn’t know what you were looking at. Ware was masterful in making it all come together in the end, which is a skill that not all authors can pull off.

I’m pleased that “The Death of Mrs. Westaway” has solidified Ruth Ware as a must read author for me. It went beyond what I normally expect from her, and shows that the comparisons to Agatha Christie are not just hyperbole. If you want a mystery by Ware that isn’t as intense, this is the book that you should pick up.

Rating 8: Ruth Ware returns to form with this strange and twisty mystery. It’s not as suspenseful as her past books, but it still keeps the reader invested and guessing.

Reader’s Advisory:

“The Death of Mrs. Westaway” is new and isn’t on many Goodreads lists. But it is on “The Page Turners of Summer 2018”, and I think it would fit in on “What A Strange Family”.

Find “The Death of Mrs. Westaway” at your library using WorldCat!

Book: “The French Girl” by Lexie Elliot

Publishing Info: Berkley Books, February 2018

Where Did I Get This Book: The library!

Book Description: They were six university students from Oxford–friends and sometimes more than friends–spending an idyllic week together in a French farmhouse. It was supposed to be the perfect summer getaway–until they met Severine, the girl next door.

For Kate Channing, Severine was an unwelcome presence, her inscrutable beauty undermining the close-knit group’s loyalties amid the already simmering tensions. And after a huge altercation on the last night of the holiday, Kate knew nothing would ever be the same. There are some things you can’t forgive, and there are some people you can’t forget, like Severine, who was never seen again.

Now, a decade later, the case is reopened when Severine’s body is found in the well behind the farmhouse. Questioned along with her friends, Kate stands to lose everything she’s worked so hard to achieve as suspicion mounts around her. Desperate to resolve her own shifting memories and fearful she will be forever bound to the woman whose presence still haunts her, Kate finds herself buried under layers of deception with no one to set her free.

Review: Country weekends with friends are always so fun! The isolation, the quiet, the bonding time! It’s really just the perfect way to pass the time with people you like.

I will admit that I like the potential for drama that this kind of story brings. Usually a weekend away, especially in thrillers, means that secrets will come out, betrayals will happen, and someone will usually end up getting hurt, be it emotionally or even physically. Given my love for this kind of tale, my interest was piqued by “The French Girl” by Lexie Elliott. Especially since a drama filled weekend seems to have resulted in a body stuffed down a well, and a cast of players who are automatic suspects! That’s a recipe for a book that I REALLY want to read. But unfortunately, given my high hopes for “The French Girl”, when it kind of fell flat it hurt a bit more than it would have had my expectations not been as high as they were.

But first let’s talk about what I did like. Kate Chambers, our main character and therefore resident complex and flawed female presence, was a pretty good person to follow within this story. Yes, she has her flaws and her complexities and her moments where I wanted to shake her, but she was likable enough and relatable enough that I did care about how things were going to turn out for her. She’s trying to forget about the mess of a weekend that she and her university friends spent in France, in which her toxic boyfriend Sebastian cheated on her with Severine, the French girl who lived next door to the estate. To make matters a bit more complex, Severine ended up disappearing that weekend, shortly after Kate and her friends left, which has left a sense of mystery and anxiety to Kate and her life as it moved forward. So you can imagine how she felt after a body was found in the well on the property. As she is reunited with her old friends, specifically Tom, one of her best friends whom she fell away from after he got married, she starts to think that they are all suspects, and is worried that scrutiny will fall on her. Watching her make pretty realistic mistakes and choices was kind of a breath of fresh air, since a lot of the time you get protagonists who act completely nutty just to move the plot along and completely outside of the character that has been previously established. Kate never gets there, and I liked her all the more for it. Her interactions with those around her, especially Tom and her friend Lara, were fun for me as well.

But the problem I had with this book was within the plot and the mystery. Specifically, the fact that none of it (or at least very VERY little of it) takes place during that fateful weekend, and only within the period that the body has been found and during the subsequent investigation. True, we get mentions of things that went on, but it’s all through the characters in the present, and it also manages to knock a few suspects out of the way right off the bat. I had hoped that there would be in the moment insights into what happened that weekend, and that it would shed some light into the victim herself (whose presence is haunting Kate as the book goes on). But because we don’t get to see her in action, and only through the eyes of the others, we get no sense of her as a person, and she ends up feeling incredibly objectified. What’s more, we didn’t get any solid red herrings about potential motives and potential suspects, as moments of doubt felt quashed soon after they were introduced. I had no problem discerning what happened to Severine and who was responsible, as Elliott presented that character a certain way from the beginning that, to me, made it obvious as to whodunnit. And that’s not really fun for the reader, especially when the story is supposed to be about whodunnit. Because of this, I wasn’t really gripped at the edge of my seat as I read it, and my concern for Kate was the only thing that kept me going. Had she been any less appealing or interesting, I probably would have been very bored and disinterested. Characters are great, but a thriller/mystery needs to keep me interested with the action as well as the players.

“The French Girl” wasn’t everything I wanted it to be, and while I think that others would probably enjoy it more than I did, it could have been stronger. There was a lot of potential there that didn’t quite get reached. But it is refreshing to see a main character that I felt fully invested in.

Rating 6: Though the mystery did keep me wondering what was true and what wasn’t, I wish we’d seen more of the actual crime time line instead of the investigation after the fact.

Reader’s Advisory:

“The French Girl” is included on the Goodreads lists “Girl”, and  “The Girl Who Didn’t See Her Husband’s Wife When She Disappeared From The Train” (I guffawed at both of these list titles).

Find “The French Girl” at your library using WorldCat!

Book: “The Dry” by Jane Harper

Publishing Info: Flatiron Books, January 2017

Where Did I Get This Book: The library!

Book Description: A small town hides big secrets in this atmospheric, page-turning debut mystery by an award-winning new author.

After getting a note demanding his presence, Federal Agent Aaron Falk arrives in his hometown for the first time in decades to attend the funeral of his best friend, Luke. Twenty years ago when Falk was accused of murder, Luke was his alibi. Falk and his father fled under a cloud of suspicion, saved from prosecution only because of Luke’s steadfast claim that the boys had been together at the time of the crime. But now more than one person knows they didn’t tell the truth back then, and Luke is dead.

Amid the worst drought in a century, Falk and the local detective question what really happened to Luke. As Falk reluctantly investigates to see if there’s more to Luke’s death than there seems to be, long-buried mysteries resurface, as do the lies that have haunted them. And Falk will find that small towns have always hidden big secrets.

Review: I don’t know how I missed “The Dry” by Jane Harper when it first came out. Actually, okay, that’s a lie; I missed it because the title and cover didn’t compel me. Sure, the hype and praise that surrounded it was on my radar, as well as the fact that copies at the library were always on request and being requested by patrons who came to see me at the desk. But I stubbornly and steadfastly stayed away, until I read the plot description of its sequel “Force of Nature”. Given that the plot of that sounds awesome (suspicious misadventures in nature!), and that it was part of series, I was finally convinced to go back and read “The Dry”, so as to fully experience Aaron Falk and his storyline. But given that I am always looking for new mystery series to follow with interesting detective protagonists, I am happy that I finally gave in and decided to give it a chance, stubbornness aside.

While a lot of the mystery series settings I follow are set in America or England, “The Dry” set itself apart immediately by taking place in Australia. Given that I am still desperately missing New Zealand (not that I think they’re interchangeable, mind you, please don’t hurt me, Australia and New Zealand), I was happy to have a story set in Oceania. Australia’s sprawling divide between metropolis vs small town plays a huge part in the story, and set up for a well done ‘small town with secrets’ kind of plot line. Aaron Falk was a fine protagonist to explore this, given that this involves a homecoming to a place that thinks that he’s a murderer. It’s an interesting tweak to the big town detective trying to maneuver in small town politics and society, as Falk knows how it works, and knows that he’s going to be doubly scrutinized with his background. When his old friend Luke’s apparent family annihilation/suicide brings Aaron back for the funeral, the murder of their mutual friend Ellie still lingers, as does the fact that Aaron and Luke were each other’s alibis. So this story has two mysteries: did Luke actually kill his wife, son, and himself, and who actually killed Ellie? The narrative shifts between the present timeline with a third person perspective through Falk’s eyes, and past perspectives through a vaguer third person narration. If that makes sense. It’s not something I’ve seen very often in fiction, and it was interesting getting more information than Falk was getting and seeing how he interpreted the information as it’s fed to him. It makes for a questionable reliability in the storytelling, and I liked being kept on my toes. But while I was kept on my toes, I wasn’t terribly invested in either mystery that was presented. The problem with Ellie’s was that given some of the sad realities of statistics and violence towards women and girls, I didn’t have a hard time guessing the ultimate solution to her fate, and therefore didn’t feel connected to it. And with Luke’s storyline, I wasn’t invested enough in Luke to want to see his name cleared, so while that one did keep me guessing, I didn’t really care too much one way or the other.

Falk himself was just fine as a protagonist, but I think that for me the difference between this series and, say, the Tempe Brennan Series (working as my go to for a series with a re-occurring detective type)  is that Falk hasn’t really established himself as a unique main character I’m interested in just yet. Tempe Brennan is complex and effervescent and snarky, whereas Falk hasn’t been much outside of a falsely accused outsider looking to redeem a friend (and in some ways himself), and brooding accordingly. I do realize that Tempe has had nineteen books to solidify her personality, and that Falk is really just beginning, so I am not holding any of this as-of-now simplicity against him. There are definitely glimmers of promise within him and where he could go, and I want to see how he’s going to grow in future books now that, theoretically, it won’t be as personal for him going forward. I was happy with the supporting cast that Falk got to play off of. I liked his old friend Gretchen, and her loyalty to him even when others thought that he didn’t deserve it. I liked Raco, a local detective who joins up with Falk on an official investigation against the town’s judgmental gaze. But I’m not sure as of now that they are going to remain large parts of the series, as they are still back in the town that Falk is visiting temporarily. Again, comparing it to Tempe Brennan there are familiar faces that work as foils and give Tempe’s life and character uniqueness and interesting interactions. If it’s just Falk going forward with a revolving door of characters,, it could be a missed opportunity for a strong cast of supporting and familiar faces. We’ll just have to see. “Force of Nature” will give me a better idea of what to expect in this way. And lord knows it’s going to be awhile before my number comes up on the request list.

So all in all while “The Dry” didn’t blow me away in the fashion that it did to many others, there is a lot of promise going forward. Aaron Falk may not be Temperance Brennan yet, but I have a feeling that he has the potential to join her as a detective in a unique series that I will follow as it moves forward.

Rating 7: A solid mystery with a protagonist that has some potential, “The Dry” didn’t take me in as much as it did others, but it has me interested enough to go onto the next one.

Reader’s Advisory: 

“The Dry” is included on the Goodreads lists “Best Small Mysteries”, and “Australian Bush”.

Find “The Dry” at your library using WorldCat!

Book: “The Favorite Sister” by Jessica Knoll

Publishing Info: Simon & Schuster, May 2018

Where Did I Get This Book: I received an ARC from NetGalley.

Book Description: When five hyper-successful women agree to appear on a reality series set in New York City called Goal Diggers, the producers never expect the season will end in murder…

Brett’s the fan favorite. Tattooed and only twenty-seven, the meteoric success of her spin studio—and her recent engagement to her girlfriend—has made her the object of jealousy and vitriol from her cast mates.

Kelly, Brett’s older sister and business partner, is the most recent recruit, dismissed as a hanger-on by veteran cast. The golden child growing up, she defers to Brett now—a role which requires her to protect their shocking secret.

Stephanie, the first black cast member and the oldest, is a successful bestselling author of erotic novels. There have long been whispers about her hot, non-working actor-husband and his wandering eye, but this season the focus is on the rift that has opened between her and Brett, former best friends—and resentment soon breeds contempt.

Lauren, the start-up world’s darling whose drinking has gotten out of control, is Goal Diggers’ recovery narrative—everyone loves a comeback story.

And Jen, made rich and famous through her cultishly popular vegan food line plays a holistic hippie for the cameras, but is perhaps the most ruthless of them all when the cameras are off.

Review: Thanks to NetGalley for giving me an eARC of this book!

As you’ve seen on my various “Not Just Books” lists on this blog, I do have a soft spot for a couple reality TV shows. I tell myself that my enjoyment of “ANTM” and “RuPaul’s Drag Race” is rooted within the inherent creativity that is at the heart of the premises; be it fashion modeling and the skills that go into it or the many facets of doing drag as performance and style, I love seeing these contestants do what I know I never could. But I’ll also be honest here: I do enjoy the petty catfights and drama that almost always arises when you put these people into high stress situations. So “The Favorite Sister” by Jessica Knoll was SUPER intriguing to me within it’s premise. I quite enjoyed her previous book “Luckiest Girl Alive” because of the issues that she tackled under guise of soapy snideness, so I had hopes that her next story would do the same. Along with juicy, sudsy characters tearing each other to shreds, of course.

So the good news is that this is a book that has a plot and mystery that will completely suck you in and not let you go until it’s good and ready to. I was reading this book on one of our late Spring snow storm days and it was the best way to pass the time because it kept me interested and wanting more. The plot concerns a reality show called “Goal Diggers” and the women who make up the cast of the show and all the problems that they have as they strive to maintain their status and fame. Mostly, it details the lead up to and fallout from the murder of the fan favorite Brett, a spinning studio owner who is proud of her curvy body and is an out and proud lesbian. It’s told between three perspectives and jumping through time: there’s Brett’s perspective, of course, but then there are also the perspectives of Kelly, Brett’s sister (mainly told after the fact), and Stephanie, Brett’s former best friend. They all have their own levels of unreliability, as they all have reasons to lie and distort the facts, and as the story slowly came out the rug got pulled out from under me a number of times. Knoll continues to be adept at creating twists and turns that you don’t see coming, even as she intricately lays the groundwork for them so they feel natural and believable. There were a number of moments where I said ‘whoa’ as a new surprise was sprung, and I definitely felt the need to keep reading to see what was going to happen next.

But ultimately, I think that the biggest drawback of “The Favorite Sister” is that all of the characters are completely reprehensible, and so unlikable that I didn’t find myself connecting to really any of them. While I had a fun time reading about how they were all behaving badly, and how they would all justify their behavior in ways that were totally laughable, I ultimately found myself hating almost all of them. The sole exception to this was Layla, Kelly’s twelve year old daughter, but you don’t get much sense of her outside of being a kind and creative (and driven) kid. I appreciate what Knoll was trying to convey, that even within a show that is supposed to be about lifting women up and encouraging them to think outside of what society wants them to be, they are still going to be judged by each other and by themselves because society is so damn ingrained in them. I get that. I appreciate that. It’s not a bad take at all. But when none of them really move beyond being laughably shallow (Lauren), ridiculously cruel (Jen), horrendously deluded by self grandeur (Brett), or just kind of there (Kelly), who do you root for? I had hoped that I could root for Stephanie, as she is probably the one who comes closest to having complexity. She is the only black woman on the show, she’s edging near the age where cast members generally get the ax, and she’s trying to prove herself beyond being a token and model minority. But ultimately she too was just terrible, and the various things that she was going through never QUITE justified the awful shit that she pulled. This was unfortunate because this derailed the commentary that I think that Knoll was trying to achieve. And it’s not like Knoll doesn’t know how to write unlikable characters who have depth and complexity; Ani in “Luckiest Girl Alive” is INCREDIBLY unlikable, but as you learn more about her past and her experiences you understand why she is the way she is. Stephanie, and the other characters, get some glimpses, but you never get the feeling that their behavior is justified with the limited exposure we do get.

I think that if what you’re looking for is purely guilty pleasure mean girl drama, “The Favorite Sister” will probably scratch that itch and give you everything you need. On a purely entertainment, watching bad people get what they deserve level it was very satisfying. But don’t go in expecting to have characters that you can relate to and root for, because you will not find that here.

Rating 6: While the story itself was engrossing and left me guessing until the very end, “The Favorite Sister” didn’t have the complexities to the characters that I was hoping for.

Reader’s Advisory:

“The Favorite Sister” is a new book so it isn’t on many relevant Goodreads lists yet, but I think that it would fit in on “Reality Show Themed Novels”. 

Find “The Favorite Sister” at your library using WorldCat!

Book: “People Like Us” by Dana Mele

Publishing Info: G.P. Putnam’s Sons Books for Young Readers, February 2018

Where Did I Get This Book: The library!

Book Description: Kay Donovan may have skeletons in her closet, but the past is past, and she’s reinvented herself entirely. Now she’s a star soccer player whose group of gorgeous friends run their private school with effortless popularity and acerbic wit. But when a girl’s body is found in the lake, Kay’s carefully constructed life begins to topple. 

The dead girl has left Kay a computer-coded scavenger hunt, which, as it unravels, begins to implicate suspect after suspect, until Kay herself is in the crosshairs of a murder investigation. But if Kay’s finally backed into a corner, she’ll do what it takes to survive. Because at Bates Academy, the truth is something you make…not something that happened.

Review: Oh ho ho what’s this? It’s another ‘horrible kids being horrible at boarding school’ book!! My freaking weakness of a book type (or one of many). “People Like Us” by Dana Mele was one of those books that I just randomly stumbled upon on GoodReads thanks to that site’s propensity to feature books on the side of your feed that they are trying to promote. Most of the time I ignore these ads, but on occasion I’m drawn in because of tantalizing covers or large words promising great things, usually of thriller kind. Knowing full well that I was pretty much taking a gamble, I requested it. When it opened with a bunch of boarding school popular girls finding a body, I was immediately drawn in. Because who doesn’t love a bit of salacious carnage to kick off a book? But as the book kept going, it became quite clear that it was going to be something we’ve seen before without pushing many boundaries inside of the genre.

The cast of characters is a pretty standard cast list for a YA thriller/mystery. Our protagonist is Kay, a girl who came to the prep school Bates Private School with two main motivations: to pursue a soccer scholarship for college, and to run away from a trauma from her past. She has a number of secrets she keeps from her other friends in their popular crowd, just as they have secrets from each other as they rule the school and sometimes torment other students. Unfortunately, there was definitely too much of her hinging on on this tragic and secret past of hers, and while it was slowly and carefully unfolded I never really found a moment of connection to Kay. While most of her relationships with her friends are pretty one dimensional, there are a couple exceptions to this: she is attracted to and perhaps in love with her best friend Brie, but their romance has never come to fruition because the timing has always been wrong (or Kay has been misbehaving in some kind of way). And along with Brie there is Nola, a classmate who has always  been seen as weird, but may be Kay’s only hope in solving who is harassing her and targeting her friends. I really liked that Dana Mele treats Kay’s sexuality as just a fact of the story, and that all of these characters were fairly fluid in their sexual identities. But beyond that, none of them were particularly noteworthy or interesting. As Kay’s friends face their various consequences to being jerks, I never felt particularly bad for them, nor did I really feel a sweet satisfaction outside of a general ‘ha ha awful popular kids get what’s coming to them’ feeling. They weren’t likable, but they weren’t interesting enough to be fun to hate either. Too many of them were placed to either be non lethal body counts, or to make the reader wonder if they are the one who set it all up in the first place.

The mystery too was a little lackluster for me. There were plenty of red herrings the muddle the waters effectively, be it misdirection about the mystery at the forefront or the mystery of Kay’s past. But ultimately, I did kind of brush across the solution well before the solution was revealed, even if I didn’t let it stick in my mind. And by the time we did get to the solution, I didn’t feel like we’d come to a big revelation. It just kind of happened, and I felt neither positive nor negative about how it all sussed out in the end. There was one final twist that did shock me, though, which was a nice surprise given that I thought that I had everything totally figured out within that storyline. It’s the little surprises that felt rewarding in this book, but when you don’t find yourself as a ready very invested in the majority of the mystery, or the consequences that it is going to dole out of the characters.

So what made it so readable, perhaps you are wondering? Well honestly, I am always going to be a sucker for the boarding school brats being rotten to each other trope, along with the themes of the misbehaving idle rich getting what they so richly deserve. If you want a standard book within this trope and genre, “People Like Us” is going to fulfill that want and need because it is so by the book (as it were). It almost acted as a comfort read for me, in that I didn’t have to think too deeply about it and that I knew that bad people were going to have bad things happen to them. Sometimes all we want is a book that hits all the things that we want and to be able to just enjoy it for what it is, and I do have to admit that I got that from “People Like Us” when all was said and done.  

If you are looking for a YA thriller mystery that reinvents the wheel, “People Like Us” probably isn’t going to be the read for you. But if you want that familiar comfort of a genre you’ve come to really enjoy without rocking the boat, it could be a good bet.

Rating 6: A fine example of the thriller genre, especially if it takes place in a boarding school, but “People Like Us” doesn’t really do much to set itself outside the genre.

Reader’s Advisory:

“People Like Us” is included on the Goodreads lists “Prep School Mysteries”, and “Sapphic Boarding School Books”.

Find “People Like Us” at your library using WorldCat!

Book: “The Wife Between Us” by Greer Hendrix and Sarah Pekkanen

Publishing Info: St. Martin’s Press, January 2018

Where Did I Get This Book: The library!

Book Description: A novel of suspense that explores the complexities of marriage and the dangerous truths we ignore in the name of love.

When you read this book, you will make many assumptions.
You will assume you are reading about a jealous wife and her obsession with her replacement.
You will assume you are reading about a woman about to enter a new marriage with the man she loves.
You will assume the first wife was a disaster and that the husband was well rid of her.
You will assume you know the motives, the history, the anatomy of the relationships.
Assume nothing.

Discover the next blockbuster novel of suspense, and get ready for the read of your life.

Review: The super hyped heavy hitter thrillers are the ones that scare me the most. Not in terms of content, mind you; in terms of my fears to even give them a try. I’ve been burned by a number of them in the past. I was marginally impressed by “Girl on the Train”. Mary Kubica’s recent works have left me a bit cold. I flat out hated “Gone Girl” and “Behind Her Eyes”. So when “The Wife Between Us” was available at work, I felt a tug to check it out, but also the nagging ‘what if you don’t like it?’ apprehension. But I did take a chance on this one, steeling myself for potential, sullen disappointment, so much so that I kind of let it sit for a bit, knowing I could renew it and just delay the potential inevitable disappointment. But I can safely say that when I did pick it up, I had a very, very hard time putting it down. Praise be, “The Wife Between Us” lived up to the hype that made me very hesitant!

The dual narrative device isn’t really new to the thriller genre. Many books use it, including a number that I’ve reviewed on this blog. But given that this book was written by two women, the voices that each character, Nellie and Vanessa, have are incredibly unique and feel totally separate. Nellie’s story is told in the third person, as the new younger woman that this man Richard is about to marry, while Vanessa is in the first person, the ex wife who hears about this new marriage and is intent on stopping it. I tend to feel that when a book promises that ‘this book isn’t what you think it’s going to be’, I’m going to go in looking for hints and clues as to why that is. But with Nellie and Vanessa and the perspectives they each give to the overall story, while I was looking for clues I wasn’t distracted by my personal search. In fact, when we get to the first big reveal, I actually said ‘wait, WHAT?!’, and had to go back and look for clues because I was so totally caught off guard. The thriller genre seems to be stepping it’s game up, as this isn’t the only book that has done that lately (but more on that another time). I also liked that neither Nellie nor Vanessa were very stereotypical, even if they appeared to be at first. As the stories progressed, you saw a whole lot of growth in both these narratives, and I ended up really liking and feeling for both of them.

While Nellie and Vanessa were refreshing and kind of new for the genre, there were some familiar traps that the plot itself fell into. I’m not going to spoil it, as this is a fun book and shouldn’t be spoiled for those who want to read it. But while I didn’t call one of the super big twists, the other one was fairly obvious from the get go. It’s a device and a twist theme that I’m honestly losing my patience with, as we’ve seen it so often now that it’s long past stale and definitely overused and overdone. And then (and I can’t tell you how ridiculous this moment was), in the last few pages, yet ANOTHER twist was thrown in for good measure that harkened back to a long lost plot point. And the biggest grievance I had with this one was that not only did it fall right in the last few pages, it was revealed in a way that didn’t actually have ANY bearing on how anything turned out!! So I don’t know what I find more frustrating, that it was a quick ‘gotcha!’ reveal a la “Into the Water”, or that it didn’t even go anywhere or change anything. It just felt tacked on, and tacked on in a way that was incredibly superfluous and unimportant to anything.

But given that I picked “The Wife Between Us” up and didn’t put it down, reading it in one sitting, it clearly had a serious hold on me, which is what a good thriller ultimately needs to do to be effective. This is one that, in my opinion, deserves the hype that it’s getting.

Rating 8: A thriller that kept me entranced with a couple of unique and interesting narratives, “The Wife Between Us” had few pitfalls and lots of really good curve balls.

Reader’s Advisory:

“The Wife Between Us” is included on the Goodreads lists “Chilling New York Novels”, and “Unique Narrators”.

Find “The Wife Between Us” at your library using WorldCat!