Kate’s Review: “The Wife Between Us”

34189556Book: “The Wife Between Us” by Greer Hendrix and Sarah Pekkanen

Publishing Info: St. Martin’s Press, January 2018

Where Did I Get This Book: The library!

Book Description: A novel of suspense that explores the complexities of marriage and the dangerous truths we ignore in the name of love.

When you read this book, you will make many assumptions.
You will assume you are reading about a jealous wife and her obsession with her replacement.
You will assume you are reading about a woman about to enter a new marriage with the man she loves.
You will assume the first wife was a disaster and that the husband was well rid of her.
You will assume you know the motives, the history, the anatomy of the relationships.
Assume nothing.

Discover the next blockbuster novel of suspense, and get ready for the read of your life.

Review: The super hyped heavy hitter thrillers are the ones that scare me the most. Not in terms of content, mind you; in terms of my fears to even give them a try. I’ve been burned by a number of them in the past. I was marginally impressed by “Girl on the Train”. Mary Kubica’s recent works have left me a bit cold. I flat out hated “Gone Girl” and “Behind Her Eyes”. So when “The Wife Between Us” was available at work, I felt a tug to check it out, but also the nagging ‘what if you don’t like it?’ apprehension. But I did take a chance on this one, steeling myself for potential, sullen disappointment, so much so that I kind of let it sit for a bit, knowing I could renew it and just delay the potential inevitable disappointment. But I can safely say that when I did pick it up, I had a very, very hard time putting it down. Praise be, “The Wife Between Us” lived up to the hype that made me very hesitant!

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TAKE THAT, HORRIBLE STREAK OF ANNOYING THRILLER BLOCKBUSTERS! (source)

The dual narrative device isn’t really new to the thriller genre. Many books use it, including a number that I’ve reviewed on this blog. But given that this book was written by two women, the voices that each character, Nellie and Vanessa, have are incredibly unique and feel totally separate. Nellie’s story is told in the third person, as the new younger woman that this man Richard is about to marry, while Vanessa is in the first person, the ex wife who hears about this new marriage and is intent on stopping it. I tend to feel that when a book promises that ‘this book isn’t what you think it’s going to be’, I’m going to go in looking for hints and clues as to why that is. But with Nellie and Vanessa and the perspectives they each give to the overall story, while I was looking for clues I wasn’t distracted by my personal search. In fact, when we get to the first big reveal, I actually said ‘wait, WHAT?!’, and had to go back and look for clues because I was so totally caught off guard. The thriller genre seems to be stepping it’s game up, as this isn’t the only book that has done that lately (but more on that another time). I also liked that neither Nellie nor Vanessa were very stereotypical, even if they appeared to be at first. As the stories progressed, you saw a whole lot of growth in both these narratives, and I ended up really liking and feeling for both of them.

While Nellie and Vanessa were refreshing and kind of new for the genre, there were some familiar traps that the plot itself fell into. I’m not going to spoil it, as this is a fun book and shouldn’t be spoiled for those who want to read it. But while I didn’t call one of the super big twists, the other one was fairly obvious from the get go. It’s a device and a twist theme that I’m honestly losing my patience with, as we’ve seen it so often now that it’s long past stale and definitely overused and overdone. And then (and I can’t tell you how ridiculous this moment was), in the last few pages, yet ANOTHER twist was thrown in for good measure that harkened back to a long lost plot point. And the biggest grievance I had with this one was that not only did it fall right in the last few pages, it was revealed in a way that didn’t actually have ANY bearing on how anything turned out!! So I don’t know what I find more frustrating, that it was a quick ‘gotcha!’ reveal a la “Into the Water”, or that it didn’t even go anywhere or change anything. It just felt tacked on, and tacked on in a way that was incredibly superfluous and unimportant to anything.

But given that I picked “The Wife Between Us” up and didn’t put it down, reading it in one sitting, it clearly had a serious hold on me, which is what a good thriller ultimately needs to do to be effective. This is one that, in my opinion, deserves the hype that it’s getting.

Rating 8: A thriller that kept me entranced with a couple of unique and interesting narratives, “The Wife Between Us” had few pitfalls and lots of really good curve balls.

Reader’s Advisory:

“The Wife Between Us” is included on the Goodreads lists “Chilling New York Novels”, and “Unique Narrators”.

Find “The Wife Between Us” at your library using WorldCat!

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