Serena’s Review: “The Serpent and the Wings of Night”

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Book: “The Serpent and the Wings of Night” by Carissa Broadbent

Publishing Info: Bramble, December 2023

Where Did I Get this Book: eARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: For humans and vampires, the rules of survival are the never trust, never yield, and always—always—guard your heart.

The adopted human daughter of the Nightborn vampire king, Oraya carved her place in a world designed to kill her. Her only chance to become something more than prey is entering the a legendary tournament held by the goddess of death herself.

But winning won’t be easy amongst the most vicious warriors from all three vampire houses. To survive, Oraya is forced to make an alliance with a mysterious rival.

Everything about Raihn is dangerous. He is a ruthless vampire, an efficient killer, an enemy to her father’s crown… and her greatest competition. Yet, what terrifies Oraya most of all is that she finds herself oddly drawn to him.

But there’s no room for compassion in the Kejari. War for the House of Night brews, shattering everything that Oraya thought she knew about her home. And Raihn may understand her more than anyone – but their blossoming attraction could be her downfall, in a kingdom where nothing is more deadly than love.

Review: Vampires have never really been my favorite paranormal creature. It would be easy to blame “Twilight” for this opinion, but even before then, back when I was reading “Interview with a Vampire” and the like, I never quite understood the appeal. Especially not in the romantic sense. How do you form a romantic interest out of a being that literally sees you as food? That in mind, I’ve been a bit hesitant about the recent resurgence of vampire fantasy fiction. But I’m always hopeful that there is a book out there that can change my mind on some of these pre-existing skepticisms. And, here we are, a vampire book that I actually really loved!

You know how a week ago I struggled to write a review for Jennifer Armentrout’s “Fall of Ruin and Wrath?” Mostly because, while I enjoyed the book, I could also objectively look at it and recognize that, at least in this instance, the author’s quality of writing was fairly low. Well, here I am a week later with a book that truly highlights the difference that good writing makes. In many ways, these books are similar. They are romantic fantasy fiction, focused on powerful beings and the humans who are caught up in their scheming, and, ostensibly, they both have unique worlds (I use the word “unique” carefully in Armentrout’s case as it seemed that she recycled some of her own ideas in her book.) But from the very first page, it is clear that this book is operating on an entirely different level. The sentence structure was varied and dynamic, the author pulled from a large vocabulary, the narration had a distinct voice, and the dialogue was engaging and natural. It was a success in every way, and I was immediately drawn in by the style.

The world-building was also introduced organically throughout the story, while not bogging down what ended up being a very fast-moving plot. The versions of vampires we see here are recognizable, but there was also a lot of creative interpretation built into the structure of this society, the political conflicts, and the lore of this world. I was also impressed by the creativity brought to the Kejari trials. Each one of them felt fresh and unique to this world and its story. These weren’t simple battles to the death, but intricate and dangerous puzzles of danger.

Further, I’ve also read a decent number of “Hunger Games” style books with deadly competitions at the heart of the story, and too often this aspect of these stories often falls flat, with the main character surviving due to heavy swaths of plot armor rather than any real skill we’ve seen from them. Instead, here, we have clear insight into Oraya’s success, with it often coming down to her keen observational skills and her drive to push herself further than her fellow competitors, beings who have been able to rely on their physical dominance up to this point. And that’s not to say that Oraya isn’t a powerful fighter herself. I appreciated the balance that was struck here between presenting Oraya, a human, as an exceptionally skilled fighter while also remaining realistic about the disadvantages she faced when competing against supernatural beings.

I also really enjoyed the romance that builds up through this story. This is definitely a slow-burn love story. Not only does the book itself hold off on its main characters getting together until late in the novel, but the structure of the plot takes place over months, giving our two characters a believable amount of time to work together, develop a friendship and partnership, and eventually a romance, overcoming their original distrust of one another. Of course, the book ends with a fairly large reveal (I was able to predict some of it, but that didn’t make it any less engaging when it happened), so the story is left in a state of upheaval as far as their love story goes. But the author so neatly side-stepped many failure points in the development of this relationship that I feel fully confident that she’ll navigate the path ahead just as successfully.

This book definitely doesn’t shy away from the violence of this world, so readers should go in expecting bloodshed. It’s also a romance novel in that it has fairly explicit scenes when it gets to that point. But it also reads well as a straight fantasy novel, with full attention and detail given to the plot and world-building. I think this book would likely appeal to most fantasy readers in general, beyond the romantasy fans out there. I really can’t express how impressed I was with this read. These books were originally self-published, so the sequel is available on Amazon now. But I’m going to try to hold off on reading and reviewing the second one until it comes out later this spring. Gotta support Bramble’s effort to pick up indie authors like this! Who know what other hidden gems are out there?!

Rating 9: Expanding the boundaries of what romantasy is capable of, this book has it all: solid word-building, compelling characters, and a fantastic love story!

Reader’s Advisory:

“The Serpent and the Wings of Night” isn’t on any Goodreads lists but it should be on Fantasy Vampire Romance .

Serena’s Review: “A River of Golden Bones”

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Book: “A River of Golden Bones” by A.K. Mulford

Publishing Info: Harper Voyager, December 2023

Where Did I Get this Book: eARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: From bestselling author and TikTok sensation A.K. Mulford comes the first riveting, enchanting book in the all-new Golden Court romantasy trilogy— A River of Golden Bones  begins a journey of self-discovery, romance, and adventure for a young heir as she/they comes out of hiding to save her sister from a malicious, powerful sorceress and her dangerous sleeping curse. A sleeping curse. A fallen court. A secret twin. Twins Calla and Briar have spent their entire lives hiding from the powerful sorceress who destroyed their kingdom…and from the humans who don’t know they are Wolves. Each twin has their own purpose in Briar’s is to marry the prince of an ally pack and save the Golden Court. Calla’s purpose is to remain a secret, her twin’s shadow . . . the backup plan. No one knows who Calla truly is except for her childhood friend—and sister’s betrothed—the distractingly handsome Prince Grae. But when Calla and Briar journey out of hiding for Briar’s wedding, all of their well-made plans go awry. The evil sorceress is back with another sleeping curse for the last heir to the Golden Court. Calla must step out of the shadows to save their sister, their kingdom, and their own legacy. Continuing to hide as a human and denying who she truly is, Calla embarks on a quest across the realm, discovering a whole world she never knew existed. Outside the confines of rigid Wolf society, Calla begins to who could she be if she dared to try? Full of adventure, love, gender exploration, and self-discovery, A River of Golden Bones follows Calla’s journey through treacherous Wolf kingdoms, monster-filled realms, and the depths of their own heart in this thrilling romantic fantasy.

Review: I was initially drawn to this book due to the unique cover. It’s definitely a “second look” style, in that it is bright, colorful, and unlike any of the current trends we often see on fantasy books. That said, when I looked a bit closer and saw the golden wolf head at the top, it did drop a few points in my estimation due to the inherent “cheese” factor of it all. But still, it got the job done and I placed a request to check this one out.

Vampires are currently back in trend it seems, so it’s interesting running across a werewolf high fantasy book in our current environment. With werewolves come a whole lot of fairly routine elements and tropes, and I was fairly disappointed to see so many of them trotted out quickly here. We have the tried and true “fated mates” trope, the “werewolf protectors” trope, and, of course, a good healthy dose of fairly sexist stereotypes and society structures. And while the book does take an interesting look at the black and white nature of this aspect of werewolf society, it was very much presented through the lens of the main character’s personal identity journey. Unforunately, at times, I felt like this reinforeced other stereotypes even as it worked to deconstruct other limitations.

For example, much of Calla’s experience with her identity, particularly in the beginning of the book, is directly drawn from her sister Briar. From Briar’s figure, from the clothes Briar wears, etc., all of which is opposite of Calla’s body type and preferences. But we never hear from Briar herself. Obviously, she didn’t pick her body type. And what she wears says very little about who she is. It felt strange to have so much exploration of personal identity built around a character who was never given a voice for expressing how she felt about herself or her role.

I also struggled to connect with this story due to the competing content it seemed to offer. On one hand, most of Calla’s journey is a “coming of age” story and much of this exploration gave off very strong “YA” vibes. But then the romance was very adult, with a healthy dose of spicy scenes that are anything but young adult. The combination didn’t work well for my reading experience.

I also didn’t enjoy the romance. It felt very predictable, and I often found both characters at their most tiresome when they were together. The angst and drama was more annoying than it was enticing. Supposedly these characters had been best friends at some point, but we see nothing that would even hint at that sort of relationship on the page.

And then, to make matters worse, in the final conflict with the big bad, an individual who had committed atrocities, the climax of it all seemed to be the accusation made that Grae wasn’t going to accept Calla’s true identity. This, again, felt very YA. That somehow we have a battle going on with a murderous, horrific individual, and the real crisis is coming down to Calla’s own personal journey. Obviously, that is a crucial part of her and of her story. But one’s own individual journey and experience with others, while important, is not going to pair well when brought into a fight about life-and-death events taking place within an entire kingdom.

Overall, I struggled to really connect with anything in this story. I thought the exploration of Calla’s journey was unique and interesting, but it wasn’t enough to offset my dislike of the romance and my frustration with the strange mix of YA/adult themes throughout the book. If you’re looking for a fantasy novel that tackles gender identity, this one definitely is a creative look at the topic. But ultimately, this book didn’t work for me.

Rating 6: Fairly disappointing, with a mismatched combination of YA and adult thematic elements.

Reader’s Advisory:

“A River of Golden Bones” can be found on this Goodreads list: Best Queer Romantasy Books.

Serena’s Review: “Fall of Ruin and Wrath”

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Book: “Fall of Wrath and Ruin” by Jennifer L. Armentrout

Publishing Info: Bramble, September 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Long ago, the world was destroyed by gods. Only nine cities were spared. Separated by vast wilderness teeming with monsters and unimaginable dangers, each city is now ruled by a guardian―royalty who feed on mortal pleasure.

Born with an intuition that never fails, Calista knows her talents are of great value to the power-hungry of the world, so she lives hidden as a courtesan of the Baron of Archwood. In exchange for his protection, she grants him information.

When her intuition leads her to save a traveling prince in dire trouble, the voice inside her blazes with warning―and promise. Today he’ll bring her joy. One day he’ll be her doom.

When the Baron takes an interest in the traveling prince and the prince takes an interest in Calista, she becomes the prince’s temporary companion. But the city simmers with rebellion, and with knights and monsters at her city gates and a hungry prince in her bed, intuition may not be enough to keep her safe.

Calista must follow her intuition to safety or follow her heart to her downfall.

Review: I’ve used this gif before in my “Great Animorphs Re-Read” several years ago, but it’s just to apropos for my feelings now whenever I see that Jennifer Armentrout is coming out with a new romantasy title:

Am I expecting a work of art? No. Am I concerned that, even if I enjoy the first book, the series as a whole will quickly nose dive into nonsense? Yes. But will I still pick it up out of sheer, self-destructive curiosity? Yeah, probably. Plus, Bramble picked up this series, and I was curious to see how Armentrout did in the hands of a large publishing house. Would they be able to wrangle in her use of ellipses? (Spoiler: no, no they could not.)

This is another tough review to write, simply because I did enjoy myself reading this book, but I also can look at it critically and see a good number of flaws. I don’t know what it is, but there’s something about Armentrout’s style, or her near perfect understanding of how to best employ romance tropes, that always manages to reel me in, almost despite myself as a critical reader. So let’s start with the obvious pros, and the first one is just that: readability. I whipped through this book in no time. Partly this is because much of the world-building, characters, and magic felt very familiar from other books and didn’t require much thought from me. But the other part is that the style of writing is very approachable and sure to suck readers in. The story could be funny when it wanted, dramatic when it needed to be, and even suspenseful as the action picked up towards the ends.

I will also say that if you enjoy spicy romance, this is the book for you. Conversely, if you don’t enjoy smutty books, this is NOT the book for you. While there is a plot, if you dig around and really look, this book is definitely more focused on its characters and the steamy situations they get themselves into. Perhaps even more so than the other books I’ve read, this book leans in on these scenes, sometimes unnecessarily so, I felt. There was one moment I can remember from early in the book where the main character is having a conversation with one of her friends, and of course they can’t just talk together, they have to be messing around at the same time. This is where the spiciness was a bit much for me. This scene wasn’t part of the central romance, these two characters were actually discussing important things, but for some reason we needed to up the ante and add erotica to the situation.

I did enjoy the central romance, however. Yes, it will feel very familiar to fans of Armentrout’s other books, but it was also satisfying in a similar way. This dynamic between romantic characters clearly works, and I’m definitely a “don’t fix what’s not broken” type of person. That said, the love story, like the characters and the world-building did feel almost TOO familiar at times. As I was reading this book, there were aspects of the world and its magic that honestly felt like “cut and paste” copies of Armentrout’s “Blood and Ash” series. The types of beings that populate the world, Calista’s role as a “special person” with hints of “super specialness” being laid down heavily, even some of the supernatural threats felt like almost exact carbon copies of ones I’ve seen before from her. So, while I was having a fun time and all, I also couldn’t get over the feeling that the author had picked up scraps from her other books and cobbled them into a new story here. Not only did this all seem familiar, but I feel like I can easily see the road this series will travel and, man, does that look familiar, too.

And, alas, the ellipses. I had real hopes that the editors over at Bramble could have exerted some more copyediting control and beaten this writing tic into submission. And yet I feel like there are even more here than in other books! And the more you notice it, the worse it gets. There are, you know, words that can be used to convey hesitation, caution, uncertainty. But instead, every time, she falls back on simply inserting ellipses before, between, and after words. I know she’s a best-selling, popular author. But there’s always room for improvement and this is where professional editors are needed most, places where writers are stuck in certain habits.

So where does this leave us. Like I said, for all of its flaws, my level of enjoyment was mostly around an 8. This is the definition of a “guilty pleasure” read for me. I liked it probably more than it deserves, and I’m fully prepared to flame out on it the same way I did with her other series. On the other hand, objectively, this book felt very familiar to other books she’s written, the spice-levels were verging on ridiculous, and some of her writing bad habits were on full display. So this would probably land it around a 6. To be fair, we’re giving it a solid 7, and you can do with that what you will!

Rating 7: I enjoyed the heck out of this book and judged myself for it the entire time.

Reader’s Advisory:

“Fall of Ruin and Wrath” can be found on these Goodreads lists: Deja Title: _ of _ and _ and 2023 – September Fantasy Releases

Kate’s Review: “Lore Olympus: Volume 5”

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Book: “Lore Olympus: Volume 5” by Rachel Smythe

Publishing Info: Inklore, October 2023

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Scandalous gossip, wild parties, and forbidden love–the Greek tale of Hades and Persephone gets a romantic modern update in the gorgeously illustrated, Eisner Award-winning Lore Olympus, including behind-the-scenes content!

“You want to know about The Bringer of Death.”
 
It is Persephone’s birthday, and she receives the ultimate gift: Hades confesses his desire for her, leading to their first kiss. But that doesn’t necessarily make things easier for the goddess of spring, who is still in over her head in gossip-driven Olympus. Persephone feels intense guilt over the official breakup between Hades and Minthe, she is struggling to find her footing in her fast-paced job, and—worst of all—the shades of her past are slowly coming to light.
 
After an unexpected encounter with Apollo, Persephone flees into the depths of the Underworld. Concerned for her safety and determined to find her, Hades must team up with Artemis, Eros, and Hera, but they’re working against a ticking clock. Zeus knows about the bloody secret in Persephone’s past, and now the furious king of the gods will stop at nothing to bring her to justice.

Review: “Lore Olympus: Volume 5” has actually been out since October, but with my Horrorapalooza theme for that month leading up to Halloween it meant that I had to delay reviewing Rachel Smythe’s newest volume of the reimagined Greek Mytho until long after it had come out. Which was difficult, because given that this is one of my favorite series at the moment (and possibly all time) I am always ready and willing to sing it’s praises as soon as I can. But that doesn’t matter, because here we are and I am fully, fully ready to jump into this next part of the story for Hades, Persephone, and all my favorite (and most loathed) Greek Gods and Goddesses and everything in between.

One of the things I really like about this series is that Smythe is doing a slow burn in terms of getting Hades and Persephone together, but is doing it in a way that feels, I suppose, ‘responsible’ on Hades’s part. There is something of a power imbalance between the two in this series (though obviously not in the same way as the original story, thank goodness), but instead of having Hades and Persephone throw that to the wayside, we do see Hades struggling with that dynamic and trying to hold boundaries. Partially because Persephone has requested that they do in spite of their attraction, and partially because as the story progresses he starts to realize that he doesn’t really KNOW Persephone outside of his perceptions of her as an ideal. But not to worry, there is still a lot of sexual tension, it just feels like it is a bit more on the same level between the two characters. We also see Hades genuinely worry about her even though he knows that she is hiding something on some level, and that first and foremost he wants her safe (especially after she feels a need to try and hide away after another awful encounter with Apollo; him trying to piece together where she could be and looking for her is a great arc for him at this point in time).

There is also finally some payoff for the hints that have been dropping about Persephone as the ‘Bringer of Death’ in this volume, and without spoiling anything, man does it pay off. Persephone has, up until this point, been portrayed as a bit naive and seemingly innocent to the ways of the world, though we have started to realize that she has been a bit stunted because of her mother Demeter’s overprotectiveness and that has very much contributed to this portrayal. Persephone isn’t this way because OBVIOUSLY that’s how Persephone as a goddess should be, but more because she has been isolated and hidden away and that has had an effect on her emotional growth, and when she was in the mortal realm she had started to realized as such. This conflict with her mother, this conflict within herself, and these constraints on her person all combine to create a very huge moment that would surely send ripples through the world of the Gods, and the reveal is both shocking, but also perhaps a little… unreliable, given who provides us with the context. That said, it REALLY gives us some insight not only into Persephone, but also Demeter, and ALSO how the Gods are, in fact, not infallible, even when they are generally kind and gentle, as Persephone is. I loved finally getting some answers about what Persephone (and other Gods and Goddesses) have been hiding, and it explains a lot of her actions up until now.

But what of the other characters? Oh, don’t you worry, there are PLENTY of awesome character moments and character developments in this one. I was especially keen on some of the things that Hera gets to do in this volume, but to be honest Hera is always killing it and I so love that Smythe has given her so many things to do and has given her so much depth. We get some more hints towards her own past traumas and the things she has given up to be Zeus’s queen, and how she could be SO MUCH MORE and how this has beaten her down. But we also get to see her wield these powers in other protective ways that make for very satisfying beats and scenes (God I love Hera in this). But the character who is really getting her layers peeled back in Minthe, who is still reeling over her ugly confrontation with Hades and how she can’t seem to stop sabotaging herself and her happiness. Smythe gives so much grace to Minthe , who definitely has self regulation and impulse control issues as well as a very poor self image. All these things lead to her lashing out over and over. But she does this without letting her off the hook for her nastiness towards others, particularly Hades and Thanatos, and I love how complex she gets to be. She still has a ways to go (get AWAY from Thetis, Minthe, she’s AWFUL!), but you can see glimmers of hope that she’s going to figure it out.

“Lore Olympus: Volume 5” continues a fantastic reimagining of my favorite Greek Myth. Now we just have to wait until May for the next Volume, and I know I already have it on pre-order.

Rating 9: We’re finally getting some insight into Persephone’s secret backstory, and Hera is getting some amazing moments of her own. Throw in some humanizing moments for Minthe and we have another fantastic entry into this Greek Mythology reimagining.

Reader’s Advisory:

“Lore Olympus: Volume 5” is included on the Goodreads list “October 2023 Most Anticipated Romance Releases”.

Previously Reviewed:

Serena’s Review: “Calamity”

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Book: “Calamity” by Constance Fay

Publishing Info: Bramble, November 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: She’s got a ramshackle spaceship, a misfit crew, and a big problem with its sexy newest member…

Temperance Reed, banished from the wealthy and dangerous Fifteen Families, just wants to keep her crew together after their feckless captain ran off with the intern. But she’s drowning in debt and revolutionary new engine technology is about to make her beloved ship obsolete.

Enter Arcadio Escajeda. Second child of the terrifying Escajeda Family, he’s the thorn in Temper’s side as they’re sent off on a scouting mission on the backwater desert planet of Herschel 2. They throw sparks every time they meet but Temper’s suspicions of his ulterior motives only serve to fuel the flames between them.

Despite volcanic eruptions, secret cultists, and deadly galactic fighters, the greatest threat on this mission may be to Temper’s heart.

Review: I was so excited when I heard that Tor was rolling out a new imprint, Bramble, a smaller offshoot that would focus on romantic SFF. And this book is exactly why! While there is a whole subgenre now called “romantasy” due to the popularity of romantic fantasy fiction, there seems to be some strange hold out on the science fiction front. Where are my love stories in space? I mean, I get that “romantascific” doesn’t roll off the tongue in quite the same way, but c’mon! But here we are, a good example of just what we’re all missing out on by forgetting that romance can also happen in space.

Honestly, it’s pretty impressive that this book works at all. It’s trying to do a lot of things all at once, many of which are hard to accomplish well even on their own. We have Temper’s story, that of a captain coming into her own as a leader, but we also have that paired against a romance, something that too often ends up hindering the strength of its female member. Beyond that, the story is introducing us to an entire universe with its own political structures that definitely do play into the plot of the book. And lastly, this is the first book in a series, so the story must do a lot of heavy lifting to properly lay out the various crew members of the ship who are likely to feature in their own stories going forward. It’s like black magic (except that’s the wrong genre, sooo) that it all works, but it does!

So, in that order, let’s start with Temper. I really loved this main character! Seriously, she was checking all of the right boxes for me. She was a strong woman, but we also see her make mistakes, and her journey is one of both learning to trust those around her, but also letting others help her when she is prone to going-it-alone. The development of the romance was paced perfectly, neither falling into any insta-love/lust traps or being too drawn out to feel complete. Just when I was beginning to become concerned that her distrust was going to be played up one too many times, the story would swerve into moments of vulnerability and honesty. I also loved the fact that the natural chemistry between the two was first seen in their instant ability to work together as a team under high pressure situations, rather than on the romance front which came later. There was also all of the required quippiness that we love to see in a romance, but this levity also didn’t cut away from the deeper, more heartfelt moments.

For all that this is a romance, there was also a solid plot to this book with all of the requisite world-building that comes with it. I was honestly surprised by just how into the actual plot of the book I became. There was one action-packed scene after another, plus a lot of comedy gold interspersed within as we saw the team tackle the challenges before them. Which leads me to the last aspect of the book that truly impressed me: the crew themselves.

This book was billed as a read-alike for “Firefly.” Now, that’s a big claim to make and, honestly, one that has been tossed around quite a lot for science fiction new releases, mostly without any basis in reality. But I have to say, this is probably the first time where I truly feel like that comparison is warranted! This truly had the same level of group dynamics and chemistry for which “Firefly” was best known. I understood who all of these characters were individually, but I loved them best when they were interacting with each other. The book was also successful in making me very interested in all of their individual romances that are sure to come. I have a pretty good guess as to who the next couple will be (just checked Goodreads, and I see that it’s been updated since I originally read this book and, indeed, the next book is about this couple!) and I can’t wait to check out their story!

Overall, this was a blast of a book to read! It’s definitely not “hard” science fiction, but I was also surprised to find just how much excellent plotting and world-building went into a book that was being released from a romance imprint. I feel like that sounds like a backhand insult to romance, but, let’s be honest, the love story is the primary bit of romance novels, with the plot coming in sometimes as an after thought. But here, the balance is perfect between love story and, well, actual story. Definitely check this one out if you enjoy science fiction adventures and space opera with an emphasis on romance!

Rating 8: If comparisons to “Firefly” are ever warranted, this is it! A romp of an adventure paired with a swoon-worthy romance, I can’t wait to see what this crew gets up to next time!

Reader’s Advisory:

“Calamity” isn’t on any Goodreads lists yet, but it should be on Get Your Firefly Space Opera Fix.

Serena’s Review: “Throne of the Fallen”

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Book: “Throne of the Fallen” by Kerri Maniscalco

Publishing Info: Little, Brown and Company, October 2023

Where Did I Get this Book: eARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Sinner. Villain. Ruthless.

These are wicked names the Prince of Envy welcomes. They remind him what he isn’t: a saint. And when a cryptic note arrives, signaling the beginning of a deadly game, he knows he’ll be called much worse before it ends. Riddles, hexed objects, anonymous players, nothing will stand in his way. With a powerful artifact and his own future at stake, Envy is determined to win, though none of his meticulous plans prepare him for her, the frustrating artist who ignites his sin—and passion—like no other…

Talented. Darling. Liar.

The trouble with scoundrels and blackguards is that they haven’t a modicum of honor, a fact Miss Camilla Antonius learns after one desperate mistake allows notorious rake—and satire sheet legend—Lord Phillip Vexley to blackmail her. And now it seems Vexley isn’t the only scoundrel interested in securing her unique talents as a painter. To avoid Vexley’s clutches and a ruinous scandal, Camilla is forced to enter a devil’s bargain with Waverly Green’s newest arrival, enigmatic Lord Ashford ‘Syn’ Synton, little expecting his game will awaken her true nature . . .

Together, Envy and Camilla must embark on a perilous journey through the Shifting Isles—from glittering demon courts to the sultry vampire realm, and encounters with exiled Fae—while trying to avoid the most dangerous trap of all: falling in love. 

Review: I’ll admit, I knew very little about this book when I picked it up. It was a book that the publisher approached me with, and, giving it a brief once over, sounded like something up my alley. I like fantasy. I like romance. I’m always on the hunt for a good combination of the two. Plus, there’s something oddly appealing about the rather old-fashioned romance book cover art on this one. Reminds me of some of the Nora Roberts stuff we were seeing in the 90s and early 2000s, in the best of ways!

It was only after I started reading that I connected several facts. One, I’ve actually read a book by this author, “Stalking Jack the Ripper,” which I very much enjoyed. And two, that this was an adult spin-off of a popular YA fantasy series, “Kingdom of the Wicked,” that was already published. Before getting into the nitty gritty, I will say that I do think this book works as a spin-off. There are clearly references to characters and plots from this first series, but I didn’t find myself overly confused or struggling to put together pieces from those books to fill out the one I was reading. So, if you haven’t read that series and are interested in this one, I do think it is approachable on that front.

And, while this book didn’t work for me, I do want to touch on a few positives first, as always. Firstly, this author has a very clear, fast-paced style of writing that I think appeals to a lot of readers. Indeed, it was this style of writing that made “Stalking Jack the Ripper” work for me as it did. Secondly, while I haven’t read the other series, I’m guessing that this spin-off will work well for all of the established fans. It’s easy enough to see the similarities and the simple changes (largely the inclusion of more graphic romance scenes) that might have been made to adjust the story for adult fantasy romance readers. So, if you like the original series, this will probably work for you. New readers, however…I think you can find better.

I struggled in a few ways, but the first and most prominent one was the way the pacing and romance of the book played out. I’m not overly prudish about my romance, but there are still a few necessary steps that make a romance work for me. Namely, you need to build up a relationship before you get to any pay-off. And this book…didn’t do that. We get a fairly graphic, if imaginary, scene in which the heroine is fantasizing about being with the hero within the first few chapters of the book, after briefly meeting him once and exchanging, at most a few sentences. To me, scenes like this fail to actually deliver what the appeal is meant to be in romance novels: I have zero investment in these characters together, and thus reading a prolonged, fantasized scene of the two them together after only just meeting them both…does nothing for me. It feels like its being graphic and sexual purely for graphic sexuality’s sake, as if the author was so desperate to make sure it was known that this was an adult fantasy romance that she hurried to squish this scene in, even if it’s completely unnecessary and unappealing in its own right.

This is a brief example, but it perfectly illustrates my ongoing struggles with the pacing of the relationship, and these two characters in general. I didn’t particularly like either of the lead characters, and I became increasingly frustrated with the passive nature of the heroine as the story continued. Envy (I won’t even get into the awkward reading nature of the names; I get that it’s the seven deadly sins, but Envy/Syn was so hard to take seriously every time I read t on the page) keeps telling us how feisty Camilla is, but then she seems very passive in any actual action. I was interested in her story when she was initially introduced, but it was hard to connect the type of woman who made a life for herself in the way that she must have with the type of character who was actually on the page.

From some brief sleuthing, I can tell that Envy must have been something of a fan favorite background character in the original series. And, yeah, I can see it. When given the correct moments, he definitely has some snark and spunk, especially of the variety that works great as a side character who pops up to dazzle in a scene. If anything, I liked him more when we saw him interacting with the other Princes of Hell. But when he was serving as the romantic lead, he didn’t connect with me, and I didn’t buy the chemistry between him and Camilla.

Overall, this one really didn’t work with me. Mostly, the pacing and the approach to the romantic elements started off on the wrong foot and the story never recovered from there. However, I’m guessing that this will be an unpopular opinion and that fans of the original series will gobble this one up!

Rating 6: A bit of a disappointment, mostly due to the rushed nature of the romance scenes and my inability to connect to either leading character.

Reader’s Advisory:

“Throne of the Fallen” can be found on these Goodreads lists: Epic High Fantasy/Romance/Mythology in 2023 and Lock and Key.

Serena’s Review: “Witch of Wild Things”

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Book: “Witch of Wild Things” by Raquel Vasquez Gilliland

Publishing Info: Berkley, September 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Legend goes that long ago a Flores woman offended the old gods, and their family was cursed as a result. Now, every woman born to the family has a touch of magic.

Sage Flores has been running from her family—and their “gifts”—ever since her younger sister Sky died. Eight years later, Sage reluctantly returns to her hometown. Like slipping into an old, comforting sweater, Sage takes back her job at Cranberry Rose Company and uses her ability to communicate with plants to discover unusual heritage specimens in the surrounding lands.

What should be a simple task is complicated by her partner in botany sleuthing: Tennessee Reyes. He broke her heart in high school, and she never fully recovered. Working together is reminding her of all their past tender, genuine moments—and new feelings for this mature sexy man are starting to take root in her heart.

With rare plants to find, a dead sister who keeps bringing her coffee, and another sister whose anger fills the sky with lightning, Sage doesn’t have time for romance. But being with Tenn is like standing in the middle of a field on the cusp of a summer thunderstorm—supercharged and inevitable.

Review: Cozy fantasy is a term that I both am a bit skeptical of (it seems like another way of differentiating “serious” SFF from “that woman stuff” which I don’t think benefits anyone) and a subgenre that I’ve struggled to enjoy. But I do like romances and I do like sister drama and I do like low-level family magic, so I thought this one was definitely worth a shot. However, in the end, I don’t think this is the best example of any of these themes.

But I’ll start with what I did like. For the most part, the main character was a good lead. I enjoyed her voice, and in particular, her relationships with a few of the women in her life were very interesting and explored a level of complexity that I hadn’t expected. For example, Sage has a close friend who has a struggling marriage, and I appreciated the care that went into the balancing act that is supporting a friend in this situation where, to an outsider, the problem and solution seems easy, but to the friend whose life is in the balance, things are much more complicated. I also really appreciated the exploration of Sage’s relationship with the woman who took over the care of Sage and her sisters when they were young. There were some very nice points about grief and the burdens we can place on those around us when caught up in devastating positions. But, even here, there were moments where the depiction of this relationship took a bit of jarring turn towards the simplistic, with Sage taking on a rather “perfect victim” persona that left me wanting.

And this speaks to many of my problems with the other relationships in this books. Many of the characters, including Sage herself at times, came across as simple and without any real depth of character. The romantic hero is the most bland example of handsome perfection that I’ve come across in a long time. Pick out some romance hero tropes, and he checks them all of neatly, right in a row. And then the relationship between Sage and her angry younger sister, Teal, verged on the ridiculous at times, with Teal coming across as an unbelievable caricature of irrational anger.

Beyond this, I struggled with the overall tone of the novel. At times, Sage definitely took on a more YA sounding voice, testing my ability to believe her to be a 29 year old woman who has actually lived in the world. This isn’t helped by the inclusion of some truly cringe-worthy AOL conversations from her teenage years. And, unfortunately, these blasts from the internet-past can’t be simply skipped as they are key to understanding the unfolding relationship between Tenn and Sage in the present day.

There were bits and pieces of the story that I liked, which did help me get through it. But I often found myself struggling to really invest in any of these characters or care about the romance at the heart of it. I do think there are readers who will enjoy this, but I think the biggest failure lies with its inability to depict adult characters who…well…behave and think like adults.

Rating 6: Not for me, though I do think the depictions of the beautiful location and some of the lyrical moments had merit.

Reader’s Advisory:

“Witch of Wild Things” can be found on these Goodreads lists: Mushrooms, Toadstools, Fungus and The Witches.

Kate’s Review: “Fence: Vol. 1”

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Book: “Fence: Vol. 1” by C.S. Pacat & Johanna the Mad (Ill.)

Publishing Info: BOOM! Box, July 2018

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Nicholas, the illegitimate son of a retired fencing champion, is a scrappy fencing wunderkind, and dreams of getting the chance and the training to actually compete. After getting accepted to the prodigious Kings Row private school, Nicholas is thrust into a cut-throat world, and finds himself facing not only his golden-boy half-brother, but the unbeatable, mysterious Seiji Katayama

Through clashes, rivalries, and romance between teammates, Nicholas and the boys of Kings Row will discover there’s much more to fencing than just foils and lunges. From acclaimed writer C.S. Pacat (The Captive Prince) and fan-favorite artist Johanna the Mad.

Review: This is quite possibly going to come as a bit of a shock to you, dear readers, but when I was a sophomore in high school, I was on our school fencing team. Yes, I went to the kind of school that had a fencing team, but if I’m being honest with myself I was really only on the fencing team because a few of my friends were on it, I wasn’t actually cut out for it (and once I was consistently cast in plays and could just do theater to negate the sports requirement, that problem was solved). And given that at the time I was in multiple therapies for mental health and learning disability/neurodivergence related reasons, I was barely ever actually fencing. The team still gave me the E for Effort Award at the end of season, probably out of pity. But I retained enough knowledge that when I finally picked up “Fence: Vol. 1” by C.S. Pacat I was thrown into a bit of a nostalgia spin. I had read the first “Captive Prince” book by Pacat, and it wasn’t really my cup of soup. But “Fence” sounded promising, so I requested it, and what do you know? It was super entertaining.

Since this is the first volume in the series, it’s laying a lot of the groundwork and foundation for the ultimate theme and plot of the story as a whole, and I felt like Pacat did a good job of setting the stage. We are mainly following Nicholas, a passionate and determined fencer whose motivation is based on the fact his absent father is former fencing champion Robert Coste, whose snubbing left Nicholas and his mother growing up with little money and lots of struggles. He is now at King’s Row School, on a scholarship, and has a huge chip on his shoulder as an outsider whom the others are underestimating. It doesn’t help that Seiji Katayama, another fencing prodigy who humiliated Nicholas at a previous tournament, is there… and his roommate. Pacat does the due diligence of creating this rivalry between the two of them, all while putting them in a forced proximity situation that just builds their rivalry and the tension… I mean, I kind of know where this is ultimately going to go, but it’s early and there is more to do before we start getting into tropes. I liked meeting Nicholas and seeing his background slowly revealed, and I completely bought the ambition and resentment he was giving with the clues and context put in place. As he starts the process of trying out for the fencing team with an épée blade (that was MY blade), with his dreams and scholarship on the line, we end with the stakes being very high indeed.

In terms of the other characters, we’ve gotten a bit of a taste of the other team members and wannabe team members. Seiji is the obvious supporting character, as Nicholas’s nemesis, and as of now he’s still a little bit mysterious to Nicholas and the reader as well. I liked seeing the various characters and their types, whether it’s the sweetheart Bobby, the no nonsense Harvard, or the playboy Aiden, we have a dynamic group that is going to almost certainly play off of each other and create drama, and I enjoyed most of them as they have been presented to us now. There are hints about other people coming into play later, mostly Nicholas’s ‘legitimate’ half brother Jesse, captain of the rival school’s fencing team, but as of now we are still dealing with the King’s Row team and the discord in place there. Try outs are just getting started when this book ends, and I really have no idea what is going to happen with the team, as not everyone can make it. I’m already attached to a few of these characters and I need to know what happens next.

And finally, I like the art style that Johanna the Mad brings to the series. It feels a bit like an homage to sports manga, with a mix of cartoonish images as well as more realistic ones.

(Source: BOOM! Box)

“Fence: Vol. 1” is a promising start to this sports series. I am VERY interested to see where things go for Nicholas, Seiji, and the fencers of King’s Row. Who’s going to get the pity driven E for Effort Award, what’s what I want to know!

Rating 8: A well laid foundation and an intriguing and original premise makes “Fence: Vol. 1” a solid start to a sporty and maybe romantic series.

Reader’s Advisory:

“Fence: Vol. 1” is included on the Goodreads lists “Fencing Fiction”, and “Graphic Novels: Featuring LGBTIQ+ Themes”.

Kate’s Review: “Lore Olympus: Volume Four”


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Read the full disclosure here.

Book: “Lore Olympus: Volume Four” by Rachel Smyth

Publishing Info: Random House Worlds, June 2023

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The rumor mill of Olympus is constantly churning, but Persephone and Hades are all anyone can talk about. With the constant gossip creating intense pressure on the pair, they decide to slow down their budding romance and focus on sorting out their own issues first. But that’s easier said than done.

Hades struggles to find support in his personal life, with Zeus trivializing his feelings and Minthe resorting to abusive patterns in their relationship. And while Hades tries to create healthier boundaries where he can–like finally putting a stop to his sporadic, revenge-fueled hookups with Hera–he still feels lonely and adrift.

Persephone feels equally ostracized as her classmates shun her for her connection to Hades, and she can find no refuge at home, with Apollo constantly dropping by unannounced and pushing his unwelcome advances. And on top of it all, the wrathful god of war, Ares, has returned to Olympus to dredge up his sordid history with the goddess of spring, threatening to surface Persephone’s dark and mysterious past and ruin her tenuous position in the land of the gods.

Despite agreeing to take it slow, Persephone and Hades find themselves inextricably drawn toward each other once more amid the chaos. The pull of fate cannot be denied.

This edition of Rachel Smythe’s original Eisner-nominated webcomic Lore Olympus features exclusive behind-the-scenes content and brings the Greek pantheon into the modern age in a sharply perceptive and romantic graphic novel.

Review: The problem when I binge read an ongoing series is that once I have consumed everything there is to consume, I then have to wait for the next batch of new content to drop. And I am not good at waiting. But eventually the wait ends, and in this case we now have “Lore Olympus: Volume 4”! This series is so wonderful and amazing and I am so glad that we are going forward in the series, because it’s still juicy, it’s still sexy, it’s still heartfelt, and it’s still hilarious. Rachel Smythe has a lot of characters and storylines to juggle and it feels like she just keeps adding more, but she is still absolutely killing it. KILLING IT I SAY!

We’ll start with Hades, as when we left him his heart had been once again stomped on by his on again, off again girlfriend Minthe, who had been manipulated by her frenemy Thetis to stand him up on a date that she had coordinated. So when we see Hades again, he is trying to understand what Minthe’s deal was, and we get to see the VERY toxic aspects of their relationship as the fallout comes down all around the both of them. Minthe is a very interesting character to me, as while she is just AWFUL to Hades in this moment, I really like that Smythe, once again, decides to explore how nuanced she is, while also calling her out on how wrong she is in this moment. Minthe is one of those characters who could easily just be a two dimensional bitch, but instead we get to see how much she struggles with herself and how much she regrets that way she behaves, and can’t seem to control her reactions and volatile nature. And it was the perfect way to segue into Hades own trauma and how that has plagued him for so long, and how it has shaped how he reacts to romantic relationships. Or really any relationships. It gives insight into both characters, and I loved that.

And Persephone is just having a horrible time of it right now too. She is still dealing with the fallout from when Apollo raped her, and now to make matters worse the classmates are no longer trusting her because of her close relationship with Hades (as Hades, being Hades, sought out revenge on the tabloid reporter who published the picture of the two of them that made Persephone’s life very difficult, who was friends with one of her peers). She’s ostracized at school, is still trying to stay out of a murky relationship with Hades, and Apollo just keeps. Dropping. By. But this is what makes Persephone’s story finally turn from the initial naïve young goddess who is sweet and demure. Because now Persephone is angry. VERY angry. And we are getting more and more hints as to what an angry Persephone may mean, with her fury at Apollo overflowing and hinting at previous rage.

And that brings tidings of great joy, because due to her abject rage being so visceral, Ares is here after taking notice. Which is so funny to me because I NEVER cared for Ares back in the day when I was obsessing over Greek Mythology, but in this he is HILARIOUS and such a dick but did I mention HILARIOUS? Smythe’s skills are so on point because she really does take all of these Greek Gods and Goddesses and keeps them true to their natures while also making all of them very entertaining and funny with very relatable moments. I hate Zeus for how he treats Hera and Hades, but I also LOVE it when he drops by Hades house insisting on brunch. Ares is a macho dunce who is aggressive to the extreme, but he also makes me laugh and he is a great ally to his mother Hera. In fact, the only character that is just plain despicable is Apollo, but given that that itself is a bit of a subversion from his original mythological profile, it’s great.

Okay I also really, really need to gush and talk about the Hades/Hera relationship in this Volume. It had been very much implied that there is SOMETHING going on between these two, and this one finally reveals that they, occasionally, hook up when they are feeling glum or unappreciated. I mean, that on it’s own is super hot in my book, as I love both Hades and Hera in this and there is absolutely potential there. But Smythe, being the very cruel sadist that she is, decides to take it one step further, and starts to create a backstory between the two of them that makes their sometimes romantic relationship all the more bittersweet. I won’t go into details because you just gotta see it start to unfold, but god DAMMIT do I think it’s going to be rough as we learn more. I love how Smythe adds so many complexities to these relationships and how she makes at least some of them, like Hades and Hera, feel somewhat healthy in the midst of so many unhealthy ones (see above. ARG, Minthe, you’re killing me girlfriend!).

I love this series so much. I know that the webtoon is long long long, which only means that we are going to have SO many volumes to consume, and I, for one, am THRILLED with how it is progressing. Next one is out in October! Be still my impatient heart.

Rating 9: This series continues to shine brightly and to make me laugh on one page while tearing my heart out on another.

Reader’s Advisory:

“Lore Olympus: Volume 4” is included on the Goodreads lists “2023 Greek Mythology Retelling Books”, and “The Ultimate Hades and Persephone Directory”.

Serena’s Review: “A Crown of Ivy and Glass”

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Book: “A Crown of Ivy and Glass” by Claire Legrand

Publishing Info: Sourcebooks Casablanca, May 2023

Where Did I Get this Book: ARC from the author!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Lady Gemma Ashbourne seemingly has it all. She’s young, gorgeous, and rich. Her family was Anointed by the gods, blessed with incredible abilities. But underneath her glittering façade, Gemma is deeply sad. Years ago, her sister Mara was taken to the Middlemist to guard against treacherous magic. Her mother abandoned the family. Her father and eldest sister, Farrin—embroiled in a deadly blood feud with the mysterious Bask family—often forget Gemma exists.

Worst of all, Gemma is the only Ashbourne to possess no magic. Instead, her body fights it like poison. Constantly ill, aching with loneliness, Gemma craves love and yearns to belong.

Then she meets the devastatingly handsome Talan d’Astier. His family destroyed themselves, seduced by a demon, and Talan, the only survivor, is determined to redeem their honor. Intrigued and enchanted, Gemma proposes a bargain: She’ll help Talan navigate high society if he helps her destroy the Basks. According to popular legend, a demon called The Man With the Three-Eyed Crown is behind the families’ blood feud—slay the demon, end the feud.

But attacks on the Middlemist are increasing. The plot against the Basks quickly spirals out of control. And something immense and terrifying is awakening in Gemma, drawing her inexorably toward Talan and an all-consuming passion that could destroy her—or show her the true strength of her power at last.

Review: First off, thanks so much to Sourcebooks Casablanca for sending me an ARC of this book! I was so excited when I received it in the mail, as it’s been sitting pretty high on my wishlist of books to read in 2023. I wasn’t Legrand’s most ardent fan with her YA trilogy (I found that it began to fall into a few too many YA fantasy tropes for my preference), but there was never any question regarding her overall skill as an author. Her writing always came across as supremely confident and competent. That made me all the more excited to check out her first foray into adult fantasy, especially adult fantasy romance! Let’s dive in!

Gemma has grown up with a very priveleged existence: rich, beautiful, and a member of one of the most powerful families in the land. But, at the same time, Gemma has always felt herself to be on the outside looking in. Not only does she not possess any of the magical talent that her family is known for, and that both of her older sisters excel at in their own ways, but magic actively hurts Gemma, causing her to move through life in a very magical world experiencing constant levels of pain. When Gemma meets Talan, a young man who also feels that he exists outside the strictures of society, she finally begins to see a way forward, teaming up with him to hunt a powerful demon who may be the answer to her struggles with magic. But along the way, she begins to suspect that there is much more going on with Talan and the larger world as a whole.

So, I’ll be honest, I’ve had this post started for a few weeks now and every time I pull it up to actually write my review, I become super intimidated and find excuses to do other things. Mostly this is because I’m still not quite sure how I feel about this book! I have some extremely opposing feelings about almost every part of it. But one thing I think I can confidently start with is one of the things I referred to in my introduction: this author knows how to write. I immediately felt drawn into this world and these characters. As the story progressed, the magic and world itself felt as if it was unrolling before me, presenting more and more insights into the world-building that was on a much more grandiose scale than I had originally thought. Regardless of anything else in this review, the appeal of Legrand’s prose is enough to keep me reading this trilogy going forward.

But where my opinions become more divided is with the characters and the pacing of this story. Let’s start with the pacing and plotting. This book was blurbed as “Bridgerton meets ACOTAR.” Maybe I should have know right from there that I would be conflicted about this book! I mean, I really enjoy Bridgerton and I absolutely loathe ACOTAR. And I can confirm that both of those references feel very on point and accurate to what you’ll get if you pick up this book. I’ll even go as far as to say that the ACOTAR aspects were by no means as frustrating to me as ACOTAR itself. Indeed, I very much liked these parts of the story! No, the problem came in a very unique way. The book almost literally feels as if it has been split down the middle by these two comparisons. The first half is Bridgerton, with fantastical balls, social hierarchies, fancy gowns, and romance. And then, boom! The second half hits and we’re full on ACOTAR with magical barriers and fantasy creatures and magical systems. And, again, I enjoyed this half too! The problem is that, overall, it left the book feeling very disjointed and created a jarring reading experience. I was all down for the regency fantasy, and then it was like a bait and switch to suddenly be dropped down into a much more “traditional” fantasy setting. And due to the fact that much of the plot really takes place in the second half, I was left feeling as if the book could have been edited down quite a bit from the Bridgerton stuff of the beginning, as much as I liked it on its own.

Now, to the characters. First, I think that Legrand did an excellent job of portraying the experiences and life of someone who lives with chronic pain. Gemma is very straight-forward with her struggles while also never becoming self-pitying. She is frustrated with her limitations, while also not belittling herself. I also really like the way this aspect of her character plays out over the entire arc of the book. Unfortunately, that was about all I liked about Gemma. I get that the author was very intentionally writing this character as rather frivolous and selfish; indeed, Gemma herself comments on these aspects of her personality. And I think the book used these traits to also do a great job of diving into self-loathing and self-harm. But over the course of the book, while Gemma does experience growth, I still struggled to really like her or feel invested in her story.

But, here comes the other side of the character issue: I REALLY liked both of her sisters. Honestly, fairly quickly into the book I realized that I was mostly reading on for the glimpses we get of these two and trying to piece together the stories we’ll get from them. I was even more invested into the glimpses of what I can only guess will be the central romance for one of the sisters than I was in Gemma’s own romance. There, too, I struggled with Gemma’s story. Talan felt very one-note when he was first introduced. And then as he went on, he had a few scenes that made him incredibly unlikable. The story does go on to make this a fairly central part of the plot, but it’s hard to recover from on the romance front when the author sets the reader on a path of questioning and disliking the romantic hero from the very start.

So, overall, this was a very mixed bag for me. I think, in the end, I didn’t end up loving this book. But, BUT!, on the other hand, I’m supremely invested in the next book in this series and can’t wait to get my hands on it! Given the nature of my complaints with this book, they all feel of the very specific sort that won’t be a problem in the books going forward. Both sisters seem like much more interesting characters than Gemma. The romantic interest/plot for one of them is already laid out and is incredibly appealing. And I think the world-building is now established enough that we won’t have the same plotting/pacing issue going forward where the tone is unclear between Bridgerton or ACOTAR. So, all of this to say, while I did struggle with this book, I do recommend it for fantasy romance readers based on my faith that the trilogy will turn out to be well worth it as a whole.

Rating 7: A very mixed bag for this book specifically, but I was definitely sold on the concept and anxiously await the next entry in the trilogy!

Reader’s Advisory:

“A Crown of Ivy and Glass” can be found on these Goodreads lists: Novels with “Crown” in the Title and Epic High Fantasy/Romance/Mythology in 2023.