Serena’s Review: “Want Me, Take Me, Haunt Me, Make Me” by Isabel Crowley

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Book: “Want Me, Take Me, Haunt Me, Make Me” by Isabel Crowley

Publishing Info: Sourcebooks Casablanca, August 2026

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Hazel Lewis has a serious problem. The guy who hired her to conduct a seance before he died turned out to be a serial killer with a demonic contract, and the seance itself was a trap. Hazel escaped with her life, but not as she knew it: the bite of a demon is spreading through her body, letting the supernatural bleed into the world around her, and the now-dead serial killer is waiting to take over her body if she dies. 

Hoping to contain the damage, Hazel moves to a small house in a remote location. She figures she’ll stay on her own until she gets a handle on her new dark reality, but she soon finds out that she’s not alone. There’s the reporter demanding answers, the friendly neighbor with chemistry she doesn’t need and problems he can’t talk about…and the mysterious face she sees beyond her window, watching her every night with glowing red eyes.

Making her hunger.

Hazel knew a little bit about the world beyond the physical. Now she’s learning how much she doesn’t know, including who she can trust…and who she can become if she trusts herself enough to give in to the shadows stalking her dreams.

Review: This book started off on a high note, but unfortunately dropped off a bit as I continued reading. From the start, however, I appreciated the simple fact that this book was written in third-person perspective. This is definitely a preference thing, for sure, but more and more books that I pick up like this are written in first person and are often worse for it. I honestly think first-person perspective is harder to write, and I wish it wasn’t the default for romantasy authors nowadays, as I think a huge percentage of these books would be improved with the one neat trick that is third person! Here, the writing immediately felt more elevated simply for being written in this style.

Further, the book starts off with a strong first quarter to third of the story that is highly focused on action and horror. Hazel, as a medium, was an interesting character from the start, and the plot throws a lot at the reader right away. I was fully on board during this section and had high hopes for the rest of the book. Some of the horror elements were surprising in how far they went, and this is one of those cases where I appreciated the commitment to the darkness.

But then the romance started, and it all went wrong so quickly. Mostly because the romance itself happened so quickly. There were strong instalove/instalust vibes almost immediately, with almost no buildup of tension, emotional attachment, or much of anything. The spicy scenes themselves weren’t bad, but I do feel like once the spice started up, the balance between horror, romance, and action fell out of sync. It was at this point that the reading experience started to feel like a struggle.

What’s more, while I liked Hazel initially, as the story went on and more characters were introduced, I found it hard to maintain much interest in any of them or their personal stories. While the writing was strong enough, there was a distinct lack of “voice” to the entire affair, which left me feeling removed from much of the action as the story continued.

Overall, this was just an ok book. I do think that the writing was fairly good for the most part, and I appreciated that the author committed to some of the darker moments of the horror, especially in the beginning. I’d definitely be interested in reading another book from this author, as this could be a case where she grows into a greater talent. But the instalove and tepid characterization did make this one a struggle, especially in the back half. However, if you’re looking for another paranormal romance and you don’t mind instalove, this might be for you!

Rating 7: I appreciate the commitment to the horror elements, but the instalove really took me out of it in the end.

Reader’s Advisory:

“Want Me, Take Me, Haunt Me, Make Me” can be found on this Goodreads list: Upcoming Horror (2026, 2027, 2028).

Kate’s Review: “The Unknown”

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Book: “The Unknown” by Riley Sager

Publishing Info: Dutton, August 2026

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: In 1926, five women disappeared from a remote island in Vermont. Now, one hundred years later, it’s happening again.

Struggling actress Marin Keane is shocked when she lands a role in a major motion picture about the unsolved mystery of New Avalon, an island on sprawling Lake Faraday in Vermont. She’s even more surprised when she learns that the role requires a weeklong research trip to that very spot.

Because New Avalon isn’t your ordinary island. A century ago, it was a commune for spiritual mediums—until they all vanished in 1926. The only trace of them was five dresses hanging from the branches of an old oak tree in the middle of the island, one for each missing woman. Some locals say they simply left. Others think they were murdered. But the prevailing opinion, thanks to a diary left behind by one of the vanished, a young woman named Daisy Rue, is that a séance gone wrong conjured something supernatural that took them all one by one.

Not long after arriving, Marin and her castmates, including legendary actress Violet Wright and white-hot director Ronan Peters, begin to realize all is not right with New Avalon. They hear strange noises in the night and notice mysterious symbols left behind by the island’s previous occupants. And after a sudden health emergency leaves Marin, Ronan, and the other actors stranded on the island, the disappearances begin again.

Is it the work of someone trying to derail the movie? Or is the island’s alleged supernatural past catching up with the present? As fear and suspicion mount, Marin turns to Daisy’s diary, hoping it holds the key to figuring out what really happened to the women of New Avalon—and how to keep the island’s terrible history from repeating itself.

Review: Thank you to NetGalley for sending me an eARC of this novel!

Perhaps some people remember that last year I read and reviewed Riley Sager’s previous novel “With a Vengeance” and didn’t really care for it. I have generally been super down with Sager’s books but that one didn’t really work for me. I was excited to see that his next novel, “The Unknown”, was stepping away from locked room whodunnits and coming back to a spooky horror/thriller story. I’m already really excited for a story with people mysteriously disappearing on a strange island, but if you add in spiritualism and potential witchcraft it just sweetens the deal. And I’m happy to report that we’ve returned to form with “The Unknown” because I found it to be super fun!

Sager knows how to craft a fast paced thriller that keeps me engaged, and “The Unknown” kept me invested pretty much from the start. We jump between two timelines: the first is that in the present day, where aspiring actress Marin has been cast as the lead in a highly anticipated historical horror film, which is based on a true story of multiple women mysteriously disappearing on the island New Avalon in the 1920s, inspired by the diary of one of the women who wrote of potential ghosts, demons, and witchy activity. Marin and the rest of the cast have been brought to the island to experience it in a method way, and things start happening to THEM in a similar way as the diary. The second timeline is the diary of Daisy, who ended up on New Avalon and wrote the entries the movie takes inspiration from. It’s a great hook, and Sager creates a mystery with themes of grief, spiritualism during the 1920s, and misogyny across centuries. Marin was sometimes a grating narrator, but she is the perfect protagonist who has so much to lose if the movie doesn’t work out, but also becomes more and more frightened as the movie crew slowly disappears in the same way the other women did. I liked the way Sager showed the circumstances, revealed the twists, and turned up the tension with what could be ghostly encounters and witch activity.. Or maybe something more Earthly.

And the atmosphere is top notch. An isolated island with a strange and witchy history is always a fun locale to explore, and Sager really figures out how to bring the Gothic vibes to the tale of isolation and questions of supernatural hijinks vs insanity in this book. I really enjoyed some of the beats and imagery, with a few points making me genuinely creeped out, and the claustrophobic island with woods, a potential murderer, and potential ghosts was eerie. I also liked that we got the history of New Avalon through the diary entries that could line up with what Marin and the rest of the cast was experiencing so we could expand the lore of the island and get it in context. While it’s true that I could parse out some of the surprises, overall I liked how things ultimately unfolded and the setting made it that much more addictive.

I’m quite pleased that “The Unknown” was an enjoyable read! Sager may have stumbled last time around in my eyes, but clearly that was a temporary stumble!

Rating 8: A tense psychological horror/thriller novel that brings us back to the Riley Sager basics! A great summer read as we start to wind down the season.

Reader’s Advisory:

“The Unknown” is included in the Goodreads article “A Month-by-Month Guide to Summer’s Biggest Mysteries and Thrillers”.

Kate’s Review: “The Whisper”

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Book: “The Whisper” by Chelsea Iverson

Publishing Info: Sourcebooks Landmark, July 2026

Where Did I Get This Book: I received an eARC from the publisher via NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Perfect for fans of Alice Hoffman and Riley Sager’s Middle of the Night, comes a sweeping, atmospheric thriller following a group of friends and the power given to them by the trees

Rule 1: When the trees whisper, listen. 

Rule 2: Don’t go into the woods alone. 

In the small mountain town of Whisper Ridge, the girls were inseparable. Joey, Quinn, Sophie, and Elena. Together, they channeled magic in the woods, living by six simple rules. The first when the trees whisper, listen

But all rules are forgotten, all bonds broken, when Quinn is found dead in the trees

In the aftermath, the friends scattered. All except Joey, who still can’t move on. Until now, over a decade later, she again hears the trees whisper

Those woods remember some of Quinn’s last words, and for the first time, Joey realizes she may learn the truth of what happened to her best friend. And so, the friends return to Whisper Ridge, to the woods that once held their magic and their secrets. But unearthing the truth about Quinn puts them all in danger, and in order to survive they’ll need to channel their power for the first time in fifteen years to finally put the past to rest.

Review: Thank you to Sourcebooks Landmark for sending me an eARC of this book via NetGalley!

I know that it’s the end of July and Summer isn’t really winding down yet (hell, it’s still so damn hot here in Minnesota it’s hard to deny that we are definitely still in my least favorite season). But I am one of those people that once we get part way through July, I start to think about Autumn. And inevitably when I think about my favorite season, I think about spooky books that I can recommend to people for the weeks leading up to Halloween. And I have my first one ready to go with “The Whisper” by Chelsea Iversen, a thriller/horror witch tale about three former witches reuniting after one of them thinks that they have new information about their friend who was killed when they were all still in high school and coming into their magic. If that doesn’t scream ‘autumnal reading’, I don’t know what does!

It’s never too early to prepare for the Season of the Witch, spell and reading alike. (source)

We follow the perspectives of four women. In the present day we have Joey, Sophie, and Elena, whose friendship fractured and went their separate ways after high school, and after their friend Quinn was found murdered in the woods. All of the were young witches who were bearers of forest magic, trained by older witches to learn to care for the magic, but after Quinn’s murder Sophie and Elena left, while Joey stayed unable to let go. But Joey thinks that she hears in the tree whispers some new information about Quinn’s death, and she brings the other two home so they can all try and solve what happened once and for all. And in the past is our fourth perspective, which is that of Quinn in the days leading up to her death as we see secrets, tensions, and friendships shifting and Quinn is both trying to use the magic for bolder things, but isolating herself in a dangerous way. All four of the perspectives add something to the story and give us insights not only into the mystery of what happened to Quinn and what led up to it, but also into the minds of traumatized and grieving women who never got the closure that was needed and have tried to carry on with their lives, but are still haunted. I liked the suspense and tension as it was building throughout the chapters, not only as to the murder mystery but also the tension between the women who were once close but are now fractured, and I also liked the exploration of complicated friendships trying to reconnect after so much has happened.

The magical system in this book is also pretty well done and creative to boot. We have a magic that is passed down to women in the community, with previous generations training and supporting the younger ones, and I liked the idea of the magic being tied to nature, to women, and to a strong community. We see the dangers of trying to force the magic to work outside its intents, as well as the way that bad actors can try to weaponize it and take it for themselves. With the trees being able to whisper things to the witches and the magic being nature based in a lot of ways it just felt very ethereal and grounded in a clear intention of story, and I thought that was very cool. It also has some pretty solid horror beats as we follow Quinn’s journey and start to slowly see what actually happened to her, and while I kind of figured out what had happened, I still found it to be a well done mystery that kept me interested.

“The Whisper” is an entertaining witch tale with well done horror beats, and I think that anyone who wants to get a head start on planning their autumn reading would do well to put it on their lists for the spooky season.

Rating 8: A suspenseful and witchy thriller about friendship, secrets, and grief, “The Whisper” is an entertaining read and will be perfect reading for the upcoming Autumn season.

Reader’s Advisory:

“The Whisper” is included on the Goodreads list “All the New Horror Books Arriving in July 2026”.

Kate’s Review: “Fabulous Bodies”

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Book: “Fabulous Bodies” by Chuck Tingle

Publishing Info: Tor Nightfire, July 2026

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: From Chuck Tingle, USA Today bestselling author of Bury Your Gays, comes Fabulous Bodies, a supernatural joyride where Drive meets Beetlejuice.

Fashion influencer by day and grave-robber by night, Poppy Stringer is on call when Eddie Michaels—a flamboyant, piano-slamming rockstar and queer icon—unexpectedly dies. All Poppy has to do is retrieve Eddie’s body from the medical examiner’s office, but what starts as a routine delivery quickly goes off course when Eddie wakes up.

Poppy must fight for her life in a blood-soaked night of carnage and fabulous entertainment all across Palm Springs.

Review: Thank you to NetGalley for sending me an eARC of this novel!

It’s that time again folks! It’s time for another Chuck Tingle horror novel! I have found myself looking forward to these each year they have come out, and I will fully and happily eat crow because I know that when I heard that Tingle, previously known for his “Tingler” romances, was going to write horror I was skeptical. But he definitely made me eat my hat with “Camp Damascus” and “Bury Your Gays”, and now we have “Fabulous Bodies”! And once again we have a winner!

This was such a fun and fast paced read, I basically devoured it in one sitting and time flew by. Tingle always has such a creative bent to is ideas, as this one could have been one thing but it went in a wholly different direction than I expected but it completely fit within the concept even if it wasn’t what I anticipated. We have Poppy and Eddie racing around Palm Springs and wreaking havoc with lots of blood and gore and mayhem, all done in unique ways. I found myself cringing and wincing while also really enjoying the outlandishness of it all, and while I don’t really want to give anything away here I will say that the paths this book takes are pitch perfect executions of the genres that they are functioning within.

And it’s probably no surprise that our two main characters, protagonist Poppy and antagonist Eddie, have great chemistry and banter as they go on their spree around Palm Springs. I enjoyed the character arc that Poppy took, from ambitious and self absorbed would be influencer to hostage to a possibly undead rock star that was her idol who wants her to take him around while he kills people, without any clue as to what his motivations is. She started out as prickly and unenjoyable because of how single minded she is about fame and influencer culture (though we have perfectly understandable motivations, I must add), but as the night goes on and gets more chaotic she discovers some uncomfortablte truths about herself in a lot of ways and has to re-evaluate. It’s really a critique on fame at any cost, and while that’s a pretty well worn trope and has been for awhile I still found Tingle’s take on it enjoyable. And I really enjoyed the nasty and kind of hilarious psycho that Eddie is. He had me laughing out loud multiple times, but was also deeply sinister.

“Fabulous Bodies” is another great horror tale from Chuck Tingle! I am so pleased he keeps doing the horror stories and love the perspective he brings.

Rating 9: Fun, frenetic, gory, and creative, “Fabulous Bodies” is another winner from Chuck Tingle!

Reader’s Advisory:

“Fabulous Bodies” is included on the Goodreads lists “Best Summer Horror Books”, and “July 2026 Queer Releases”.

Kate’s Review: “Slasher Summer”

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Book: “Slasher Summer” by E.L. Chen

Publishing Info: Crown, June 2026

Where Did I Get This Book: I received an ARC from the publisher at PLA 2026

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: In this campy love letter to the slasher films of the 1980s, seven friends reunite for a weekend of fun—only to be hunted down by a cold-blooded killer. But the real horror is not being able to escape who you were in high school

The sleepy town of Cedar Lake Falls is best known as the shooting location of the campy ’80s horror flick Slasher. In high school, preppy Patrick, jock Jason, cheerleader Tiffany, stoner Freddy, goth Jennifer, and nerdy Michael had played the cast of Slasher during midnight showings, with virginal Carrie as the Final Girl, of course.

Years later, the friends reunite at the remote cabin where Slasher was filmed. They’ve changed since high school—Patrick came out, Mikey bulked up, and, well, Freddy’s still stoned—and they’re looking forward to a weekend to catch up. But when night falls, and the eponymous masked killer is spotted, the reunion takes a deadly turn. The friends discover their tires deflated and the phone line disconnected, and soon they’re being stalked by a mysterious assailant. Is someone trying to make their Slasher experience as authentic as possible?

One thing is for sure. Before the night is over, they each will have to take on the role they thought they’d left behind.

Review: Thank you to Crown for handing out ARCs at PLA 2026!

It is NO secret that I absolutely adore horror movies. You almost always find some kind of horror or horror adjacent nonsense on my “Not Just Books” highlights every month, and I’m still very much a part of my Terror Tuesday movie club (though admittedly it’s more like once every two months now as opposed to every week now that the pandemic has wound down). I especially love slasher movies for their over the topness, and it’s a genre that you don’t really get as much in the book world, possibly because so much of it relies upon visual gore and nonsense. But that said I’m always on the lookout for slashery stories, so of COURSE E.L. Chen’s “Slasher Summer” was a must read for me. And it was such a fun ride! My slasher loving heart was singing! And it’s the perfect time of year for it!

Nothing says summer like weirdos warning young adults about their impending deaths in the woods! (source)

This is such a fun love letter to slasher films. Chen knows the history of the genre, the important themes that the genre needs, and the character archetypes necessary for the genre. There are also Easter eggs dropped all over the place and references to other horror or horror adjacent movies, be it due to the characters being fans of horror movies, or just little nods in the narrative (for example, all of the characters having names derived from horror film villains). It all feels very meta and very tongue in cheek in some ways, but then when it wants to go hard on the slasher gore, it goes HARD. Yes there is a lot of humor as the story goes, but when the kills happen, they don’t hold back and they escalate in the way that you would expect from a slasher film. It’s not for the squeamish. And it definitely reads like a slasher movie plot, with each character fitting a role and each plot twist feeling right out of a movie. I could easily see this in my mind’s eye on a movie screen with my Terror Tuesday friends and I just vibing along with it.

BUT, it also has some really great deconstructions of the genre as well, playing with tropes that have become expected and turning the on their heads. Admittedly I can’t really go into too much detail without dropping some significant spoilers (which I don’t want to do), but I will try and talk about some that don’t feel particularly spoiler-y for me but make the point. The first is that one of our main protagonists who is incredibly much the ‘capable male hero’ is Patrick, who also happens to be a Black man who is a bit of a nerd and is obsessed with horror movies. In horror films, especially ones of the 80s and 90s, the trope of ‘the Black man always dies first’ was an unfortunate theme for a very long time. By making Patrick basically the expert on the genre who knows what to do and how to maneuver was a great subversion. Along with that, we have the queerness of both Patrick, who is an out gay man, and Jason, the stereotypical jock with the glossy blonde girlfriend, who is a closeted bisexual and who has a huge crush on Patrick (and thinks the feelings are not returned; BUT THEY ARE!). It’s no secret that ‘bury your gays’ has been another sad device in horror and thriller stories (and other stories too), as well as gay or queer people being villainous or mocking stereotypes. But in this they are just two guys pining for each other and it’s incredibly sweet and MAN was I rooting for them. It’s the things like this that really made this book pop. It’s a book that clearly loves the genre, but is also more than happy to critique it and improve upon it.

“Slasher Summer” is the PERFECT summer horror book, especially if you are a horror fan. I had a blast reading it.

Rating 8: A fun love letter to the slasher genre that not only perfectly pays tribute to slashers of the 80s, but also deconstructs old chestnuts in interesting ways!

Reader’s Advisory:

“Slasher Summer” is included on the Goodreads list “June 2026 Queer Releases”.

Kate’s Review: “Headlights”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Headlights” by C.J. Leede

Publishing Info: Tor Nightfire, June 2026

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Every instinct tells him to run. Every memory tells him he can’t.

Special Agent Daniel Stansfield is ready for a change. Burnt out and defeated by the job, it’s his last day with the FBI. But before he can turn in his badge, he’s summoned back to Denver, the city he ran from four years ago, with a chilling message: it’s happening again.

Seemingly innocent people are waking up on the side of the highway, with no memory of how they got there, wearing the skin of victims they’ve allegedly never met. And they each share one haunting detail: a strand of a stranger’s hair is tied around their tongue.

Now Daniel is pulled back into the gruesome cycle, and every clue leads him deeper into the shadows of his own past. He will have to confront the ghosts of his traumatic childhood and face what’s been hunting him all along— before he and the people he loves become the next victims.

Perfect for fans of The Shining and Longlegs, bestselling author CJ Leede’s Headlights is a pulse-pounding hunt across the frozen wilderness of Colorado.

Review: Thank you to NetGalley for sending me an eARC of this novel!

I so greatly enjoyed C.J. Leede’s previous horror novel “American Rapture” that it was basically a no brainer to pick up whatever she came up with next, and that is how “Headlights” ended up on my radar. I was so thoroughly blown away by what Leede did with a plague/end of world tale that I had high hopes for what could and would be done with a serial killer horror tale that no doubt had some kind of supernatural twist. I went in expecting one thing but ended up with something a little bit different. And that wasn’t a bad thing.

The horror elements of this book harken to some classic horror fare like “The Shining” while also pulling in some hard boiled detective vibes a la “True Detective”. Our protagonist Daniel is an exhausted and burnt out FBI agent who has been haunted by a gruesome set of killings where seemingly random people murder and skin someone, then wear their victim’s skin and wake up with no memory of the act as well as with hair wrapped around their tongue. It’s haunting because there has always been a weird connection Daniel has, but he’s never been able to solve it. Once it starts happening again just as he’s about to re-enlist in the military, it all spirals out of control and Daniel is having visions, being drawn to one of the women left behind, and watching his life fall apart as he tries to solve it. It’s a story that has a bit of a slow start, but once gears shift for Daniel and he finds himself on the run across Colorado and looking for answers it keeps the interest and pace up. The horror parts are gory and nasty and Leede doesn’t feel a need to hold back, and the mythos at the heart of it felt pretty creative and original (I’m being vague for a reason, I want to keep any spoilers to a minimum).

This is also another pretty solid entry into trauma and grief as horror, with Daniel being a character who is easy to root for in part because of all of the loss he has dealt with his entire life. Whether it’s his mother’s death at the hands of his father, or the loss of his loving and doting foster parents, or the way that his marriage to wife Josie has fallen apart, Daniel’s losses are great and he keeps being run through a ringer. It’s also an interesting examination of not just Daniel but also Hannah, the woman he is drawn to even though she may be a piece in the serial killing puzzle, and their connection and grief and traumatic pasts make for an interesting dichotomy as the story goes on.

And what I found most charming and just had to comment on here is what a lovely love letter this book is to Colorado. I’m someone who has very vague ties to Colorado, as the connection is my husband who spent some time there as a teenager and found it incredibly formative. I’ve traveled to Colorado with him and seen the joy that the state brings him, and have found similar joy being in Leadville, and Estes Park, and Denver. There truly is something magical about the state, and the way that Leede highlights so many aspects of it, whether a trip to the Stanley Hotel or descriptions of the winter settings or Blucifer the horse or the lore referencing “The Shining”. It feels like Colorado is a character in and of itself and has a grounding part to play. As someone with fond memories walking around the Stanley grounds and looking out our window to see mountains, or smoking weed around a bonfire in Leadville and talking about a mish mash of topics, these moments really spoke to me.

“Headlights” is a creative and disturbing horror tale that kept me guessing. If you are a horror fan and find yourself on the way to Colorado soon, it could be a fun read to accompany the trip.

Rating 7: The pacing was a little slow at times, but not only is it a unique serial killer horror mystery, it’s also a love letter to Colorado that made me smile throughout the story.

Reader’s Advisory:

“Headlights” is included on the Goodreads list “Horror to Look Forward to in 2026”.

Kate’s Review: “It Came from Neverland”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “It Came from Neverland” by Cynthia Pelayo

Publishing Info: Crooked Lane Books, June 2026

Where Did I Get This Book: I received an ARC from the publicist

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Peter Pan meets Stephen King’s It in this twisted horror retelling of a classic childhood fairytale set during WWI.

1914, Wendy Darling works by day as a school teacher and by night, she assists soldiers who have returned home from the Western Front. There is one mysterious patient who despite all the care they’ve given him, is in a deep sleep, unable to wake up. One night, when he murmurs the words “Peter Pan,” Wendy is thrown back to a darker time, one that she wishes she could forget.

When one of her students goes missing, it brings back memories of when children went missing and were later found murdered in London many years ago. Wendy believes that Peter Pan, the entity that she believed killed those children, is back. She and her brothers had a close encounter with Peter Pan, after all. But her brothers only remember Peter Pan and Neverland as a fantasy of childhood games.

When another child goes missing and signs start to point to Wendy, Scotland Yard digs into old reports, finding that Wendy knew the names of all the children who had been killed. As Wendy tries to prove her innocence, she also has to find a way to stop Peter Pan once and for all.

Review: Thank you to Kaye Publicity for sending me an ARC of this novel!

I’ve never been SUPER connected to the “Peter Pan” story. I definitely had the Disney version on VHS as a child, as well as the Mary Martin version (which I actually preferred), and I definitely liked “Hook” (and own it to this day). But the story itself isn’t really precious to me. But I AM someone who loves a dark retelling of a classic story, especially if there is a horror twist, and I have LOVED basically everything I’ve read by Cynthia Pelayo. So “It Came from Neverland”, her newest horror novel, made perfect sense as a highly anticipated novel this year for me. Especially since this one promised to center Wendy. Even if it sounded like Wendy was going to be put through hell.

Even if the story never really resonated, I always loved Wendy. (source)

One of the things that I love most about Cynthia Pelayo’s horror stories is that while they are always genuinely creepy, there is also almost always a dreamlike quality to them, and that translates very well to her take on Peter Pan and Neverland. Taking place in WW1 London, Wendy Darling is all grown up, living as a school teacher while also spending time volunteering at a hospital to read to wounded soldiers. As a child she and her brothers were taken to a strange place called Neverland by a strange boy named Peter who couldn’t grow up and promised a fun life with other children, but was in actuality manipulating all of them and killing them to keep his power. Wendy and her brothers escaped, but she has been living with the trauma years later even as the world has learned the story as a fantasy tale of joy and imagination. Pelayo does a fantastic job of incorporating the original story that is filled with magic and whimsy and twisting it into something more sinister, while also taking inspiration from faerie stories and mythology. There has certainly been a more recent take on Peter Pan tales that paint him as less mischievous and more monstrous, but Pelayo’s feels unique in that it’s a bit more sinister fairy and Pennywise-esque. Because of this reimagining it completely reframes the entirety of Neverland, but Pelayo is really skilled at reframing it while still making it feel like it COULD be a place that J.M. Barrie could water down to make more family friendly. Peter in this is terrifying and creepy, but still feels like it could be connected to Barrie’s creation just through how Pelayo brings in references and tweaks them just a little. We still have lost boys, who are kidnapped children that Wendy wants to protect while Peter harms them to manipulate her. We still have the idea of Peter’s shadow, making it more of thing that can be used to connect to others to create a bond that makes an abuser hold onto a victim. But my favorite was the reimagining of Captain Hook, as instead of a foppish pirate who is constantly undermined by the mischievous Peter, we have a man who has had so much taken from him because of this nasty entity that harms everything it comes in contact with.

But my favorite element, which is unsurpising, is Wendy herself, as Pelayo has perfectly expanded upon her to explore her as a trauma survivor who was so connected to Peter, only to realize he only meant harm to her and everyone else. I really enjoyed the flashbacks to see how it affected her mental state, and how that in turn affected her relationships with Michael and John, who also experienced it but were more able to convince themselves it never happened. Wendy is still the caring girl who wants to care for and help others, and by making it a strength instead of the obligation we kind of get in the source material (Wendy is really only there because as a girl she HAS to be a mother figure) it shows how much more powerful she is, even if she is still quite damaged. I also loved that she is not only helping literal children as she teaches them, but that she is also helping wounded soldiers back from the Western Front, as so many soldiers were teenagers and children in their own right (the WWI setting was such a great idea in and of itself and it really resonated with this part of the plot). I also appreciated that so much of the horror of Peter and his monstrous ways were entangled with Wendy’s trauma, as he was SO scary and seeing her gather the strength and courage to stop him once and for all made for a very satisfying horror plot.

“It Came from Neverland” was everything I was hoping it would be! Pelayo is so talented as creating dreamy and spooky horror stories, and I recommend it to both those who love “Peter Pan” and those who just love a horror tale littered with well crafted symbolism and metaphors.

Rating 9: A haunting and eerie re-imagining of “Peter Pan”, which focuses on trauma, grief, loss, and overcoming a childhood stolen and an alternate truth to a beloved classic.

Reader’s Advisory:

“It Came from Neverland” is included on the Goodreads lists “Peter Pan Re-Tellings”, and “Horror to Look Forward To in 2026”.

Kate’s Review: “Bone of My Bone”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Bone of My Bone” by Johanna van Veen

Publishing Info: Poisoned Pen Press, May 2026

Where Did I Get This Book: I received an ARC from the publisher at PLA 2026

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The year is 1635.

Sister Ursula, a young nun fleeing the ruins of her convent, and Elsebeth, a sharp-witted peasant, escape a band of marauding soldiers and disappear into the Bavarian forest. War scorches the land, and no one survives it alone. Amid the devastation, they find something in the arms of a dying the gilded skull of a saint.

It is said that if you reunite the saint’s skull with her body, a wish will be granted. Desperate for salvation, and each with secret desires of their own, Ursula and Elsebeth follow a ragged map across the blighted countryside. But darkness follows them. A necromancer, drawn to the relic’s power. The saint herself, whispering at night. And as the lines between blessing and curse blur, the women must face a harrowing the magic they seek comes at a cost.

At the journey’s end, they’ll face an impossible choice—one that could tear apart everything they know… or bind them to each other forever.

Review: Thank you to Poisoned Pen Press for providing me with an ARC of this novel at PLA 2026!

Serena and I had the pleasure to go to the Public Library Association Conference this past April because it was in Minneapolis! How great that we could hop in a car and drive not even fifteen minutes away from my house and attend a book conference (we’ll be driving to ALA this year as well but Chicago is decidedly a longer trip). I restrained myself a bit when it came to ARCs as I knew that ALA was on the horizon, but I was THRILLED to see Johanna van Veen’s newest sapphic horror novel “Bone of My Bone” was available! I have enjoyed her past historical horror novels, and the creepy nun holding a skull on the cover definitely caught my eye. As I read the description I knew that I was going to be in for a treat. A dark and deeply upsetting treat, but a treat nonetheless, because it felt like a nice heady mix of “Evil Dead” and “The Witch” in a lot of ways. So obviously MY THING.

I was positively grinning from ear to ear! (source)

Our story has two protagonists with two perspective chapter types. The first is Sister Ursula, a nun who escaped from her nunnery leaving her sisters behind as mercenaries and soldiers descended. The second is Elsebeth, a peasant who has lost everything in the wake of the war due to violence from the soldiers. The two women team up, and then find what appears to be a Saint’s skull after meeting a dying man in the forest who has it in his possession. Believing that they could reunite it with its body and in turn receive wishes as reward (as they both have things they are desperate for), they go on a journey, the skull speaking to Elsebeth in her dreams. What they don’t know is a necromancer, assisted by a shambling corpse he has enslaved, is also in pursuit. I loved van Veen’s supernatural monsters of choice in this book (more on the real life monsters in a bit), with the main focus being split into two camps: necromancers/witches, and possessed dead called Nachzehers that necromancers use to achieve their own ends. The witchcraft is so appropriate for the time with the fears of witchcraft being incredibly prevalent, and I loved how creepy the necromancer was. As for his Nachzeher Otto, he is a former soldier who is being used against his will, though it becomes clear that he deserves whatever hell the necromancer brings to him (and the necromancer seems to think so too). The witchcraft was so creepy but powerful, and the Nachzeher, a folk monster from German culture, felt so Kandarian Demon Deadite in a lot of ways that I REALLY liked it. And don’t worry; there are other creepy creatures in these pages, though van Veen had me rather emotional with a couple of them due to the horrible ends that some met in life.

And van Veen’s choice of taking place during the Thirty Year’s War is such a dark but fantastic one. I don’t know as much about German history as I would like, especially during this time period, but to me this read as very unflinching and realistic in the horrors that a war that potentially killed 35% of the population would bring forth. This is probably one of the most brutal books I’ve read recently when it comes to the honest approach to the hell that civilians go through during wartime, with starvation, isolation, land loss, murder, and rape being pretty prevalent in the story (though the rape is mostly off page and referred to as opposed to depicted; this book also has a great list of trigger warnings in the back). A lot of the trauma experienced by Ursula and Elsebeth is haunting and emotional, and we explore their journeys of unpacking it and trying to work through it in ways that feel deeply tender and empathetic. Elsebeth in particular has had a terrible go of it, and her crisis of faith in contrast to Ursula faith as a nun bring up interesting and philosophical points as they are trying to reunite a potentially holy skull with its body in hopes of getting one wish. As mentioned I couldn’t help but think about Robert Eggers’s film “The Witch” at times in this book, as witchcraft is certainly a huge theme, but it also tackles just how much brutality women in dire circumstances had to endure, and how loss in one’s faith or the temptation to turn to something new is wholly understandable.

And I also just loved Ursula and Elsebeth’s burgeoning relationship. Their companionship starts due to shared trauma and determination, but then it turns into something so much more and I loved their growing romance. They just complement each other so well, and as they become more and more devoted the stakes just get higher and higher as they are in constant danger. I loved their love story.

“Bone of My Bone” is phenomenal. I cannot recommend it enough to horror fans. If you haven’t read anything by Johanna van Veen, consider this your sign to start.

Rating 9: Brutal and creepy while also being philosophical and tender, “Bone of My Bone” is van Veen’s best story yet. Just incredible.

Reader’s Advisory:

“Bone of My Bone” is included on the Goodreads lists “Queer Books Set Pre-1800”, and “Horror Releases Coming in 2026”.

Kate’s Review: “Abyss”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Abyss” by Nicholas Binge

Publishing Info: Tor Nightfire, May 2026

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Severance meets Lovecraft in this surreal tale of corporate horror and existential dread.

Joe always had potential, but he doesn’t expect much, and he hopes that his new job as an admin assistant won’t expect much of him. But when he enters the offices of Ponos—a company he’s never heard of and knows nothing about—he discovers that potential is exactly what they want from him.

A feverish dive into the inhumanity of both late-stage capitalism and the crippling anxieties of modern life, Abyss adds a new level of meaning to ‘wage slave’.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I feel like I’ve been reading a lot of novellas lately, or at least more than usual. Sometimes novellas can worry me in the same way short stories do in that it can be trickier to convey a story with a more limited page count, but it obviously can be done, and I’ve had a pretty good run of novellas as of late. “Abyss” by Nicholas Binge is the most recent one, and I was able to get through it in about a day. Not only because of the length, but how fast paced it flowed as a horror story about not only dimensional monstrosities, but also the monstrosities of corporate culture and late stage capitalistic greed and exploitation.

I’ve never had a corporate job, but from what I’ve heard from my friends who have the metaphors in this book work. (source)

I’ve made mention before that cosmic horror isn’t exactly a sub-genre that I delve into often, but “Abyss”‘s hook was too good to pass up, and as a Lovecraftian kinda tale it is pretty good at hitting the components that are expected. There is a slow building unease as our protagonist Joe starts his new menial job at Ponos, a corporation he isn’t familiar with but will pay the bills. From the jump there are strange things about it, like the complete lack of people outside of a few oddballs he stumbles upon, an over enthusiastic A.I. ‘assistant’ who keeps messaging him in stranger and stranger ways, and the skittishness of his higher up. As the job goes on the tension rises, as the reader follows Joe into creepier and creepier situations until he his fully confronted with a cosmic threat that is not only running this lucrative and powerful company, but is possibly using the blood of the workers to fuel itself. I like the high strangeness of the being and the creepiness of the peons that are trying to please it, with a solid backstory to why it is here contrasted with a stodgy and boring but also threatening corporate setting. I know “Severance” is how people are comparing, but I kept thinking about “Office Space” as a horror story, and that’s a good thing.

The true beating heart of this novella, though, are the satirical elements and messages that Binge puts forth. The main metaphor at hand is that the cosmic being that is being fed at Ponos has been put in place by the wealthy to maintain their power and to suck as much from the workers as possible all in the name of profits, and while that’s certainly a cathartic and relevant bit of satire, it’s kind of an obvious one when it comes to a story like this. For wholly understandable reasons we’ve seen a lot of commentary about the uber wealthy and their money hoarding within horror stories by sacrificing and downplaying the working class, so much so that it’s a little obvious. But there is a whole other point in “Abyss” that is connected to Joe and the story at hand, and that is the concept of the isolation and ennui of modern worker life, especially post pandemic. We live in a time where technology should theoretically make it all the easier to connect thanks to social media and varied means of communication. But Joe’s life is incredibly isolated, as he goes to work, goes home and dicks around online, and that’s about it. He isn’t really in touch with his mother and doesn’t seem to have any in real life friends. One of the main defenses against the horror and ruin at the hands of the cosmic in this is the idea of connection, with tech making it harder to connect under guise of bringing people together. That, to me, was a far more interesting avenue to explore because it felt so emotionally resonant.

“Abyss” is sure to please those who like cosmic horror as well as satirical observances of modern late stage capitalism. It’s a fast read, so consider adding it to your list!

Rating 7: The satire is a little on the nose but the message at the heart resonates. Add in some fun cosmic horror and a nefarious corporate setting and you have an enjoyable horror novella.

Reader’s Advisory:

“Abyss” is included on the Goodreads list “Horror to Look Forward to in 2026”.

Kate’s Review: “Molka”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Molka” by Monika Kim

Publishing Info: Erewhon Books, April 2026

Where Did I Get This Book: I received an ARC at PLA 2026 from the publisher!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: molka (n): the Korean term for spy cameras secretly and illegally installed, often to capture voyeuristic images and videos

Dahye can’t believe her luck when she finds herself in a whirlwind romance with handsome, charismatic Hyukjoon, the heir to a multi-million dollar fortune.

But then a shocking revelation threatens: the couple has been caught on a spycam amid Korea’s growing molka epidemic, and the video is all over the internet. When Hyukjoon flees the country to avoid the intense public scrutiny, Dahye is left to grapple with the ramifications on her own; and the demons from her childhood, long dormant, begin to surface.

Amid the chaos, she catches the attention of Junyoung, a nerdy, introverted IT tech at work. Junyoung harbours a dark secret: he has been spying on the women at work with his own hidden cameras. As Dahye’s life begins to unravel, she unknowingly becomes the sole target of Junyoung’s perverse obsession.

When the facts surrounding the invasion of her privacy come to light, Dahye is faced with the humiliating truth. Her pain and hurt turn to rage as she faces her past. Her desire for vengeance is insatiable, and she will not rest until the men who have wronged her have paid in blood

Review: Thank you to Erewhon Books for giving me an ARC at PLA 2026!

Okay, before I even go into my introduction to my review, I want to let people know that this review is going to be covering some triggering topics like rape/sexual assault, and sexual exploitation. So just be aware that it’s going to get heavy.

As I was reading “Molka” by Monika Kim the disgusting revelations of a so called online ‘Rape Academy’ broke in the news cycle, where men would drug their partners, rape them, film it, and then upload it for other users to see. It was horrifying but not all that surprising, and it just made me shake my head because the book I was reading was unfolding in real life in a lot of ways. “Molka” is a horror story to be sure, with a good majority of the horrors being completely man made, and Kim doesn’t hold back in her storytelling even if it makes for an incredibly triggering read. But a necessary one, as evidenced by the fact this shit is happening off page and in reality.

Our story takes place in Seoul and has two main POVs. The first is of Dahye, a young woman who has been swept off her feet by Hyukjoon, the son of a millionaire who showers her with gifts and incredible experiences… until footage of them having sex pops up online, seemingly filmed without their knowledge. While Hyukjoon has the wealth and privilege to ride the storm (being a man also helps… more on that in a bit), Dahye does not, and finds herself spiraling as the footage is everywhere, bringing up memories of her sister Euhnye, who killed herself years ago at seventeen after being impregnated by an older man and being terrified of the fallout. Our second POV is that of Junyoung, one of the IT guys at her work who has installed his own hidden cameras, or molkas, in the women’s restrooms so he can spy on unsuspecting women and see their privates, with Dahye catching his eye. Both POVs are so upsetting, whether it’s getting into the head of a predator like Junyoung, or seeing how absolutely wrecked Dahye is because of the violation and because of how women in molka cases are blamed, ignored, and shamed. And seeing them both escalate in their own ways, whether it’s Junyoung’s obsession becoming more dangerous, or Dahye’s mental health spiraling and her rage building, makes for such suspense and tension. Especially when it seems like Eunyhe’s ghost may be manifesting more and more as Dahye becomes more and more frenzied. I loved the bits with Eunyhe, with little hints of water and fleeting glances turning into a full on vengeful ghost egging Dahye on.

But potential supernatural themes aside, the really scary aspect of “Molka” were the real life themes of violent misogyny, sexual exploitation, and gender double standards within societies when it comes to sexuality. For characters like Dahye and Eunhye, as women who experience violence because of their sexuality (whether it’s the assault and exploitation in Dahye’s case or Eunhye killing herself after her out of wedlock teen pregnancy is revealed) are shamed and shunned and driven to the brink. But for people like Hyukjoon and Junyoung, who are men, they can either be wholly unaffected by scandal, or even be abusers either out in the open or hidden in the shadows, and even if their nastiness becomes known they are excused because boys will be boys. There were so many infuriating moments in this book that had to do with the disgusting ways Dahye was sexualized and violated, and Kim makes sure to tread a very fine line that makes sure the reader knows exactly what’s going on without making it feel all the more exploitative of, even worse, titillating. It is a VERY difficult read at times, especially when we see how objectified and dehumanized women are in the eyes of their abusers, but it’s also a searing and unflinching portrayal of feminist rage that has moments of catharsis to balance out the incredibly triggering moments.

“Molka” is a dark and upsetting horror novel, but it also feels like a very timely read, unfortunately. I definitely recommend it to any reader who likes a ‘good for her’ story.

Rating 9: A dark and difficult but unfortunately timely horror story about misogyny, violence against women, and the double standards between the treatment of genders in sexual situations. “Molka” is filled with content warnings, but the message is cathartic and the feminist rage burns bright.

Reader’s Advisory:

“Molka” is included on the Goodreads list “2026 Women in Horror”.