Kate’s Review: “The Tea Dragon Festival”

42369064Book: “The Tea Dragon Festival” by Katie O’Neill

Publishing Info: Oni Press, September 2019

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: Rinn has grown up with the Tea Dragons that inhabit their village, but stumbling across a real dragon turns out to be a different matter entirely! Aedhan is a young dragon who was appointed to protect the village but fell asleep in the forest eighty years ago. With the aid of Rinn’s adventuring uncle Erik and his partner Hesekiel, they investigate the mystery of his enchanted sleep, but Rinn’s real challenge is to help Aedhan come to terms with feeling that he cannot get back the time he has lost.

Review: Thanks to NetGalley for providing me with an eARC of this book!

A couple years ago I stumbled upon a sweet and unique graphic novel called “The Tea Dragon Society”, a charming story about a group of people who raise and care for Tea Dragons. After reading that book I became and instant fan of author Katie O’Neill’s fantasy tales, and when I saw that she had a follow up called “The Tea Dragon Festival”, I immediately requested to read it via NetGalley. I’m still in need of all the dragon positivity I can get in my stories, as dragons are my favorite mythical creatures and any and all positive depictions are going to bring me all kinds of joy. Especially if it means characters get to coexist with dragons peacefully and everything ends happily.

giphy-7
Happier times. (source)

“The Tea Dragon Festival” is something of a peripheral prequel to “The Tea Dragon Society”, but it is able to exist on its own. But this time around, our dragon lore moves beyond the Tea Dragons, and expands it to include wild Dragons. While a mountain town prepares for the annual Tea Dragon Festival, a girl named Rinn discovers a sleeping Dragon named Aedhan. Aedhan was supposed to be the protector of the town, but some kind of forest magic put him to sleep for eighty years. The focus of the story has two aspects. The first is trying to figure out what kind of being put Aedhan to sleep, which brings in the familiar faces of Erik and Hesekiel! In “The Tea Dragon Society”, Erik and Hesekiel have retired and opened a tea shop where they care for Tea Dragons, but in “The Tea Dragon Festival” they are still young and adventuring throughout the lands together. Erik is Rinn’s uncle, and his connection to the town is deftly placed and he and Hesekiel feel right at home in the pages of this story. But the larger focus of the tale is about Aedhan trying to readjust to life after being asleep for so long. Perhaps not as long for a Dragon, but still long enough that he feels like he’s missed out and failed the people he was supposed to look over. I really liked that this was the narrative with the most attention, as it let the characters grow and unfold organically. That isn’t to say that the Erik and Hesekiel storyline was neglected; on the contrary, I also enjoyed the mystery of the magic of the forest, and it was awesome getting a glimpse into their adventuring days while still being overall positive and not succumbing to tropes of wandering adventurers and bounty hunters. They were still true to their characters even in a completely different circumstance.

The new characters were also lovely and endearing. Not only was Rinn a kind and unique protagonist, as she too is trying to find her place in town and what role she has to play, Aedhan and his own background is rewarding and fascinating. He has the ability to shapeshift to look more ‘human’, which is explained as a defense against people who still may want to slay Dragons out of a toxic need to prove themselves as brave and fearless. The friendship that develops between Rinn and Aedhan really reminded me of Chihiro and Haku in “Spirited Away”, as their deep friendship is touching and isn’t really defined by platonic, romantic, or anything else. But they aren’t the only characterizations that were strong and well thought out. From Rinn’s Gramman, who is her mentor in all of her cooking endeavors, to Lesa, one of Rinn’s friends who is deaf and mute (note on this: I LOVED that not only did O’Neill incorporate a disabled character into her story, she created a way to denote sign language within her illustrations), to a little girl named Aya who looks up to Rinn, a number of the characters all have their parts to play and feel complex and interesting. And just like in “The Tea Dragon Society”, O’Neill brings in a lot of diverse characters, be they different skin tones, or different sexual orientations, or having different abilities. Both overt diversity and more everyday diversity are very important for kids to see in their stories, and these stories handle both kinds beautifully.

And finally, THE TEA DRAGONS ARE BACK AND THEY ARE ADORABLE! Not only do we see Tea Dragons again, we get new kinds of Tea Dragons because of the different region within the world of the story. That said, O’Neill brings in other fantasy creatures that are just as breathtaking as the Tea Dragons, such as Aedhan’s full Dragon form and some of the forest creatures. The designs are both adorable and gorgeous.

the-tea-dragon-festival-9781620106556.in05
Cuteness overload. (source)

I am so glad that Katie O’Neill decided to revisit her Tea Dragons and their friends with “The Tea Dragon Festival”. It’s a dragon story that stands out from the rest, and while I don’t want to be greedy, I am going to once again hope that she makes more stories within this world!!

Rating 9: Katie O’Neill has once again brought a gentle and calm fantasy story to vibrant life. “The Tea Dragon Festival” lets us revisit the Tea Dragons and other familiar faces, and brings in more delightful characters with rich mythologies.

Reader’s Advisory:

“The Tea Dragon Festival” is included on the Goodreads lists “Dragons”, and “Graphic Novels Featuring LGBTQ Themes”.

Find “The Tea Dragon Festival” at your library using WorldCat!

Previously Reviewed: “The Tea Dragon Society”.

Kate’s Review: “They Called Us Enemy”

42527866Book: “They Called Us Enemy” by George Takei, Justin Eisigner, Steven Scott, and Harmony Becker (Ill.)

Publishing Info: Top Shelf Productions, July 2019

Where Did I Get This Book: The library!

Book Description: A stunning graphic memoir recounting actor/author/activist George Takei’s childhood imprisoned within American concentration camps during World War II. Experience the forces that shaped an American icon — and America itself — in this gripping tale of courage, country, loyalty, and love.

George Takei has captured hearts and minds worldwide with his captivating stage presence and outspoken commitment to equal rights. But long before he braved new frontiers in Star Trek, he woke up as a four-year-old boy to find his own birth country at war with his father’s — and their entire family forced from their home into an uncertain future.

In 1942, at the order of President Franklin D. Roosevelt, every person of Japanese descent on the west coast was rounded up and shipped to one of ten “relocation centers,” hundreds or thousands of miles from home, where they would be held for years under armed guard.

They Called Us Enemy is Takei’s firsthand account of those years behind barbed wire, the joys and terrors of growing up under legalized racism, his mother’s hard choices, his father’s faith in democracy, and the way those experiences planted the seeds for his astonishing future.

What is American? Who gets to decide? When the world is against you, what can one person do? To answer these questions, George Takei joins co-writers Justin Eisinger & Steven Scott and artist Harmony Becker for the journey of a lifetime.

Review: When I was in grad school, one of our professors asked us how old we all were when we first learned about the Japanese American Internment during World War II. I was in sixth grade, but I remember that was on the early side of things in that straw poll. It is a shameful part of American History when our Government targeted innocent people based on their race, and shipped them off to internment camps based on bigotry and fear. I knew that actor and political activist George Takei and his family were sent to one of these camps when he was a little boy, but didn’t know his full story. “They Called Us Enemy” is him telling that story, but not only is it that, it’s connecting that experience and horrible government policy with more recent policies that are playing out in our country today.

Takei weaves his own personal story together with the broader political climate and maneuvers that ultimately led to Executive Order 9066, which relocated over 100,000 Japanese Americans to internment camps during World War II. Takei was a little boy when this happened, and his memories are shaped by his age and perceptions at that time. I thought that it was especially effective to tell the stories of how he as a little boy perceived what was going on around him, and how looking back at how his parents were acting during that time now shows him the broader pain and injustice of what happened to their family. Moments like him and his little brother Henry playing on the train that was taking them to Camp Rohwer, where their natural curiosity made their mother nervous that they would get the negative attention of the guards, were especially chilling. He remembers having a fun time with Henry, but then also looks back and sees the unease his mother had regarding their safety, and it hits the point home that their innocence was being slowly chipped away at, even if they didn’t know it. I also liked that he would show other moments of childhood joy and innocence, like seeing their first snow or experiencing a visit from Santa at Christmas, but then would still reiterate that moments of happiness do not outweigh or negate the fact that he and his family were being imprisoned because of their heritage and race and not their actions.

Takei is also really good at presenting the political events and policies that surrounded the Japanese Internment, from putting forth the major players like FDR and Warren Berger in the spotlight to showing how the racism and fear meant more policies and more rules, and more distrust of those who were imprisoned. We see such policies play out on the larger scale, and then see how they impact the Takei family. His parents Takekuma and Fumiko are doing their best to keep their children safe, but as the policies become more restrictive their refusal to declare ‘loyalty’ to America, as to do so would be pledging loyalty to a country that had imprisoned them AND supposed that they were loyal to the Japanese Empire even though they did not live there and hadn’t for most of their lives. This, of course, led to consequences and the Takei family was sent to an even more restrictive camp called Tule Lake. We also see George Takei reflecting upon the conflict between older prisoners and younger prisoners, with older prisoners more likely to try to bow their heads and stay safe, and younger ones more willing to question and openly rebel. This is all seen through hindsight, as Takei has memories of, after the fact when he was a young adult, pushing against and deriding his father for not fighting back, and his father clearly still feeling caught between what was right and what would keep his family safe. It’s clear this still hurts Takei as he looks back on it.

Finally, Takei isn’t afraid to compare the Japanese Internment Camps and Policy to what we are seeing at the border with asylum seekers and the Muslim Travel Ban. The comparison has made some people uncomfortable and indignant, but Takei is more than game to show that the inhumanity of these policies is very reminiscent of what happened to Japanese Americans during World War II, and that they’re based similar fears and racism that Executive Order 9066 sprung from. It’s a wrenching comparison, and a hard reality to face that we’re falling into the same mistakes and injustices of our past.

The artwork by Harmony Becker is lovely to look at and fits the story well. It strikes a balance between realism, especially when talking about policy and world events, but also has cartoony moments that reflect childhood and childrens’ reactions to various events in their day to day lives.

4
(source)

“They Called Us Enemy” is a story that is upsetting and personal, and it is a familiar situation that many had hoped we had left in the past. George Takei opens up and shares this story with power and grace, and if you want to know more about the Japanese American Internment, this is a good place to start. Learn our history. We’re repeating it now and it’s atrocious.

Rating 9: A powerful, heartbreaking story that shows injustices of America’s past (and present), “They Called Us Enemy” is a stunning and personal graphic memoir by George Takei.

Reader’s Advisory:

“They Called Us Enemy” is included on the Goodreads lists “Japanese American Internment”, and “History Through Graphic Novels”.

Find “They Called Us Enemy” at your library using WorldCat!

Kate’s Review: “Laura Dean Keeps Breaking Up With Me”

29981020._sx318_Book: “Laura Dean Keeps Breaking Up With Me” by Mariko Tamaki and Rosemary Valero-O’Connell.

Publishing Info: First Second Books, May 2019

Where Did I Get This Book: The library!

Book Description: Laura Dean, the most popular girl in high school, was Frederica Riley’s dream girl: charming, confident, and SO cute. There’s just one problem: Laura Dean is maybe not the greatest girlfriend.

Reeling from her latest break up, Freddy’s best friend, Doodle, introduces her to the Seek-Her, a mysterious medium, who leaves Freddy some cryptic parting words: break up with her. But Laura Dean keeps coming back, and as their relationship spirals further out of her control, Freddy has to wonder if it’s really Laura Dean that’s the problem. Maybe it’s Freddy, who is rapidly losing her friends, including Doodle, who needs her now more than ever. Fortunately for Freddy, there are new friends, and the insight of advice columnists like Anna Vice to help her through being a teenager in love.

Mariko Tamaki and Rosemary Valero-O’Connell bring to life a sweet and spirited tale of young love that asks us to consider what happens when we ditch the toxic relationships we crave to embrace the healthy ones we need.

Review: Teenage love is rough. True, I married my high school sweetheart and we haven’t really had any rough patches, then or now, but hey, I had my fair share of awkward pining and heartbreak before all that. While romance isn’t really a go to genre for me, when I do read it I like seeing how the love story aspects of a book portray romance and relationships, especially when a book is Young Adult. This brings me to “Laura Dean Keeps Breaking Up With Me” by Mariko Tamaki and Rosemary Valero-O’Connell, a YA graphic novel about the tumultuousness of a teenage romance. I’ve always found Tamaki to be honest and realistic when it comes to her books, and therefore I was very interested in seeing what she was going to do with the story of Freddy and Laura, two teenage girls who keep falling in and out of a relationship.

Like her other stories, Tamaki really knows how to capture realistic and relatable teenage voices. Just about every character in “Laura Dean Keeps Breaking Up With Me” feels like a real teenager, both in how they act in situations and how they don’t always understand how their actions affect other people. Freddy is our protagonist, the lovelorn girlfriend of the fickle and manipulative Laura. When we meet her Freddy has had her heart broken by Laura once again, and is seeking advice from an online advice columnist. Freddy is absolutely being taken advantage of, but at the same time she is so caught up in her own miserable love life she isn’t able to see what is going on with her other, more loyal friends. She is both someone you can’t help but root for, as well as someone you want to shake for being so self absorbed. As a character she’s very well conceived, and her flaws and moments of unlikability make her an even stronger protagonist than I was expecting. Her relationship with Laura is toxic at its heart, as Laura’s interest is only in Freddy when it’s convenient to herself, and because of this you both feel pity for Freddy, as well as frustration. But that was one of the stand out themes of this book, in that toxic relationships, be it between teens or adults, romantic or platonic, don’t only affect those in said relationships, and how we can blind ourselves to the people we become while inside of them. But even if Freddy makes mistakes and can be hard to like at times, she doesn’t compare to Laura, who is just the worst. We don’t really get to see THAT much of Laura when all is said and done, as she flits in and out of Freddy’s life in fickle and self absorbed ways, but you definitely know the kind of person she is even in these moments. Tamaki is great at portraying how cruel and mean Laura is without going into heavy handed monologues or speeches, as well as how the toll it takes on Freddy ripples across her other relationships. It’s a great example of showing and not telling, something that is sometimes lost in books written for teens.

I also really liked that this book is very sapphic and LGBTQIA+ in it’s themes. Many of the characters, from Freddy and Laura to their friends groups, are LGBTQIA+, and the normalcy of it all is very evident from the get go. While sometimes these themes did fall more into a telling vs showing trap (a couple of kind of shoe horned in bits of dialogue that didn’t quite fit popped up here and there), I really liked that all of these characters were true to themselves and the majority of the conflict had nothing to do with their identities. Along with this, I liked that this exact normalcy made it so that Laura Dean could be a genuinely terrible person, and that it would be next to impossible to say that she is that way because of her sexual orientation, a them that is sometimes still seen in fiction stories, regrettably. This book also tackles other, harder issues that YA books aren’t always comfortable tackling in empathetic ways. I don’t want to spoil too much, but I will say that there is a side storyline involving abortion that did a really good job of not stigmatizing the procedure or the choice of having one. 

Finally, I really really loved the artwork in this book. It has a muted and subtle quality to it, with some manga-esque traits that still felt unique to the artist, Rosemary Valero-O’Connell. I also liked that while it’s mostly in black and white, there are little splashes of a soft pink throughout the story. It really made the images pop.

data47481171-895ddc
(source)

“Laura Dean Keeps Breaking Up With Me” is a bittersweet and hopeful look at the ups and downs of teenage relationships. If you haven’t checked out anything by Mariko Tamaki yet, I would say that this would be a good place to start.

Rating 8: A bittersweet story about the ups and downs of teenage romance, “Laura Dean Keeps Breaking Up With Me” hits you in the feels when it comes to love and toxic relationships.

Reader’s Advisory:

“Laura Dean Keeps Breaking Up With Me” is included on the Goodreads lists “Lesbian Teen Fiction”, and “Sapphic Graphic”.

Find “Laura Dean Keeps Breaking Up With Me” at your library using WorldCat!

Kate’s Review: “Kiss Number 8”

22612920Book: “Kiss Number 8” by Colleen A.F. Venable and Ellen T. Crenshaw (Ill.)

Publishing Info: First Second Books, March 2019

Where Did I Get This Book: The library!

Book Description: Amanda can’t figure out what’s so exciting about kissing. It’s just a lot of teeth clanking, germ swapping, closing of eyes so you can’t see that godzilla-sized zit just inches from your own hormonal monstrosity. All of her seven kisses had been horrible in different ways, but nothing compared to the awfulness that followed Kiss Number Eight. An exploration of sexuality, family, and faith, Kiss Number Eight is a coming-of-age tale filled with humor and hope.

Review: It may seem like I’m doing a LOT of graphic novels lately, but in my defense I neglected this format a lot this summer. This occurred to me when I was requesting books for a teen graphic novel display, and one of the books I stumbled upon was “Kiss Number 8” by Colleen A.F. Venable and Ellen T. Crenshaw. After requesting it for work, I requested it for myself. I hadn’t looked too much into it when I requested it; I knew that it had LGBTQIA+ themes, and I knew that it was about a teen girl figuring out her sexuality. But what I didn’t expect was how emotional “Kiss Number 8” was going to be, and how hard it would be to read at times because of the themes.

And to note, I will have to address some vague spoilers in this review to fully discuss my opinions. I’ll do my best to keep it general.

“Kiss Number 8” takes place in 2004, a time that doesn’t seem to distant to me but is actually fifteen years ago. As I was reading this book, it served as a reminder of how many things have changed in terms of societies views on sexuality, and yet how far we still have to go. Amanda is written as a pretty typical teenage girl of this time and place, and up until this point she can count on a number of things: she has a fantastic relationship with her father, she has a tempestuous relationship with her mother, and her best friends Cat and Laura are always going to be there for her, even if they don’t particularly like each other. You get a great glimpse into Amanda’s life through snippets of scenes, and by the time the main plots start to kick in you already know who she is and what her reality is. Venable does a good job of showing rather than telling when it comes to how Amanda feels about those in her life, especially her growing infatuation with Cat, whose care free and somewhat selfish personality is apparent to everyone BUT Amanda. I also liked the slow unraveling and reveal of the other main plot line: a mysterious phone call to her father, and a mysterious letter that he tries to hide from her. Venable does a really good job of making the reader think it’s going to be one thing, but then piece by piece shows that it’s something completely different, something that connects to Amanda’s present emotional situation with Cat and goes even further back into how people have to hide their identities from others.

I also thought that Venable did a good job of portraying realistic, and at times very flawed, characters. As I mentioned earlier, Amanda is a pretty normal teenage girl, but along with that comes a cruel streak towards those who care about her, especially her mother and Laura. She makes bad decisions in moments of great emotion, and it ends up hurting people, who in turn react poorly and hurt her back. But you never get the sense that she is a bad person when she does these things, rather that she is in a great deal of pain and dealing with confusion about herself and a life she thought she had all sorted out. The fallout from these choices always felt real, and sometimes that meant that it was painful to read. But again, Amanda doesn’t ever come off as a bad person, just a person who is still learning. In fact, most of the characters are given a certain amount of grace when they screw up, and aren’t painted as being one dimensional or cardboard cut outs of tropes…. Even when they don’t necessarily deserve it. Because to me, with how some of the characters did end up reacting to Amanda’s identity, and the identities of others within the story, I didn’t want them to be given a pass, realistic or not. Not when they caused to much pain.

And that is a good segue into difficult moments that I had with “Kiss Number 8”, specifically with how a number of the characters were when it comes to LGBT issues. There is a LOT of homophobia and transphobia in this book, and while it’s all written within the context of the story, and doesn’t feel like it’s excused or glossed over, it could still be triggering for readers who are in those communities. While Amanda was a lived experience of learning about herself and her sexuality, I feel like the ball was dropped a bit more with the trans characters in the narrative. They were more used as lessons for Amanda to learn, and their voices and experiences were put in the context of a cis girl realizing that they too are human beings who deserve respect and dignity. That isn’t to say that I thought Venable was malicious in her portrayal, but it does show that we still have a ways to go when it comes to how trans characters are portrayed within the stories we read. That said, I am a cis straight woman, so if my assessment is off kilter to anyone please do let me know. I, too, am still learning.

I have nothing but good things to say about Crenshaw’s artwork. The characters are cartoony and fun, and their designs remind me of other popular teen graphic works like “Drama” and “This One Summer”, but the style is still unique and feels new and fresh. And even with the more ‘cartoony’ drawings, the emotional weight of the various situations still came through loud and clear.

kiss_8_r15-1-635x900
(source)

Uncomfortable and clunky aspects aside, I enjoyed “Kiss Number 8”. It’s an honest and emotional book that kept me reading, and reminded me that there is still so much progress to be made, even if we’ve come so far.

Rating 8: A bittersweet and emotional story about finding one’s identity, “Kiss Number 8” has complex characters and relevant themes. We’ve come so far with stories like this, but we still have a ways to go.

Reader’s Advisory:

“Kiss Number 8” is included on the Goodreads lists “Lesbian Teen Fiction”, and “Sapphic Graphic”.

Find “Kiss Number 8” at your library using WorldCat!

Kate’s Review: “Clueless: One Last Summer”

38926467Book: “Clueless: One Last Summer” by Amber Benson, Sarah Kuhn, and Siobhan Keenan (Ill.)

Publishing Info: BOOM! Box, December 2018

Where Did I Get This Book: The library!

Book Description: Cher, Dionne, and Tai set off for one last summer of footloose and fancy-free fashion and fun before college starts! 

The class of 1997 has left Bronson Alcott High School for good, and as the weather heats up, Cher and besties Dionne and Tai head off for their last summer vacation adventure together before, ugh, REAL LIFE! 

Picking up after Clueless: Senior Year, head back to the ’90s for summer fun and fashion from superstar writers Sarah Kuhn (Heroine Complex) and Amber Benson (The Witches of Echo Park), and illustrator Siobhan Keenan.

Review: It took a little while for my library to get this book in their catalog, but they did and I got it right in time for summer! As I mentioned in my review of “Clueless: Senior Year” (linked at the bottom of the post), “Clueless” is one of my favorite movies and no matter how many times I watch it I will never get sick of it. I was very excited for the next comic when I heard that it was coming out, and the sort of long wait was absolutely worth it. Just like “Senior Year” before it, “One Last Summer” brings back Cher, Dionne, Tai, and more, and gives them worthy stories of their fabulous characters. On top of that, we got some focus on characters we hadn’t even seen yet (still no Elton though. I get it, but I love that creep so much that I can’t help but be bitter).

Cher, Dionne, and Tai are the primary focuses of the story, as they all have their own conundrums to solve, while trying not to think about how things are going to be changing in their lives. Cher has taken on a summer internship as an assistant to an advice columnist (who is not a very good or honest person, much to Cher’s chagrin), Dionne is in charge of planning a beach party that her parents are helming, and Tai is preparing for her favorite aunt to come to town, and introducing her to Travis. On top of that, all three of them are hoping to solve a mystery for their friend Summer, who has a secret admirer. The stories are kind of simplistic to be sure, but the characters were just so in character and absolutely on point that I highly enjoyed every foray that they went on. I also enjoyed that for some of the characters, especially Dionne, the worries and anxieties about having to go to a new environment and leave people behind make things all the more stressful, even if they don’t totally get why. I found Dionne’s storyline to be especially compelling, as she and Murray are going to different schools across countries from each other. The anxiety and fear of a long distance relationship after high school was captured perfectly, and as someone who knows from experience hers was the story that I most related to. It’s also great seeing the spotlight being shared between these three girls once again, as they all are so endearing and different from each other.

But as mentioned above, “One Last Summer” also brings more attention to other characters that didn’t get as much last time. The biggest one is Summer, a character from the movie who is probably best remembering for her shining moments at the Valley Party, where she initiated a game of Suck and Blow, and snagged a lawn snowman for no discernible reason. I liked seeing her being brought into the main three friend group, and I liked how well she fit in. Benson and Kuhn made her a distinct and fun character who is similar enough to fit in with Cher, Dionne, and Tai, but different enough that she felt like she had her own complexities. And I mean, fine, if we can’t get Elton I was totally happy getting another awesome lady character. Along with Summer we did see a little more focus on other characters, like Josh, Murray, and Travis. And on top of that, they got to play roles that usually are reserved for female characters, which felt like a bit of a subversion and I REALLY liked it. For Josh, we got to see his own insecurities when it comes to his relationship with Cher and his worries that she still may judge him when he’s a bit of a geek. For Murray, it’s his fears about the long distance relationship, and not being sure of how to deal with Dionne when her anxiety turns into anger. And for Travis, HE IS JUST SO SUPPORTIVE AND ADORABLE AND SWEET, just there to love Tai like she’s the goddamn best thing ever. HOW WONDERFUL IS THAT?

tumblr_mbe9rfsrjz1qb9jcko1_500
While Josh and Cher are my favorite couple, THESE TWO MELT MY HEART TOO. (source)

And the art continues to be very bubblegum and perfect for the tone. The characters look enough like their counterparts that it feels like the actors and actresses, but also show off Keenan’s unique style.

clueless_onelastsummer_ogn_interiorart2_promo
Awww. (source)

“Clueless: One Last Summer” was a bittersweet but lovely story for the characters from “Clueless”. I understand that Benson and Kuhn might stop here, but honestly they could keep telling these stories with these characters and I would be filled with joy.

Rating 8: Another fun and nostalgic story featuring some of my favorite movie characters, “Clueless: One Last Summer” brings back some classic characters, brings in new ones, and serves some cute summer stories!

Reader’s Advisory:

“Clueless: One Last Summer” isn’t included on any Goodreads lists as of yet, but I think that it would fit in on “Summer Break Books for YA”, and “Comics & Graphic Novels by Women”.

Find “Clueless: One Last Summer” at your library using WorldCat!

Previously Reviewed: “Clueless: Senior Year”.

Kate’s Review: “Bloom”

29225589._sx318_Book: “Bloom” by Kevin Panetta and Savanna Ganucheau (Ill.)

Publishing Info: First Second, February 2019

Where Did I Get This Book: The library!

Book Description: Now that high school is over, Ari is dying to move to the big city with his ultra-hip band―if he can just persuade his dad to let him quit his job at their struggling family bakery. Though he loved working there as a kid, Ari cannot fathom a life wasting away over rising dough and hot ovens. But while interviewing candidates for his replacement, Ari meets Hector, an easygoing guy who loves baking as much as Ari wants to escape it. As they become closer over batches of bread, love is ready to bloom . . . that is, if Ari doesn’t ruin everything.

Writer Kevin Panetta and artist Savanna Ganucheau concoct a delicious recipe of intricately illustrated baking scenes and blushing young love, in which the choices we make can have terrible consequences, but the people who love us can help us grow.

Review: We’re getting near the end of summer (kind of?), and on the hot days sometimes you just need to have a cute, sweet, comfort read that you can enjoy in the sun… or air conditioning in my case. I saw “Bloom” by Kevin Panetta and Savanna Ganucheau on a display at the library I was working at, and decided to pick it up on a whim. It had been a bit since I’d read a one shot graphic novel, and the look of it and the summer feeling the cover gave me stood out to me. I hadn’t heard of “Bloom” until I picked it up, and after reading it I wish I’d found it sooner. I really, really enjoyed “Bloom”!

The story involves two young adults who are both looking for some self discovery and paths for their future. Ari is determined to move away from his home and his family bakery to become a music star with his friends, while Hector is trying to wrap up his late grandmother’s affairs and move on from a needy relationship. While they are both starkly different, you can’t help but love both of them for what they are. Ari is over emotional and a little bit self centered, but also wrapped up in insecurities about those around him. You understand why he wants to go out and make his own life, but can’t help but feel for his parents, who want him to join the family bakery business. Panetta did a really good job of showing how people can be torn between by their individual dreams, and their familial expectations. Ari is complex and at times very frustrating, but he also is a character I think a lot of people can see themselves in. Hector, too, is a fascinating character, as while he isn’t as conflicted as Ari, he has his own insecurities, but is better at navigating them. That said, I liked the foil that he played, as his kindness and patience has led him to troubles in the past because of his compassion and empathy for people. I loved them both for who they were, and I loved seeing them interact with each other. The side characters were a bit more hit or miss for me. On the one hand you have Ari’s parents, who I really liked. Ari’s father was the strict and singleminded parent you tend to see in stories like this, who could have easily fallen into the box of being the ‘out of touch parent who doesn’t care about what their kid wants’. But instead, Panetta does a fantastic job of showing complexities there, and his worries and fears regarding his business, his livelihood, and his relationship with his son were definitely well defined, and brought tears to my eyes. Ari’s mother was a bit more of the supportive parent of the two parent dynamic, but I also liked that she had moments of stepping out of that box too and being stern and realistic. But while Ari’s parents were great and spot on, I thought that Ari’s and Hector’s friend groups were a little two dimensional. They tended to check off a lot of trope boxes (the aggressively quirky, the jerk, the snarky, etc), and while I didn’t mind seeing them I didn’t really get much interesting from them.

The romance and overall plot of this book was very sweet and rewarding. Ari and Hector get closer because of baking, and Panetta focuses as much on the slow burn of the love story as much as he focuses on the intricacies and art of baking. Passion, be it romantic passion of passions for hobbies, are a huge theme in this book, and you can see the passion of a number of characters, and how it drives them, and sometimes makes them forget about the potential consequences of said passions. You can’t help but root for Ari and Hector as their romance slowly blooms and comes to life. And you can’t help but think about the metaphors of baking and the patience that it takes, the time and care it can require, and how sometimes you have to restart when unanticipated problems arise. I loved every panel and every moment, and savored the story as it unfolded. And as I mentioned above, I definitely cried as I was reading it.

The artwork is understated and lovely. I loved the blue hues and the sketches, and how the art not only brings the people to life, but the food as well. The style sometimes looks like sketches that aren’t quite finished (with arrows denoting movement and bare boned sketches occasionally making appearances), but it only added to the charm of the story. Also, the occasional large splash panel would showcase both the people and their emotions, as well as the food that they were making.

560x0w
(source)

“Bloom” is an adorable and touching summer romance about finding yourself, finding love, and finding your passions. If you want a cute and satisfying love story, look no further than Ari and Hector!

Rating 9: A sweet, emotional, and mouth watering romance that has delightful characters, a lovely romance, and some tasty looking baked goods!

Reader’s Advisory:

“Bloom” is included on the Goodreads lists “Pride Month! The Teen Essentials List”, and “Graphic Novels Centered Around Food”.

Find “Bloom” at your library using WorldCat!

Bookclub Review: “Incognegro: A Graphic Mystery”

35798022We are part of a group of librarian friends who have had an ongoing bookclub running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is ‘Books On Our To Read Shelf’, where we pick books that we’ve been meaning to read but haven’t gotten to.

For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “Incognegro: A Graphic Mystery” by Mat Johnson, Warren Pleece (Ill.)

Publishing Info: Berger Books, February 2008

Where Did We Get This Book: The library!

Book Description: In the early 20th Century, when lynchings were commonplace throughout the American South, a few courageous reporters from the North risked their lives to expose these atrocities. They were African-American men who, due to their light skin color, could “pass” among the white folks. They called this dangerous assignment going “incognegro.”

Zane Pinchback, a reporter for the New York-based New Holland Herald, is sent to investigate the arrest of his own brother, charged with the brutal murder of a white woman in Mississippi. With a lynch mob already swarming, Zane must stay “incognegro” long enough to uncover the truth behind the murder in order to save his brother — and himself. Suspenseful, unsettling and relevant, Incognegro is a tense graphic novel of shifting identities, forbidden passions, and secrets that run far deeper than skin color.

Kate’s Thoughts

Two years ago when Serena and I were at the annual conference for ALA, we went to a panel that talked about graphic novels and how they convey stories. One of the panelists highlighted “Incognegro” by Mat Johnson and Warren Pleece, a story based on true accounts of a black news reporter who could pass for white, and would go undercover to expose racial violence in the deep South. I knew that I wanted to read it eventually, but filed it away and didn’t think about it. So when book club decided that our theme should be selections from the TBR pile, I decided that we were going to read “Incognegro”. I knew that it was going to be a very raw and emotional read, but also had a feeling it was going to be as interesting as I thought it would be.

“Incognegro” doesn’t hold back from the get go, as the first pages depict a violent lynching in graphic detail. While it is horrific and set me immediately on edge, Johnson clearly had every intention of making the reader feel abject horror at what was on the page. The injustice and violence perpetrated against black people during the Jim Crow years is something that we learn in school, but it can still get a bit lost as to just how awful it was. This book exposes all of it, and while it’s absolutely hard to read and take in, it never feels like it’s exploitative. It also shows that it was what we would potentially see as ‘regular people’ who participated in lynchings, not caricatures of racists that we may think of thanks to TV and movies. While a Klansman is the main named antagonist, it’s also ‘regular’ people who go to watch the lynchings and even get souvenirs to commemorate the murders and tortures they witness. It makes it so that the reader can’t see this as merely something only mustache twirling villains did, and that it could be anyone who held such toxic and violent ideals, including the people you’d see walking down the street or at a picnic. Johnson also has a note at the end of the ten year anniversary addition, in which he talks about how the rise of far right and white supremacist hate groups in the last few years makes this story feel all too relevant still.

Not only were the themes strong, so were the characters. It is clear that the work that Zane (who is based on a man named Walter Francis White), is doing is necessary and incredibly dangerous, and we see him as he is starting to feel his dedication run thin, not because he doesn’t believe in it anymore, but because of the various tolls it is taking. He has managed to make his job both personal, as he is a black man who would be targeted if he wasn’t able to pass, and yet impersonal, because he’s escaped the South for Harlem and is the famous ‘incognegro’ who is doing important and applauded work. But it becomes wholly personal when it’s his own brother Alonzo that could be the next target, after Alonzo is accused of murdering a white woman. I liked seeing his experience and weariness, especially when contrasted with that of the younger and less experienced Carl, someone who is probably going to be his replacement. The way that they react to the conditions that they see on Zane’s supposed last assignment show their different approaches and feelings regarding what their mission is supposed to be, and I liked that Johnson doesn’t really show either of them as being right or wrong in their ethos, but also naive in their own ways. You care for both of them, and that makes it all the more upsetting when the violence they’re meant to evade can’t be avoided.

I am so glad that I finally picked up “Incognegro”, and I urge people to read it, as challenging and upsetting as it may be. It’s a story that is still incredibly relevant, and has a lot to say about the society we are still living in.

Serena’s Thoughts

As Kate mentioned, I was at the same panel that discussed this book and was very intrigued by it. Unlike her, I was not organized enough to put it on my Goodreads TBR list and so had completely forgotten about it. Thank goodness, one of us had it together there!

I agree with every Kate has said, so I won’t repeat her on those same topics. In brief, I thought the characterization was excellent for most of the characters (there is one exception with a woman character who reads a bit caricature-ish at times, but this is a super minor point). And, while incredibly hard to read about, I too appreciated the eyes-wide-open approach to such a tough subject. There is no hand-holding or soft-selling the horrors of this point in history. And like Kate mentioned, it’s made clear that it wasn’t only “villains” the way we would like to think of them. It could be anyone. And more so, there’s a good commentary about mob mentality throughout the book. That even people who on their own might not be moved to such violence can be easily caught up in a swell of anger and hatred and then subside back into their ordinary lives, as if nothing had happened. This is the kind of anger that I think we are seeing more of today at protests and rallies. This book is a good reminder of just how far that behavior can go if not held in firm check by those reporting honestly on the issues and the unequivocal recrimination by society and leaders of society of those participating in ways that lead towards this type of hatred.

I also really enjoyed the artwork in this book. It is done in variations of black and white with some hints of browns. It does a nice job of keeping the reader focused on what is being said by the story itself, rather than being distracted by the very thing the book is discussing: the color of individuals. The art was used in a really strong way, both slapping readers in the face with some pretty tough images, but also playing well to a few comedic moments as well as portraying the action of the story and emotion of the characters quite effectively.

The last thing I want to discuss is the mystery itself. While yes, much of the book is a discussion of the themes we’ve discussed above, there’s also a compelling murder mystery at its heart. I felt that by having this plotline, the authors were able to prevent the reader from feeling too overwhelmed by the dark nature of the story. I also really liked how it pulled in the idea that Black individuals were not the only ones who were disenfranchised at this time and who might find the idea of going “incognito” as a white man appealing in order to pursue the life they want but that is denied them in their natural state.

Overall, I really enjoyed this book. “Enjoyed” seems like a strange word, given the context, but I think that it is still appropriate. I did find the mystery fun at times, and the darker aspects of the book were important reminders of a period of history that often gets briefly touched upon and then quickly moved past.

Kate’s Rating 9: A raw, emotional, and suspenseful look at a dark time in our history, and a story that shows the importance of speaking up for the truth no matter what the risk may be.

Serena’s Rating 9: Excellent. A tough read, but one that speaks to a subject many would rather avoid, and one that is always relevant when we see ourselves beginning to be ruled by fear and hatred of an “other.”

Book Club Questions

  1. Were you familiar with the role that people like Walter Francis White played in exposing the facts about lynching in the South during this time period?
  2. Both Zane and Carl have different approaches to gathering intel when trying to infiltrate racist circles, and different approaches with how to approach conflict. Let’s say that Carl hadn’t been found out due to someone with outsider knowledge. Whose strategy do you think is more effective or appropriate when lives are at stake: Zanes more covert one, or Carl’s more direct one?
  3. This book has two stories about people passing for identities that they were not: Zane passing for a different race, and deputy Francis passing as a man. We know the consequences for Zane were he found out, but what do you think the risks and rewards would have been for Deputy Francis?
  4. Many people today see the concept of race as a societal construct. What are some ways that this concept is hinted at in this story?
  5. What do you make of Alonzo and Michaela’s relationship?
  6. Mat Johnson has said that he wanted to re-release “Incognegro” in the aftermath of the Charlottesville far right/ White Supremacist rally and the racial terrorism it inspired. In what other ways do you think “Incognegro” is relevant to social issues of today?

Reader’s Advisory

“Incognegro: A Graphic Mystery” is included on the Goodreads lists “History Through Graphic Novels”, and “#BlackLivesMatter Reading List”.

Find “Incognegro: A Graphic Mystery” at your library using WorldCat!

Next Book Club Book: “Kindred” by Octavia Butler

Kate’s Review: “Catwoman: Copycats”

40996659Book: “Catwoman (Vol.1): Copycats” by Joëlle Jones

Publishing Info: DC Comics, April 2019

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: Coming off of the wedding of the century to Batman, Selina Kyle stars in an all-new solo series written and illustrated by Eisner Award nominee Joëlle Jones!

The wedding night’s barely over, but Catwoman’s back on the streets, this time to expose a copycat who’s pulling heists around Gotham City. As Selina cracks the whip on her former criminal cohorts, she’s attracting unwanted attention from one of Gotham’s most dangerous groups. The mob? Nope. Try the GCPD. And as if the Bat-Bride didn’t have enough problems, don’t miss the debut of an all-new villain determined to make trouble for all nine of Selina’s lives.

Fresh off of her run on Batman with superstar writer Tom King, creator Joëlle Jones writes and illustrates this dynamic new series. Collects issues #1-6.

Review: Thanks to NetGalley for providing me with an eARC of this book!

Ever since I was a little girl, I have loved Catwoman and Selina Kyle. I’ve mentioned before that I had Batman Returns sheets, I was Catwoman for Halloween the year it came out, and I had my Catwoman trapper keeper that I held dear to my heart. My love for Selina is a double edged sword, however. Because i love her when her character is done justice it gives me all the happy feels. But, on the other hand, if Selina and Catwoman are written in ways that I don’t like, I will hate it forever. There’s a reason I put down Sarah J. Maas’s “Soulstealer” after a couple of chapters and refused to continue.

giphy-12
(source)

I haven’t been reading the Batman stories in the Rebirth arcs of DC, though I’ve been following them peripherally. I was elated to hear that Batman and Catwoman were going to get married, but then crushed (and not really too surprised) when I heard that the wedding didn’t happen. The good news that comes from this, though, is that it means that Selina gets to have some stories for herself, and not find herself pin holed into being Batman’s Wife first and foremost. Because as much as I would LOVE for DC to actually explore how these two characters would (and I argue TOTALLY COULD) properly function as a married couple, I think that first Selina needs to get some time on her own, and to give Bruce the time to learn how to be both Batman AND Bruce Wayne. And that is where “Catwoman: Copycats” comes in. After leaving Bruce at the altar Selina has rushed away to Villa Hermosa in hopes of escaping her guilt, and that is SO Selina and so heartbreaking to see. I’ve always loved Selina because of her determined independence, but also because part of her drive to be independent is because she doesn’t feel like she CAN fully give herself to anyone, even if that person is her one true love Bruce Wayne. She is irrevocably broken in some ways, but what I liked about this arc is that Jones doesn’t apologize for it. True, she shows the sadness and damage that Selina feels, but she also explores it beyond the romantic relationships and looks into the relationship that Selina had with her sister Maggie. It gives Selina more depth, and lets us see into her motivations more than we did when they were based solely in Bruce’s and her relationship. It allows us to see Selina’s vulnerability without making it look like it only comes out because of a dude. Her love for Bruce hasn’t been what makes her scared of loss; it goes much further back than that. And she has to confront both of those relationships in this, as her guilt over both has started to come to a head.

We also finally get to see a villain who is worthy of Selina’s focus. True, there are copycats running around making her look bad, but the true Big Bad of this story is all too familiar: it lies within corrupt political circles. Raina Creel is Selina’s nemesis, and as the Gubernatorial First Lady of Villa Hermosa she has an image she presents to the public, while she hides a literal aged, rotting frame underneath the glitz and glam. And, of course, the ways that she maintains her ‘youth’ are not at all ethical, as she takes blood transfusions from people who have little to no recourse to fight back. Because of her place of power, the rivalry between her and Catwoman is far more based in cat and mouse intrigue (pun unintended) than usual. Jones has made sure to let the stakes build up at a proper rate, and also draws some parallels between the two women who have both chosen to do improper things in order to get what they want. I also kind of wonder if Creel is something of a sly nod to Sharon Stone’s character in the dreadful Halle Barry “Catwoman” movie. They both have obsessions with youth and beauty, and will got to drastic measures to attain both. If so, that’s a cheeky and fun reference.

The artwork is also done by Jones, naturally, and it continues to be stunning and splashed with life and color. The vintage designs are right up my alley, and Jones is easily one of my favorites in the business because her artwork is always so on point. It’s really wonderful that she is also a superb writer, especially when it comes to her women characters. What I also really appreciate is that Jones draws Selina in a way that doesn’t make her seem like a total sex object. Sure, she wears sexy outfits and looks chic as hell, but rarely (a couple times it did get close, but rarely) did I see her as drawn like she’s meant solely to be desired for sex; she just looks great and powerful without being a total fuck fantasy for male readers.

dc-comics_gallery_20181114__catwoman_5_cover_5bc12d470c4081.78834560
Case in point. If comics could do the same for Harley Quinn that would be great. (source)

Overall, I really enjoyed “Catwoman: Copycats”. I am very interested to see where Jones takes Selina next, and I know that she will be in good hands.

Rating 8: A solid foray into the mind of one of my favorite antiheroines, “Catwoman: Copycats” gives Selina Kyle her own juicy story while remaining true to her full, complex character.

Reader’s Advisory:

“Catwoman (Vol.1): Copycats” is included on the Goodreads lists “Best of Catwoman”, and “Best of DC Rebirth”.

Find “Catwoman (Vol.1): Copycats” at your library using WorldCat!

Kate’s Review: “Persephone”

36323550Book: “Persephone” by Allison Shaw

Publishing Info: Hiveworks, 2017

Where Did I Get This Book: I own an eBook.

Book Description: In his ancient hymns, Homer tells us of the unyielding Lord of the Dead who kidnapped the innocent daughter of Demeter. He tells us quite a bit, in fact, for someone who wasn’t there.

Persephone is no tragic victim, but a kind young woman held in place by her overbearing mother. A failed scheme by Apollo leads her to a chance encounter with the humorless Hades, who is struck by love’s arrow. Now he must wrestle with his aching heart before he loses control entirely.

…Not that the infatuated Persephone has any complaints regarding Hades’ plight. 

As desire blooms between the secluded goddess of the harvest and the ruler of the underworld, the world changes both above and below.

Allison Shaw, creator of comics Far to the North and Tigress Queen, drew on her passion for mythology and ear for modern dialogue to create an updated myth for a mature audience. She wished to offer to her readers a feminist and sensual take on the story, which has grown more and more popular over the years, thanks to its themes of change, rebirth and growth.

Review: Ever since I was a kid I’ve been completely taken with the Persephone and Hades myth. I’m not sure if it’s because Hades is the original Depressive Demon Nightmare Boy, or that I’ve always loved the idea of a Queen of the Dead, but their romance and (part time) joint rule of the Underworld is one of my favorite pieces of mythology. As such, I’m always looking for adaptations of it. Sadly, I haven’t really found many to my liking outside of a few children’s stories (side note, if you have recommendations, send them my way!), and it saddens me that the myth is a bit underappreciated. But that’s why I wanted to spotlight “Persephone” by Allison Shaw, because the moment I started reading I knew that I was going to really enjoy what was done to the characters that I love so much.

The story that Shaw makes takes influence from the original Greek mythologies and updates them a bit to be, shall we say, less problematic than the source material. While it’s important to remember the historical and cultural context at the heart of these stories, the idea of a guy kidnapping a woman and making her his bride doesn’t sit well anymore (even if it’s all a metaphor for growing up and leaving home for a new family AND the changing of the seasons). So Shaw makes Persephone not only the main character, but Hades conflicted about his attraction to her (thanks in part to an errant arrow from Eros) as he doesn’t think that she would be happy with him in the Underworld. Persephone, too, approaches their romance in a different way, as her infatuation slowly grows and is VERY real by the time she and Hades disappear while a domineering Demeter panics. Side note: even as a kid I thought it was strange that Demeter was SO overprotective/controlling of her grown daughter, and found it creepy that she’d stop things from growing in a blackmail effort to get her kid back; I’m glad that authors of newer adaptations are willing to point out that this, too, takes away Persephone’s agency and has it’s own toxicity about it. Their characterizations are also quite strong, and you get a sense of their motivations and personalities pretty easily. She is bubbly and optimistic and kind, and he is sarcastic and dour and a bit lonely, and the differences round each other out well. The romance is very cute as it builds, and yes, it’s also pretty damn sexy. There is a reason this book is described as ‘mature’. It transforms original moments of potential violation in the original story and turns them into moments of very intentional consent, with very, shall we say, steamy results.

giphy-6
I may have made this face a few times during the more titillating moments… (source)

Now I’m not one who reads that much romance fiction, but I know good smut when I see it, and for the most part “Persephone” has good smut. There’s one moment that seems a bit tacked on as an afterthought, but who am I to complain about love scenes within a love story, especially if they’re between one of my favorite fictional couples of all time?

There are also VERY fun references to other Greek myths and characters, from a lecherous and obnoxious Apollo being a creep to a determined Artemis taking Persephone under her wing, to a snarky Eros who is dealing with his own conflicted feelings about Psyche, and oh can we please, PLEASE get an adaptation of that one next?! IT’S MY SECOND FAVORITE GREEK MYTH!! Persephone and Hades have interactions with all of these characters and act in ways that seem totally true to how their characters would act. I do wish that the story had been longer so that we could have had even more exploration of all of these characters, but I think that it’s better to be left wanting more than to feel like a story is slogging along at a snail’s pace.

And finally, I really loved the art work and the character designs. From Persephone’s voluptuous frame to the fact that Hades has his own speech bubble type, I thought that artwork was unique and fit the tone of the story.

Screen Shot 2019-04-15 at 1.55.09 PM
Source: Hiveworks

I greatly enjoyed what Allison Shaw did with the Hades and Persephone myth. “Persephone” was a sweet and satisfying adaptation of a myth that I have always held dear to my heart.

Rating 8: A sweet and sexy retelling of the Persephone and Hades myth, with a focus on agency, attraction, and choosing one’s own path in life no matter how it may diverge from original expectations.

Reader’s Advisory:

“Persephone” isn’t included on any Goodreads lists, but I think it should be on “Hades and Persephone”.

You can find “Persephone” at Hivemill in both print and eBook form. It isn’t available on WorldCat, but keep an eye out should this change in the future.

Kate’s Review: “Bombshells United: Taps”

40996636Book: “Bombshells United (Vol.3): Taps” by Marguerite Bennett, Sandy Jarrell (Ill.), David Hahn (Ill.), and Aneke (Ill.)

Publishing Info: DC Comics, March 2019

Where Did I Get This Book: The library!

Book Description: The Batgirls are back…but some will be called to leave Gotham City behind. Alysia and Felicity head for Hawaii to investigate the mysterious radio signals causing trouble across the world, but they find a new voice for the revolution!

However, their findings leave the Bombshells divided! The Batgirls are determined to track down the source of their friends’ misfortunes, and their investigation leads to an eerie spit of land, where a lone radio tower projects a deadly signal that curses all who hear it.

Spinning off of the hit DC Collectibles statue line, Marguerite Bennett (Earth 2: World’s End) concludes this alternate reality where super-powered women are on the front lines fighting for justice!

Review: We’ve come to the point that I have been dreading basically since I first picked up the “Bombshells” books: the end. At first I dreaded the end because I loved the stories so very much. I remember the absolute joy I felt when reading the very first collection, “Enlisted”. I was blown away by the creativity, the feminism, the diversity, and the optimistic spunkiness, all being showcased in an alternate WWII universe. But once we got into “Bombshells: United”, and the series was abruptly cancelled by DC, my dread became less about missing the stories, and more about how much they had to wrap up in a short amount of time. And, unfortunately, my fears were not unfounded. “Bombshells United: Taps” was an unfocused and rushed mess of an ending.

But first, as always, let’s look at the positive. And there is a good amount of positive before I get to the negative, specifically the entire first half of this collection. The second to last arc of the series not only brings back The Bat Girls, but it also ropes in The Suicide Squad, Black Canary, and introduces Bumblebee! When a mysterious signal is going out over a pirate radio station, it turns listeners into violent, hypnotized automatons. The Batgirls, specifically Alyssa and Felicity, just want to know who has incapacitated their friends. The Suicide Squad has orders to take out Black Canary, as it’s her radio station AND her lover Oliver Queen has gone missing. Two scrappy side teams with very different ethos converging in Hawai’i was a very fun and suspenseful storyline, and anything that is going to showcase Dinah Lance is going to get positive snaps from me. Both the Batgirls and The Suicide Squad have different approaches on how to handle this situation, but as they all start to lose friends to the mysterious radio waves they have to find a way to work together to try and take it down. This side story was a fun one, and the solution harkened back to an older storyline, which I quite enjoyed seeing wrapped up in such a way. It felt like an appropriate send off for The Suicide Squad and The Bat Girls before this series has it’s final farewell, and a nice arc for Dinah Lance that fits her at times morally ambiguous personality.

But the last half, which is the final wrap up of the entire series, was confounding. I want to make clear that I do NOT completely fault Bennett and the other creative minds behind “Bombshells: United” for how this all went down. After all, to be cancelled so suddenly with so many open storylines and brand new ideas had to be not only devastating, but daunting. How could they properly wrap up so many things with such limited time left? It’s a monumental task no matter how you slice it. But instead of perhaps focusing on the core group of women and characters who started out the story, and giving them proper, well thought out send offs, instead it was decided that EVERYONE needs to be addressed, and that we need to wrap up the ENTIRE WAR in spite of the fact we left off in 1944, and we’ve barely addressed much outside of the Western Front! So the final wrap up jumps from Wonder Woman and her gang in one place, to Harley and Ivy in another, to Supergirl and her gang in another, AND YET STILL FEELS A NEED TO INTRODUCE NEW CHARACTERS AND THREATS, in the forms of Parademons, The Black Lanterns, and Lena Luther who happens to be an ALIEN (oh and so is LEX). Oh, and guess who else decides to show up? THE JOKER. As if it wasn’t already a bit nuts that Joker’s Daughter, whom we haven’t seen since the original Bombshells series, pops back in in hopes of snatching up Zatanna AGAIN. No, we also have to throw in THE JOKER, just so Harley can have her ‘I REJECT YOU, YOU BAD BOYFRIEND!’ moment that didn’t feel at all necessary, especially since her relationship with him was barely touched upon AND didn’t seem to have any kind of baggage remaining until this very moment. Why are you wasting time with this when there are so many Bombshells that need addressing? Oh, and The Flash even shows up for a couple of frames, and gets her own wrap up at the end for some reason in spite of the fact she for real pops in, and pops out, and everyone is like ‘who was that?’ So we are STILL introducing new Bombshells when I feel like the focus really ought to be on trying to do justice to the ones you already had, especially when you only have a couple issues to wrap up an entire war and a plethora of storylines. And so unfortunately, when you have a lot of characters and a lot of storylines that need to be wrapped up, none of them feel like they get their due, and a number of them get killed off in unceremonious berserker ways like Family FREAKIN’ Tyrell in “Game of Thrones”. But even there at least they got a send off; for some of our Bombshells that we’ve been following since the first arcs, it happens off page and barely gets a note of acknowledgement.

bombshells
This is one page. The next page does the same thing. Constant action. (source: DC Comics)

And then we get an “American Graffiti’ style wrap up with a ‘here is how they all ended up’ montage. It’s fine, but it’s a bit twee, and it is another reminder that there was so much going on, and so many characters who were barely given anything to do in the last story. It’s Selina who wraps everything up for us as she’s prepping Bruce Wayne to become a ‘space age’ superhero, while reminding him that, essentially, he ain’t shit compared to the ladies she’s seen in her day (oh and since his parents aren’t dead  he was raised with hope and love, because remember, there is nothing more powerful in this universe than the power of LOVE).

giphy-1
It was too much. (source)

Look, ultimately I am going to have fond, fond memories of “Bombshells” as a whole, because while the ending was rough, I can’t place all blame on the creators. And the entire first series was so inspirational and important. Hell, the “United” series has some solid moments as well, some of which are in this issue. I think that the unbridled ambition came back to bite it in the ass, as nothing is guaranteed in this very unfair world where you can keep rebooting tired male superheroes/villains over and over, and women characters need to be ten times more interesting to be even given a shot to keep going. It’s unfair. It’s frustrating. But it doesn’t change that the ending to this series was lackluster, and that isn’t just on the injustice of it being cancelled too soon. Goodbye, Bombshells. You will definitely be missed.

Rating 5: A muddled and frenzied end to a series that I will legitimately miss, “Bombshells United: Taps” was a bit of a mess. I can’t fault it completely, but I was very disappointed that this is how we left my beloved Bombshells.

Reader’s Advisory:

“Bombshells United: Taps” is included on the Goodreads lists “2019 Queer SFF”, and “Upcoming 2019 SFF With Female Leads/Co-Leads”.

Find “Bombshells United: Taps” at your library using WorldCat!

Previously Reviewed: