Tag: 9 Rating

Book Club Review: “The Scandalous Confessions of Lydia Bennet, Witch”

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We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is song inspirations, where we were given a random song from a random genre and had to pick a book based on the song.  For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “The Scandalous Confessions of Lydia Bennet, Witch” by Melinda Taub

Publishing Info: Grand Central Publishing, October 2023

Where Did We Get This Book: from the publisher!

Where You Can Get This Book: WorldCat.org | Amazon | IndieBound

Song Inspiration: “You’re No Good” by Lynda Ronstadt

Book Description: In this exuberant reimagining of Jane Austen’s Pride and Prejudice, Lydia Bennet puts pen to paper to relate the real events and aftermath of the classic story from her own perspective. Some facts are well known: Mrs. Bennet suffers from her nerves; Mr. Bennet suffers from Mrs. Bennet, and all five daughters suffer from an estate that is entailed only to male heirs.

But Lydia also suffers from entirely different concerns: her best-loved sister Kitty is really a barn cat, and Wickham is every bit as wicked as the world believes him to be, but what else would you expect from a demon? And if you think Mr. Darcy was uptight about dancing etiquette, wait till you see how he reacts to witchcraft. Most of all, Lydia has yet to learn that when you’re a witch, promises have power . . .

Kate’s Thoughts

When Serena chose “The Scandalous Confessions of Lydia Bennet, Witch” for book club, I briefly thought of how I was probably one of the least Austen knowledgable in our group of friends and fellow librarians. I’ve seen plenty of “Pride and Prejudice” adaptations (okay, two: the Keira Knightley one and “Fire Island”), I hadn’t actually read it outside of reading “Pride and Prejudice and Zombies”. The good news is that through my adaptation consumption I knew well enough that Lydia is considered to be an obnoxious brat. So the idea of following her, AND making her a witch, was super fun, and I was excited to read it. And overall I thought that it was a fun adaptation, and it gave Lydia a bit to work with while still keeping her fairly obnoxious. In the best way possible.

Since I’m not as familiar with Austen’s work and the various paths “Pride and Prejudice” re-imaginings and revisits can take, I will mostly focus on the supernatural parts of this book. There is something really satisfying about making Lydia Bennet an aspiring witch, if only because it makes her just that more interesting, while still making her a bit of an antagonist through her actions as a headstrong and self involved girl with a loose grasp on her powers and the consequences of them. I love the idea of Kitty being an actual cat that Lydia glamoured into a sister for companionship, I really enjoyed the dynamics between the witches in the coven and how the social pressures and cattiness was still present, I also really liked the way that Taub brought in Wickham in a way that fits into the larger scheme of things by making him a demon and a bit of a caddish foil to Lydia (also, props on Taub for finding a believable way to retcon the Georgiana situation that keeps that vital plot point while also making a scenario where one can still kind of root for Wickham and Lydia to have a relationship, dysfunctional and bitchy as it may be). Toss in spells and curses and lots of witch and fantasy stuff, all while still being able to fit into the original narrative, albeit off page, is very well done. And it makes Lydia more interesting than just the vain and bratty little sister.

“The Scandalous Confessions of Lydia Bennet, Witch” was a lark of a read, one that brought some fun magical mischief to a beloved tale. Even if you don’t like Lydia Bennet, this could be a fun read for a lover of “Pride and Prejudice”.

Serena’s Thoughts

Obviously I enjoyed this book. Enough to foist it upon the entire bookclub only a few months after I read it myself the first time. It also fit really well with this song prompt, as both Lydia and Wickham are villains (to various degrees) in the original story and morally grey at times in this one. And there is also a line in the song about hurting someone who was good and true, and my version of that line has it applying to Lydia’s choices regarding Kitty. Kind of a stretch in some ways, but no one can say our bookclub themes aren’t ambitious!

So, what is there new to say? As we discussed it in our bookclub, I was reminded of a few things that really stood out to me about this book. For some of our bookclub members, they struggled with the low level of action in much of the book. And that got me to thinking that this exact factor might be one of the very reasons this book stood out to me so well as a re-telling! All of Austen’s books are fairly low on the action front. There’s a lot of talking, there’s a lot of walking and talking, there’s a lot of dancing and talking, but there’s not much else really. So in that way, I felt like the slower pace and the strong focus on intrapersonal relationships really sold me on the concept of this book as a whole. Yes, there isn’t much as far as a deep dive into the fantasy elements, but I think this restraint better served the primary concept: that this is a version of “Pride and Prejudice” that could exist alongside the original.

I also enjoyed the irregular nature of the romance. This was another point that was hit and miss for some of our bookclub members, but I think, in hindsight, I also liked the way this played out. I’m not sure it would have read as well if Lydia and Wickham followed a more traditional romantic plot line. The way their “love story” plays out here is very much just the start of a possibility of romance than anything else. They are both true to their characters in that they can be selfish, a bit cruel, and are still learning how to truly value those around them. In this way, we see hints of a future for them, but it’s also clear that they aren’t anywhere near the finish line here. I thought this was a refreshing change to the typical romance plot line we see in many books like this.

For more of my thoughts, check out my original review!

Kate’s Rating 8: A creative reimagining of one of Austen’s more annoying characters, “The Scandalous Confessions of Lydia Bennet” is a fun and witchy side quest for Lydia Bennet.

Serena’s Rating 9: As satisfying the second time around as it was the first, especially if you’re interested in a slower paced, very “Austen-esque” style of fantasy story.

Book Club Questions

  1. How well did this book work as a re-telling of “Pride and Prejudice?” Were there any changes that stood out to you, either in a good way or a bad way?
  2. This book is told using an epistolary style. How did that effect your experience of the tale? Did you have a guess as to the identity of the person on the receiving end of this story?
  3. What did you think of the magic system and the version of witches introduced to the story?
  4. There are many examples of female friendships and sisterhood sprinkled throughout this book, some healthy and others less so. Did any of these relationships stand out to you and why?
  5. Lydia and Wickham are both either foolish or villainous characters in the original. What did you think of these versions of these characters and their romance?

Reader’s Advisory

“The Scandalous Confessions of Lydia Bennet, Witch” is included on the Goodreads lists: Austenesque – Paranormal, Supernatural, or Fantasy Books and Flipped Perspectives.

Next Book Club Pick: “Earthdivers (Vol. 1): Kill Columbus”

Serena’s Review: “The Serpent and the Wings of Night”

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Book: “The Serpent and the Wings of Night” by Carissa Broadbent

Publishing Info: Bramble, December 2023

Where Did I Get this Book: eARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: For humans and vampires, the rules of survival are the never trust, never yield, and always—always—guard your heart.

The adopted human daughter of the Nightborn vampire king, Oraya carved her place in a world designed to kill her. Her only chance to become something more than prey is entering the a legendary tournament held by the goddess of death herself.

But winning won’t be easy amongst the most vicious warriors from all three vampire houses. To survive, Oraya is forced to make an alliance with a mysterious rival.

Everything about Raihn is dangerous. He is a ruthless vampire, an efficient killer, an enemy to her father’s crown… and her greatest competition. Yet, what terrifies Oraya most of all is that she finds herself oddly drawn to him.

But there’s no room for compassion in the Kejari. War for the House of Night brews, shattering everything that Oraya thought she knew about her home. And Raihn may understand her more than anyone – but their blossoming attraction could be her downfall, in a kingdom where nothing is more deadly than love.

Review: Vampires have never really been my favorite paranormal creature. It would be easy to blame “Twilight” for this opinion, but even before then, back when I was reading “Interview with a Vampire” and the like, I never quite understood the appeal. Especially not in the romantic sense. How do you form a romantic interest out of a being that literally sees you as food? That in mind, I’ve been a bit hesitant about the recent resurgence of vampire fantasy fiction. But I’m always hopeful that there is a book out there that can change my mind on some of these pre-existing skepticisms. And, here we are, a vampire book that I actually really loved!

You know how a week ago I struggled to write a review for Jennifer Armentrout’s “Fall of Ruin and Wrath?” Mostly because, while I enjoyed the book, I could also objectively look at it and recognize that, at least in this instance, the author’s quality of writing was fairly low. Well, here I am a week later with a book that truly highlights the difference that good writing makes. In many ways, these books are similar. They are romantic fantasy fiction, focused on powerful beings and the humans who are caught up in their scheming, and, ostensibly, they both have unique worlds (I use the word “unique” carefully in Armentrout’s case as it seemed that she recycled some of her own ideas in her book.) But from the very first page, it is clear that this book is operating on an entirely different level. The sentence structure was varied and dynamic, the author pulled from a large vocabulary, the narration had a distinct voice, and the dialogue was engaging and natural. It was a success in every way, and I was immediately drawn in by the style.

The world-building was also introduced organically throughout the story, while not bogging down what ended up being a very fast-moving plot. The versions of vampires we see here are recognizable, but there was also a lot of creative interpretation built into the structure of this society, the political conflicts, and the lore of this world. I was also impressed by the creativity brought to the Kejari trials. Each one of them felt fresh and unique to this world and its story. These weren’t simple battles to the death, but intricate and dangerous puzzles of danger.

Further, I’ve also read a decent number of “Hunger Games” style books with deadly competitions at the heart of the story, and too often this aspect of these stories often falls flat, with the main character surviving due to heavy swaths of plot armor rather than any real skill we’ve seen from them. Instead, here, we have clear insight into Oraya’s success, with it often coming down to her keen observational skills and her drive to push herself further than her fellow competitors, beings who have been able to rely on their physical dominance up to this point. And that’s not to say that Oraya isn’t a powerful fighter herself. I appreciated the balance that was struck here between presenting Oraya, a human, as an exceptionally skilled fighter while also remaining realistic about the disadvantages she faced when competing against supernatural beings.

I also really enjoyed the romance that builds up through this story. This is definitely a slow-burn love story. Not only does the book itself hold off on its main characters getting together until late in the novel, but the structure of the plot takes place over months, giving our two characters a believable amount of time to work together, develop a friendship and partnership, and eventually a romance, overcoming their original distrust of one another. Of course, the book ends with a fairly large reveal (I was able to predict some of it, but that didn’t make it any less engaging when it happened), so the story is left in a state of upheaval as far as their love story goes. But the author so neatly side-stepped many failure points in the development of this relationship that I feel fully confident that she’ll navigate the path ahead just as successfully.

This book definitely doesn’t shy away from the violence of this world, so readers should go in expecting bloodshed. It’s also a romance novel in that it has fairly explicit scenes when it gets to that point. But it also reads well as a straight fantasy novel, with full attention and detail given to the plot and world-building. I think this book would likely appeal to most fantasy readers in general, beyond the romantasy fans out there. I really can’t express how impressed I was with this read. These books were originally self-published, so the sequel is available on Amazon now. But I’m going to try to hold off on reading and reviewing the second one until it comes out later this spring. Gotta support Bramble’s effort to pick up indie authors like this! Who know what other hidden gems are out there?!

Rating 9: Expanding the boundaries of what romantasy is capable of, this book has it all: solid word-building, compelling characters, and a fantastic love story!

Reader’s Advisory:

“The Serpent and the Wings of Night” isn’t on any Goodreads lists but it should be on Fantasy Vampire Romance .

Kate’s Review: “Family Style: Memories of an American from Vietnam”


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Book: “Family Style: Memories of an American from Vietnam” by Thien Pham

Publishing Info: First Second, June 2023

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A moving young adult graphic memoir about a Vietnamese immigrant boy’s search for belonging in America, perfect for fans of American Born Chinese and The Best We Could Do !

Thien’s first memory isn’t a sight or a sound. It’s the sweetness of watermelon and the saltiness of fish. It’s the taste of the foods he ate while adrift at sea as his family fled Vietnam.

After the Pham family arrives at a refugee camp in Thailand, they struggle to survive. Things don’t get much easier once they resettle in California. And through each chapter of their lives, food takes on a new meaning. Strawberries come to signify struggle as Thien’s mom and dad look for work. Potato chips are an indulgence that bring Thien so much joy that they become a necessity.

Behind every cut of steak and inside every croissant lies a story. And for Thien Pham, that story is about a search– for belonging, for happiness, for the American dream.

Review: June feels so long ago now, now that we are solidly in Winter here in Minnesota, but the reverberations of the ALA Annual Conference are still being felt in my reading journeys. One of the panels Serena and I attended had Thien Pham talking about his graphic memoir “Family Style: Memories of an American from Vietnam”, and I marked it on my ‘to read’ list and almost immediately put a hold on it at my local library. It took awhile for my hold to come in, but when it did I was still very much interested because I had enjoyed his contributions and couldn’t wait to read his story.

“Family Style: Memories of an American from Vietnam” is part immigrant story, part journey of self discovery, part homage to formative foods and cuisines. Pham and his family escaped Vietnam as refugees, and after spending time in a camp in Thailand they ended up in San Jose, California, with little money and few connections. Pham charts out this journey and the eventual settlement in a new country as immigrants, and while he talks about his own personal stories, he also references the stories of the lengths his parents would go to provide for their children. I liked how there was a lot of showing in this book versus telling, which is usually true about graphic novels in general, but Pham lets the reader see what his parents were going through, and what he was going through, with little commentary outside of what is going on in the scene. Pham shares difficult and scary memories, as well as lighthearted ones, and memories that feel pretty relatable to probably anyone reading it (ah the awkwardness of teenage crushes). And as Pham grows up in this new country, he starts to find new parts of his identity while trying to cling to the old ones as well. It’s a pretty familiar tale of children of immigrants or who grew up predominantly outside of their culture, but the personal notes make for a poignant reading experience.

And throughout all of it, there is the intertwining memories of food, and what that food represents to that part of his story. Whether it’s the rice ball that he savored after the small boat his family was on was attacked by pirates, or the Bánh Cuốn his mother made to make them money at the refugee camp, or the salisbury steaks Pham ate at his school in California, each memory with the food to anchor it reveals Pham’s formative years as he grows up in a new place that slowly becomes home. It’s such a testament to the way that food is a constant, and can be a gateway to love, family, memories, and how we interact with our world around us.

And finally, I like Pham’s art style. It’s not SUPER realistic, but it still conveys deep emotions in the moments that it needs to. I also liked the way he would make sure the food always had a bit of realism to it, especially when that food was reflecting that part of the story.

(source)

“Family Style: Memories of an American from Vietnam” is a lovely story about food, finding home, and finding oneself.

Rating 9: A poignant and touching (and sometimes quite funny) story about family, identity, and the way that food reflects culture, “Family Style: Memories of an American from Vietnam” is a must read graphic memoir.

Reader’s Advisory:

“Family Style: Memories of an American from Vietnam” isn’t included on any Goodreads lists as of now, but it would fit in on the list “Comics and Graphic Works on Migrants, Refugees, Human Trafficking”.

Serena’s Review: “The Witchwood Knot”

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Book: “The Witchwood Knot” by Olivia Atwater

Publishing Info: Starwatch Press, November 2023

Where Did I Get this Book:

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Victorian governess Winifred Hall knows a con when she sees one. When her bratty young charge transforms overnight into a perfectly behaved block of wood, she soon realizes that the real boy has been abducted by the Fair Folk. Unfortunately, the lord of Witchwood Manor is the only man in England who doesn’t believe in faeries—which leaves Winnie in the unenviable position of rescuing the young lord-to-be all by herself.

Witchwood Manor is bigger than its inhabitants realize, however, and full of otherworldly dangers. As Winnie delves deeper into the other side of the house, she enlists the aid of its dark and dubious faerie butler, Mr Quincy, who hides several awful secrets behind his charming smile. Winnie hopes to make her way to the centre of the Witchwood Knot through wit and cleverness… but when all of her usual tricks fail, who will she dare to trust?

Review: Olivia Atwater came out of nowhere for me as a reader. On a whim, I requested the first book I saw by her, “Half a Soul,” and that’s all it took! I quickly read all three in that series over the course of the summer. I know she has another book coming out sometime in the next year, something about baked good and the supernatural (sounds perfect to me!) so I was super surprised to see this book pop up on NetGalley when I was browsing one night. I didn’t even look into what it was, so I was that much more surprised to find that it is a story set in the same world as her original books, only this time taking place in the Victorian era, rather than Regency. Gothic horror and gothic romance? Count me in!

I’ve loved this shift towards gothic fantasy over the last year or so. Of course, there will always come a point where you can have too much of a good thing, but I haven’t reached it yet, as far as this trend goes. I was curious to see, however, how Atwater would fair taking on this sort of fantasy story. Her original three books were the epitome of light-hearted, comical, comfort reads. But a haunted house story and the gothic vibes that are meant to pair with it, well, that’s an entirely different tone! Low and behold, not only was this shift in tone successful, but the book also explores some fairly dark themes regarding assault and the nature of what makes a monster. I was incredibly impressed by how carefully these topics were covered, all without losing the overall appeal that is at the heart of Atwater’s style.

While this book is definitely more dark than her original trilogy, it also fit naturally within the greater world that had been created. In the other books, we saw hints of the darkness that existed in the world of the Fae and the nature of their strict, but confounding, approach to the rules of existence. Here, those aspects are drawn out and painted in darker colors. This book doesn’t shy away from its moments of horror, with violence seeping into scenes, as well as some truly creepy imagery. That said, this is by no means a horror novel. Not only was it laugh-out-loud funny at times, but within the story was an incredibly sweet romance as well as an unexpectedly touching relationship between Winnie and her ward.

I loved the main characters, as well. Winnie was a strong central character, working to unravel the mysteries at the heart of the Witchwood Knot while slowly beginning to form connections to those around her, breaking down walls that she had long-ago established for her own protection. I particularly liked the slow-burn romance between her and Mr. Quincy. The beginning of the book has him firmly slotted into a villain role, and I was impressed by how thoroughly the author worked to change the mind of both her main character and the reader. It was done in a very slow, subtle way. I will say that some of the character’s physical descriptions were a bit, um, unnerving, especially as a romantic interest. But on the other hand, I’m impressed with Atwater’s sheer audacity at just going with it and not trying to magic away the “otherness.”

I loved this book! It was right up there with “Half a Soul” as one of my favorites by this author. I’ve enjoyed all of her books, for sure, but I did appreciate this one more than some for the more serious themes at its heart. The balance felt more complete, with the lightness mixing naturally alongside the darker shades of grey, creating a more fulfilling read all around. Definitely check this one out if you’re a fan of this author or are looking for a solid stand-alone gothic fantasy novel!

Rating 9: Gothic fantasy at its finest, Atwater brilliantly combines her natural light-hearted style with the exploration of darker themes of redemption and what makes a monster.

Reader’s Advisory:

“The Witchwood Knot” isn’t currently on any Goodreads lists, but it should be on Haunted House Stories and Gothic Fantasy Books.

Kate’s Review: “Lore Olympus: Volume 5”

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Book: “Lore Olympus: Volume 5” by Rachel Smythe

Publishing Info: Inklore, October 2023

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Scandalous gossip, wild parties, and forbidden love–the Greek tale of Hades and Persephone gets a romantic modern update in the gorgeously illustrated, Eisner Award-winning Lore Olympus, including behind-the-scenes content!

“You want to know about The Bringer of Death.”
 
It is Persephone’s birthday, and she receives the ultimate gift: Hades confesses his desire for her, leading to their first kiss. But that doesn’t necessarily make things easier for the goddess of spring, who is still in over her head in gossip-driven Olympus. Persephone feels intense guilt over the official breakup between Hades and Minthe, she is struggling to find her footing in her fast-paced job, and—worst of all—the shades of her past are slowly coming to light.
 
After an unexpected encounter with Apollo, Persephone flees into the depths of the Underworld. Concerned for her safety and determined to find her, Hades must team up with Artemis, Eros, and Hera, but they’re working against a ticking clock. Zeus knows about the bloody secret in Persephone’s past, and now the furious king of the gods will stop at nothing to bring her to justice.

Review: “Lore Olympus: Volume 5” has actually been out since October, but with my Horrorapalooza theme for that month leading up to Halloween it meant that I had to delay reviewing Rachel Smythe’s newest volume of the reimagined Greek Mytho until long after it had come out. Which was difficult, because given that this is one of my favorite series at the moment (and possibly all time) I am always ready and willing to sing it’s praises as soon as I can. But that doesn’t matter, because here we are and I am fully, fully ready to jump into this next part of the story for Hades, Persephone, and all my favorite (and most loathed) Greek Gods and Goddesses and everything in between.

One of the things I really like about this series is that Smythe is doing a slow burn in terms of getting Hades and Persephone together, but is doing it in a way that feels, I suppose, ‘responsible’ on Hades’s part. There is something of a power imbalance between the two in this series (though obviously not in the same way as the original story, thank goodness), but instead of having Hades and Persephone throw that to the wayside, we do see Hades struggling with that dynamic and trying to hold boundaries. Partially because Persephone has requested that they do in spite of their attraction, and partially because as the story progresses he starts to realize that he doesn’t really KNOW Persephone outside of his perceptions of her as an ideal. But not to worry, there is still a lot of sexual tension, it just feels like it is a bit more on the same level between the two characters. We also see Hades genuinely worry about her even though he knows that she is hiding something on some level, and that first and foremost he wants her safe (especially after she feels a need to try and hide away after another awful encounter with Apollo; him trying to piece together where she could be and looking for her is a great arc for him at this point in time).

There is also finally some payoff for the hints that have been dropping about Persephone as the ‘Bringer of Death’ in this volume, and without spoiling anything, man does it pay off. Persephone has, up until this point, been portrayed as a bit naive and seemingly innocent to the ways of the world, though we have started to realize that she has been a bit stunted because of her mother Demeter’s overprotectiveness and that has very much contributed to this portrayal. Persephone isn’t this way because OBVIOUSLY that’s how Persephone as a goddess should be, but more because she has been isolated and hidden away and that has had an effect on her emotional growth, and when she was in the mortal realm she had started to realized as such. This conflict with her mother, this conflict within herself, and these constraints on her person all combine to create a very huge moment that would surely send ripples through the world of the Gods, and the reveal is both shocking, but also perhaps a little… unreliable, given who provides us with the context. That said, it REALLY gives us some insight not only into Persephone, but also Demeter, and ALSO how the Gods are, in fact, not infallible, even when they are generally kind and gentle, as Persephone is. I loved finally getting some answers about what Persephone (and other Gods and Goddesses) have been hiding, and it explains a lot of her actions up until now.

But what of the other characters? Oh, don’t you worry, there are PLENTY of awesome character moments and character developments in this one. I was especially keen on some of the things that Hera gets to do in this volume, but to be honest Hera is always killing it and I so love that Smythe has given her so many things to do and has given her so much depth. We get some more hints towards her own past traumas and the things she has given up to be Zeus’s queen, and how she could be SO MUCH MORE and how this has beaten her down. But we also get to see her wield these powers in other protective ways that make for very satisfying beats and scenes (God I love Hera in this). But the character who is really getting her layers peeled back in Minthe, who is still reeling over her ugly confrontation with Hades and how she can’t seem to stop sabotaging herself and her happiness. Smythe gives so much grace to Minthe , who definitely has self regulation and impulse control issues as well as a very poor self image. All these things lead to her lashing out over and over. But she does this without letting her off the hook for her nastiness towards others, particularly Hades and Thanatos, and I love how complex she gets to be. She still has a ways to go (get AWAY from Thetis, Minthe, she’s AWFUL!), but you can see glimmers of hope that she’s going to figure it out.

“Lore Olympus: Volume 5” continues a fantastic reimagining of my favorite Greek Myth. Now we just have to wait until May for the next Volume, and I know I already have it on pre-order.

Rating 9: We’re finally getting some insight into Persephone’s secret backstory, and Hera is getting some amazing moments of her own. Throw in some humanizing moments for Minthe and we have another fantastic entry into this Greek Mythology reimagining.

Reader’s Advisory:

“Lore Olympus: Volume 5” is included on the Goodreads list “October 2023 Most Anticipated Romance Releases”.

Previously Reviewed:

Kate’s Review: “Midnight Is The Darkest Hour”


This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Midnight is the Darkest Hour” by Ashley Winstead

Publishing Info: Sourcebooks, October 2023

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: From the critically acclaimed author of In My Dreams I Hold A Knife and The Last Housewife comes a gothic Southern thriller about a killer haunting a small Louisiana town, where two outcasts—the preacher’s daughter and the boy from the wrong side of the tracks—hold the key to uncovering the truth.

For fans of Verity and A Flicker in the Dark, this is a twisted tale of murder, obsessive love, and the beastly urges that lie dormant within us all…even the God-fearing folk of Bottom Springs, Louisiana. In her small hometown, librarian Ruth Cornier has always felt like an outsider, even as her beloved father rains fire-and-brimstone warnings from the pulpit at Holy Fire Baptist.

Unfortunately for Ruth, the only things the townspeople fear more than the God and the Devil are the myths that haunt the area, like the story of the Low Man, a vampiric figure said to steal into sinners’ bedrooms and kill them on moonless nights. When a skull is found deep in the swamp next to mysterious carved symbols, Bottom Springs is thrown into uproar—and Ruth realizes only she and Everett, an old friend with a dark past, have the power to comb the town’s secret underbelly in search of true evil.

A dark and powerful novel like fans have come to expect from Ashley Winstead, Midnight is the Darkest Hour is an examination of the ways we’ve come to expect love, religion, and stories to save us, the lengths we have to go to in order to take back power, and the monstrous work of being a girl in this world.

Review: Thank you to Sourcebooks for sending me an ARC of this novel!

Halloween is over but there is still a bit of Autumn left before things go full Winter over here (I mean, kind of…. it’s been VERY cold here, lately, so it feels more like Winter), and that means I’m still reveling in stories that just feel like the season. When “Midnight is the Darkest Hour” by Ashley Winstead ended up in my mailbox, the description made me think of dark nights and leaves and autumnal creepiness. It also caught my attention when the description made comparisons to “Thelma and Louise” and “Twilight”, because THAT is a combination that hadn’t crossed my mind before. So with my interest piqued and the seasonal aesthetic being perfect, I jumped in with high expectations, and I’m happy to say that they were pretty well met!

I was never on the “Twilight” train but I’m tickled that we are now at the place where it’s being referenced as a cultural touchstone in an adult thriller. (source)

With the “Twilight” references, not only in the description but also in the book itself, I went into “Midnight is the Darkest Hour” with certain expectations about how the story was going to go, but Winstead kept me on my toes and subverted them in many ways. I think that the biggest surprise for me was how much I really loved the relationship between our protagonist Ruth and her best friend Everett, and how that relationship defined not only themselves, but also in a way how the community saw them. While our story is from Ruth’s perspective, told through what’s happening in the present and also what happened in the past, I felt like I not only got a good sense of who she was, I also got a good sense of who Everett was, and how complicated they both are due to their various traumas and experiences of growing up in a hyper-zealous small town that sees them as threats (though their various social standings, her being the powerful preacher’s daughter and him being the son of a notorious criminal, makes the town approach them in very different ways). I really enjoyed how Winstead, instead of merely making them star crossed lovers, made Ruth and Everett have a connection that started as trauma bonding in a way as they try to hide a terrible secret, and then turns into a relationship that transcends both romantic and platonic into something that just feels correct. You know that a bond between characters really gets me in the feels when I don’t even need them to be together romantically, I just need them to be together in whatever way is going to work for them, relationship definitions be damned (Buffy and Spike are another of these, looping back to more vampire lore). True, there are some shades of “Twilight” here, whether it’s parallels or straight up references, but they are done in a way that I really liked even if I have no nostalgia for that story.

And as for the mystery, Winstead creates a sense of place and a slow burn urgency in Bottom Springs that puts both Ruth and Everett in danger and makes the stakes high from the jump. What starts as a skull found in the swamp, and an introduction to two characters who may know how it got there, soon turns into a mystery involving small town secrets, religious zealotry that infects and rots a community, corruption, and the superstitions of an urban legend known as the Low Man, and how they all tie together. Winstead throws a out there, but it never feels overwhelming or that she loses control over all of the threads that go into making a dark and eerie tapestry. She reveals pertinent details when she wants to and keeps the secrets close, and while I figured out some things, it was rarely too much earlier than she was intending. And I am always going to be a fan of thrillers and mysteries that take on the dangers of fundamentalism and the hypocrisies of many who pretend to be righteous within systems of oppressive power, and there were many a moment that my blood was somehow both boiling AND running cold as Ruth and Everett cross those at Holy Fire Baptist. Especially since Ruth is the daughter of the man who influences all of it. So many things in this book just click for me on a personal level.

“Midnight is the Darkest Hour” is an eerie and propulsive thriller that kept me on the edge of my seat, and made me swoon over its two main characters. I definitely recommend it for the fleeting Autumn season.

Rating 9: An addictive and otherworldly thriller about small town secrets, religious trauma, and unbreakable bonds between misfits.

Reader’s Advisory:

“Midnight is the Darkest Hour” is included on the Goodreads lists “R.I.P. Book Challenge”, and “Reads for Fall/Autumn”.

Kate’s Review: “The Intern”


This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Intern” by Michele Campbell

Publishing Info: St. Martin’s Press, October 2023

Where Did I Get This Book: I received an ARC from the publisher at ALAAC23.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A young Harvard law student falls under the spell of a charismatic judge in this timely and thrilling novel about class, ambition, family and murder.

Madison Rivera lands the internship of a lifetime working for Judge Kathryn Conroy. But Madison has a secret that could destroy her career. Her troubled younger brother Danny has been arrested, and Conroy is the judge on his case.

When Danny goes missing after accusing the judge of corruption, Madison’s quest for answers brings her deep into the judge’s glamorous world. Is Kathryn Conroy a mentor, a victim, or a criminal? Is she trying to help Madison or use her as a pawn? And why is somebody trying to kill her?

As the two women circle each other in a dangerous cat-and-mouse game, will they save each other, or will betrayal leave one of them dead?

Review: Thank you to St.Martin’s Press for providing me with an ARC of this novel at ALAAC23!

Back in October I had the pleasure of interviewing Michele Campbell. I had been approached to do a Q and A and to write a review for her newest book “The Intern”, but the timing, review wise, was tricky, as it was right at the start of Horrorpalooza. But I committed to reviewing the book as soon as Horrorpalooza was over, and when I did sit down with it I tore through this book in probably two days because it ensnared me so thoroughly. There are so many things about “The Intern” that work. This is absolutely my favorite book I’ve read by Michele Campbell, and it’s one of the best thrillers I’ve read in 2023.

I’m not beating around the bush, this was great. (source)

“The Intern” is told through the perspectives of two women. The first is Madison Rivera, an ambitious law student at Harvard Law who is desperate to rise above her difficult childhood and to make something of herself. The other is high powered judge Kathryn Conroy, who is respected in law circles and is Madison’s most liked professor turned boss once Madison becomes her intern. They have alternating sections in the book, with Madison being in the present and Kathryn being mostly in the past, and I liked getting one bit of information from Madison’s experience, and then getting more context and more information from seeing Kathryn’s past experiences. I felt that both women were pretty well rounded and complex, and once it was revealed that we were going to see what was going on in Kathryn’s mind, I knew that this was going to be a bit more than a run of the mill cat and mouse game thriller. Campbell really brought out her layers in particular, as while I anticipated her being a conniving antagonist, she ended up being quite a bit more than a potentially corrupt judge. Madison also had some well explored complications, and I really enjoyed watching her piece things together while also still feeling a certain loyalty to her boss, even when it could put her at odds with doing the right thing. Her ambition and her reasons for that ambition were wholly believable. It made for an interesting dual character study at the heart of the thrills (though Kathryn’s was the one that really drew me in).

And as a thriller this really clicked with me. The mystery has multiple mysteries within in, and as some questions were answered others would arise, all at breakneck speeds that kept me reading this book long into the night or any time I had ANY kind of down time. Campbell places clues in the past and present for the reader and Madison to parse through, while being skillful at misdirection and plot twists that completely caught me off guard. I don’t read that many legal thrillers, but this one has all the makings of a legal conspiracy story along with the elements of sudsier whodunnits, and Campbell balanced the tones of those sub genres with ease and combined them into a story that really grabbed hold. This is top notch stuff, it’s well thought out and well executed and was incredibly satisfying. Even though we get one big issue cleared up right away, there are plenty of other questions at hand to make for a fun and twisty read.

“The Intern” is an enjoyable thrill ride with some fascinating characters. If you are looking for a rollercoaster of a thriller, this is one to put on your list!

Rating 9: A suspenseful story with great twists and great characters, “The Intern” is Michele Campbell’s best novel yet!

Reader’s Advisory:

“The Intern” is included on the Goodreads lists “Legal Thrillers”, and “Chick Noir Novels”.

Kate’s Review: “Here in the Night”

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Book: “Here in the Night” by Rebecca Turkewitz

Publishing Info: Black Lawrence Press, July 2023

Where Did I Get This Book: I received a print copy from the author.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The thirteen stories in Rebecca Turkewitz’s debut collection, Here in the Night , are engrossing, strange, eerie, and emotionally nuanced. With psychological insight and finely crafted prose, Here in the Night investigates the joys and constraints of womanhood, of queerness, and of intimacy. Preoccupied with all manner of hauntings, these stories traverse a boarding school in the Vermont woods, the jagged coast of Maine, an attic in suburban Massachusetts, an elevator stuck between floors, and the side of an unlit highway in rural South Carolina.

At the center of almost every story is the landscape of night, with all its tantalizing and terrifying potential. After dark, the familiar becomes unfamiliar, boundaries loosen, expectations fall away, and even the greatest skeptics believe–at least fleetingly–that anything could happen.

These stories will stay with you.

Review: Thank you to Rebecca Turkewitz for sending me a copy of this book!

We are starting to wind down the Halloween Season, as the holiday is next week and the various creepy plans that I have for the month are coming to a head (“Hocus Pocus” night with ladyfriends? Check. “Practical Magic” night with more different ladyfriends? Check. “Lost Boys” party at the local Alamo? CHECK AND MATE!). And as we continue our horror lit journey for the month, we are now coming to a book that felt a little different than my usual horror fare. “Here in the Night” by Rebecca Turkewitz was sent to me by Turkewitz herself (thank you again!), and I was expecting another short stories horror collection with blatant scares, sub genre jumping, and the usual fare for the horror fan who wants smaller tales to read at their own leisure. But when I sat down and started reading, I realized that “Here in the Night” was something far different from what I was expecting, and that it was something very special because of it.

Like I always do, I will highlight my three favorite stories and then review the collection as a whole.

“Warnings”: Members of a school track team run in a desolate area, the warnings of predators and strangers at the back of their minds until something they never thought could happen, happens. This is one of the shorter stories in the collection, more like a flash fiction tale, but I loved the structure, written in a ‘we’ narration, speaking like a chorus and speaking for the track team as a whole and beyond. This story felt like an expanded take on the Calvin and Hobbes quote (which I’m probably butchering) ‘this is one of the things you figure will happen to someone else, but unfortunately we’re ALL someone else to someone else’. It’s scary and sad and sobering, and all achieved in maybe two pages.

“Here in the Night”: On June 12th 2016, Ellie and Jess are returning from a visit to Ellie’s family, and seeking out updates on the Pulse Nightclub massacre as they drive down an isolated country road in rural North Carolina. As their grief and anxiety builds, they question their differences in reactions as well as their differences in upbringings. Almost definitely the most heart wrenching story in the collection, Turkewitz captures the trauma, the grief, and fear, and the questions that were swirling in the queer community after this horrific hate crime happened, examining two women in a relationship who find themselves upset at the world as well as at each other amidst the fear and uncertainty. There’s the slow build of their relationship tension, but then a whole other tension about the potential danger they could be in in the moment, perhaps heightened due to the mass shooting on their minds, which make for some very unnerving beats as well as emotional ones.

“Crybaby Bridge”: Sam is a teenager who has just moved to small town Indiana after an incident in her old community in the big city, and has trouble fitting in with other girls on her basketball team. While at a sleepover they tell her the story of Crybaby Bridge, a haunted spot in town that is supposedly roamed by the ghost of a young woman who drowned her baby and then killed herself, and Sam finds herself drawn to the tale. I love a scary story about urban legends, and “Crybaby Bridge” does a really good job of spinning a familiar tale while subverting it in ways that I didn’t expect. I really loved Sam as a character, as she is so complex and nuanced and could read like a ‘not like other girls’ trope but is so much more. It’s also a great exploration of how urban legends can make villains out of victims and turn them into spectral monsters.

But I had a hard time picking my favorite three stories because I really enjoyed all of them. They are definitely horror stories, but they all flow so smoothly and read like literary ruminations on love, loss, grief, and trauma, and never in a way that felt like it was trying too hard (which can be a big sticking point for me when it comes to the idea of ‘literary’ horror; if you have to hammer home you’re ‘literary’, it just makes you seem like you think you’re more valid than genre horror, and I hate that). Turkewitz can peel back the layers of the human condition and find the scary things, be they real life or supernatural or perhaps ambiguous, usually framed within a female or queer experience. The stories here are effective but never feel over the top, and there were multiple times I said to myself ‘I really like this’ as I finished up one story and moved on to the next. Not a clunker in the bunch, and in my experience that is rare in a short stories collection.

I urge horror fans who are hoping to find something a bit more ruminative to seek out “Here in the Night”. These stories will unsettle you, but they will also bubble up emotions as they tug at your heartstrings. I am spreading the word on Rebecca Turkewitz. Check this book out.

Rating 9: Quite possibly the best short story collection I’ve read this year, “Here in the Night” combines uneasy supernatural horrors with the horrors of the real world, all with a literary flair that makes for an evocative read.

Reader’s Advisory:

“Here in the Night” is included on the Goodreads list “Spooky/Halloween LGBTQ+ Fiction”.

Kate’s Review: “Black River Orchard”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Black River Orchard” by Chuck Wendig

Publishing Info: Del Rey, September 2023

Where Did I Get This Book: I received an eARC from NetGalley and an ARC from the publisher at ALAAC23.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: It’s autumn in the town of Harrow, but something else is changing in the town besides the season. Because in that town there is an orchard, and in that orchard, seven most unusual trees. And from those trees grows a new sort of apple: Strange, beautiful, with skin so red it’s nearly black.

Take a bite of one of these apples and you will desire only to devour another. And another. You will become stronger. More vital. More yourself, you will believe. But then your appetite for the apples and their peculiar gifts will keep growing—and become darker.

This is what happens when the townsfolk discover the secret of the orchard. Soon it seems that everyone is consumed by an obsession with the magic of the apples… and what’s the harm, if it is making them all happier, more confident, more powerful? And even if buried in the orchard is something else besides the seeds of this extraordinary tree: a bloody history whose roots reach back the very origins of the town.

But now the leaves are falling. The days grow darker. And a stranger has come to town, a stranger who knows Harrow’s secrets. Because it’s harvest time, and the town will soon reap what it has sown.

Review: Thank you to NetGalley and the publisher for providing me with my eARC and ARC!

One of my favorite things to do in Autumn is going to an apple orchard. There are some good ones outside of the Twin Cities if you are willing to drive a bit, and some of my favorite places have not just apples but also Halloween themed attractions and apple themed baked goods. I mean, what’s not to love? I’m also an alum of the U of MN, which is known for apples given that it created species like the Zestar and the Honeycrisp. We know apples here. And I was thinking about all of these things as I read Chuck Wendig’s newest horror novel “Black River Orchard”, which takes the idea of apples and makes them downright evil. So obviously it is the PERFECT read for the Halloween season!!

So yes, this is a big book, like many of Wendig’s books are, but like his previous novels “Black River Orchard” is paced so well and is so addictive that it reads very, very fast. This nearly 700 page books took me maybe four days to finish because if I wasn’t dealing with the day to day responsibilities of my life, I was reading. We have multiple character perspectives and multiple interludes that add context to a complex but well thought out story, and I felt like it all came together really well even though there were so many threads that needed to interlock. I loved the variation in voices that our characters got, whether it’s Dan, the ambitious and increasingly sinister orchard owner, or his daughter Calla who can see him changing after his new Ruby Slipper apple hypnotizes the community, or newcomer Emily whose marriage is teetering on the brink, or John, a mysterious apple enthusiast who has reason to try and find out as much as he can about these mysterious and heavily sought out new apples. All of their perspectives (and more) were well fleshed out and I never found myself bored with a character chapter because they were all interesting to me.

And in terms of the horror elements of this story, Wendig really does earn the comparisons he gets to the likes of Stephen King, in that the horror is creepy and immersive, but there is almost always some hope and humanity there. Seeing the frog in the pot of boiling water scenario as Dan’s new Ruby Slippers start taking over the town, and turning those who eat them into fanatical and sinister shells of their former selves slowly but surely, is deeply unsettling and pulls the tension tight. Wendig takes his time to show how these apples are affecting people, sort of similar to “The Fly” in that it first seems all positive, with ailments being healed and confidence being boosted, but then we start to realize with a few other characters that no, things are going very, very wrong. We get hints of the strangeness in between chunks of the story at hand, whether it’s flashbacks to the town history or weird perspectives from animals on the property, and by the time we get to the big reveal and crux of what is at stake the body horror, groupthink violence, and psychological terror is all there and it is thriving. I was a tension filled mess in the last chapters, worried about how it was all going to shake out. Hell, even in some of the earlier chapters with moments of mere high strangeness I was in need of setting the book down for a bit. There is just something about the description of an apple skin mask that really, really gets under my skin. Wendig can make things like this seem absolutely terrifying!

“Black River Orchard” is another horror triumph from Chuck Wendig! I am always eager to see where his twisty but optimistic mind is going to go next, and this is a must read for the season. Maybe not if you plan to go to an apple orchard. Or maybe especially if you plan to go to an apple orchard!

Rating 9: Creepy as hell with many well conceived plot points that thread together, “Black River Orchard” is another winner from Chuck Wendig!

Reader’s Advisory:

“Black River Orchard” is included on the Goodreads list “Horror to Look Forward to in 2023”!

Kate’s Review: “The Court of Shadows”


This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Court of Shadows” by Victor Dixen and Francoise Bui (translator)

Publishing Info: Amazon Crossing, September 2023

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A fiery heroine seeks vengeance against a royal court of deadly vampires in this epic alternate history set in lavish Versailles.

Louis XIV transformed from the Sun King into the King of Shadows when he embraced immortality and became the world’s first vampire. For the last three centuries, he has been ruling the kingdom from the decadent Court of Shadows in Versailles, demanding the blood of his subjects to sate his nobles’ thirst and maintain their loyalty.

In the heart of rural France, commoner Jeanne Froidelac witnesses the king’s soldiers murder her family and learns of her parents’ role in a brewing rebellion involving the forbidden secrets of alchemy. To seek her revenge, Jeanne disguises herself as an aristocrat and enrolls in a prestigious school for aspiring courtiers. She soon finds herself at the doors of the palace of Versailles.

But Jeanne, of course, is no aristocrat. She dreams not of court but of blood. The blood of a king.

Review: Thank you to Amazon Crossing for sending me an ARC of this novel!

It’s early in the Halloween season (well…. okay it’s early in October, as for me the Halloween season starts the day after Labor Day), and you know that I just had to have a vampire story in my Horrorpalooza line up somewhere. So here we have “The Court of Shadows”, a historical fiction/alternate timeline/ vampire horror tale by Victor Dixen. Originally published in France, it has been translated into multiple languages and now it is hitting the United States. When it ended up in my mailbox I was wholly, wholly interested, and knew that it was going to be perfect to showcase during Horrorpalooza. Vampires in Versailles is just ingenius. And “The Court of Shadows” really sucked me in.

Dixen has created a familiar and yet foreign alternative timeline, in which much of the world has had vampires insert themselves into seats of power to govern countries and to feed upon the lower classes while they use the upper classes to keep them in line. In France King Louis the Sun King has been ruling as a vampire for 300+ years, and has established a court of aristocrats to keep the common folk in line while they are taxed of their blood. It’s such a unique vampire mythos that uses themes of the aristocracy and a parasitic nature (in multiple ways) that works SO WELL in vampire tales and makes them feel fresh. You add in a competition at a prestigious school that creates protectors and right hand men/women for the vampires, all potentially ending with a granted chance at vampirism for the winners, and I was completely enthralled. It makes for some engaging political intrigue as people plot and scheme, and try to make their ambitions bear fruit by any means necessary, all while they are pitted against each other for darker ends. I also highly enjoyed the concept of the Vampyria rule essentially stalling society in time, technology and culture wise, as it reads like France is still very much existing during the reign of the Sun King even though it is three hundred years later (aka, modern day). As a vampire tale, it works very well.

I also really liked Jeanne’s story arc as she goes from rural ‘commoner’ to vengeful imposter with a mission to kill the vampiric King Louis, and where that drive and ambition and journey takes her characterization. When we first meet her she is a bit in the dark about her family’s involvement in a potential rebellion against Vampyria, and in a moment of panic and self preservation she passes herself off as an aristocrat and ends up at a school where she will be trained to protect the vampires from any threats. From there she decides to win the favor and the training competition they are holding, as it will get her close to those who had her family killed, including Louis himself. It harkens back to dystopia tales like “The Hunger Games” or “The Belles”, but what I liked about Jeanne is that her rage and need for vengeance starts to transform her into a calculating, and in some ways merciless and brutal, competitor. I liked the complexity and how at times she was downright vicious, and walking towards the precipice of becoming a villain in her own way. It makes me all the more excited for the next book in the series, “The Court of Miracles”.

I enjoyed “The Court of Shadows”. The intrigue, the competition, the vampires, it all worked for me. I am very interested in seeing where we go from here in the next one.

Rating 9: Filled with political intrigue, complex characters, and a dark fantasy vision of a vampire run world, “The Court of Shadows” is entertaining and a Gothic delight.

Reader’s Advisory:

“The Court of Shadows” isn’t on any Goodreads lists as of now, but I think that if you enjoyed “The Belles” and general vampire fiction, this could be a good match.