Tag: 8 Rating

Serena’s Review: “Wildbound”

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Book: “Wildbound” by Elayne Audrey Becker

Publishing Info: Tor Teen, August 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: With the assassination of Telyan’s king, the time for peace has passed.

Determined to make up for his failure to procure the stardust, Helos finds work as a healer at Fendolyn’s Keep, the military garrison to which Telyan’s exiled royals–and half its civilians–have fled. Racing against the Fallow Throes’ ticking clock, he endeavors to repair his relationship with Prince Finley and fight off the gathering shadows in his head, as the base around him prepares for war.

Half a continent away, his sister Rora is doing everything she can to reawaken the land and end Eradain’s slaughter of magical beings. Still reeling from the revelation that Eradain’s violent monarch is her half-brother, she journeys to the kingdom determined to infiltrate his court in disguise–and finds the seeds of rebellion are already stirring.

With a magical illness running rampant and the continent arming for battle, the three realms’ long-feared destruction seems inevitable. But the two shifters they believed would bring about Alemara’s ruin may in fact hold the key to its survival.

Previously Reviewed: “Forestborn”

Review: This book has been on my “most anticipated” list pretty much from the minute I finished the first book, “Forestborn.” It was a surprise read for me, as I went in with very few expectations. But now the situation is reversed, and I had tons of expectations for greatness when I picked this one up. And, while it didn’t quite reach the highs of the first book, it definitely didn’t let me down. Let’s get into the review.

The two shifters, prophesied to bring death to the land years ago, have been separated. Rora has gone north to try and gather intel and help form a resistance to the tyrannical leader (who happens to be their half brother) who is trying stamp magic out of the land. For his part, Helos is eager to return to his work as a healer. But soon enough he finds that he is unable to so easily slip back into his quiet life. Instead, with the knowledge that he and his sister are potentially in line for the throne in the north, Helos is beginning to see a very different future for himself.

I was a little hesitant when I opened this book and realized the POV was split between Rora and Helos. For one thing, I was very happy in my single-POV perspective in the last book. And for another thing, in that book at least, Helos was kind of an unreasonable grump who I didn’t foresee needing tons of time with going forward. But I’m happy to say that I was proven wrong! Not only were Helos’s chapters very good, but as it stands, Rora’s own story was so simple that this book couldn’t have existed if it had focused only on her events. Frankly, there were a few times when I felt the story lagged due to the slowness of her storyline.

For his part, Helos’s story focuses a lot on inner growth. Not only does he need to process the torture that he underwent in the first book, but we also see his struggles with finding a place for himself in the world. Where Rora was already comfortably working for the royal family, Helos was always floating in a more mixed role, working as a healer but also deeply in love with the youngest prince. On top of that, here he is beginning to come to grips with a future as a monarch himself. His story is very much one of having to find balance and a way forward when you have two extremes with regards to helping others: on one hand, a healer literally touches the people and provides care, and this can be incredibly rewarding. But is there a responsibility to take on the role of leader to help the greater good, even if that means a loss of the instant gratification that comes from being a healer? It’s all very good stuff and I think handled in a way that acknowledges the intricacies of these types of choices.

As I said, Rora’s story, unfortunately, is where the pacing of the book got held up. And the reason this book’s rating had to drop a bit for me from the first book’s place. Her story feels both very fragmented, with her jumping from one group and mission to a different group and mission and again with very little natural transition. Beyond that, she doesn’t have much of a personal arch, which just makes her story a bit harder to become truly invested in.

That said, I was still much more interested in Rora and Wes’s romance than in Helos and Finley. Even spending more time with Finley here, I couldn’t shake my impression that he came across very much as a “manic pixie dream boy,” without much true personality to come by, other than being this perfect, charismatic bean. Which, frankly, I’m just not that interested in. And then, due to the nature of the story, Rora and Wes are apart for much of the book. I kept anxiously awaiting them to be reunited, and it was completely worth it in the end. But I do think this long delayed reunion contributed to my struggles with the pacing of the book in the first half of the book.

Ultimately, I did find this book to be a good conclusion to the duology and a solid read on its own. I don’t think it quite lived up to the high of the first book, but it definitely didn’t detract from that in any way. And it did resolve and nicely tie up the loose heads left hanging from that book. Also, I still love the romance between Rora and Wes, and the payoff there was well worth the wait. Fans of the first book should definitely check out this conclusion!

Rating 8: The pacing stumbled a bit and Rora’s own character lacked a direct arch, but I enjoyed Helos’s story a lot more than I expected and the romance was still on point!

Reader’s Advisory:

“Wildbound” can be found on this Goodreads list: YA Novels of 2022

Serena’s Review: “Soul Taken”

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Book: “Soul Taken” by Patricia Briggs

Publishing Info: Ace, August 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: The vampire Wulfe is missing. Since he’s deadly, possibly insane, and his current idea of “fun” is stalking Mercy, some may see it as no great loss. But when he disappears, the Tri-Cities pack is blamed. The mistress of the vampire seethe informs Mercy that the pack must produce Wulfe to prove their innocence, or the loose alliance between the local vampires and werewolves is over.

So Mercy goes out to find her stalker—and discovers more than just Wulfe have disappeared. Someone is taking people from locked rooms, from the aisles of stores, and even from crowded parties. And these are not just ordinary people but supernatural beings. Until Wulfe vanished, all of them were powerless loners, many of whom quietly moved to the Tri-Cities in the hope that the safety promised by Mercy and Adam’s pack would extend to them as well.

Who is taking them? As Mercy investigates, she learns of the legend of the Harvester, who travels by less-trodden paths and reaps the souls that are ripe with a great black scythe. . . .

Previously Reviewed: “Moon Called,” “Blood Bound,” “Iron Kissed,” “Bone Crossed,” “Silver Borne,” “River Marked,” “Frost Burned,”and “Night Broken” , “Fire Touched” , “Silence Fallen”,  “Storm Cursed” and “Smoke Bitten”

Review: I’m always happy when I see another “Mercy Thomson” book coming my way. I’ve always preferred this series to the “Alpha and Omega” companion series, and it’s been running on a high note for the last few books. Plus, I’m really getting pretty desperate about my urban fantasy situation. I’ve tried out a few things here and there, but how many of those reviews have you seen on this blog? Yeah…I think that says it all. Anyways, on to my tried and true!

Something is going on with the vampires. A sentence no one wants to hear, especially not Mercy and her pack of werewolves who are responsible for the lives of everyone in the Tri City area. The powerful and eccentric vampire, Wulfe, is missing and his mistress is also behaving strangely, tasking Mercy to find her lost vampire. At the same time, an urban legend of a powerful, dangerous weapon wielded by a being called the Harvester is beginning to sound like a bit more than a myth. On top of that, secrets in the pack are coming to a head. All just in another day for Mercy Thompson!

I really liked this entry into the Mercy Thompson series. For one thing, I was glad to see that we, again, experienced the book through Mercy’s eyes, with only a few the interruptions of chapters from Adam’s perspective. While there wasn’t a lot of character growth for either main character or changes in their relationship, this is hardly surprising considering we’re on, what, the 13th book? There was a bit of discussion around the continuing challenges of the secondary, beast form that Adam has been cursed with. I liked some of the exploration around this form being an extension of long-repressed PTSD from his time as a soldier before he became a werewolf.

For Mercy’s part, we see her continue to grapple with her understanding of her mentor/quasi-father figure, Zee, a powerful Fae being. The mystery of this book dives deeply into Zee’s own past, and we see Mercy again have to confront the darker sides of her friends. As she spends most of her time surrounded by “monsters,” this type of grappling with finding the good in beings who, in some form or another, routinely deal with death, has always been a compelling part of the story.

Beyond Zee’s story, we also get more background into Bran and his family. I was still left wanting a bit more here, but it’s always interesting when we can add layers on top of this complicated character and his sprawling history as the leader of the werewolves. Mostly, however, the book focused in on the history of the vampires we know well: Marsilia, Stephen, and, most especially, Wulfe. There was a lot of great history to be found here, and I really liked how their story was tied into the other mystery of the Harvester and how that had become an urban legend in the first place.

For everyone who enjoys this series, this was definitely a solid entry. It doesn’t advance Mercy’s own story in any significant ways, but it also continues the tradition of finding clever ways to use her shifter affinity with death magic to solve otherwise impossible situations. We also got a good amount of information about the vampires and their twisted histories and relationships. Fans of the series will likely be very happy with this one.

Rating 8: A clever use of Mercy’s magic, a nice addition to the lore of this world, and a fun story all around!

Reader’s Advisory:

“Soul Taken” can be found on these Goodreads lists: Most Anticipated PNR 2022 and Trickster Gods.

Kate’s Review: “Shutter”

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Book: “Shutter” by Ramona Emerson

Publishing Info: Soho Crime, August 2022

Where Did I Get This Book: I received an ARC of this novel at ALAAC22.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: This blood-chilling debut set in New Mexico’s Navajo Nation is equal parts gripping crime thriller, supernatural horror, and poignant portrayal of coming of age on the reservation.

Rita Todacheene is a forensic photographer working for the Albuquerque police force. Her excellent photography skills have cracked many cases—she is almost supernaturally good at capturing details. In fact, Rita has been hiding a secret: she sees the ghosts of crime victims who point her toward the clues that other investigators overlook.

As a lone portal back to the living for traumatized spirits, Rita is terrorized by nagging ghosts who won’t let her sleep and who sabotage her personal life. Her taboo and psychologically harrowing ability was what drove her away from the Navajo reservation, where she was raised by her grandmother. It has isolated her from friends and gotten her in trouble with the law. And now it might be what gets her killed.

When Rita is sent to photograph the scene of a supposed suicide on a highway overpass, the furious, discombobulated ghost of the victim—who insists she was murdered—latches onto Rita, forcing her on a quest for revenge against her killers, and Rita finds herself in the crosshairs of one of Albuquerque’s most dangerous cartels. Written in sparkling, gruesome prose, Shutter is an explosive debut from one of crime fiction’s most powerful new voices.

Review: Thank you to Soho Crime for giving me an ARC of this novel!

Before I went out to the ALA Annual Conference this summer, I made a list of books that I wanted to look for in potential ARC form. I also sat down and tried to figure out which publishing house was where on the map so I could be the most efficient in finding said potential books. There were some that I put little stars next to, denoting that these were the books I was most excited for, and “Shutter” by Ramona Emerson was one of those books. I had stumbled upon the description of this book online, and it just called out to me. An Indigenous author combining a gritty detective procedural with a story of a woman who can see ghosts at the crime scene she photographs? In Albuquerque, when New Mexico is one of my favorite states?! HELL YES I WANT THIS BOOK! And I was so thrilled when it was available. I finally sat down to read it about a month after the conference, and let me tell you, I was not disappointed.

The first big thing is that, as we all know, I am a HUGE sucker for stories with people who can see ghosts. I love the idea of a person communicating with the dead, and so help me, if it helps solve a crime and gets tangled up in a procedural setting, I am going to be SO ON TOP OF THAT. And Emerson nails that entire concept here with a really likable medium protagonist, a well established psychic connection to the dead, and how that can both help and hinder her (and it’s mostly hinder her) in her professional and day to day life. I love the idea of the dead not being at all chill about finding someone they think can help them, and then becoming so obsessed with her that THAT is one of the scariest things. In so many stories like this the medium just assists the ghosts because that’s just the right thing to do. In “Shutter”, the ghost in question, Erma, is a complete psychotic asshole who is making Ramona’s life a living hell, and watching it escalate is creepy and scary. I also liked the kinder and gentler interactions between Ramona and ghosts, mostly those from her childhood where her deceased grandfather would come to visit. But along with all that, I also LOVED how Emerson brings an Indigenous perspective to this, and how for Ramona as a Navajo woman seeing the dead is incredibly taboo and something that makes those in her community wary of her, as well as worried for her. Because of this, she cuts herself off from her culture in some ways, and it reflects a lot of the tragic ways that Indigenous people can lose grasps on their identities in a reality that doesn’t involve ghosts.

But this is also a solid procedural thriller, that mixes in gritty detective drama, cartel threats, and a very real and malevolent undercurrent of police corruption that is rotting at the systemic level. While it is true that Erma is a pain in the ass and genuinely creepy at times, the real threat to Ramona is getting too close to not only dangerous drug runners, but also realizing that the supposed ‘good guys’ that she works with can be just and threatening, as law enforcement has its own problems with violent, dangerous people working within it. Emerson also addresses how Rita, as an Indigenous woman, had bad run ins with police as a kid, where she tried to use her powers to help solve a murder, but then was zeroed in on as a potential suspect as opposed to someone with information. Sometimes procedurals get lost in the idea of good police working against the odds, and maybe address a smattering of bad cops here or there while being sure to show that the hero cops are righteous and true. I always kind of like it more these days when stories about law enforcement, even those that follow detectives and police, are more honest about the serious problems law enforcement in this country has in regards to racism and corruption, and “Shutter” addresses it very well.

If you love a good detective story, and if you love a good story about people who talk to ghosts, absolutely pick up “Shutter”. I thoroughly enjoyed it.

Rating 8: Heavy, creepy, and suspenseful, “Shutter” is an awesome horror twist on a procedural mystery.

Reader’s Advisory:

“Shutter” isn’t on any Goodreads lists as of yet, but I think it would fit in on “Not the ‘Normal’ Paranormal”.

Serena’s Review: “The Wonder Engine”

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Book: “The Wonder Engine” by T. Kingfisher

Publishing Info: Argyll Productions, March 2018

Where Did I Get this Book: from the library!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Pull three people out of prison–a disgraced paladin, a convicted forger, and a heartless assassin. Give them weapons, carnivorous tattoos, and each other. Point them at the enemy.

What could possibly go wrong?

In the sequel to CLOCKWORK BOYS, Slate, Brenner, Caliban and Learned Edmund have arrived in Anuket City, the source of the mysterious Clockwork Boys. But the secrets they’re keeping could well destroy them, before the city even gets the chance…

Previously Reviewed: “Clockwork Boys”

Review: So, I actually read these books pretty much back to back. But, due to blog scheduling and wanting to get more timely releases out during the month they were published, here we are about a few months later with this review. Before getting into anything else, I will say that I recommend all readers of this duology to read the books this way, one after another. They’re both short and, all things considered, they read better as a longer, single story than as two separate works.

The journey to Anuket City was fraught with peril. Frankly, Slate didn’t think she and her band of criminals were even going to make it. Which was part of the reason she agreed to go. But now they’ve arrived, Slate must not only deal with the ruthless crime boss who’s out for her head, but she and the others still must discover the source of the powerful Clockwork Boys. On top of all of this, Slate isn’t quite sure what to do with her increasing feelings for the proud and proper paladin, Caliban.

Given that I already stated that I think these two books should be read as one, and the fact that I rated the first book fairly high, it’s probably no surprise that I enjoyed this second book. After some of the events of the first book (and, honestly, the title itself??), I felt like the mystery to the creation of the Clockwork Boys was pretty obvious, however. There were a few other surprises along the way, but I feel like the astute reader will be able to predict most of them. The way they all worked together, however, I thought was interesting. Most of these reveals also drove character growth in our two main characters, so I think they were largely successful.

The reveal regarding Slate’s history with the city was, perhaps, a bit underwhelming as a hole. But again, when her past caught up to her, there were a good number of exciting action sequences, as well as some self-reflection on her part. When the duology began, Slate was very cavalier with her own life, seeming resigned, almost eager, for her own death. Here, she not only has to come to terms with the fact that she does want to live, but that she may need to change the way she has been living as well (though not so much as to give up forgery!).

For his part, Caliban has been dealing with a crisis of faith, a loss of belief in not only himself but the emptiness in his being where his god has resided. But during their time in Anuket City, Caliban begins to once again find the value in himself and the unique abilities that he still brings to the world. At times, these are cruel, harsh choices. So his worth is not only in being able to commit challenging acts but in shouldering the weight of decisions other may have crumpled beneath.

I also really liked the romance that develops between Slate and Caliban. They are both adults with full lives behind them. This means they bring their own baggage to any potential relationship. But it also means they have to learn to bend again, to understand what compromises they are willing to make to slot their own lives in alongside another.

This was a really fun book (both this and the first one). It was action-packed and read so quickly! I finished this second book up in two sessions, and probably could have done one, but for the pesky children in my house. Fans of T. Kingfisher’s work will definitely enjoy this. And anyone looking for a fun, light fantasy read should check this out!

Rating 8: Some of the twists were a bit too easy to predict, but the fun and heart of the story make it well worth the read!

Reader’s Advisory:

“The Wonder Engine” can be found on these Goodreads lists: Speculative Fiction Heist/Caper Stories and Indie Authors Everybody Should Read.

Serena’s Review: “The Book of Gothel”

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Book: “The Book of Gothel” by Mary McMyne

Publishing Info: Redhook, July 2022

Where Did I Get this Book: from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Haelewise has always lived under the shadow of her mother, Hedda—a woman who will do anything to keep her daughter protected. For with her strange black eyes and even stranger fainting spells, Haelewise is shunned by her medieval village, and her only solace lies in the stories her mother tells of child-stealing witches, of princes in wolf-skins, of an ancient tower cloaked in mist, where women will find shelter if they are brave enough to seek it.

Then, Hedda dies, and Haelewise is left unmoored. With nothing left for her in her village, she sets out to find the legendary tower her mother used to speak of—a place called Gothel, where Haelewise meets a wise woman willing to take her under her wing.

But Haelewise is not the only woman to seek refuge at Gothel. It’s also a haven for a girl named Rika, who carries with her a secret the Church strives to keep hidden. A secret that unlocks a dark world of ancient spells and murderous nobles behind the world Haelewise has always known…

Review: I always love fairytale retellings, so it was pretty much a given that I would get my hands on this book somehow this summer. It also just happened that bookclub had finished up reading “Circe” (which I loved), so when I saw that this was also being compared to that plus “Wicked,” I knew this was going to jump my order of reading for July releases. It’s always so interesting to see what authors manage to dream up for characters who are not only “wicked,” but also only feature very briefly in someone else’s tale. Not only do these bare bones characters need to be fleshed out, but you have to imagine an entire history and world that will weave into a tale that must remain somewhat familiar to readers. It’s a challenge, for sure, but there are also a number of ways to go with it. Let’s dive in!

In medieval Germany, almost anything can get a woman labeled “witch.” So, between her strange fainting spells and her powerful, midwife mother, Haelewise is doomed to a childhood of side-eyes and whispers. When tragedy strikes her small family and what stability she has managed to find for herself is shaken beneath her feet, Haelewise sets off for a fabled tower her mother once spoke of. The mysterious Gothel is a refuge for women who do not fit into the narrow molds offered to them, and there Haelewise’s understanding of herself and the world explode outwards, as powerful forces clash and another strange girl, Rika, carries a secret that could change everything.

There was a lot to like about this retelling! For one thing, “Rapunzel” seems like a fresh beat in the fairytale retellings subgenre, so it immediately felt new and interesting. However, that’s not enough to make a story great. Right off the bat, it was clear the author had done her research into medieval Germany. The society, language, and culture all felt spot-on. Obviously, there was a good amount of magic, especially in the final bit of the book, but without that, it would have been easy to confuse oneself into thinking this was a historical fiction novel instead of fantasy at all. We even had a notable historical figure make an appearance, which I absolutely loved. Part of me wishes we had seen more of them, but then again, it wasn’t their story so we wouldn’t want them to steal the show.

Haelewise’s story feels achingly familiar to what we can imagine life for a strange woman in this time period would be. Her fainting fits would likely have an easily understandable medical diagnosis in our time, and it would barely affect her life. But in this time, even such a little thing as this is enough to get her marked as strange and make others leery of her. I really liked the way her character is worked into the classic fairytale, and even how “Rapunzel” herself has a tale that twists out in a unique way, though still familiar enough to be recognizable.

The book plays out over the entirety of Haelewise’s life, so we do get to see a decent amount of her childhood and youth, alongside her years as an adult. While I liked this in general, I did feel that the balance of the romance was slightly off. We got to see Haelewise and Matthuas a lot when they are younger, but the I didn’t feel like we got to see enough of them together as adults. Yes, the romance is definitely not the heart of the story, but for me, I can always do with a dash more!

Overall, I really liked this book. It’s well-researched and a fresh view of a less popular fairytale. Fans of fairytale re-tellings, especially those that focus on women who played only small roles in their original tales (ala “Circe” and “Wicked”) should definitely check this one out! Aldo, don’t forget to enter to win an ARC copy of this book!

Enter to win!

Rating 8: Right up my alley for a fairytale retelling from a “villain’s” perspective!

Reader’s Advisory:

“The Book of Gothel” is on this Goodreads list: Debuts in 2022

Serena’s Review: “The Darkening”

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Book: “The Darkening” by Sunya Mara

Publishing Info: Clarion Books, July 2022

Where Did I Get this Book: NetGalley!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: In this thrilling and epic YA fantasy debut the only hope for a city trapped in the eye of a cursed storm lies with the daughter of failed revolutionaries and a prince terrified of his throne.

Vesper Vale is the daughter of revolutionaries. Failed revolutionaries. When her mother was caught by the queen’s soldiers, they gave her a choice: death by the hangman’s axe, or death by the Storm that surrounds the city and curses anyone it touches. She chose the Storm. And when the queen’s soldiers—led by a paranoid prince—catch up to Vesper’s father after twelve years on the run, Vesper will do whatever it takes to save him from sharing that fate.

Even arm herself with her father’s book of dangerous experimental magic.

Even infiltrate the prince’s elite squad of soldier-sorcerers.

Even cheat her way into his cold heart.

But when Vesper learns that there’s more to the story of her mother’s death, she’ll have to make a choice if she wants to save her city: trust the devious prince with her family’s secrets, or follow her mother’s footsteps into the Storm.

Review: This was last minute request for me when I was looking around for another July book to fill out my reading list for this month. I’ve been a bit hesitant with YA fantasy for a while, because I feel like more and more I’m struggling to connect to this genre, and I don’t want this blog to just be me repeating myself about something I should be more selective about in the first place. That said, this was a good reminder why I haven’t given up on the genre as a whole since I really enjoyed it!

Living on the very edge of the city, Vesper is constantly aware of the storm at their door, quite literally. The massive storm, full of powerful, raging beasts has slowly been inching inwards for decades, eating the up the remaining land livable for the isolated city. When her revolutionary father’s past catches up with him, Vesper will do anything to save him. As she uncovers more of the threat that is the storm and the powerful magic that is all that holds it back, she realizes that there is more to save than just her father. But to even try means trusting the very people who arrested her father, determined prince and his team of magical warriors.

There was a lot to like about this book, even though much of it will read as very familiar to YA fantasy fans. Mostly, this goes to prove that even well-worn stories and tropes can still come alive if given a solid main character and straight-forward writing. The world itself was very interesting. For one thing, it’s tiny, composed of an ever-shrinking city where, over the decades, rings of neighborhoods have been eaten up by a vicious storm. All that holds the storm back from sweeping through the entire populace is the barely understood magic wielded by the ruler. However, the book explores how even in the midst of an existential crisis that will ultimately be everyone’s problems, people have a persistent ability to not think much about a problem if it’s not affecting them directly.

Our main character, Vesper (YA name alert!), lives on the outer ring where poverty and the ever-present threat of the storm is a very real hazard. Not only that, she comes from a family who were failed revolutionaries, leaving her and her father as wanted criminals. When her father is captured and Vesper travels to the inner ring of the city to save him, she is confronted with the harsh reality of just how out of touch the inner rings are. However, when she meets the prince, she must also confront the idea that in a world such as this, with a threat as large as the storm, sacrifice for the good of all at the expense of some is a very harsh, but very necessary, truth. It was nice to see Vesper have to adjust her own opinions of the world and how the storm is being fought; all too often, heroines such as this end up feeling like sparkly star people who, just by the nature of the story, are the all righteous beginning and ending. And while she brings to attention the plight of the poor, it’s nice to see that she, too, by the nature of her limited world, does not have a full picture of everything going on.

The romance itself was fine. I liked the interactions we had between Vesper and the prince, and the story took a definite turn in the final quarter that I hadn’t seen coming, so that was refreshing. However, I was glad of the other supporting characters who all formed their own unique relationships with Vesper, each helping her fully realize herself and her goals in different ways.

As I said, while there was a lot to like here, YA fantasy fans may find much of it familiar. For example, some of the reveals about the history of the world and the storm were fairly easy to predict (if not in all the details). The romance, too, felt like something I’ve read before, with both Vesper and the prince filling fairly familiar roles. That said, the writing was solid and I read this book quite quickly in only a few sit-downs. It’s always nice to see that there is new YA fantasy coming out that, while familiar, can still draw me in to appreciating the genre. YA fantasy fans should definitely check this one out; mileage may vary depending on how familiar one is with these tropes and themes.

Rating 8: Familiar but in a good way, exploring interesting themes of responsibility, self, and the fight for the betterment of people, both on the macro and micro level.

Reader’s Advisory:

“The Darkening” isn’t on any Goodreads lists yet but it should be on “Weather Magic.”

Serena’s Review: “Dead Water”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Dead Water” by C.A. Fletcher

Publishing Info: Redhook, July 2022

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: There’s something in the water… On the edge of the Northern Atlantic lies a remote island. The islanders are an outwardly harmonious community—but all have their own secrets, some much darker than others. And when a strange disorder begins to infect them all, those secrets come to light. Ferry service fails and contact with the mainland is lost. Rumors begin to swirl as a temporary inconvenience grows into nightmarish ordeal. The fabric of the once tight-knit island is unnervingly torn apart—and whatever the cause, the question soon stops being how or why it happened, but who, if anyone, will survive.

Review: I’m pretty much treading on Kate’s toes at this point, since this book clearly fits within the horror genre. But to be fair to myself, it’s from an author I’ve read and enjoyed in the past (seriously, “A Boy and His Dog at the End of the World” is fantastic!), so I was just following my own reading track record to read this latest release. It’s also worth noting that this is the second time in about a month where I’ve read a horror book that not only features zombie rabbits but has them on the cover. Trends are weird, man. Anyways, on to the review!

On a small island, accessible only by ferry once a day, there is no escaping one another. For better or worse, everyone knows everyone, and secrets and gossip have a way of coming to the surface. But when a strange malady begins affecting the people of the island, the true inescapabilty of the place hits home. Without knowing the cause of the curse, an ancient thing half lost to memory, who will survive the night of horror ahead?

I’m going to go out on a limb right now and guess that this book will be a bit polarizing to readers. And I think that all comes down to the pacing and stylistic decisions the author makes early in the book. It’s a slow (sloooooow) start to the story, and we are introduced to a large number of POVs in quick succession. For me, because I enjoyed Fletcher’s first book so much and knew that that one had a large payoff at the end for the groundwork laid early on, I had enough faith that this was all going to go somewhere eventually to happily read on. But I imagine for some readers it may be feel like quite a slog. The horror/fantastical aspects of the story really don’t start showing up until almost halfway through the story.

I think this slow build and the sheer number of characters actually worked really well in the end, if you can get there. For one thing, by having this number of characters, you really get a sense for the feeling of the island, where everyone knows everyone, and their lives weave in and out of one another’s in interesting ways. It also created a situation that gives the reader an increased investment in the outcome of the horror that begins to unfold. These are people with hopes, dreams, flaws, and strengths, not simply NPCs dropping like flies with no thought in the world. It was also clever that your opinions of some of the characters changed as the story continued, so those who you thought were easy-fodder-baddies become more interesting in their own right.

There was also an interesting history and myth that slowly unfolds between chapters of the book. Not only did I find this smaller story interesting in its own right, but there was a surprising twist that came into play in the last fourth of the book that really pulled this story into the present situation in a unique way.

There was also a great exploration of grief and family that winds its way throughout the story. We see how much family is a choice that one makes, regardless of blood connections. That families can support each other but also uniquely break one another. One of the main (ish) characters is also struggling with the recent loss of a spouse, and we see her having to confront some of the darker sides of grief. There’s also an interesting touch on faith and belief that comes into play as the story unspools.

In the end, I think the payoff of the last half of the book is well worth the slow start of the story. By the time the horror starts to tack up, you really care about the characters who are in the path of this violence. And woven throughout is a heart-warming story of coming to understand both the tragic but also the bright sides of love and family. If you enjoy slower, immersive reads with a nice touch of horror and fantasy, than this is definitely one to check out!

Rating 8: A slow start ultimately pays off in a creeping, dread-filled story that also explores beautiful themes of family and the power of love.

Reader’s Advisory:

“Dead Water” isn’t on any Goodreads lists yet but it should be on Aquatic Horror Books.

Kate’s Review: “Things We Do in the Dark”

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Book: “Things We Do in the Dark” by Jennifer Hillier

Publishing Info: Minotaur Books, July 2022

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: When Paris Peralta is arrested in her own bathroom—covered in blood, holding a straight razor, her celebrity husband dead in the bathtub behind her—she knows she’ll be charged with murder. But as bad as this looks, it’s not what worries her the most. With the unwanted media attention now surrounding her, it’s only a matter of time before someone from her long hidden past recognizes her and destroys the new life she’s worked so hard to build, along with any chance of a future.

Twenty-five years earlier, Ruby Reyes, known as the Ice Queen, was convicted of a similar murder in a trial that riveted Canada in the early nineties. Reyes knows who Paris really is, and when she’s unexpectedly released from prison, she threatens to expose all of Paris’s secrets. Left with no other choice, Paris must finally confront the dark past she escaped, once and for all.

Because the only thing worse than a murder charge are two murder charges.

Things We Do in the Dark is a brilliant new thriller from Jennifer Hillier, the award-winning author of the breakout novels Little Secrets and Jar of Hearts. Paris Peralta is suspected of killing her celebrity husband, and her long-hidden past now threatens to destroy her future.

Review: Thank you to Minotaur Books for sending me an ARC of this novel!

Jennifer Hillier is an author whose novels always get under my skin because of how creepy and unsettling they are. Every year I am on the look out for news of a new book, and imagine how excited I was when Serena handed me some book mail and included was her new novel “Things We Do in the Dark”! While I’m always down for eARCs, print ARCs are just so satisfying to hold in my hand. I saved this one for my plane ride out to D.C., and boy, did I get sucked totally in.

Hillier has once again written a thriller that has a lot of twists and turns with complex build up, interesting characters, and explorations of darker themes that don’t bog down the story. We are dealing with two mysteries in this book, both involving our protagonist Paris Peralta. The first, and most obvious, is the death of her husband Jimmy, an aging comedian who was on the edge of a comeback. Paris was found in the bathroom next to his dead body, with a straight razor in her hand. The second is a bit more convoluted, as Paris has been receiving letter from a convicted murderer name Ruby Reyes, who is threatening to expose OTHER secrets from Paris’s past. It isn’t super clear as to how these two stories connect from the get go, but Hillier relies on the patience of her readers as she slowly starts to drop clues, give background, and introduce us to a whole cast of characters who have secrets, vendettas, painful memories, and regrets. We would jump from Paris’s murder charge, and then we’d go to learn more about Ruby Reyes and the horrible things that SHE did, mostly through the eyes of a podcaster who was friends with her deceased daughter Joey who, like Paris, doesn’t want her to get out on parole, though for different reasons. It takes time to understand how Paris connects to Ruby, but while the burn is slow the payoff is great, and every time I thought I had something figured out, I would realize that there were actually things that I had missed. IN terms of the two mysteries, Hillier balances them both and I liked both of them quite a lot, especially after they merged.

But what makes Hillier’s stories stand out from other thrillers is that she tackles some pretty dark themes without letting them overwhelm the story. Paris is a Filipino American whose race has been a factor that has led to whispers about her relationship with her husband, and she has tried to fit in within an upper class lifestyle in spite of the racism (and classism) she’s had to deal with her entire life. We also look into her past as a survivor of various things, and how her poverty stricken childhood within a dangerous and abusive home situation has made her strive to escape a dark past. Paris has issues, Paris has secrets, but she is always intriguing and compelling as she tries to clear her name… and to also keep her secrets at bay. With these dark elements, however, come content warnings, and I want to mention that there are moments of sexual abuse, parental abuse, and other intense subjects. Hillier is careful to make sure that it doesn’t get super graphic or super exploitative, but it’s just good to know.

I really liked “Things We Do in the Dark”. Hillier is a must read thriller author for me, hands down, and I cannot wait to see what she comes up with next!

Rating 8: A thrilling novel about trauma, identity, and the secrets we keep.

Reader’s Advisory:

“Things We Do in the Dark” is included on the Goodreads list “Mystery and Thriller 2022”.

Joint Review: “The Daughter of Doctor Moreau”

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Book: “The Daughter of Doctor Moreau” by Silvia Moreno-Garcia

Publishing Info: Del Rey, July 2022

Where Did We Get This Book: We received eARCs from NetGalley and Edelweiss+.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: From the New York Times bestselling author of Mexican Gothic and Velvet Was the Night comes a dreamy reimagining of The Island of Doctor Moreau set against the backdrop of nineteenth-century Mexico.

Carlota Moreau: a young woman, growing up in a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula. The only daughter of either a genius, or a madman.

Montgomery Laughton: a melancholic overseer with a tragic past and a propensity for alcohol. An outcast who assists Dr. Moreau with his scientific experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers.

The hybrids: the fruits of the Doctor’s labor, destined to blindly obey their creator and remain in the shadows. A motley group of part human, part animal monstrosities.

All of them living in a perfectly balanced and static world, which is jolted by the abrupt arrival of Eduardo Lizalde, the charming and careless son of Doctor Moreau’s patron, who will unwittingly begin a dangerous chain reaction. For Moreau keeps secrets, Carlota has questions, and in the sweltering heat of the jungle, passions may ignite.

THE DAUGHTER OF DOCTOR MOREAU is both a dazzling historical novel and a daring science fiction journey.

Kate’s Thoughts

It is basically guaranteed at this point that if Silvia Moreno-Garcia has a book coming out, no matter what the genre, I am going to read it. I have enjoyed practically all of her books and her chameleon-like ability to merge into practically any genre as though she is a master of it. And while I haven’t read “The Island of Doctor Moreau”, I know enough about it that the idea of her taking it on was incredibly tantalizing. Especially since she decided to set it in the Yucatán during a volatile time in Mexican political history. And lo and behold, even though I wasn’t super familiar with the source material, and even though I’m not generally a Sci-Fi fan, “The Daughter of Doctor Moreau” worked wonders for me.

I think that it’s really the setting and the descriptions that gave it the extra kick for me. Moreno-Garcia has never been shy when it comes to addressing various social aspects of Mexican culture and history, and lord knows that Spanish colonialism and imperial oppression are themes that fit right into the original story of the Other and men who believe themselves to be able to play God. We have Dr. Moreau and his daughter Carlotta, who are living in isolation as Moreau creates ‘hybrids’, beings of combined animal and human genetics, which he does in pursuit of science. But funding has to come from somewhere, and therefore the wealthy Spanish descended benefactors intend to give Moreau money in exchange for laborers for their plantation. So we already have one central caste system with our main characters (as well as an outlier of Montgomery, an English doctor who is the overseer of the hybrids who is trying to escape his own dark past), one that reflects foreign influences, Spanish imperialism, and those perceived as less than. I liked seeing how Moreno-Garcia explored these themes, through the eyes of both Carlotta but also Montgomery as they have to face realities about their complicity, as well as things about their own identities. The historical aspects are on point, and Moreno-Garcia always has some great insights to explore through the genre conventions.

The streak continues for my love of Silvia Moreno-Garcia. Even if you are unfamiliar with the original tale, “The Daughter of Doctor Moreau” will have a lot to offer. Do yourself a favor and dive into Moreno-Garcia’s works if you haven’t yet, and here is as good a place as any to start!

Serena’s Thoughts

I think there are a few things you can now expect from a book authored by Silvia Moreno-Garcia. First, she’ll have stellar characters and the story will be told from the perspective of several of them (even more unique to her, the “villain” of many of her stories will also have a perspective point). Second, the story may be a slow-burn as far as the overall tempo of the story, but if you have faith, things will very much get moving before long. And third, you can never expect what genre you will find yourself in with this author. She has an uncanny ability of weaving together a variety of seemingly completely different concepts and themes and somehow…magic happens! We’ve already seen a mixture of the classic Gothic horror story with a Mexican setting and themes of colonialism. And here, we have a reimaging of the “The Island of Doctor Moreau” set in the Yucatan peninsula during the 1800s. It’s horror, it’s science fiction, it’s historical fiction. All at once!

I only knew the most broad points of the original tale, so I can only confirm that this story was approachable as new-comer. I was able to get a pretty decent understanding of that story, but having not read it myself, I can’t say what details may or may not match up. What I can say is that Moreno-Garcia uses the platform offered up by this story (a grieving doctor and his “monstrous” creations) as a platform to explore themes of identity and otherness, and the combination works really well. Our main character, the titular daughter of the doctor, brings a unique perspective to the story, as a young woman coming into her own in a very isolated and strange environment.

As I said, one of the best things about this story is how it blends the science fiction and horror elements with the historical backdrop of this region during this time period. Like the original story itself, I didn’t have a ton of knowledge of the politics and parties involved during this time period, but the book does an excellent job introducing readers. The author also includes a great note at the end of the story that speaks to her research into this period of history. I definitely recommend this book to science fiction/horror readers, and to anyone who has enjoyed Moreno-Garcia’s books in the past!

Kate’s Rating 8: A science fiction tale that steeps in literary description and a lush historical setting, “The Daughter of Doctor Moreau” is another enjoyable read from genre jumper Silvia Moreno-Garcia!

Serena’s Rating 8: Another unique entry by one of the most reliable (but genre unreliable) authors of the day. Should be a hit with a wide range of readers!

Reader’s Advisory

“The Daughter of Doctor Moreau” is included on the Goodreads lists “Latino Science Fiction”, and “Historical Fiction Set in Latin America”.

Serena’s Review: “Ten Thousand Stitches”

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Book: “Ten Thousand Stitches” by Olivia Atwater

Publishing Info: Orbit, July 2022

Where Did I Get this Book: from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Effie has most inconveniently fallen in love with the dashing Mr Benedict Ashbrooke. There’s only one problem; Effie is a housemaid, and a housemaid cannot marry a gentleman. It seems that Effie is out of luck until she stumbles into the faerie realm of Lord Blackthorn, who is only too eager to help Effie win Mr Ashbrooke’s heart. All he asks in return is that Effie sew ten thousand stitches onto his favourite jacket.

Effie has heard rumours about what happens to those who accept help from faeries, but life as a maid at Hartfield is so awful that she is willing to risk even her immortal soul for a chance at something better. Now, she has one hundred days – and ten thousand stitches – to make Mr Ashbrooke fall in love and propose. . . if Lord Blackthorn doesn’t wreck things by accident, that is. For Effie’s greatest obstacle might well prove to be Lord Blackthorn’s overwhelmingly good intentions.

Previously Reviewed: “Half a Soul”

Review: I really enjoyed “Half a Soul.” I think I read it in maybe two sittings? That made it all the sweeter being able to look ahead to the summer and see two more books of the same style by Atwater coming down the pike. Frankly, it was very difficult to even wait until now to read the second book! Of course, given the highs of the first book, there was a lingering question whether this book could live up to that first outing!

As a housemaid, Effie has resigned herself to a life of invisibility, only noticeable to the very few for her fine embroidery work. But one day, a young man of nobility smiles at her, and she’s lost. As luck would have it, she shortly thereafter runs into a faerie with mission: Lord Blackthorn wants to go forth and do good in the world. However, being a faerie, he’s still restricted to bargain -making and so he offers to help Effie marry her lord if she completes a stitching project for him, one stitch for every minute spent on her lord-marrying plot. Things are going along well (or as well as they can with a bumbling faerie who really doesn’t understand the first thing about humans), but soon enough Effie begins to question whether she’s really after the right man.

So far, we’re two for two! While I think I liked the first book a shade better than this one, it’s such a small distinction that it’s barely worth noting. I’ll get to that reason in a bit. But first, there are many things to praise about this book! For one thing, the author’s blend of fantasy, comedy, and class commentary is still excellent. I loved getting to explore more about the faeries of her world and the land of Faerie itself. We also got to see some familiar faces here, which was excellent. I don’t want to spoil it, but there was a character in the second book who only popped up in the final quarter but stole the show the moment they did. And they were back here in all of their glory!

And, again, the author has done an excellent job of using her magical elements to highlight and explore the injustices present in British society during this time period. The first book explored it from the view of nobility being forced to confront the underbelly of their glittering world. But this book focuses on Effie, a servant, and the constant anger and powerlessness she feels in the face of poor working standards and a lack of bargaining power. Through her experiences, we see how much of a servant’s life is dependent on the chance goodwill of the masters of the house. And in the face of a bad home owner, she sees practically no recourse for improvement. Even leaving the situation is impossible if you can’t get a good letter of recommendation. I also liked how the magical elements weren’t a simple wand-wave to make the conditions better. I won’t spoil how it all worked, but, again, it was a perfect marriage of fantasy alongside very real world dilemmas and solutions.

As someone who embroiders quite a lot myself, I always enjoy fantasy stories that focus on the magic of stitching and sewing. Again, no spoilers, but I was really surprised with the way that Effie’s sewing came into the story. From the description, I thought we were heading down much more of a “Rumpelstiltskin” path with an impossible task, but that really wasn’t the case.

I also really liked Effie and Lord Blackthorn. Effie’s anger and determination were both excellent, however foolish she may have been with falling in “love” with the first nobleman to smile at her. She endures through much, and slowly begins to learn more about herself and the role she wants to play in the world going forward. Lord Blackthorn was everything that is endearing, being a very good-hearted faerie but very ignorant of basic human facts. Their relationship was charismatic and adorable, especially the moments where we begin to see the tingling feelings of suspicion that they may each be barking up the wrong tree in their original arrangement.

However, my one qualm did come down to the romance. While overall I really loved it, it’s a hard balance to have your romantic hero also play the main comedy role. It was just a tough part to fit, with some of his bumbling playing for great laughs and “ah shucks” moments, but then those same aspects of his personality directly conflicted with the more typical romantic hero vibes you may be expecting. However, that’s not to say that all romantic interests must be the same. It was more that some of the more childish aspects of his faerie self played at conflict with the adult romance he was also supposed to be within. But, like I said, I still very much enjoyed this part of the book too, so it definitely wasn’t a deal breaker, just the reason I prefer the first book to this one.

All in all, this was a great second outing! Atwater has a strong writing voice and it meshes perfectly with her light-hearted, but important-issues-focused stories. I’m very excited to check out her third book this August!

Rating 8: While comic relief and romantic hero may be a hard combo, this story was just as sweet and fun as the first book!

Reader’s Advisory:

“Ten Thousand Stitches” can be found on these Goodreads lists: Stitchwitchery