Tag: 8 Rating

Serena’s Review: “Where No Shadow Stays”

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Book: “Where No Shadow Stays” by Sara Hashem

Publishing Info: Holiday House, March 2026

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Seventeen-year-old Mina is always focused on what comes next: exams, school dances, opportunities for a picnic by the lake. Filling up the future keeps her from lingering over how little she knows about her history or where she comes from. Anytime she asks her father questions about Egypt–or about her mother’s mysterious death–he struggles to open up.

When Mina receives an invitation from an aunt she’s never met to visit the Haikal mansion, her mother’s childhood home in El Agamy, Mina accepts. She can’t resist the chance to learn more about her roots or what happened to her mother, even if it means lying to her loves ones for the first time in her life.

But when Mina returns from El Agamy, she doesn’t come back alone.

A sinister entity follows Mina from the Haikal mansion to her tiny California town. Mina is forced to abandon her friends, her father, and everything she loves in order to prevent the entity from violently possessing them. Isolated and fighting for her life, Mina must seek help from an unlikely ally: Jesse Talbot, the mortician’s hostile son and the only person who proves immune to possession. Jesse would rather floss with barbed wire than team up with social butterfly Mina, but he doesn’t exactly have a choice—after all, he’s running from family secrets of his own.

As Mina and Jesse dig deeper into Mina’s family lore, they uncover a bloody debt that must be satisfied if Mina wants to finish senior year alive.

Review: I have once again stolen a book from Kate’s genres, but Hashem wrote one of my favorite fantasy romance duologies of the last several years, so….yeah, I don’t care! I’m going to read whatever she writes at this point!

So, while I don’t typically read horror, this was the kind that I can get behind. Probably because it’s also YA, so the truly horrific stuff that Kate wades into is largely absent here. That said, Hashem does a great job of blending historical fiction and horror together in ways that are both intriguing and disturbing. The tension was perfectly wound tighter and tighter, only to release unexpectedly before starting it all up again.

I really liked the mystery at the heart of this story and learning more about Mina’s family and history. And on top of this central mystery behind what is making up this curse and how it can be defeated, Jesse also had mysteries of his own that were slowly revealed as the story continued.

Hashem also reconfirmed that she excels at writing compelling, swoon-worthy romances. I was a bit unsure how her talents would translate being removed from all of the fantasy trappings, but she definitely proved me wrong. Jesse and Mina’s relationship was so lovely, a slow-burning, tension-filled affair that drew me in right from the start.

I don’t want to go into spoilers with regards to the ending, but it was truly heart-wrenching. I guess I don’t know this for a fact, but I’ve always assumed that horror, as a genre, has a greater tendency to end in tragedy or, at best, an unclear future. And such is the case here. It all played out so well for the story that was being developed, but tissues were definitely needed.

Overall, I really enjoyed this one! Sara Hashem is just an excellent author, all things considered, and I’m happy to genre hop alongside her! If you’re a fan of YA horror stories, I definitely recommend this one!

Rating 8: Tension-filled in every way, both the romantic and the horrific!

Reader’s Advisory:

“Where No Shadow Stays” can be found on this Goodreads list: YA Novels of 2026.

Serena’s Review: “Wolf Worm”

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Book: “Wolf Worm” by T. Kingfisher

Publishing Info: Tor Nightfire, March 2026

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: The year is 1899 and Sonia Wilson is a scientific illustrator without work, prospects, or hope. When the reclusive Dr. Halder offers her a position illustrating his vast collection of insects, Sonia jumps at the chance to move to his North Carolina manor house and put her talents to use. But soon enough she finds that there are darker things at work than the Carolina woods. What happened to her predecessor, Halder’s wife? Why are animals acting so strangely, and what is behind the peculiar local whispers about “blood thiefs?”

With the aid of the housekeeper and a local healer, Sonia discovers that Halder’s entomological studies have taken him down a dark road full of parasitic maggots that burrow into human flesh, and that his monstrous experiments may grow to encompass his newest illustrator as well.

Review: Here I am, back with another T. Kingfisher review! Honestly, this one might have fallen better under Kate’s genres, but I got here first! Seems like every other month I’m reviewing a book by this author, but that’s the great thing about prolific authors, especially when they always deliver.

There was a lot to enjoy about this one for sure. Most especially, I enjoyed the combination of the time period of history alongside the classic gothic trappings of a mysterious house hidden away in the woods and under the care of an even more mysterious owner. But unlike the typical gothic story, there’s no romance to be found here, just body horror galore.

I wouldn’t say that I’m the sort of person who is squeamish about bugs. If anything, my husband is always busy squashing them on first sight while I quietly work behind the scenes to simply transport them to safety outside. All my protestations about spiders being useful bugs seem to fall on deaf ears. THAT SAID, Kingfisher may have turned me around on all things creepy crawly. I don’t live in the south (obviously), but after reading this book, I pretty much never want to visit there again. Bot flies?? No thank you! Forget the creepy mushrooms that reanimated the dead, this thing takes body horror to an entirely new level and man, was it gross at times. Even thinking about some of the scenes now gives me a major ick. That said, it was definitely successful in being creepy for this very same reason. Your fear factor will likely greatly depend on your relationship to bugs, but, like I said, even the most hardened are likely to be grossed out here.

As for the rest of it, we have many of the staples of Kingfisher books. A solid, sympathetic, yet funny, leading lady character. A cast of assorted quirky side characters. And a villainous presence lurking behind it all. Of these all, I think the main character stood out the most. I enjoyed the side characters and villain (such as it was), but they also felt fairly familiar at this point. The main character also felt familiar, but her experiences as a woman working in a male-dominated world and her struggles with imposter syndrome were a compelling personal arc to follow.

I will say that this book is on the slower side. While the characters are the true heart of the story and were enough to pull me in right away, the story takes a while to truly set its scene. There’s a lot of slow buildup as Sonia begins her work and only gradually begins to suspect that all is not right around her. Once the midpoint of the book hits, things pick up from there. But it does create a situation where readers really need to stick with it through some of the quieter moments in the beginning to get to the payoff in the end. For my part, I feel that a lot of this slow buildup is a staple of gothic horror, slowly ratcheting up tension and atmosphere before building to a crisis point. However, it does leave for a bit of an uneven reading experience.

Overall, this was an excellent horror, gothic novel. The bug stuff was truly horrifying, and there are more than one scenes that I wish to scrub from my memory permanently. I have been missing the romance in the last few Kingfisher books I’ve read, but this one is a solid entry in the gothic genre and well worth checking out, especially for those who enjoy body horror.

Rating 8: Bugs have never been more gross, and I mean that in the best way possible.

Reader’s Advisory:

“Wolf Worm” can be found on these Goodreads lists: Horror to Look Forward to in 2026 and Nature Horror.

Kate’s Review: “Nothing Tastes As Good”

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Book:”Nothing Tastes As Good” by Luke Dumas

Publishing Info: Atria Books, March 2026

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Retail worker Emmett Truesdale has never fit the Southern California mold of six-pack, suntanned masculinity. Over three hundred pounds, he carries the weight of his childhood trauma and millennial ennui around his waist and in his soul. After trying every diet under the sun, he remains stuck—in his dead-end job, in love, and in his body.

Desperate for help, he enrolls in a clinical trial for a new weight loss product called Obexity. The treatment is as horrifying as the results are miraculous and as Emmett sheds pounds at superhuman speed, every part of his life improves overnight.

Unfortunately, Obexity comes with some killer side effects, including lost stretches of time and overwhelming cravings. Worse, people who were cruel to him have started disappearing and when the police warn of a cannibalistic killer on the loose, he fears that Obexity is turning him into a monster. But how can he give it up now that people are finally starting to treat him like he’s human?

Nerve-racking, sinister, and at times surreal, Nothing Tastes as Good is an unputdownable thriller that combines The Substance with the best of Stephen King and keeps you guessing until the final page.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I’m an elder millennial, so I was a teenager around that Y2K time when heroin chic bodies were in and they were calling Britney Spears and Jessica Simpson fat when they had perfectly svelte bodies. And yeah, it absolutely affected me. Story time! When I was a freshman in college I had to go to the student health center for positional vertigo, and while I was being examined the doctor told me that I was at 140 pounds (probably due to not having lunch in my meal plan, not really having snacks, and walking around the U of MN Duluth campus basically all day). This was the lightest I had been in years, and the doctor said that at 5’9″ and with my frame I was actually bordering towards underweight. And in my mind I was like ‘AWESOME!!! Underweight!!!!’ instead of ‘hmm, that may be an issue’. I’m still not really at peace with my body (decades later, hitting perimenopause, and after having a kid), but I’m trying to be at least more neutral about it. Especially since I now have a six year old daughter who has already told me that she didn’t want to wear her winter jacket because it makes her ‘look fat’. I had a lot of these thoughts swirling in my head as I read “Nothing Tastes As Good” by Luke Dumas, which takes diet culture, corporate greed, a little bit of MAHA ideals about body presentation, and throws it in a “The Substance” flavored blender. It’s gross, it’s upsetting, and it’s a really good horror read. More so given that we’re starting to see these really thin trends coming back.

As a body horror book, this one has a lot of nasty and stomach churning moments. I already have a fair amount of squick when it comes to body horror (I actually still haven’t seen “The Substance” outside of clips here and there before I feel like I may barf), and it’s not just because of the weird thing Emmett Truesdale’s body is doing whilst participating in a drug trial for a product called Obexity. It sure seems like a miracle drug as the pounds start to fall off in record time, and Emmett is more than happy to ignore the side effects because of his new body making his self perception and the perception of others so much more positive. But I’m sure that you can imagine that the side effects get worse and worse and crazier and crazier, and there is gore, there are weird body moments, and I was squirming a bit as I kept reading and the pounds kept dropping. I enjoyed the slow burn suspense, with the story being told through a fairly typical narrative, but also through Emmett’s body transformation discovery blog, through interviews after SOMETHING happens, and through notes and other hints from news articles and the pharmaceutical notes as the study goes on. And some descriptions were just so gross, but it’s exactly what I would expect from this kind of horror tale.

Dumas also has some really interesting and pointed commentary about how society views fat people and fat bodies, and clearly has a lot to say about how Emmett is treated throughout the narrative, be it while he is dropping pounds while on Obexity (with the aforementioned side effects wreaking havoc but being brushed away), or how he is treated during his time as a child whose disordered eating can be mapped due to trauma cycles done to him or even to his caregivers before him (specifically his stepfather), or even when he is yo-yoing and reminiscing about losing weight then gaining it all back and then some before the drug trial. I imagine that a lot of this is familiar to those who have struggled with disordered eating or body image issues, and Dumas doesn’t really mince words when showing how dehumanized Emmett feels when he is fat, and how the very fact he is actually seen and treated as a human being when he is thinner propels his desperation to stay on a drug that is making him do horrifying things out of his control. It’s scathing and a clear indictment on fatphobia from ALL fronts, be it family, friends, lovers, strangers, or even medical professionals, where someone is more comfortable being monstrous if they are at least treated like a human. Oof. It was rough.

“Nothing Tastes As Good” is an effective commentary and doesn’t hold back with the squirmy bits you want in a body horror tale.

Rating 8: A nasty and unnerving body horror tale that has a lot of insightful points about fatphobia in society.

Reader’s Advisory:

“Nothing Tastes As Good” is included on the Goodreads lists “Beauty Parlor of Horror”, and “Weird Lit”.

Serena’s Review: “Green and Deadly Things”

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Book: “Green and Deadly Things” by Jenn Lyons

Publishing Info: Tor, March 2026

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Mathaiik has trained all his life to join the sacred order of the Idallik Knights, charged with defending their world from the forces of necromancy. Only vestiges of that cursed magic remain, nothing like the fabled days of the Grim Lords, the undead wizards who once nearly destroyed the world.

But when an even stranger kind of monster begins to wake, the Knights quickly prove powerless to stop them. Whole forests are coming alive and devouring anyone so foolish as to trespass, as if the land itself has turned upon humanity.

It’s a good thing, then, that the Grim Lords were never truly destroyed. One of their number sleeps below the Knights’ very fortress. And when an army of twisted tree monsters attacks the young initiates in his charge, Math decides to do the unthinkable: he wakes her up.

This is only the beginning of his problems. Because said necromancer, Kaiataris, knows something history has forgotten. The threat of this wild magic is part of a cycle that has repeated countless times–life after death, chaos after order. And if she and Math can’t find a new way to balance the scales, this won’t just be the end of the world as they know it, but the end of all life, everywhere.

Review:I feel like deadly, horrific plants have been having a bit of a moment in horror and fantasy recently. I can think of a number of titles that have played around with this concept, all horrifying in their own ways. And this book starts off with more of the same! A walking, murderous forest, and not in the “Cool! Look at the Ents!” kind of way.

From there, the world-building just expands, and I loved learning more about this world. Math is a great entry point, having grown up in an order of Knights meant to fight evil necromancers, but with his feet on both sides of the magical divide, with his own secret plant magic. And even here, with the good guy of the book, the ways in which his plant magic is described… yeah, pretty gross. But also very cool, especially as the lore of this world explodes outward once he raises one of the long-thought-defeated necromancers of old and realizes there is much more to this world than he thought.

This reveal was one of the coolest factors of the book, and it immediately shifted not only the stakes of the conflict but also revealed some truths about Math and everything he thought he knew. Kai was also a fantastic character, bringing in a wealth of knowledge. She and Math had great chemistry, and I enjoyed the push-and-pull nature of their growing trust. It was very much a “two steps forward, one step backward” affair with these two.

Some of the late reveals I felt were a bit more predictable. And there definitely came a point when I wanted to smack Math upside the head to get with the real program going on here. But, even with that being the case, his perspectives and priorities made sense for him as a character, so I wasn’t overly frustrated by it.

The one drawback was the pacing. The story starts off incredibly quickly and does a neat job of setting up the primary players and the situation ahead. But then, toward the middle, the story started to drag. Math and Kai spend a lot of time traveling, always interrupted by the fairly predictable return of some bad guys to get in their way. While I was interested in the greater evil that was building in the background, some of these more minor action scenes began to feel repetitive. At the same time, Math and Kai’s relationship also stuttered a bit in the middle, so it was a bit of a struggle to retain interest during this portion.

However, things picked up again, and by the end, I was once again invested in what was taking place. It’s also refreshing to read a stand-alone fantasy novel with a story that feels contained and complete. Readers who are looking for a unique action fantasy story should definitely give this one a go!

Rating 8: While the middle portion lagged a bit, the creepy plant magic and endearing characters kept me invested throughout!

Reader’s Advisory:

“Green and Deadly Things” can be found on these Goodreads lists: Can’t Wait Books of 2026 and Horror to Look Forward to in 2026.

Kate’s Review: “You Did Nothing Wrong”

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Book: “You Did Nothing Wrong” by C.G. Drews

Publishing Info: St Martin’s Press, March 2026

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A relentless, horror-inducing psychological suspense for fans of The Push and Baby Teeth by New York Times bestselling author CG Drews.

Single mother Elodie’s life has become a fairy tale. She’s met Bren, equal parts golden-retriever devoted and sinfully handsome. He’s whisked her and her autistic son, Jude, to the crumbling family house he’s renovating. She has a new husband, a new house, and a new baby on the way. Everything is perfect.

Then Jude claims he can hear voices in the walls. He says their renovations are “hurting” the house. Even Elodie can’t ignore it–something strange is going on. The question is, is it with the house, or with her son?

Then the one secret Elodie has been hiding is revealed, and no one is safe anymore.

A pulse-pounding, clever take on the haunted house novel, You Did Nothing Wrong examines the complexities of motherhood and the twisted bonds of family as it races to its shocking ending.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

We are getting some interesting subversions of the haunted house horror sub-genre recently! I love a haunted house story, but I’ve been pretty pleased with the way that authors have been experimenting with the themes that come with the sub-genre. “You Did Nothing Wrong” definitely falls into that category, because something that starts off seeming like just a ghostly tale turns into something even scarier than things that go bump in the night.

Whew, this book is intense for so many different reasons. We follow Elodie, a young mother to an autistic six year old named Jude (more on him in a bit) who has just married Bren, and is pregnant again. They move into a new house that Bren is trying to fix up, but Jude keeps talking about how the house is alive. And Elodie starts seeing strange things too. This is one layer of the tension, because Drews also throws in hints and clues to Elodie’s past, which carry a whole lot of darkness even if they aren’t apparent from the jump. Elodie is a narrator that I would shift between wanting to root for, to being completely horrified by, and I never quite knew if she was someone I could trust as a protagonist. But I had the same thing happen with Bren, who on the surface seems so kind and patient and doting, but has little flashes of menace and aggression. But then again, is that actually the case, or is it because we see what Elodie sees? As the story goes on and the tension between Elodie and Bren escalates, mostly because she also thinks she’s seeing things in the house AND because Bren is potentially abusing or manipulating Jude. As the story goes on Elodie gets more unhinged, but is she paranoid? Or is it something else altogether? Drews kept me guessing a good long time, and I was tearing through this book desperate to find out what happened next.

Another stressful point is the themes with Jude, who is presumed to be autistic based on how he is written, but who hasn’t been diagnosed because Elodie refuses to do so in case it is somehow blamed on her. As someone who has a child who is presumed autistic, there were beats in here that felt very familiar, either due to the way that some people just refuse to understand some of the more uncomfortable things about autistic people, or the way that things can go south in the blink of an eye without necessarily knowing why because your kid doesn’t really know why either. You add in a possessive obsession she has to her child and it makes it all the more intense. But then again, I was ALSO freaking out at Bren because I was so afraid that he was going to hurt Jude due to HIS misconceptions about how to treat an autistic child. It made me so uncomfortable but I’m pretty sure that was the point. Gosh I just wanted to sweep Jude up.

I do think that the ending had a few too many shocks and surprises, however. I’ve never been one to get behind a thriller novel that has a lot of last minute twists just to get a rise out of the reader, and while this book still stands very well on its own two feet due to the things I mentioned, I do think that there was a bit of an overreach when it comes to how things all shook out by the end.

But that’s a quibble in the long run, because overall I greatly enjoyed “You Did Nothing Wrong”. It kept me stressed out and it kept me flipping the pages whenever I had a chance. I definitely recommend it.

Rating 8: An addictive horror tale with unreliable narration and incredibly tense moments flies high for awhile, but has a slight petering out of an ending.

Reader’s Advisory:

“You Did Nothing Wrong” is included on the Goodreads lists “Autism in Horror Literature”, and “Dark Literature”.

Serena’s Review: “Mother of Death and Dawn”

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Book: “Mother of Death and Dawn” by Carissa Broadbent

Publishing Info: Bramble, March 2026

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: In the wake of a crushing defeat, Tisaanah and Maxatarius have been ripped apart. Tisaanah is desperate to rescue Max from his imprisonment, even as her people’s fight for freedom grows more treacherous. But within the walls of Ilyzath, Max’s mind is a shadow of what it once was… leaving his past a mystery and his future at the mercy of Ara’s new, ruthless queen.

Meanwhile, in the Fey lands, Aefe has been dragged back into this world by a king who vows to destroy civilizations in her name. But even as her past returns to claim her, her former self is a stranger.

Tisaanah, Max, and Aefe are thrust into the center of a cataclysm between the human and Fey worlds. The unique magic they share is key to either winning the war, or ending it.

But that power demands sacrifice. Tisaanah may be forced to choose between love and duty. Max cannot forge his future without confronting his past. And Aefe must decide between reclaiming who she was, or embracing who she has become.

The choices they make will either reshape this world forever…or end it.

Previously Reviewed: “Daughter of No Worlds” and “Children of Fallen Gods”

Review: At this point, I’ve read a few different duologies from this author, as well as a few standalones. Looking back, I think the standalones are the strongest of the group, mostly because both of the series fell off a bit in their final book. Still great reads, of course, but with a few hiccups with pacing and plotting. So, while I really enjoyed this book, it does reinforce this idea: this is a good book, but it’s not as strong as the ones that came before it and once again stumbles a bit in its landing.

But let’s start with the unqualified good things, and that is mostly the characters! Max and Tisaanah remain excellent, both as separate characters experiencing their own arcs throughout this story and as a couple working toward their romantic resolution. And, like both of the previous books, this story doesn’t go easy on them. Both experience some truly traumatic things, and it’s only through the force of their will (and in Tisaanah’s case, her unceasing hope) that they pull through. They are motivated not only by the betterment of those around them, but also to get through their challenges to be there for one another. Amidst all of the darkness and trauma, there’s a truly lovely romance here, and I enjoyed the heck out of it.

As for the other characters, I have mixed feelings. I truly appreciate the inclusion of the villain arcs for Aefe and Caudan. It’s rare for an author to truly make me understand and sympathize with a villainous character. There’s a bunch of drama and angst here, which is an interesting contrast to Max and Tisaanah’s steady, solid love. However, I also felt like Aefe’s chapters were retreading a lot of ground from the first book, hitting repetitive emotional beats and, overall, simply a bit lackluster in comparison to the rest. Perhaps some simple editing—cutting these down to what was truly necessary—would have helped.

I also think the pacing was fairly uneven. The story starts off incredibly slowly and takes a while to truly build momentum. By the midpoint of the book, things begin to pick up. But then, once we get to this point, the book becomes a whirlwind in which one thing after another happens back-to-back in a way that left me looking for an emotional touchstone to connect back to the characters, the obvious heart of the story. Much of what I’ve just written sounds almost word-for-word like my experience reading her latest book in the Nyaxia series. It’s an odd thing, to be both too slow and also too much at times in the same book.

However, this was still a solid read and an excellent conclusion to the trilogy. I really loved following Tisaanah and Max’s story especially, and I think their romance is one of my favorites from Broadbent. If you enjoyed the first two, this is definitely a must-read! And, overall, this is a great fantasy romance trilogy for those looking for love stories that don’t skimp on the world-building and epic stakes of fantasy novels.

Rating 8: A bit of uneven pacing throughout, but the strong characters and swoon-worthy romance make it all well worth it!

Reader’s Advisory:

“Mother of Death and Dawn” can be found on this Goodreads list: Can’t Wait Sci-Fi/Fantasy of 2026.

Serena’s Review: “The Book of Fallen Leaves”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Book of Fallen Leaves” by A. S. Tamaki

Publishing Info: Orbit, March 2026

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Sen Hoshiakari is an exiled prince of a clan that lost everything in his father’s failed rebellion. Deprived of his birthright, Sen is determined to restore his family’s lands and honor at any cost.  Rui is a peasant girl who saved Sen’s life on the night his family were put to the sword. But now, she is adrift and unsure of her place in the world, not knowing that the gods themselves have plans for her …

As civil war throws the empire into chaos, and demons seek vengeance on the living, Sen and Rui must fight for both their clan and their shared future … But vengeance demands a bloody price.

Review: There was a lot to enjoy about this book, especially if you enjoy epic/political fantasy à la Game of Thrones. And I mean that with all the pros and cons that come with that book series. This is a dense, detailed story, packed with a number of POVs, all of whom give brief glimpses behind an ever-expanding array of curtains. Likewise, the plot itself takes time to build, carefully crafting all the moving pieces before beginning to move in the latter half. It’s not a book for the faint of heart or those looking for an action-packed romp, but if you are the right reader for it, you’re going to really enjoy it!

As mentioned, the book doesn’t spare much concern for quick pacing. The story starts off fairly slowly, taking its time to set the political stage. At first, it was fairly overwhelming with the sheer scope of the situation and the parties involved. The reader must place a lot of faith in the fact that things that may not be clear immediately will be revealed through later chapters. And, for the most part, this does work, even if it is a challenge to get through the first half of the book due to the slower pacing.

While I think this pacing and structure is standard for this sort of book, I do think that this one did struggle a bit with including some of the flavor that is necessary to hook readers in through these early chapters. I never felt like I was getting quite enough of the culture behind this world. It’s hard to quite put my finger on what was missing here, but I was often left with the feeling of wanting something more. I will say, I was pleased to see the book take a hard turn from the too-typical approach to sexism in medieval fantasy. Here, the women are often powerful, intimidating warriors and commanders as well, and any sexism shot their way is rightly identified as ridiculous in that light.

While we do have a lot of POV characters, there are two primary ones mentioned in the book description. I enjoyed both of these quite a lot! They each had interesting arcs and growth throughout the story, particularly Rui. I also enjoyed the deep friendship that grew between these two, though I’m not sure the story did quite enough to properly show us this development. All told, we see very few interactions between these two and are more often told that time passes during which their bonds are further solidified. So while I loved the end result, I felt a bit cheated in the manner in which we got there.

Overall, this was a solid start to a series! While there were a few things here and there that held me back from absolutely adoring it (slower pacing and some weaker moments in character work), I’m definitely invested enough to want to see where things go from here! I would recommend this for fans of political fantasy most especially, as the slower pacing and detailed political maneuvering of the first half will likely land best with this subgenre’s fans.

Rating 8: Rich in political detail and morally gray characters, readers should try to stick through the slower pacing of the first half for the payoff in the latter part!

Reader’s Advisory:

“The Book of Fallen Leaves” can be found on this Goodreads list: Can’t Wait Sci-Fi/Fantasy of 2026

Serena’s Review: “Entwined”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Entwined” by H.M. Long

Publishing Info: Titan Books, March 2926

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Ottilie Rushforth hides from the mighty Sorcerer’s Guild as secretary to a has-been detective. She is Entwined – threads of magic run beneath her skin, and the Guild would trap her in service.

But Ottilie has a plan to escape the Guild forever with her estranged fiancé, the enigmatic poet, soldier and smuggler Lewis Illing. All she must do is track down a mysterious artefact, claim the bounty, and leave the city forever. But Ottilie’s sisters – Pretoria, a quick-witted sorceress and thief recently emerged from exile, and Madge, a guild mage to the core, appear to make equally unwelcome offers. A new life at the cost of everything she has ever wanted, or prestige and safety in a gilded cage.

With her life on the line, Ottilie must track down the artifact in a city torn apart by prejudice and violence, and choose between the two sides of herself – the fugitive and the Entwined.

Review: H.M. Long is a “must-read” author for me at this point, so I went into this book with high hopes. And, mostly, it lived up to those expectations. It’s perhaps not my favorite of her books, but all the important points are there, and I had a fun time reading it.

To start with the positives, Long’s writing is solid, as always. She has an excellent way of instantly creating a connection between her characters and the reader. Even more impressive, all three series I’ve read from her have included deep lore making up her worlds, and she manages to slowly, clearly convey this information to the reader as the story progresses without info-dumping or overwhelming the plot.

Here, I really enjoyed the magic system and the complicated nature of magic users within this society. Long slowly reveals the long history of this world, where power has shifted, and with it, opinions on the “otherness” of those with abilities. Many of the themes of this book revolve around rebellion, bigotry, and the fear of those who are different. Honestly, I was pretty surprised by how dark this went in regard to these themes. This is a dangerous world, with only limited options available to those born with magic—often quite tragic in their own right. If they stray beyond these strict lines, more than cruel words or looks await them. Death is a very real possibility.

Beyond that, I thought the magic itself was so interesting. There were several creative magical abilities that I don’t think I’ve ever come across before, such as the ability to paint away memories or emotions into a piece of art. So odd! And yet, one of the more deeply painful threads of the story. I also really liked the way the magic presented on people’s bodies, each ability tied to a specific time of day that would reveal these “threads” on their skin. In this way, Long neatly sidestepped a common problem with books with this basic premise. I’ve read a bunch of fantasy novels where magic users are persecuted, and the question always is: why don’t they just… not use their magic in front of people? It often seems as if it would be quite easy to go unnoticed in these other stories. But here, the characters have to go to great lengths to disguise themselves and be aware of the time of day. However, their magic is also at its most potent at this time, introducing a nice conflict to their management of this problem.

I also really liked the main character. She starts off very focused on her own plans to escape her circumstances, regardless of anything else. As the story progresses, we learn more about her childhood and early years and what made her the way she is now. However, as the story continues, her arc is one of coming to terms with the reality of living in this dark, painful world and questioning whether running is even a viable option.

However, while I liked the primary story and the buildup to what is coming next, the book did struggle a bit in the pacing. There were a handful of story beats that began to feel like a “rinse and repeat” situation. For example, I can count numerous times where Ottilie was captured, had to escape, and then was on the run before this all happened once again. Toward the final third of the book, when this all happened once again, I did find it a bit tiring.

But, like I said, I was invested enough in this intriguing world and magic system, and in Ottilie herself, to be excited to see where the story goes from here. The romance, such that there is, is a very secondary element, so I think it’s important that readers don’t go into this expecting any sort of romantasy situation. There is an interesting subplot to be found there, and I’m curious to see how it will play out going forward. But the central relationships of the book rest solidly on the shoulders of Ottilie and her two sisters.

Overall, I definitely enjoyed this one! Like I said, it’s probably not my favorite of Long’s books, but it was a fun time for sure, and I’m always happy to find an original-feeling world and magic system in adult fantasy. Definitely recommend this one for similar fans!

Rating 8: While the pacing was a bit wobbly at times with repeated plot points, I really enjoyed the writing, world-building, and main character! Excited to check out the second book!

Reader’s Advisory:

“Entwined” can be found on these Goodreads lists: 2026 Romance Duets and Victorian Fantasy.

Kate’s Review: “Turn Off the Light”

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Book: “Turn Off the Light” by Jacquie Walters

Publishing Info: Mulholland Books, March 2026

Where Did I Get This Book: I received a finished copy from the publicist

Where You Can Get This Book: WorldCat.org | Amazon| Indiebound

Book Description: Two women living centuries apart are bound by the same dark secret in this haunting novel that “upends everything you think you know about ghost stories” (Jennifer McMahon, author of The Winter People).

The Devil enters through doors left open…

On the isolated Eastern Shore of Virginia, Edith is a healer, a woman of knowledge—and a woman watched. Shadows move where they shouldn’t. Whispers creep through the dark. Terrified she has opened her home to the Devil, Edith makes a desperate choice.

Claire doesn’t believe in ghosts—until she returns home to care for her dying father and finds her childhood house… listening. As one sleepless night bleeds into the next, she becomes convinced something is stirring beneath the floorboards. Something that has waited a long time to rise.

Is the house haunted? What compels this lurking darkness? As the danger mounts, Edith and Claire will discover they’ll need each other to survive. But they are separated by four hundred years. And time is running out for them both.

Review: Thank you to Little Brown and Company for sending me a copy of this novel!

I so enjoyed Jacquie Walters’s horror novel “Dearest”. It was a tense and evocative about motherhood and generational trauma, and it was done in a way that felt organic and earnest while also being very creepy. So I was absolutely interested in checking out her newest horror/supernatural thriller novel “Turn Off the Light”. It sounded like a haunted house story as well as a story about women dealing with difficult shit even without a haunted house to gaul them, and I was definitely in.

We have two narratives that we follow in this book. The first is in the modern day and follows Claire, a single mother returning to her childhood home to see her ailing father who is dying of dementia. Claire has avoided home for awhile, as she still has lingering trauma and sadness about the disappearance of her oldest sister Gabby, and the absence has caused a coldness between her and other sister Tilly who has been left with husband Peter to care for their dad. Claire feels like something strange is lurking in the home, and her worry grows as weird things start happening. The other narrative follows Edith, a woman living in the same house but during Puritan times, who works as a healer and medicine woman, but who starts to feel a weird presence in the house, which starts to feed into her anxieties about how her community, including her husband, sees her and her practices that she has kept mostly stifled due to fears of witchcraft. While I usually have a strong and clear preference for one narrative over another in these kinds of stories, I actually ended up liking both of them pretty evenly in this one. Claire’s life was engaging because of the family tension and the unsaid sadness within her family with her lost sister and sick father, and Edith’s story sucked me in because I am ALWAYS going to be into stories of healer women being viewed with suspicion because of Puritanical zealotry. I also thought that both women were pretty well fleshed out, and that they had complexities that made them all the more interesting to follow.

In terms of the horror/supernatural and thriller elements, this one did have a fair amount of suspenseful beats as both Claire and Edith think they are living through a haunting in the house that they both inhabit, centuries apart. I loved the slow burn of weird incidents in both timelines, which seem to be escalating but always feel just a little bit odd so that it wasn’t totally clear as to what was going on. I had a pretty good feeling I could track where things were going, and while I was basically right it still was interesting to see where Walters was taking the reader. I don’t want to spoil anything so will remain vague, but it went in directions that may be a little unexpected and did so in a way that made me feel like it was pulled off. It’s just very creative and I liked taking the journey and all of the tension that came with it.

“Turn Off the Light” is another fun novel from Jacquie Walters! I definitely recommend it for horror fans who like to think a bit outside the box of what a haunted house is.

Rating 8: A creative historical and supernatural thriller that jumps through time, “Turn Off the Light” had some solid twists, a lot of suspense, and two narratives that complemented each other quite well.

Reader’s Advisory:

“Turn Off the Light” is on the Goodreads list “Horror Releases Coming in 2026”.

Fire’s Catching: “Catching Fire”

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It’s been eighteen years since Suzanne Collins wrote “The Hunger Games”, the smash hit literary sensation that continues to feel relevant and capture the attention of readers. This ongoing series will be a review series of both the Suzanne Collins books, as well as the film adaptations of the novels. I will post my review on the last Thursday of the month as we revisit the totalitarian world of Panem and the hope of the Mockingjay.

Book: “Catching Fire” by Suzanne Collins

Publishing Info: Scholastic Press, September 2009

Where Did I Get This Book: I own it

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Sparks are igniting. Flames are spreading. And the Capitol wants revenge.

Against all odds, Katniss Everdeen has won the Hunger Games. She and fellow District 12 tribute Peeta Mellark are miraculously still alive. Katniss should be relieved, happy even. After all, she has returned to her family and her longtime friend, Gale. Yet nothing is the way Katniss wishes it to be. Gale holds her at an icy distance. Peeta has turned his back on her completely. And there are whispers of a rebellion against the Capitol—a rebellion that Katniss and Peeta may have helped create.

Much to her shock, Katniss has fueled an unrest that she’s afraid she cannot stop. And what scares her even more is that she’s not entirely convinced she should try. As time draws near for Katniss and Peeta to visit the districts on the Capitol’s cruel Victory Tour, the stakes are higher than ever. If they can’t prove, without a shadow of a doubt, that they are lost in their love for each other, the consequences will be horrifying.

In Catching Fire, the second novel of the Hunger Games trilogy, Suzanne Collins continues the story of Katniss Everdeen, testing her more than ever before . . . and surprising readers at every turn.

Review: I mentioned before that this is a part re-read/re-watch, part initial read, as while I read “The Hunger Games” proper (as well as “Songbirds” and “Reaping”) and have seen all of the movies, I didn’t read “Catching Fire” or “Mockingjay” because I was told that they weren’t as good as the first book. I don’t know who told me that, thinking back. It wasn’t my husband, who has read ALL of the books (and dove into the series the moment we got back from the first movie), but whoever it was is on notice because while I was reading “Catching Fire” I muttered to myself ‘okay, this is really good, who lied to me?!’

Mystery person, whoever you are, welcome to my shit list. I WILL NOT FORGIVE THIS DISCREPANCY! (source)

I think that what I really liked about this book (and I liked it about the movie version too so why oh WHY couldn’t I have used my brain to realize the book was probably also good!?) is that we get to not only get some expanded lore about Panem and the aftermath of ‘winning’ The Hunger Games, we also see the folly of trying to appease a fascist, and the way that revolutions can slowly gain momentum because of fates aligning in just the right way (I will undoubtedly talk more about this when I eventually review “Sunrise on the Reaping”). Katniss and her Night Lock rebellion at the end of hers and Peeta’s games has enamored her with the citizens of the Capitol, but President Snow sees this moment not as two lovers willing to die for each other, but a direct threat to his power because of how it showed that, in fact, he cannot control the district citizens, and therein cannot control Panem. Since this is a first person perspective and it’s all through Katniss’s eyes we don’t REALLY get to see the way that the uprisings are starting, outside of hints here and there, but as she goes on her Victory Tour and more people connect with her, she becomes more desperate to appease Snow to keep her loved ones safe. She is not in control any more than he is, and it made for such a fascinating trajectory for her.

I also liked spending more time in District Twelve and getting more insight into what her mother and sister Prim have been doing (healers!), and seeing how Katniss and Peeta are heroes but nothing really changes for their community outside of having bragging rights (and honestly, how it just gets worse as Snow gets more desperate and more brutal Peacekeepers are sent into the District and wreak more havoc). And while I don’t like Gale, I do like seeing a bit more of him and his perspective as a non Victor who has to play his own part by nature of being Katniss’s friend (and the first glimmers of radicalization that are being set in motion even more so). By the time things are starting to get out of control and Snow and Katniss both realize she can’t stop it, her death is going to be the only recourse, and therefore the Quarter Quell happens and Victors from all over are pulled into it as a huge ruse to take her out. And probably send a message that none of them better get any ideas. You cannot appease fascists, and that is a clear theme in this novel (as all of Collins’s novels have themes).

And the Games this time around are brutal. I mean, they are always brutal, but we add in a layer of the absolute unfairness of all of these victors being brought back to fight again in spite of the trauma they have already endured and the promise that they could be left alone after their initial win. Katniss doesn’t know who she can trust in the arena, knowing that she has made SOME alliances, or has been thrown into others, and the suspense of having to be in another fight to the death while thinking maybe she CAN trust some of the players (but maybe not?) just adds to the suspense, especially since we are seeing it all through her eyes. This also is the book that we meet one of my other absolute favorite “Hunger Games” characters, Johanna Mason, and having only seen her on screen until this point it was VERY gratifying seeing her on the page. Because she manages to be even MORE bitchy here, and seeing her be a terror was a lot of fun. At the same time, however, I feel like it was almost more interesting leading up to the games, as while this is still pulse pounding and a great dystopian thriller, I don’t think that it could top those initial games because it was so novel in the initial book, even with the added suspense about the other tributes and their motivations.

And the cliffhanger packs a wallop too. Poor Katniss. She tried to hard to keep her loved ones safe and then her whole community gets blown off the map in retaliation. Snow being on the page more this time made it all the more cruel, I think, because she tried her best but it was never going to be good enough. That’s one of the ultimate tragedies of this series that I will probably keep harping on as my reading and viewing goes on: she never wanted this. And even when she grudgingly accepts it, and even if it is for the greater good of Panem, she’s just a kid, and it’s such a weight to carry.

“Catching Fire” was another great read in this series. I’m kicking myself for having left it by the wayside all those years ago. Up next is “Mockingjay”, the one I was told by many was the most boring. But after reading this one and finding it better than I was told, I’m thinking that I will probably be taken aback by how deceived I was with that one too. I guess we’ll see!

Rating 8: We get more into the intrigue of a fomenting revolution seen through the eyes of someone who never meant to start it, as well as more insight into a totalitarian society. Throw in another brutal games and “Catching Fire” is another harrowing read, and I’m glad I finally picked it up!

Reader’s Advisory:

“Catching Fire” is included on the Goodreads lists “Best Young Adult Dystopian Novels”, and “Best Survival Stories”.