Serena’s Review: “The Deathless One”

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Book: “The Deathless One” by Emma Hamm

Publishing Info: Gallery Books, August 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Jessamine was raised to be a leader for her people, but when the land is overrun by an incurable plague, she must enter a political marriage to save them all. A union that should have brought hope only brings death as her new husband murders her at the wedding altar and seizes the throne.

But her death is just the beginning. Her spirit is met by the Deathless One, a god of death yearning to return to the mortal plane, and he needs her help. The two of them make a deal—her life and the return of her kingdom in exchange for his resurrection. But the Deathless One is a known trickster, and a deal with him is one made in blood.

Jessamine knows the Deathless One is a dangerous ally, but the longer they work together, the more she wants him and the less she can stay away. As their connection deepens, soon she wonders if she even wants this contract to end. Perhaps the more appealing throne is the one by his side, but she’d have to turn her back on her people to get it.

Review: My main take away after finishing this book was a reflection on the importance of pacing. Most of the time, complaints about pacing present in the form of things moving too slowly or dragging. But pacing that moves too quickly can be just as disconcerting! And that’s what I found right when I picked up this book. Yes, action was happening, sometimes at a nonstop rate! But I spent most of that time wondering what was going and, more importantly, why I should care.

This could be seen in both smaller and greater examples. Here is a kind of throwaway scene/example, but it came right in the first few chapters. A character is described as entering a room, and then there is a description of a crunching sound and gore on this character’s shoe. So, what happened here? What did he step on? Well, believe it or not, I had to go several pages further to find a passing reference to the fact that it was a rat (as opposed to a cute kitten, fluffy bunny, who knows what!) that he had stepped on. So yes, action was happening, but it was so poorly described that I literally didn’t know what was happening for a decent chunk of time, until the actual descriptive word “rat” was finally thrown in.

So, too, I struggled to connect to the main characters. The action was galloping along, but I never felt like I was given any time to get to know them, to understand why I should feel invested in what is happening to them, and to be excited to see where the story was going. Bam! Meet the main character. Bam! She’s murdered horribly. Bam! Enter shadow daddy love interest.

On the other end, once I got to the middle of the book, the author slammed the brakes on the pacing and the story lulled almost to a stop. Much of the action here came in the building of romantic tension between the love interests. Many pages were devoted to these two fighting their attraction for one another. Some of this was well done and compelling, but it did feel as if the primary revenge plot that was set up at the beginning of the book was lost in the romantic angst.

I did like the general premise of the story and the world-building, especially what we got about the deathless one himself. I was incredibly interested in hearing more about his backstory, and gobbled up the tidbits we received throughout. He did get a lost a bit to the general “brooding” romantic interest role after a while. But I think the second book has a lot of potential now to explore some of these world-building/magical elements to a greater degree.

Overall, this was just an ok read. I could enjoy the basic story that was being told, but I struggled with the pacing, having a hard time connecting to the characters early in the story and then getting lost in the doldrums a bit towards the middle. Things picked up towards the end again, and I’m definitely curious to see where the story goes from here. Readers looking for a unique romantasy read will likely enjoy this one, especially those who enjoy spending a decent amount of time in the dramatics of relationship tension that makes up the majority of the middle of this book.

Rating 7: Too fast at the start and too slow in the middle. The ending was just about right, though!

Reader’s Advisory:

“The Deathless One” can be found on this Goodreads list: Can’t Wait Sci-Fi/Fantasy of 2025

Serena’s Review: “A Theory in Dreaming”

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Book: “A Theory in Dreaming” by Ava Reid

Publishing Info: HarperTeen, July 2025

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: All stories come to an end.

Effy learned that when she defeated the Fairy King. Even though she may never know exactly what happened at Hiraeth, she is free of her nightmares and is able to pen a thesis with Preston on the beloved national fairy tale Angharad. She has finally earned a spot at the literature college, making her the first woman in history to enroll.

But some dreams are dangerous, especially when they come true. The entire university—and soon the entire nation—is waiting for her to fail. With the Fairy King defeated and Myrddin’s legacy exposed, Effy can no longer escape into fantasy. Who is she without her stories?

With Effy under threat, Preston is surprised to discover a rage simmering inside him, ringing in his ears like bells. He begins to dream of a palace under the sea, a world where he is king—visions that start to follow him even in waking.

As the war between Llyr and Argant explodes, Effy and Preston find themselves caught in the crossfire: Effy losing her dreams and Preston losing himself in his.

Are dreams ever truly just dreams?

Previously Reviewed: “A Study in Drowning”

Review: I loved “A Study in Drowning.” It felt like such a tightly plotted YA title that incorporated a strong personal arc for the main character, Effy, as well as a tension-filled gothic mystery that built to an incredible climax at the end. As you can expect from this, it was a fantastic stand-alone read. That said, while I was satisfied with its ending, I was more than happy to return to this world and these characters. Especially to see more of the burgeoning love story between Effy and Preston.

Unfortunately, this one didn’t live up to the highs of the first book, mostly because of how perfectly insulated that story felt. But there was still much to enjoy here, so let’s start with that first. Per Reid’s typical style, many of the themes explored within this story are dark but important. Through careful crafting, the author explores the slow descent into isolation and withdrawal that can come with serious depression. Both Effy and Preston also constantly struggle to find a place for themselves in an institution and society that is built for others, Effy as a woman in the man’s world of academia, and Preston as a man of two heritages, both of which are at war with one another. These themes were richly detailed, and while it didn’t necessarily make for a “fun” reading experience, I definitely felt like I was getting a stark window into the struggles of these two characters and others like them.

That last point speaks to one of my struggles with this book, however. While well-represented and thoroughly explored, the reading experience itself quickly began to feel heavy and almost tiring; I found myself needing to put the book down after only short reading sessions. Part of this, I think, comes down to the fact that both Effy and Preston’s inner arcs are fairly similar. They are each dealing with similar feelings of isolation and like they are outsiders intruding where they are not welcome. This then leads to a lot of inner dynamics centered around feelings of weariness and fear. So, while the book does alternate between their perspectives, much of the story felt the same between the two, and it began to feel a bit draining.

The romance itself also suffered a bit from this as well. Both Preston and Effy spend much of the book hiding things from one another, both preoccupied with not wanting to place a burden on the other. And, again, the fact that both characters had such similar experiences with in the romantic plotline, it began to feels as if their relationship was spinning its wheels, with a lot of words spent saying the same or similar things over and over again.

I did enjoy some of the deeper looks into the magic of this world. Most of this came through Preston’s side of the story, and I would argue that this is largely his story. But even here, while I enjoyed getting a better understanding of this history and magic, there didn’t feel as if there was enough of a plot to serve as a structure upon which to hang these descriptive elements.

Overall, this book felt like what it was: an unplanned sequel to a stand-alone fantasy story that had been complete on its own. The writing was luscious, as always, and I did enjoy elements of the love story. But ultimately, I came away from this one feeling as if it didn’t really add anything. I felt like Preston and Effy had ended the previous book with challenges ahead but with a new will to overcome, comfortable in themselves and their new relationship. And perhaps this book was honest about the reality of the hardships they would face and that that same will to move forward could begin to crumble in the face of these struggles. I just…am not sure those realities really make up a story, all on their own?

Fans of Reid’s will likely still want to check this one out. Quality wise, it’s still a well-written book with an interesting world. Effy and Preston also remained characters whom I loved and rooted for. I simply couldn’t get into the limited amount of actual “story” to be found here.

Rating 7: I still enjoyed the world, the characters, and the love story. But it felt clear that with the first book being planned as a stand-alone, this one didn’t really have anywhere to take the story.

Reader’s Advisory:

“A Theory in Dreaming” can be found on this Goodreads list: omg i love this cover.

Joint Review: “The Library at Hellebore”

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Book: “The Library at Hellebore” by Cassandra Khaw

Publishing Info: Tor Nightfire, July 2025

Where Did We Get This Book: ARC from the publisher!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The Hellebore Technical Institute for the Gifted is the premier academy for the dangerously the Anti-Christs and Ragnaroks, the world-eaters and apocalypse-makers.

Hellebore promises redemption, acceptance, and a normal life after graduation. At least, that’s what Alessa Li is told when she’s kidnapped and forcibly enrolled.

But there’s more to Hellebore than meets the eye. On graduation day, the faculty go on a ravenous rampage, feasting on Alessa’s class. Only Alessa and a group of her classmates escape the carnage. Trapped in the school’s library, they must offer a human sacrifice every night, or else the faculty will break down the door and kill everyone.

Can they band together and survive, or will the faculty eat its fill?

Serena’s Thoughts

There are definitely specific sorts of books that Kate and I target for joint reviews: often some sort of dark fantasy/horror lite title. That being the case, the balance between dark fantasy and horror elements often determines where each of lands on any given read. And this one leaned a bit too far into the horror side for me to fully appreciate.

I did, however, enjoy the dark academia vibes of the story. I definitely understand the comparisons to Naomi Novik’s “Scholomance” trilogy. However, for me, this worked a bit against the book too, as Novik’s series is one of the more fully realized, complex world/magical systems that I can remember reading. In contrast, while this book leaned heavily into similar areas of dread and constrained claustrophobia within the school setting, there wasn’t quite as much actually backing up how this world operated.

In place of some of these scene setting or worldbuilding elements, the author peppered in a seemingly inexhaustible number of deep cut word selections. It sometimes felt like a thesaurus was required reading for getting through certain sections (perhaps this is just revealing my own limited vocabulary, but it’s a fairly unique problem I had with this book.) At the same time, there was a lot of emphasis on modern references peppered throughout. Between the high-end academic vocabulary, the modern references, and the choice to swap between two different points in time within the story, the book had a distinctly choppy feel to it as I read through.

I appreciated a lot of what this book was trying to do, and towards the back half I definitely started to become more invested. I also think that, when disconnected from some of the more elaborate word choices, there was a lot of skill to the writing itself. There were some incredibly poetic turns of phrase, and, even if I didn’t enjoy some of the darker horror moments, there’s no denying the author’s ability to write in a way that elicits a strong emotion.

However, in the end, this was simply too gross and too depressing for me to really enjoy. It may work better for true horror fans than the dark fantasy readers who enjoyed “Scholomance” so much.

Kate’s Thoughts

As someone who has read previous works by Cassandra Khaw, this was not my first time the gruesome body and cosmic horror rodeo, as it were, so I think that I was little more prepared for some of the elements than Serena was (also, SORRY SERENA, I should have warned you that Khaw is BRUTAL). I think that going in expecting something truly disgusting along with flowery turns of phrase made my experience a bit better than my blog partner’s, but I also think that I agree in a lot of ways with her review.

Since I’m the horror gal here I can focus on that for the most part, and I still think that Khaw has this true knack for pulling truly beautiful words and phrases and literature from unrelenting balls to the wall descriptions of viscera, violence, and despair. This was the first full length novel I’ve read of theirs, and I will say that MAN the body horror and gore just kept going because it wasn’t a novella, and it made for a harder read. But at the same time, I really appreciated the visuals and the descriptions because Khaw is more than willing to go to some disgusting places, and I gotta respect that even if it can be stomach churning. And I also have to give credit where credit is due; they are VERY creative with some of the kills in this book.

I also didn’t mind the time jumps as we went on, as I generally enjoyed getting juxtaposition of the present danger of being trapped in a library with a ravenous faculty outside the door with the background of our main players, and getting to know Alessa and her changing relationships with her dangerous cohorts turned unlikely allies. I also just liked Alessa. She’s not particularly likable but I found her refreshing in her candor and ruthlessness.

“The Library at Hellbore” is exactly what I expected from Cassandra Khaw, but that didn’t mean I wasn’t wholly repulsed as I was reading. I mean that as a compliment.

Serena’s Rating 7: This one was a bit too horrific for me, but if you’re truly looking for a dark DARK academia read, this one might be for you!

Kate’s Rating 7: Gory and horrific but sure to please those who love some really gnarly body horror.

Reader’s Advisory

“The Library at Hellebore” is included on these Goodreads lists: Twisted Tales for Beautifully Damaged Minds and 2025 Dark Academia Releases.

Serena’s Review: “In the Veins of the Drowning”

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Book: “In the Veins of the Drowning” by Kalie Cassidy

Publishing Info: Little, Brown and Company, July 15

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: The monster is always slain…

Imogen Nel is in hiding. Hiding from a cruel kingdom that believes Sirens are monstrous, blood-hungry creatures. Hiding from a king and his captain who viciously hunt her kind. Hiding from her own alluring abilities. By keeping herself from the sea, Imogen’s bloodlust is dulled, and her black wings remain hidden beneath her skin.

When a neighboring king comes to visit, Imogen can no longer hide. He knows precisely what she is, and he believes she can save both their kingdoms from an even greater monster. But Imogen’s power threatens to violently reveal itself, and the two form a blood bond that protects them both. They flee the kingdom together, traversing waters teeming with the undead. As the lines between duty to their people and desire for each other begin to blur, Imogen worries her own ancestral powers may not be enough to kill what hunts her—the only way to defeat a monster may be to become one herself.

Review: This book had so much potential, but ended up falling a bit flat for me, unfortunately. The concept itself is really interesting, with the focus on sirens rather than the much more common mermaids. I especially appreciated that the author didn’t “clean up” the nature of sirens. Yes, they are hunted and our main character is in hiding. But they are also incredibly powerful and vicious in their own right. At its peak, the book highlighted the dichotomy of beauty and terror, with sirens perfectly representing the mixed emotions we feel when admiring deadly, powerful beings.

The main character also had an interesting set-up, and in the first few chapters, I was definitely drawn into her story and excited to see where she went from there. Unfortunately, it was kind of nowhere? Much of the middle of the book felt as if it was made up of Imogen flailing around, primarily reacting to whatever was happening around her, but not driven by any goals or motivations of her own. I couldn’t latch on to anything as a true driving force for her, and struggled to remain invested in her story.

The writing, while beautifully strung together at times, also lacked in the world-building department. As the book continued, I kept waiting for more clarity with regards to this world’s history, politics, and the lore of the sirens. But unfortunately that information never really came. I’m ok with initial nebulousness in fantasy books, but as the story continued, I was disappointed to find that there simply wasn’t anything more coming and many of my questions would remain unanswered. That said, worldbuilding is very important to me, and those who are more interested in the romance than the fantasy elements may not be as bothered by this lack of clarity.

I also enjoyed the love interest. I thought he was incredibly interesting and well-written. However, the romance itself moved way too quickly for my preference. Yes, I enjoyed what we got, but I would have enjoyed it even more had the book pumped the brakes a bit more and allowed these two to settle in to their burgeoning feelings before jumping right into the actual romance of it all.

I think this is one of those fantasy romance titles that will definitely work better for romance readers than it will fantasy readers. The love story, while too quick for me, was well done and the MMC was appropriately swoon-worthy. There was also just enough worldbuilding to add a fantasy flavor to it all, especially with the interesting subversion of the “monster romance” subgenre with the FMC being the “monstrous” one. However, if you’re more of a fantasy reader who enjoys fully thought out world-building and established lore, this might be a more frustrating read for you.

Rating 7: Scores well on the “romance” side but struggles a bit with the “fantasy” elements.

Reader’s Advisory:

“In the Veins of the Drowning” can be found on these Goodreads lists: Epic High Fantasy/Romance/Mythology in 2025 and “Imogen”.

Kate’s Review: “It Was Her House First”

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Book: “It Was Her House First” by Cherie Priest

Publishing Info: Poisoned Pen Press, July 2025

Where Did I Get This Book: I received an ARC from the publisher

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Ronnie doesn’t know it yet, but her fate rests in the hands of the dead. 

Silent film star Venita Rost’s malevolent spirit lurks spider-like in her cliffside mansion, a once-beautiful home that’s claimed countless unlucky souls. And she’s not alone. Snared in her terrible web, Inspector Bartholomew Sloan—her eternal nemesis—watches her wreak havoc in helpless horror, shackled by his own guilt and Venita’s unrelenting wrath.

Now the house has yet another new owner. This time it’s Ronnie Mitchell, a grieving woman who buys the run-down place sight unseen. She arrives armed with an unexpected inheritance, a strong background in renovation, and a blissful ignorance regarding the house’s blood-soaked history. But her arrival has stirred up more than just dust and decay. In the shadows, unseen eyes watch. Then, a man comes knocking. He brings wild stories and a thinly veiled jealousy, as well as a secret connection to the house that can only lead to violence.

Venita’s fury awakens, and a deadly game unfolds.

Caught between a vengeful ghost and a ruthless living threat, Ronnie’s skepticism crumbles. The line between living and dead isn’t as sharp as it seems, and she realizes too late that in Venita’s house, survival might be just an illusion.

Review: Thank you to Poisoned Pen Press for sending me an ARC of this novel!

I’ve read a few titles from the sub-genre so far this year, but MAN I love a haunted house horror story. It’s a gift that keeps on giving for me, as I love ghosts, I love strange occurrences in a new home, and I love the way that horror authors can pull out truly unsettling and scary things from the trope but in so many different ways. I was definitely interested to read “It Was Her House First” by Cherie Priest, because it promised not only a haunted house but also the ghost of Venita, a glamorous Hollywood starlet who now haunts her mansion and brings woe to anyone who moves in. All of this was top notch in theory, and I dove in hoping for a creepy read.

I think that a truly strong haunted house narrative needs to have hauntees that you can engage with and root for, and we definitely got that in protagonist Ronnie. She’s the kind of main character that has some rough edges but still shines brightly, and I found her very enjoyable. Her motivation for buying this house without even seeing it first was believable (she’s mourning, she had an unexpected inheritance, she needs SOMETHING to distract her AND she’s handy!), and seeing her and her friend Katie work through their shared grief of losing Ronnie’s brother to cancer made for bittersweet moments, especially as we learn more about Ronnie’s feelings of guilt. I really liked her, and therefore was invested when this house started messing with her and she started realizing that things weren’t as they seem, whether it was because of strange occurrences in the house or the strange man who has started visiting, claiming a family connection to Bartholomew Sloane, who died on the property. Ronnie having to unravel the history of the home and this man’s motivations were compelling and suspenseful story beats. Especially after she finds the diary of tragic starlet Venita, whose angry spirit is said to haunt the house and bring death to anyone who moves in.

And what of the ghosts themselves? It was a little of a mixed bag. I do think that Venita wasn’t as fury filled as I had hoped she would be, which kind of cut down on the scares. But on the flip side of that, I thought that getting into her thought process through her diary did a good job of peeling back her motivations, and perhaps I didn’t find her as scary as I thought I would because I kind of felt like she was correct and justified about a lot of the things that made her such an angry and unwilling to leave spirit. I did, however, enjoy some of the eerie descriptions of the way that the hauntings would make themselves known, be it furniture moving about or the POV of the other ghost in the home Bartholomew Sloan, who has a connection to Venita and has a lot of guilt associated with that connection as they lead separate afterlives within the halls of the house.

I did enjoy a lot about “It Was Her House First”. It had a pretty stellar main character and some well executed shifts between POVs, and a creepy haunted house with a lot of tragedy attached to it. Ultimately, that’s what I look for in a story like this.

Rating 7: A mysterious haunted house story with an engaging main character bolstered this up, though I admittedly anticipated more scares. But that said, I found “It Was Her House First” enjoyable!

Reader’s Advisory:

“It Was Her House First” is included on the Goodreads list “2025 Horror I Can’t Wait For”.

Kate’s Review: “Savvy Summers and the Sweet Potato Crimes”

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Book: “Savvy Summers and the Sweet Potato Crimes” by Sandra Jackson-Opoku

Publishing Info: Minotaur Books, July 2025

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A sparkling debut mystery set on the south side of Chicago, featuring the quick-witted, unforgettable Savvy Summers, proprietor of a soul food café.

When Savvy Summers first opened Essie’s soul food café, she never expected her customer-favorite sweet potato pie to become the center of a murder investigation. But when Grandy Jaspers, the 75-year-old neighborhood womanizer, drops dead at table two, she suddenly has more to worry about than just maintaining Essie’s reputation for the finest soul food in the Chicagoland area.

Even as the police deem Grandy’s death an accident, Savvy quickly finds herself—and her beloved café—in the middle of an entire city’s worth of bad press. Desperate to clear her name and keep her business afloat, Savvy and her snooping assistant manager, Penny Lopés, take it upon themselves to find who really killed Grandy.

But with a slimy investor harassing her to sell her name and business, customers avoiding her sweet potato pie like the plague, and her police sergeant ex-husband suddenly back in the picture, will Savvy be able to clear the café’s name and solve Grandy’s murder before it all falls apart?

After all, while Savvy always said her sweet potato pie was to die for, she never meant literally.

Review: Thank you to NetGalley for sending me an eARC of this novel!

I am kind of at the point where I am seriously asking myself if I just add the ‘cozy mystery’ sub-genre to my rotation of review topics, because I keep having my attention caught by books that fit that description. I’ve already committed to reading the “Tita Rosie’s Kitchen Mysteries”, and when I saw the book “Savvy Summers and the Sweet Potato Crimes” by Sandra Jackson-Opoku on one of my general NetGalley browses I really wanted to read it. So hey, maybe we are at the start of a new coverage point for me. Because, much like the “Tita Rosie’s Kitchen” series, I could see this one being pretty fun to follow judging from the debut.

The mystery itself is what I usually expect from the cozy mystery sub-genre. It’s easy to follow, has a clear group of suspects who all have pretty believable motives, and it doesn’t go too hard or get too messy when it comes to the casualties that are inevitable. I wasn’t terribly shocked by any of the twists and turns, and didn’t find myself in any particular suspense, but it was palatable and easy to read, and I was definitely entertained as I was going. I wasn’t really surprised by the final reveal, but the journey getting there was a ride I didn’t mind taking.

Because that’s kind of the thing with me and cozy mysteries; I’m not really looking for a plot that keeps me guessing and keeps me on my toes. I’m almost always looking for a cast of characters I like to follow and an enjoyable time and place, and I felt like Jackson-Opoku achieved that in this book. I enjoyed Savvy as our amateur detective, as not only is she a Black woman who owns a soul food restaurant, she is also older than I usually read when I pick up a mystery, being well into middle age. She has seen and experienced things that make her less impetuous and more prudent, and I liked having her perspective and her history in place as we were introduced and as we followed her on her first mystery. I also liked our supporting characters who will surely show up as the books continue, whether it’s her friend/colleague Penny, or her ex-husband Falon (who, it seems to me, may be being set up to be a romantic interest as they are still quite close, and I wouldn’t be mad about it). I also just really enjoyed how Jackson-Opoku brings the Southside of Chicago to life, as I could see the people and see the neighborhoods as she was establishing the time and place.

And of course, the food based elements really spoke to me. It’s always fun having a story based around food, cooking, and the community and culture that comes with it, and it’s even better when it comes with recipes (and this one does!). I just really liked reading about the different foods that Savvy was creating in her restaurant and how it connects her to her family history, loved ones that she has had to say goodbye to, and to the community and culture of Chicago’s Southside and the Black population that calls it home. And I do love some sweet potato pie every now and again. You know, so long as it isn’t poisoned.

“Savvy Summers and the Sweet Potato Crimes” is a fun and easy going cozy mystery that will surely please those who like the genre.

Rating 7: A solid debut cozy mystery with a fun main character and a cast filled with potential, “Savvy Summers and the Sweet Potato Crimes” is a promising beginning to a new series.

Reader’s Advisory:

“Savvy Summers and the Sweet Potato Crimes” is included on the Goodreads list “Cozy Mysteries Published by African-Americans in Decade: 2020s”.

Serena’s Review: “Soulgazer”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Soulgazer” by Maggie Rapier

Publishing Info: Ace, July 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Saoirse yearns to be powerless. Cursed from childhood with a volatile magic, she’s managed to imprison it within, living under constant terror that one day it will break free. And it does, changing everything.

Horrified at her loss of control, Saoirse’s parents offer her hand to the cold and ruthless Stone King. Knowing she’ll never survive such a cruel man, Saoirse realizes there is only one path forward…she must break her curse. 

On the eve of her wedding, Saoirse seeks out the legendary Wolf of the Wild—Faolan, a feral, silver-tongued pirate. He swears to help rid her of the deadly magic, if she’ll use it to locate a lost mythical isle first. Crafted by the slaughtered gods, it’s the only land that could absorb her power.

But Saoirse knows better than to trust a pirate’s word. With the wrath of her disgraced father and scorned betrothed chasing them, Saoirse adds one last condition to protect if Faolan wants her on his ship, he’ll have to marry her first.

Review: Ok, I’ll admit it: I was first drawn to this book based purely on the romantic and whimsical nature of the cover art alone. This artist has illustrated a number of fantasy book covers, and I’ve never once not immediately wanted to pick that book up! Doesn’t hurt that this one also promised pirates!

While this book didn’t quite work for me the way I had hope, there were still plenty of strengths to be had. One thing that stood out immediately, both as a pro and a con, was the style of writing. This book leans heavily towards a sort of lyrical, lush style of storytelling. There is a lot of imagery used and many lovely turns of phrase that I couldn’t help but admire. However, conversely, there were times that even as I was wowed by the beauty of the writing, I was left wanting in actually understanding what was meant to be portrayed. At times I found it difficult to place the setting in which the story was taking place, or how the action flowed from one scene to another.

This was particularly challenging at the start of the book, when the reader is plopped down in the middle of a busy scene, full of magic, religion, and political power moves. Even a few chapters in, I still didn’t feel as if I fully grasped the social-political situation of the scene the story was taking place within or the heroine’s magical abilities. That said, as the book continued and the plot focused in on the main characters and the action surrounding them, I had less trouble. Even here, though, there were still times where this focus on beautiful strings of words was prioritized over clarity of description. Ultimately, I think this is a case where the author has a lot of potential, but still needs to grow a bit in her craft.

I did enjoy the romance at the heart of the story for the most part. I didn’t necessarily need as many of the steamy scenes as we got, but the development of the love story on an emotional level was done well. This was largely helped by how well-done the love interest was written. He felt complex, interesting, and well-suited for the sort of romance that was being explored. On the other hand, I found myself struggling a bit more Saoirse. This was unfortunate, because there was a lot I liked about this character.

For one thing, she was very much outside of the typical romantasy heroine mold, being much more reserved, with her journey focusing on her slowly coming out of her shell and escaping the mental and emotional abusive systems that she had been raised within. Even at the end, she was in no way a “girl boss” or “badass” sort of heroine. This was refreshing! However, she was also hard to enjoy at times, being sometimes incredibly naive. There were also several points in which conflict could have been easily handled with simple communication, which made her silence all the more frustrating to follow.

Overall, while this book wasn’t a favorite of mine, I think the author has a lot of potential! There were the bones of a really great story to be found here, and with a bit more polish, I think this book could have been a hit! That said, even as it stands, I think there are a number of readers who will really enjoy this one, especially romantasy fans who are looking for a quieter heroine and a swoon-worthy hero!

Rating 7: While I struggled at times with some of the writing, there is a lot to enjoy in this romantasy story, not least of which is the excellent romantic lead!

Reader’s Advisory:

“Soulgazer” isn’t currently on any Goodreads lists but it should be on Beautiful Covers.

Serena’s Review: “The Nightshade God”

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Book: “The Nightshade God” by Hannah Whitten

Publishing Info: Orbit, July 2025

Where Did I Get this Book: ARC from the publisher

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Lore has failed. She couldn’t save King Bastian from the rotten god speaking voices in his mind. She couldn’t save her allies from being scattered across the continent—their own lesser gods whispering to them in their dreams. She couldn’t save her beautiful, corrupt city from the dark power beneath the catacombs. And she couldn’t save herself.

Banished to the Burnt Isles, Lore must use every skill she earned on the streets of Dellaire to survive the prison colony and figure out a way to defeat the power that’s captured everything and everyone she holds dear. When a surprise ally joins her on the Burnt Isles she realizes the way forward may lie on the island itself. Somehow, her friends must help her collect the far-scattered pieces of the broken Fount—the source of all the god’s powers—and bring them back together on the Burnt Isles, returning all magic to its source and destroying, once and for all, the gods corrupting the land.

But as Lore gets closer to her goal, her magic grows stronger… and to a woman who’s always had to fight for survival, that kind of power may be hard to give up.

Previously Reviewed: “The Foxglove King” and “The Hemlock Queen”

Review: Well, this was a bit of a let down. It’s always disappointing to see a series take a downward trend, especially when you look back at a high point at the start. The first book introduced a compelling cast of characters, a well-thought out, complex world, and a hidden history with promises of many exciting reveals to come. The second book languished a bit with “middle book syndrome,” little plot actually took place and several of the characters seemed to stall out in their progression (I also began to see the writing on the wall of a romantic arc I was less interested in). And here we are with the third.

To start with what I did like. I continue to enjoy Whitten’s style of writing. She has a way of drawing me in, even when I’m struggling to enjoy the relationships being portrayed or there isn’t necessarily a lot of plot to speak of. In less capable hands, that second book could have really gone another direction. Here, too, she takes the risky choice of swinging the focus away from our main three characters and back towards the gods they have come to embody. Now, I didn’t love this choice, but her writing is of such a high quality that I still pushed through what might otherwise have been a DNF from me.

But that urge to DNF was there, especially when I got to the middle section of the book and realized that I was halfway through the conclusion to a trilogy about three main characters and I had spent most of my time focusing on three OTHER characters (the gods in the past) and my main trio weren’t even together on page. Bizarrely, this book read almost like another middle book, where the author introduces a bunch of new characters and keeps the main group apart, with the expectation that this will all pay off in the end.

But this is the end! I get that the three gods are reflections of Lore, Bastian and Gabe. But no matter how closely they resemble those characters or their relationships mirror those of our main trio, they are still, demonstratively, not those characters. That being the case, I was frustrated with how much of the story focused on the interplay between these gods and their histories. Further, unlike an actual middle book, this one was our last chance to see our main trio together, so to spend so much of the story with them separated was truly unfortunate. For her part, Lore remains a good character on her own. But the dynamics between the characters is really what helps Bastian and Gabe to shine, so by distancing them all from one another, there was a decline in overall character quality to be found.

Lastly, I didn’t enjoy the romance. This is a completely subjective take, and I know many readers’ primary interest was in the throuple at the heart of the story. And, stepping back from my own preferences, I think all of those readers will be completely satisfied with this book. However, romance is a genre/topic that is incredibly subjective. Of all the genres, I think it is the one best served with tropes/hashtags assigned from the very start. A reader who enjoys dark romance is going to be into very different scenes and topics than a cozy romance reader. And the latter is best served by knowing right from the start that its a dark romance that they are picking up. So, too, with various pairings. Some readers enjoy reverse harems and throuples, while others are solidly monogamous/fated mates/etc. readers. I’m definitely the latter, and that being the case, this love story wasn’t for me.

This is one of those exact situations where I wish the book had been properly tagged from the start. Now! Don’t get me wrong, I probably still would have read this trilogy and been pleased I had, because I enjoy this author’s work and it’s not like throuples/polyamory are dealbreakers in any way. However, my expectations would have been properly aligned from the start. As it stands, the first book set up a love triangle, but I finished it still with the expectation that the trilogy would conclude with Lore ending up with one or the other, not both. So I was ultimately disappointed when I saw the direction the love story took, as throuples aren’t really my thing

All of this to say, this was just a fine read. As a whole, I don’t think the trilogy was properly paced, with the last two books both floundering a bit after the tightly plotted first book. That said, I think readers who are heavily invested in Lore/Bastian/Gabe will be incredibly happy with the way this book wraps up! I’ll definitely check out what Whitten writes next, but this trilogy won’t go down as one of my favorites from her.

Rating 7: This will definitely work for some, but I think it suffers from losing its focus on the main three characters at the heart of the story.

Reader’s Advisory:

“The Nightshade God” can be found on these Goodreads lists: Romantasy TBR 2025 and Baroque Fantasy.

Serena’s Review: “Wicked Deeds on a Winter’s Night”

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Book: “Wicked Deeds on a Winter’s Night” by Kresley Cole

Publishing Info: Gallery Books, June 2025

Where Did I Get this Book: finished copy from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Bowen MacRieve of the Lykae clan was nearly destroyed when he lost the one woman meant for him. The ruthless warrior grew even colder, never taking another to his bed—until a smoldering encounter with his enemy, Mariketa the Awaited, reawakens his darkest desires. When sinister forces unite against her, the Highlander finds himself using all his strength and skill to keep her alive.

His slow, hot touch is irresistible…

Temporarily stripped of her powers, Mari is forced to take refuge with her sworn adversary. It’s rumored that no one can tempt Bowen’s hardened heart, but soon passion burns between them. Though a future together is impossible, she fears he has no intention of letting her go.

No deed is too wicked for her seduction…

If they defeat the evil that surrounds them, can Mari deny Bowen when he demands her body and soul—or will she risk everything for her fierce protector?

Review: It’s been a while since I’ve checked out a paranormal romance read on this blog, so I was excited to see that Kresley Cole’s “Immortals After Dark” series was getting a new look and republished. I’ve had the first one down on my TBR list for a while (but honestly, those OG covers threw me off every time). After looking into it, the series seems like the sort where the world is connected, but each book follows a new couple. So I felt comfortable picking up the series with this, the third book, that was releasing in June. Let’s dive in!

This was a bit of a mixed bag right from the start. And I really do mean “right from the start.” The first chapter left me very confused about how I was feeling about the book. We jump right into the action (great!) and I really enjoyed some of the early grumpy/sunshine banter that we got from our two main characters. On the other hand, within a page or two (I kid you not!), these two were already getting hot and heavy. We went from zero to 60 in no time flat! What’s more, after shooting out of the gate at a gallop, after the first chapter, the book screeches to a stop, separating our characters and adding a bunch of backstory and other characters. Now, all of this backstory and the extra characters themselves weren’t bad by any means (indeed, much of the backstory for the MMC was incredibly important), but it did leave the pacing in a strange place and me floundering to settle myself in this world.

As the book continued, I was better able to piece things together. I can confirm that it was approachable as a stand-alone book, but also that there were numerous references to characters and portions of this world that I likely would have better understood had I started with the first book.

This also read as rather dated with its approach to the love story. We have a large age gap (not something that I typically quibble with), fated mates, and a lot of internal conflict driving the love story. All of these tropes are quite delicate to handle well, in my opinion, and this book walked right up to the line on a few of them. Particularly with the way the werewolves and their need to “claim” their mate was handled. There was the tiniest bit of “ick” to the entire thing, with how compulsive it all felt. This in particular was a bit that made the book feel a bit dated, as it was the sort of thing you often found in older romance book but that is more carefully handled nowadays.

This carried over a bit to the dynamics between the FMC and the MMC. Again, I don’t have an issue with age gaps on their own, but this one felt a bit egregious, especially when paired with the grumpy/sunshine trope and the fact that Mari was “fated” for Bowen. None of these things were bad on their own, but there was something about the way they all layered on top of one another to make me not fully able to invest in their love story.

All of this said, I very much enjoyed the world and society of this series. There was a ton of creativity to be found in the ways these various different creatures interacted with one another and shared a world. I’m definitely interested in checking out another book in this series, just to see more of this world and experience the dynamics between two other characters. (I’m going to avoid the first book, however, as a cursory look at it highlighted the fact that the whole “claiming” thing is perhaps even worse there). However, if you enjoy paranormal romances, I can definitely see the appeal in this series and I’m excited to see if another book/couple might be a better fit for me!

Rating 7: I didn’t feel like a few of the romantic tropes worked well together, but the world itself was super interesting, and I’ll likely check out the next book!

Reader’s Advisory:

“Wicked Deeds on a Winter’s Night” can be found on these Goodreads lists: So you love a Bad Boy or Tortured Hero and Best Highland/Scotland Romance Novels.

Serena’s Review: “Bury Our Bones in the Midnight Soil”

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Book: “Bury Our Bones in the Midnight Soil” by V. E. Schwab

Publishing Info: Tor, June 2025

Where Did I Get this Book: Netgalley

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: This is a story about hunger.
1532. Santo Domingo de la Calzada.
A young girl grows up wild and wily—her beauty is only outmatched by her dreams of escape. But María knows she can only ever be a prize, or a pawn, in the games played by men. When an alluring stranger offers an alternate path, María makes a desperate choice. She vows to have no regrets.

This is a story about love.
1827. London.
A young woman lives an idyllic but cloistered life on her family’s estate, until a moment of forbidden intimacy sees her shipped off to London. Charlotte’s tender heart and seemingly impossible wishes are swept away by an invitation from a beautiful widow—but the price of freedom is higher than she could have imagined.

This is a story about rage.
2019. Boston.
College was supposed to be her chance to be someone new. That’s why Alice moved halfway across the world, leaving her old life behind. But after an out-of-character one-night stand leaves her questioning her past, her present, and her future, Alice throws herself into the hunt for answers . . . and revenge.

Review: I’ve had an interesting reading journey with Schwab’s works. I started off with her “Shades of Magic” which is probably in my Top 10 favorite fantasy series of all time. So that’s a high bar right there! As I continued to read her books as they’ve come out, there are many that I’ve enjoyed but they’ve never quite reached this original high. Partly, I’m starting to see that the “Shades of Magic” series might have been the exception rather than the rule as far as her fantasy writing goes. Those books were fairly classic portal fantasy. More recently, her fantasy stories have become more abstract, often blending historical fiction and a high emphasis on lyricism and philosophy. All of this is good as well, but, from a pure enjoyment point of view, nothing tops the absolute blast of “Shades of Magic.” This is all a long way of saying that her most recent book is pretty much more of the same, which will either really work for you or remain a bit of a struggle, similar to the reception of “The Invisible Life of Addie LaRue.”

There’s no denying Schwab’s talent as an author. The words flow from the page, beautifully depicting a variety of different settings and time periods. We travel around the world in this book, visiting places like Italy, France, London and Boston. The story also spans several centuries (as one would expect following leading characters who are immortal vampires). These lens’ gave Schwab ample time to flex her literary muscles. And while she didn’t necessarily seem to have much new to say regarding vampires and the plight of living forever (we cover many of the greatest hits re: vampires like the disconnect from their humanity, the sense of purposelessness, etc. etc.), all of what she did cover was gorgeously depicted. Even in some of the lulls in pacing I still found myself pausing over a beautiful turn of phrase.

So, in many ways, much of this felt very familiar to “Addie LaRue.” Other than the focus on vampires, we had a bit of a retread in format, with the book jumping from historical time periods to the present. There was also a bit of familiarity to be found in the themes I’ve mentioned above, in that some of these same topics (what makes a life worth living) were also covered in her previous book. I get when authors really feel called to write about certain topics, but, for me, much of this felt a bit too familiar. I will say that this is largely a subjective point. I don’t dislike this sort of literary fantasy story, but as I mentioned at the top, I’m still hankering for a return of Schwab’s epic fantasy books, so to read two books in a row that felt fairly similar…it was a bit of a let-down for me. Others who enjoy literary fantasy more will likely be thrilled by this book!

I do think the pacing was a bit off in this book. That or it needed an editor who could have paired the story down to a more manageable length. As a fantasy reader, I’m more than happy to pick up massive tomes. But this book comes in over 500 pages long, and it feels like it. There were long sections in the middle of the book where there simply wasn’t much happening. This is a slow book, intentionally so, but there were definitely portions of the story that felt unnecessary. It was a relief to get to the back half where things began to pick up more.

As for the characters, well…I struggled a bit here as well. Instead of following the three equally, there was definitely one character who read as the main character more than the others. However, I struggled to connect with all three, feeling oddly distanced from them. In some ways, they felt more like vehicles for Schwab to explore the themes she wanted to cover (very good, important themes, but themes none the less!) than as fully fleshed out characters themselves. I also really struggled to enjoy the ending and will be curious to see how it is received by other readers.

So, this was a bit of a mixed bag for me. This book definitely felt like a book that Schwab has been long wanting to write; it felt personal and important, and I’m always happy to see writers reach a point of popularity where they are more free to pursue the stories they are aching to tell rather than the ones the publishers think will sell. However, I have to come at it from the perspective of a reader, and as a reader, I didn’t love this book. I can appreciate its merits, but it wasn’t my favorite style of fantasy, and I struggled to connect fully to the story, all the worse by its lackluster ending. I do think that readers who enjoyed “Addie LaRue” will very much connect this one (I’m just one of those weirdos who liked “Addie LaRue” but didn’t necessarily want more of the same).

Rating 7: Beautifully written and covering important themes; however, as a story, I struggled to enjoy my time reading it.

Reader’s Advisory:

“Bury Our Bones in the Midnight Soil” can be found on these Goodreads lists: Adult Queer Books and Most Anticipated New Releases of 2025.