Tag: 6 Rating

Kate’s Review: “The Stranger Upstairs”

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Book: “The Stranger Upstairs” by Lisa M. Matlin

Publishing Info: Bantam, September 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A social media influencer with a secret past buys a murder house to renovate, but finds more than she bargained for behind the peeling wallpaper in this gothic psychological debut.

Sarah Slade is starting over. As the new owner of the infamous Black Wood House—the scene of a grisly murder-suicide—she’s determined that the fixer-upper will help reach a new audience on her successful lifestyle blog, and distract her from her failing marriage.

But as Sarah paints over the house’s horrifying past, she knows better than anyone that a new façade can’t conceal every secret. Then the builders start acting erratically and experiencing bizarre accidents—and Sarah knows there’s only so long she can continue to sleep in the bedroom with the bloodstained floor and suffer the mysterious footsteps she hears from the attic.

When menacing notes start appearing everywhere, Sarah becomes convinced that someone or something is out to kill her—her husband, her neighbors, maybe even the house itself. The more she remodels Black Wood House, the angrier it seems to become.

With every passing moment, Sarah’s life spirals further out of control—and with it, her sense of reality. Though she desperately clings to the lies she’s crafted to conceal her own secrets, Sarah Slade must wonder . . . was it all worth it? Or will this house be her final unraveling?

Review: Thank you to NetGalley for providing me with an eARC of this novel!

The first thing that caught by eye about Lisa M. Matlin’s “The Stranger Upstairs” was the cover. I love seeing all these neon brightly colored and somewhat surreal thriller covers as of late! I also love the foreboding silhouette in the window of the house, which makes for a fun and weird dichotomy between the colors and the unease that lays below it. Cover aside, I was interested in this book because of the ‘murder house’ angle, as well as the influencer angle, which I had hoped would combine to make for a tense and fun thriller mystery. And I’m sad to say that we didn’t really get to the levels I was hoping for.

But first, the good! I thought that Matlin really set the scene well, building suspense in a well paced way with lots of good red herrings and misdirections while ratcheting up the tension. I liked the slow burn of the escalating stalking that is aimed squarely at Sarah, our influencer therapist who has bought an infamous murder house for content and the hope of profit. Sure, she’s harboring many secrets and her marriage is falling apart, but if this house flips well she could make money AND go viral. As strange things start happening and she starts to lose a grip on her collectedness, the plot is engaging and filled with lots of intensity. I also really liked the parallels between Black Woods House and the notorious Los Feliz Murder house, from similar crime scenes and murder details to infamy that leaks into local lore. It was a neat easter egg for people who are familiar with the crime.

But there were also things that didn’t really gel with me, which ultimately brought the book down overall. The first thing (and I’m not going to go into spoilers here) was how the entire thing shakes out. There was so much good suspenseful build up that could lead to some interesting solutions, and I was really hoping that it would all pay off. But I felt that by the end, the big reveal just kind of clunked out. It led to a twist that was okay but a bit unsatisfying, and then there was one more moment that happened right at the end that made it feel like the author couldn’t quite make up her mind as to what she wanted the ultimate reveal to be, and what kind of origin she wanted that reveal to be a part of. On top of that, Sarah was a little TOO unlikable. Let me explain that, as I generally think that female protagonists (especially in thrillers) should have the ability to be unlikable. The issue I had with Sarah was that there was a LOT of effort to make her sour, manipulative, snide, and proud of her cruelty, and it felt less like an interesting if flawed protagonist and more like a character that has a lot of checked boxes to make her unpleasant, without adding in layers and complexity to even it out. Generally, I can do with a let down ending if the main character is interesting, or vice versa, but when they are both underwhelming it makes for a disappointing read.

I do think that I would read more books by Matlin, because there was a lot of potential in “The Stranger Upstairs”. I’m bummed that it was a bit unmet.

Rating 5: There were some pretty good references and a build up I liked, but then the reveal fell a bit flat. Add in a main character who is almost too unlikable and it just didn’t hit the way I hoped it would.

Reader’s Advisory:

“The Stranger Upstairs” is included on the Goodreads list “Fiction Featuring Social Media Types: Bloggers, Podcasters, Etc.”.

Serena’s Review: “Witch of Wild Things”

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Book: “Witch of Wild Things” by Raquel Vasquez Gilliland

Publishing Info: Berkley, September 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Legend goes that long ago a Flores woman offended the old gods, and their family was cursed as a result. Now, every woman born to the family has a touch of magic.

Sage Flores has been running from her family—and their “gifts”—ever since her younger sister Sky died. Eight years later, Sage reluctantly returns to her hometown. Like slipping into an old, comforting sweater, Sage takes back her job at Cranberry Rose Company and uses her ability to communicate with plants to discover unusual heritage specimens in the surrounding lands.

What should be a simple task is complicated by her partner in botany sleuthing: Tennessee Reyes. He broke her heart in high school, and she never fully recovered. Working together is reminding her of all their past tender, genuine moments—and new feelings for this mature sexy man are starting to take root in her heart.

With rare plants to find, a dead sister who keeps bringing her coffee, and another sister whose anger fills the sky with lightning, Sage doesn’t have time for romance. But being with Tenn is like standing in the middle of a field on the cusp of a summer thunderstorm—supercharged and inevitable.

Review: Cozy fantasy is a term that I both am a bit skeptical of (it seems like another way of differentiating “serious” SFF from “that woman stuff” which I don’t think benefits anyone) and a subgenre that I’ve struggled to enjoy. But I do like romances and I do like sister drama and I do like low-level family magic, so I thought this one was definitely worth a shot. However, in the end, I don’t think this is the best example of any of these themes.

But I’ll start with what I did like. For the most part, the main character was a good lead. I enjoyed her voice, and in particular, her relationships with a few of the women in her life were very interesting and explored a level of complexity that I hadn’t expected. For example, Sage has a close friend who has a struggling marriage, and I appreciated the care that went into the balancing act that is supporting a friend in this situation where, to an outsider, the problem and solution seems easy, but to the friend whose life is in the balance, things are much more complicated. I also really appreciated the exploration of Sage’s relationship with the woman who took over the care of Sage and her sisters when they were young. There were some very nice points about grief and the burdens we can place on those around us when caught up in devastating positions. But, even here, there were moments where the depiction of this relationship took a bit of jarring turn towards the simplistic, with Sage taking on a rather “perfect victim” persona that left me wanting.

And this speaks to many of my problems with the other relationships in this books. Many of the characters, including Sage herself at times, came across as simple and without any real depth of character. The romantic hero is the most bland example of handsome perfection that I’ve come across in a long time. Pick out some romance hero tropes, and he checks them all of neatly, right in a row. And then the relationship between Sage and her angry younger sister, Teal, verged on the ridiculous at times, with Teal coming across as an unbelievable caricature of irrational anger.

Beyond this, I struggled with the overall tone of the novel. At times, Sage definitely took on a more YA sounding voice, testing my ability to believe her to be a 29 year old woman who has actually lived in the world. This isn’t helped by the inclusion of some truly cringe-worthy AOL conversations from her teenage years. And, unfortunately, these blasts from the internet-past can’t be simply skipped as they are key to understanding the unfolding relationship between Tenn and Sage in the present day.

There were bits and pieces of the story that I liked, which did help me get through it. But I often found myself struggling to really invest in any of these characters or care about the romance at the heart of it. I do think there are readers who will enjoy this, but I think the biggest failure lies with its inability to depict adult characters who…well…behave and think like adults.

Rating 6: Not for me, though I do think the depictions of the beautiful location and some of the lyrical moments had merit.

Reader’s Advisory:

“Witch of Wild Things” can be found on these Goodreads lists: Mushrooms, Toadstools, Fungus and The Witches.

Serena’s Review: “House of Marionne”

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Book: “House of Marionne” by J. Elle

Publishing Info: Razorbill, August 2023

Where Did I Get this Book: ARC from the author!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: 17 year-old Quell has lived her entire life on the run. She and her mother have fled from city to city, in order to hide the deadly magic that flows through Quell’s veins.

Until someone discovers her dark secret.

To hide from the assassin hunting her, and keep her mother out of harm’s way, Quell reluctantly inducts into a debutante society of magical social elites called the Order that she never knew existed. If she can pass their three rites of membership, mastering their proper form of magic, she’ll be able to secretly bury her forbidden magic forever.

If caught, she will be killed.

But becoming the perfect debutante is a lot harder than Quell imagined, especially when there’s more than tutoring happening with Jordan, her brooding mentor and— assassin in training.

When Quell uncovers the deadly lengths the Order will go to defend its wealth and power, she’s forced to choose: embrace the dark magic she’s been running from her entire life or risk losing everything, and everyone, she’s grown to love.

Still, she fears the most formidable monster she’ll have to face is the one inside.

Brimming with ballgowns and betrayal, magic and mystery, decadence and darkness, House of Marionne is perfect for readers who crave morally gray characters, irresistible romance, dark academia, and a deeply intoxicating and original world.

Review: Well, I’m predictable at least. If you give me a beautiful cover and mention the words “dark academia” in your book summary, there’s a decent change I’ll check out your book. Also, “Bridgerton” season three has been taking foreeeever to come out, so the reference to ball gowns and high society is a nice little perk to my current interests. Unfortunately, this was one of those cases where a lot of excellent individual ingredients were thrown into a single pot, but the end result was a mess.

But, first, some of the good individual ingredients. I liked the writing style, overall. It did fall a bit on the younger side of YA for my own personal preferences, but everything ran smoothly and I had a clear idea of the scenes we were exploring and the characters making up this world. It seems silly to point out, but whenever a writer manages to tell a story without throwing me out of the narrative with awkward word choices or jilted or repetitive sentence structure, that’s already a great win, and Elle manages all of that here. Overall, I was pretty into the book in the first little bit. I also like a lot of the ideas that make up this world, but this is also where things began to fall apart a bit.

Once we get to the magical world of it all, we quickly discover there are several different societies with different histories and priorities of magic. Luckily for me, I always check out the end of a book, author’s note, etc. before really starting a book, so I was able to discover an appendix with the histories of all of these houses. However, unless a reader also happened to look at the back of the book like I did here, the world-building given in the actual text is very confusing and sparse. The details provided in the appendix were sometimes key to understanding some of the politics of this world, and by hiding this information at the end of the book, it presents a challenging reading experience.

There were also aspects of the world and magic that seemed fairly arbitrary. For example, the women have these tiaras that are essentially part of their heads? And the men have masks? And somehow these are connected to their magical abilities? It’s all very obscure and never explained in any way. Instead, it’s easy to see the author simply picturing this world in this way, and then plopping it down in the book without much support for the entire concept. There were other aspects of the world and magic like this that, as I went a long, became increasingly frustrating to just roll with.

I also really struggled with Quell. Fairly early on, she comes across as a very unserious person who isn’t appreciating the reality of her situation. We’re told that her mom has had them on the run her entire life to protect Quell from those who would harm her for her strange magic. But then the second they are separated, Quell chooses to run straight to the very people her mother has been running from. It’s a bizarre choice, and one that isn’t well supported unless Quell is just a dunderhead. From there, she proceeds to become a Mary Sue, quickly conquering magical tasks that others have been struggling with for years at the school. The were some legitimate twists and interesting choices that Quell makes towards the end of the book, but these were too few, too late.

As is often the case, if I struggle with the main character, I also struggle with the romance. For what it’s worth, I didn’t actively dislike the romantic interest. He was perfectly fine for the type of character he was supposed to be. But my increasing frustration with Quell made my interest in the progression of this romance to wane fairly quickly. Again, there were some interesting turns towards the end in this regard as well. But also again, it wasn’t enough to save my overall reading experience.

Rating 6: A frustrating main character and confusing world left me feeling fairly turned off on this YA fantasy.

Reader’s Advisory:

“House of Marionne” can be found on these Goodreads lists: YA Releases September 2023 and Can’t Wait Sci-Fi/Fantasy of 2023

Serena’s Review: “Bring Me Your Midnight”

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Book: “Bring Me Your Midnight” by Rachel Griffin

Publishing Info: Sourcebooks Fire, August 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Tana Fairchild’s fate has never been in question. Her life has been planned out since the moment she was born: she is to marry the governor’s son, Landon, and secure an unprecedented alliance between the witches of her island home and the mainlanders who see her very existence as a threat.

Tana’s coven has appeased those who fear their power for years by releasing most of their magic into the ocean during the full moon. But when Tana misses the midnight ritual—a fatal mistake—there is no one she can turn to for help…until she meets Wolfe.

Wolfe claims he is from a coven that practices dark magic, making him one of the only people who can help her. But he refuses to let Tana’s power rush into the sea, and instead teaches her his forbidden magic. A magic that makes her feel powerful. Alive.

As the sea grows more violent, her coven loses control of the currents, a danger that could destroy the alliance as well as her island. Tana will have to choose between love and duty, between loyalty to her people and loyalty to her heart. Marrying Landon would secure peace for her coven but losing Wolfe and his wild magic could cost her everything else.

Review: I haven’t read anything by this author yet, but I’m very familiar with the cool, witchy titles and covers of her books. I always eye them in the bookstore with appreciation. But as I don’t always gravitate towards contemporary fantasy, I haven’t actually gotten around to reading either of them. However, reading the description for this one, it sounded a lot like Adrienne Young’s “Spells for Forgetting” which I absolutely loved. Unfortunately, however, this one didn’t reach those same highs.

Before getting into the parts of this book that ultimately left it as a bit of a disappointing read, I do want to focus on a few positive. For one thing, the cover art for this book is beautiful. Like the other books by this author, this one would definitely stand out on bookstore shelves. I also liked the overall concept of the book, with an island made up of witches who must expel their excess magic into the ocean to continue to exist peacefully with those around them. This idea is very interesting, and while the climate change points are not exactly subtle, that doesn’t take away from the overall impact of the set-up.

Unfortunately, as we saw so often in this book, things that should have been interesting would either not be fully explored or would peter out before the reader got to actually experience any conflict. We are told that the ocean currents around the island have become increasingly dangerous. However, other than a second-hand story from Tana’s childhood, we never actually see any dangers on the page. We’re simply told that it is so. Further, when this conflict is ultimately resolved, again, we don’t see anything of it. We are told it happens, and that is the end.

Again and again this sort of thing happened throughout the story. It was very much “telling” the reader how they should feel and what exactly was happening, but there was very little showing. Conflicts would show up throughout the story, but then, often in the same chapter, they were quickly wrapped up. Any attempts by the reader to build on stakes or feel any tension about what is coming next was almost immediately stamped down by a quick resolution.

I also struggled to picture exactly where and when this book took place. There were references to dresses and balls, but then the next moment would refer to a car driving by. It was very unclear what sort of society or world I was meant to be picturing. Is this a modern day story? Some point in the fairly recent past? For a story that is so centered around this unique community and rare, magical island, there was a distinct lack of descriptive prose. Yes, I would have enjoyed some more lyrical descriptions of this quaint town, but I also would have taken a basic description of what exactly I was supposed to be picturing at all.

Beyond this, Tana was a difficult character for me to connect to. She’s meant to be a twenty year old woman, but if I hadn’t been told this, I would very much have pegged her as a fifteen year old. Her voice is very juvenile, and her understanding of her place in the world and her choices was very passive to the point of fairly extreme naivety. At the same time, as her views were challenged, she quickly switched tack, seemingly with very little inner conflict at leaving behind lifetime-held beliefs. I also did not enjoy the romance in this story. It felt very insta-love like, and, again, I failed to connect to the characters or feel real stakes in their relationship.

This book didn’t work for me, which was too bad. I know the author is really popular, however, so if you enjoy more contemporary witchy stories, this may be for you. But if you’re looking for something with much depth, sadly I don’t think this is it.

Rating 6: Unlike the ocean with all of its mysterious depths, this one felt shallow and floundering.

Reader’s Advisory:

“Bring Me Your Midnight” can be found on these Goodreads lists: Flower Faces and YA Releases August 2023.

Serena’s Review: “Brittle”

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Book: “Brittle” by Beth Overmyer

Publishing Info: Flame Tree Press, August 2023

Where Did I Get this Book: NetGalley, copy from the publisher

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: After the murder of her father – which no one but her believes happened – Verve just wants to hold her family together and take on the role of provider. Unfortunately, a cruel fae lord believes she knows the location of an ancient magical weapon and steals her away to Letorheas, realm of the fairies. The fae lord seems to want something from Verve that goes beyond the weapon, something that many doubt she can provide. Verve must find a way to navigate the strangeness of Letorheas and embrace a destiny more intertwined with the fae than she would like to believe.

Review: This was definitely a “cover lust” situation. I just adore everything about this cover, and it was guaranteed that I would read it the moment I saw it. I’m also still always interested in Fae-focused fantasy novels, for my sins. Have I been burned by this particular trope in the past? Yes, I have. But I also can’t quite get “An Enchantment of Ravens” out of my head, which I read many years ago now, but absolutely adored. And, as I discussed recently about authors who improved on a second go-around, I’m always hoping to stumble upon another unexpected hit! Unfortunately, this was not that.

Right off the bat the story started with some very strong ACOTAR vibes. Now, for some, that is an incredible compliment and surely will draw in certain readers right away. For me, however, red flags were going up in every direction. But before I dive into the parts of the book with which I struggled, I do, as always, want to focus on some positives first. As I said, there is definitely an audience out there for this book (however, even this audience I think will feel that they’ve read many similar, better versions of this same story). The writing is also quite approachable and the action starts out right away. This is a fairly short book by fantasy standards, coming in at just over 300 pages. And it’s clear that the author is wasting no time getting to the point.

However, for me, that was where the problems started. I barely felt like I knew, let alone cared, about the main character between the story was immediately barreling into main plot points. What’s more, what I did know about the character had largely come from Verve herself simply informing me of her own traits and how she compared to the other members of her family. Of course, she is the brave, provider type who is too stubborn for her own good. It is this last point that really drew my ire as the book continues.

Per the ACOTAR standard, she is, of course, captured by a Fae lord and caught up in a bunch of Fae drama. In most fantasy novels, this should be the point where things really get good. Here are the opportunities for the heroine to rise to the occasion, to put her oft-declared strengths to the test. But instead, she comes across as foolish, stubborn to the point of stupidity, and petulant in the manner of a toddler. As someone who is currently raising toddlers, in no way do I want to read a novel where the heroine chooses to not listen to good advice and bizarrely ignore blatant realities around her all because she’s “sticking it to the power,” essentially.

Not only did this lead me to actively disliking the main character through much of it (honestly, I was starting to feel sympathy for her captors who were just trying to keep her from self-destructing), but many of her ridiculous decisions were necessary to drive the plot forward. I’ve ranted about this many times, but it’s almost guaranteed for me to low rate a book when I discover a plot that hinges on a character needing to be ridiculous, foolish, or just plain stupid. Yes, there are characters who experience growth through these traits, but even then, the traits themselves shouldn’t be necessary for the plot to move forward, except in the most rare of instances and part of a larger character arc.

I really struggled to like anything about this book, which was really too bad. I do like the overall premise, even if it is fairly familiar. And, again, that cover is a banger. There was also clearly a lot of ideas that were hinted at in this story, a unique religion, a magic system, some world0building. But none of it was fully fleshed out or enough to compensate for the frustrations I felt with regards to the plot and main character. Fans who are very devoted to Fae fantasy may want to check this out, but if you’re wary of the subgenre currently, this one won’t redeem your faith.

Rating 6: Not my cup of tea with a heroine who was annoying at best and actively unlikable much of the time.

Reader’s Advisory:

“Brittle” isn’t on any Goodreads lists yet, but it should be on Books about Faery.

Serena’s Review: “Forged by Blood”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Forged by Blood” by Ehigbor Okosun

Publishing Info: Harper Voyager, August 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: A brilliant new voice brings a brilliant new novel: debut author Ehigbor Okosun’s first book in an action-packed, poignant duology inspired by Nigerian mythology–full of magic and emotion and set in a highly atmospheric, complex world in which a young woman fights to survive a tyrannical society, having everything stripped away from her, and seeks vengeance for her mother’s murder and the spilled blood of her people.

In the midst of a tyrannical regime and political invasion, Dèmi just wants to survive: to avoid the suspicion of the nonmagical Ajes who occupy her ancestral homeland of Ife; to escape the King’s brutal genocide of her people—the darker skinned, magic wielding Oluso; and to live peacefully with her secretive mother while learning to control the terrifying blood magic that is her birthright.

But when Dèmi’s misplaced trust costs her mother’s life, survival gives way to vengeance. She bides her time until the devious Lord Ekwensi grants her the perfect opportunity—kidnap the Aje prince, Jonas, and bargain with his life to save the remaining Oluso. With the help of her reckless childhood friend Colin, Dèmi succeeds, but discovers that she and Jonas share more than deadly secrets; every moment tangles them further into a forbidden, unmistakable attraction, much to Colin’s—and Dèmi’s—distress.

The kidnapping is now a joint mission: to return to the King, help get Lord Ekwensi on the council, and bolster the voice of the Oluso in a system designed to silence them. But the way is dangerous, Dèmi’s magic is growing yet uncertain, and it’s not clear if she can trust the two men at her side.

Review: I was really excited when I saw this book scheduled for release this summer. I’ve read some great fantasy novels based on various African cultures’ myths, and I was intrigued to see what Nigerian myths and stories had to offer. I also think the cover on this one is really neat. Though it does read as very YA to me, which I find to be a really strange choice for an adult fantasy novel. And, unfortunately, this confusion of reading group is really something that brought this read down for me.

But first, let’s start with the good things. Fantasy novels really live and die by their magic systems and their world-building. I think there were some unique ideas for each offered up in this book. Early on, I was definitely intrigued by the nature of this world and how exactly the magical elements wove throughout the way this society operated. Unfortunately, things began to go off the rails fairly quickly.

While I was interested in the magic elements, as the story went on, I struggled to really put together how all of this was meant to work. Further, some of this explanation and continued world-building would be plopped down right in the middle of action scenes, really halting any momentum that had been building. There were also a lot of new terms and language, and these, too, were simply thrown at readers with very little introduction. Perhaps an index or glossary could have helped ease readers in (something that I think most fantasy novels could benefit from, regardless of where they’re pulling their inspiration). These kinds of challenges with pacing and how to properly introduce your reader to a new world are often found with debut authors, and, when given time to grow their craft, can be greatly improved upon in future books. Such is the hope here.

Also, as I said regarding the cover, there felt like there was some disconnect in whom the target audience is meant to be for this book. The overall tone and style of the writing read as very young to me, and many of the choices with the main character also fell into common YA tropes. For example, the main character repeatedly had to not learn from her mistakes and make obvious errors in judgement to simply move the plot in the direction it was meant to go. There was also a very unfortunate love triangle with basically zero chemistry between any of the members. Honestly, if I hadn’t known that this was marketed as an adult fantasy novel, I would never have guessed that it hadn’t been meant as YA.

And that’s not to say that YA has to have simplistic writing or fall into trope-y traps; I’ve read a number of fantastic ones this year. But I do think that adult readers will have a lower tolerance for some of these things, and that this book would have been better suited for a younger audience. Even there, however, there were a number of weaknesses in the writing (there were times where the writing simply failed to properly describe what and how things were happening) and characterization (I think the interactions between almost all of the characters were fairly simplistic and predictable) that would have prevented this one from being a hit for me.

Rating 6: There were hints of what could have been a good story, but the weaker aspects of the writing really prevented me from enjoying this one.

Reader’s Advisory:

“Forged by Blood” isn’t on any Goodreads lists yet, but it should be on Africa-Influenced Epic Fantasy.

Kate’s Review: “Harvest House”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Harvest House” by Cynthia Leitich Smith

Publishing Info: Candlewick Press, April 2023

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Deftly leading readers to the literary crossroads of contemporary realism and haunting mystery, Cynthia Leitich Smith revisits the world of her American Indian Youth Literature Award winner Hearts Unbroken. Halloween is near, and Hughie Wolfe is volunteering at a new rural attraction: Harvest House. He’s excited to take part in the fun, spooky show—until he learns that an actor playing the vengeful spirit of an “Indian maiden,” a ghost inspired by local legend, will headline. Folklore aside, unusual things have been happening at night at the crossroads near Harvest House. A creepy man is stalking teenage girls and young women, particularly Indigenous women; dogs are fretful and on edge; and wild animals are behaving strangely. While Hughie weighs how and when to speak up about the bigoted legend, he and his friends begin to investigate the crossroads and whether it might be haunted after all. As Moon rises on All Hallow’s Eve, will they be able to protect themselves and their community? Gripping and evocative, Harvest House showcases a versatile storyteller at her spooky, unsettling best.

Review: One of the most confounding book moments of 2023 thus far was I was having a hell of a time remembering a certain book that ran across my timeline. I am the kind of person who, when I see a book in passing that sounds interesting but doesn’t REALLY process in my brain so well, tells myself that SURELY I don’t need to make note of said book, because surely I will remember it. That’s what happened with “Harvest House” by Cynthia Leitich Smith. I saw it on Goodreads, thought ‘oh that sounds neat’, and then kept scrolling… and couldn’t remember it for a good long while. But eventually I did find it and tossed it on my request list, post haste! A Halloween haunted house attraction mixed with an actual ghost story with themes of Indigenous issues in the United States sounded really promising. The latter part of that description worked well, but the former? Not as much as I had hoped.

Like most of the time I will start with the things that did work. I really appreciated how Smith brings up themes of racism and appropriation towards and from Indigenous groups in American society, especially within a Halloween context. Lord knows every year the message ‘my culture is not a costume’ is ever relevant as you see people STILL dressing up in offensive Indigenous stereotypes and using imagery that is important to the culture said people are not a part of. I liked that our protagonist Hughie was grappling with this while volunteering at a town haunted house attraction, that wants to use a local legend of the ghost of an Indigenous girl as one part of the experience, as well as an ‘Indian burial ground’. Hughie is deeply uncomfortable with this, and his boss, Ms. Fischer, just doesn’t understand why these depictions are offensive and insensitive, and this part of the book is a great way to work through why these things are as such. I also kind of liked that Ms. Fischer, while completely clueless, wasn’t a moustache twirling villain, as it approaches the topic in a way that shows that sometimes this kind of racism comes from ignorance as opposed to malevolence, but still needs to be called out. The more contemporary YA elements of this book really clicked with me.

But here is the flip side of all that. I definitely picked this book up in part because I like books that have relevant things to say when it comes to social issues, but I ALSO picked it up because it sounded like it was going to be, ultimately, a ghost story with some horror-centric moments that weave in and out with the messages at hand. But unfortunately, I didn’t feel like the horror elements of “Harvest House” were prevalent enough. We do get some good first person perspective moments from Celeste, the ghost of an Indigenous young adult who is haunting The Crossroads, but it took until probably the last fifth of the book for there to be actual solid interactions between the ghost moments and Hughie. We do get a second hand account of another character encountering something strange at the Crossroads (with description of an online video), but it doesn’t last long, and then there are no more ghostly interactions until much later. It just didn’t feel like there was enough horror throughout the novel. I would say that perhaps removing the ghostly stuff and just stuck with the mystery about what happened at the Crossroads as the sole focus, but even that was abruptly wrapped up in one scene which felt more like an afterthought than anything else. I really just wanted more.

So while I really liked the social justice themes that were in this book, “Harvest House” felt less like a horror novel and more like a contemporary story with some supernatural stuff tacked on. A bit of a disappointment on the horror front, but still a read with some important points to make.

Rating 6: I liked the themes and I liked the messages about racism, appropriation, and misogyny, but for being a horror story it didn’t have the amount of horror that I would have liked.

Reader’s Advisory:

“Harvest House” is included on the Goodreads list “BIPOC Boy MC in YA Fantasy/SciFi/Mystery”.

Serena’s Review: “Sing Me to Sleep”

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Book: “Sing Me to Sleep” by Gabi Burton

Publishing Info: Bloomsbury YA, June 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Saoirse Sorkova survives on lies. As a soldier-in-training at the most prestigious barracks in the kingdom, she lies about being a siren to avoid execution. At night, working as an assassin for a dangerous group of mercenaries, Saoirse lies about her true identity. And to her family, Saoirse tells the biggest lie of all: that she can control her siren powers and doesn’t struggle constantly against an impulse to kill.

As the top trainee in her class, Saoirse would be headed for a bright future if it weren’t for the need to keep her secrets out of the spotlight. But when a mysterious blackmailer threatens her sister, Saoirse takes a dangerous job that will help her investigate: she becomes personal bodyguard to the crown prince.

Saoirse should hate Prince Hayes. After all, his father is the one who enforces the kingdom’s brutal creature segregation laws. But when Hayes turns out to be kind, thoughtful, and charming, Saoirse finds herself increasingly drawn to him-especially when they’re forced to work together to stop a deadly killer who’s plaguing the city. There’s only one problem: Saoirse is that deadly killer.

Review: I have to say, this cover is not it. I don’t know what went wrong here, but the strangely shiny, overly-produced artwork, and cheesy coloring of the entire thing is all just terrible. There are definitely covers I like more than others and ones that are just kind of “meh,” so I don’t often comment on this aspect of books. But man, I really hate this one. And it’s too bad, because the premise is so interesting (Black girl siren!) that they really could have done something with that. Instead, we get this.

Unfortunately, my experience of this book as a whole largely matches my feelings towards the cover: a big, fat, “not for me.” But, per the usual for the blog, I do want to start out the review on a positive note with some of the things I appreciated about this book. And one thing that stood out as unique was its worldbuilding was the inclusion of various different mystical creatures and beings. Of course, we have the main character who is a siren (though I was disappointed by the amount of time that what was originally an oceanic creature spent in completely human form on land). But there were also witches and elemental fae. When we were exploring the world and learning how all of these various factions worked with (or against) one another, the book was fairly interesting. But, even here, a lot of this information was delivered in the very exposition-heavy first half of the book. There was potential, here, however, and given that this is the first book in what I believe is a duology, the world-building is set up in such a way as to leave so interesting possibilities going forward.

I also didn’t hate the love interest. Yes, he did read a bit “Mary Sue” for my liking at times. Of course his father, the king, is the most evil person ever. And, of course, the prince will right all of the horrible wrongs in the kingdom as easily as a snap of his fingers once he gains the thrown. But, overall, he was still a likable enough romantic lead. That said, his likability just exacerbated my main frustration which came down to a persistent dislike of the main lead.

I get that Saoirse is written to be a morally grey character. Being a siren with the inherently violent abilities that come with it, this is only to be expected. But man did I dislike her. She’s incredibly reckless and thoughtless throughout the book. Her motivations only make qualified sense, with a particular eye-brow raise towards her relationship with her sister. And then she goes on to straight up murder several people throughout the story. She does have an inner arc that explores some of this, but I found her inner thoughts and journey to be rather shallow and not truly grappling with the realities of the harm she has done. And then our prince just kind of hand-waves all the murder away as “he can’t stay mad at her.” Dude. She killed a bunch of people all around you. This isn’t a personality quirk that is annoying but kind of cute.

And look, I like books with assassins and warriors who, naturally, also kill people. But I do think it takes a particularly skilled author to get this balance correct. You can create a character who is so jaded by this lifestyle that they don’t really experience regrets or you can create a world where this is fairly normalized by everyone. If not either of these, and you’re trying to create a character who has to grapple with their actions, this has to lead to a pretty serious character arc and, perhaps, a darker end to the story. As it was, I was left incredibly unsatisfied by the was Saoirse actions were “dealt” with.

On top of that, this reads as a very young YA novel. The writing style is very simplistic, without a lot of expression or depth. At times it left the pacing feeling too slow, and others, too fast. I realize that this is a debut, so there is still room for the author to grow into her style. And, like I said, there were the nuggets of interesting ideas to be found in this world. But in a lot of ways the story felt too caught up in the tropes and expectations of YA fantasy. Perhaps freed from some of these concepts, the second book will be better. If you’re a devoted fan of YA fantasy and can tolerate the younger side of the genre, this might be worth checking out. But for the average fantasy fan, I’d have to recommend passing this one by.

Rating 6: Lackluster in almost every way, I never felt like I could truly connect to this book, largely due to what I found to be a supremely unlikable leading character.

Reader’s Advisory:

“Sing Me to Sleep” can be found on these Goodreads lists: Magical Creatures and Fantasy Books with Black Leads.

Serena’s Review: “Psyche and Eros”

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Book: “Psyche and Eros” by Luna McNamara

Publishing Info: William Morrow, June 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org |Amazon | IndieBound |

Book Description: A prophecy claims that Psyche, princess of Mycenae, will conquer a monster feared by the gods. Beloved by her family but at odds with her society’s expectations for women, Psyche trains to become a hero, mastering blade and bow.

When Psyche angers Aphrodite, the love goddess enlists Eros, god of desire, to help deliver a cruel curse. Eros is the last born of the eldest gods, dry-witted and jaded, unsure of his place in the cosmos. The last thing he wants is to become involved in the chaos of the mortal world, but when he pricks himself with the arrow intended for Psyche, Eros is doomed to yearn for a woman who will be torn from him the moment their eyes meet.

A joyous and subversive tale of gods, monsters, and the human heart and soul, Psyche and Eros dazzles the senses while exploring notions of trust, sacrifice, and what it truly means to be a hero. With unforgettably vivid characters, spellbinding prose, and delicious tension, Luna McNamara has crafted a shimmering and propulsive debut novel about a love so strong it defies the will of Olympus.

Review: Continuing to follow the ongoing trend of reimaging Greek/Roman mythology, I knew I had to check out this book when I saw it slotted for publication this summer. I also love the myth of Psyche and Eros, one of the few stories that doesn’t seem to end in abject tragedy. I was also feeling particularly optimistic going into this one after the awesome reading experience that was “Atalanta.” Before reading that one, I had been worrying that “Circe” might have been more of an exception than the rule. But the strength of that book refreshed my confidence that there were strong books to still be found, even in the midst of this boom in popularity where every other book seems to be of the same sort.

Alas, as it turns out, the comparison to “Atalanta” didn’t work in this book’s favor as much as I had hoped. I would have had struggles with this book either way, but I think reading it so quickly after didn’t help. And this speaks to my biggest frustration with this story, and that’s the characterization of Psyche herself. Being fairly familiar with the original tale, I had some strong ideas of the type of character Psyche was originally portrayed to be. And that was a normal, soft-hearted woman who finds the inner strength to fight for her love when she finds herself in extraordinary situations. She is a heroine much like the ones that I love so much from Juliet Mariller’s books. There is an author who excels at writing heroines who value the strengths of “traditional” women’s roles, caring for the home, focusing on healing, midwifery, embroidery, etc. But they are just as strong when fighting for those they love.

This is the character that Psyche is presented as in the original story. So imagine my frustration when, here, she has been re-worked into the typical outgoing, fighter woman that we so typically see. I loved Atalanta for being this sort of character, and it is true to her origins. But to re-make Psyche, a character whose strengths are very different and represent how all women, not just natural warriors, can fight for those they love, into that same sort of heroine? No, dislike. It’s not only a waste of an opportunity to place value on all women, but it makes Psyche just your same-old, average heroine we’ve all read a million times before.

So that was a long rant on one very specific aspect of the story. But for me, who places such a value on characterization in my stories, this was incredibly disappointing. Granted, this is a hugely subjective take, and I, too, enjoy the warrior woman character, so readers with different expectations of this book may not even blink at these changes. There are also a lot of changes to the story itself. The author, of course, chooses to set this during the siege of Troy, a decision that is fine, I guess, but draws a lot of timelines into conflict if you know much about the various gods and stories involved. There are also a lot of changes to the general pantheon and who is related to who and how. Again, if you’re not overly familiar, this may all work fine for you. It just didn’t for me.

Overall, I was very frustrated with this read. That said, I also think that there are large groups of readers who will simply gobble this book up and enjoy the heck out of it. The writing is solid, the love story is, of course, there. And the characters, on their own, are fine. They just aren’t the ones I was expecting or wanting.

Rating 6: Turning Psyche into a “warrior girl boss” is not the vibe I was here for, but if you’re not looking for a close re-telling of the original, you could still enjoy this story!

Reader’s Advisory:

“Psyche and Eros” can be found on these Goodreads lists: Retellings of greek and roman myths and Bows, Arrows, Spears.

Kate’s Review: “We’ll Never Tell”

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Book: “We’ll Never Tell” by Wendy Heard

Publishing Info: Little, Brown/Ottaviano, May 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: An ambitious and juicy whodunit doused in Hollywood lore, perfect for readers of sexy summer thrillers like The Twin by Natasha Preston and The Agathas by Kathleen Glasgow and Liz Lawson.

No one at Hollywood High knows who’s behind We’ll Never Tell—a viral YouTube channel where the anonymous creators trespass behind the scenes of LA’s most intriguing locales. The team includes CASEY, quiet researcher and trivia champ; JACOB, voice narrator and video editor, who is secretly dating EDDIE, aspiring filmmaker; and ZOE, coder and breaking-and-entering extraordinaire.

Now senior year is winding down, and with their lives heading in different directions, the YouTubers vow to go out with a bang. Their last episode will be filmed at the infamous Valentini “murder house,” which has been left abandoned, bloodstained, and untouched since a shocking murder/suicide in 1972. When the teens break in, they capture epic footage. But someone trips an alarm, and it’s a mad dash to get out before the police arrive—at which point they realize only three of them escaped instead of four. Jacob is still inside, slain and bleeding out. Is his attack connected to the historic murder, or is one of their crew responsible?

A week of suspicions and cover-ups unfolds as Casey and her remaining friends try to stay alive long enough to solve murder mysteries past and present. If they do, their friendship may not survive. If they don’t, the house will claim more victims.

Review: Thank you to NetGalley for sending me an eARC of this novel!

I had been waiting for a bit (it wasn’t really that long, but anticipation can make things feel long) for a new Wendy Heard book. I had enjoyed “She’s Too Pretty To Burn” so much for it’s weirdness, it’s sapphic love story, and the satire of art as ethos and the ramifications of that. When I read that she had a new YA thriller coming out called “We’ll Never Tell” I was excited, and when I read that the premise involved an abandoned notorious crime scene and four teens caught up in something far more dangerous than they realized, I was practically vibrating with glee. And while there are a lot of great ideas with this book, and while it was a quick read that kept me going, the anticipation leading up to it kind of slammed the breaks with what we got.

But first the good. Wendy Heard is an author I have really enjoyed in the past, and I think that part of it is that she really knows how to bring seedy and shiny aspects of Los Angeles to life. There is so much potential in this story, and I loved seeing four teens with a YouTube channel focus in on what is clearly an homage to the Los Feliz Murder Mansion, a piece of Los Angeles true crime lore as the basis for a book. I also liked that we could get a few different ways to tell the story. These include protagonist Casey, some flashbacks from Jacob leading up to the night he is attacked, and some epistolary pieces of newspaper articles involving the Valentini murder, the fallout, and some other things that involve the family and the victims. I am a huge sucker for books that use newspaper articles or other found footage or information devices. And mystery wise, I did like the twists and turns of the story, as well as the mystery of who attacked Jacob in the house. Heard does a pretty okay job of laying out clues and bringing in various potential motives and means. It’s ultimately a pretty straight forward thriller, and while I didn’t totally guess what was going on, I wasn’t totally blown away by various solutions as the puzzle pieces all started falling into place.

However, I think that one of the things that didn’t quite connect for me was our protagonist, Casey. To me it felt like there were so many things about her that weren’t quite fully explored or elaborated upon. We have her as the cynical, sullen girl with the tragic past, given that her mother was murdered and it went unsolved, and she has been living with her grandmother and they have been barely holding on financially. She has a chip on her shoulder about some of her friends (mostly Zoe; Zoe is wealthy and, while well meaning, is sometimes clueless about her financial situation versus Casey’s), she really hates ‘true crime’, and she doesn’t always feel like she totally fits in with her peer group. It tended to creep a bit towards ‘not like other girls’, as there were a lot of first person perspective reminders about how no one else GETS it. I wasn’t super invested in her as a character, nor was I interested in the potential relationship she has with Dallas, a descendent of the Valentini family whose mother is owner of the Murder House property. I also didn’t quite understand what the purpose of her tragic background was, as it’s there to make her tragic but doesn’t really apply to the plot as a whole. It felt a lot like backstory was trying to do a lot of character development heavy lifting, and that just doesn’t quite work in this book.

I had higher hopes for “We’ll Never Tell”. The set up was pretty great, but the execution didn’t really reinvent any wheels. Certainly not something I regret reading, but I wanted more.

Rating 6: Lots of potential and a great set up, but ultimately it’s pretty run of the mill with a bland main character.

Reader’s Advisory:

“We’ll Never Tell” is included on the Goodreads list “Most Anticipated May 2023 Young Adult Releases”.