Tag: 6 Rating

Serena’s Review: “That Time I Got Drunk and Saved a Demon”

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Book: “That Time I Got Drunk and Saved a Demon” by Kimberly Lemming

Publishing Info: Orbit, January 2024

Where Did I Get this Book: NetGalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Spice trader Cinnamon’s quiet life is turned upside down when she ends up on a quest with a fiery demon in this irreverently quirky rom-com fantasy that is sweet, steamy, and funny as hell—perfect for fans of  Legends & Lattes  and  The Dragon’s Bride. 

All she wanted to do was live her life in peace–maybe get a cat, expand the family spice farm. Really, anything that didn’t involve going on an adventure where an orc might rip her face off. But they say the Goddess has favorite, and if so, Cin is clearly not one of them… 

After saving the demon Fallon in a wine-drunk stupor, all Fallon wants to do is kill an evil witch enslaving his people. And, who can blame him? But he’s dragging Cinnamon along for the ride. On the bright side, at least he keeps burning off his shirt.

Review: I’ll be honest, I definitely requested this one purely based on the unique title and the cute cover. Both were unlike any book I’d seen before, and after reading the synopsis, I was looking forward to reading a romantic fantasy with a heavy dose of comedy, ala some of T. Kingfisher’s work. Alas, it didn’t live up to my expectations. It’s hard to say whether it was a book problem or a me problem or a combination of both, but this will be one of those books that I think needs just the right reader to land perfectly.

For one thing, while the book is definitely high fantasy in its world-building and magic, it was very modern in its language, both the dialogue and some of the narration. And when I say modern language, I’m not talking about standard English (a qualifier that you do actually have to make for some fantasy that calls back to older forms of English, or formal English, or what have you). No, this is modern English in that there is tons of lingo thrown all over the place. And this is where I find one of my first points about the narrow lane for readers who will enjoy this book: this is a romance book that is heavy in the “adult themes” of its romance, but on the other hand, the jargon and lingo used is very much on the younger side. It’s not a comfortable pairing. I suspect that many of the adult readers who will enjoy the romance of this story might be put off by some of the ridiculousness of the language. And, honestly, I’m not sure it’s a great example of the use of the lingo even for younger audiences. It just felt corny and try-hard much of the time.

And this points leads right into my second major struggle area: I didn’t connect with the humor at all. Most of the jokes landed with a thud, and rather than laugh, I caught myself rolling my eyes more and more. At its best, humor is not only funny but endears the characters to the reader. Here, the humorous “takes” from our main character had me rapidly losing all respect for her and becoming increasingly annoyed by her choices. At one point, Cin makes some “snarky” remark about how books always have “bandit rapists.” And while I get what the author was trying to do with this meta level of awareness, the scene itself doesn’t go any further in unpacking this trope than using its inclusion as another moment for Cin to say something “witty.” It’s not subverting a trope if you just threw it in there to make your heroine seem clever for recognizing that it’s a trope in the first place. Then, later, there are other moments where horrific violence occurs, and Cin is written as just not really caring about all of the consequences? Throughout it all, she simply became pretty unlikable.

Beyond that, I was uncomfortable with the romance itself. I wasn’t expecting a “fated mates” romance, and those are my least favorite, so that’s just a personal preference thing. But due to this nature, you never feel any true connection between these two other than lust and the fact that they are simply “destined” to be together. On top of that, the book strays hard into dubcon (dubious consent) territory. Now, I’m not a hardliner on this front, as I wouldn’t say that one character kissing another character without directly asking before is dubcon or anything like that. I think if you stray too far down those lines, the entire romance genre becomes fairly unworkable. That said, this book went way further than that. And, again, I know that some readers enjoy these types of romances, but not only do I personally not, I thought that this sort of romance sat uncomfortably against the “cozy,” “humor-centric” story that the marketing presents it to be (cover, title, even the book description itself). So, again, I think there may be a mismatch between readers and books.

Overall, I was really let down by this book. While some of these complaints are definitely personal preferences (and if they’re your jam, you may in fact enjoy this!), but I also think there are some serious quality issues with the lingo and the comedy aspects of the story. It simply wasn’t funny most of the time and instead read as very cliché and as if it was trying way to hard to be cute and quirky.

Rating 6: The humor landed with a thump and the main character became increasingly annoying as the book continued.

Reader’s Advisory:

“That Time I Got Drunk and Saved a Demon” can be found on this Goodreads list: Books with Drinks on the Cover

Serena’s Review: “Powerless”

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Book: “Powerless” by Lauren Roberts

Publishing Info: Simon & Schuster Books for Young Readers, November 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: She is the very thing he’s spent his whole life hunting. He is the very thing she’s spent her whole life pretending to be. Only the extraordinary belong in the kingdom of Ilya—the exceptional, the empowered, the Elites.

The powers these Elites have possessed for decades were graciously gifted to them by the Plague, though not all were fortunate enough to both survive the sickness and reap the reward. Those born Ordinary are just that—ordinary. And when the king decreed that all Ordinaries be banished in order to preserve his Elite society, lacking an ability suddenly became a crime—making Paedyn Gray a felon by fate and a thief by necessity.

Surviving in the slums as an Ordinary is no simple task, and Paedyn knows this better than most. Having been trained by her father to be overly observant since she was a child, Paedyn poses as a Psychic in the crowded city, blending in with the Elites as best she can in order to stay alive and out of trouble. Easier said than done.

When Paeydn unsuspectingly saves one of Ilyas princes, she finds herself thrown into the Purging Trials. The brutal competition exists to showcase the Elites’ powers—the very thing Paedyn lacks. If the Trials and the opponents within them don’t kill her, the prince she’s fighting feelings for certainly will if he discovers what she is—completely Ordinary.

Review: Well, what is there to say: tricked into reading this one by the hype train once again! That said, I’ve had a few surprises recently where books that were very hyped actually ended up being quite good! So while “popular on BookTok” is still often a red flag for me, I don’t want it to become an instant warning sign to not even check out a book. Unfortunately, this one re-established many of the reasons I’m hesitant about books that seem to be crazy hyped.

Mostly, this book felt like a conglomeration of tropes and recycled world-building. And on top of that, the writing felt very simplistic and even cheesy at times. Both of these complaints (tropes/unoriginal concepts and fairly low quality writing) are the ones that most often come up for me when I read books like this that have been highly hyped. Maybe I’m snobby, I don’t know, but it almost seems like the readers who hype these books seem to have very low bar set for the quality of what they’re reading. Don’t you want to read something different? Don’t you want a new story? A new world? A new romance? It’s all just so…tired.

It starts with the world which is pretty much just a high fantasy version of “Hunger Games.” The entire concept is also fairly crazy as this is apparently a world where everyone has powers and yet somehow society isn’t chaos?? Beyond that, those without powers are considered deadly threats for being diseased. And yet, fairly early on, we see and hear of several examples of people without powers being hidden away for years on end. If it was just a horrible stigma taken to a deadly level, then I would understand it. But I don’t understand the idea that these people are seen as actual threats to life and health when it’s very clear that this isn’t the case using any basic observational skills.

Beyond that, the seemingly endless types of abilities and powers that people in world could have served as a detriment to the stakes and storytelling in this book. It was like a constant dues ex machina. Brandon Sanderson has a few videos up on YouTube about his approach to building magic systems, and one of the points that he emphasizes is that your system, be it a strict or loose magic system, needs to have clear limitations. This book serves as a perfect case study in what happens when there are no limitations, and the end result is that it sucks out much of the coherence or sense of stakes built into the story.

From there, I felt the main character and the love interest were cardboard cutouts of the same characters I’ve read in books like this before. They weren’t necessarily bad characters, but they were so familiar, so uncreative that I simply couldn’t find myself caring. Paedyn was your heroic underdog type and Kai was your supposedly morally grey, mighty fighter type. And again, many of these character traits are simply told to the reader, often in fairly cheesy dialogue. Kai referring to himself as a monster more than once is a good example of this. But what do we actually see from him? A guy living in a violent society who, if anything, has a much more moral approach to what he does than others. So…monster? Really?

Overall, I was very underwhelmed with this book. It felt incredibly familiar and was built on too many tropes to even count. The characters weren’t bad, but they also weren’t bringing anything new or interesting to the table. The writing was also very simplistic and failed to draw me in. I know the author has a big TikTok following, so I’m sure it will do well with a built-in fanbase. But if you’re a general fantasy reader looking for the next book to pick up, I can’t say I recommend this one.

Rating 6: Not for me, I feel like I’ve read this same book many times before and don’t need to read one again.

Reader’s Advisory:

“Powerless” can be found on this Goodreads list: Best Fantasy Fiction for Teenagers

Kate’s Review: “Where the Dead Wait”

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Book: “Where the Dead Wait” by Ally Wilkes

Publishing Info: Atria/Emily Bestler Books, December 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: William Day should be an acclaimed Arctic explorer. But after a failed expedition, in which his remaining men only survived by eating their dead comrades, he returned in disgrace.

Thirteen years later, his second-in-command, Jesse Stevens, has gone missing in the same frozen waters. Perhaps this is Day’s chance to restore his tarnished reputation by bringing Stevens­­—the man who’s haunted his whole life—back home. But when the rescue mission becomes an uncanny journey into his past, Day must face up to the things he’s done. Abandonment. Betrayal. Cannibalism.

Aboard ship, Day must also contend with unwanted passengers: a reporter obsessively digging up the truth about the first expedition, as well as Stevens’s wife, a spirit-medium whose séances both fascinate and frighten. Following a trail of cryptic messages, gaunt bodies, and old bones, their search becomes more and more unnerving, as it becomes clear that the restless dead are never far behind. Something is coming through.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

It’s now December, and the temperatures here in Minnesota are starting to drop and there are higher and higher changes that snow is going to be in the forecast. I don’t mind winter THAT much, especially around Hanukkah and Christmas, but I will say that by the time we get to the time of year with the holiday season behind us I do start to think that maybe, just maybe, less cold, ice, and snow could be a fun shake up from the norm (though maybe that invites a monkey’s paw situation with climate change, arg, I can’t win). But we aren’t there yet, and cold weather means cold stories are all the more powerful. So I start off the encroaching winter with “Where the Dead Wait” by Ally Wilkes. Because it’s good to remind myself that while a Minnesota winter can be arduous, at least I’m not on a failed polar expedition in the 1800s where starvation, disease, and cannibalism are the outcomes.

I truly believe that Wilkes has a gift for how she writes a story, bringing out evocative and vibrant imager and moments of beauty as well as horror. There were so many moments where a certain turn of phrase or descriptor flowed with a flowery ease that I don’t usually expect from a horror novel. I noticed this while reading Wilkes’s previous novel as well, and it feels like a unique writing style choice for a historical ice horror tale. I also really enjoyed a few of the characters in this book, namely Charles Day, the disgraced captain of a previous polar expedition who is haunted by the things he did to survive (as well as his sexual desires and same sex attractions), and Mrs. Stevens, a self proclaimed medium who brings spiritualist tendencies to the expedition seeking out her husband, who is now lost again on on the previous expedition with Day (and whom Day was very fixated upon). These characters worked for me, as did the themes of the spiritualist movement and the questions of validity that go with it.

But here is where I got a little hung up when it comes to this book. I felt like “Where the Dead Wait” has a LOT of similarities to Wilkes’s previous book., “All The White Spaces”. They are both historical horror books that take place during a doomed polar expedition (one arctic, one antarctic), they involve weird supernatural things in the snow, a conflicted protagonist, and a slow burn of descent into madness and desperation. I think that it’s a well done book in terms of these aspects, but it’s already something we’ve seen from Wilkes, and it was something we JUST saw in terms of the chronology of her novels. I wholly understand having an interest in a specific theme, and I absolutely think that an author has every right to write about what they wish to write about when it comes to that interest. But I did think that coming up so close upon the previous one it felt like more of the same. I think that what adds to this is the double edged sword of Wilke’s writing style. It’s very deliberate and at times flowery with some awesome prose and descriptors, but it can also be slow going because of those things. So yes, I praise it for being an interesting way to write and approach a story like this above, but combining it with other aspects that can weigh the story down makes it not as easy to get through, at least in my experience.

I’m not writing Ally Wilkes off as of now, as “Where the Dead Wait” had some great moments and some meat to it (maybe not the best descriptor, but so it goes). I do hope that perhaps on the next adventure out we’ll go beyond what we’ve seen before.

Rating 6: Definitely compelling with some great imagery and prose, but at the same time it feels a LOT like the author’s previous novel.

Reader’s Advisory:

“Where the Dead Wait” is included on the Goodreads lists “Horror to Look Forward To in 2023”, and “Queer SFF of 2023” (though this is definitely less fantasy and more horror, but still).

Serena’s Review: “A River of Golden Bones”

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Book: “A River of Golden Bones” by A.K. Mulford

Publishing Info: Harper Voyager, December 2023

Where Did I Get this Book: eARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: From bestselling author and TikTok sensation A.K. Mulford comes the first riveting, enchanting book in the all-new Golden Court romantasy trilogy— A River of Golden Bones  begins a journey of self-discovery, romance, and adventure for a young heir as she/they comes out of hiding to save her sister from a malicious, powerful sorceress and her dangerous sleeping curse. A sleeping curse. A fallen court. A secret twin. Twins Calla and Briar have spent their entire lives hiding from the powerful sorceress who destroyed their kingdom…and from the humans who don’t know they are Wolves. Each twin has their own purpose in Briar’s is to marry the prince of an ally pack and save the Golden Court. Calla’s purpose is to remain a secret, her twin’s shadow . . . the backup plan. No one knows who Calla truly is except for her childhood friend—and sister’s betrothed—the distractingly handsome Prince Grae. But when Calla and Briar journey out of hiding for Briar’s wedding, all of their well-made plans go awry. The evil sorceress is back with another sleeping curse for the last heir to the Golden Court. Calla must step out of the shadows to save their sister, their kingdom, and their own legacy. Continuing to hide as a human and denying who she truly is, Calla embarks on a quest across the realm, discovering a whole world she never knew existed. Outside the confines of rigid Wolf society, Calla begins to who could she be if she dared to try? Full of adventure, love, gender exploration, and self-discovery, A River of Golden Bones follows Calla’s journey through treacherous Wolf kingdoms, monster-filled realms, and the depths of their own heart in this thrilling romantic fantasy.

Review: I was initially drawn to this book due to the unique cover. It’s definitely a “second look” style, in that it is bright, colorful, and unlike any of the current trends we often see on fantasy books. That said, when I looked a bit closer and saw the golden wolf head at the top, it did drop a few points in my estimation due to the inherent “cheese” factor of it all. But still, it got the job done and I placed a request to check this one out.

Vampires are currently back in trend it seems, so it’s interesting running across a werewolf high fantasy book in our current environment. With werewolves come a whole lot of fairly routine elements and tropes, and I was fairly disappointed to see so many of them trotted out quickly here. We have the tried and true “fated mates” trope, the “werewolf protectors” trope, and, of course, a good healthy dose of fairly sexist stereotypes and society structures. And while the book does take an interesting look at the black and white nature of this aspect of werewolf society, it was very much presented through the lens of the main character’s personal identity journey. Unforunately, at times, I felt like this reinforeced other stereotypes even as it worked to deconstruct other limitations.

For example, much of Calla’s experience with her identity, particularly in the beginning of the book, is directly drawn from her sister Briar. From Briar’s figure, from the clothes Briar wears, etc., all of which is opposite of Calla’s body type and preferences. But we never hear from Briar herself. Obviously, she didn’t pick her body type. And what she wears says very little about who she is. It felt strange to have so much exploration of personal identity built around a character who was never given a voice for expressing how she felt about herself or her role.

I also struggled to connect with this story due to the competing content it seemed to offer. On one hand, most of Calla’s journey is a “coming of age” story and much of this exploration gave off very strong “YA” vibes. But then the romance was very adult, with a healthy dose of spicy scenes that are anything but young adult. The combination didn’t work well for my reading experience.

I also didn’t enjoy the romance. It felt very predictable, and I often found both characters at their most tiresome when they were together. The angst and drama was more annoying than it was enticing. Supposedly these characters had been best friends at some point, but we see nothing that would even hint at that sort of relationship on the page.

And then, to make matters worse, in the final conflict with the big bad, an individual who had committed atrocities, the climax of it all seemed to be the accusation made that Grae wasn’t going to accept Calla’s true identity. This, again, felt very YA. That somehow we have a battle going on with a murderous, horrific individual, and the real crisis is coming down to Calla’s own personal journey. Obviously, that is a crucial part of her and of her story. But one’s own individual journey and experience with others, while important, is not going to pair well when brought into a fight about life-and-death events taking place within an entire kingdom.

Overall, I struggled to really connect with anything in this story. I thought the exploration of Calla’s journey was unique and interesting, but it wasn’t enough to offset my dislike of the romance and my frustration with the strange mix of YA/adult themes throughout the book. If you’re looking for a fantasy novel that tackles gender identity, this one definitely is a creative look at the topic. But ultimately, this book didn’t work for me.

Rating 6: Fairly disappointing, with a mismatched combination of YA and adult thematic elements.

Reader’s Advisory:

“A River of Golden Bones” can be found on this Goodreads list: Best Queer Romantasy Books.

Kate’s Review: “VenCo”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “VenCo” by Cherie Dimaline

Publishing Info: William Morrow, February 2023

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Lucky St. James, a Métis millennial living with her cantankerous but loving grandmother Stella, is barely hanging on when she discovers she will be evicted from their tiny Toronto apartment. Then, one night, something strange and irresistible calls out to Lucky. Burrowing through a wall, she finds a silver spoon etched with a crooked-nosed witch and the word SALEM, humming with otherworldly energy.

Hundreds of miles away in Salem, Myrna Good has been looking for Lucky. Myrna works for VenCo, a front company fueled by vast resources of dark money.

Lucky is familiar with the magic of her indigenous ancestors, but she has no idea that the spoon links her to VenCo’s network of witches throughout North America. Generations of witches have been waiting for centuries for the seven spoons to come together, igniting a new era, and restoring women to their rightful power.

But as reckoning approaches, a very powerful adversary is stalking their every move. He’s Jay Christos, a roguish and deadly witch-hunter as old as witchcraft itself.

To find the last spoon, Lucky and Stella embark on a rollicking and dangerous road trip to the darkly magical city of New Orleans, where the final showdown will determine whether VenCo will usher in a new beginning…or remain underground forever.

Review: Fall is winding down, with American Thanksgiving later this week and temperatures getting colder and colder here in Minnesota. But I still like clinging to the Autumnal feelings as long as I can, and that means I’m also reading books that just feel like Autumn. That was part of the reason I was drawn to “VenCo” by Cherie Dimaline, a witch story about women drawn together from all parts of North America in hopes of coming to their full strength to help change the world for the better. Witch tales always feel like Fall to me, and I liked the whispers of a feminist edge to this book. Seems like Autumnal reading to me!

I enjoyed the witch lore and world building of this story. Dimaline makes clear rules and mythos about how witches are called, what functions they serve, and how they interact with the world and with each other. I also liked the way that the coven/VenCo itself was structured, with seven witches working below three top witches that are called The Maiden, The Mother, and The Crone (a clear reference to the Neopagan Triple Goddess). I also liked the way that while there have always been witches, there have also always been witch hunters, and I liked the origins of the SALEM spoons that all of the witches in the coven find to serve as totems that bring them all together. While we don’t get to see a lot of overt magical moments outside of scrying, I did like the implications that these women come together and through their companionship they will bring out their powers while also finding the power of themselves, whether it’s a woman leaving an abusive relationship, or a trans girl becoming comfortable in her own identity and truth. What can I say, I like magical stories that place emphasis on women bringing their strength out through companionship with other women.

All that said, I did think that we could have used a bit more exploration into the characters themselves. While all the members of the coven get some back stories, once their back stories are told they are pretty shallow. I also would have killed to have more backstory for The Maiden, The Mother, and The Crone, as there were a LOT of questions about them that I had once the book was finished (there was a particular revelation that happened in the last two pages that I really would have loved to have more details about!). And going back to the note above about the moments of magic, I do wish that we had seen more of that instead of just the promise that once the witches come together as seven they will be able to solve the world’s problems. It was a lot of telling without a lot of showing, and I really wanted more by the time the book was finished.

“VenCo” is an entertaining witchy read. I had higher hopes than what was delivered, but it’s a cozy read for Autumn.

Rating 6: A fun and witchy tale brimming with sisterhood, “VenCo” is an entertaining fantasy, though it could have used a little more exploration of the characters and their depths.

Reader’s Advisory:

“VenCo” is included on the Goodereads lists “Coven Book Club”, and “Scary Mommy Book Club”.

Serena’s Review: “Tonight, I Burn”

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Book: “Tonight, I Burn” by Katharine J. Adams

Publishing Info: Orbit, October 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: A thorn witch with the power to walk between the realms of Life and Death finds herself at the center of a magical rebellion—and a dangerous romance—that could destroy her coven and her soul in this dark and decadent debut. 

Thorns, Tides, Embers, Storms, and Ores. All five covens are bound in servitude to the tyrant High Warden of Halstett. 

Penny Albright is a daughter of the thorn coven, forced to patrol the veil between the realms of Life and Death. Each night, one thorn witch—and only one—must cross the veil by burning at the stake. Each morning, that witch draws on their magic to return. Failure to follow the rules risks the veil and risks them all.

But one morning, Penny’s favorite sister Ella doesn’t return. And that night, determined to find her, Penny breaks the rules. She burns in secret. And she discovers that all isn’t as it seems in Life or Death. 

Her journey leads her to Malin, a devastating lord with too many secrets; to Alice, a mysterious captive prophet; and to a rebellion brewing in the shadows beneath the city. And as Penny’s world splits, she’ll face a devastating choice. Because it’s not just her sister’s life that hangs in the balance. It’s the fate of all magic. 

All it takes is one witch—and one spark—to set the world ablaze.

Review: I’ve read a number of witch books this fall and mostly enjoyed them all! Of course, it is the time of year for this type of book, but it also seems that there is a current trend in YA and adult fantasy towards these types of stories recently. That being the case, I was excited to check out this book that promised an intricate new world, darker thematic content, plus a swoon-worthy romance! Unfortunately, while I think it might work well for other readers, I didn’t enjoy this one as much as I had hoped.

But let’s start with the positives. Right there in the premise the book is setting up a truly dark existence, one in which a witch must be burned at the stake every night to patrol the realm. Yes, they are meant to come back to life the next day, but that does very little to combat the true horror of a death in that manner every night. This was such an interesting concept to begin with. Added on top of that you have the mystery of why one witch fails to return which propels the action of our heroine. It’s an excellent set up and I was quickly pulled into the general concept of the story.

However, as the book progressed, I began to struggle. First with the heroine herself and then with the romances as they were introduced. Fairly quickly, I began to feel frustrated with Penny and some of her decision making. It felt at times that she was simply doing things to prove that she was doing something in the first place, rather than for any true reason. Moments like this left me with the impression of her as a fairly immature character. Again and again she received praise for making decisions that were, on their face, pretty bad.

And then we get into the romance and the love interests. So, I’ll be honest, part of this is on me in that I read the book description and didn’t pick up on the fact that this was a polyamory story. In my defense, I don’t think it’s super obvious in the summary either. But either way, as a reader I often struggle to enjoy polyamory stories. That being the case, I usually avoid them simply so I don’t have a host of middling to negative reviews here on the blog of a subgenre that I know others enjoy but just aren’t for me. Know thyself and all of that.

This book does a good job (back hand compliment time!) in highlighting one of my struggles with this type of romance: it’s hard enough to write a solid, fully-fleshed out love story between two characters in the page count of a single book; thusly, it’s almost impossible to do justice to three characters and two love stories within the same number of pages. And here, like in so many other instances, I simply couldn’t become invested in these romances. Sure, they were each attracted to each other. But beyond that? I never felt like any time was given to why these characters were falling for one another, what true connections bound them together other than the fairly rote parallels between Penny’s powers and the fact that one love interest represents Death and the other Life. Beyond that, I personally just don’t enjoy polyamory romances, so this was probably never going to be a great success for me. But for readers who do enjoy these stories, this might still work, though objectively, in this case, I still think the love stories themselves were fairly watered down to simple attraction and not much else.

Overall, I really enjoyed the world-building and magic of this world, but I struggled with the main character and the romances too much to truly enjoy this book. But if you’re a fan of polyamory stories and want to check out an interesting, fresh take on witches and witch burning, this might be a good book for you!

Rating 6: Not to my taste, but it did offer some interesting fantasy concepts that I’d never come across before!

Reader’s Advisory:

“Tonight, I Burn” isn’t on any Goodreads lists, but it should be on Vampires and Werewolves and Witches…Oh My!

Serena’s Review: “After the Forest”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “After the Forest” by Kell Woods

Publishing Info: Tor, October 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Ginger. Honey. Cinnamon. Flour.

Twenty years after the witch in the gingerbread house, Greta and Hans are struggling to get by. Their mother and stepmother are long dead, Hans is deeply in debt from gambling, and the countryside lies in ruin, its people starving in the aftermath of a brutal war.

Greta has a secret, the witch’s grimoire, secreted away and whispering in Greta’s ear for the past two decades, and the recipe inside that makes the best gingerbread you’ve ever tasted. As long as she can bake, Greta can keep her small family afloat.

But in a village full of superstition, Greta and her mysteriously addictive gingerbread, not to mention the rumors about her childhood misadventures, is a source of gossip and suspicion.

And now, dark magic is returning to the woods and Greta’s magic—magic she is still trying to understand—may be the only thing that can save her. If it doesn’t kill her first.

Review: Like Mothman, there seems to be a certain trend towards Germanic fairytales this fall. This is the second fantasy book I’ve read that has pulled from German fairytales or been set in Germany. While I enjoyed the focus on Russian fantasy over the last few years, this feels like a natural next step and a refreshing shift in focus. This story, less a re-telling of “Hansel and Gretel” and more an imagined sequel to that tale, was definitely high on my TBR list for this fall. Unfortunately, while it started out strong and I had high hopes, it didn’t ultimately live up my expectations.

When I started reading initially there were a few flags about the writing style that were immediately raised. But as I kept pushing forward, I became invested in Greta’s story and was particularly intrigued by the romantic interest. Unfortunately, as the story continued, Greta somehow became a worse lead and said romantic interest disappeared for long periods of time. When those things started happening, my initial skepticism about some of the writing kicked back in, and I ended up generally having a fairly bad time after that. I’ll start with the character stuff, however..

Greta starts out as an independent young woman who is dealing not only with the aftermath of her traumatic experiences while trapped by a witch with her brother as children, but also struggling to keep herself and Hansel afloat as he continues to gamble their livelihoods away. To aide with this, she uses a spellbook she stole from the witch who captured them so many years ago to create irresistible baked goods. As such, she early on discusses how careful and wary she has always been towards the spellbook, knowing its original owner’s penchant for horror. But as the book continues, somehow Greta becomes actively stupider and decides, nah, this book I’ve gone years knowing is probably dangerous and evil is probably actually totally fine. This is only one example, but it reflects a larger trend: Greta’s story is told in a disjointed and unnatural manner. There is no grand reason for her to suddenly become dumber about this other than the fact that the book needs her to. Decision after decisions is made in this way, not only be Greta, but by the other characters around her.

At one point, she becomes obviously hypocritical about a late reveal in the story, blows up at the love interest and stomps off. She then meets another character who literally walks her through the errors of her thinking. Then she WALKS BACK to the love interest and apologizes and the story progresses from there. It’s such an unnatural and unnecessary scene. It’s paint-by-numbers character development where it doesn’t seem like the author has even taken the time to fully cover over the paint numbers in the design, having one character literally handhold the other through development.

Beyond that, the book packs in so many different themes and fantasy elements that it quickly turns into a muddled mess. Are we supposed to be interested in the dangers of the spellbook? Or, now I see we have shape shifters, is that the main focus? How about witchcraft, women, and Greta’s own slowly revealed powers? Or, here’s a very late introduction of an entirely new villain and magical curse that we must solve! It all became a hot mess quite quickly.

And now working my way backwards to the writing. I will say, before some of these character problems happened and the story twisted itself into a knot of different focal points, the pacing was fast and interesting and the writing style was capable of drawing me in. That said, the very first chapter did introduce me to something that would plague much of the rest of the story. There’s an initial confrontation with a bear, and the way the story is written, the scene jumps from thing to thing so suddenly that I legitimately thought we were starting out with a dream sequence; it had that same disjointed, disconnected style with no transitions that I associate with authors trying to reproduce the ever-shifting nature of dreams. But no, I soon discovered this was meant to be a simple enough scene. However, the lack of transitions between scenes and even moments within a scene was very distracting, and this strangeness carried throughout the book. I never had a good understanding of how much time was passing, or when we were jumping to another time and location, or anything like that, because there was no attempt to naturally transition from place to place, either literally or metaphorically.

Overall, I struggled with much of this book. It was honestly surprising, because even with the confusion about the non-dream-sequence beginning, the writing was fast and compelling and I thought I would enjoy it. But then things quickly fell apart and I was left quite disappointed by the entire experience. That said, if you’re a big fan of fairytale re-tellings, there may be aspects of this story that appeal. I do think the romance was compelling, and the writing was fast and relatable. But if you’re looking for a more serious fantasy fairytale, this isn’t it.

Rating 6: What started out with a lot of promise quickly fell apart with errors in execution and character development.

Reader’s Advisory:

“After the Forest” isn’t on any good Goodreads lists, but it should be on Hansel and Gretel Stories

Serena’s Review: “Throne of the Fallen”

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Book: “Throne of the Fallen” by Kerri Maniscalco

Publishing Info: Little, Brown and Company, October 2023

Where Did I Get this Book: eARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Sinner. Villain. Ruthless.

These are wicked names the Prince of Envy welcomes. They remind him what he isn’t: a saint. And when a cryptic note arrives, signaling the beginning of a deadly game, he knows he’ll be called much worse before it ends. Riddles, hexed objects, anonymous players, nothing will stand in his way. With a powerful artifact and his own future at stake, Envy is determined to win, though none of his meticulous plans prepare him for her, the frustrating artist who ignites his sin—and passion—like no other…

Talented. Darling. Liar.

The trouble with scoundrels and blackguards is that they haven’t a modicum of honor, a fact Miss Camilla Antonius learns after one desperate mistake allows notorious rake—and satire sheet legend—Lord Phillip Vexley to blackmail her. And now it seems Vexley isn’t the only scoundrel interested in securing her unique talents as a painter. To avoid Vexley’s clutches and a ruinous scandal, Camilla is forced to enter a devil’s bargain with Waverly Green’s newest arrival, enigmatic Lord Ashford ‘Syn’ Synton, little expecting his game will awaken her true nature . . .

Together, Envy and Camilla must embark on a perilous journey through the Shifting Isles—from glittering demon courts to the sultry vampire realm, and encounters with exiled Fae—while trying to avoid the most dangerous trap of all: falling in love. 

Review: I’ll admit, I knew very little about this book when I picked it up. It was a book that the publisher approached me with, and, giving it a brief once over, sounded like something up my alley. I like fantasy. I like romance. I’m always on the hunt for a good combination of the two. Plus, there’s something oddly appealing about the rather old-fashioned romance book cover art on this one. Reminds me of some of the Nora Roberts stuff we were seeing in the 90s and early 2000s, in the best of ways!

It was only after I started reading that I connected several facts. One, I’ve actually read a book by this author, “Stalking Jack the Ripper,” which I very much enjoyed. And two, that this was an adult spin-off of a popular YA fantasy series, “Kingdom of the Wicked,” that was already published. Before getting into the nitty gritty, I will say that I do think this book works as a spin-off. There are clearly references to characters and plots from this first series, but I didn’t find myself overly confused or struggling to put together pieces from those books to fill out the one I was reading. So, if you haven’t read that series and are interested in this one, I do think it is approachable on that front.

And, while this book didn’t work for me, I do want to touch on a few positives first, as always. Firstly, this author has a very clear, fast-paced style of writing that I think appeals to a lot of readers. Indeed, it was this style of writing that made “Stalking Jack the Ripper” work for me as it did. Secondly, while I haven’t read the other series, I’m guessing that this spin-off will work well for all of the established fans. It’s easy enough to see the similarities and the simple changes (largely the inclusion of more graphic romance scenes) that might have been made to adjust the story for adult fantasy romance readers. So, if you like the original series, this will probably work for you. New readers, however…I think you can find better.

I struggled in a few ways, but the first and most prominent one was the way the pacing and romance of the book played out. I’m not overly prudish about my romance, but there are still a few necessary steps that make a romance work for me. Namely, you need to build up a relationship before you get to any pay-off. And this book…didn’t do that. We get a fairly graphic, if imaginary, scene in which the heroine is fantasizing about being with the hero within the first few chapters of the book, after briefly meeting him once and exchanging, at most a few sentences. To me, scenes like this fail to actually deliver what the appeal is meant to be in romance novels: I have zero investment in these characters together, and thus reading a prolonged, fantasized scene of the two them together after only just meeting them both…does nothing for me. It feels like its being graphic and sexual purely for graphic sexuality’s sake, as if the author was so desperate to make sure it was known that this was an adult fantasy romance that she hurried to squish this scene in, even if it’s completely unnecessary and unappealing in its own right.

This is a brief example, but it perfectly illustrates my ongoing struggles with the pacing of the relationship, and these two characters in general. I didn’t particularly like either of the lead characters, and I became increasingly frustrated with the passive nature of the heroine as the story continued. Envy (I won’t even get into the awkward reading nature of the names; I get that it’s the seven deadly sins, but Envy/Syn was so hard to take seriously every time I read t on the page) keeps telling us how feisty Camilla is, but then she seems very passive in any actual action. I was interested in her story when she was initially introduced, but it was hard to connect the type of woman who made a life for herself in the way that she must have with the type of character who was actually on the page.

From some brief sleuthing, I can tell that Envy must have been something of a fan favorite background character in the original series. And, yeah, I can see it. When given the correct moments, he definitely has some snark and spunk, especially of the variety that works great as a side character who pops up to dazzle in a scene. If anything, I liked him more when we saw him interacting with the other Princes of Hell. But when he was serving as the romantic lead, he didn’t connect with me, and I didn’t buy the chemistry between him and Camilla.

Overall, this one really didn’t work with me. Mostly, the pacing and the approach to the romantic elements started off on the wrong foot and the story never recovered from there. However, I’m guessing that this will be an unpopular opinion and that fans of the original series will gobble this one up!

Rating 6: A bit of a disappointment, mostly due to the rushed nature of the romance scenes and my inability to connect to either leading character.

Reader’s Advisory:

“Throne of the Fallen” can be found on these Goodreads lists: Epic High Fantasy/Romance/Mythology in 2023 and Lock and Key.

Kate’s Review: “Let Him In”

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Book: “Let Him In” by William Friend

Publishing Info: Poisoned Pen Press, October 2023

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: William Friend’s haunting debut Let Him In is a creeping, gothic psychological suspense about a young, newly widowed father struggling to raise twin daughters obsessed with an imaginary friend.

“Daddy, there’s a man in our room…”

Alfie wakes one night to find his twin daughters at the foot of his bed, claiming there’s a shadowy figure in their bedroom. When no such thing can be found, he assumes the girls had a nightmare.

He isn’t surprised that they’re troubled. Grief has made its home at Hart House: nine months ago, the twins’ mother Pippa died unexpectedly, leaving Alfie to raise them alone. And now, when the girls mention a new imaginary friend, it seems like a harmless coping mechanism. But the situation quickly develops into something more insidious. The girls set an extra place for him at the table. They whisper to him. They say he’s going to take them away…

Alfie calls upon Julia—Pippa’s sister and a psychiatrist—to oust the malignant tenant from their lives. But as Alfie himself is haunted by visions and someone watches him at night, he begins to question the true character of the force that has poisoned his daughters’ minds, with dark and violent consequences.

Whatever this “friend” is, he doesn’t want to leave. Alfie will have to confront his own shameful secrets, the dark past of Hart House, and even the bounds of reality—or risk taking part in an unspeakable tragedy.

Review: Thank you to Poisoned Pen Press for sending me an ARC of this novel!

It’s that time of year again!! It’s finally October, my very favorite month, and being the month of Halloween that means it is time for my annual Horrorpalooza celebration here on the blog! For those unfamiliar, in honor of my favorite holiday and favorite genre I am dedicating all of my reviews to horror related books and stories. I hope we have a very creepy and macabre month ahead of us, reading wise, and we are going to start with “Let Him In” by William Friend, a book that has been on my pile for awhile and has now made its debut, just in time for the season of the witch.

It wasn’t the stellar start to the season that I was hoping for, honestly, but I will start with what I did like about “Let Him In”. Friend does know how to write in a way that is both evocative and eerie, his turns of phrase lyrical at times and his motivations of his characters really clear and well thought out. We alternate between two perspectives. The first is Alfie, a recent widower who is grieving and raising his twin daughters Sylvie and Cassia now that his wife Pippa has died in a freak accident in her childhood home, where they had all been living. The other is Julia, Pippa’s twin sister who is also grieving, but is also nursing old wounds from her childhood. When Sylvie and Cassia start talking about an imaginary friend name Black Mamba, and their behavior goes from strange to concerning, Alfie calls Julia in as she is a psychiatrist. I liked the way we got to see both Alfie’s and Julia’s perspectives on Black Mamba, and the things that they are hiding from each other and the reader until the escalating situation with the twins and their own past demons start seeping in because of this ‘imaginary friend’, who may be a sign of a serious behavioral problem, or may be a supernatural force that has been lurking and waiting. There were a number of moments in which I was left ill at ease, and I think that it had a lot to do with the descriptions of the strange house, what may lurk in the dark there, and the damaged people within.

But on the other hand, I think that for me this book almost takes a little too much time to build up the tension, and is a little more ambiguous than I would have liked. Is Black Mamba a folie à deux between the grieving Sylvie and Cassia, or is it a demonic force? I like it when there is some sense of not really knowing what’s going on to a point, as I do think that it adds to the tension and it adds to the overall unease of a novel. But the problem with “Let Him In” is that it made it hard for me to engage and invest because it was ambiguous and moving a little slower than I would have liked. And by the time we got to the end and SOME answers were revealed, there was still a bit that was left unresolved, enough so that I was left fairly unsatisfied by the time I was finished with the story as a whole. This probably shouldn’t stop others from reading this book, especially if ambiguity is your cup of tea when it comes to horror or thriller novels.

So it was a little bit of a mixed bag for me. It didn’t quite live up to my expectations and hopes, but I do see how other horror fans would probably find a lot to like in it. Regardless, I will be curious to see what Friend does in the future. Horrorpalooza is here, folks. I’m so excited to talk about so many scary stories this month!

Rating 6: There are many eerie moments and I liked the writing style, but I think that there’s a little too much ambiguity when some answers may have been more satisfying.

Reader’s Advisory:

“Let Him In” is included on the list “Horror to Look Forward to in 2023”.

Kate’s Review: “The Stranger Upstairs”

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Book: “The Stranger Upstairs” by Lisa M. Matlin

Publishing Info: Bantam, September 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A social media influencer with a secret past buys a murder house to renovate, but finds more than she bargained for behind the peeling wallpaper in this gothic psychological debut.

Sarah Slade is starting over. As the new owner of the infamous Black Wood House—the scene of a grisly murder-suicide—she’s determined that the fixer-upper will help reach a new audience on her successful lifestyle blog, and distract her from her failing marriage.

But as Sarah paints over the house’s horrifying past, she knows better than anyone that a new façade can’t conceal every secret. Then the builders start acting erratically and experiencing bizarre accidents—and Sarah knows there’s only so long she can continue to sleep in the bedroom with the bloodstained floor and suffer the mysterious footsteps she hears from the attic.

When menacing notes start appearing everywhere, Sarah becomes convinced that someone or something is out to kill her—her husband, her neighbors, maybe even the house itself. The more she remodels Black Wood House, the angrier it seems to become.

With every passing moment, Sarah’s life spirals further out of control—and with it, her sense of reality. Though she desperately clings to the lies she’s crafted to conceal her own secrets, Sarah Slade must wonder . . . was it all worth it? Or will this house be her final unraveling?

Review: Thank you to NetGalley for providing me with an eARC of this novel!

The first thing that caught by eye about Lisa M. Matlin’s “The Stranger Upstairs” was the cover. I love seeing all these neon brightly colored and somewhat surreal thriller covers as of late! I also love the foreboding silhouette in the window of the house, which makes for a fun and weird dichotomy between the colors and the unease that lays below it. Cover aside, I was interested in this book because of the ‘murder house’ angle, as well as the influencer angle, which I had hoped would combine to make for a tense and fun thriller mystery. And I’m sad to say that we didn’t really get to the levels I was hoping for.

But first, the good! I thought that Matlin really set the scene well, building suspense in a well paced way with lots of good red herrings and misdirections while ratcheting up the tension. I liked the slow burn of the escalating stalking that is aimed squarely at Sarah, our influencer therapist who has bought an infamous murder house for content and the hope of profit. Sure, she’s harboring many secrets and her marriage is falling apart, but if this house flips well she could make money AND go viral. As strange things start happening and she starts to lose a grip on her collectedness, the plot is engaging and filled with lots of intensity. I also really liked the parallels between Black Woods House and the notorious Los Feliz Murder house, from similar crime scenes and murder details to infamy that leaks into local lore. It was a neat easter egg for people who are familiar with the crime.

But there were also things that didn’t really gel with me, which ultimately brought the book down overall. The first thing (and I’m not going to go into spoilers here) was how the entire thing shakes out. There was so much good suspenseful build up that could lead to some interesting solutions, and I was really hoping that it would all pay off. But I felt that by the end, the big reveal just kind of clunked out. It led to a twist that was okay but a bit unsatisfying, and then there was one more moment that happened right at the end that made it feel like the author couldn’t quite make up her mind as to what she wanted the ultimate reveal to be, and what kind of origin she wanted that reveal to be a part of. On top of that, Sarah was a little TOO unlikable. Let me explain that, as I generally think that female protagonists (especially in thrillers) should have the ability to be unlikable. The issue I had with Sarah was that there was a LOT of effort to make her sour, manipulative, snide, and proud of her cruelty, and it felt less like an interesting if flawed protagonist and more like a character that has a lot of checked boxes to make her unpleasant, without adding in layers and complexity to even it out. Generally, I can do with a let down ending if the main character is interesting, or vice versa, but when they are both underwhelming it makes for a disappointing read.

I do think that I would read more books by Matlin, because there was a lot of potential in “The Stranger Upstairs”. I’m bummed that it was a bit unmet.

Rating 5: There were some pretty good references and a build up I liked, but then the reveal fell a bit flat. Add in a main character who is almost too unlikable and it just didn’t hit the way I hoped it would.

Reader’s Advisory:

“The Stranger Upstairs” is included on the Goodreads list “Fiction Featuring Social Media Types: Bloggers, Podcasters, Etc.”.