Where Did I Get this Book: ARC from Bookish First, and an e-ARC from NetGalley
Book Description: Orphaned and cast out as a witch by her village, Vasya’s options are few: resign herself to life in a convent, or allow her older sister to make her a match with a Moscovite prince. Both doom her to life in a tower, cut off from the vast world she longs to explore. So instead she chooses adventure, disguising herself as a boy and riding her horse into the woods. When a battle with some bandits who have been terrorizing the countryside earns her the admiration of the Grand Prince of Moscow, she must carefully guard the secret of her gender to remain in his good graces—even as she realizes his kingdom is under threat from mysterious forces only she will be able to stop.
Review: It wasn’t even a year ago when I, on a slight whim, picked up “The Bear and the Nightingale.” It was in the middle of winter, and here in Minnesota, that’s a real thing, so the gorgeous cover with its deep, cool blues centered around a girl, out in the cold, facing inwards towards the cozy warms hues of hearth and home, struck a particular cord. But nothing could have prepared me for the sheer joy that was reading that first debut novel by Katherine Arden. This time, I was prepared. And yet…was I? Once again, I’ve somehow been blown off my feet by the sheer scope of Arden’s abilities and the story she is weaving together in this series.
“The Girl in the Tower” opens with a few chapters from the perspective of Vasya’s siblings. These first glimpses highlight not only that life has gone on outside of the strange and magical happenings in Vasya’s remote home village, but that in this time period, across all of this space, word does not travel fast. And her siblings have their own concerns. Olga, living the life of an aristocratic woman in medieval Russia, constrained to a tower and seclusion, is trying to raise her two children, particularly her willful young daughter, while looking forward to the birth of her third. And Vasya’s brother, Sasha, a wandering warrior monk, brings news of villages being raided and burned, their daughters stolen, to his close friend the Grand Prince.
Within this framework, we return to Vasya, almost immediately after the end of the previous book, still set on her plan to wander the world, accepting neither marriage nor a convent as reasonable choices. Even in the face of Morozko’s, the frost demon and god of death, open skepticism of her plan, she sets off. Only to discover that he is both right and wrong. The world is filled with much more danger than she had expected, but oh so much more beauty, as well. Along the way, she takes on the appearance of a young boy for further safety, and rescues two girls from the same group of bandits that Sasha had discovered. After running into her brother and the Grand Prince hunting these bandits, Vasya finds herself living a lie that is full of freedom but doomed to not last. Olga and Sasha, alone, understand the true, political dangers of what their young sister has gotten them all tangled up within.
As I said, I loved the first book in this series, and while I was hopeful that this book would continue to show that same strength, I never expected it to exceed it. And exceed it did, in almost every way. This book was by far more action-packed. The romance was increased. The danger and horror were there. And the characterization, allowed to build on what came before without the pressure of introducing completely new characters, blossomed. By being exposed to the world and its realities, the beauties and, more importantly, dangers and restrictions that confront women, Vasya’s former naivety is brutally stripped away. And yet she never loses her fierceness or her conviction that, whatever anyone says, this is wrong. Seeing their fiery, brilliant sister’s struggle, Sasha and Olga, not the most conservative individuals themselves, are forced to confront the lives they are leading and the expectations and assumptions they’ve made about themselves and those around them. One of my favorite quotes, from Sasha:
Witch. The word drifted across his mind. We call such women so, because we have no other name.
Further, I continue to love the mixture of historical detail of a time period and location that is rarely explored, with Russian folklore and fairytales, some of them recognizable, some completely, refreshingly, new. The tower from the book’s name, for example. In the author’s note, Arden discusses how locking aristocratic women in remote towers or wings of castles, completely removed from society, was a common practice in this time period. But perhaps most interesting, no one fully understands why this was done. And here, she ties this aspect of Russian history so neatly into a full-fledged fantasy novel that includes frost demons, magical talking horses, and firebirds.
And, like the first book, Arden’s prose is simply beautiful. While this book has more action than the first, this in no way detracts from atmospheric style of writing. Again, the cold of winter, the darkness of the woods, the bustle of the cities. It is all gorgeously drawn landscapes across which her characters romp.
The story also fully succeeds as a middle step in a trilogy. It takes concepts and interest points from the first story (particularly the romantic undertones with Morozko) and expands on them, tells a complete and compelling story of its own (the bandits, and a surprising tie-in to Vasya’s own familial history), but also lays the groundwork for the next and last in the trilogy. Vasya’s place in the world is by no means defined, and where she will go, and what role she will play in the ever-fading mystical world to which she is so closely connected is still yet to be determined.
Lastly, as a horse lover already, Solovey stole the show in this book. He was the primary source of much of the humor of the story, but it is also clear that without him, much of what Vasya accomplishes would have been impossible. As much as I love the bittersweet romance with Morozko, I’m all in for the horse/girl relationship as my primary bread and butter.
Honestly, I can’t recommend this book enough. And like with “The Bear and the Nightingale,” I want to share the love! Enter the giveaway to win an ARC copy of “The Girl in the Tower.” The giveaway is open to U.S. entrants only and ends on November 28, 2017.
Congrats to Kara for winning our giveaway of “The Girl in the Tower!”
Book Description: Cassie’s had it. After the last mission, she realizes she’s getting tired of missions. Tired of battles. Tired of being an Animorph. She decides that she just can’t do it anymore. So she quits.
Narrator: Cassie
Plot: Oh man, the book I’ve been dreading: the one where Cassie quits the Animorphs. But, I will say, there were aspects of this story that I didn’t appreciate as a kid, especially the very in-depth conversations about war and morality, that I was much more on board for during this read. So, while Cassie was still infuriating, I did end up not hating it as much as I remember hating it. With that blazing intro, let’s dive in!
During a “spy on The Sharing” mission that goes bad and results in a battle with Hork Bajir, Cassie finds herself hitting the metaphorical wall of “had it” with the violence that is life as an Animorphs. It all comes to a head when she goes in for the kill on a Hork Bajir she was fighting, even after Jake calls for a retreat. To Cassie, this is evidence that she is losing her ability to care, becoming deadened to the fight, and that’s something she can’t stand. And she quits. Walks away.
That night Cassie learns from her parents that the wildlife rehab center they run in their barn has lost funding and will likely have to close. Plus, there’s a leopard loose in the woods, escaped from a local exotic collector. With all of these happy thoughts, Cassie goes to bed, only to be plagued by nightmares. She wakes up and wanders to her window where she thinks she glimpses a pair of eyes looking back up at her.
The next day, the group confronts her in the barn about her decision, mostly refusing to believe she was serious. As it becomes clear that, yes, yes she is serious, the group reacts with varying degrees of outrage. Marco, unsurprisingly, simply calls Cassie a coward, choosing to selfishly focus on her own needs rather than the sacrifices it takes to save the world. Rachel sees Cassie quitting as a condemnation of everything Rachel is, that Cassie would rather leave than be like her. Tobias simply flies away, and Jake tells her that she can’t use her morphing abilities at all, if she’s not part of the group.
Not in the best head space, Cassie decides to go for a ride in the woods. As she rides, she comes across a small girl being chased by a bear. Cassie jumps into action and manages to snag the girl, but as the horse panics, they both are knocked into a near by river. Cassie almost drowns, but wakes up later on the shore, with the girl standing near her. The girl’s name is Karen, and Cassie is immediately suspicious of her, noting that she doesn’t speak like a kid. She quickly figures out that Karen was the one spying on her, and Karen confronts Cassie, saying she knows what she is, and that Cassie killed her brother. Karen is a Controller, and the Yeerk’s brother was the one Controlling the Hork Bajir Cassie had killed the other day. After seeing her brother die, Karen tracked Cassie and saw her, as a wolf, disappear into a bush, and then re-emerge as a human girl. More worryingly, Karen says that there are some Yeerks who have suspected for a while now that the “Andalite bandits” might be humans instead.
Cassie goes above and beyond to play this off as not true and that Karen has “quite the imagination for a kid.” Besides, they’re both now lost in the woods with a leopard on the loose, so she tries to distract Karen with this fact. Internally, Cassie panics. The Yeerk in Karen knows the truth about them, but simply taking her out is impossible: Karen herself is just a little girl. Further, Karen’s leg has been injured along the way, so Cassie must choose to actively help her survive or leave her behind. Of course, she helps her.
As they walk, the two discuss the morality of what the Yeerks are doing (all while Cassie continues to act as if she is simply indulging Karen’s crazy theories). Karen, more and more enraged by Cassie’s continued pretending, rants about the Andalites as arrogant busy bodies. She says the Yeerks have a right to expand, and the Andalites are all terrible. Cassie points out that if she’s on the side of these all terrible Andalites, then why is she helping?
Night is falling, and the two come across a cave. While Cassie is exploring it for bears, Karen is attacked by the leopard. Cassie morphs wolf and scares it away, but this confirms everything Karen has been saying and puts an end to Cassie’s act.
The two hunker down in the cave. As they continue to talk, Cassie notes some strangeness in the way the Yeerk is talking. It seems the Yeerk may feel slightly bad about Controlling a child. Through these conversations, Cassie begins to think that there might be another way. The next day they continue these conversations, this time with Cassie specifically trying to lead the Yeerk through morality exercises, asking her how it feels to have the real Karen crying in her mind. Cassie also goes into her own qualms about participating in a war and the violence that entails. Karen confesses that there are similar Yeerks out there who think it is wrong to take unwilling hosts. Cassie’s hopes rise even more.
This is interrupted when the leopard attacks again. An osprey attacks it several times, but the leopard still manages to drag Karen away, crying Cassie’s help. Cassie quickly deduces that the osprey is Marco and rushes to morph a wolf and keep him away from Karen, knowing what he will do. But the leopard isn’t scared by her wolf morph this time, and Karen is only saved when Marco shows up as a gorilla.
Marco quickly figures out what is going on and insists that they do something about Karen. Cassie doesn’t know what to do, but decides they should hear from the little girl herself, without the Yeerk. So she presses her wolf ear to the girl’s and becomes Controlled herself. Marco calls her an idiot and rushes to morph a bird and fly away, quickly understanding that the Yeerk will now have morphing abilities, too (something Cassie somehow forgot to realize!)
Now Controlled, Cassie learns the Yeerk’s name is Aftran. Aftran sorts through Cassie’s memories, and we get quick flashes of scenes from prior books with Aftran’s commentary. She notes that the Vissers are more concerned with in-fighting than the war (referring to book #5), watches Cassie panic after killing the termite queen and is confused by her caring so much (book #9), and laughs at the Andalite toilet episode (book #14). Cassie realizes that she has put all of her friends at risk as now Aftran knows them all. Aftran morphs a bird and flies away. From the air Aftran/Cassie see two groups: the Animorphs flying around as birds, and a group of Controllers on the ground. Aftran warns the Controllers about the “Andalite bandits” as birds, and flies on. Cassie notes that she didn’t give away their secret.
Aftran flies back to Karen and re-takes her. Cassie sees her crying, and knows that it is the Yeerk in control, and the Yeerk who is crying. Aftran rants about how unfair it is, to be born as a species so limited by its own body, unable to see the world around them, and to understand what Cassie is asking her to do, to return to the Yeerk pool and stay there forever. She finds a caterpillar and proposes a deal: if Cassie morphs this caterpillar, and then lets herself get stuck in that morph, in a body similar to the Yeerk’s, then Aftran will return to the pool and let Karen go free. Aftran points out that she will keep her word, because if she didn’t mean to, letting Cassie get stuck in morph when she has a much-desired morph capable body, would be a complete waste. Cassie agrees, and once morphed, in despair and loneliness, retreats to the caterpillar’s mind.
The story switches to Jake’s perspective, and after a brief run in with the roaming Controllers, the group catches up with Karen and caterpillar!Cassie. Karen is crying and saying she can’t believe Cassie did it, that she tried to stop her in the end, but caterpillars can’t hear, so she didn’t know. Cassie is stuck as a caterpillar. Karen explains their deal, and Jake lets every Animoph decide on their own what to do about it. Eventually, they all walk away, unwilling to undo Cassie’s sacrifice.
A few days later, the group watch as Cassie emerges from her cocoon as a butterfly. Ax casually asks whether Cassie would prefer to be a butterfly to a human. The group are shocked, and it turns out that since the caterpillar essentially “morphed” to a butterfly, the time clock should be reset.
The book ends back with Cassie as a human. The rehab center gets funding from a bank president whose daughter insisted they do something for it (Aftran had been in Karen for the sole purpose of spying on said bank president). And Cassie runs into Karen in the mall; she’s free and Aftran held up her end of the deal. Cassie notes that as long as she can fight for things like this, for finding another way, that is enough.
Peace, Love, and Animals: This book is very different from other Animorphs books. For the majority of it, it’s just one Animorphs character and a Yeerk, discussing very complicated moral and philosophical quandaries. It’s clear that this book was important to Applegate, and that she had some clear points on war, violence, and right/wrong that she was trying to convey. And I really enjoyed much of this. Further, the character of Aftran is excellent.
But I still ran into many of the same struggles I’ve had with Cassie in the past (and that I know will recur in future books, especially towards the end of the series with one big decision she makes). So, I’ll try to lay it out as best as I can.
Much of this book illustrates why I can never fully get behind Cassie as a character. She is clearly a character that is given the privilege of making the “right” choices, because she’s in a work of fiction. Many, many choices she makes in this book are only “right” in hindsight. Morally? They’re probably right most of the time. But on the grand scale of things, Cassie is incredibly, foolishly, unforgivably reckless with the lives of not only her friends but an entire planet (as well as the freed Hork Bajir, and the Chee, to name a few others), by choosing to quit because she doesn’t want to pay the same price the others do, knowing that she’s leaving them to an even more uphill battle, paying that same price over and over again, and then later letting Aftran Control her.
And yes, I agree with Marco. It’s selfish and self-righteous. And the only reason we can close this book and feel good about what she’s done (which I’m not undermining, it’s incredibly important and impressive, managing to talk around a Yeerk, something no other Animorph could do) is because she’s been given a pass. Her character is allowed to make stupid decisions that always turn out for the best. And this just reads as false to me. It undermines the reality of the toughness behind the rest of the Animorphs’ decisions. Jake’s slow fall. Rachel’s reckless courage. Marco’s cold detachment. These characters suffer severe changes and make huge sacrifices of themselves, choices that impact them for the rest of their lives (which we see play out in the end) because they are forced to live a real war story. Cassie comes out the other side ok, but it’s because she’s been allowed to make reckless, selfish decisions, to keep her soul more intact, and not pay a price for it.
Again and again we see her making decisions based on her own ability to live with herself and feel good about herself, and letting other step in to suffer the more extreme consequences. In Jake’s book, #16, she wants to kill the Yeerk, but wants Jake to literally do the dirty work for her. In Megamorphs #2, she chooses to save the alien race, and is only spared from destroying humanity’s future by Tobias shouldering the harder decision. And those are just in the most recent books! Cassie’s character is the only one that is given the privilege of making decisions based purely on her own feelings, to not sacrifice massive pieces of herself in the war to save Earth, without having it blow up in her face.
As I’ve said, I think Cassie is an important character for the series. But I wish there had been some type of more realistic balance that was struck between Cassie’s unique view on the world and the realities that that view would need to confront in a war.
Our Fearless Leader: Jake gets a few chapters of his own in this book, which is the first time we’ve seen a change of narrator in a regular series book. I can’t remember if this happens again or not, but it further illustrates the importance of this book in Applegate’s eyes. Jake’s big moment is notably not making a decision about what to do with Karen/Aftran after they discover her with caterpillar!Cassie. He lets this be one where everyone must come to their own conclusion about what is right.
Xena, Warrior Princess: I’ll go into more of Rachel’s stuff in the “Couples Watch” section, since I think Rachel and Cassie’s friendship is the big relationship of this book. But Rachel’s moments with Cassie when they’re confronting her in the barn are big. Rachel, like Marco, can’t get behind the idea of not sacrificing oneself for the larger cause. But Rachel also clearly loves Cassie and respects her, unwilling to agree that she’s a coward. But as Cassie goes on to explain that she can’t stay in this fight because she’s going numb to the violence, Rachel walks away. Cassie tries to call after her that they can still be friends, but Rachel interrupts to say “No” and:
“See, you’ve just said the whole world can drop dead, so long as you, Cassie, don’t have to end up turning into me.”
It’s a brutal put-down, all the worse because Cassie can’t deny it.
A Hawk’s Life: Tobias doesn’t do much in this book either. He silently leaves when they confront Cassie about quitting, never really saying much. But when they discover Cassie stuck as a caterpillar, he says he can respect her choice to not want to live in a vioent world, saying that he is forced to live with violence every day, and can’t blame someone for not wanting to live that way.
The Comic Relief: Marco is by far the most harsh on Cassie’s decision to quit.
Marco laughed a short, brutal laugh. “Fine. You have your morals and your fine feelings and all that. We’ll go off and risk our lives to save the world. You just sit here and feel righteous.”
But he’s also the one to come to her rescue as an osprey (it’s never made clear what exactly he was doing flying around over there anyways). And then, towards the end, the leopard attacks Karen/Aftran again after Cassie’s been stuck and the group has discovered them, and Marco takes it out as a gorilla, saving the Yeerk. In the end, he, too, wants to respect Cassie’s sacrifice.
E.T./Ax Phone Home: Ax does practically nothing in this book, other than deliver what some may call the deux ex machina at the end, with the whole “naturally occurring morphing” loop hole of convenience. There a brief bit when, during Jake’s narration, we get a brief fight scene with the roaming Controllers, and Ax has to run off with a wounded eagle!Rachel. But…yeah, I’m scraping the bottom of the barrel to come up with stuff for him.
Best (?) Body Horror Moment: There isn’t a lot of body horror in this one, other than the typical “morph to a bug” nastiness. However, I will note here how effective the threat of the leopard was through out the middle majority of this story. It kept popping in and out, and Cassie has a good mental dialogue moment going over how dangerous leopards are, especially because you never know they’re there. It adds a good level of tension to a book that is mostly made up of talking.
Couples Watch!: There’s practically nothing for our romantic couples in this one. Instead, I’d say that Rachel and Cassie’s friendship is the major player in this book. Throughout it all, Rachel is the most hurt by Cassie’s decision to quit, but also the most supportive of her the entire time. In the first confrontation in the barn, when Cassie agrees with Marco’s assessment that she’s a coward, Rachel, even while mad, says that that isn’t true.
And then, when Marco returns to tell them the craziness that Cassie is up to, letting herself get infested, we have this:
Marco said something he didn’t really mean about Cassie not being an Animorph anymore, so she wasn’t our problem. Rachel knocked him on his butt. Marco is my best friend, but there are times I admire Rachel’s directness. [Jake’s perspective]
And lastly, when the discover Cassie as a caterpillar, Rachel is the most enraged against Aftran, and the last to walk away. But when she does, she insists on carrying the leaf that caterpillar!Cassie is on, saying that she will look after her and keep her safe.
I love their friendship!
If Only Visser Three had Mustache to Twirl: No Visser Three in this one! Other than the mini rant Aftran goes on while Controlling Cassie about all the in-fighting within the Visser political arena. I guess at least we know that isn’t only these two that are like petty children in the school yard.
Adult Ugly Crying at a Middle Grade Book: When Cassie morphs the caterpillar, the book does a very good job of highlighting just how awful this life will be. Cassie’s descriptions of her own despair and loneliness, and then choosing to simply retreat into the caterpillar’s simplistic mind as an escape, it’s pretty terrible. I do think that one aspect of Cassie and Aftran’s whole deal that was notably not discussed was comparable life spans. Given that Visser Three has been around for many decades, we can assume that Yeerks have at least similar life spans to humans. So even if Aftran returns to the Pool, she has an entire life before her. But she’s asking Cassie to morph a caterpillar that, yes, may have similar restrictions as a Yeerk, but is going to die very, very quickly! This isn’t an equal deal at all with this in mind.
What a Terrible Plan, Guys!: Ummm….CASSIE LETTING HERSELF GET INFESTED AND SOMEHOW FORGETTING THAT THE YEERK WILL HAVE HER MORPHING ABILITIES! For all that I appreciated this book more reading it now as an adult, this part of the book is so incredibly infuriating. It’s such a bone-headed move in every way. First, the whole goal is to get the real Karen’s perspective, which, why. Obviously she doesn’t love being Controlled!!! Second, it’s not like this is the first time we’ve seen an Animorph be Controlled. Cassie was right there during Jake’s whole ordeal, so the fact that she somehow forgets this has to go down as one of the most idiotic things in the entire series. And third, morphing ability aside, Cassie is also shocked to remember/realize that this decision has now exposed all of her friends if Aftran so chooses. It’s so incredibly irresponsible and reckless, and again, not even for any good reason.
Favorite Quote:
This is from one of the chapters from Jake’s perspective, and I think it makes the most sense as a response to my earlier rant about Cassie.
“I guess sometimes you have to choose between smart, sane, ruthlessness, and totally stupid, insane hope,” I [Jake] said, not even realizing I was speaking out loud. “You can’t just pick one and stick with it, either. Each time it comes up, you have to try and make your best decision. Most of the time, I guess I have to go with being smart and sane. But I don’t want to live in a world where people don’t try the stupid, crazy, hopeful thing sometimes.”
My problem is that her stupid, crazy, hopeful choices ALWAYS work, and the rest are never allowed that saving grace or must bail her out from the stupid, crazy, hopeful choice that if it had went through really would have ruined it all.
Scorecard: Yeerks 4, Animorphs 9
I’m not going to give this any change. It’s a huge victory for Cassie, personally, to convince a Yeerk (a Yeerk whose brother she killed!) to return to the Pool and not infest anyone else. But in the grand scheme of things, right now, this is a smaller achievement. I know there is a payoff later, but we’ll add that when we get there.
Rating: I liked this book more than I did as a kid. But it also highlights my overall problems with Cassie as a character. I think that after this she’s much less wishy-washy about the war, which I will appreciate. But I know for a fact that her questionable (and conveniently lucky) bad decisions will continue, especially in a big way towards the end. Ugh.
Note: I’m not going to rate these books since I can’t be objective at all! But I’ll give a one sentence conclusion and you can take from that what you will!
Book: “All the Crooked Saints” by Maggie Stiefvater
Publishing Info: Scholastic Press, October 2017
Where Did I Get this Book: the library!
Book Description: Here is a thing everyone wants: a miracle. Here is a thing everyone fears: what it takes to get one.
Any visitor to Bicho Raro, Colorado is likely to find a landscape of dark saints, forbidden love, scientific dreams, miracle-mad owls, estranged affections, one or two orphans, and a sky full of watchful desert stars.
At the heart of this place you will find the Soria family, who all have the ability to perform unusual miracles. And at the heart of this family are three cousins longing to change its future: Beatriz, the girl without feelings, who wants only to be free to examine her thoughts; Daniel, the Saint of Bicho Raro, who performs miracles for everyone but himself; and Joaquin, who spends his nights running a renegade radio station under the name Diablo Diablo.
They are all looking for a miracle. But the miracles of Bicho Raro are never quite what you expect.
Review: I have been a fan of Stiefvater for a while now. I have distinct memory of picking up “Shiver” like ten years ago before she was a big name in the YA community and very much enjoying it. But what makes her special, in opinion, is the way she has grown as an author in the year’s between. Every book I’ve read by her seems to be better than the last: the plotting more meticulous, the characters more fleshed out, and, most importantly, the lyrical, poetic style of her writing more beautiful and heartbreaking than ever before. All of this remains true for her latest novel “All the Crooked Saints.”
When Pete wanders into the Bicho Raro ranch, he’s only there to work off the price of a box truck that he hopes to use to start a moving business. He’s heard something about miracles, owls, and saints on his way, but not until he arrives does he fully understand. Now, surrounded by pilgrims whose miracles were not what they expected, Pete finds himself becoming entranced by the entire Soria family, but particularly the “emotionless” Beatriz.
While I have framed my summary around Pete, there is no one character who serves as a central point for the story, truly. Perhaps the Soria family as a whole? Throughout what is really a very small book, I found myself sinking down deeply into this strange family, their history, and the beautiful imagery and philosophy behind what constitutes a miracle. We learn bits about every one of the Soria family, their hopes, their fears, what has them, like the pilgrims around them, seemingly stuck with their first miracle, unsure how to move forward.
Stiefvater’s creativity is boundless. The entire concept is beautiful and terrifying, terrifyingly beautiful, just like the stark desert in which the story takes place. The miracles that the pilgrims experience are surprising and new: twin sisters caught in a tangle of snakes, a man who is growing moss, a woman covered in butterflies whose own personal cloud dumps rain on her head constantly. What makes this all the more special is that we can see how these miracles (lessons) connect to the darkness each of these characters are walking through, but none of them are too on the nose or expected. It would have been very easy for this idea to slip into the trite.
Beyond this, the characters are all gloriously complicated, damaged, and lovely. It’s a true testament of skill to not only work in a complicated magic system, fill the pages with beautiful prose that speaks to complicated philosophies and theologies, as well as create a large cast of characters that all have their own distinct story and appeal, all within such a short page count.
Pete, hard-working, but feeling betrayed by a heart to weak to allow him to serve his country in the military, like his family before him. Beatriz, too comfortable with her own lack of emotions. Joaguin, with dreams of being bigger than his little life on the ranch, feeling the judgement of a family who may deem him frivolous. And Daniel, the current Saint, whose parents died due to their darkness and by breaking the taboo to help the pilgrims who visit them. And while these are our “main” characters, the generation of Sorias before them, too, get their own snips of chapters and histories, loves and heartbreaks.
Throughout this all Stiefvater delves into the meaning of family, questions what makes up love, and explores the courage and fear that comes with recognizing what is dark within ourselves. And, importantly, how necessary this process is, for everyone.
I feel like this review may have been all over the place, but I truly don’t know how to best portray the beauty that was this story. Thinking back on it, I mostly see images: barren, but vivid landscapes of the desert, owls grouped on a porch, strange beings wandering among scattered out-buildings, and a family, gathered closely together, but somehow apart and drifting alone. If you’ve read any of Stiefvater’s work in the past, this will all make more sense to you, knowing her skill and particular style of writing. And if you haven’t, this is an excellent place to start, as a stand-alone book that perfectly illustrates all the gifts Stiefvater has to offer.
Rating 9: Vivid and gorgeously rendered, but challenging readers to look deeper within themselves and wonder “What would my miracle look like?”
Book Description: Like most women, Elizabeth Miles assumes many roles; unlike most, hers have made her a woman on the run. Living on the edge of society, Elizabeth uses her guile to relieve so-called respectable men of their ill-gotten gains. But brutal and greedy entrepreneur Oscar Thornton is out for blood. He’s lost a great deal of money and is not going to forgive a woman for outwitting him. With his thugs hot on her trail, Elizabeth seizes the moment to blend in with a group of women who have an agenda of their own.
She never expects to like or understand these privileged women, but she soon comes to respect their intentions, forming an unlikely bond with the wealthy matriarch of the group whose son Gabriel is the rarest of species—an honest man in a dishonest world. She knows she’s playing a risky game, and her deception could be revealed at any moment, possibly even by sharp-eyed Gabriel. Nor has she been forgotten by Thornton, who’s biding his time within this gilded orbit, waiting to strike. Elizabeth must draw on her wits and every last ounce of courage she possesses to keep her new life from being cut short by this vicious shadow from her past.
Review: Victoria Thompson is a very prolific mystery author, with another long-running steampunk series, that somehow I’ve completely missed! But, as nice as it is to discover a new author with a long-running series, it’s also a bit intimidating to look at as a whole. With that in mind, I was thrilled to learn that she was starting a new series just this fall. Problem solved: get in at the beginning of this series and have another series to happily follow for years to come! Or at least that was the plan. Unfortunately, you also have to enjoy the first book for this long-game plan to really work. And while there are pieces that I enjoyed here and there, “City of Lies” just didn’t do it for me.
The story starts off well enough with readers meeting Elizabeth Miles in the midst of a complicated con. These first few chapters started off so promising. This entire con, and the role that Elizabeth plays within it, is smart, snappy, and intriguing. She is presented as an independent and wily woman making her way through the world in maybe not the most ethical manner, but one that is definitely interesting to read about. And then the con goes wrong and she finds herself on the run, and suddenly caught up with a group of women protestors. And right away, the book went off the tracks for me.
While those first few chapters were short, they did a lot to convince me that Elizabeth was a heroine who was canny and had managed to make a life for herself in a way that is only accessible to the brave and street smart. But once she’s on the run, I immediately began questioning all of her decisions. Was getting arrested (and then shipped far, far away to another prison), really the best way to avoid goons chasing her down the street? I mean, I’ve seen “The Bourne Identity” probably more times than I should admit, so I’m all for the “get lost in the protestors” method of evasion. But notably, “go to prison and then buy into a hunger strike” is never a part of his plans. And if Bourne’s not doing it, neither should you!
Part of the problem was that I never became very interested in the women that Elizabeth meets here. I had to repeatedly page back to remind myself what was distinctive about each of them. And while, obviously, their protest movement is historically important, it just read as…blah. Which almost seems like a feat in and of itself.
What I’m saying is Leslie Knope did it better. (source)
I was also not digging the romance. This book seems to walk the line between many different genres (historical, mystery, romance), but isn’t fully committing to the common expectations of any of them. The romance was too chaste. The history was too plan. The con/mystery element fell to the way side (also the original book description on Goodreads is completely misleading , referencing Elizabeth chasing down a killer in D.C., which isn’t right at all).
While Thompson’s writing seems solid, this book simply didn’t seem to have much new to say or offer for any of the genres that it covers. And Elizabeth, who started strong, quickly fell into a character rife with confusion and unclear motivations. As I haven’t read Thompson’s other series, I can’t say if some of these complaints may just be that her writing style and storytelling choices just aren’t for me or whether this is an outlier from her previous books. Maybe some time I’ll pick up one of those and see, but this book lands solidly in the middle of the road for me. I didn’t hate it, but I also won’t remember it. For fans of Thompson, however, and perhaps those who like more chaste historical romances, this might be worth checking out?
Where Did I Get this Book: e-ARC from the Edelweiss
Book Description: Nahri has never believed in magic. Certainly, she has power; on the streets of 18th century Cairo, she’s a con woman of unsurpassed talent. But she knows better than anyone that the trade she uses to get by—palm readings, zars, healings—are all tricks, sleights of hand, learned skills; a means to the delightful end of swindling Ottoman nobles.
But when Nahri accidentally summons an equally sly, darkly mysterious djinn warrior to her side during one of her cons, she’s forced to accept that the magical world she thought only existed in childhood stories is real. For the warrior tells her a new tale: across hot, windswept sands teeming with creatures of fire, and rivers where the mythical marid sleep; past ruins of once-magnificent human metropolises, and mountains where the circling hawks are not what they seem, lies Daevabad, the legendary city of brass–a city to which Nahri is irrevocably bound.
In that city, behind gilded brass walls laced with enchantments, behind the six gates of the six djinn tribes, old resentments are simmering. And when Nahri decides to enter this world, she learns that true power is fierce and brutal. That magic cannot shield her from the dangerous web of court politics. That even the cleverest of schemes can have deadly consequences.
After all, there is a reason they say be careful what you wish for . . .
Review: In addition to my e-galley, I nabbed a copy of this while Kate and I were sneaking around early exploring the exhibit hall. I really knew nothing about it beyond the fact that the cover was beautiful, and it had a blurb that referenced ‘The Golem and the Jinni,” which is a historical fantasy novel from a few years ago that I absolutely adored. So I went into this one with practically no expectations, and wow. I mean…wow. S. A. Chakraborty is a new author to sit up and pay attention to!
First off, the description above is a bit misleading. Yes, we do follow the story of Nahri, a street con woman who finds herself to have a mystical heritage and one that is paramount to the future of a vast and complicated fantastical world where djinn, marids, and many, many others roam and war with each other. However, chapters alternate between her adventures and those of Ali, a young, second son of Ghallan, the current ruler of Daevabad. Ali has been trained as a warrior to serve as a general, essentially, for his older brother when he takes over. But Ali is also a deeply religious young man, and when he looks at his family’s dealings with the shafit (half human, half djinn), he sees only oppression and wrong doings.
There is so much to praise about this book. It is atmospheric, bringing to life large swaths of the Middle East. We travel from the streets of ancient Cairo, to the foothills of what is likely Persia, across desserts and great rivers, and finally, into a fully-realized magical realm that seamlessly blends creative magical elements (like bizarre illnesses, strange creatures, and fantastical architecture) alongside traditional, historic middle eastern touches. And Chakraborty has peopled this world with an equally diverse and well-drawn cast of characters. Yes, there are magical beasts, liked winged lions. But there are also various types of humanoid-beings. The djinn are a fire people. There are the rumored Marid, a water people. And, the most powerful of all, a people of the air. Among these, roam the shafit, whose complicated history with the djinn sits at the heart of this story.
This history is perhaps one of the most impressive parts of the story. Not only is it complicated enough that I was still fitting pieces together towards the end of the book (in this case, this is a compliment, as it was complicated for important reasons, not due to poor writing, which is often the case behind lasting confusion), but the author successfully challenges readers at every step to evaluate and re-evalutate and AGAIN re-evalutate who are the heroes and villains in each version of history we hear. And the best part: this is never made clear. I love this nuanced take on storytelling, as I feel it reads the most honest to true history. The stories are told by the winners, and often the winners have contributed their own atrocities to succeed in the first place. And in this book’s case, we have such a long history presented, that the winners of one historic conflict, are the losers of the next. One side is oppressed at one point, only to oppress the other at the next, while that oppressed group now holds the keys to peace going forward. There are no simple “good guys” and “bad guys” in this story. And by the end, I’m firmly rooting for three different characters who all fall on one extreme, the middle, and the other extreme of a very complicated spectrum.
And this brings me to my last point. All of this history and world-building is supported by an amazingly strong cast of characters. To support this kind of ongoing conflict that is constantly questioning the morality of one group’s choices or the other, you must have sympathetic and interesting characters to make you care. Nahri is the exact type of heroine I love. She’s well-rounded, has a distinct personality, is sassy, but also knows when to bend, and, importantly, she is flawed. Ali, the second protagonist, is also incredibly strong. He had more work to do as he took me by surprise, but I found myself equally enjoying his earnest and often naive view of the world he lives in and the role he is expected to play. And then lastly, we have Dara, a djinn warrior of legend who befriends and protects Nahri. Even by the end of the story, we’re not sure who exactly this character is. But the sweet romance that begins to develop between him and Nahri is the exact sort of slow burn love story that I like, and I’m curious to see what will happen with this particular character and plot line moving forward.
I honestly can’t recommend this book enough. As I said, I picked this up because it sounded like “The Golem and the Jinni.” Turns out, I loved it even more than that one. For those looking for a smart, complicated, fantasy novel set in a unique environment, definitely check out “The City of Brass.” Now I’ll just frantically stare down the calendar while I wait for the sequel!
Rating 10: The best kind of surprise. I honestly have zero criticisms for this book, and that’s a feat on its own!
Book Description:We could blame everything that happened on Marco. He was the one who heard about the downed submarine. He was the one who thought we should check it out. And everyone knows that if Marco’s up to a challenge, I’m definitely there.
Everything was going fine. Until the explosion. An explosion that blows us millions of years back in time. Back to the age of dinosaurs. Now Tobias, Cassie, Marco, Ax, Jake and I are fighting for our lives with every step we take. But that’s not our biggest problem. Our biggest problem is we have no idea how to get back to our own time ..
Narrator: Everyone!
Plot: I’ve been looking forward to this one! I have very clear memories of reading (and re-reading!) it as a kid and always having a blast. I mean, dinosaurs, what’s not to love?
As I started putting together this review, I noticed that the plot description above is written from Rachel’s perspective. Kind of an interesting choice. Often the default main character is Jake, and, as we will soon learn, Tobias would make the most sense as a primary character for this book specifically. But we have Rachel here. Don’t know if that means anything, but worth noting!
As the plot describes, the Animorphs here about a nuclear sub sinking off their local coastline. As dolphins they help the divers locate the sub, but as they are retreating, it suddenly goes off and blows them all into unconsciousness. When they wake up, they begin to notice some strange things. It was stormy originally, and now it’s bright sunshine. The water is more clear, even after a bomb going off? And…there’s a massive volcano on the shoreline. All of this falls to the background when a gigantic sea creature shows up with obvious plans to eat them. And it succeeds, managing to gobble down Rachel and Tobias before the others can react. The rest of the manages to escape and make it to land. At this point in the book, the story lines split between the main group (Jake, Cassie, Marco and Ax) and Tobias and Rachel (who obviously manage to escape by Rachel’s quick thinking to morph a grizzly and literally tear her way out).
Jake, Cassie, Marco, and Ax all grieve the loss of Rachel and Tobias. It hits Cassie the hardest, feeling that she’s lost her best friend. But they have bigger problems when they notice a wide trail cut through the forest with some massive footprints along with it. The whole mystery is solved once and for all when a T-Rex shows up and chases them. Marco almost gets eaten and is only saved by Ax managing to slash up the T-Rex when it was distracted and taking it down. Cassie goes into survival mode at this point, focusing on the practicalities of their situation. She instructs the others to cut shoes for themselves using the T-Rex hide and to make a fire to cook some of the meat for them to eat. They camp out for the night, scared and still grieving Rachel and Tobias. The fact that they have discovered where, and when, they are and realized that the blast must have opened a Sario Rip that threw them to the past is of little comfort.
Meanwhile, after the injured sea monster beached itself, allowing Rachel and Tobias to escape to land, the two are wandering around looking for the others. Tobias’s wing was broken when he was swallowed and for some reason morphing doesn’t heal it as it usually would. But he does have all the dino knowledge and is able to name the sea creatures and figure out that they are in the late Cretaceous period. (He read about and played with dinosaurs when he stayed with his drunk uncle who would yell at him if he was noticed). Rachel’s feet get very cut up by walking barefoot, but in good old Rachel fashion, she doesn’t complain. They spot smoke from a fire (the other Animorphs’ fire) and start heading towards it, only to be surrounded by a group of pack-hunting dinosaurs called (according to Tobias) Deinonychus. So, raptors, essentially.
Tobias is able to quickly understand these other predators’ plan of attack and tells Rachel to head for the forest where the raptors will lose their visuals on each other. Then he has her throw him up in a tree, run, and morph grizzly. He manages to drop onto a raptor that passes beneath him and acquire it. Then, getting lost in the morph, he runs to join the pack that has now surrounded grizzly!Rachel. He attacks Rachel and kills the raptor leader before coming to himself. He manages to force another raptor to allow Rachel to acquire it and then they both escape. Rachel is grumpy and not pleased at all by the fact that Tobias attacked her. They wander through the night.
Jake, Marco, Cassie, and Ax sleep through the night in shifts. After it gets dark, they notice a huge comet in the sky. Using his science knowledge, Ax estimates that the comet will get very close, but won’t hit Earth. In the early morning, they see a flash of light on the horizon, but before they can think much about it, they get caught in a stampede of long-neck herbivores being chased by yet another T-Rex. This time Jake almost gets eaten, ending up partially swallowed and only managing to escape by morphing tiger and slashing up its throat from inside. This injures the T-Rex enough that they are all able to sneak up on it and acquire it one by one. Ax then informs them that the flash of light was artificial, and they wander towards it. They come across a massive ravine and large valley that shocks them with its contents: a small alien civilization! They morph bird and fly down to check it out.
Meanwhile, Rachel and Tobias run into yet another dinosaur predators, a Spinosaurus. It tries to attack them, but as they go to fight back, an alien creature intercedes, stuns the dinosaur, and tells them that they can’t hurt it as it, and everything on this planet, belongs to them. The alien isn’t too nice, so Rachel attacks it in her raptor morph only to have it disintegrate essentially. It turns out that the alien is made up entirely of ants. Its evil ant alien friends show up in a ship and start shooting at Rachel and Tobias. They flee and end up jumping off the same ravine cliff that the others are now circling as birds. Tobias manages to snag the wings of a passing flying dinosaur and use it as a living hang glider, slowing his and Rachel’s decent. They land on a force field that is projected above the alien city. The bird-morphed others happily reunite with Rachel and Tobias.
Their happy little reunion is interrupted by the strange crab-like aliens who live in the city in the valley. They call themselves the Mercora, and through them the Animorphs learn about what exactly is going on. The Mercora had recently settled on this planet after fleeing their own which was destroyed. The ant-aliens that Rachel and Tobias ran into are a scavenger race called the Nesk that dislike all other sentient species and are trying to wipe out the Mercora. At the present, the two species are at a standoff. The Mercora are a very peaceful race, but they do know the Nesk have powerful weaponry, so the Animorphs devise a plan to sneak into the Nesk base as dinosaurs and steal a bomb to set off that would hopefully close the Sario Rip and jump them back to their time.
The team set off the next morning. Tobias and Rachel morph their raptors, and the rest go T-Rex. Cassie struggles getting the morph under control and kills a triceratops. She has a bit of a break down, but gets it together just in time. They manage to get the bomb, but not without alerting the Nesk who chase after them. They only barely escape when the Mercora show up in a ship and whisk them back to the city. The Nesk abruptly leave the planet; they suspect this is because they are intimidated by thew “new powerful friends” of the Mercora. But they aren’t willing to let the Mercora win. Tobias sees a flash of light go off near the comet and knows what has happened. The Nesk have blown the comet closer to Earth and it will now hit in a day or so, exactly on the Mercora city. The Mercora ask the Animorphs for the bomb they stole so they can fly it up and repel the asteroid. The group votes. Rachel and Marco are against it and the others are for it (though Tobias whispers something to Ax, and the two of them don’t argue much about the whole thing, just quietly agree).
After the Mercora have left with the bomb, Tobias confesses that he had Ax rig the bomb not to blow. Jake and Cassie are furious, but Tobias explains that this has to happen for humanity to exist. The time period is right and there is no evidence of the Mercora people, so the asteroid that hit had to have hit the city. Ergo, it is this asteroid and it has to happen. They fly through the night and then switch to dolphin and swim out to see right before it hits. They all expect to either die immediately or have to suffer through the slow death of the planet.
Instead, the blast closes the Sario Rip and the group fast forwards through time, seeing the dinosaurs die off and humans evolve. They witness first hand the vast difference in time spent on Earth: the dinosaurs were around for 140 million years, and humans have been there for less than 1 million. Upon return, none of them have their dinosaur morphs and more.
Our Fearless Leader: Jake’s big moment comes when he’s yet another member of the team that almost/partially gets eaten by a dinosaur and he manages to take down the T-Rex, thus allowing them all to acquire this morph. Ax also spends some time in one of his chapters admiring Jake’s leadership abilities, specifically his knowledge that making no decision when presented with tough choices is the same as making a decision itself. Towards the end of the book, Jake also acknowledges a sense of gratitude for Tobias making the decision to rig the bomb not to explode. He’s angry at him, but knows that Tobias has saved him from having to be angry at himself. Already in the series we have seen how heavily these tough choices are weighing on him, so this is at least one that he doesn’t need to carry. But I will ding him for not putting 2 and 2 together in the first place and being one of the only two members of the group to vote to give over the bomb sincerely. Yes, it’s a tough choice, but the pieces aren’t that hard to put together and Cassie isn’t known for her clear thinking on things like this.
Xena, Warrior Princess: Again, poor Rachel always seems to take a beating in these Megamorph stories. She gets eaten alive, has to chew her way out, gets her feet torn to shreds repeatedly, and then has her own quasi-boyfriend attack her when he’s in morph. With all the time devoted to Rachel and Tobias’s adventures, we really start to see how these two work together. Rachel, of course, drives forward with action, while Tobias is more prone to thinking things through. What makes the difference, however, is that Tobias admires Rachel’s drive, whereas many of the others see it more as a liability. The two work well together.
Also when they’re fleeing the Nesk base and it’s looking bad, Rachel turns back to help the others. She’s in one of the smaller morphs, but her reasoning is this:
<Exactly,> I agreed grimly. <Maybe if they’re shooting at me, one of the others will get away.>
This is a perfect example of the best side of Rachel’s “go for it attitude.” It’s not all gusto; much of the time it’s a legitimate desire to save others at the expense of her own safety.
A Hawk’s Life: I have to think that Applegate was trying to make things up to poor Tobias who was literally written off the page as sleeping through most of the action in the first Megamorphs book. Here, he really comes into his own. Not only does he know the most about the time period and the dinosaurs in it, but he also proves to be the one best able to adapt to and understand his new circumstances. He quickly evaluates the hunting style of the raptors that come after him and Rachel and is able to think of an effective counter plan. And then, most importantly, he’s the first one to really put together the pieces of where things are likely heading, even before they attack the Nesk and they blow the comet towards Earth. He’s dropping warnings everywhere, even making sure to warn the others not to tell the Mercora that they’re from future Earth when they first meet them. And he steps up in the most major way when he puts into motion the plan to rig the bomb not to explode. He knows the others will be angry, and he knows that he is single-handedly dooming an entire species to die. I’ve said it before, but as the series progresses, and especially as Jake begins to stagger under the weight of leadership, Tobias is a natural second choice. In some ways, I think he would have been the strongest leader from the beginning. Jake’s connection to Cassie does lead him down some questionable paths at times, where as Tobias is almost always thinking clearly and practically, without losing his own empathy.
Peace, Love, and Animals: After Tobias, Cassie also adapts best to the new world. She knows the most about surviving in the wild and is the one that ends up mostly leading the second group of characters. Jake steps back when it’s clear that Cassie knows a lot more about the necessities like making fire and finding food. She is also the character to be most upset by the loss of Rachel and Tobias. Jake and Marco refer to this in their chapters, but at every point, Cassie is feeling the loss most keenly. This just reinforces my view that Cassie is at her best when her character is focused on her friendship with Rachel. This relationship reads true and has a lot of depth. Plus, when they reunite, we get this fun moment:
We were all treated to the utterly bizarre sight of an osprey attempting to hug a dinosaur.
When she breaks down after killing the triceratops, she and Marco get into quite a spat about violence, humanity, and survival. They both take it pretty far. Marco doesn’t hold back, at one point scornfully telling Cassie to “get over it.” And Cassie’s reasoning is also questionable under close evaluation. She says some good things about humanity and our ability to look beyond simple survival. But as a nature lover, I’m always put off by her inability to understand, and more importantly, respect the circle of life and all of that. She too regularly demonizes any/all killing, even that of animals who do it to stay alive. I still haven’t forgiven her for getting mad at Tobias for eating the baby skunks. #NeverForgive #NeverForget
Not surprisingly, she’s also one of the two who votes for giving away the bomb. But she also recognizes what Tobias has done when he confesses his plan. She thanks him even, but then says she’s not sure if she was sincere or sarcastic and that she’s not sure he knew either. Which, why Cassie?? Why to be a jerk to someone who saved you from having to make a tough call on your own.
The Comic Relief: Marco doesn’t have many big moments in this book. He makes his requisite number of jokes, and then probably most notably gets into that argument with Cassie. His stark pragmatism just doesn’t mesh with her more empathetic approach to life. He and Rachel are also firmly on the same side about not handing over the bomb to the Mercora. Seriously, these two. Is there ever a major decision that they’re not on the same side of? Even Tobias and Rachel have found themselves on opposite sides (recently the argument re: using the oatmeal against the Yeerks, but even there Rachel and Marco were on the same side). I think Marco and Ax get the fewest chapters in this book. But Marco had a lot of action in the first Megamorphs, so maybe that’s just fair.
E.T./Ax Phone Home: Ax has some pretty big moments, the first of which is taking down the T-Rex single-handedly. But immediately afterwards, he is very emphatic, even scared, when informing the others that this was just a fluke, that they shouldn’t expect him to be able to do it again. He also becomes increasingly exasperated with their expectation that he should know every alien species in the universe. The Nesk and the Mercora are millions of years ahead of the Andalites even, so how could he know? I have to imagine that it’s his close friendship with Tobias that makes him trust his judgement enough to go against Jake’s decision and rig the bomb. For someone who is so ruled by authority figures, this is a pretty major move that is never really acknowledged in the book.
Best (?) Body Horror Moment: Just the sheer volume of swallowed alive experiences in this book! Rachel and Tobias are the only ones to go full hog, as it were, and end up in the stomach, so the descriptions of being burned by the stomach acid and crushed by the massive stomach stones of the dinosaur are pretty had with this one. But Jake also ends up halfway down a T-Rex throat and essentially gets vomited back up. And Marco also ends up in a T-Rex mouth at one point, though he has the best (if you can even ever say that about something like this) go of it, never making it further than between the teeth.
Couples Watch!: Obviously, we get a lot of good Tobias/Rachel action with the two of them paired off for much of the book. Rachel doesn’t comment on it much, but Tobias makes a couple of mental remarks about his admiration for Rachel, both her perseverance when she’s getting cut up by the saw glass and has a hawk clawing up her shoulder, and the fact that she manages to look great while doing it.
Cassie and Jake don’t have much. When they first discover the Mercora city, Cassie wants to morph bird and explore it on her own because she doesn’t want to lose…anyone else. Marco rightly calls her on the fact that she’s probably a bit less concerned about him and Ax.
If Only Visser Three had Mustache to Twirl: Visser Three isn’t even in this book! It’s kind of strange, but also a welcome change up from the usual where he always appears in the last third of every story. Instead, the villains of this are the Nesk (yes, they run away from more T-Rexes than anything, but they’re just doing their due predator diligence). It’s kind of funny that the Nesk end up being ants. It’s like K.A. Applegate was just trying to think of the worst thing and, obviously, ants!
Adult Ugly Crying at a Middle Grade Book: Obviously the poor Mercora have a rough time of it. As a people, they seemed very decent, which just underscores how hard the decision is to let them die. But, bizarrely, it’s the very last scene when we’re flash-forwarding and the team witness the last T-Rex wandering, thin and alone, and then finally falling down that gets me the most. One of the Animorphs even mention that even though they were attacked repeatedly by T-Rexes, they were most sad for these amazing creatures that were so confident in themselves and their place on Earth. I don’t know why, but it was making me tear up. I think I have too clear an image of all of this from that one Fantasia skit about the dinosaurs.
What a Terrible Plan, Guys!: Well, again, Tobias has 2 for 2, with the best plans! (This one, and his well-thought out plan to save the Hork Bajir back in his own book). There aren’t too many out and out “terrible” plans though. I disagree with Cassie and Jake’s vote and their lack of foresight on that one, but it’s not a bad plan in and of itself. Probably the worst plan is why they all didn’t think of trying to get some dinosaur morphs earlier in the book. That, and why they didn’t just spend most of their time in bird morph which would have been an easy way to avoid most of the bad dinosaur interactions.
<Yeah. Right.> I waited for him to laugh at his own joke. Only he didn’t laugh. <Dinosaurs?>
<Yeah. Dinosaurs.>
<Oh, man. Tobias, we are gonna need some better morphs.>
Yes, Rachel! Now why didn’t you all just do this??
Favorite Quote:
Best summation of the craziness of their lives:
<Okay, everyone just keep moving like we’re dinosaurs.>
<Which thanks to the fact that our lives are totally, completely INSANE, we actually are,”> Marco said.
Scorecard: Yeerks 4, Animorphs 9
No score change! This is the first book where the Yeerks aren’t even around!
Rating: I liked this Megamorphs book better than the first. I mean, you really can’t go wrong by adding dinosaurs. It’s also a refreshing change to not have the Yeerks and Visser Three involved. Plus the morality questions raised in this book, and the fact that time travel like this always opens up its own can of worms. Did they always go back in time and do this and that’s why humanity existed? I also liked the fact that the group was split up in more interesting combinations this time around. Not having Rachel wandering around with amnesia and Tobias literally sleeping the whole time are pretty big improvements on their won. Not the best Megamorphs, from what I can remember, but definitely not the worst!
Note: I’m not going to rate these books since I can’t be objective at all! But I’ll give a one sentence conclusion and you can take from that what you will!
Book: “Girls Made of Snow and Glass” by Melissa Bashardoust
Publishing Info: Flatiron Books, September 2015
Where Did I Get this Book: ARC from ALA 2017
Book Description: At sixteen, Mina’s mother is dead, her magician father is vicious, and her silent heart has never beat with love for anyone—has never beat at all, in fact, but she’d always thought that fact normal. She never guessed that her father cut out her heart and replaced it with one of glass. When she moves to Whitespring Castle and sees its king for the first time, Mina forms a plan: win the king’s heart with her beauty, become queen, and finally know love. The only catch is that she’ll have to become a stepmother.
Fifteen-year-old Lynet looks just like her late mother, and one day she discovers why: a magician created her out of snow in the dead queen’s image, at her father’s order. But despite being the dead queen made flesh, Lynet would rather be like her fierce and regal stepmother, Mina. She gets her wish when her father makes Lynet queen of the southern territories, displacing Mina. Now Mina is starting to look at Lynet with something like hatred, and Lynet must decide what to do—and who to be—to win back the only mother she’s ever known…or else defeat her once and for all.
Review: “Snow White” fairytale re-tellings have had quite the resurgence it seems over the last few years. And many of them, like “Girls Made of Snow and Glass,” are attempting to re-imagine this classic tale into something new and different. Not an easy feat. To add to this, this novel was also marketed as somehow connected (based on??) the smash Disney hit “Frozen,” as well. Which in turn was based on yet another fairytale, “The Snow Queen.” In all honesty, I picked this one up with a bit of trepidation, worrying that all the elements listed above, plus the fact that I knew it had LBGT elements, would combine into what could only be described as a hot mess. But I’m not to proud to admit when I’m wrong, and while I would consider this one a home run, it did manage to pull all the elements it committed to.
The story follows to young women: Mina, a young woman without a heart, who never the less seeks out love, hoping to find it in a King with a young daughter. The daughter, Lynet, is our second main character, a young woman created in the image of her own dead mother. Chapters alternate between these two main characters, and while each of their stories plays out in different manners, what’s at the heart of their struggles is the same: the meaning of family, what is love, and how they, as women, must make hard choices in order to navigate the world in which they live.
Honestly, in many ways, this book took the best advantage of the opportunities to respond to a fairytale that is completely based on woman vs. woman competition due to beauty. There is a lot to unpack there, both with the relationships formed between women, as well as the value on beauty above all else that society, and women themselves, place upon young girls.
I was honestly very surprised with the direction that this story went at different points in the book. Obviously, it was refreshing to read a version of the “evil queen” who was sympathetic, who had made tough decisions to protect herself and what she wanted, and knew that it was wrong that she is being punished for it. Lynet, too, was more than the simpering, often one dimensional princess character that is often found in these stories, and hers the romance containing LGBT elements. For all the hype around this aspect of the series, however, I did find this romance to be a bit underfed. Lynet’s story is only half of the book after all, and Mina’s romantic storyline read as more fully developed. This is unfortunate, but I applaud the author’s intentions in this aspect.
My primary criticism of the story was the writing style. Perhaps it simply wasn’t the type of writing I prefer, but at times it read as a bit middle grade and simplistic for a young adult novel. Especially for a young adult novel that was trying to do and say some big things about found families, the wide varieties and intrinsic value of loves to be found in the world, and the challenges that women face when trying to control their own lives without being punished for it. For all of these large and complicated topics, for being based on not one but two action-packed fairytales, at times I just found myself to be bored. A couple of scenes in the middle, specifically, should have jumped off the page, but somehow seemed to wilt, leaving me under enthused.
But, these criticisms aside, “Girls Made of Snow and Glass” did an excellent job of reimaging a fairytale that has almost be “reimagined” to death at this point. Just when you start to think that there isn’t much more that can be done with a story like this, an author comes along and proves you wrong. If you’re a fan of fairytale retellings, and especially if you’re looking for better representation in your fantasy fiction, check out “Girls Made of Snow and Glass” and enter the giveaway below to win a copy for yourself!
Giveaway is for an ARC of “Girls Made of Snow and Glass” and is open to U.S. entrants only. Giveaway ends on Tuesday, November 7.
Congrats to @melissadougher for winning this giveaway!
Rating 7: Fantasy fiction with a lot to say about found families and feminism. Come for the familiar, stay for the new!
Book Description: Charlotte is learning to control her emerging magical prowess under the secret tutelage of Magus Hopkins. Her first covert mission takes her to a textile mill where the disgruntled workers are apparently in revolt.
But it isn’t the workers causing the trouble. The real culprits are far more extranormal in nature.
Review: The second novella in Newman’s “Industrial Magic” series see Charlotte still learning to control her powers in the hopes of avoiding life in the restrictive, but privileged, Royal Society. Her brother, however, has been recently admitted to the Society, and is beginning to run into problems of his own. There is something going on at the textile mill that he has been tasked to oversee. He recruits Charlotte to work undercover and discover what is going on. But what she finds is more than he expected, or either of them wanted to know. “Weaver’s Lament” raises all the stakes, and I found myself enjoying it even more than I did the first!
Charlotte, as ever, is an excellent protagonist. She’s capable, curious, and still a bit naive about the Royal Society and, especially, the role her brother is now playing by being involved within it. I had a fairly good understanding of her motivations and character from the first book, and this one simply built upon what we already knew. More and more, we understand why she resists joining a society that in many ways would elevate her to a life of riches and success. But her characterization wasn’t one of the stumbling blocks I found in the first story.
After reading the first book, most of my confusion and qualms came from not understanding who I was supposed to be rooting for among the cast of secondary characters. Charlotte’s own confusion here didn’t help. But as this story moves along, I was relieved to see that, while Charlotte may still have the wool pulled over her eyes, we, as readers at least, are beginning to understand the roles these other characters play in her life. Specifically, we begin to see the true colors of her brother Ben and Mage Hopkins, the member of the Royal Society who has been training Charlie over the last several months. At the same time, as we begin to understand the motivations, priorities, and loyalties of these two men, we are still seeing them through Charlotte’s eyes and her perspective is very much colored by her experiences and wishes. She wants her brother to be the same man he was when he left, and even her evaluation of the man he was then is forever seen through the lens of her love for him as a sibling. Mage Hopkins, too, is both the man who is training her as well as her greatest liability for being turned in to the Royal Society should he ever suspect that her training is not enough to keep her from going “wild.”
The primary mystery was also very compelling. Not only did it expose more tidbits of knowledge of how the magic system in this world works, but we saw how the Royal Society uses its magic in industrial work like the textile mill. But the other half of the story is the more human one: Charlie’s shock and horror at the conditions of the mill workers and, at best, the complacency of those in power to the situation. At worst, she finds active participation and collusion.
We also learn more about what it means for an untrained mage to “go wild,” as Charlie struggles to hold herself and her power in check. But even as she discovers the price that comes with remaining free, she, and the reader, begins to question the truth behind any of it. There were a couple surprises wrapped up in this aspect of the story that added new layers to the fantasy aspects of this world. I’m excited to see where Newman is going with all of this.
There’s a lot going on in a very short book, but I thoroughly enjoyed every aspect of it. My only criticisms would come down to a writing style that at times felt stunted, perhaps due to the constraints of the shorter page count. But this by no means hindered my reading experience, and I would highly recommend both this book, and the previous novella, to any fans of historical fantasy fiction or steampunk fantasy.
Rating 8: It’s always thrilling when a second book out performs the first, and here we really see Newman coming into her stride with this series!
Reader’s Advisory:
“Weaver’s Lament” is a newer book and isn’t on any Goodreads lists, but it should be on “Gaslamp Fantasy.”
“Weaver’s Lament” does not yet have a library catalog entry, but request it from your local librarian!
Publishing Info: Algonquin Young Readers, August 2017
Where Did I Get this Book: the library!
Book Description:The fate of the world is in the hands of detective of the supernatural R. F. Jackaby and his intrepid assistant, Abigail Rook. An evil king is turning ancient tensions into modern strife, using a blend of magic and technology to push Earth and the Otherworld into a mortal competition. Jackaby and Abigail are caught in the middle as they continue to solve the daily mysteries of New Fiddleham, New England — like who’s created the rend between the worlds, how to close it, and why zombies are appearing around. At the same time, the romance between Abigail and the shape-shifting police detective Charlie Cane deepens, and Jackaby’s resistance to his feelings for 926 Augur Lane’s ghostly lady, Jenny, begins to give way. Before the four can think about their own futures, they will have to defeat an evil that wants to destroy the future altogether.
Review: “Ghostly Echoes” did a nice job of tying together all the pieces methodicly laid out in the previous two books. More than that, it gave us some much needed history for many of our main characters, as well as, importantly, the villain. The stage was set, and all that remained was whether or not Ritter would be able to balance the light tone and quirkiness at the core of the series with this more serious plotline. The answer is mostly! While there are spots that I believe could have been improved or more fleshed out, I’m happy to report that I finished this book, and this series, pleasantly satisfied.
There was a lot to get done in this book. The supernatural world has been exposed to the general public, once and for all. The series “big bad” is gearing up to make its move. And there are two romantic plotlines that needed to be handled, both with fairly large obstacles standing in there way. Charlie is still a wanted man for this actions back in book one that exposed his identity as a shapeshifter. And now, in a city that is spooky at the barest hint of the strange, his position and future are all the more uncertain. And Jenny, while making great strides forward with her ability to function more fully in the living world, is still, well, a ghost.
After learning that his wife is a supernatural being who has been operating behind the scenes for years in the service of her villainous leader, the governor of New Fiddleham is not messing around. But with this new found belief comes fanaticism, and Abigail and Jackaby are horrified to see the city’s jail cells filling up with all manner of innocent, supernatural beings. It’s a literal witch hunt. I very much enjoyed this portion of the story. Many of the side characters we’ve met throughout this series were either already familiar with the supernatural world, or, for whatever reason, more open-minded to the positive aspects of these beings. Here, we see the negative side of humanity when confronted with beings they don’t understand, and I think this balance added a healthy dose of realism to a series that could, at times, veer into the twee with its characters.
I also very much enjoyed the exploration of the two main romantic plotlines to the story. Jenny and Jackaby’s relationship has been later to the show, and while I’m still not convinced that this was a necessary addition, I was pleasantly surprised with the way this played out. Importantly, Jackaby’s utter cluelessness wasn’t undercut by his being turned into a second romantic hero. While I may still have preferred the series to have left his character single in the more traditional “Sherlock Holmes” manner, I was satisfied with what Ritter did with him here.
Abigail and Charlie, however, have been slowly building towards this point throughout the series. They have had to confront not only the challenges of Charlie’s public image issues, but also explore the balance between their personal and professional lives. It was fun seeing these two work together on a case in this book, witnessing the fact that they work together not only as romantic interests, but as equals who respect what the other brings to the table.
The larger story, that of the Dire King himself, was also very intriguing. The fae world was blown out and we see that up to this point we, and the characters, have mostly been operating in a tiny slice of this strange and complicated world.
The story concludes on a bitter sweet and more serious note than I had expected. But I found this to be particularly refreshing. When I picked up this book, it took me a bit of time to again slip into the particular tone of this series. All four books have been written in a rather simple style, often playing with words and phrases in a comedic way. This style, while fun, also tends to undercut more serious moments in the story, and knowing that this was the conclusion to the series, I was a bit more put off my this lightness when dealing with these more serious issues. However, Ritter doesn’t shy away from consequences in this book, light writing tone or no light writing tone.
All in all, I very much enjoyed this book and the series as a whole. Definitely check it out if you enjoy re-imagingings of Sherlock Holmes type characters, and historical fantasy. The writing style is on the lighter side, however, something that may read as strange to fans of adult fiction. But keep an open mind! For all of its quirkiness, there are real monsters hidden in this text!
Rating 8: A great conclusion to a unique, creative series!
Book Description: Ax and the Animorphs are about to have a huge problem. It starts when they decide to morph mosquitoes in order to slip by some unsuspecting Yeerks. It ends with them stuck in Zero-space with no idea how they got there, no way to get back to Earth…and no oxygen.
Luckily, an Andalite scout ship finds them before it’s too late. But now Ax is finally with his own people. And he doesn’t know if he ever wants to go back to Earth…
Narrator: Ax
Plot: And we’re back with another Ax book! And surprising no one, we open with a scene of humor and horror as it appears that Ax has now become confident enough to morph human and wander around the mall all on his own! Seriously, it’s like the Animorphs are his parents and he’s now this toddler who’s been set loose on his own. It’s just irresponsible! Of course, Ax is found in one place and one place only: the food court where he attempts to get a job to fund his Cinnabun habit. But by “clearing tables” he hears “eat everything on the table, regardless of whether or not the person who bought it is done with it.” The whole thing ends with Ax causing a huge scene and needing to be bailed out by Marco who zeroes in on the commotion and has a sinking suspicion about who could be behind it.
Our real story then begins when the Animorphs get wind that the Yeerks might be up to their hospital infestation plans once again. And really, one has to wonder why the Yeerks don’t always use this plan, it just seems like such an easy way to create new Controllers. Erek, our friendly residential Chee, is the one to alert the Animorphs of this particular danger: an upper level man in the Secret Service will be in the hospital and the Yeerks are planning something.
They all decide to scout out the hospital, taking up a rotation of seagull morphs to keep an eye on things. During his shift, Ax sees Human!Visser Three show up at the hospital. It turns out that the Secret Service man has slipped into a coma and is now unusable as a Controller, so Visser Three decides to acquire him instead. But before he can, Visser Three, who is now at LEVEL RED suspicion of all animals he ever sees, spots a few seagulls outside, decides to morph a Kafit bird (the Andalite homeworld bird that we saw in “The Andalite Chronicles”) and attacks them. Ax and Visser Three go on a chase of that ends with them both back in Andalite form on a rooftop ready to go to battle. Visser Three, in his typical cowardly manner, chooses to flee the scene rather than fight Ax. Ax has many emotions about once again failing to avenge his brother.
At this point, the Animorphs decide that their best option is to essentially copy Visser Three’s plan (which was to acquire the DNA of the Secret Service man so that he could pose as him and gain access to every secret ever). So what if one of the Animorphs was to morph him, walk into the Secret Service, and then morph and prove that there is an alien invasion happening! After the usual debate about the ethics of morphing humans, the team decides to go ahead with the plan, except they know that the Yeerks are now on high alert. Cassie’s animal knowledge comes to the rescue again and she suggests that there may be another way to get the DNA of this man without being human and acquiring it in the usual manner. They will all morph mosquito and get blood that way.
The team all morph mosquito and are in the midst of biting the man when…poof! They are suddenly somewhere else! Specifically, floating around in space and not fully formed? Panicking and without air, Ax frantically thought speaks towards the Andalite ship he can see in the distance. They are caught in its wake and he calls to them to save them. He blacks out, only to wake up in the medical bay of the Andalite ship surrounded by some very confused Andalites and concerned Animorph friends. An Andalite scientist is going crazy with their appearance, suggesting that it is a miracle of science, proof that the theory about extra mass going to Z-space when one morphs a tiny animal must be true! And that the passing Andalite ship had somehow sucked Ax and the Animorphs through as it passed their “mass” in Z-space.
The Captain and T.O. (technical officer) of the ship order the human Animorphs to stick to their room and call Ax to the main deck. They then inform him that their ship is en route to the Leeran home world where a massive battle between the Andalites and the Yeerks is brewing. They don’t have time to return the humans, and Ax is now a member of the ship’s crew and must follow their orders. Ax is both thrilled and afraid to know that he will now be in the midst of a real battle.
But as the ship begins to descend, he and the T.O. realize that something is wrong. They are landing behind the Yeerk lines where they will be completely at their mercy! It turns out that the Andalite Captain is a traitor! The Captain attacks the T.O., cutting off his tail. Ax panics and frantically tries to warn the other Animorphs. Turns out, they’re already in the room in fly morph, having disregarded Ax’s (and the Captain’s) orders to stay in their room. Cassie begins to de-morph while on the Captain’s shoulder, providing a distraction. Ax tries to fight him, and is saved when the T.O. recovers enough to shoot and kill the Captain with a Dracon beam. Knowing that the ship is doomed, the T.O. orders Ax and the Animorphs to flee, and sets the ship to auto-destruct in a hope to do as much damage as possible.
They all morph fly and flee the scene. As they run, Ax mourns the loss of so many Andalite warriors and grapples with his new reality where Andalites can be traitors and join up with the Yeerks willingly. The rest of the Animorphs struggle to forgive Ax for so quickly abandoning them once he was back among his own people. But their anger takes a back seat when they see the rest of the Andalite forces retreating, seemingly accepting that the battle is lost. This isn’t good for the Leeran home world or for the Animorphs themselves. As was explored a few books ago, psychic Yeerk Controllers would spell doom for the Animorphs’ cause.
As they flee the battlefield once again, they realize that Tobias is missing. It seems as if he disappeared before their very eyes. Frantic and scared, the group tries to orient themselves and decide on their next steps. As they work through it all, Ax stumbles upon a theory for why the Andalites retreated as quickly as they did. Leeran is made up of almost entirely water, with only one large continent. The Leeran people live in their oceans and don’t need this continent, but it is paramount to the land-based Yeerk invasion to use as a base of operations. Ax theorizes that the Leerans and Andalites plan to blow up this continent, striking a critical blow against the Yeerk forces that are all now gathering on the planet in their seeming victory.
They get to the ocean, morph shark, and promptly run into some Leeran!Controllers. Luckily, they realize that they can essentially bite the Yeerk right out from the Leerans’ heads without killing the Leerans themselves. The newly freed Leerans direct them to a Leeran city where they meet up with some more Andalite leadership. This time, Ax presents the group and insists that Jake is his Prince and the one whom he will be taking orders from going forward. The Leeran/Andalite forces have run into a problem with their plan; the remote detonator on the bomb beneath the continent has been failing to activate for the last several hours. Someone will need to go down and manually arm it. The Animorphs volunteer. At this point, they have also lost a few more of the group, who also seemed to just disappear out of nowhere. Before sending them off, the Andalite scientists theorize that these disappearance may be some sort of “snap back” that is flinging them back either to Z-space (where they are now dead) or hopefully all the way back to Earth and their original mosquito morphs. It is likely that it will happen to them all. With this happy thought in mind, the remaining group sets off.
Some hi-jinks and battles ensue, but ultimately it is down to Ax and Jake racing through an underwater tunnel to get to the bomb in time, both worried that they will “snap” away before completing their mission. Jake disappears, and it is up to Ax. When he reaches the bomb, the Yeerks are there too. He manages to arm it and relays back to the Andalites not to wait, but to set it off now, with him next to it. Luckily, he snaps away right as it goes off.
And suddenly they’re all back in the hospital, biting the Secret Service man while in mosquito morph. No time has passed at all, and they all re-appeared at the same time, regardless of when they snapped away from the Leeran planet. Bizarrely, mosquito!Ax’s bite wakes up the Secret Service man from his coma, and the Controllers in the room flee, not knowing what to do. The story quickly wraps up with Ax making peace with the fact that sometimes your people aren’t the same species as you, and that’s ok. And he needs to go eat more Cinnabons immediately.
E.T./Ax Phone Home: This is a big book for Ax and his emotions/loyalties. Finally back among his own people, he goes through a lot of emotional legwork from the beginning to the end. Not only is he confronted, again, with the fact that the Andalite high ups want him to take the fall for giving the humans their morphing abilities (to save the legend of Elfangor), but he has to figure out his own connection to humanity, and the fact that the Andalites are also a flawed species.
It’s pretty clear at this point that arrogance is the primary downfall of Andalites. Not only can Ax not even comprehend the fact that one would be a traitor, but the Yeerks themselves are seen here to construct their entire strategy for taking over Leeran by counting on the fact that the Andalites don’t play well with others, and thus they and the Leerans, while on the same side, seem to be fighting separate wars with the Yeerks. So it goes a long ways for Ax to see the Captain turn traitor. Not only does he now have a more healthy understanding of the strengths and, importantly, weaknesses of his own people, but he sees the full advantages of working together with his human friends during their war on Earth.
At the same time, he is constantly worried about striking a balance between becoming close and comfortable on Earth, but not losing himself or his Andalite roots. After Jake snaps at him to get it together when they’re all essentially wandering around aimlessly on the planet after the ship self-destructs, Ax manages to find a kind of peace with things. But even that peace is difficult.
I felt strangely at home. As though, despite Prince Jake’s anger and Marco’s sneering and Rachel’s outright suspicion, I belonged with them. For some reason at that moment, even with the images of death aboard the Ascalin fresh in my mind, I saw myself far away, in a very different body, eating delicious cinnamon buns with a mouth. I wanted to be back there. I wanted to be back on Earth. Captain Samilin had sold out to the Yeerks. Was I selling out to the humans?
The really big moment for him is when they meet up with the Andalites again in the underwater city. Ax steps up to the plate this time, claiming Jake as his one and only Prince. It’s a big moment for him, and for the whole team’s relationship with him.
Our Fearless Leader: Jake shows his leadership skills a lot in this book. Notably, he finds a way forward amidst much fear, anger, and confusion once they find themselves essentially alone on a strange, alien planet. Rachel and Marco are furious at Ax. Tobias and Cassie don’t know what to think but are each too passive to move forward. Jake has to find the middle ground and re-focus the group on moving forward and not spiraling into finger-pointing and more suspicion of Ax’s motivations and loyalties. We also see, for the first time, Jake not reject the “Prince” title when Ax introduces him to the Andalite leaders in the underwater Leeran city. He knows that is important for Ax to have this moment cementing his loyalties and that the Andalite commanders will not respect a human “Prince” who would immediately undermine his own followers. He’s also the last Animorph to snap away and gets the farthest with Ax in the mission to defuse the bomb.
Xena, Warriar Princess: As we saw in Ax’s last book, Rachel and Marco were the slowest members to warm up to Ax, so it’s not surprising when they both react the mostly strongly at his abandonment once he’s back with his people. They are both very harsh with their language, but I can see their perspective in this situation. Add to this the fact that Rachel doesn’t handle unknowns well. At her core, she’s a weapon that needs to be aimed, and if she doesn’t have a target, she will drive herself mad with inaction. Whatever one thinks of the harshness of her reaction to Ax, the one time she really pushes him and he reacts without thinking by striking at her neck with his tail blade, she’s unflinchingly brave, not batting an eye lash and standing firm behind her opinion. This show of bravery and strength does strike a chord with honor-obsessed Ax, even while he is hurt by her ongoing anger and distrust of him.
A Hawk’s Life: As Ax’s closest friend, it’s no surprise that Tobias comes to Ax’s defense after everything goes wrong on the Andalite ship and Rachel and Marco come after him. Even earlier, while they’re still on the ship, he sends Ax a private thought speak message to consider carefully who is people really are. This doesn’t hit home with Ax until later, but Tobias’s quiet support and nudging of Ax is clearly important. But, again, poor Tobias gets side-lined early in the book, this time being the first to be snapped away. There’s no winning for a hawk who just wants to be a part of the team!
Peace, Love, and Animals: Cassie’s animal knowledge is both a blessing and a curse. A blessing in that she’s always the one to think of an animal morph that will accomplish a seemingly impossible goal (bats to fly in a safe room, moles to tunnel to the Yeerk pool, and here, mosquitoes to get DNA). It’s a curse that often these same solutions are almost always completely horrifying. Not only is morphing a mosquito, like all bugs, pretty disgusting, but the knowledge of WHY they’re doing it….to literally suck the blood of some random guy is equally gross. She also is the one to put together the dots that they should use a shark morph on the Leeran home world since they knew from Marco’s last book that the Yeerks had planned on using sharks in their invasion.
The Comic Relief: Marco is almost as harsh as Rachel in his attitude towards Ax’s quick abandonment of them on the Andalite ship. Marco, especially, values loyalty and it is clear that he views Ax as having failed a very important test in this instance. I will harp on it once again, but it’s always interesting to see how often Marco and Rachel end up on the same side of things when the bigger questions are being asked. Yes, they bicker and tease each other. But philosophically, they are the most alike in their approach to this war and when it gets serious, we often see them united in their opinions.
Best (?) Body Horror Moment: The description of their experience in Z-space is pretty bad. Not only is the entire concept disturbing, as was discussed when Ax first clued the team in on what happens to the “extras” when they morph small things, but while they are floating around out there, Ax describes being able to see through everyone essentially. Like some type of gross kaleidoscope, with random organs and body bits all mashed together and see-through. Not to mention the suffocating thing. It’s all pretty bad.
Couples Watch!: Not a lot here except for the fact that Tobias being the first one to get zapped away doesn’t do anything to help Rachel calm down. She was described as alternating between crying and raging after they first noticed he was gone. I think she gets snapped away as well before they even realize what might have been happening. At first, they’re almost sure that Tobias must have been shot and killed.
If Only Visser Three had Mustache to Twirl: Visser Three is only in the first part of the book, but he does bring up a couple of interesting points. One is the fact that now that all of the Animorphs know what his human morph is, you’d think he’d change it. Seems pretty silly to keep walking around with one he knows they can spot. Second, with the kafit bird, Ax is sure this is a sign that Visser Three has been to the Andalite home world and is very upset by it. The fact that the Andalite Captain is later revealed to be a traitor I think is meant to justify this concern. But how does it work with Alloran’s original morphs that he had before he was taken over by Visser Three? All Andalite warriors practice their morphing ability by getting a kafit bird morph, so Alloran would have this one. So wouldn’t Visser Three, too? Without needing to go to the Andalite home world? Also, the fact that Visser Three is a complete coward is no surprise to us, but Ax is very disturbed by the fact that Visser Three ran away from their fight on the roof.
Adult Ugly Crying at a Middle Grade Book: You have to feel bad for Ax. The poor guy is trying so hard and the hits just keep coming from every angle. You can’t blame him for losing his head when he gets back among his own people, but then these early errors of dismissing his friends so quickly bite him in the butt in the worst way when the Captain turns into a traitor. Then he’s got to deal with his friends who are furious with him, while questioning everything he thought he knew about his people. It’s a lot.
What a Terrible Plan, Guys!: Most of their “main mission” plans are good in this one. Mainly, that the rest of the Animorphs ignore Ax and the Andalites and barge onto the bridge in fly morph. It would have been the end of the series if they’d followed orders like good, little soldiers. But, at this point, they’ve been fighting this war for a while so it makes sense that they wouldn’t sit back and be content to stay out of things just because some Andalite higher ups said so. But the original plan with the mosquitoes and proving there is an alien invasion happening thing has all of the usual flaws of these ideas. I mean, if they ever wanted to really go through with this whole concept, there are easier ways to do it.
Favorite Quote:
Of course, Ax’s naive evaluations of his own ability to pass as human are always great for laughs.
I am very good at passing for human, if I say so myself. I have learned the customs and habits perfectly so that I seem entirely normal.
“Do you want to order something?” the human said to me.
“I require money so that I may exchange it for the delicious cinnamon buns,” I explained.
The human blinked his eyes. “So … you do want to order, or you don’t?”
Obviously this was a less-intelligent human. “I wish to perform labor, lay-ber, lay-burrr, and to have you give me money. Then I wish to use that money to acquire delicious cinnamon buns. Bun-zuh.”
Also, a good example of Jake’s leadership skills when he’s talking Ax out of it when he’s essentially breaking down after the deaths of all of the Andalite warriors in the ship.
“Now, listen up, Ax. I know you’re feeling bad. For lots of reasons, probably. But you feeling bad doesn’t let you off the hook. Look, we got Andalites shooting at Yeerks. We have no humans in this fight except for us. Maybe you’re not the big expert, but you know more than we know. So snap out of it.”
Scorecard: Yeerks 4, Animorphs 9
A point for the Animorphs! This is a big win, not only just saving an entire species/planet, but the fact that Leeran Controllers would have most likely spelled the end for their own fight back on Earth.
Rating: I always loved this book. Ax’s struggles are completely relatable. As are the rest of the Animorphs’ feelings of anger and betrayal. It’s good stuff. On top of that, we get another look into the ongoing war between the Yeerks and Andalites outside of Earth and a fun, new location for our story to take place. Not to mention, Ax’s adventures in human morph and his dry, analytical, and hopelessly naive narrating voice are always a fun time.
Note: I’m not going to rate these books since I can’t be objective at all! But I’ll give a one sentence conclusion and you can take from that what you will!
Book: “The Girl in the Tower” by Katherine Arden
Animorphs #19: “The Departure” by K.A. Applegate
Book: “All the Crooked Saints” by Maggie Stiefvater
Book: “City of Lies” by Victoria Thompson
Book: “City of Brass” by S. A. Chakraborty
Megamorphs #2: “In the Time of Dinosaurs”
Book: “Girls Made of Snow and Glass” by Melissa Bashardoust
Book: “Weaver’s Lament” by Emma Newman
Book: “The Dire King” by William Ritter
Animorphs #18: “The Decision” by K.A. Applegate
The Library Ladies 