Serena’s Review: “Age of War”

18052169Book: “Age of War” by Michael J. Sullivan

Publishing Info: Del Rey, July 2018

Where Did I Get this Book: audiobook from the library

Book Description: The alliance of humans and renegade Fhrey is fragile—and about to be tested as never before. Persephone keeps the human clans from turning on one another through her iron will and a compassionate heart. The arrogant Fhrey are barely held in check by their leader, Nyphron, who seeks to advance his own nefarious agenda through a loveless marriage that will result in the betrayal of the person Persephone loves most: Raithe, the God Killer.

As the Fhrey overlords marshal their army and sorcerers to crush the rebellion, old loyalties will be challenged while fresh conspiracies will threaten to undo all that Persephone has accomplished. In the darkest hour, when hope is all but lost, new heroes will rise . . . but at what terrible cost?

Previously reviewed: “Age of Myth” & “Age of Swords”

Review: I’ve been loving this series ever since I discovered it. I read most every type of fantasy there is (urban, YA, contemporary, etc.), but I always have a soft spot for epic fantasy, especially well-constructed series that feature a well-rounded ensemble cast. With every book I read in this series, my appreciation for what Sullivan is crafting grows.

The war between humans and Fhrey is coming to a head. The battle lines are drawn and each side is shoring up their resources. While Persephone and her people hold a great fortress and have numbers on their side, the powers of the Fhrey are still unimaginable, especially against the only two magic users that humans have. Even if this battle is won, Persephone knows that wars last years and peace is always preferable to conquest. In this light, she struggles with the decision to marry a Fhrey, connecting their two peoples forever, knowing that she will give up her chance at love with Raithe. Suri, Brin, Roan, Gifford and so many others all have their own paths to walk and important roles to play if the humans are to survive this all.

If I’m picking, I often prefer stories that feature one, strong protagonist at the heart of it all. I enjoy getting to know the motivations, strengths, and weaknesses of an individual and follow their story through all of its outward action and inward character development. It’s not that I don’t like an ensemble cast; I just think it’s terribly hard to pull off and more often than not, one or more characters are short-shifted, thus weakening the story as a whole. Better to play it safe and stick to the one, well-drawn character. With all of that in mind, it’s a true pleasure when I find an author who knows how to properly develop and maintain an ensemble cast through a series of books. Sullivan is a master at this, so far.

His true strength seems to be understanding whose story needs to rise to the top in each book. Early in the series, we focused largely on Raithe and Persephone, but here, as the events grow greater and new challenges unfold, we see other characters come into their own and are thus given more page time. And, since even the first books still put in the work to develop these characters, when the story switches over to emphasizing their roles more, it is an easy adjustment. I don’t mourn the loss of time with Raithe and Persephone because I’ve become invested in Brin and Gifford already as well. And as certain characters’ stories begin to wane into the background, we’re slowly given a few new characters here and there.

I typically try to read and review books in a sort of vacuum from the other media forms I’m consuming. But given the raging debate and upheaval after the last season of GOT, it was almost impossible to read such a similar book without making comparisons. I won’t go into an entire rant about my feelings on GOT, but there are a few points of similarity between these two epic fantasies that can’t help but be connected.

The first one has to do, again, with the creation and use of an ensemble cast. “Game of Thrones,” be it book or tv series, is by no means the first of its kind to feature a large cast of characters. Almost all epic fantasy series do. In light of the character arcs we saw in “Game of Thrones,” Sullivan’s own powers of character building were only highlighted all the more. His characters, too, face complicated moral decisions. But when they reach decision points, whether we agree with their actions or not, we understand why they do what they do. The chapters and time that are given to each character reveal necessary information, either for the plot of the book or for the development of the character. Things are introduced for a reason and readers can feel confident that, while they may not be able to piece it all together now, we are working towards something.

And that works to my second point of comparison and it has to do surprising the audience and subverting expectations. It’s been clear from the very start that GOT has prided itself on surprising audiences and subverting typical story beats. And there’s a reason for that: it’s pretty entertaining! But what they seemed to lose along the way was the fact that audiences can still be surprised while making believable, slowly built arcs for stories.

Joffrey was a monster, so while we were surprised that he killed Ned and our expectations that the hero of the story would prevail were subverted, after the fact, it all made sense. Events leading up to it were built in along the way and were easy to trace for even the most casual consumer. But while GOT seems to have lost this process with the last few seasons, and most especially the last half of the last season, Sullivan has managed to do the same thing, without sacrificing the credibility of his story. There are legitimate surprises in this book and expectations of certain characters’ arcs are definitely subverted. This story gets dark and similar to GOT, not everyone is safe. But, like early seasons of the show/book, after the fact, everything that happens feels earned. Satisfying endings don’t require that they be happy, they require consistency and thoughtful construction. Sullivan has both, and it’s on display in this book especially.

There have been a lot of lists floating around since the end of GOT about what fantasy series to read next. I haven’t seen Sullivan’s “The Legends of the First Empire” on any of them, and it’s a real shame. At its most basic level, we know that the author has already finished the series so not only do we know that an end is coming, we know that the author built the entire series with clearly established plot lines for all of his characters in mind. And, given the darker nature of this book as compared to the first two, it’s definitely earning its stripes as an epic fantasy series.

Rating 9: Frankly, it was a relief to have this on hand as proof that ensemble casts and subverted expectations in fantasy fiction CAN be done well.

“Age of War” isn’t on many relevant Goodreads lists, but it should be “Popular Ensemble Cast Books.”

Find “Age of War” at your library using WorldCat!

 

 

Serena’s Review: “Dark Shores”

41438037Book: “Dark Shores” by Danielle L. Jensen

Publishing Details: Tor Teen, May 2019

Where Did I Get this Book: NetGalley

Book Description: In a world divided by meddlesome gods and treacherous oceans, only the Maarin possess the knowledge to cross the Endless Seas. But they have one mandate: East must never meet West.

A PIRATE WITH A WILL OF IRON

Teriana is the second mate of the Quincense and heir to the Maarin Triumvirate. Her people are born of the seas and the keepers of its secrets, but when her closest friend is forced into an unwanted betrothal, Teriana breaks her people’s mandate so her friend might escape—a choice with devastating consequences. 

A SOLDIER WITH A SECRET

Marcus is the commander of the Thirty-Seventh, the notorious legion that has led the Celendor Empire to conquer the entire East. The legion is his family, but even they don’t know the truth he’s been hiding since childhood. It’s a secret he’ll do anything to protect, no matter how much it costs him – and the world. 

A DANGEROUS QUEST

When an Empire senator discovers the existence of the Dark Shores, he captures Teriana’s crew and threatens to reveal Marcus’s secret unless they sail in pursuit of conquest, forcing the two into an unlikely—and unwilling—alliance. They unite for the sake of their families, but both must decide how far they are willing to go, and how much they are willing to sacrifice.

Review: I never got around to reading “Stolen Songbird,” but it’s been on my TBR list for quite some time and I know that a lot of people really enjoyed it. So when I saw a new title by this author available on NetGalley I thought, “Here’s my chance!” Unfortunately, this wasn’t a complete hit with me, however.

Two worlds divided by a vast ocean and with only one people who know of the existence of both. Teriana comes from this people and a family of peaceful traders. Marcus comes the opposite side of things, known for his keen tactics and manipulations that have seen him slowly but steadily gaining territory for his Empire. The two could not be more different, but each are thrown when secrets, betrayals, and political maneuverings begin fraying the edges of their lives. Now, these two unlikely comrades, must come together to chart a new path for themselves and their peoples.

I struggled with this book from the very start, but I don’t want to start my review with a list of complaints. As I read on, I did find some things that stood out as strengths, so I’ll highlight those first. One, while not as complex as I might have wished, I did enjoy the world building at the heart of this story. The clear inspirations from Ancient Rome were interesting not only for the cultural aspects, but also for how Marcus’s story of conquest plays out. I also enjoyed the general pacing of the book. It was a quick read and I flew through it pretty quickly. There were a few moments here and there where this pacing seemed to stumble, but overall it was a fast read and for those looking for a quick, easy read, this book will hit those marks.

But, like I said, I had struggles. These started right away with the introduction of Teriana whom I immediately had troubled connecting with. She reads as very immature, to the point that it was almost hard to believe that she was meant to be the age she is presented as. It’s hard to come back from first impressions like this, so while Teriana had some good moments throughout the story, I was never able to get over some of this. I didn’t have as many direct problems with Marcus, but he also didn’t connect for me. Not that there was anything standing out with the character as much as with Teriana’s, but…nothing really stood out with the character at all, either.

This book also suffered from a false expectations. There story is promoted as being about pirates and adventures on the high seas. Alas, no. This is much more of a political fantasy at its heart. Which would be fine on its own, since some of my favorite fantasy novels are political at their heart. But when I pick up a book being told its about one thing and then find out that that thing isn’t in it at all, we have problems. I really hate marketing ploys like this. There are readers for the book as it actually is, target them. Stop trying to misrepresent your book to his some type of fad. Do they actually think that readers who were tricked into picking up a book on the promise of one thing (pirates, in this case) are not going to notice when that thing isn’t even really there? You’re just going to end up with disappointed readers and miss out on the ones who would have truly enjoyed the book and praised it for what it actually is.

I also have to mention that the romance was not to my taste. I enjoy a good enemies-to-lovers romance as much as the next person, but it really is starting to get old. It feels like this is almost the only type of romance one finds anymore in YA fiction. And what’s worse, it always feels rushed. This is the first book in a series. Why do the main characters need to fall in love in this book? Isn’t it more believable that it would take longer than this to move from pretty opposite extremes, enemies to lovers? Plus, drawing it out builds anticipation. It’s a win/win. Trust that readers can appreciate some delayed gratification.

So, yes, this book wasn’t for me. I can’t say whether or not going in with my expectations properly targeted towards a political fantasy and away from pirates would have made all the difference, but it would have helped. Ultimately, however, poor characterization for Teriana and a tepid romance killed it for me.

Rating 6: Fails to bring anything new to the table, though it is a quick read if you’re looking for a beach book.

Reader’s Advisory:

“Dark Shores” is a newer title, so it isn’t on any relevant Goodreads lists, but it should be on “Political Themed YA Fiction.”

Find “Dark Shores” at your library using WorldCat!

The Great Animorphs Re-Read #50: “The Ultimate”

363403Animorphs #50: “The Ultimate”

Publishing Info: Scholastic Paperbacks, February 2001

Where Did I Get this Book: own it!

Book Description: “Really big trouble” is an understatement these days. The war between the Yeerks and the Animorphs is full on–and it’s definitely going to get worse. But Cassie, the other Animorphs, and Ax have a lot more going on than just trying to stay alive. Now they have to actively protect others. And they no longer believe they can do it alone. The Yeerks are just too powerful.

So, Cassie and the others have to ask themselves a very important question: Is it time to increase their numbers? They all remember too well what happened with David–the Animorph gone bad. But this time do they really have a choice?

Narrator: Cassie

Plot: I was kind of dreading this book. I only really remember one part of it, but it’s one of the two big moments that made me dislike Cassie as a character when looking back on the series: when she gives up the blue box, inexplicably. So, it was with trepidation, I started reading…

Cassie and the other Animorphs are drilling for the inevitable day that the Yeerks discover the new Hork Bajir valley where they, the Hork Bajir, and now their families are hiding out as the war continues. The drills aren’t going very well as Cassie is distracted by worries over her parents and Jake’s head and heart are clearly no longer in the game after the loss of his parents to the Yeerks.

What’s worse, their parents don’t seem to be catching on to the reality of their situation. Rachel’s mother keeps trying to escape the valley to contact the authorities, putting them all at risk and driving Rachel crazy. And Cassie’s parents don’t have a grasp on the enormity of the situation, fixating on the size and comfort of the enclosures where the Hork Bajir will hide if they’re attacked, not only treating the Hork Bajir like animals but clearly not understanding that comfort is the least of everyone’s concerns.

To try and get Jake’s mind back in the game, Cassie calls a meeting, putting Jake on the spot to come up with an idea. They eventually decide that the only real power they have is the blue box and their ability to give others morphing abilities. Due to the adults inability to, you know, act like adults, they rule out all of their parents, one by one. They then proceed to rule out all adults, deciding that adults struggle too much with coming to terms with so many changes to their world view. This leaves recruiting more kids. And to avoid the concern about approaching Controllers, they decide to target disabled kids. They figure that they Yeerks would never infest them in the first place, and after morphing cured Loren’s eyesight, they also wonder if some of these kids could be cured in the same way.

Dressed up in costumes, a few of them sneak into a facility to try and find some volunteers. They meet a group of kids, lead by a boy in a wheelchair named James. After various forms of show and tell, they manage to recruit some kids to the cause. With the first set, only James is cured of his disability, able to stand again after he demorphs back to his human form. It is also decided that James will be the leader of this other group of Animorphs. Over the next few days, the Animorphs continue to recruit more kids and even manage to bring them to the Gardens to acquire some fighting morphs.

Ax locates a new facility, one that is a home for blind kids. They decide to check that out next. Cassie’s dad overhears them all discussing this process and comes down on Cassie for it, asking whether or not she thinks it’s humane. She snaps at her dad to come to grips with the stakes they are working with and leaves with the other Animorphs.

They arrive at the school for the blind at night, but as they start to approach the kids, Cassie feels that something is off. She eventually morphs a fly and spots an infrared camera, but before they others can escape, Tom and a bunch of Hork Bajir burst in. They force Jake to hand over the blue box and march the others out of the room to the loading dock. Fly!Cassie escapes, morphs owl, and heads to the rehab center to fetch James and the others.

They wrangle everyone up and head back. On the way, they see a limo speeding towards the loading dock; Cassie guess it’s Visser One. Once there, she tries to give the others a quick pep talk on what the fight will be like, but they begin to freak out. It’s only a steady speech from James that gets them back on track. They all morph battle morphs. James has chosen a lion, which makes Cassie think of David and how very different he and James are.

A massive fight breaks out and in the chaos Tom loses the blue box which lion!James snatches up. Visser One arrives with Taxxons in tow and blames Tom for losing the blue box. The Animorphs all line up, ready to escape with the blue box. It’s a strange feeling, having enough numbers on their side for once. Visser One fights with Ax and Jake before beginning to morph himself. Bull!Kelly gets injured badly and has to demorph in the battlefield, leaving her fairly helpless. Gorilla!Marco snatches her up and heads away to allow her time to remorph.

Visser One completes his morph, becoming a tentacle monster of some sort. He snags tiger!Jake by the throat and begins slowly throttling him. Tobais is smashed into a wall, and things generally take a turn for the worse. Jake almost dies but is saved when a rogue Hork Bajir, a member of the Yeerk Resistance, slices off the tentacle holding Jake. The Taxxons converge on Visser One and the Hork Bajir have to fight them off. In the chaos, the Animorphs retreat. As they do, they see Tom take off with the morphing cube, clearly having decided to keep it for himself. Jake and Cassie set off after him.

In the woods, they come to a stand off, and Cassie decides that it’s not worth it, not worth Jake having to kill his brother to retake the morphing cube. Just as Jake is about to spring, she grabs him by his injured let. Tom escapes into the night.

The next day, Jake is still angry with Cassie. She tries to explain that she was saving him from having to kill Tom, but he asks why she didn’t go after Tom herself then. She doesn’t answer, because she doesn’t know, other than the fact that it had felt right and she still thinks it was the right choice.

Peace, Love, and Animals: This is an interesting Cassie book, I’ll give it that. We essentially have two different Cassie’s: one, the girl who has been fighting a war for years now and, when confronted by her parents who are pretty much spouting some of the same naive things she’s said herself in the past, she finds herself coming down on the other side of an argument from her usual stance.

Cassie, the Animorph who has arguably the best relationship with her parents throughout the series, has to have tough conversations with both of her parents. Her mom fixates on the state of the hideaway shelter, falling into the trap of thinking about the Hork Bajir as animals whose habitat isn’t satisfactory. She is having trouble accepting that these would be shelters in the case of an invasion where to be found is to be killed. Comfort is the last thing on anyone’s mind. Cassie’s dad is then concerned when he overhears Cassie and the others discussing their project to recruit more Animorphs, saying that recruiting disabled kids is not “humane.” This is also an interesting point. I think in any other book, we would have expected Cassie herself to be making this same argument and to have never agreed to it in the first place. But there is also an underlying discussion throughout the book on how we view those with disabilities. Ax points out that putting them in a hospital and stashing them away is almost as bad as his own people’s problematic attitudes. Even the Animorphs themselves fall into this trap and James has to point out that they are capable of making their own choices. He uses this same point, that their hardships have made them more capable of fighting, not less, when he’s giving his pep talk at the end of the book.

So, Cassie’s dad, essentially, is doing the same thing that her mom was doing: he’s saying that Cassie and her friends are “using” the disabled in the same way you would use animals. This attitude completely disregards the kids’ choice in the matter, treating the disabled kids as not capable of making decisions for themselves or almost so helpless that “able bodied” people like Cassie and her dad need to protect them from the choice at all. And really, the fact that Cassie’s mom and dad have taken themselves out of the running as soldiers themselves by behaving so poorly and needing their own kid to parent them is much more worth her father’s reflection.

On the other hand, however, to counterbalance all the thoughtfulness and moral pondering that Cassie goes through during much of the book, her decision to let the blue box slip through her hands because it “felt right” is a return to the complete nonsense decision making that we’ve seen from Cassie a few times. The decision on its own is infuriating, but the fact that it’s slotted in at the end of a book that is really discussing some big issues head on is rather unfortunate. There’s a line where Cassie tries to draw it all together, that some things maybe aren’t worth the moral compromise, but I think the point is lost when you actually look at the stakes. Just like her father was wrong to behave so poorly that his own kid can’t turn to him as an option when looking for support and then to question the only option (as far as the kids see it) for winning this war, Cassie is also wrong to let the blue box go, potentially losing the war right there. It’s not “just morphing.” The whole premise of the series is that morphing is powerful enough to allow five kids and an alien kid to stand up to an evil alien empire.

Our Fearless Leader: Man, there’s a huge change to Jake from the last book to this. It really highlights how tenuous was Jake’s mental space and that losing his parents was really one of the last straws to his ability to lead. Even when he gets it together somewhat, we see him going into missions without plans and failing to provide the general strength and assurance that the others rely upon so much. The events in this book don’t help and the contrast between Jake now and James (very much like Jake was at the start of this war) is really heart-breaking.

Xena, Warrior Princess: Rachel doesn’t have a whole lot, but she does have a scene where she gets in her mother’s face about sneaking off. Apparently, her mother has done this several times, and each time she does it, it sets the whole valley on high alert and risks everything. Again, with adults behaving has poorly as all of this, you really can’t blame the Animorphs for coming to the conclusion that recruiting more kids is the way to go, even if, on its own, that seems like a really terrible idea.

A Hawk’s Life: We see a few brief moments of Tobias with his mother that are very sweet. It’s not clear whether or not Tobias has told Loren about her history at this point, but you think that would come up soon. And, given what we know of Loren, it’s almost hard to believe that she wouldn’t be insisting on getting into this fight on her own. She already has morphing powers and has proven that she is still brave. Losing her memory wouldn’t make her lose her entire personality, and the Loren we know of old would definitely insist on helping her son in this war.

The Comic Relief: Marco is probably doing the best in the ole parent arena, his mom being the only adult to truly understand what they’re in the middle of. But it also seems to make him oddly complacent about the fact that things are falling apart, especially his best friend Jake. This all felt a bit out of character for him. Yes, his mother was his main motivation, but we’ve also seen how singled minded and strategic Marco has been in the past about winning this war, even in the face of losing his mother. So it’s kind of strange to see him as disconnected as he is here. Obviously he has to be to push Cassie into being the one to take action, but it doesn’t really ring true on a character level. We do see how important his gorilla morph is though when he’s able to carry Kelly away from the battlefield when she had to demorph to heal herself and ended back up in her body which has limited mobility. One other new Animorph has a gorilla morph, but given this situation, more might have been better for just this circumstance. Plus, we’ve seen how valuable Marco’s gorilla morph has been in the past. Way more so than a bull. Just saying.

E.T./Ax Phone Home: Ax’s prejudices about the disable make an unpleasant reappearance in this book. But it’s clear that he has learned a lot from his original book and has now evolved to the point where his questions shine a rather harsh light on the reality of our own world’s treatment of people who are different.

Best (?) Body Horror Moment: Bull!Kelly gets gored pretty badly during the fight. And then the Taxxons get at her. She survives it, but I do think that getting eaten alive by the Taxxons has to be one of the most horrific things. But, on that note, I do have to question these battle morphs that the new Animorphs chose. I get that from a book-perspective, it’s cool to use new morphs. But from an actual war standpoint, these are some pretty limiting and poor choices. A bull is a prey animal. Sure, it can do some damage, but it simply isn’t built for fighting, with no natural armor, pretty spindly legs when you get down to it, and only one way of attacking, one that isn’t very nimble and depends on a lot of open space for charges. I could go down the line with the others, too. Crocodile? Bobcat?? Bobcats are only a tiny bit bigger than a large domestic cat!

I also think a case could be made for getting the same morphs the original Animorphs already have, if possible. For one thing, everyone knows that Jake is the tiger and also the leader of the group. Having a bunch more tigers is not only good due to their fighting abilities but also camouflage for the general of the resistance, essentially. And Rachel’s grizzly and Marco’s gorilla are pretty hard to top. We saw the Animorphs try to direct David’s morph options, and while that didn’t go over well, I think a well-reasoned suggestion would fly with James and could have been helpful with some of these choices.

Couples Watch!: Nothing from Tobias and Rachel. And as for Cassie and Jake, this is the beginning of the end. It actually feels like it’s coming a bit after the beginning of the end as Cassie mentions that their relationship was already strained at the start of the book. We’re left to guess that their romance is yet another casualty to Jake’s loss of self when his parents were taken. And the events of this book sure don’t help things.

If Only Visser Three had  Mustache to Twirl: Visser One uses his tentacle morph to pretty devastating effect in the last battle in this book. He flings tiger!Jake around like a ragdoll and almost kills Tobias when he smacks him into a wall. The only thing that saves Jake is a Hork Bajir member of the Yeerk resistance coming to his aid at the last minute.

There’s also an interesting bit where we see Tom make the decision to go it on his own with the blue box. Given Visser One’s penchant for killing his underlings on the slightest provocation or whim, it’s a wonder other smart Yeerks didn’t pull something like this ages ago. Visser One definitely doesn’t inspire loyalty, so it makes sense that an ambitious Yeerk like the one in Tom would think twice about handing over a powerful weapon like the blue box. Especially when he was already on the outs with Visser One after losing it earlier in the fight. Visser One isn’t one to forget and forgive, so there’s a decent chance that getting it back wasn’t going to save him anyways.

Adult Ugly Crying at a Middle Grade Book: Jake’s situation is by far the worst at this point, which is saying something since Tobias has had that spot staked out since pretty much day one. In his own books, we’ve seen his inner struggles with the burdens of being the leader, but this is the first time where it’s really clear to everyone around him and his actual performance is starting to suffer. He’s angry, sad, indecisive, and generally lacking the patience and focus it takes to continue on as he has been. It’s only being pushed by others that gets him through this book, and even then, we see mistakes along the way. Knowing how he ends up after this all, this book is really the first one where it all begins to be foreshadowed.

Beyond that, I’m not sure if it’s so much crying out sadness, but the way the parents behave in this situation is really bad. At one point Cassie even narrates that half the reason she’s angry at her parents is because they are forcing her to be the adult in this situation. They’re all acting as if they don’t even know what war is. It’s one thing to question the enemy itself (though the Hork Bajir are right there), but general war time tactics and life should be perfectly clear with a simple history lesson. When your life is at stake, you don’t quibble about the conditions of the hidey-hole. When humanity is at stake and you find out your child has been fighting a war for years, you don’t leave them out there on their own still, essentially making yourself so useless (or an active problem, like Rachel’s mom) that your kid is forced to resort to recruiting other kids because all of the adults so far have proven to be completely incapable of adapting. It’s pretty tragic, when you think about it that way. For all the criticism about recruiting disabled kids, it’s pretty solidly on the parents’ shoulders at this point for being so unhelpful.

What  a Terrible Plan, Guys!: Cassie’s decision to let Tom escape with the morphing cube is one of the most controversial decisions the character makes in the entire series, right up there with letting herself get infested back in book #19. There’s a decent build up to the emotional side of this decision, Cassie’s concern that she is losing her humanity to this war (well-trod ground for the character, so not super new other than its contrast with her parents who are somehow even more out to lunch about reality). But this time she’s also concerned about Jake’s downward descent, and from this emotional view, she believes herself to be saving the remaining thread holding Jake’s sanity together.

Sure. I can’t argue whether or not that is true. But in the very end of the book, Jake asks her why she did it, why, if she was just trying to spare Jake, she didn’t go after Tom herself and leave him behind? Cassie was in wolf morph, the perfect morph of them all to track someone down in the woods. Her going after Tom herself to spare Jake makes sense. Her choosing to let Tom get away with the cube? Is idiotic to the extreme and really enough to make others question whether she should be on the team, if her decision-making is really that screwed up.

The only thing they had going for them was that cube, a fact that was made all the more clear in this book. And she just let Tom take it. And her reason? “It just felt right.” She even goes on to say that she can’t understand it herself but that, even now, it still feels like it was the right thing to do. And we’re all the way back around to the Cassie who essentially breaks the third wall with the readers. She’s a character who has authorial finger prints all over her and pretty much just announces it with the line about it “still feeling like the right decision” even though she can’t even justify or explain it herself. Her decisions, in the world she lives in, don’t make sense or they are indicative of a person you sure has hell don’t want on your team in a fight to save humanity. They are only “right” because the author allows them to be in the end. Under no circumstances was this the “right” call in the world the character lives in.

Favorite Quote: 

These are two bits from the section where Cassie talks about her frustrations with her parents and the adults, and it really gets at what I was talking about:

Suddenly, unexpectedly, I was angry. Mad that my mother, a scientist, wouldn’t—or couldn’t—face the awful truth. That we were at war. That the rules had changed. That we had to do things we’d never choose to do under peacetime circumstances. That we didn’t have that luxury. That every single minute of every single day we had to make scarifices we’d rather not make. And I was angry that my mother was forcing me to confront her with this truth.

“That’s right, Mom,” I said, my voice hard. “The Hork-Bajir could die. Every single one of us, human and Hork-Bajir and Andalite, could die. Any day. At any time. I still don’t get your point.”

______

Angry mostly because I had wanted to hurt her. Because she was making me be the grown-up. And even after all the endless months of fighting, with all the disgusting acts I had witnessed—or committed—I still sometimes wanted to be normal again. Also, because I was worried. Not just about my own parents. If the adults didn’t accept the reality of the war, they would never be prepared when the time came to fight. And if they weren’t prepared, they wouldn’t survive.

Also, for some irony, here is Cassie giving the speech that she’s been on the other end of a few times and chosen to ignore coughQuitTheAnimorphs#19cough:

But being here, talking to James, seeing these kids, I realized in a serious way, maybe for the first time, that they weren’t helpless. Just like our parents. “You know what,” I continued. “You don’t really have a choice here. This is duty time. You’ve been tapped. So step up to the plate. Whatever. Fact is, we need you. Your friends need you.”

Scorecard: Yeerks 15, Animorphs 17

I’m giving them each a point. The Animorphs get a point for recruiting 17 more people to their cause, but the Yeerks definitely get a point for walking away with the blue box in the end.

Rating: I have mixed feelings about this book. It’s almost the exact opposite experience of the Super!Rachel book. Instead of hating the first 3/4 and then loving the last quarter, it was flipped. I enjoyed the majority of this book up to the last bit where Cassie undoes all of her good work by making one of the most boneheaded decisions in the series with no other excuse than an author-magic-wand-wave that it “felt right.” And yes, I know the explanation has been floated that it’s because of Cassie’s status as a disrupter (from Megamophrs #4) that she has a predictive feeling like this, but I don’t buy it. Even if that’s the case, it’s lazy writing. This moment also feeds into my overarching anger with the character at the very end where she’s the only one who comes out of this all OK and it’s mostly just because her bad decisions were allowed to be right ones without her having to pay the logical price that would most likely have occurred by these choices.

But, like I said, I did like the majority of this book. It’s a new side of Cassie to see her as one of team members who is more committed to the war effort. It also makes sense that having her parents present would have a tangible effect like this, making her more invested, not less. I also liked the reflections on Jake’s descent coming through her eyes. The only other character who would have a similar point of view would be Marco, so we’ll see what he has to say in the next book.

Note: I’m not going to rate these books since I can’t be objective at all!

Serena’s Review: “An Illusion of Thieves”

39662738Book: “An Illusion of Thieves” by Cate Glass

Publication Info: Tor Books, May 2019

Where Did I Get this Book: NetGalley

Book Description: In Cantagna, being a sorcerer is a death sentence.

Romy escapes her hardscrabble upbringing when she becomes courtesan to the Shadow Lord, a revolutionary noble who brings laws and comforts once reserved for the wealthy to all. When her brother, Neri, is caught thieving with the aid of magic, Romy’s aristocratic influence is the only thing that can spare his life—and the price is her banishment.

Now back in Beggar’s Ring, she has just her wits and her own long-hidden sorcery to help her and Neri survive. But when a plot to overthrow the Shadow Lord and incite civil war is uncovered, only Romy knows how to stop it. To do so, she’ll have to rely on newfound allies—a swordmaster, a silversmith, and her own thieving brother. And they’ll need the very thing that could condemn them all: magic.

Review: Cover lust! I love everything about that illustration, the vibrant colors, the style, it’s all very eye-catching and definitely served its purpose as it instantly drew me in when I was browsing through NetGalley. The description helped quite a lot as well, as I can never resist a good heist story, especially if there’s a fantasy element involved! And while my hopes were not fully met, I still enjoyed this book quite a lot in the end.

For the most part, I very much enjoyed this story. Particularly, I enjoyed the detailed take on the political and economical environment in which the story took place. I’ve read a bunch of stories where magic being illegal is a central theme, but when combined with the other world-building elements twisted into the story, it still came off as a unique take. Pacing-wise, the story could read as a big slower with many of the little details getting more attention than some readers may prefer. Likewise, the main plot often takes a backseat to smaller, character-driven moments. I can enjoy both types of fantasy stories, but those looking for a grand epic might find themselves frustrated with the lower stakes of this story.

It was also an interesting read knowing that the author plans to write the series in an episodic manner. Most fantasy series typically follow a grand arc that takes place over several books, and while smaller offshoots exist here and there, the main conflict builds and resolves through all the books, linking them closely together. I can see the stage being set for a different type of read with this book, and I’m intrigued by what Glass has in mind with this type of tale.

As for the characters, I really enjoyed Romy. She was a fun narrator and it was exciting to see her so competently put her skills to work when she finds herself back on the streets, poverty-stricken and desperate. I was also surprised to find that the story is also largely Neri’s as well. I’m not quite sure how I feel about this character. His character type, that of the young, arrogant, swagger-ridden boy-o, has some natural flaws simply built in. But those same flaws are the points around which his characterization builds, so they have to be there to see any growth.

I was also surprised to find the story lacked a romantic plot line, instead focusing on the sibling relationship between Romy and Neri a its emotional crux. I confess that I typically prefer some romance in my stories, and second best is a sister-sister relationship, but I was also drawn in by the tense relationship between Romy and Neri as they learned to get along throughout the book.

Overall, this book was an entertaining read. I felt that the plot was a bit light for me and at times the author seemed to almost lose focus on her main story, caught up in the details of her world. But the interesting characters and the slowly built up trust and respect between Romy and Neri was a point in its favor. And, again, I’ll never say no to magical heist stories!

Rating 7: A fun, lighter read with a compelling brother/sister relationship at its heart.

Reader’s Advisory: 

“An Illusion of Thieves” isn’t on any relevant Goodreads lists, but it should be on “Popular Fantasy Heist Books.”

Find “An Illusion of Thieves” at your library using WorldCat!

 

Serena’s Review: “Kingsbane”

40523458Book: “Kingsbane” by Claire Legrand

Publishing Info: Sourcebooks Fire, May 2019

Where Did I Get this Book: ARC from the publisher

Book Description: Rielle Dardenne has been anointed Sun Queen, but her trials are far from over. The Gate keeping the angels at bay is falling. To repair it, Rielle must collect the seven hidden castings of the saints. Meanwhile, to help her prince and love Audric protect Celdaria, Rielle must spy on the angel Corien—but his promises of freedom and power may prove too tempting to resist.

Centuries later, Eliana Ferracora grapples with her new reality: She is the Sun Queen, humanity’s long-awaited savior. But fear of corruption—fear of becoming another Rielle—keeps Eliana’s power dangerous and unpredictable. Hunted by all, racing against time to save her dying friend Navi, Eliana must decide how to wear a crown she never wanted—by embracing her mother’s power, or rejecting it forever.

Previously Reviewed: “Furyborn”

Review: As my review above indicates, I had some problems with the first book in this trilogy. But, as the book was so well-received, to a certain extent I know these were a lot of personal preferences, mainly having to do with the decision to include a prologue that, I felt, gave away a bit too much of the story, if read carefully. So, with that in mind, when I received an ARC in the mail from the publisher, I decided to give it a go. And, while I still struggled with aspects of the story, I also enjoyed it more than the first.

Rielle and Eliana both are thought to be the Sun Queen, though Eliana does have the dark history of her mother, Rielle’s, decent into darkness to back up her claim. But so far these titles and prophesies have brought nothing but danger and challenges, one after another. Eliana must bear the heavy load of her mother’s legacy, worrying constantly that she will follow in her footsteps, fearing her own powers. And Rielle, centuries earlier, must walk a tight line between protecting her kingdom and spying on the angels who threaten them, all while becoming increasingly intrigued by one of them, the mysterious Corien.

Having the world and writing set-up (alternating POVs from the past and the future) already established definitely helped me enjoy this book more than the first. If I worked very hard, I could even try and put the initial prologue out of my head and enjoy the story as it is. I’m particularly intrigued by the ongoing mystery of which Queen is really the Sun Queen and which is the one who turns to evil. While it feels fairly established as Rielle, I’m still on the look-out for a trick up this author’s sleeve in the eleventh hour.

As far as characters go, I still have enjoyed Eliana’s story more than Rielle’s. Part of this might have something to do with the timing of my read of this book. Frankly, I’m a bit exhausted by the “power hungry queens” in fantasy stories right now (I think the reason why is probably pretty obvious). This is definitely not the book’s fault. But timing aside, I do think that Rielle’s decision making and thirst for power made her a bit less appealing for me. At my heart, I always will prefer to the straight-forward hero character over an anti-hero. I also wasn’t a fan of the strange love triangle that was being built up between Rielle, Corien and Audric. I didn’t feel like there was enough established to really justify Rielle’s interest in Corien.

I do very much enjoy the general writing style and world-building of these books. The story feels expansive and epic, and the writing effortlessly flows between witting dialogue and engrossing descriptions of action and setting. If only the characters who populated it all were a bit better. The book is pretty long, however, and I do think some editing could have been in order to tidying it all up.

I also had some questions about the marketing of this book as YA. There are some pretty intense scenes in this book, particularly in the romance plot line between Corien and Rielle. This is by no means coming from a “the children aren’t ready for this!!” place, but more a general question about fantasy fiction and current marketing practices. It almost feels like a lot of good fantasy works are being relegated to YA regardless of that being the appropriate place for them simply because YA fantasy is booming. And look, I love that so many fantasy titles are coming out in YA. But I’m also starting to feel like there is an equal and growing lack of fantasy coming out in adult fiction for the very same reason.

I would place good money on the fact that several titles are pitched to publishers as adult fantasy fiction and then are sent back with the note “Great! But let’s make the protagonists teenagers so we can market it to YA, since that’s where this stuff sells!” It’s too bad, because a lot of adults want to read good fantasy fiction (again, look at the recent epic fantasy TV show that just concluded. Clearly, there is an adult interest in these types of stories). And books like this read as if they could just as easily, and perhaps more appropriately, be marketed as adult fantasy. Teenagers can pick up an adult fantasy novel just as easily as an adult can pick up a YA fantasy title. So maybe we can try giving each their due based on the story itself, and not marketing tactics. A girl can dream.

Having the characters and world set up in the first book, overall I felt as if I could sink more fully into this read and enjoy it. I still had some struggles, but some of that can be laid at the feet of the timing of my read more than any real flaw on the book’s part. Fans of the first book are sure to love this one, and those who may have had middling feelings might want to check it out as well, as I do think everything was strengthened, if not perfected, in this sequel.

Rating  7: An overall improvement on the first book!

Reader’s Advisory:

“Kingsbane” is a newer title, so it isn’t on many Goodreads lists, but it is on: “Books Marketed as Young adult that might be New Adult, Adult Fiction.”

Find “Furyborn” at your library using WorldCat!

The Great Animorphs Re-Read #49: “The Diversion”

125339Animorphs #49: “The Diversion”

Publishing Info: Scholastic Paperbacks, January 2001

Where Did I Get this Book: own it!

Book Description: The Yeerks are finally starting to realize that the “Andalite bandits” are probably not aliens at all. They’re finally starting to realize that maybe they’ve been dealing with humans all along. And no one–especially the newly appointed Visser One–is happy with this knowledge. Not happy at all.

When Tobias, the other Animorphs, and Ax realize that the Yeerks are about to find them, it’s by accident. But that doesn’t make the discovery any less serious. Because in war, one side wins. And one side loses…

Narrator: Tobias

Plot: The last Tobias book! Sadness! And, per the usual for his books, there’s a healthy dose of tragedy here as well. Though, in a shocking turn of events, by the end, a good thing has actually happened to him!

Tobias is experience his typical woes: the challenges of the hawk life with regards to getting food. While things aren’t as desperate as they have been in the past, he’s still happy to see Rachel show up with McDonalds. He eats part of it as a hawk, the only way the calories will sustain him, but morphs human to enjoy the rest as a boy who can appreciate taste. After that, they head off to Cassie’s barn for a group meeting.

There, Cassie informs them that her parents came back with odd news from The Gardens, that people had been there requesting blood samples from very specific animals, like wolves, grizzly bears, tigers, gorillas, etc. They were particularly upset when they discovered the zoo didn’t have a red tailed hawk in residence. The Animorphs are quick to put this together: the Yeerks are on to the fact that the “Andalite bandits” might be more than they seem and are collecting blood samples to try and match any humans with morphing abilities. They all try to recollect if they’ve had blood drawn recently, and Rachel is the only one with a concern that back when they all had the Andalite flu, her mom took her to the hospital and they may have drawn blood then.

They agree that the chance is too great, and Marco and Ax are set with the task of locating the blood bank where all of the samples are being stored and tested. By the next day they’ve already discovered the facility and the Animorphs are quick to take off to investigate. Once there, they come up across the typical problem now of Biofilters at all of the entrances. They decide to use their Hork Bajir morphs and tie blue armbands around their arms to pose as the elite Hork Bajir fighters they’ve recently come up across. Using this “authority,” they are able to weasel their way into the facility and get to the computer system. Ax demorphs and investigates and finds that the Yeerks already have a partial match and it’s Tobias’s lost mother who, it turns out, has been living only a few blocks away from the neglectful uncle whom Tobias stayed with when he was a boy.

Controllers break into the room, including a Granny-like Controller who seems to be in charge. She sees the flashing light on the computer and realizes that the system had found a match. A fight breaks out and the Animorphs flee the facility, but Marco is critically injured in the fight, forcing him to demorph and confirm the fact that there are humans with morphing abilities.

They manage to get away but know that now that Marco has been spotted, the game is up for them all, the Controllers will quickly put together who the other members could be. At the barn, the reality really begins to set in with what it will mean to tell their families and hide them away with the free Hork Bajir. Jake tells them all to take the night to think about it and they’ll begin the next day.

In the mean time, Tobias goes to scout out his mother. He discovers that she is blind and scarred, but she’s also kind to her guide dog and doesn’t show any outward signs of being a Controller. Having been fooled by a tactic like this in the past, Tobias is still wary. He’s also hurt and confused by why she would give him up only to live so close by.

They start with Cassie’s family whom Cassie says are scientist and will respect the truth. Tobias flies in and begins thought-speaking to Cassie’s mother while Cassie begins telling her what is going on. When Ax appears, Cassie’s mom tries to hide Cassie behind her in case Ax is dangerous. Cassie’s dad arrives and they explain to him too. The Chee agree to watch over the remaining animals at the barn clinic, and Cassie and her family pack up and head out.

Rachel’s family is next. Rachel morphs grizzly and speaks to her mom, who naturally freaks out. Ax walks in with one of Rachel’s little sisters on his back. Rachel’s mom grabs a spice rack and lunges at grizzly!Rachel. Like with Cassie’s mom, Tobias is struck with the bravery of mothers protecting their children. Rachel wrangles her family out, and the remaining Animorphs take off for Jake’s house.

They arrive to discover that Tom went with Jake’s parents to do chores. As the time ticks by, Marco and Tobias become increasingly concerned and Jake finally begins to admit that it is strange for Tom, a high ranking Yeerk, to go on a random chore run that morning. When they spot Jake’s family returning, but they are followed by two black SUVs. Through the window, Tobias can see Jake’s mom’s face twisted with anger and in her hand, a Dracon beam. They retreat.

Later, Tobias takes off to spy on Loren once again and sees that she is under Yeerk surveillance. While he’s there, Marco and Ax show up saying that the guide dog is Tobias’s way in. They follow Loren into a grocery store and, while posing as “rowdy youth”, they steal Loren’s guide dog and have Tobias acquire it. Tobais then returns in in place of the dog and makes his way back to Loren’s house with her. After she goes to sleep, Tobias searches the house but finds no evidence that Loren is a Controller. He does find a letter from an insurance company that mentions the fact that Loren lost her memories in the accident that scarred and blinded her.

The next morning, in his human form, Tobias confronts his mother. He learns that she knew she had a son, but had no memory of him. Worse, her memory was so badly damanged that she had had to re-learn how to do basic functions like brush her teeth. This all being the case, she had chosen to give him up as a baby to relatives, hoping that he would have a better life that way. As Tobias begins to explain the danger that she is in, it becomes clear that Loren has very vague memories of aliens, specifically Elfangor. Using these glimpses of shared knowledge, Tobias convinces her to stay in her house for three days and then meet him in a nearby park.

After the days have past and Loren hasn’t left the house, proving that she isn’t a Controller, they put the plan in action. When Loren gets to the park, she enters a tunnel and the Animorphs are able to switch out her dog for dog!Tobias once again without alerting the Controllers who are following her. Back in her house, with very little time as the Yeerks close in, Tobias has her keep her hand on his face while he demorphs. He then has her use the blue box to get morphing abilities, acquire his hawk form, and begin to morph herself. She manages to complete the morph right when things get crazy. The other Animorphs arrives as back up, but granny!Controller his back and in a helicopter.

Tobias and hawk!Loren take the sky and give the helicopter quite a chase. Tobias lures the helicopter away with his mad flying skills, but is almost hit by a Dracon beam shot, only saved by Loren flinging herself in front of him and taking a hard hit herself. The helicopter goes down and Loren demorphs to heal her injuries. Her blindness also heals in the process.

Back in the valley, all of the families are beginning to settle in. The Hork Bajir love Cassie’s parents and Rachel’s lawyer mother is helping them draft their own Constitution. Tobias is getting to know his mother, and while he’s sad that she still has no memory of him, he is comforted by the thought that when it came down to it, like Rachel and Cassie’s mothers, his own mother had tried to save her son as well.

A Hawk’s Life:  Most of Tobias’s books have to do with his struggle for identity between his life as a boy and his life as a hawk. But there is only brief point in the beginning where he again confronts the challenges of eating as a hawk, amusingly noting that Marco would have no problem living in his girlfriend’s room being hand fed, Tobias can’t let himself do that, even though Rachel has offered. Other than that, his main theme of reflection is on parenthood, specifically the relationship between mother and child.

Up to this book, there has been very little mention of Loren and really, until it shows up as a plot point, I realize I didn’t really notice how strange it was that it got so little attention, especially after Tobias learns about his real father. You’d think once that information had gotten out, Tobias would at the very least have been more curious about his mother’s whereabouts, even if he is still hurt and angry about being abandoned as a child. Regardless of that, his reflections throughout this book are very good, highlighting both his sense of abandonment, his distrust about new-found family, and his sense of hope even in the face of so much disappointment.

Loren, for her part, is great to see again, even if she doesn’t remember any of her adventures from “The Andalite Chronicles.” Her accident (did the Ellimist cause this??) and the resulting amnesia is a decent enough excuse for her abandonment of her child, if a bit soap-opera-like, a fact that Tobias himself points out in a good bit of self-awareness on the author’s part. But even without her memories, we can still see the essence of her original characterization. She is brave, throwing herself into danger to protect others. She is quick to accept the bizarre and adapt to insane circumstances with amazing agility. And she’s just generally a decent person.

Our Fearless Leader: Jake has a rough go of it in this book. He questions his choices with regards to timing with both the first and second mission, feeling that he went in too quickly with the blood bank and waited too long to retrieve their families. The loss of his parents, on top of still not being able to rescue Tom (his primary goal for being in this fight from book one) has to be a crushing blow. And as I discuss later, Jake’s perhaps more in need of family support and getting this win than the others. At the end of the book, Tobias reflects on the fact that he and Jake have essentially switched positions since the beginning of this entire affair: Jake has now lost his family and Tobias has gained one of his own.

Xena, Warrior Princess:  Rachel serves as a diversion at several points in this story, using her elephant morph to good effect (I always like when she breaks out this OG morph). Her choice to break the news to her mother by walking into the kitchen as a grizzly bear…not so sure about this. I get her concern that her mom being a lawyer means that a different approach is needed than with Cassie’s parents. But I have a hard time thinking of any personality type that is more receptive to news like this while staring down a grizzly in their house. And then her mom pretty much gets wrestled into the car and drove off before she gets a chance to really process things. Does make me wish we could have seen the scene when they all arrive at the Hork Bajir valley.

Peace, Love, and Animals: Cassie really doesn’t have a lot in this book, but her interactions with her parents really does highlight the great relationship she has with them. I think we really spend the most time with Cassie’s parents throughout the series, with Jake’s family coming in second. Whenever the books dealt with Jake’s family, Tom rightly came to the forefront. But Cassie’s parents have shown up not only in her books but in others, due to the meeting location so often being the barn. It’s also no surprise that they would settle in well at the Hork Bajir valley and quickly become favorites of the local residents.

The Comic Relief: Marco helps Ax with tracking down the blood bank and assists in the various family rescue missions. As his family has already been taken care of, he doesn’t have too much in this book. While it’s both him and Ax that show up when Tobias returns to spy on his mother some more, I think it’s pretty safe to assume that Marco was the one to figure out what was going on. Not only is he clever like that, but he has a good amount of experience under his belt with absent mothers and what the sudden return of one can do to a person’s mindset.

E.T./Ax Phone Home: Other than helping Marco with the blood bank search, Ax mostly serves as the final nail in the coffin of the other family members’ innocence about the state of the world. While both groups are exposed to morphing and thought speak, it’s Ax’s arrival that seems to really cement things in their minds.

Best (?) Body Horror Moment: Hands down this goes to Tobias’s introduction of the morphing technology to his mother which he does by giving her no warning or explanation of what’s going to happen, only instructing her to put her hand on his face as he morphs. We know how disgusting this process can be, and one can only imagine how horrifying it would be to only feel with your hands, having no idea what to even expect. To be fair, Tobias didn’t have the time to really spell out what was going to happen at this point in things. Lucky for him that Loren has the brave, accepting of the strange, temperament that I mentioned earlier.

Couples Watch!: My lasting regret will always be the fact that for some strange reason, other than a few exceptions, we only really get good insights into Rachel and Tobias’s relationship in his books, and he has fewer books overall than she does in the first place. His books and the scenes therein are excellent, don’t get me wrong. But I also feel like there were a lot of missed opportunities in Rachel books to deal with how she feels about dating a bird and, more importantly, a boy who is choosing to remain a bird. But no, instead we had to hear about “King Rachel” and how she was “like, the most powerful ever!” This book has a nice scene in the beginning with Rachel showing up with food for them both, and it’s just the sort of casual, every day scene that works really well as a glimpse into what the Animorphs’ lives are like when they’re not out on missions. This being the last Rachel or Tobias book though before the end though…oof. Hurry, distract oneself!

“You know, Tobias,” she said, “we have very weird dates.”

If Only Visser Three had  Mustache to Twirl: Visser One isn’t in this book. Instead, we have the rather comical granny!Controller to contend with. It’s definitely the kind of choice that is made for the bizarre mental images of a granny tearing around on a helicopter shooting laser beams. But funny

Adult Ugly Crying at a Middle Grade Book: Tobias’s musings on motherhood and what a unique relationship it is is quite touching throughout this book. He reflects on how incredible it is that Cassie’s mom throws herself in front of a “mutated deer”/Ax to save Cassie and that Rachel’s mom lunges at a fully grown grizzly with a spice rack in an attempt to protect her daughters. Tobias’s loss of family has always been tragic, even more so since we discovered his origin story in ‘The Andalite Chronicles.” But this one really hits home on this fact with the sad state that is his relationship with his mother. She has no memory of him, has been living only blocks away, and even now, safe in the Hork Bajir valley, there’s no regaining that time. But it also ends on an incredibly hopeful note with Loren’s own instinctual moment of putting herself in harms way to protect Tobias and how meaningful this is for Tobias who has never had a family member who cared about him, let alone was willing to risk their own life for his.

What  a Terrible Plan, Guys!: Jake beats himself up quite a bit about the plans in this book. Most notably the speed at which they went in on the blood bank, perhaps not scouting it out well enough, and then the slow response to getting their families out, giving it a night for them all to think about it before moving into action. But really, I don’t think either of those decisions were bad in the moment. They both seem pretty standard for the way Jake has approached decision making in the past, and it’s only hindsight that makes him feel otherwise.

I will say that perhaps Jake’s family should have come first in the order of rescue. Tom being a known Controller makes his family that much more of a quick target and a higher risk all around. At the very least, they should have come second after Cassie’s family (who went first only because they were at the barn already when they all made the final decision.)

Favorite Quote: Two rather longish ones, but there were some pretty funny sequences in this book, stuck in-between the soul-crushing sadness of the entire situation, of course.

“But unless you count the Victoria’s Secret Web page, there are no babes in my life anymore,” Marco said.

<There were no babes in your old life,> I said.

“Oh. Very nice, Tobias. Go for the jugular. You’ve got Rachel tending to your every need. Me, I’ve got Ax-man.” He jerked his thumb toward Ax, who was gazing lovingly at a magazine ad for the new original M&M’s. “I’ll trade you right now, straight across.”

And the entire scene as performed by Ax when trying to get the dog from Loren was pretty good.

“Ah.” Ax nodded. “She does not understand how menacing we are.”

He tapped her on the shoulder. “You do not know me,” he said, “but I am a juvenile delinquent. I do not trust authority figures, I probably will not graduate from high school, and statistics say my present rowdiness and vandalism will likely lead to more serious crimes. I am a dangerous fellow, and I am causing mayhem in this store.”

He reached behind her and pulled three jars of baby food from the top shelf. Shoved them behind a box of macaroni. Shuffled the Cheez Whiz in front of the Marshmallow Fluff. Tossed a bag of lady’s shavers onto a bag of hamburger buns. “There. I have now shamelessly destroyed the symmetry of this shelf, undoing hours of labor by underpaid store employees. If you could see me, you would be frightened.”

“If she could see you, she’d have you committed,” Marco muttered

Scorecard: Yeerks 14, Animorphs 16

While the Animorphs did manage to save most of their families, the loss of Jake’s parents is a pretty big blow. All of them are important members of the team, but you have to think that having the leader who is facing some huge decisions is going to suffer more in going into the endgame with a messed up mindset over the failure to not only save Tom but lose his parents as well. Outside of that, the loss of their human identities is a big hit. Not only do now none of them have the normalcy of their regular lives to help balance out and provide a distraction from the war effort, but a lot of their safety came from the fact that the Yeerks weren’t on the lookout for humans.

Rating: I really liked this book. It’s awesome to see Loren again, but man, that entire family has to win the tragedy card. You have Elfangor, tricked away from his pregnant wife and then dying after meeting his son for five minutes. Tobias who grows up neglected, is bullied, and pretty much chooses to trap himself as a bird, since that’s the better option and then ends up in this terrible war. And now Loren, already having her mind tampered with by the Ellimist, gets in a crash, loses her sight and her memories of her infant son, forcing her to give him up for adoption, and even when they’re re-united, her memories can never be regained.

I think I’ve probably mentioned this before, but in hindsight, I think the Tobias books are the best overall when you look at one single character’s contributions and quality. His always delved into important topics, not only for him as a character, but in the grander scheme of things (suicide, torture, PTSD, loss of family and found families, etc.) He’s also an excellent narrator and I’ve always appreciated the appropriate balance of action, humor, and even romance that is often found in his books.

Note: I’m not going to rate these books since I can’t be objective at all!

Serena’s Review: “The Living God”

40006251Book: “The Living God” by Kaytalin Platt

Publishing Info: Inkshares, May 2019

Where Did I Get this Book: NetGalley

Book Description: The Living God is foretold to bring about the destruction of the world in order to rebuild it into a paradise. Some worship and welcome His coming, other’s fear Him and would do anything to stop it. “The Living God” follows the internal struggle of two mages, Saran and Keleir, as they confront their fears and attempt to find meaning in the hand that life has dealt them. Saran seeks to overthrow her crazed father and salvage what is left of her country before it falls into complete ruin. Keleir is cursed with a Rauke’s soul, an ancient creature who is only able to survive by merging with an unborn child upon entering our world. Saran and Keleir are touched by fate, gifted with the ability to sense each other, and destined for a future that neither care to know. When Saran’s magic is stolen, she must confront a life without the ability to manipulate time, struggle to see the rebellion finished, and keep Keleir from becoming The Living God.

Review: Other than the gorgeous cover, I really didn’t know much about this book when I placed a request for it on NetGalley. There seemed to be a lot of interesting magical tidbits peppered throughout the book description, so that was a point in its favor. But, unfortunately, none of those little tidbits added up to a book I enjoyed.

Saran is a Time Mage, and as the name suggests, she has the ability to manipulate time. She is also a princess and the daughter of a tyrannical king whose violence is taken out on his family and his country. Saran is joined in her fight for her country by her love, Keleir, a Fire Mage who has his own internal demons, quite literally. Together, they work to overthrow Saran’s father in a rebellion, made only more difficult when Saran loses her time manipulation abilities.

This was…a weird read. Not having a whole lot of expectations going in, it seems weird to now write that it surprised me, but somehow that’s still the case. Most of those surprises weren’t of the good variety, but I’ll start with a few things I did enjoy.

As characters go, I did like Saran and Keleir, though he could veer a little too far into overprotective at times. But, overall, they were both interesting and  complex characters, each dealing with their own traumas: Saran, with the challenging tightrope she walks trying to pull off a rebellion under her vicious father’s nose, and Keleir working to contain a demon that lives within him and had, in the past, forced him to do terrible things before Saran saved him. I also really liked their romance (though some of descriptions of intimacy were awkward at best). It’s not that often that you come across a fantasy novel with an established couple at its heart, so I thought that read as a breath of fresh air.

But other than the basic outlines of those main characters and the novelty of the established romance, I struggled with this book. For one thing, it’s very slow. I’m often ok with slow books, too, so I feel like there was something in particular about this book that made this stand out to me. I think it comes down to two things. One, for a story about a time mage and a fire mage, after the initial first chapter of action, there’s a lot of planning and talking about plans and truly very little action. If action was never going to be at the heart of this story, fine. I can get behind a political fantasy. But this doesn’t feel like that, instead spending an inordinate amount of time talking about plans of action instead of carrying them out.

Two (and I think this is the real issue), there were a lot of references to past events that read as really important, eventful, and potentially more worth reading about than what we got in this book. It was really strange, to the point that in the second or third chapter of this book, I actually set it down and went on Goodreads because I was convinced that this must be the second book in a series, and I should check out the first one first, since man, it looks like some cool stuff happened there! But no. There was no first book and these awesome and important past events are just dropped in casually. I don’t know how to describe it or think of a time I’ve come across something similar. If anything, I think the author has a huge missed opportunity on her hands here as it seems that she missed out on writing a really cool book in lieu of writing a fairly bland one with references to said awesome, but nonexistent, book.

And then there was the sudden introduction of other worlds, including our own. This just hit me out of nowhere and not in a good way. Maybe it’s worth blaming the cover art, but I felt completely blindsided by this twist and it ultimately threw me out of a story that I was already either bored by or confused with.

I was really disappointed not to like this book more. Like I said, I can get behind slower fantasy fiction. Indeed, half the time I read fantasy, especially YA fantasy, I feel like the stories could benefit by being slowed down, giving more attention to fleshing out characters and worlds. But here it didn’t work out, mostly I think because there were so many references to really cool past events that we never got to actually see. And then the established romance was also a pro, but not enough to counterbalance these other issues. If you like slower-moving fantasy novels, you may like this. Especially if you go in prepared, unlike me, about the fact that this will read as if there should have been a prequel and yes, there are alternate worlds involved.

Rating 5: Why oh why didn’t we get a first book before this first book in this series?!

Reader’s Advisory: 

“The Living God” is a newer title, so it isn’t on many Goodreads lists. But it is on “Indie Science Fiction, Fantasy, Paranormal.”

“The Living God” isn’t yet listed on WorldCat, but check our your local library to find a copy!

 

Serena’s Review: “Wicked Saints”

36118682Book: “Wicked Saints” by Emily A. Duncan

Publishing Info: Wednesday Books, April 2019

Where Did I Get this Book: NetGalley

Book Description: A girl who can speak to gods must save her people without destroying herself.

A prince in danger must decide who to trust.

A boy with a monstrous secret waits in the wings. 

Together, they must assassinate the king and stop the war.

In a centuries-long war where beauty and brutality meet, their three paths entwine in a shadowy world of spilled blood and mysterious saints, where a forbidden romance threatens to tip the scales between dark and light.

Review: This was book-cover love through and through. Sure, the description sounds good enough, but there were also some warning signs there (love triangle??) that would typically make me a bit wary. But I love the simplicity of this cover and the way the colorization is used. Alas, by the end of the book, the cover was still probably my favorite part.

Nadya can speak to the gods, an entire pantheon of them. But for most of her life, she has been hiding and training in a remote monastery, a secret weapon that hasn’t been used yet in a growing political war. One day, that war arrives on her doorstep, quite literally, and everything changes. Now caught up in events moving in ways she barely understands, Nadya finds herself working a boy she’s not sure she can trust but who might also be the key to it all.

Honestly, there wasn’t much I loved about this book. That’s not to say I hated a lot of it either, but more like, I felt like I had read much of it before and read it better. Russian-based fantasy stories have been the rage for a few years it seems, and as such, there have been a million and one entries into the sub-genre with a wide range of quality, as far as I’m concerned. There have definitely been worse ones than this, but when I just finished up the last book in the “Winternight” trilogy, it’s hard to look at this one and not be a bit disappointed.

Aside from that trilogy, the more direct comparison for this book would be Bardugo’s “Grisha” trilogy. I’m pretty sure there have been quite a few comparisons already floated around between the two and I can definitely see it.

The biggest similarity comes with the romance and the enemies-to-lovers trope that is at the heart of both (sort of). On its own, I think this is one of the harder love arcs to right and I would say its this aspect specifically that sunk Bardugo’s series for me as I could never buy this part of the story. So, here, too, I struggled. I could never understand the “whys” behind any emotion our two romantic interests had for each other. Why did they really hate each other in the first place? Patriotic prejudices can only go so far as an explanation. And then, worse, why do they fall for each other? The motivation behind either emotion wasn’t fully fleshed out in any way, and when you’re dealing with some of the strongest emotions out there, love and hate, you need a pretty darn good reason to have your character feel them, and even more so, change from one to another. Throughout the story, the male love interest lied repeatedly to Nadya, and yet somehow, we’re meant to buy her continued interest in him. By about halfway through the book, I started to give up on getting the strong character I wanted from Nadya and was resigned to the fact that she was mostly a love interest in her own story.

I also struggled with the magic system. Again, as it was incorporated in the story, it felt very similar to other Russian-based fantasies I’ve read, but here it only skimmed the surface. The end of the story in particular seemed to really highlight this struggle as aspects of the magic system seemed to come out of nowhere or operate in ways that didn’t really make sense all of a sudden.

On top of that all, I was just bored throughout most of this. Other than the frenetic last few chapters of the story, I just felt like I was following the predictable footsteps of a well-worn path. There wasn’t anything new here, and in a subgenre that has so many offerings, I’d say if you’re looking for Slavic fantasy, you can find better. Just this year there was the final book in the “Winternight” trilogy, “The Winter of the Witch” by Katherine Arden and “Spinning Silver” by Naomi Novik. And if you want a better “enemies to lovers” story, you can check out “Sherwood” by Meagan Spooner.

Rating 6: Nothing terribly bad, but also not really holding its own in a pretty packed subgenre of YA fantasy.

Reader’s Advisory: 

“Wicked Saints” is included on these Goodreads lists: “Villain as Romantic Love Interests” and “Creepy, Dark YA and MG Books.”

Find “Wicked Saints” at your library using WorldCat!

 

Serena’s Review: “The Sword and the Dagger”

39863306Book: “The Sword and the Dagger” by Robert Cochran

Publishing Info: Tor Teen, April 2019

Where Did I Get this Book: NetGalley

Book Description: During the time of the Crusades, an unlikely trio—a Christian princess, her affianced prince, and a Muslim assassin—embarks on a quest to the court of the most fearsome warrior the world has ever known, Genghis Khan.

A rousing tale of adventure and romance about three young people who must grapple with fundamental issues of loyalty, friendship, faith, honor, and courage against the backdrop of conflicts that still resonate today.

Review:  I placed a request for this book based on the strength of its plot description and the beautiful cover. Even though there was a massive red flag telegraphed to me with the love triangle set up, I thought “Sure, why the heck not? Who doesn’t like a good ole fun trip into the time of the Crusades?” Alas, right off the bat I struggled to get into this book, and by the last page I was more confused by the editing (or lack thereof?) of this book than anything else.

The story follows our three intrepid adventureres: Princess Elaine, her betrothed Conrad, and Rashid, an assassin sent to kill Elaine. All three are made up of a complicated mixture of the best and worst aspects of their respective belief systems, be those religious or cultural, as well as a myriad of other aspects that go to prove that no person can be defined so simply. While journeying together through various trials and tribulations, they all must learn that their fellow travelling companions are just as complex as they themselves.

As I said, I didn’t love this book. But before I get into its challenges for me, I want to highlight some aspects of the book that I did enjoy. Firstly, I liked the historical setting and the way that was tied into the book. I also really liked a lot of the broader concepts about prejudice and tolerance that our three main characters explored throughout the story. There were the obvious debates about religious disagreements came to by the Christian Conrad and the Muslim Rashid, but the story also explored gender roles with the limitations placed on Elaine as a woman growing up in a time where very little was expected, or permitted, of women. Overall, there was a nice combination of action and adventure mixed in with these larger debates in a way that allowed the book to explore some pretty big topics without coming across as overly preaching. The fast pace of the story also helped in this regard.

So those are my pros. But mixed within some of those same things that I enjoyed were also the parts of this book that I struggled with. As I said, I liked the historical setting of this book and the fast paced nature of the adventure made for a snappy read. But mixed together, it also left the book feeling oddly light and surface-level as far as its world. Our main characters jump from place to place and action piece to action piece so quickly that I never really felt like I had time to really sit back and examine the intricacies of the setting in which these events were taking place. For a book that covers of settings and ground, I never felt like I was really given any time to appreciate that fact. The plot was too busy getting from point A to point B to allow for this.

The fast paced nature of the story was also fun, but it also felt like it undercut some of the more somber moments in the story and restricted some of the character development. While overall I did like the three main characters, I also never really felt overly attached to any one of them. They often felt like the standard, expected characters for a story like this. So, too, the story they were travelling through also felt pretty expected. There weren’t any big surprises, and the few twists that there were, were exactly the ones you’d come to expect. I don’t need huge surprises around any corner, but at a certain point a sense of newness does help.

But my biggest problem came down to the writing itself and one very specific thing: the POVs would change without any indication or warning. Even in the middle of paragraphs! Even to characters who weren’t one of the main three. In the very first chapter, we’re introduced to Elaine, but then random sentences come through from the perspective of those around her commenting on Elaine herself. There’s no explanation for why we’re suddenly in this new character’s mind and then just as suddenly, we’re back to Elaine. It was incredibly distracting and quickly started to drive me crazy as we went on. I’m not sure what was going on there, but this specific aspect is where I think a good editor was needed. This is the kind of writing tic/flaw that a good editor will flag and help an author work through during the revision process. For some reason that didn’t happen and what could have been a better story suffered for it.

Ultimately, this writing issue was really the nail in the coffin of my enjoyment of this book. There are some good bones here, but for me, I couldn’t get past the distraction of this. That, plus the light descriptions of setting and sometimes too-fast nature of the story, ended up outweighing the parts of the story that I did enjoy. This could be good for fans of historical fiction, especially those interested in this time period. But we warned that if you’re sensitive to writing quirks, this one might be a struggle.

Rating 5: It had some good things to say about prejudices and tolerance, but the weird POV issue was too much for me.

Reader’s Advisory: 

“The Sword and the Dagger” is a newer title so it isn’t on many relevant Goodreads lists, but it is on “2019 YA Historical Fiction.”

Find “The Sword and the Dagger” at your library using WorldCat!

 

 

 

Serena’s Review: “The Shadowglass”

38504533Book: “The Shadowglass” by Rin Chupeco

Publishing Info: Sourcebooks Fire, March 2019

Where Did I Get this Book: Edelweiss+

Book Description: Tea is a bone witch with the dark magic needed to raise the dead. She has used this magic to breathe life into those she has loved and lost…and those who would join her army against the deceitful royals. But Tea’s quest to conjure a shadowglass—to achieve immortality for the one person she loves most in the world—threatens to consume her heart.

Tea’s black heartsglass only grows darker with each new betrayal. And when she is left with new blood on her hands, Tea must answer to a power greater than the elder asha or even her conscience…

Previously Reviewed: “The Bone Witch” and “The Heart Forger”

Review: Given the timing of when I started reading this series, I was able to get through the first two books quite close together. Which meant I had a long wait ahead of me getting to this one. And, since the storytelling presented in this book is broken into two portions, there were quite a number of cliffhangers and unresolved plotlines left dangling after the second book. All the more nerve wracking as I waited for this, the final book in the trilogy. And, well, I’m not sure that the extra time between reads worked in this book’s favor. Or perhaps I was already on a downward trajectory overall. Either way, unfortunately, I felt like this was a frustrating end to the series.

Things are finally starting to come ahead for both Teas, past and present. The past version of our main character is beginning to feel the walls close around her as one disaster after another seems to strike. Surrounded by a small band of loyal followers, she finds herself on the run from not only the elder Asha but entire nations. Driven by the knowledge that secrets about shadowglass and bone witches are being kept from her and the world, Tea goes on a path of discovery that will lead ultimately to her banishment and the death of many of her loved ones. Present Tea, on the other hand, has come fully into her own, surrounded by her powerful beasts and on a rampage throughout nations. Her plans are not fully clear, but it’s clear that those who stand in her way are not coming out of things on the winning side. Is Tea’s mission one of justice or is it simply the darkness inside of her fully taking control?

I’ve always found these books a bit confusing. The world-building is incredibly unique, and that’s a huge pro for the series. But there is something about its execution that doesn’t read clearly. The writing style, perhaps, leaves something wanting in the clarity department, and the choice to alternate between two story lines, each with its own complications and mysteries, doesn’t help matters. There are aspects of past Tea’s life that are referenced way back in book one, but aren’t answered until this, book three. That’s simply too long for me to have kept track of everything involved in the timeline, especially when all references made in the “present” timeline are obscured through the strange way that present-Tea is made to speak.

This has annoyed me from the start: Tea’s sudden tendency to rattle of pert little phrases of wisdom and mystery. It’s not a natural way to talk and reads in stark contrast to the past Tea who reads and speaks more like a typical person. The mode of present-Tea’s speech added extra layers of confusion to all of the references she made to events from the past. This being the case, as I was reading this book, I constantly felt like I was missing things. And then when I referenced back to the first book, I would fine that present-Tea has entirely misrepresented the situation, usually, again, with some type of unnecessarily cryptic remark. This made for an incredibly frustrating reading experience. I was lucky that I still had copies of the first two books on hand, but even so, I found this need to refer back very annoying.

I also had had some concerns from the very start about how well these two storylines would merge, and I was right to worry. Again, Tea’s sudden transformation from the past version of the character to the cryptic, almost all-powerful Tea of the present didn’t read as natural. Had the chapters been laid out in order, the jump would have been sudden and strange, and the fact that it was broken up over three books didn’t do enough to obfuscate the matter.

I was also unsatisfied with the reveals themselves. Like I said, there were about a million and one referenced mysteries that had been dropped throughout the first two books that needed resolutions here. But as these resolutions appeared, I found them increasingly annoying. Several of the referenced events don’t really make much sense and require characters to be willfully blind to some pretty basic facts to pull off. Tea’s own regrets and feelings of guilt also don’t make sense, now seeing some of these events play out. Everything just felt a bit off.

This feeling of being offkilter was all the worse because the bones (pardon the pun) of the story are still good. Like I said, the worldbuilding is incredibly unique, and I’m always going to applaud an author for creating a complicated world, magic system, and arc for her story. But the slight “offness” of everything, be it the writing itself  or the way the storyline actually unfurled, became increasingly hard to read as the series progressed.

Like I said, maybe the fact that I was able to read the first two books more closely together played in their favor. I definitely had to spent a lot more time reminding myself of a lot of details of this world, character, and story as I got into this book which made it hard to simply sink in and enjoy it. I also feel like the time away left me freed up to think more critically about the story and character arc itself, as well as be a bit more put off by the writing style.

This was a disappointing return to the series. Though, I will say that now that the series is complete, readers might have more luck and enjoyment if they are able to read all three books back to back. That mode of reading could play highly in the series’ favor, reducing the confusion of a returning reader and retaining the interest of readers across books. If you do like dark fantasies, I still recommend checking this series out, but definitely plan on reading them all at once. As for returning readers, your experience may be different than mine, but I was left disappointed by this conclusion, not because of the ending itself, but by basic mechanics of the storytelling that seemed to stand out in a more negative light in this book than they had in the first two.

Rating 6: For me, a disappointing end. The writing felt more strained and the storylines didn’t feel like they ultimately linked up together naturally.

Reader’s Advisory: 

“The Shadowglass” is on these Goodreads lists: “Asian Fantasy & Science Fiction” and “Speculative Fiction by Women of Color.”

Find “The Shadowglass” at your library using WorldCat!