Serena’s Review: “Shadows of Self”

16065004Book: “Shadows of Self” by Brandon Sanderson

Publishing Info: Tor Books, October 2015

Where Did I Get this Book: audiobook from the library!

Book Description: “Shadows of Self” shows Mistborn’s society evolving as technology and magic mix, the economy grows, democracy contends with corruption, and religion becomes a growing cultural force, with four faiths competing for converts.

This bustling, optimistic, but still shaky society now faces its first instance of terrorism, crimes intended to stir up labor strife and religious conflict. Wax and Wayne, assisted by the lovely, brilliant Marasi, must unravel the conspiracy before civil strife stops Scadrial’s progress in its tracks.

Previously Reviewed: “The Alloy of Law”

Review: This is another series that I’ve been reading in audiobook format, and as such, am at the mercy of a more limited holds list at the library. But oh well! Not only is the narrator of Sanderson’s books excellent (I’m pretty sure he does them all), but I also have my own weird thing about switching formats halfway through a series. Yes, I know, I’m a freak. Anyways! My hold finally came through and it was on to the next installment in this second trilogy in the Mistborn world featuring our favorite lawmen, Wax and Wayne!

A year after the events of the first book, Wax and Wayne are still doing their thing, solving crimes in the city of Elendel. All the while, however, Wayne is having to balance his crime-solving with also be the lord of his house and planning a wedding with his fiance. The latter takes a back-burner position in priorities when a new enemy appears on the scene, one who seems to be able to predict their every action and disappear into any crowd. Wax and Wayne struggle to keep up, but also to put together a possible motive and endgame for this mysterious villain. Marasi, working as a more official officer of the law, joins the action, and soon enough they all find themselves caught up in a conspiracy that is set to rock the entire city.

While this story still is very much Wax’s, one of the things that stood out to me the most in this book was how I felt it was improved by giving Wayne his own chapters as well as Marasi. I’ve always liked Wax, but I also don’t feel super drawn to his character. I think this is because he’s essentially Batman in the Mistborn world. Wealthy, powerful, fighting crime, and, of course, brooding. Just as Batman isn’t my favorite superhero for this reason, I don’t feel a lot of draw to Wayne in the same way. But I do very much like Wayne and Marasi. Both seem a bit more complicated, with internal struggles and story arcs that seem ripe for more exploration. Wayne, of course, is a very amusing narrator, though here I do wish that some of the clever lines would give away more often to the actual heart of the matter (something that, conversely, he is very good at identifying, unlike Wax at times). And I appreciate Marasi’s journey to prove herself worthy of working along the famed Wax and to carve her own place in the police force, one that she earns through her abilities and not through her connections to her notable family or Wayne himself.

I very much enjoyed the story itself. This entire trilogy so far has been tending much more towards Westerns and thrillers than fantasy (take out the fantasy elements and the stories themselves would hold up pretty easily). Neither of those are really favorite genres of mine, but this one counterbalances that with the introduction of a very compelling villain. The villain has really great abilities that truly challenge Wax (similar to Batman, it’s tough to create a villain that poses an actual threat when you’re hero is so established as a badass). I really liked how it wasn’t clear what the motivation or connection was behind the villain’s actions throughout the book as well. So not only are readers caught up in the fast-paced action, but there is a legitimate mystery at the heart of it all. And the best part is the incredible shock at the end of the story. Obviously, I won’t spoil it. But it’s not only huge for this book, but for the series as a whole. I’m excited to see how things play out from here!

My one criticism of the book (other than my own personal hang-ups on Wax’s character) has to do with some of the action scenes. I’m not really sure how to articulate the issue I had. It was by no means large, but it was almost as if there were times when some of the action read as a bit cheesy, with Wax pulling stunts that seemed a bit too similar to the likes of what you may see in the “Fast and the Furious” or some other corny action movie. Many of these scenes read well and the cool magic system that Sanderson has built up for this world continues to entertain. But there were just a few moments that walked the line of “cool for coolness-sake” a bit too closely for my taste.

Overall, however, I very much enjoyed this book. The ending itself with the surprise reveal probably helped bump the book up a whole point in my estimation. And it’s the kind of reshuffle that will have lasting impact, so it creates added interest for the next book in the series.

Rating 8: Some action points were a bit much at times, but some incredible twists and the addition of a viewpoint for Wayne made this a fun read.

Reader’s Advisory: 

“Shadows of Self” is on these Goodreads lists: “Most Action-Packed Books” and “Best Steampunk Books.”

Find “Shadows of Self” at your library using WorldCat!

Serena’s Review: “Black Powder War”

91989Book: “Black Powder War” by Naomi Novik

Publishing Info: Del Rey Books, May 2006

Where Did I Get this Book: audiobook from the library!

Book Description: Picking up where book two left off (in China, Macau) Captain Will Laurence and his extraordinary dragon, Temeraire, are ordered to retrieve and escort a precious cargo of valuable dragon eggs from Istanbul to England. They take the Old Silk Road from China to Istanbul, crossing deserts and mountains. En route to England, they help the beleaguered Prussians battle Napoleon.

Previously Reviewed: “His Majesty’s Dragon” and “Throne of Jade”

Review: Trucking along with this series! Once you get me started, there’s no stopping me! Well, the waiting list at the library for the audiobook does hold me up…mostly because I love the narrator for this book so much that I refuse to read it in any other format now. So really, it’s my own pickiness that is holding me up. But really, it’s also probably for the best, as it’s always nice to have a solid series on the back burner that one can return to if ever caught in the midst of a string of bad luck reads. That’s not the case right now, really. I just couldn’t resist.

Lawrence and Temeraire are anxious to return home to England and rejoin their fellows in the war against Napoleon. They are also tasked with picking up a few dragon eggs on their way home. After a few unfortunate events, a sea voyage ends up being off the table as means of travel, and they’re forced to prepare for an over-land expedition. Along the way they face challenges of terrain, both mountain and desert, as well as rogue dragons and shady political figures. They also eventually find themselves caught up in the war itself on the continent, pulled before dueling loyalties: their honor to the foreign allies and the urgency to deliver the dragon eggs before they hatch.

As my reviews indicate, the first two books in this series took me a bit by surprise. I wasn’t sure exactly what I was getting into when I started the series (many books that feature dragons have clear tropes, none of which were found here), and the second book went in a new direction even from that. But now I think I’m starting to settle in and it all comes down to a similar theme: Lawrence and Temeraire go on adventures! Not only has each book taken place in very different locations and featured very difference challenges, foes, and comrades. But within each book are a series of mini adventures that the two friends must navigate.

In this one, we have another travel adventure for the first half of the book, as the pair and their crew leave China and make their way across Asia towards their home. Along the way, they must battle the elements, getting into some dire circumstances in the mountains and in a sandstorm. I was also excited when they ran into a group of feral dragons. As the series has progressed, it’s become clear that Lawrence and many people in general, don’t truly understand dragons and what they are capable of. There have been a lot of preconceptions that Temeraire has proved false, about dragon intelligence and individuality. Throughout it all, we’ve often heard about feral dragons as those that can’t be tamed or made to work with people. I very much enjoyed the way they were worked into the story and the foibles of the mini dragon society we see here.

I was also excited to see a return to the military aspect of the story. The first book had a brief battle scene towards the end of the book, and the second one had very little in this regard. But half way through this book, we really dive into the military tactics of dragons. I like the way Novik highlighted how different countries have had different approaches to how they use their aerial corps, a detail that continues the heighten the believability of dragons fighting in the Napoleonic wars.

Further, we began to see how dragons themselves can contribute to these types of military strategies, with Temeraire putting to use his knowledge for formations and strategy for in-air battle. I also really liked the way we see Napoleon use his dragons in very clever ways, making his military brilliance transfer just as well to this fantastical element. We also see how the presence of dragons could influence the outcome of some of these historic events in ways that you wouldn’t necessarily anticipate.

The ending did seem to kind of come out of the blue, however, with things building up to a climax and then quickly ending. I’m not sure the pacing of the story overall was quite right, in this regard. But other than, I’m still thoroughly enjoying this series!

Rating 8: I particularly enjoyed the return to the military aspects of the story in this one.

Reader’s Advisory:

“Black Powder War” is included on these Goodreads lists: “Best Alternate History Novels and Stories” and “Dragon Books NOT ROMANCE.”

Find “Black Powder War” at your library using WorldCat!

Serena’s Review: “Because of Miss Bridgerton”

25657772Book: “Because of Miss Bridgerton” by Julia Quinn

Publishing Info: Avon, March 2016

Where Did I Get this Book: the library!

Book Description: Sometimes you find love in the most unexpected of places…

This is not one of those times.

Everyone expects Billie Bridgerton to marry one of the Rokesby brothers. The two families have been neighbors for centuries, and as a child the tomboyish Billie ran wild with Edward and Andrew. Either one would make a perfect husband… someday.

Sometimes you fall in love with exactly the person you think you should…

Or not.

There is only one Rokesby Billie absolutely cannot tolerate, and that is George. He may be the eldest and heir to the earldom, but he’s arrogant, annoying, and she’s absolutely certain he detests her. Which is perfectly convenient, as she can’t stand the sight of him, either.

But sometimes fate has a wicked sense of humor…

Because when Billie and George are quite literally thrown together, a whole new sort of sparks begins to fly. And when these lifelong adversaries finally kiss, they just might discover that the one person they can’t abide is the one person they can’t live without…

Review: I don’t read straight up romance fiction very often, but when I do, it’s usually historical romance. And there’s no one better at writing historical romance than Julia Quinn at this point. She’s so successful that her “Bridgerton” series has been picked up by Netflix to be produced by Shonda Rhymes. I can’t say that that was my reason for initially starting this book, but I did discover that fact halfway through which made it feel a bit like fate, since I’ll definitely check out the show when it finally shows up.

The Bridgertons and Rokesbys have been neighbors for years, and as two of the most prominent families in the area, the children of both families have practically grown up together. None of them more close than Billie Bridgerton and Edward and Andrew Rokesby. Together, they’ve run wild throughout the countryside, often lead into the most trouble by Billie herself. Left out of these affairs has always been the eldest Rokesby, the serious and responsible George. But, as adults, when Billie’s bravery and gumption has translated into a sincere feeling of responsibility for caring for her father’s lands and George has come to appreciate the benefit of a bright smile and a joke, the two find themselves beginning to come to understand the other better and better.

I’m by no means a completeist of Quinn’s original Bridgerton series. I’ve read a few here and there. That being the case, it took me a bit to realize that this is essentially a prequel series to that one. The main chunk of Bridgerton books cover the exploits of the next generation, the children of Billie’s older brother. I’m not sure how many of these characters who up in that series, but I, at least, wasn’t familiar with any of them or their stories and backgrounds. But in this vacuum of my knowledge, I very much enjoyed what was presented here.

What stands out the most is the fact that this book doesn’t follow the traditional format of romance novels. The typical steps are as follows: 1.) Hero and heroine meet and while not understanding the other, sparks immediately fly 2.) Hero and heroine are compelled to marry for some reason or another 3.) Steamy scenes throughout the middle of the book while each character realizes they have feelings for the other 4.) Something happens to make the hero (typically) feel that he doesn’t deserve the heroine and he pulls away 5.) Heroine misunderstands this as the hero not truly having feelings for her and having just been forced into the whole thing 6.) Something occurs to force them to come clean to each other and happily ever after begins. The fact that these steps are often so predictable isn’t a criticism in and of itself. I know I, for one, reads romance novels like this exactly because I can predict what is going to happen for the most part. No nasty surprises or sad endings here! But what’s great about this book is that while still getting to the happy ending, it does so in a less traditional manner.

Instead of the rather quick build up to the mid-book steamy scenes, this one spends about 85% of the story building up the relationship between George and Billie. We get a bunch of casual scenes between the two where we can see the changes in their relationship slowly taking place. These characters have grown up knowing each other, so there’s a lovely balance of the familiar in their banter, but also the new wonder that comes with realizing that someone you’ve known forever isn’t necessarily the person you’ve always thought them to be. The romance is built more slowly and their relationship comes together much later in the book than I’ve typically seen, and I enjoyed this change very much.

Billie is an excellent character and she remains true to the heart of her character throughout the story. Often, when we get to the last two thirds section of the typical romance plot, even the most brave and confident heroine must fall prey to the insecurities that make her question the hero’s attachment to her. Thankfully, while Billie still has her doubts and misinterpretations, she also doesn’t wilt or fall prey to this typical arc. I was pleased to see these types of misunderstandings cleared up much more quickly through the type of frank conversation and steady sense of self that was originally built into both of these characters.

The book was also simply laugh-out-loud funny at times. The dialogue is fantastic. George and Billie’s conversations are great, of course. But George’s brother and Billie’s close friend Andrew really takes the cake for holding up the comedic side of things. I also really appreciated the strong friendship that was built between Billie and Andrew, one that remained solid throughout the book and wasn’t plagued with jealousy or unnatural rifts to serve some dramatic purpose.

Overall, I very much enjoyed this book. It’s light, funny, and the romance took a less expected route when getting to the happily ever after that we’re all there for. Billie was one of the more fun romance heroines I’ve read in a while, and I liked George’s solid sense of self and responsibility to those he cares about. Fans of historical romance fiction will enjoy this. And if you’re looking to get ahead of the Netflix show, this is an excellent place to start (though it’s unclear how much of these prequel stories will make it into the series itself.)

Rating 8: A fun romance novel that truly made me laugh out loud at times.

Reader’s Advisory: “Because of Miss Bridgerton” is included on these Goodreads lists: “Best Humorous Historical Romances” and “Love/Hate Relationships.”

Find “Because of Miss Bridgerton” at your library using WorldCat.

 

 

The Great Animorphs Re-Read #51: “The Absolute”

363390Animorphs #51: “The Absolute”

Publishing Info: Scholastic Paperbacks, March 2001

Where Did I Get this Book: own it!

Book Description: The Yeerks have taken over units of the National Guard with plans to infest all of its officers and soldiers. The plan seems to be to step things up—use the Guard to prepare for an all-out war on Earth. The Animorphs couldn’t be less prepared. They’re living with the free Hork-Bajir colony, Jake is depressed, and worst of all, the morphing cube is in the hands of the enemy.

Marco and the others know they need to take serious action to stop the Yeerk infiltration of the Guard. They decide to approach the governor—but they don’t know if she’s a controller or not. If she is, they’re walking right into enemy hands. If she’s not, the Animorphs are finally going public with their secret. And no one knows which situation is worse… 

Narrator: Marco

Plot:  This book was pretty much a mess from start to finish for me. I didn’t remember much of this book, and it’s pretty clear why. Sure, on paper, big things happen, but the story itself is pretty lackluster, all the more so for feeling like a waste of one of the few remaining books we have left.

My feelings throughout the book. But mostly about the decision to leave out half of the characters.

Marco and Tobias are on a reconnaissance mission to scout out a train bringing in large numbers of the National Guard. Given there is no holiday coming up, the Animorphs are suspicious that the Yeerks may be planning a mass infestation of the units, now that the war is coming out to the public more and more. It turns out that yes, the train is under surveillance by the Yeerks, now able to morph and watching it in the form of several birds of prey lead by no other than their own red tailed hawk. Tobias and Marco have to put their bird skills to use to try to escape, and even then, they only make it out by stealing a tank that Marco has to drive. Yet again, Marco’s driving abilities leave something to be desired, and Chapman’s house is the latest victim to his inability to steer or brake.

Back in the Hork Bajir valley, they decide they need to take a big step to prevent this: inform someone high up of what’s going on. Jake splits the team into two groups. The first, made up of Marco, Tobias, and Ax (the “finesse” group) is to find the governor and convince them of what’s going on and try to prevent the National Guard from all coming to town. The remaining Animorphs and James and his group will try to create a diversion to also delay the troop movements. During the conversation, Jake makes it clear that he doesn’t want Cassie out of his sight because he no longer trusts her, though the others don’t understand what has happened between the two of them.

Marco, Tobias, and Ax make their way to the Gardens to get some long distance flyers. The manage to acquire ducks, but end up being spotted and chased by Controllers as well. They  make their way to the capitol but realize they don’t know where the governor lives or what his name is. They get the address for the mansion, eventually, and once there, morph cockroach and go on a wild ride clinging to the limo that they see a pair of shoes they assume is the governor enter. They end up at a fundraising event and follow the governor and a woman in heels into the bathroom. Once there, they demorph and begin the rundown on the situation (they then also realize that not only did they not know where the governor lived or what their name was, the governor was in fact the woman in heels, not a man at all). As they’re attempting to convince her, it becomes clear that her husband is a Controller and they have to make a wild escape with a brave bodyguard named Collins helping to hold the Yeerks at bay.

Many high-jinks ensue involving Tobias driving a limo, them having to jump off a bridge and on to a yacht, and said yacht getting blown apart and sinking beneath them with Marco having to rescue the governor who had been attempting to steer it to ground to save the people on it. They end up retreating back to the governor’s mansion and finish explaining the entire situation. Collins, the brave body guard, meets them there. They ask whether the governor knows anyone high up in the National Guard who has been gone for at least three days and she mentions a high rank member of the service and his unit of several hundred soldiers who have been out of the country for the past two weeks.

Later, back in the valley, they all gather to watch TV and see the fight that Jake and the others were in on TV. It hadn’t been going well until a unit of the National Guard showed up as support (the governor’s troops). The governor then gets on air herself and explains what is going on: aliens have invaded and the world is in a war for its survival.

The Comic Relief: This might be in the running for one of the books where the main character has the least interesting things happening to them. Really, there’s practically no emotional arc or character development in this book. It’s a real shame as now that his mom is back in his life, I feel like there could have been some really good stuff there. We’ve barely seen them together, and it’s always only been briefly in other character’s books. It’s too bad because it seems like there would be a lot there with them having been on opposite sides of this war for so long.

We also see very little of Marco the practical, ruthless strategist. Big things are finally happening in this war and with those events come some big moral situations and Marco’s perspective on these types of choices has always been unique. But again, we don’t get any of that. We get a few good comedic lines and a return of Marco driving poorly, but this late in the series, I would have really appreciated more for him.

Our Fearless Leader: Frankly, I think we saw the wrong two characters highlighted in this third to last book. We’ve seen very little from Jake ever since his sinking into depression, and there’s ton to be mined there. Even more so from the perspective of his best friend, Marco. Early in the book, Marco notes how badly Jake is doing and Marco’s own guilt about being happy about his own family situation in comparison. But then Jake’s gone for the rest of the book. We don’t see him facing his ongoing challenges as a leader. We don’t have any moments between Jake and Marco as best friends whose roles have been swapped. It’s all really unfortunate.

Xena, Warrior Princess: Again, another character who I’m super frustrated to not see more of. As I’ve said in the past, other than Jake, Rachel has one of the most interesting arcs over the entire series. And then, of course, knowing her end…it just seems incredibly wasteful to not get to see more of her here. She has a few good lines, but then is off page for most of the book. The governor is compared favorably to Rachel several times with her ability to stay cool under heavy fire and say “Let’s do it!” to crazy plans. But there’s no replacing the real Rachel, especially this close to us losing her for good.

A Hawk’s Life: Tobias puts his flying knowledge to good use early in the book and then gets to actually drive a vehicle in the end, something usually Marco does. Marco did get to drive a tank in this one, though. I will say, however, the descriptions of Tobias’s driving sound much more “Bourne-esque” than Marco’s. Yes there is still a lot of damage, but he’s also in a high speed chase and weaving around to avoid gun/Dracon beam fire. It comes off a bit more badass than, say, taking out garbage cans in a pickup. Tobias and Marco both assume the governor is a man, and take some flack from Ax for not knowing anything about her, even her name. Tobias has an excuse having been out of society for quite a while now, but Marco has a rather poor showing, all things considered.

There’s also a strange bit where Tobias jumps off a bridge in his Hork Bajir morph and somehow manages to morph hawk before hitting the water. The timing mechanics of morphing seem to be yet another casualty to the rushed feel and lack of thought that went into this story.

Peace, Love, and Animals: And our third character who we lose out on. After the major events of the last book, it’s really a shame to not see more of Cassie and how she’s working within the group. Especially her relationship with Jake. We see that it is strained, even from the small moments we get, but we don’t see how else Cassie is dealing with the fallout of her choice. In this mission, it would have been interesting to have Cassie there when they’re dealing with the Controllers in morph. It’s also clear that no one knows how exactly the blue box fell into the Yeerks hands. Probably a good choice by Jake on that one. I can’t see the others taking it very well, maybe especially Marco, who has been known to be practical to the point of ruthlessness in the past.

E.T./Ax Phone Home: For being on the main mission of this book, Ax had very little of note. Again, he served as “proof” of the alien invasion story by showing up in his real form to greet the governor. He also had a few funny lines, at one point whipping out a line of sarcasm that Marco notes is a new level of humor for Ax, though it comes at an inopportune time.

Best (?) Body Horror Moment: Not a lot really. When they’re acquiring the ducks, Marco, rightly, questions why they never thought of getting an endurance flyer like this before (really, this is a major strike against Cassie and her animal knowledge that it never came up before. Not only can ducks go long distances, but they can fly together without it being strange), Marco brings up the unfortunate fly!Jake swat incident for years ago. He mentions that if they had thought of duck morphs then, that could have been avoided. That really was one of the more gruesome animal injuries any of them sustained. There are also some passing comments about the extreme levels of bodily injuries a cockroach can sustain. But other than that, not a lot other than the typical morph explanations.

Couples Watch!: Zilch. Though the governor does seem to take it rather easily that her husband has been infested by an alien, mind-controlling parasite…so that’s odd.

If Only Visser Three had  Mustache to Twirl: Visser One makes a brief, pointless appearance towards the end of the book. In all honestly, I just finished reading it and I can’t remember anything notable about him being there and am pretty sure I forgot that he was one of the human “Controllers” running around during all of the action. The one notable thing about the villains that stood out in this book was the way the morphing has changed things. At one point, Marco notes that this constant paranoia must be how Visser One has been existing for the past several years, suspecting every animals is an enemy in morph. I thought it was clever how the book highlights that while the ability to morph is huge, the Animorphs still have a slight advantage in being more familiar with their morphs’ abilities, as seen in the bird chase in the beginning of the book. I also thought it was notable that the red tail hawk seemed to be leading the charge for the bird!Yeerks. Golden eagles are much bigger, stronger birds, but you have to wonder if the Yeerks assumed that red tailed hawks had some mystical advantage since one of the “Andalite bandits” had been using it as a battle morph this entire time. So the honor of getting that morph went to the head Yeerk in that situation.

Adult Ugly Crying at a Middle Grade Book: Not much of anything. This book is almost entirely taken up by action pieces and chases. So maybe that’s the most sad thing: we’re getting so close to the end of the series and huge things have been happening for all of the characters. And yet, when all of these great characters moments could be happening, instead we’re reading back-to-back generic chase scenes. It feels like a huge waste and missed opportunity. The saddest bit of it all is that we have an entire book that is missing half of the team. The strongest part of the entire series has been reading about this team of very different characters working together to save the world. Why you would lose one of your few remaining opportunities to play to this strength and instead only focus on  only three of them (and arguably the less important three) is beyond me.

What  a Terrible Plan, Guys!: Whenever the plan to “reveal all” to people comes up, it’s always landed in this area. And really, this one isn’t any different. Yes, the stakes are higher now and their secret out there anyways, so if there’s a time to do it, this is probably it. But the whole thing hinges on the governor just happening to be a super chill lady who just accepts this bizarre story out of nowhere. Even more so, high ranking members of the National Guard are willing to just go with it too when the governor calls on them. It’s all a bit unbelievable. The crazy levels people will go to to not have their comfortable world-view challenged has always been the problem with this plan, and it feels like it works out here more because it had to for the sake of the story than for any actual reason. The only way the world “finding out” really works is if it’s all revealed to a large number of people and recorded, or something. These one-on-ones are just hard to buy and the fact that members of a military branch would believe it enough to fight their own, based on zero evidence, is also highly questionable.

On a smaller scale, the beginning little antics that somehow ends with Marco running a tank over Chapman’s house…It’s never quite clear how the tank goes from “middle of nowhere on a train line” to “Chapman’s house.” It seems like that would be quite a distance, and any benefit of speed would be lost once you ended up in an urban neighborhood and off highways. What’s worse, they’re being followed by Controllers the whole time, and it’s not like a tank is very inconspicuous. The story conveniently skates over how Marco and the others managed to escape the whole situation after the destruction of Chapman’s house. We have to assume they go fly or something. But overall, it still reads like one of those throw-away action scenes that is supposed to be fun to read but doesn’t hold up to much thought.

Favorite Quote: 

Before gorilla!Marco jumps off a bridge with the governor, one of several Rachel comparisons.

<You scared of heights, Governor?> I said.

“As opposed to what? Bullets? Laser beams that vaporize solid concrete? A bridge that might collapse under me at any moment?” She shook her head. Took a deep breath. “Let’s do it.”

“Let’s do it?” A vision flashed into my head, the governor when she was a kid. She looked like . . . Rachel?

And a good line about Tobias’s driving:

<Just keep your eyes on the road,> I said. <And I don’t ever want to hear another word of criticism about my driving.>

Scorecard: Yeerks 15, Animorphs 18

We’ll give this one to the Animorphs. Getting a high-ranking official to believe them and mobilize human troops against the Yeerks is huge. And as it seems like the secrecy game was going to be shot anyways by Visser One’s insistence on speeding up efforts, the fact that the Animorphs have been able to keep up as well as they have is pretty big.

Rating: This was an unfortunate book all around, I think. I mean, on its own, it’s fine. But given how late we are in the series, it felt pretty wasted. We get tons of action scenes, but at this point, those are fairly low on my priority list, especially when they just feel like generic chase scenes and take up about 80% of the book. Maybe these were more fun to read when I was a kid, but as I’ve re-read this series, these types of escapades are always the parts that I found myself skimming. So to come up on one of the last books and have it so devoted to only that…*sigh* And, again, big changes are happening, this time with the reveal of the war to the general public. But there is very little emotional build up and absolutely zero follow-up action as the book immediately ends after the TV announcement from the governor. Like several of the last books, I feel like they’re all ending right before we get to the good stuff of the Animorphs having to actually unpack these huge changes in a war that has largely stayed the same as they’ve fought it for the last several years. You can’t help but feel that either the author(s) just didn’t care about this part of the story, figuring kids will be distracted by tons of action scenes. Or that the ghost writers weren’t challenged with taking on bigger character moments like these. Whatever the reason, I’ve found myself more often mourning the things that are left off the page than appreciating what’s actually there. Well, one more book before we’re there! We’ll see how Ax fairs in all of this.

Note: I’m not going to rate these books since I can’t be objective at all!

Serena’s Review: “Sorcery of Thorns”

42201395Book: “Sorcery of Thorns” by Margaret Rogerson

Publication Info: Margaret K. McElderry Books, June 2019

Where Did I Get this Book: Edelweiss+

Book Description: All sorcerers are evil. Elisabeth has known that as long as she has known anything. Raised as a foundling in one of Austermeer’s Great Libraries, Elisabeth has grown up among the tools of sorcery—magical grimoires that whisper on shelves and rattle beneath iron chains. If provoked, they transform into grotesque monsters of ink and leather. She hopes to become a warden, charged with protecting the kingdom from their power.

Then an act of sabotage releases the library’s most dangerous grimoire. Elisabeth’s desperate intervention implicates her in the crime, and she is torn from her home to face justice in the capital. With no one to turn to but her sworn enemy, the sorcerer Nathaniel Thorn, and his mysterious demonic servant, she finds herself entangled in a centuries-old conspiracy. Not only could the Great Libraries go up in flames, but the world along with them.

As her alliance with Nathaniel grows stronger, Elisabeth starts to question everything she’s been taught—about sorcerers, about the libraries she loves, even about herself. For Elisabeth has a power she has never guessed, and a future she could never have imagined.

Review: “An Enchantment of Ravens” was a book with a pretty cover that I just happened to nab at ALA. And then it quickly turned into one of my favorite original fairytale fantasies in quite a while. So I was thrilled when I saw a new story coming out by this author (and with another gorgeous cover to boot!). And I was not disappointed; I may have liked this one even more than the other!

Elisabeth is a child of the library, an orphan who has been raised with in its walls, surrounded by the magical, and sometime dangerous, grimoires that also call it home. She has been raised to protect the realm from the threat that is posed by sorcerers and the magic that rest in these books. But when a grimoire goes bad, becoming a monstrous beast, Elisabeth gets caught up in a conspiracy that is much larger than she ever could have suspected. And to get through it she has to rely on the help of a sorcerer himself, the mysterious Nathaniel Thorn and his demon companion, Simon.

Authors and librarians have a symbiotic relationship. Many authors grow up going to libraries which is where they develop their love for reading. They go on to write, and it makes sense that they would often write about they love, and thus we end up with a good number of books about libraries. Librarians, for their part, love nothing more than reading books about libraries and librarians (we’re a self-interested lot, it seems) and will rush out to get our hands on any title that focuses on our beloved profession. The cynical side of me could say that authors might suspect this love on librarians’ parts and figure their books have a better chance of being purchased and stocked en masse in libraries if they focus on this topic. But I choose to think that mostly it’s the former: an act of real love for reading and libraries as the source of so much of it.

This book takes this all one step further, making its librarians not only purveyors of knowledge, but literal warriors who protect both the books within the library walls as well as the people throughout the realm should those books’ worse nature take over. It’s an interesting concept, and beyond just being a blast of fantasy action adventure, there are some parallels that can be drawn for the wonder and danger of books. There is an argument presented at one point that questions whether protecting the grimoires is worth it, if they have potential to become so deadly. But the librarians’ answer is always this: the knowledge they hold is unique and precious, even if it can be dangerous in the wrong hands, and thus must be protected.

As for the characters, Elisabeth is a fantastic leading lady. She’s brave, not a little reckless, but so full of heart that you can’t help but fall in love with her immediately. Her story is one of self-discovery as well as reconciling what she has been taught growing up with the reality in which she suddenly finds herself, once outside the Great Library’s walls. Her connection with the Great Libraries and the grimoires is a mystery that plays out deliciously.

As her supports, Thorn and Simon are excellent as well. Written with the trademark wit that I now associate with this author, the dialogue between Elisabeth and these two is quick and snappy. Simon, especially, was developed as a nuanced and mysterious character. And as the romantic interest, Thorn checks all of the boxes for me. He is powerful in his own right, but never outshines Elisabeth, and both come to realize that only together will they be able to defeat the evil that is rising around them. While the romance is not the focus of the story as much as it was in “Enchantment of Ravens,” I think I enjoyed this balance even better, with it playing a more minor role to the Elisabeth, Thorn, and Simon’s mission to save the world more at the heart.

The story itself was pure fun. It romps along from exciting action piece, to witting repartee, to touching emotional moments. All caught up in a unique fantasy world that feels lush and colorful. Potentially killer books or no, this is a world I’d like to visit. I mean, hey, I’m pretty sure all of us librarians would be happy to adopt the word “warrior” before our title.  Readers looking for an original fairytale adventure are sure to enjoy this!

Rating 10: Just excellent, checking every box for me: a superb heroine, a swoon-worthy romance, and an adventure story that pulls you along from start to finish. Featuring libraries, none the less!

Reader’s Advisory:

“Sorcery of Thorns” isn’t on many relevant Goodreads lists, but it is on “Magical Books, Libraries and Bookstores.”

Find “An Illusion of Thieves” at your library using WorldCat!

 

Serena’s Review: “Age of War”

18052169Book: “Age of War” by Michael J. Sullivan

Publishing Info: Del Rey, July 2018

Where Did I Get this Book: audiobook from the library

Book Description: The alliance of humans and renegade Fhrey is fragile—and about to be tested as never before. Persephone keeps the human clans from turning on one another through her iron will and a compassionate heart. The arrogant Fhrey are barely held in check by their leader, Nyphron, who seeks to advance his own nefarious agenda through a loveless marriage that will result in the betrayal of the person Persephone loves most: Raithe, the God Killer.

As the Fhrey overlords marshal their army and sorcerers to crush the rebellion, old loyalties will be challenged while fresh conspiracies will threaten to undo all that Persephone has accomplished. In the darkest hour, when hope is all but lost, new heroes will rise . . . but at what terrible cost?

Previously reviewed: “Age of Myth” & “Age of Swords”

Review: I’ve been loving this series ever since I discovered it. I read most every type of fantasy there is (urban, YA, contemporary, etc.), but I always have a soft spot for epic fantasy, especially well-constructed series that feature a well-rounded ensemble cast. With every book I read in this series, my appreciation for what Sullivan is crafting grows.

The war between humans and Fhrey is coming to a head. The battle lines are drawn and each side is shoring up their resources. While Persephone and her people hold a great fortress and have numbers on their side, the powers of the Fhrey are still unimaginable, especially against the only two magic users that humans have. Even if this battle is won, Persephone knows that wars last years and peace is always preferable to conquest. In this light, she struggles with the decision to marry a Fhrey, connecting their two peoples forever, knowing that she will give up her chance at love with Raithe. Suri, Brin, Roan, Gifford and so many others all have their own paths to walk and important roles to play if the humans are to survive this all.

If I’m picking, I often prefer stories that feature one, strong protagonist at the heart of it all. I enjoy getting to know the motivations, strengths, and weaknesses of an individual and follow their story through all of its outward action and inward character development. It’s not that I don’t like an ensemble cast; I just think it’s terribly hard to pull off and more often than not, one or more characters are short-shifted, thus weakening the story as a whole. Better to play it safe and stick to the one, well-drawn character. With all of that in mind, it’s a true pleasure when I find an author who knows how to properly develop and maintain an ensemble cast through a series of books. Sullivan is a master at this, so far.

His true strength seems to be understanding whose story needs to rise to the top in each book. Early in the series, we focused largely on Raithe and Persephone, but here, as the events grow greater and new challenges unfold, we see other characters come into their own and are thus given more page time. And, since even the first books still put in the work to develop these characters, when the story switches over to emphasizing their roles more, it is an easy adjustment. I don’t mourn the loss of time with Raithe and Persephone because I’ve become invested in Brin and Gifford already as well. And as certain characters’ stories begin to wane into the background, we’re slowly given a few new characters here and there.

I typically try to read and review books in a sort of vacuum from the other media forms I’m consuming. But given the raging debate and upheaval after the last season of GOT, it was almost impossible to read such a similar book without making comparisons. I won’t go into an entire rant about my feelings on GOT, but there are a few points of similarity between these two epic fantasies that can’t help but be connected.

The first one has to do, again, with the creation and use of an ensemble cast. “Game of Thrones,” be it book or tv series, is by no means the first of its kind to feature a large cast of characters. Almost all epic fantasy series do. In light of the character arcs we saw in “Game of Thrones,” Sullivan’s own powers of character building were only highlighted all the more. His characters, too, face complicated moral decisions. But when they reach decision points, whether we agree with their actions or not, we understand why they do what they do. The chapters and time that are given to each character reveal necessary information, either for the plot of the book or for the development of the character. Things are introduced for a reason and readers can feel confident that, while they may not be able to piece it all together now, we are working towards something.

And that works to my second point of comparison and it has to do surprising the audience and subverting expectations. It’s been clear from the very start that GOT has prided itself on surprising audiences and subverting typical story beats. And there’s a reason for that: it’s pretty entertaining! But what they seemed to lose along the way was the fact that audiences can still be surprised while making believable, slowly built arcs for stories.

Joffrey was a monster, so while we were surprised that he killed Ned and our expectations that the hero of the story would prevail were subverted, after the fact, it all made sense. Events leading up to it were built in along the way and were easy to trace for even the most casual consumer. But while GOT seems to have lost this process with the last few seasons, and most especially the last half of the last season, Sullivan has managed to do the same thing, without sacrificing the credibility of his story. There are legitimate surprises in this book and expectations of certain characters’ arcs are definitely subverted. This story gets dark and similar to GOT, not everyone is safe. But, like early seasons of the show/book, after the fact, everything that happens feels earned. Satisfying endings don’t require that they be happy, they require consistency and thoughtful construction. Sullivan has both, and it’s on display in this book especially.

There have been a lot of lists floating around since the end of GOT about what fantasy series to read next. I haven’t seen Sullivan’s “The Legends of the First Empire” on any of them, and it’s a real shame. At its most basic level, we know that the author has already finished the series so not only do we know that an end is coming, we know that the author built the entire series with clearly established plot lines for all of his characters in mind. And, given the darker nature of this book as compared to the first two, it’s definitely earning its stripes as an epic fantasy series.

Rating 9: Frankly, it was a relief to have this on hand as proof that ensemble casts and subverted expectations in fantasy fiction CAN be done well.

“Age of War” isn’t on many relevant Goodreads lists, but it should be “Popular Ensemble Cast Books.”

Find “Age of War” at your library using WorldCat!

 

 

Serena’s Review: “Dark Shores”

41438037Book: “Dark Shores” by Danielle L. Jensen

Publishing Details: Tor Teen, May 2019

Where Did I Get this Book: NetGalley

Book Description: In a world divided by meddlesome gods and treacherous oceans, only the Maarin possess the knowledge to cross the Endless Seas. But they have one mandate: East must never meet West.

A PIRATE WITH A WILL OF IRON

Teriana is the second mate of the Quincense and heir to the Maarin Triumvirate. Her people are born of the seas and the keepers of its secrets, but when her closest friend is forced into an unwanted betrothal, Teriana breaks her people’s mandate so her friend might escape—a choice with devastating consequences. 

A SOLDIER WITH A SECRET

Marcus is the commander of the Thirty-Seventh, the notorious legion that has led the Celendor Empire to conquer the entire East. The legion is his family, but even they don’t know the truth he’s been hiding since childhood. It’s a secret he’ll do anything to protect, no matter how much it costs him – and the world. 

A DANGEROUS QUEST

When an Empire senator discovers the existence of the Dark Shores, he captures Teriana’s crew and threatens to reveal Marcus’s secret unless they sail in pursuit of conquest, forcing the two into an unlikely—and unwilling—alliance. They unite for the sake of their families, but both must decide how far they are willing to go, and how much they are willing to sacrifice.

Review: I never got around to reading “Stolen Songbird,” but it’s been on my TBR list for quite some time and I know that a lot of people really enjoyed it. So when I saw a new title by this author available on NetGalley I thought, “Here’s my chance!” Unfortunately, this wasn’t a complete hit with me, however.

Two worlds divided by a vast ocean and with only one people who know of the existence of both. Teriana comes from this people and a family of peaceful traders. Marcus comes the opposite side of things, known for his keen tactics and manipulations that have seen him slowly but steadily gaining territory for his Empire. The two could not be more different, but each are thrown when secrets, betrayals, and political maneuverings begin fraying the edges of their lives. Now, these two unlikely comrades, must come together to chart a new path for themselves and their peoples.

I struggled with this book from the very start, but I don’t want to start my review with a list of complaints. As I read on, I did find some things that stood out as strengths, so I’ll highlight those first. One, while not as complex as I might have wished, I did enjoy the world building at the heart of this story. The clear inspirations from Ancient Rome were interesting not only for the cultural aspects, but also for how Marcus’s story of conquest plays out. I also enjoyed the general pacing of the book. It was a quick read and I flew through it pretty quickly. There were a few moments here and there where this pacing seemed to stumble, but overall it was a fast read and for those looking for a quick, easy read, this book will hit those marks.

But, like I said, I had struggles. These started right away with the introduction of Teriana whom I immediately had troubled connecting with. She reads as very immature, to the point that it was almost hard to believe that she was meant to be the age she is presented as. It’s hard to come back from first impressions like this, so while Teriana had some good moments throughout the story, I was never able to get over some of this. I didn’t have as many direct problems with Marcus, but he also didn’t connect for me. Not that there was anything standing out with the character as much as with Teriana’s, but…nothing really stood out with the character at all, either.

This book also suffered from a false expectations. There story is promoted as being about pirates and adventures on the high seas. Alas, no. This is much more of a political fantasy at its heart. Which would be fine on its own, since some of my favorite fantasy novels are political at their heart. But when I pick up a book being told its about one thing and then find out that that thing isn’t in it at all, we have problems. I really hate marketing ploys like this. There are readers for the book as it actually is, target them. Stop trying to misrepresent your book to his some type of fad. Do they actually think that readers who were tricked into picking up a book on the promise of one thing (pirates, in this case) are not going to notice when that thing isn’t even really there? You’re just going to end up with disappointed readers and miss out on the ones who would have truly enjoyed the book and praised it for what it actually is.

I also have to mention that the romance was not to my taste. I enjoy a good enemies-to-lovers romance as much as the next person, but it really is starting to get old. It feels like this is almost the only type of romance one finds anymore in YA fiction. And what’s worse, it always feels rushed. This is the first book in a series. Why do the main characters need to fall in love in this book? Isn’t it more believable that it would take longer than this to move from pretty opposite extremes, enemies to lovers? Plus, drawing it out builds anticipation. It’s a win/win. Trust that readers can appreciate some delayed gratification.

So, yes, this book wasn’t for me. I can’t say whether or not going in with my expectations properly targeted towards a political fantasy and away from pirates would have made all the difference, but it would have helped. Ultimately, however, poor characterization for Teriana and a tepid romance killed it for me.

Rating 6: Fails to bring anything new to the table, though it is a quick read if you’re looking for a beach book.

Reader’s Advisory:

“Dark Shores” is a newer title, so it isn’t on any relevant Goodreads lists, but it should be on “Political Themed YA Fiction.”

Find “Dark Shores” at your library using WorldCat!

The Great Animorphs Re-Read #50: “The Ultimate”

363403Animorphs #50: “The Ultimate”

Publishing Info: Scholastic Paperbacks, February 2001

Where Did I Get this Book: own it!

Book Description: “Really big trouble” is an understatement these days. The war between the Yeerks and the Animorphs is full on–and it’s definitely going to get worse. But Cassie, the other Animorphs, and Ax have a lot more going on than just trying to stay alive. Now they have to actively protect others. And they no longer believe they can do it alone. The Yeerks are just too powerful.

So, Cassie and the others have to ask themselves a very important question: Is it time to increase their numbers? They all remember too well what happened with David–the Animorph gone bad. But this time do they really have a choice?

Narrator: Cassie

Plot: I was kind of dreading this book. I only really remember one part of it, but it’s one of the two big moments that made me dislike Cassie as a character when looking back on the series: when she gives up the blue box, inexplicably. So, it was with trepidation, I started reading…

Cassie and the other Animorphs are drilling for the inevitable day that the Yeerks discover the new Hork Bajir valley where they, the Hork Bajir, and now their families are hiding out as the war continues. The drills aren’t going very well as Cassie is distracted by worries over her parents and Jake’s head and heart are clearly no longer in the game after the loss of his parents to the Yeerks.

What’s worse, their parents don’t seem to be catching on to the reality of their situation. Rachel’s mother keeps trying to escape the valley to contact the authorities, putting them all at risk and driving Rachel crazy. And Cassie’s parents don’t have a grasp on the enormity of the situation, fixating on the size and comfort of the enclosures where the Hork Bajir will hide if they’re attacked, not only treating the Hork Bajir like animals but clearly not understanding that comfort is the least of everyone’s concerns.

To try and get Jake’s mind back in the game, Cassie calls a meeting, putting Jake on the spot to come up with an idea. They eventually decide that the only real power they have is the blue box and their ability to give others morphing abilities. Due to the adults inability to, you know, act like adults, they rule out all of their parents, one by one. They then proceed to rule out all adults, deciding that adults struggle too much with coming to terms with so many changes to their world view. This leaves recruiting more kids. And to avoid the concern about approaching Controllers, they decide to target disabled kids. They figure that they Yeerks would never infest them in the first place, and after morphing cured Loren’s eyesight, they also wonder if some of these kids could be cured in the same way.

Dressed up in costumes, a few of them sneak into a facility to try and find some volunteers. They meet a group of kids, lead by a boy in a wheelchair named James. After various forms of show and tell, they manage to recruit some kids to the cause. With the first set, only James is cured of his disability, able to stand again after he demorphs back to his human form. It is also decided that James will be the leader of this other group of Animorphs. Over the next few days, the Animorphs continue to recruit more kids and even manage to bring them to the Gardens to acquire some fighting morphs.

Ax locates a new facility, one that is a home for blind kids. They decide to check that out next. Cassie’s dad overhears them all discussing this process and comes down on Cassie for it, asking whether or not she thinks it’s humane. She snaps at her dad to come to grips with the stakes they are working with and leaves with the other Animorphs.

They arrive at the school for the blind at night, but as they start to approach the kids, Cassie feels that something is off. She eventually morphs a fly and spots an infrared camera, but before they others can escape, Tom and a bunch of Hork Bajir burst in. They force Jake to hand over the blue box and march the others out of the room to the loading dock. Fly!Cassie escapes, morphs owl, and heads to the rehab center to fetch James and the others.

They wrangle everyone up and head back. On the way, they see a limo speeding towards the loading dock; Cassie guess it’s Visser One. Once there, she tries to give the others a quick pep talk on what the fight will be like, but they begin to freak out. It’s only a steady speech from James that gets them back on track. They all morph battle morphs. James has chosen a lion, which makes Cassie think of David and how very different he and James are.

A massive fight breaks out and in the chaos Tom loses the blue box which lion!James snatches up. Visser One arrives with Taxxons in tow and blames Tom for losing the blue box. The Animorphs all line up, ready to escape with the blue box. It’s a strange feeling, having enough numbers on their side for once. Visser One fights with Ax and Jake before beginning to morph himself. Bull!Kelly gets injured badly and has to demorph in the battlefield, leaving her fairly helpless. Gorilla!Marco snatches her up and heads away to allow her time to remorph.

Visser One completes his morph, becoming a tentacle monster of some sort. He snags tiger!Jake by the throat and begins slowly throttling him. Tobais is smashed into a wall, and things generally take a turn for the worse. Jake almost dies but is saved when a rogue Hork Bajir, a member of the Yeerk Resistance, slices off the tentacle holding Jake. The Taxxons converge on Visser One and the Hork Bajir have to fight them off. In the chaos, the Animorphs retreat. As they do, they see Tom take off with the morphing cube, clearly having decided to keep it for himself. Jake and Cassie set off after him.

In the woods, they come to a stand off, and Cassie decides that it’s not worth it, not worth Jake having to kill his brother to retake the morphing cube. Just as Jake is about to spring, she grabs him by his injured let. Tom escapes into the night.

The next day, Jake is still angry with Cassie. She tries to explain that she was saving him from having to kill Tom, but he asks why she didn’t go after Tom herself then. She doesn’t answer, because she doesn’t know, other than the fact that it had felt right and she still thinks it was the right choice.

Peace, Love, and Animals: This is an interesting Cassie book, I’ll give it that. We essentially have two different Cassie’s: one, the girl who has been fighting a war for years now and, when confronted by her parents who are pretty much spouting some of the same naive things she’s said herself in the past, she finds herself coming down on the other side of an argument from her usual stance.

Cassie, the Animorph who has arguably the best relationship with her parents throughout the series, has to have tough conversations with both of her parents. Her mom fixates on the state of the hideaway shelter, falling into the trap of thinking about the Hork Bajir as animals whose habitat isn’t satisfactory. She is having trouble accepting that these would be shelters in the case of an invasion where to be found is to be killed. Comfort is the last thing on anyone’s mind. Cassie’s dad is then concerned when he overhears Cassie and the others discussing their project to recruit more Animorphs, saying that recruiting disabled kids is not “humane.” This is also an interesting point. I think in any other book, we would have expected Cassie herself to be making this same argument and to have never agreed to it in the first place. But there is also an underlying discussion throughout the book on how we view those with disabilities. Ax points out that putting them in a hospital and stashing them away is almost as bad as his own people’s problematic attitudes. Even the Animorphs themselves fall into this trap and James has to point out that they are capable of making their own choices. He uses this same point, that their hardships have made them more capable of fighting, not less, when he’s giving his pep talk at the end of the book.

So, Cassie’s dad, essentially, is doing the same thing that her mom was doing: he’s saying that Cassie and her friends are “using” the disabled in the same way you would use animals. This attitude completely disregards the kids’ choice in the matter, treating the disabled kids as not capable of making decisions for themselves or almost so helpless that “able bodied” people like Cassie and her dad need to protect them from the choice at all. And really, the fact that Cassie’s mom and dad have taken themselves out of the running as soldiers themselves by behaving so poorly and needing their own kid to parent them is much more worth her father’s reflection.

On the other hand, however, to counterbalance all the thoughtfulness and moral pondering that Cassie goes through during much of the book, her decision to let the blue box slip through her hands because it “felt right” is a return to the complete nonsense decision making that we’ve seen from Cassie a few times. The decision on its own is infuriating, but the fact that it’s slotted in at the end of a book that is really discussing some big issues head on is rather unfortunate. There’s a line where Cassie tries to draw it all together, that some things maybe aren’t worth the moral compromise, but I think the point is lost when you actually look at the stakes. Just like her father was wrong to behave so poorly that his own kid can’t turn to him as an option when looking for support and then to question the only option (as far as the kids see it) for winning this war, Cassie is also wrong to let the blue box go, potentially losing the war right there. It’s not “just morphing.” The whole premise of the series is that morphing is powerful enough to allow five kids and an alien kid to stand up to an evil alien empire.

Our Fearless Leader: Man, there’s a huge change to Jake from the last book to this. It really highlights how tenuous was Jake’s mental space and that losing his parents was really one of the last straws to his ability to lead. Even when he gets it together somewhat, we see him going into missions without plans and failing to provide the general strength and assurance that the others rely upon so much. The events in this book don’t help and the contrast between Jake now and James (very much like Jake was at the start of this war) is really heart-breaking.

Xena, Warrior Princess: Rachel doesn’t have a whole lot, but she does have a scene where she gets in her mother’s face about sneaking off. Apparently, her mother has done this several times, and each time she does it, it sets the whole valley on high alert and risks everything. Again, with adults behaving has poorly as all of this, you really can’t blame the Animorphs for coming to the conclusion that recruiting more kids is the way to go, even if, on its own, that seems like a really terrible idea.

A Hawk’s Life: We see a few brief moments of Tobias with his mother that are very sweet. It’s not clear whether or not Tobias has told Loren about her history at this point, but you think that would come up soon. And, given what we know of Loren, it’s almost hard to believe that she wouldn’t be insisting on getting into this fight on her own. She already has morphing powers and has proven that she is still brave. Losing her memory wouldn’t make her lose her entire personality, and the Loren we know of old would definitely insist on helping her son in this war.

The Comic Relief: Marco is probably doing the best in the ole parent arena, his mom being the only adult to truly understand what they’re in the middle of. But it also seems to make him oddly complacent about the fact that things are falling apart, especially his best friend Jake. This all felt a bit out of character for him. Yes, his mother was his main motivation, but we’ve also seen how singled minded and strategic Marco has been in the past about winning this war, even in the face of losing his mother. So it’s kind of strange to see him as disconnected as he is here. Obviously he has to be to push Cassie into being the one to take action, but it doesn’t really ring true on a character level. We do see how important his gorilla morph is though when he’s able to carry Kelly away from the battlefield when she had to demorph to heal herself and ended back up in her body which has limited mobility. One other new Animorph has a gorilla morph, but given this situation, more might have been better for just this circumstance. Plus, we’ve seen how valuable Marco’s gorilla morph has been in the past. Way more so than a bull. Just saying.

E.T./Ax Phone Home: Ax’s prejudices about the disable make an unpleasant reappearance in this book. But it’s clear that he has learned a lot from his original book and has now evolved to the point where his questions shine a rather harsh light on the reality of our own world’s treatment of people who are different.

Best (?) Body Horror Moment: Bull!Kelly gets gored pretty badly during the fight. And then the Taxxons get at her. She survives it, but I do think that getting eaten alive by the Taxxons has to be one of the most horrific things. But, on that note, I do have to question these battle morphs that the new Animorphs chose. I get that from a book-perspective, it’s cool to use new morphs. But from an actual war standpoint, these are some pretty limiting and poor choices. A bull is a prey animal. Sure, it can do some damage, but it simply isn’t built for fighting, with no natural armor, pretty spindly legs when you get down to it, and only one way of attacking, one that isn’t very nimble and depends on a lot of open space for charges. I could go down the line with the others, too. Crocodile? Bobcat?? Bobcats are only a tiny bit bigger than a large domestic cat!

I also think a case could be made for getting the same morphs the original Animorphs already have, if possible. For one thing, everyone knows that Jake is the tiger and also the leader of the group. Having a bunch more tigers is not only good due to their fighting abilities but also camouflage for the general of the resistance, essentially. And Rachel’s grizzly and Marco’s gorilla are pretty hard to top. We saw the Animorphs try to direct David’s morph options, and while that didn’t go over well, I think a well-reasoned suggestion would fly with James and could have been helpful with some of these choices.

Couples Watch!: Nothing from Tobias and Rachel. And as for Cassie and Jake, this is the beginning of the end. It actually feels like it’s coming a bit after the beginning of the end as Cassie mentions that their relationship was already strained at the start of the book. We’re left to guess that their romance is yet another casualty to Jake’s loss of self when his parents were taken. And the events of this book sure don’t help things.

If Only Visser Three had  Mustache to Twirl: Visser One uses his tentacle morph to pretty devastating effect in the last battle in this book. He flings tiger!Jake around like a ragdoll and almost kills Tobias when he smacks him into a wall. The only thing that saves Jake is a Hork Bajir member of the Yeerk resistance coming to his aid at the last minute.

There’s also an interesting bit where we see Tom make the decision to go it on his own with the blue box. Given Visser One’s penchant for killing his underlings on the slightest provocation or whim, it’s a wonder other smart Yeerks didn’t pull something like this ages ago. Visser One definitely doesn’t inspire loyalty, so it makes sense that an ambitious Yeerk like the one in Tom would think twice about handing over a powerful weapon like the blue box. Especially when he was already on the outs with Visser One after losing it earlier in the fight. Visser One isn’t one to forget and forgive, so there’s a decent chance that getting it back wasn’t going to save him anyways.

Adult Ugly Crying at a Middle Grade Book: Jake’s situation is by far the worst at this point, which is saying something since Tobias has had that spot staked out since pretty much day one. In his own books, we’ve seen his inner struggles with the burdens of being the leader, but this is the first time where it’s really clear to everyone around him and his actual performance is starting to suffer. He’s angry, sad, indecisive, and generally lacking the patience and focus it takes to continue on as he has been. It’s only being pushed by others that gets him through this book, and even then, we see mistakes along the way. Knowing how he ends up after this all, this book is really the first one where it all begins to be foreshadowed.

Beyond that, I’m not sure if it’s so much crying out sadness, but the way the parents behave in this situation is really bad. At one point Cassie even narrates that half the reason she’s angry at her parents is because they are forcing her to be the adult in this situation. They’re all acting as if they don’t even know what war is. It’s one thing to question the enemy itself (though the Hork Bajir are right there), but general war time tactics and life should be perfectly clear with a simple history lesson. When your life is at stake, you don’t quibble about the conditions of the hidey-hole. When humanity is at stake and you find out your child has been fighting a war for years, you don’t leave them out there on their own still, essentially making yourself so useless (or an active problem, like Rachel’s mom) that your kid is forced to resort to recruiting other kids because all of the adults so far have proven to be completely incapable of adapting. It’s pretty tragic, when you think about it that way. For all the criticism about recruiting disabled kids, it’s pretty solidly on the parents’ shoulders at this point for being so unhelpful.

What  a Terrible Plan, Guys!: Cassie’s decision to let Tom escape with the morphing cube is one of the most controversial decisions the character makes in the entire series, right up there with letting herself get infested back in book #19. There’s a decent build up to the emotional side of this decision, Cassie’s concern that she is losing her humanity to this war (well-trod ground for the character, so not super new other than its contrast with her parents who are somehow even more out to lunch about reality). But this time she’s also concerned about Jake’s downward descent, and from this emotional view, she believes herself to be saving the remaining thread holding Jake’s sanity together.

Sure. I can’t argue whether or not that is true. But in the very end of the book, Jake asks her why she did it, why, if she was just trying to spare Jake, she didn’t go after Tom herself and leave him behind? Cassie was in wolf morph, the perfect morph of them all to track someone down in the woods. Her going after Tom herself to spare Jake makes sense. Her choosing to let Tom get away with the cube? Is idiotic to the extreme and really enough to make others question whether she should be on the team, if her decision-making is really that screwed up.

The only thing they had going for them was that cube, a fact that was made all the more clear in this book. And she just let Tom take it. And her reason? “It just felt right.” She even goes on to say that she can’t understand it herself but that, even now, it still feels like it was the right thing to do. And we’re all the way back around to the Cassie who essentially breaks the third wall with the readers. She’s a character who has authorial finger prints all over her and pretty much just announces it with the line about it “still feeling like the right decision” even though she can’t even justify or explain it herself. Her decisions, in the world she lives in, don’t make sense or they are indicative of a person you sure has hell don’t want on your team in a fight to save humanity. They are only “right” because the author allows them to be in the end. Under no circumstances was this the “right” call in the world the character lives in.

Favorite Quote: 

These are two bits from the section where Cassie talks about her frustrations with her parents and the adults, and it really gets at what I was talking about:

Suddenly, unexpectedly, I was angry. Mad that my mother, a scientist, wouldn’t—or couldn’t—face the awful truth. That we were at war. That the rules had changed. That we had to do things we’d never choose to do under peacetime circumstances. That we didn’t have that luxury. That every single minute of every single day we had to make scarifices we’d rather not make. And I was angry that my mother was forcing me to confront her with this truth.

“That’s right, Mom,” I said, my voice hard. “The Hork-Bajir could die. Every single one of us, human and Hork-Bajir and Andalite, could die. Any day. At any time. I still don’t get your point.”

______

Angry mostly because I had wanted to hurt her. Because she was making me be the grown-up. And even after all the endless months of fighting, with all the disgusting acts I had witnessed—or committed—I still sometimes wanted to be normal again. Also, because I was worried. Not just about my own parents. If the adults didn’t accept the reality of the war, they would never be prepared when the time came to fight. And if they weren’t prepared, they wouldn’t survive.

Also, for some irony, here is Cassie giving the speech that she’s been on the other end of a few times and chosen to ignore coughQuitTheAnimorphs#19cough:

But being here, talking to James, seeing these kids, I realized in a serious way, maybe for the first time, that they weren’t helpless. Just like our parents. “You know what,” I continued. “You don’t really have a choice here. This is duty time. You’ve been tapped. So step up to the plate. Whatever. Fact is, we need you. Your friends need you.”

Scorecard: Yeerks 15, Animorphs 17

I’m giving them each a point. The Animorphs get a point for recruiting 17 more people to their cause, but the Yeerks definitely get a point for walking away with the blue box in the end.

Rating: I have mixed feelings about this book. It’s almost the exact opposite experience of the Super!Rachel book. Instead of hating the first 3/4 and then loving the last quarter, it was flipped. I enjoyed the majority of this book up to the last bit where Cassie undoes all of her good work by making one of the most boneheaded decisions in the series with no other excuse than an author-magic-wand-wave that it “felt right.” And yes, I know the explanation has been floated that it’s because of Cassie’s status as a disrupter (from Megamophrs #4) that she has a predictive feeling like this, but I don’t buy it. Even if that’s the case, it’s lazy writing. This moment also feeds into my overarching anger with the character at the very end where she’s the only one who comes out of this all OK and it’s mostly just because her bad decisions were allowed to be right ones without her having to pay the logical price that would most likely have occurred by these choices.

But, like I said, I did like the majority of this book. It’s a new side of Cassie to see her as one of team members who is more committed to the war effort. It also makes sense that having her parents present would have a tangible effect like this, making her more invested, not less. I also liked the reflections on Jake’s descent coming through her eyes. The only other character who would have a similar point of view would be Marco, so we’ll see what he has to say in the next book.

Note: I’m not going to rate these books since I can’t be objective at all!

Serena’s Review: “An Illusion of Thieves”

39662738Book: “An Illusion of Thieves” by Cate Glass

Publication Info: Tor Books, May 2019

Where Did I Get this Book: NetGalley

Book Description: In Cantagna, being a sorcerer is a death sentence.

Romy escapes her hardscrabble upbringing when she becomes courtesan to the Shadow Lord, a revolutionary noble who brings laws and comforts once reserved for the wealthy to all. When her brother, Neri, is caught thieving with the aid of magic, Romy’s aristocratic influence is the only thing that can spare his life—and the price is her banishment.

Now back in Beggar’s Ring, she has just her wits and her own long-hidden sorcery to help her and Neri survive. But when a plot to overthrow the Shadow Lord and incite civil war is uncovered, only Romy knows how to stop it. To do so, she’ll have to rely on newfound allies—a swordmaster, a silversmith, and her own thieving brother. And they’ll need the very thing that could condemn them all: magic.

Review: Cover lust! I love everything about that illustration, the vibrant colors, the style, it’s all very eye-catching and definitely served its purpose as it instantly drew me in when I was browsing through NetGalley. The description helped quite a lot as well, as I can never resist a good heist story, especially if there’s a fantasy element involved! And while my hopes were not fully met, I still enjoyed this book quite a lot in the end.

For the most part, I very much enjoyed this story. Particularly, I enjoyed the detailed take on the political and economical environment in which the story took place. I’ve read a bunch of stories where magic being illegal is a central theme, but when combined with the other world-building elements twisted into the story, it still came off as a unique take. Pacing-wise, the story could read as a big slower with many of the little details getting more attention than some readers may prefer. Likewise, the main plot often takes a backseat to smaller, character-driven moments. I can enjoy both types of fantasy stories, but those looking for a grand epic might find themselves frustrated with the lower stakes of this story.

It was also an interesting read knowing that the author plans to write the series in an episodic manner. Most fantasy series typically follow a grand arc that takes place over several books, and while smaller offshoots exist here and there, the main conflict builds and resolves through all the books, linking them closely together. I can see the stage being set for a different type of read with this book, and I’m intrigued by what Glass has in mind with this type of tale.

As for the characters, I really enjoyed Romy. She was a fun narrator and it was exciting to see her so competently put her skills to work when she finds herself back on the streets, poverty-stricken and desperate. I was also surprised to find that the story is also largely Neri’s as well. I’m not quite sure how I feel about this character. His character type, that of the young, arrogant, swagger-ridden boy-o, has some natural flaws simply built in. But those same flaws are the points around which his characterization builds, so they have to be there to see any growth.

I was also surprised to find the story lacked a romantic plot line, instead focusing on the sibling relationship between Romy and Neri a its emotional crux. I confess that I typically prefer some romance in my stories, and second best is a sister-sister relationship, but I was also drawn in by the tense relationship between Romy and Neri as they learned to get along throughout the book.

Overall, this book was an entertaining read. I felt that the plot was a bit light for me and at times the author seemed to almost lose focus on her main story, caught up in the details of her world. But the interesting characters and the slowly built up trust and respect between Romy and Neri was a point in its favor. And, again, I’ll never say no to magical heist stories!

Rating 7: A fun, lighter read with a compelling brother/sister relationship at its heart.

Reader’s Advisory: 

“An Illusion of Thieves” isn’t on any relevant Goodreads lists, but it should be on “Popular Fantasy Heist Books.”

Find “An Illusion of Thieves” at your library using WorldCat!

 

Serena’s Review: “Kingsbane”

40523458Book: “Kingsbane” by Claire Legrand

Publishing Info: Sourcebooks Fire, May 2019

Where Did I Get this Book: ARC from the publisher

Book Description: Rielle Dardenne has been anointed Sun Queen, but her trials are far from over. The Gate keeping the angels at bay is falling. To repair it, Rielle must collect the seven hidden castings of the saints. Meanwhile, to help her prince and love Audric protect Celdaria, Rielle must spy on the angel Corien—but his promises of freedom and power may prove too tempting to resist.

Centuries later, Eliana Ferracora grapples with her new reality: She is the Sun Queen, humanity’s long-awaited savior. But fear of corruption—fear of becoming another Rielle—keeps Eliana’s power dangerous and unpredictable. Hunted by all, racing against time to save her dying friend Navi, Eliana must decide how to wear a crown she never wanted—by embracing her mother’s power, or rejecting it forever.

Previously Reviewed: “Furyborn”

Review: As my review above indicates, I had some problems with the first book in this trilogy. But, as the book was so well-received, to a certain extent I know these were a lot of personal preferences, mainly having to do with the decision to include a prologue that, I felt, gave away a bit too much of the story, if read carefully. So, with that in mind, when I received an ARC in the mail from the publisher, I decided to give it a go. And, while I still struggled with aspects of the story, I also enjoyed it more than the first.

Rielle and Eliana both are thought to be the Sun Queen, though Eliana does have the dark history of her mother, Rielle’s, decent into darkness to back up her claim. But so far these titles and prophesies have brought nothing but danger and challenges, one after another. Eliana must bear the heavy load of her mother’s legacy, worrying constantly that she will follow in her footsteps, fearing her own powers. And Rielle, centuries earlier, must walk a tight line between protecting her kingdom and spying on the angels who threaten them, all while becoming increasingly intrigued by one of them, the mysterious Corien.

Having the world and writing set-up (alternating POVs from the past and the future) already established definitely helped me enjoy this book more than the first. If I worked very hard, I could even try and put the initial prologue out of my head and enjoy the story as it is. I’m particularly intrigued by the ongoing mystery of which Queen is really the Sun Queen and which is the one who turns to evil. While it feels fairly established as Rielle, I’m still on the look-out for a trick up this author’s sleeve in the eleventh hour.

As far as characters go, I still have enjoyed Eliana’s story more than Rielle’s. Part of this might have something to do with the timing of my read of this book. Frankly, I’m a bit exhausted by the “power hungry queens” in fantasy stories right now (I think the reason why is probably pretty obvious). This is definitely not the book’s fault. But timing aside, I do think that Rielle’s decision making and thirst for power made her a bit less appealing for me. At my heart, I always will prefer to the straight-forward hero character over an anti-hero. I also wasn’t a fan of the strange love triangle that was being built up between Rielle, Corien and Audric. I didn’t feel like there was enough established to really justify Rielle’s interest in Corien.

I do very much enjoy the general writing style and world-building of these books. The story feels expansive and epic, and the writing effortlessly flows between witting dialogue and engrossing descriptions of action and setting. If only the characters who populated it all were a bit better. The book is pretty long, however, and I do think some editing could have been in order to tidying it all up.

I also had some questions about the marketing of this book as YA. There are some pretty intense scenes in this book, particularly in the romance plot line between Corien and Rielle. This is by no means coming from a “the children aren’t ready for this!!” place, but more a general question about fantasy fiction and current marketing practices. It almost feels like a lot of good fantasy works are being relegated to YA regardless of that being the appropriate place for them simply because YA fantasy is booming. And look, I love that so many fantasy titles are coming out in YA. But I’m also starting to feel like there is an equal and growing lack of fantasy coming out in adult fiction for the very same reason.

I would place good money on the fact that several titles are pitched to publishers as adult fantasy fiction and then are sent back with the note “Great! But let’s make the protagonists teenagers so we can market it to YA, since that’s where this stuff sells!” It’s too bad, because a lot of adults want to read good fantasy fiction (again, look at the recent epic fantasy TV show that just concluded. Clearly, there is an adult interest in these types of stories). And books like this read as if they could just as easily, and perhaps more appropriately, be marketed as adult fantasy. Teenagers can pick up an adult fantasy novel just as easily as an adult can pick up a YA fantasy title. So maybe we can try giving each their due based on the story itself, and not marketing tactics. A girl can dream.

Having the characters and world set up in the first book, overall I felt as if I could sink more fully into this read and enjoy it. I still had some struggles, but some of that can be laid at the feet of the timing of my read more than any real flaw on the book’s part. Fans of the first book are sure to love this one, and those who may have had middling feelings might want to check it out as well, as I do think everything was strengthened, if not perfected, in this sequel.

Rating  7: An overall improvement on the first book!

Reader’s Advisory:

“Kingsbane” is a newer title, so it isn’t on many Goodreads lists, but it is on: “Books Marketed as Young adult that might be New Adult, Adult Fiction.”

Find “Furyborn” at your library using WorldCat!