Category: Kate’s Reviews

Kate’s Review: “Dead Weight”

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Book: “Dead Weight” by Hildur Knútsdóttir & Mary Robinette Kowal (Translator)

Publishing Info: Tor Nightfire, May 2026

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: An Icelandic night may hide secrets and affairs—or even bodies—in this gruesomely cathartic horror thriller from the author of The Night Guest.

Unnur was living a normal, if lonely, life until a black cat showed up at her door.

Trying to do the right thing, Unnur reunites the lost pet with its owner—a young woman named Ásta who is in desperate need of some help. Unnur reluctantly agrees to take in the cat until Ásta is able to care for it again herself.

Soon, Ásta becomes a fixture in Unnur’s life and the two form an unlikely friendship. But like a black cat, trouble is tailing Ásta, and Unnur is the only one there when things take a violent turn.

Nothing tests a friendship like blood on your hands.

Review: Thank you to NetGalley for providing me with an eARC of this novella!

I’m a big fan of stories that like to talk about women’s rights AND women’s wrongs, and especially love stories like that if it’s a cathartic story about women getting revenge on the men that cause them harm. Basically I love a story that has a “Goodbye Earl” kinda vibe to it. When I read the description of Hildur Knútsdóttir’s “Dead Weight”, I DEFINITELY caught that kind of vibe from it. I enjoyed Knútsdóttir’s previous book “The Night Guest”, and this one sounded perhaps less strange, but still very much my thing. I jumped in and was pleased that not only did it have the ‘get revenge’ theme, but also CATS!

This novella is definitely more of a thriller than a horror story this time around, but Knútsdóttir still manages to find ways to not only bring out suspense but also dread at times. The plot is fairly straightforward as we follow Unnur, a woman living in Iceland who keeps to herself and is carrying on an affair with a married man, convincing herself she’s okay with all of it. One night a cat named Io randomly ends up in her apartment, and a woman named Ásta comes looking. Unnur and Ásta are different in temperament, they get to know each other and Unnur takes on Io (and a surprise kitten!) at Ásta’s behest, as her boyfriend Ragnar doesn’t like the cat and she worries he’d flip about a kitten. As the story quietly unfolds we see more and more hints and evidence that Ragnar is a very dangerous man, we also see two women confiding in each other and finding strength in their friendship as they become closer and danger starts to threaten both of them. It’s pretty clear where this story is going, but I was still kept on the edge of my seat as Knútsdóttir lays out the building blocks for a visceral climax.

I also liked the burgeoning friendship between Unnur and Ásta, and the way that Knútsdóttir compares and contrasts their romantic relationships and deconstructs the different ways that they are toxic. For Ásta it’s pretty straight forward, and Unnur is horrified to see Ásta being dominated and intimidated by her boyfriend Ragnar, and his vileness is pretty apparent with how he treats not only Ásta but also the cats (whose presence has helped Unnur and Ásta bond). But we also see the toxic relationship that Unnur has with her boyfriend Joi, who is married with a family and who has been stringing Unnur along for awhile, making promises that she clings to even though she knows deep down that what she is doing is not only cruel to Joi’s wife, but also to herself. I loved the way that both women could see the damaging facets of their friend’s relationship, but had the blinders put on due to the manipulative and abusive, be it overt or not, relationships they themselves were in. As they disentangle and find connection with each other (and the cats!), we see this really empowering story about female friendship, which has a little bit of the “Goodbye Earl” vibes that I was hoping for.

I definitely enjoyed “Dead Weight”! It’s cathartic and atmospheric and I found it incredibly satisfying.

Rating 8: A quick and enjoyable thriller about friendship, solidarity, and the sour parts of relationships where men mistreat women and the women have to fight back one way or another.

Reader’s Advisory:

“Dead Weight” is included on the Goodreads list “Creepy Statue Covers”.

Kate’s Review: “We Hexed the Moon”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “We Hexed the Moon” by Mollyhall Seeley

Publishing Info: Saga Press, June 2026

Where Did I Get This Book: I received an ARC from the publisher

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Bunny meets The Craft in this speculative debut about four best friends who perform a ritual on the moon in a last-ditch attempt to hold onto one another but are forced to reckon with the consequences.

It is the summer after high school graduation, and four island-grown best friends are about to be forced apart by their Plans for the Future. Rather than process the world of expectations bearing down on them or the secrets they’ve kept hidden even from one another, they perform a ritual on the moon in an impulsive fit of teen bravado.

They don’t expect it to actually work.

But suddenly the moon is gone from the sky and at their sleepover, and she’s not interested in going back where she came from. As the balmy August night unfolds, the girls scramble to find a human sacrifice to replace the moon before their world is plunged into chaos.

Equally tender and biting, We Hexed the Moon is coming-of-age at its best, cutting to the very quick of girlhood to reveal hilarious and brutally honest insights about friendship, gender, and desire.

Review: Thank you to Saga Press for sending me an ARC of this novel!

I love seeing stories about tight knit girl friend groups, especially if they are coming of age, in part because I never really got to experience that during my formative teenage years. Yes, I had two other girl friends I was close to and people saw us as a trio, but I was always VERY clearly the odd one out when it came down to it, and my true best friend in high school was a guy. I didn’t really find that solid girls friend group until I was well into college (we called ourselves “The Clever Girls” because of “Jurassic Park” and we were tight and I’m still friends with them all to this day, even if it’s in different capacities due to life), and by that time I was very clear about who I was as a person. But these stories still speak to me as a woman with close girl friendships and who knows how wonderful (and complicated) they can be. “We Hexed the Moon” by Mollyhall Seeley takes on this kind of girl friend group bildungsroman tale and throws in some witch shit and a dark fantasy magical realism bent. Suffice to say, it’s my kinda jam.

Jen, Goldie, Maycie, and Harding are best friends about to go their separate ways after high school. With personal baggage, an existential dread of the next steps and the climate crisis, as well as constant doom and gloom feelings to the life they are inheriting, they decide to hex the moon just for funsies as one last bonding experience. Unfortunately, it works, and the moon not only disappears from the sky, threatening to throw the world into chaos and death, it shows up in the form of a woman who tells them that they need to sacrifice someone to become the new Moon, or else everyone dies. The concept is creative and interesting, and it feels a bit more dark fantasy than horror to me (human sacrifice and end of the world notwithstanding). Seeley splits the story into two timelines, the day before where the friends are clinging to their friendship because they feel it falling apart (be it because of the upcoming change in location or their own baggage with each other), and then the time after they hexed the moon and are having to confront their choices AND the cracks in their friend group. I liked seeing the story unfold and the build up to what choice they were going to make, and found it suspenseful and more tense as time runs closer to running out. I think that it petered out a little bit by the end, but the journey there was still incredibly enjoyable.

But what I enjoyed most about this book were the four girls themselves, and how Seeley explores all of their messiness and complexities and draws out who they are and why they are the way they are. There could have been four girls who fit into obvious stereotypes (Goldie the self centered mean girl, Jen the pretentious stick in the mud, Harding the repressed prude, and Maycie the wholesome naive one), but Seeley takes care to give us perspectives from all of them to see their reasons for their complexities. We have girls who have suffered great loss, like Goldie losing her twin, or a fractured family life, like Jen and her broken relationship with half brother Max as he dives deeper into red pill content, or religious trauma for Harding whose family is repressive, or having to grow up with a lack of structured guidance, like Maycie whose parents all but checked out. There were moments I wanted to shake all of them, but I also felt for all of them too. It shows the way they cling to each other bur resent each other too as they grow apart and change. It’s messy girlhood. It’s heart wrenching at times.

“We Hexed the Moon” is a bittersweet coming of age witchy book. It’s relatable and dreamy, and I think that if you like coming of age girlhood tales it will work for you.

Rating 8: A witchy story about girlhood, anticipated loss, desperation, and coming of age, “We Hexed the Moon” is a magical realism dark fantasy that captures girlhood on the edge of becoming an adult and all the complicated feelings that come with it.

Reader’s Advisory:

“We Hexed the Moon” is included on the Goodreads list “The 52 Book Club 2026: #44: Literary Device- Personification”.

Kate’s Review: “Bone of My Bone”

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Book: “Bone of My Bone” by Johanna van Veen

Publishing Info: Poisoned Pen Press, May 2026

Where Did I Get This Book: I received an ARC from the publisher at PLA 2026

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: The year is 1635.

Sister Ursula, a young nun fleeing the ruins of her convent, and Elsebeth, a sharp-witted peasant, escape a band of marauding soldiers and disappear into the Bavarian forest. War scorches the land, and no one survives it alone. Amid the devastation, they find something in the arms of a dying the gilded skull of a saint.

It is said that if you reunite the saint’s skull with her body, a wish will be granted. Desperate for salvation, and each with secret desires of their own, Ursula and Elsebeth follow a ragged map across the blighted countryside. But darkness follows them. A necromancer, drawn to the relic’s power. The saint herself, whispering at night. And as the lines between blessing and curse blur, the women must face a harrowing the magic they seek comes at a cost.

At the journey’s end, they’ll face an impossible choice—one that could tear apart everything they know… or bind them to each other forever.

Review: Thank you to Poisoned Pen Press for providing me with an ARC of this novel at PLA 2026!

Serena and I had the pleasure to go to the Public Library Association Conference this past April because it was in Minneapolis! How great that we could hop in a car and drive not even fifteen minutes away from my house and attend a book conference (we’ll be driving to ALA this year as well but Chicago is decidedly a longer trip). I restrained myself a bit when it came to ARCs as I knew that ALA was on the horizon, but I was THRILLED to see Johanna van Veen’s newest sapphic horror novel “Bone of My Bone” was available! I have enjoyed her past historical horror novels, and the creepy nun holding a skull on the cover definitely caught my eye. As I read the description I knew that I was going to be in for a treat. A dark and deeply upsetting treat, but a treat nonetheless, because it felt like a nice heady mix of “Evil Dead” and “The Witch” in a lot of ways. So obviously MY THING.

I was positively grinning from ear to ear! (source)

Our story has two protagonists with two perspective chapter types. The first is Sister Ursula, a nun who escaped from her nunnery leaving her sisters behind as mercenaries and soldiers descended. The second is Elsebeth, a peasant who has lost everything in the wake of the war due to violence from the soldiers. The two women team up, and then find what appears to be a Saint’s skull after meeting a dying man in the forest who has it in his possession. Believing that they could reunite it with its body and in turn receive wishes as reward (as they both have things they are desperate for), they go on a journey, the skull speaking to Elsebeth in her dreams. What they don’t know is a necromancer, assisted by a shambling corpse he has enslaved, is also in pursuit. I loved van Veen’s supernatural monsters of choice in this book (more on the real life monsters in a bit), with the main focus being split into two camps: necromancers/witches, and possessed dead called Nachzehers that necromancers use to achieve their own ends. The witchcraft is so appropriate for the time with the fears of witchcraft being incredibly prevalent, and I loved how creepy the necromancer was. As for his Nachzeher Otto, he is a former soldier who is being used against his will, though it becomes clear that he deserves whatever hell the necromancer brings to him (and the necromancer seems to think so too). The witchcraft was so creepy but powerful, and the Nachzeher, a folk monster from German culture, felt so Kandarian Demon Deadite in a lot of ways that I REALLY liked it. And don’t worry; there are other creepy creatures in these pages, though van Veen had me rather emotional with a couple of them due to the horrible ends that some met in life.

And van Veen’s choice of taking place during the Thirty Year’s War is such a dark but fantastic one. I don’t know as much about German history as I would like, especially during this time period, but to me this read as very unflinching and realistic in the horrors that a war that potentially killed 35% of the population would bring forth. This is probably one of the most brutal books I’ve read recently when it comes to the honest approach to the hell that civilians go through during wartime, with starvation, isolation, land loss, murder, and rape being pretty prevalent in the story (though the rape is mostly off page and referred to as opposed to depicted; this book also has a great list of trigger warnings in the back). A lot of the trauma experienced by Ursula and Elsebeth is haunting and emotional, and we explore their journeys of unpacking it and trying to work through it in ways that feel deeply tender and empathetic. Elsebeth in particular has had a terrible go of it, and her crisis of faith in contrast to Ursula faith as a nun bring up interesting and philosophical points as they are trying to reunite a potentially holy skull with its body in hopes of getting one wish. As mentioned I couldn’t help but think about Robert Eggers’s film “The Witch” at times in this book, as witchcraft is certainly a huge theme, but it also tackles just how much brutality women in dire circumstances had to endure, and how loss in one’s faith or the temptation to turn to something new is wholly understandable.

And I also just loved Ursula and Elsebeth’s burgeoning relationship. Their companionship starts due to shared trauma and determination, but then it turns into something so much more and I loved their growing romance. They just complement each other so well, and as they become more and more devoted the stakes just get higher and higher as they are in constant danger. I loved their love story.

“Bone of My Bone” is phenomenal. I cannot recommend it enough to horror fans. If you haven’t read anything by Johanna van Veen, consider this your sign to start.

Rating 9: Brutal and creepy while also being philosophical and tender, “Bone of My Bone” is van Veen’s best story yet. Just incredible.

Reader’s Advisory:

“Bone of My Bone” is included on the Goodreads lists “Queer Books Set Pre-1800”, and “Horror Releases Coming in 2026”.

Kate’s Review: “A Botanist’s Guide to Rituals and Revenge”

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Book: “A Botanist’s Guide to Rituals and Revenge (Saffron Everleigh Mystery #4)” by Kate Khavari

Publishing Info: Crooked Lane Books, June 2025

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Saffron Everleigh returns to Ellington Manor after her grandfather suffers a heart attack. Back in her childhood home for the first time in years, Saffron faces tense family relationships made worse by the presence of the enigmatic Bill Wyatt, hired on as a doctor to the ailing Lord Easting. But the man is no doctor—in reality, he is a mysterious figure involved in the trafficking of dangerous government secrets, and his presence at Ellington can only mean trouble.

When their neighbors, the Hales, invite a spiritual medium into the village who starts angling for Saffron’s mother’s attention, Saffron realizes that there is more afoot in her hometown than she originally thought. Not to mention inviting Alexander to Ellington has put their budding relationship under her family’s microscope.

As tensions rise at Ellington, Bill demands that Saffron hand over old research documents belonging to her late father. With her relatives under his power as their ‘doctor,’ Saffron fears she may be forced to surrender the files along with her hopes of ever understanding her father’s obscure legacy. Nothing and no one is as they seem at Ellington. It’s through the perfumed haze of the séance’s smoke that Saffron must search for the truth before it’s too late.

Review: It is once again time to return to post WWI England and into the world of crime and botany! As I mentioned last time I reviewed this series, I am going to read and review the most recent Saffron Everleigh mystery by Kate Khavari when it comes out next month, but I needed to play catch up! So now I’m taking on “A Botanist’s Guide to Rituals and Revenge”, in which our plant minded heroine Saffron Everleigh has to return to her family estate due to her grandfather having a heart attack, and finds that a dangerous nemesis has seamlessly placed himself there as well. And it may be true that a lot of mystery readers like a nemesis, but this time around it didn’t really work for me.

But first the positives! This biggest part of this book that worked for me was the plot about spiritualism, which had a huge resurgence after World War I due to the fact that so many soldiers died in a horrific way. Khavari has mentioned the losses that our characters, be they Saffron or her friend Elizabeth, have had to endure, with Saffron’s own father being killed in the trenches as well as her childhood sweetheart Wesley, who also happened to be Elizabeth’s brother. When Saffron, Alexander, and Elizabeth return to Ellington they find out that Elizabeth’s parents, the Hales, have hired a medium to have a seance to try and communicate with Wesley to make sure he is at peace. While none of our main characters believe in it and know the woman is a fraud, this was not uncommon during this time to see grifters who took advantage of people’s grief for monetary purposes. I really enjoyed how Khavari brought this in and made it one of the big mysteries, as they KNOW she is lying, but she sure seems to be on the level.

I also always enjoy the relationships between Saffron and her loved ones. The first and most pertinent in this book for me is her friendship with Elizabeth, who is dealing with the fallout from her suitor in the last book being a lying murderous criminal. She is deeply hurt by these revelations and isn’t doing so hot, and I enjoyed how Khavari doesn’t make this an easy experience for her and how it is causing strain between her and Saffron, who is trying to be a good friend but has her own problems. Eliza is still my favorite character in these books (with Lee being a close second, and he DOES show up here for a bit!), and it was kind of refreshing having her be more than the free spirited snarky friend. As for Alexander, I’m still not his biggest fan, but now that we are done with the will they or won’t they and he is just being a supportive boyfriend (who has to impress her incredibly judgmental family, specifically her grandparents the Lord and Lady Easting) who has his own knowledge and skills to add to the plot. I also liked the setting of the aristocratic manor of Saffron’s family, as it felt a little bit “Downton Abbey” as she deals with her snooty grandmother and her ailing grandfather, as well as the secrets that her mother Violet seems to be hiding.

But there was the other aspect of this book that had a huge theme and plot point, and that is the nefarious character of Bill, who showed up in the previous book as an antagonist and has managed to weasel his way into Saffron’s circle by masquereding as a doctor for the Lord Easting. He was introduced a bit out of the blue in the previous book, and in this book we find out he wants research from that Saffron’s father left behind. He is set up as an ultimate nemesis for Saffron, and the idea of wanting research secrets is interesting enough, but I felt like his presence made for the least amount of botany themes that we’ve seen in this series. I also didn’t enjoy their battles of the wits as much as I had hoped I would, because we’ve seen the Sherlock and Moriarty nemesis trope so many times and unless you really reclaim it, it just kind of comes off as hackneyed these days. Having the two mysteries at hand and one of them being so focused on Bill just threw the pacing off and made it feel like it dragged on and on.

“A Botanist’s Guide to Rituals and Revenge” had its ups and downs, and I hope we get a bit more back into direct botanical research and themes for the next book.

Rating 6: I enjoyed the spiritualism storyline and Saffron’s relationships are still enjoyable, but wasn’t as into this new ‘prolonged nemesis’ angle that we got with Bill as it really bogged the rest of the story down.

Reader’s Advisory:

“A Botanist’s Guide to Rituals and Revenge” is included on the Goodreads list “‘Revenge’ in the Title”.

Previously Reviewed:

Kate’s Review: “To The Last Gram”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “To The Last Gram” by Shreya Davies & Vanessa Wong (Ill.)

Publishing Info: Difference Engine, April 2026

Where Did I Get This Book: I received an eARC from the publisher

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Through her school days, where she must negotiate a precarious balancing act between her culture and fitting in, to her teenage years where appetites must be managed to keep up appearances, to her early adulthood where responsibilities feel overwhelming, Divya journeys from feelings of emptiness to finally finding fulfillment within.

To the Last Gram is an honest and hopeful story of feeling at odds with and finding a home in one’s community, family, and body, and of the yet-unfurling journey to embrace the fullness of life.

Review: Thank you to Difference Engine for sending me an eARC of this graphic novel!

A few years ago I decided that I wanted to lose some weight. I’ve always had a tricky relationship with my body, and while I had found myself feeling generally okay for a long time, in the past few years I’ve been more self conscious as having a child, being in my early 40s, and probably being in perimenopause or on the verge of it has made my body change in ways that felt upsetting to me as an elder Millennial who absolutely has self perception issues. So I signed up for a diet plan that touted itself as being flexible, giving you a calorie range to fall into to lose weight but still be able to maintain a healthy caloric intake. Well, me being me decided ‘why not just shave a few hundred calories off of that and never get in the range and always stay below it?! That’s the ticket!’ Spoiler alert: it was not the ticket and I found myself in a bad place mentally and verging on physically, and dropped the program. I came to the conclusion that I’m a little too susceptible to disordered eating and quit while I was ahead. I kept thinking about this moment in time while I was reading “To The Last Gram” by Shreya Davies. Because while I have never found myself dealing with a full blown eating disorder, the fact that it can and does happen doesn’t shock me. I went into this book steeling myself for an emotional story, and it absolutely was.

This is a fictional tale, but one gets the sense that it’s a bit personal as well. We follow Divya, a teenager girl who is trying to fit in at school in a culture that she isn’t familiar with, and who stands out not only due to her skin color but also because of her body size. She’s larger than her peers, she stands out in her gymnastics class, and even her pediatrician says that she’s obese and needs to eat better even though her mother prepares pretty typical homemade meals. As she tries to conform more to the beauty standards her new home finds acceptable, and as she becomes a teenager, she starts greatly restricting her caloric intake, and starts exercising excessively, until she is in full blown anorexia and fully obsessed about her weight. Divya’s story is incredibly emotional at times, but never treads into exploitative or (and I hate to say it in regards to EDs but I can’t think of another word) melodramatic, making it very easy to relate to Divya and to understand how she got to the point where she is alarmingly thin. Davies portrays the obsessiveness in a really well done way, whether it’s Divya shrinking before our eyes during work out montages or the imagery of food looking evil and scary in her mind’s eye. It definitely captures the complicated nature of EDs and how it is also a mental struggle that a person can get caught in.

I also appreciated that this story is fairly realistic and candid about eating disorders and how difficult they can be to work through, and that recovery isn’t always linear. We see the origins of Divya’s anorexia as a way she hopes to fit in and be more well liked, dropping calories and obsessing over exercise, but it isn’t a straight forward ‘she loses weight, develops anorexia, gets help, and lives happily ever after’. If anything it shows that she struggles with her disordered eating and body image on and off, sometimes falling back into anorexia, sometimes being able to stave it off for a bit, but never being fully ‘cured’. I felt like it reflects the reality of eating disorders, and while I’m sure that there are people who feel like they have been able to leave it behind, there are probably others who feel like it’s going to be a constant issue that needs mitigating and attention. I thought that showing this aspect gave the book a nice mix of hope and bittersweetness.

And finally, the artwork by Vanessa Wong worked pretty well for me. It’s a very unique style that I thought at first wouldn’t fit in with the topic, but it became pretty clear that it was going to capture the tone well with the designs and color schemes.

(source: Difference Engine)

“To the Last Gram” is a candid and hopeful graphic novel. It’s an emotional one too, but that makes it all the better.

Rating 8: A thoughtful and bittersweet but hopeful story about disordered eating, a search for belonging, and the non-linear path of healing from an eating disorder.

Reader’s Advisory:

“To the Last Gram” isn’t on any Goodreads lists as of yet, but it would fit in on “Body Image in Graphic Lit”.

Kate’s Review: “Welcome to Hell”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Welcome to Hell: From the West Bank to Gaza” by Mohammad Sabaaneh

Publishing Info: Street Noise Books, June 2026

Where Did I Get This Book: I received an eARC from the publisher

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A new graphic novel memoir chronicling the recent horrific days in Palestine, from Mohammad Sabaaneh, the winner of the Palestine Book Award.

This powerful graphic novel sheds light on the reality of life in both the West Bank and Gaza during this terrifying time. Told from the perspective of the author’s brother’s experience in prison and that of those in Gaza struggling to survive displacement, starvation, and attack.

In October of 2023, Sabaaneh went on a tour in Europe to promote his book about life under occupation in Palestine. Whether a Palestinian is inside a detention center or in any city or village, they are all in a big prison. The book ends with one message: ‘we will not leave.’ Upon his return to Palestine, he was trapped within the walls of his home—unable to see his aging parents, or his brother, who was locked away in an Israeli detention center.

So begins this vital story of struggle and survival.

Review: Thank you to Street Noise Books for sending me an eARC of this graphic memoir!

Memoirs are always a bit harder for me to evaluate because I never feel super comfortable critiquing a person’s lived experience, but what I do like to look for his how candid a memoir is and how it makes me feel. And because of this it’s probably not super surprising that many of the books that I’ve read about the Israel/Palestine conflict over the years that have resonated with me have been in graphic memoir or journalism form. Whether it was Joe Saccos’s book “Palestine”, or, interestingly enough, two books by “American Splendor’s Harvey Pekar, “Our Cancer Year” (written with his wife Joyce Brabner) and “Not the Israel My Parents Promised Me” (which was published after his death), I’ve found comics to be the things that have resonated most with this topic. So I was eager to check out “Welcome to Hell” by Mohammad Sabaaneh, expecting it to have a similar impact as the previous ones, and I was mostly right. Perhaps even more as this was written by a man who has been living the current genocide first hand, and speaks the truth that he, his family, and many others are facing at the moment.

“Welcome to Hell” is a short book, but within it’s fewer pages are a lot of gut punches and a lot of truths that are difficult to digest but also important to acknowledge. Sabaaneh is telling two different stories here; the first is that of his brother Thamer, who is a prisoner in an Israeli prison, and the second is that of numerous Palestinian families living in Gaza during the bombings done by Israel after October 7th, 2023. Sabaaneh draws comparisons between the way that his brother has to live in the literal prison, with violence, starvation, torture, and abuse being heaped upon him and his fellow prisoners, and the constant movement, starvation, fear, and violence that civilians living their lives in Gaza have to face, showing that the two realities aren’t terribly different and both are horrific. It’s not a very long graphic memoir, but Sabaaneh doesn’t waste a page and has a lot of important and devastating things to say, and does so effectively. Sabaaneh centers his brother as well as other people, though he does address his own experiences after October 7th and how getting home was perilous and then how restricted he was as well, unable to visit his family for months. It’s a harrowing and incredibly personal story, and it was a difficult read even though it’s absolutely a necessary one, especially as things just keep escalating in the Middle East at the moment and the death toll going up.

The art in this book is so incredibly unique it immediately stood out. It’s very much a cubist style, which makes the Israeli IDF/guards at the prison all the more surrealistic and monstrous, but also finds a way to find the vulnerability of Thamer and others who are being abused and displaced. At first I didn’t really know what I thought of the style (I am not a person who has a lot of knowledge of or connection to the cubist style and its history), but as the story went on and through my various revisits before reviewing it really grew on me. It made some of the violence less graphic, but didn’t take away the emotional impact.

(source: Street Noise Books)

“Welcome to Hell” is a timely and powerful graphic memoir. It’s a difficult read, but one that feels incredibly necessary to understand and reckon with.

Rating 9: A powerful and deeply personal read about the people of Palestine who experience trauma, violence, and displacement at the hands of an oppressive regime and their fight to survive.

Reader’s Advisory:

“Welcome to Hell” isn’t on any Goodreads lists as of yet, but it would fit in on “Palestine Reading List”.

Kate’s Review: “Abyss”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Abyss” by Nicholas Binge

Publishing Info: Tor Nightfire, May 2026

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Severance meets Lovecraft in this surreal tale of corporate horror and existential dread.

Joe always had potential, but he doesn’t expect much, and he hopes that his new job as an admin assistant won’t expect much of him. But when he enters the offices of Ponos—a company he’s never heard of and knows nothing about—he discovers that potential is exactly what they want from him.

A feverish dive into the inhumanity of both late-stage capitalism and the crippling anxieties of modern life, Abyss adds a new level of meaning to ‘wage slave’.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I feel like I’ve been reading a lot of novellas lately, or at least more than usual. Sometimes novellas can worry me in the same way short stories do in that it can be trickier to convey a story with a more limited page count, but it obviously can be done, and I’ve had a pretty good run of novellas as of late. “Abyss” by Nicholas Binge is the most recent one, and I was able to get through it in about a day. Not only because of the length, but how fast paced it flowed as a horror story about not only dimensional monstrosities, but also the monstrosities of corporate culture and late stage capitalistic greed and exploitation.

I’ve never had a corporate job, but from what I’ve heard from my friends who have the metaphors in this book work. (source)

I’ve made mention before that cosmic horror isn’t exactly a sub-genre that I delve into often, but “Abyss”‘s hook was too good to pass up, and as a Lovecraftian kinda tale it is pretty good at hitting the components that are expected. There is a slow building unease as our protagonist Joe starts his new menial job at Ponos, a corporation he isn’t familiar with but will pay the bills. From the jump there are strange things about it, like the complete lack of people outside of a few oddballs he stumbles upon, an over enthusiastic A.I. ‘assistant’ who keeps messaging him in stranger and stranger ways, and the skittishness of his higher up. As the job goes on the tension rises, as the reader follows Joe into creepier and creepier situations until he his fully confronted with a cosmic threat that is not only running this lucrative and powerful company, but is possibly using the blood of the workers to fuel itself. I like the high strangeness of the being and the creepiness of the peons that are trying to please it, with a solid backstory to why it is here contrasted with a stodgy and boring but also threatening corporate setting. I know “Severance” is how people are comparing, but I kept thinking about “Office Space” as a horror story, and that’s a good thing.

The true beating heart of this novella, though, are the satirical elements and messages that Binge puts forth. The main metaphor at hand is that the cosmic being that is being fed at Ponos has been put in place by the wealthy to maintain their power and to suck as much from the workers as possible all in the name of profits, and while that’s certainly a cathartic and relevant bit of satire, it’s kind of an obvious one when it comes to a story like this. For wholly understandable reasons we’ve seen a lot of commentary about the uber wealthy and their money hoarding within horror stories by sacrificing and downplaying the working class, so much so that it’s a little obvious. But there is a whole other point in “Abyss” that is connected to Joe and the story at hand, and that is the concept of the isolation and ennui of modern worker life, especially post pandemic. We live in a time where technology should theoretically make it all the easier to connect thanks to social media and varied means of communication. But Joe’s life is incredibly isolated, as he goes to work, goes home and dicks around online, and that’s about it. He isn’t really in touch with his mother and doesn’t seem to have any in real life friends. One of the main defenses against the horror and ruin at the hands of the cosmic in this is the idea of connection, with tech making it harder to connect under guise of bringing people together. That, to me, was a far more interesting avenue to explore because it felt so emotionally resonant.

“Abyss” is sure to please those who like cosmic horror as well as satirical observances of modern late stage capitalism. It’s a fast read, so consider adding it to your list!

Rating 7: The satire is a little on the nose but the message at the heart resonates. Add in some fun cosmic horror and a nefarious corporate setting and you have an enjoyable horror novella.

Reader’s Advisory:

“Abyss” is included on the Goodreads list “Horror to Look Forward to in 2026”.

Kate’s Review: “Molka”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Molka” by Monika Kim

Publishing Info: Erewhon Books, April 2026

Where Did I Get This Book: I received an ARC at PLA 2026 from the publisher!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: molka (n): the Korean term for spy cameras secretly and illegally installed, often to capture voyeuristic images and videos

Dahye can’t believe her luck when she finds herself in a whirlwind romance with handsome, charismatic Hyukjoon, the heir to a multi-million dollar fortune.

But then a shocking revelation threatens: the couple has been caught on a spycam amid Korea’s growing molka epidemic, and the video is all over the internet. When Hyukjoon flees the country to avoid the intense public scrutiny, Dahye is left to grapple with the ramifications on her own; and the demons from her childhood, long dormant, begin to surface.

Amid the chaos, she catches the attention of Junyoung, a nerdy, introverted IT tech at work. Junyoung harbours a dark secret: he has been spying on the women at work with his own hidden cameras. As Dahye’s life begins to unravel, she unknowingly becomes the sole target of Junyoung’s perverse obsession.

When the facts surrounding the invasion of her privacy come to light, Dahye is faced with the humiliating truth. Her pain and hurt turn to rage as she faces her past. Her desire for vengeance is insatiable, and she will not rest until the men who have wronged her have paid in blood…

Review: Thank you to Erewhon Books for giving me an ARC at PLA 2026!

Okay, before I even go into my introduction to my review, I want to let people know that this review is going to be covering some triggering topics like rape/sexual assault, and sexual exploitation. So just be aware that it’s going to get heavy.

As I was reading “Molka” by Monika Kim the disgusting revelations of a so called online ‘Rape Academy’ broke in the news cycle, where men would drug their partners, rape them, film it, and then upload it for other users to see. It was horrifying but not all that surprising, and it just made me shake my head because the book I was reading was unfolding in real life in a lot of ways. “Molka” is a horror story to be sure, with a good majority of the horrors being completely man made, and Kim doesn’t hold back in her storytelling even if it makes for an incredibly triggering read. But a necessary one, as evidenced by the fact this shit is happening off page and in reality.

Our story takes place in Seoul and has two main POVs. The first is of Dahye, a young woman who has been swept off her feet by Hyukjoon, the son of a millionaire who showers her with gifts and incredible experiences… until footage of them having sex pops up online, seemingly filmed without their knowledge. While Hyukjoon has the wealth and privilege to ride the storm (being a man also helps… more on that in a bit), Dahye does not, and finds herself spiraling as the footage is everywhere, bringing up memories of her sister Euhnye, who killed herself years ago at seventeen after being impregnated by an older man and being terrified of the fallout. Our second POV is that of Junyoung, one of the IT guys at her work who has installed his own hidden cameras, or molkas, in the women’s restrooms so he can spy on unsuspecting women and see their privates, with Dahye catching his eye. Both POVs are so upsetting, whether it’s getting into the head of a predator like Junyoung, or seeing how absolutely wrecked Dahye is because of the violation and because of how women in molka cases are blamed, ignored, and shamed. And seeing them both escalate in their own ways, whether it’s Junyoung’s obsession becoming more dangerous, or Dahye’s mental health spiraling and her rage building, makes for such suspense and tension. Especially when it seems like Eunyhe’s ghost may be manifesting more and more as Dahye becomes more and more frenzied. I loved the bits with Eunyhe, with little hints of water and fleeting glances turning into a full on vengeful ghost egging Dahye on.

But potential supernatural themes aside, the really scary aspect of “Molka” were the real life themes of violent misogyny, sexual exploitation, and gender double standards within societies when it comes to sexuality. For characters like Dahye and Eunhye, as women who experience violence because of their sexuality (whether it’s the assault and exploitation in Dahye’s case or Eunhye killing herself after her out of wedlock teen pregnancy is revealed) are shamed and shunned and driven to the brink. But for people like Hyukjoon and Junyoung, who are men, they can either be wholly unaffected by scandal, or even be abusers either out in the open or hidden in the shadows, and even if their nastiness becomes known they are excused because boys will be boys. There were so many infuriating moments in this book that had to do with the disgusting ways Dahye was sexualized and violated, and Kim makes sure to tread a very fine line that makes sure the reader knows exactly what’s going on without making it feel all the more exploitative of, even worse, titillating. It is a VERY difficult read at times, especially when we see how objectified and dehumanized women are in the eyes of their abusers, but it’s also a searing and unflinching portrayal of feminist rage that has moments of catharsis to balance out the incredibly triggering moments.

“Molka” is a dark and upsetting horror novel, but it also feels like a very timely read, unfortunately. I definitely recommend it to any reader who likes a ‘good for her’ story.

Rating 9: A dark and difficult but unfortunately timely horror story about misogyny, violence against women, and the double standards between the treatment of genders in sexual situations. “Molka” is filled with content warnings, but the message is cathartic and the feminist rage burns bright.

Reader’s Advisory:

“Molka” is included on the Goodreads list “2026 Women in Horror”.

Kate’s Review: “The Drop”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Drop” by S.R. Masters

Publishing Info: Sourcebooks Landmark, April 2026

Where Did I Get This Book: I received an ARC from the publisher

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A terrifyingly twisty, wholly original thriller following a group of amusement park visitors who get stuck on a roller coaster high above the ground—with no way down.

Six hundred and fifty feet in the air, no one can hear you scream.

Some might say that thirtysomething Cady Ellison landed herself a strange creative career, but Cady finally feels like she’s found her footing. Now an online theme park influencer, she is invited to the opening of a brand-new park by her old friend, Danny, who wants to use her online profile to help build buzz for its flagship ride, Hysteria, a record-breaking 650 foot-tall roller coaster.

When she arrives at the half-complete theme park site in the middle of the desert, Cady is unexpectedly met with her old college friend Femi, an award-winning actor, Naseem, a decorated novelist, and Winston, a member of a popular rock group. Wanting them all to sing the praises of Hysteria online, Danny has arranged an exclusive private ride for them, capped off with the stunning desert sunset. But when their coaster cars get to the top of the first hill, the ride stalls 650 feet above ground. With no one due on site for days and over 100-degree heat awaiting them once the sun rises, the four friends soon realize that they must unravel the secrets from their complicated past if they are to find their way to safety.

Review: Thank you to Sourcebooks Landmark for sending me an ARC of this novel!

While I can still do some mid level rollercoasters whilst visiting a theme park here or there, it’s been a long time since I could do something really intense. While at Disney World a couple years ago I was fine on Big Thunder Mountain Railroad and Snow White’s Mine Cart Ride, but I steered clear of the likes of Tron, Space Mountain, and Guardians of the Galaxy. I definitely envy people who can do the big scary coasters (this will be my kid in the future almost assuredly), but I imagine even they would have a problem with being stranded on a rollercoaster ride with no ride operators to be found. That’s basically the premise of “The Drop” by S.R. Masters, a new thriller where a group of friends from university have a reunion at a not yet opened theme park in an unnamed Middle Eastern country, only to be trapped by themselves at the top of the highest coaster in the world. I love creative thriller premises like this, and “The Drop” really leans into the hook with pretty solid results.

Cady is a youtube influencer who reviews and livestreams amusement park rides, and is thrilled when she is contacted by her university friend Danny, who is working for a company that has a theme park being built to be the best in the world. She arrives, sees that hers and Danny’s friends from college Femi, Naz, and Winston, are also there, and Danny puts them in the cars of Hysteria, the tallest rollercoaster in the world, and promises them a good time… Only for the car to stall hundreds of feet above the ground, and Danny to basically ghost them. It’s a good device, and it has a growing dread as the friends go from amused, to irritated, to absolutely horrified that they may be stuck with no help coming, no water, and no shade as the hot sun is set to rise in hours. These kinds of thrillers can be hard to pull off, but when you do pull it off it makes for such an unsettling experience for the reader/viewer. I mean the very idea of being trapped in this way is SO scary to me, especially since it is drawn out and mentally torturous as well as physically. We have reasons as to why this is all happening, and while it’s not super creative or reinventing anything in terms of motivations the setting of being trapped on a coaster more than makes up for it.

But I will admit, I also loved all of the over the top soapiness that came with this book. All of our characters, be they be the ones trapped on the rollercoaster as the night goes on and the threat of desert temps has them terrified, or the ones who have a beef with others, are dramatic and have things they are hiding and stewing over. I found twist after twist and reveal after reveal to be enjoyable and very sudsy, and while some characters felt more caricatures than others, I was definitely turning the pages to see who had backstabbed whom, and how it was all going to shake out after their revelations were out in the open. We get insights not only through their confessions in the moment, but also in flashback sequences for the various players to show where they were coming from when they were making the choices they were making.

If you are looking for a fun read, especially with summer approaching sooner rather than later, “The Drop” is one to add to your to be read pile. And it may put you off rollercoasters for a bit.

Rating 7: A creative thriller with a suspenseful main storyline (and some soapy asides to build the suspense even more) kept me reading and invested.

Reader’s Advisory:

“The Drop” isn’t on any Goodreads lists as of now, but it would fit in on “Theme Parks”.

Kate’s Review: “The Caretaker”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Caretaker” by Marcus Kliewer

Publishing Info: Atria/Emily Bestler Books, April 2026

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Follow the Rites…

Nothing less than the survival of humanity is at stake.

From Marcus Kliewer, a new “titan of the macabre and unsettling” (Erin A. Craig, #1 New York Times bestselling author), comes a supernatural horror about a young woman who accepts a caretaking job from Craigslist, only to discover the position has consequences far greater—and more dangerous—than she ever could have imagined.

EXCITING OPPORTUNITY:
Caretaker urgently needed. Three days of work. Competitive pay. Serious applicants ONLY.

Macy Mullins can’t say why the job posting grabbed her attention—it had the pull of a fisherman’s lure, barbed hook and all—vaguely ominous. But after an endless string of failed job interviews, she’s not exactly in the position to be picky. She has rent to pay, groceries to buy, and a younger sister to provide for.

Besides, it’s only three days’ work…

Three days, cooped up in a stranger’s house, surrounded by Oregon Coast wilderness.

What starts as a peculiar side gig soon becomes a waking nightmare. An incomprehensible evil may dwell on this property—and Macy Mullins might just be the only thing standing between it, and the rest of humanity.

Follow the Rites… Follow the Rites… Follow the Rites… ..— / ….. / —..

Review: Thank you to NetGalley for sending me an eARC of this novel!

I somehow missed the book “We Have Always Lived Here” by Marcus Kliewer when it came out, and I still haven’t worked it into my reading schedule in spite of the fact basically all of the praise it has received. Like not just from reviewers or influencers, but also people in my life who like horror. It entered my mind that I hadn’t read it yet as I started Kliewer’s newest book “The Caretaker”, as I had a fleeting thought of ‘oh I wonder if I should get to that eventually’. And as I was reading “The Caretaker”, I realized why everyone was praising “We Have Always Lived Here”. Because “The Caretaker” is TERRIFYING.

I did not read this book at night for a reason. (source)

I will reiterate: this was a scary read for me. It read really fast even though it’s a pretty average length of a book, and Kliewer has the pacing and vibe down pat. It starts with a terrifying bang and then cycles back down to a level that has time to build the dread and tension, and BOY does it build. We are following Macy, a woman who finds herself down on her luck and desperate for employment as she has to try and care for herself and her sister in the wake of their father’s tragic death. So a strange ad for a caretaker needed sounds like a good deal, and she applies and gets the job for a LOT of money…. but the instructions seem odd. I loved how strange and out there the rules were, which sound crazy and innocuous, but as Macy fails to follow them (oh my GOD, MACY, GET IT TOGETHER!) things go from weird to horrifying. There were so many moments of just absolute DREAD for me as the tension builds and builds, and I found myself putting the book down a couple of times because I was so stressed out. I don’t want to spoil any of it for people who want to check it out, but let me tell you, the rules may sound innocuous (to a point), but they are anything but. Especially as they all start to fall apart. I also enjoyed how ambiguous things are in this book. I know that sometimes ambiguity or a lack of explanation of supernatural or magical systems are frustrating in books (I find myself irritated from time to time with this kind of thing), Kliewer’s ambiguity adds to the story because it means that the reader can see themselves in Macy’s shoes when the really strange things start happening. And the really strange and weird things REALLY messed with my head.

And Macy herself is an interesting heroine because she is such a mess, but a mess whose messiness makes sense as we find out about her thanks to flashbacks to her childhood, and the loss of her dad. She is clearly struggling with depression and grief, and has to try and pull herself together because of her desperation to keep herself and her sister Jemma (who is a mess in hew own way) afloat. It makes for a lot of her choices and decisions as the story progresses to be believable for the most part. I definitely had a lot of anxiety as she continued to mess up the instructions, though I will fully admit that once we got into some of the late stage ones they do seem a bit impossible or COMPLETELY insane, and a lot of that was because of how much I empathized with her. Kliewer did a great job fleshing her out and making it both easy to root for her and easy to get so frustrated (while fully recognizing I’d probably also mess up like she did).

“The Caretaker” is so incredibly scary and engrossing. I really enjoyed it and if you want something weird and terrifying definitely check it out.

Rating 9: High intensity, a slow building dread, and an overall unsettling and WEIRD vibe that turns into abject horror. “The Caretaker” is scary as hell.

Reader’s Advisory:

“The Caretaker” is included on the Goodreads list “Horror to Look Forward to in 2026”.