Category: Kate’s Reviews

Kate’s Review: “The Night Shift”

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Book: “The Night Shift” by Alex Finlay

Publishing Info: Minotaur Books, March 2022

Where Did I Get This Book: I received an eARC from NetGalley.

Where Can You Get this Book: WorldCat |Amazon | IndieBound

Book Description: It’s New Year’s Eve 1999. Y2K is expected to end in chaos: planes falling from the sky, elevators plunging to earth, world markets collapsing. A digital apocalypse. None of that happens. But at a Blockbuster Video in Linden, New Jersey, four teenage girls working the night shift are attacked. Only one survives. Police quickly identify a suspect who flees and is never seen again.

Fifteen years later, in the same town, four teenage employees working late at an ice cream store are attacked, and again only one makes it out alive. Both surviving victims recall the killer speaking only a few final words… “Goodnight, pretty girl.”

In the aftermath, three lives intersect: the survivor of the Blockbuster massacre who’s forced to relive her tragedy; the brother of the original suspect, who’s convinced the police have it wrong; and the FBI agent, who’s determined to solve both cases. On a collision course toward the truth, all three lives will forever be changed, and not everyone will make it out alive.

Twisty, poignant, and redemptive, The Night Shift is a story about the legacy of trauma and how the broken can come out on the other side, and it solidifies Alex Finlay as one of the new leading voices in the world of thrillers.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

On paper, “The Night Shift” by Alex Finlay was complete and utter catnip for me. There’s a time jumping mystery, there’s a whodunnit murder element, there are multiple characters who may or may not have secrets, and there is a healthy does of 90s nostalgia. I remember that going to Blockbuster on Friday night was an EVENT! I also saw all the hype surrounding this book, so I jumped in really hoping for a home run. And we didn’t quite get there.

There were, however, things to like, and I will start there because I do want to highlight the positives. For one, we have a pretty well thought out and well connected story, told through the perspectives of interconnected characters. The first is Ella, a therapist who was the sole survivor of a multiple murder at her high school workplace, Blockbuster, in which her coworkers were killed and she was not. The second is Chris, a public defender whose brother Vince was the main suspect in the Blockbuster murders, but disappeared off the grid after he was released from custody before he could be tried for the crime. The third is Special Agent Keller, an FBI agent who is trying to connect a new multiple murder scene at an ice cream shop to the Blockbuster murders, as there is, once again, one survivor named Jess, and the perpetrator said the same phrase to her as he said to Ella. I liked how these three characters were separate at first, and then slowly converged into the big story and overarching mystery as they are trying to handle their own baggage and mysteries, and it really kept me engaged and interested as I read. I especially liked Keller’s POV, as she is determined and gritty and had the scenes that I found myself most invested in, since she was doing a lot of the investigating that felt like it was getting somewhere (I have more to say on Ella and Chris in a bit). AND she is doing all of this while eight months pregnant with twins, which was kind of a fun tidbit and felt very Marge Gunderson from “Fargo” (especially since her husband is SUPER doting, much like Norm was in that movie).

Speaking of couples goals. (source)

But that kind of segues into the things that didn’t work for me as much in this book. Firstly, many of the other characters outside of Keller felt pretty two dimensional and not super explored. Ella is a pretty typical and standard examination of trauma, in that she has devoted her life to trying to cope by compartmentalizing, and has completely messed up her personal life because of it (when we meet her she is meeting up for a hook up in spite of the fact she has a fiancé, because wow look at what a mess she is, right?!). Her connection with Jess, the newest victim, is based of her skills as a therapist as well as the fact she’s been there before, but Jess is tragic and precocious and hiding her own issues that only serve to muddy some waters. Since we don’t really get into her head she is, once again, pretty standard fare that we’ve seen before. And then there’s Chris, whose story is tragic in its own ways as he clings to the hope that his brother Vince is innocent, and has been thinking he has perhaps found him via the Internet. This was, admittedly, an interesting plot line, but Chris himself is also pretty two dimensional. And on top of all of that, the mystery itself becomes glaringly obvious in terms of conclusion pretty quickly. There were a few ‘mini’ mysteries here and there that kept me kinda guessing and invested, hence the engaging aspect of this book, but the big one wasn’t shocking, and the journey getting there on that outcome alone wouldn’t have been as compelling. And frankly, the big mystery should be compelling.

I think that I will go back and read Finlay’s previous book, as there is definitely potential in “The Night Shift” that has glimmers of a thriller I’d enjoy. But as a final product and full package it was a little ho hum.

Rating 6: Admittedly super engaging, but the big reveal isn’t very surprising, and most of the characters are pretty two dimensional.

Reader’s Advisory:

“The Night Shift” is included on the Goodreads list “Can’t Wait Crime, Mystery, and Thrillers 2022”.

Kate’s Review: “Locke & Key (Vol. 6): Alpha & Omega”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Locke & Key (Vol. 6): Alpha & Omega” by Joe Hill and Gabriel Rodríguez (Ill.)

Publishing Info: IDW Publishing, January 2014

Where Did I Get This Book: I own it.

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: The shadows have never been darker and the end has never been closer. Turn the key and open the last door; it’s time to say goodbye.

The final arc of New York Times bestselling Locke & Key comes to a thunderous and compelling conclusion.

Review: I feel like my re-read of “Locke & Key” went by in a flash. It could be because my re-read of “Sandman” was a few volumes longer, but I think that it’s also the fact that Joe Hill has created something that has depth, complexity, and some great horror and fantasy moments that is well packaged and easily digestible. I found myself kind of dreading the end, as I knew that it was going to pack an emotional wallop, but once I picked up “Alpha and Omega”, I basically devoured it in a sitting, taking breaks only to weep into my hands because of said wallop.

I don’t even know where to begin as I review the end of this series. Hill has built up to this moment, and you know that there are going to be a lot of casualties and a lot of collateral damage as Dodge makes his final moves into trying to open the Black Door, but when it centers around graduation night and a high school party in the caves, the stakes are raised to the highest point that the series has seen. It’s up to Tyler and Kinsey to try and stop Dodge, though they have no idea that Dodge has inhabited Bode’s body. So when Dodge does start wreaking havoc, all through the body of a child, it’s just heart-rendering to see. Especially since all the chaos that unfolds involves teenagers, and therefore other children. No one ever said that Hill was sunshine and rainbows, but I had forgotten just how goddamn bleak this last arc is as the horrors unleash and demons do their best to overtake Lovecraft, and perhaps the world at large. It’s a great reveal, it all comes together and makes sense in terms of what we’ve seen so far, and it is a fantastic climactic story arc for this series with awesome horror moments and full fledged mythology. And a whole lot of death, a lot of it coming for characters we have come to care for.

But there are also a lot of wonderful bits of hope throughout this tale. We’ve followed the Locke children (as well as their mother and uncle to lesser degrees), and now we get to see them come to the end of their journey and to live up to the potential of who they are meant to be, as Lockes and as people in general. Tyler and Kinsey have come so far as characters, and through the highs and lows of both I came to just fall in love with them both all over again, just like I did the first time I read it. They are teenagers with a lot of pain in their hearts, and they are messy and damaged, but they are also, ultimately, great people who love their family, even as the family has gone through something terrible and hasn’t figured out how to come through the other side just yet. Hill writes them both as incredibly human, and as such sometimes they just made me want to throttle them, and other times I want to hug them and never let them go. By the time we got to the end of their journeys, Tyler’s in particular, I was a weepy mess.

There are a couple things that don’t work. One is how Hill writes Jordan’s, Tyler’s girlfriend’s, final storyline. I feel like we never really got to fully explore Jordan as a character, as she was relegated to ‘bad girl with a heart of gold who pushes those who care for her away’. We’ve seen it before. She’s more there to give Tyler the ability to learn and grow, and I felt like she deserved more than that. There is also one big moment (no spoilers here) that didn’t really get the explanation I think that it needed, but ultimately these things are minor within the grand scheme of what does end up working. Because so much works.

And one more shout out to Gabriel Rodríguez. His artwork is so fantastic, and there are a lot of moments in this book that have emotional beats that fully rely on the visuals as opposed to what is being said.

Though full disclosure, these days any emotional content with mothers and daughters is going to set me off. (source: IDW Publishing)

“Locke & Key: Alpha and Omega” is a near perfect ending to a fantastic series. I am so glad that I decided to revisit it, as I feel like I got even more out of it this time than I did on my initial read. I imagine I will revisit the Locke Family in the future, as they and the story they have is a wondrous dark fantasy horror creation with so much heart.

And given that there is a crossover story with “Sandman”….. we may be seeing both worlds from some comic re-reads in the near future…

Rating 9: A practically perfect ending that made me weep, “Locke & Key (Vol. 6): Alpha & Omega” brings it all to the finish with emotion, horror, and hope.

Reader’s Advisory:

“Locke & Key (Vol. 6): Alpha & Omega” is included on the Goodreads lists “Best Coming of Age Horror Novels”, and “Graphic Novels That Are Quality”.

Previously Reviewed:

Kate’s Review: “Sundial”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Sundial” by Catriona Ward

Where Did I Get This Book: I received an eARC from NetGalley.

Publishing Info: Tor Nightfire, March 2022

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Sundial is a new, twisty psychological horror novel from Catriona Ward, internationally bestselling author of The Last House on Needless Street.

You can’t escape what’s in your blood…

All Rob wanted was a normal life. She almost got it, too: a husband, two kids, a nice house in the suburbs. But Rob fears for her oldest daughter, Callie, who collects tiny bones and whispers to imaginary friends. Rob sees a darkness in Callie, one that reminds her too much of the family she left behind. She decides to take Callie back to her childhood home, to Sundial, deep in the Mojave Desert. And there she will have to make a terrible choice.

Callie is worried about her mother. Rob has begun to look at her strangely, and speaks of past secrets. And Callie fears that only one of them will leave Sundial alive… The mother and daughter embark on a dark, desert journey to the past in the hopes of redeeming their future.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

You perhaps remember last Fall when I reviewed the supremely hyped horror novel “The Last House on Needless Street” by Catriona Ward. And that while I thought it was engaging and entertaining, I thought that the big twists and surprises were based in kinda cliché tropes that we’ve seen before, and that I called them from a mile away. I wasn’t super concerned about that when I saw she had a new book called “Sundial”, however, as I could tell that Ward has a serious talent for convoluted horror with a lot of misdirection and oddness. So I jumped in one weekend, eager to see if this one would be an experience that was a bit more fulfilling. And oh. It was. It was a fucked up ride but fulfilling it was.

Me closing my Kindle at 11pm after reading something so supremely fucked and feeling great about it. (source)

As a reader you are thrown into a very strange narrative when you start “Sundial”. All you know is that you are following Rob a wife and mother who is hiding a terrible backstory, is married to a shithead named Irving, and has two daughters, the softspoken Annie and the weird and morbid Callie, who likes to play with bones and may or may not be talking to ghosts. After a violent incident that involves Callie nearly ends in disaster, Rob in convinced that the wrongness in her is getting out of control, and takes her on a mother daughter trip to Sundial, the compound that Rob and her now absent twin sister Jack grew up on. Which involved animal research, complete isolation from the outside world, and Jack seeing ghosts that weren’t there? Does Ward explain any of this as we are tossed into the deep end? Nope. But all in good time we slowly get to see Rob’s backstory at Sundial, her relationship with her sister and her father and stepmother, and how she ended up in a violent marriage with a kid who has something wrong with her. It’s told in Rob’s present, as well as Callie’s present POV, and through flashbacks to Rob’s life moving up to the present. Ward is so good at keeping things unexplained without making them frustrating for the reader, as I was absolutely muttering to myself ‘what the fuck is going on?’ without getting mad about it. I really liked how it all comes together, and how even in my wildest dreams I couldn’t have predicted how so many things were going to shake out, while still seemingly ‘believable’ within the world we are exploring. It’s a very unique horror tale, and it works.

I also liked the characters in this book, at least the ones that we spend the most time with. And again, I want to emphasize that Ward kind of drops us in the middle of the high stress and strangeness life of Rob and doesn’t feel a need to explain until she is ready. But Rob is such a relatable and interesting character from the jump that it didn’t bother me. Why is she married to this man she obviously hates? What is she so afraid of when she sees how Callie is behaving? And also, why is Callie the way she is? I loved the way that we carefully peel back both of their characters and how nuanced they both were. I’m doing my very best to work in vague terms because it’s definitely best to go in with this muddy situation. But I ended up caring for them both and worrying about them both, even when they are potentially at lethal odds with one another. The fear, anger, and love between them really connects, and makes the read all the more emotional.

My one quibble? A couple of the twists were a bit frustrating to me, and I think I know why. Without spoiling, I’ll try and explain. The first is the most obvious, as it is once again a twist that happens right at the end as one last gotcha. You know that I don’t like this kind of thing unless it is REALLY earned. And actually, it is, for the most part, somewhat earned in this book. But it’s one that still felt a bit like a hackneyed ‘didn’t see THAT one coming moment!’ just for shocks, though not as bad as many are! The other is one of the twists involving Rob’s twin sister Jack, and how it changes some of the perceptions of Rob and her relationships with those around her (honestly, I thought that Jack was the least interesting character of them all, as she functions in tropes that we have seen many times before. It’s kind of too bad that she plays such a huge role in the story in term’s of Rob’s characterization and more, because I found her grating). The effect it had and the fallout that transpired was hard to swallow for me, as, again, it’s the kind of twist that has been done within themes like this before, and it’s one that feels over-explored at this point.

BUT, overall I really enjoyed “Sundial”! Ward has proven herself to be skilled at writing stories with discombobulating plots that eventually come together and make sense, and it worked even better this time around with even muddier waters to navigate. I cannot wait to see what she comes up with next.

Rating 8: A surrealistic and twisted horror tale about sisters, mothers, and daughters, “Sundial” kept me guessing and kept me riveted.

Reader’s Advisory:

“Sundial” is included on the Goodreads lists “Horror to Look Forward To in 2022”, and “2022 Horror Written by Women (Cis and Trans) and Non-Binary Femmes”.

Kate’s Review: “All Her Little Secrets”

Book: “All Her Little Secrets” by Wanda M. Morris

Publishing Info: William Morrow, November 2021

Where Did I Get This Book: The library!

Book Description: Everyone has something to hide…

Ellice Littlejohn seemingly has it all: an Ivy League law degree, a well-paying job as a corporate attorney in midtown Atlanta, great friends, and a “for fun” relationship with a rich, charming executive—her white boss, Michael.

But everything changes one cold January morning when Ellice goes to meet Michael… and finds him dead with a gunshot to his head. And then she walks away like nothing has happened. Why? Ellice has been keeping a cache of dark secrets, including a small-town past and a kid brother who’s spent time on the other side of the law. She can’t be thrust into the spotlight—again.

But instead of grieving this tragedy, people are gossiping, the police are getting suspicious, and Ellice, the company’s lone black attorney, is promoted to replace Michael. While the opportunity is a dream-come-true, Ellice just can’t shake the feeling that something is off.

When she uncovers shady dealings inside the company, Ellice is trapped in an impossible ethical and moral dilemma. Suddenly, Ellice’s past and present lives collide as she launches into a pulse-pounding race to protect the brother she tried to save years ago and stop a conspiracy far more sinister than she could have ever imagined…

Review: I have honestly been eying “All Her Little Secrets” by Wanda M. Morris since last November when it was about to come out. It made a few lists that I came across on social media, and while I wanted to add it to the pile I had a huge stack. By the time it came out I had left it on a mental hold list, and I didn’t seek it out until after the new year. It took a little bit for my hold to come in, and when it did I had a ‘oh yeah!’ moment. I sat down one day and started it, thinking that I would probably get through it in a few days time… And then I read it in two big sittings, basically being snared from the get go. “All Her Little Secrets” gets right down to business, and doesn’t let up until the last pages.

As someone who enjoys conspiracy thrillers if they don’t get too cloak and dagger or overly twisty, I thought that “All Her Little Secrets” executed all the twists and turns without getting too lost in the weeds. It felt like a pretty good progression as we follow Ellice, our protagonist who gets tangled in a dangerous web at her high powered corporation after her longtime boss and secret lover, Michael, is found dead in his office (by Ellice, actually, though she rushes out and doesn’t tell anybody, and it becomes very clear why). I enjoyed watching Ellice start to realize that a personal loss but professional boon, as she is almost immediately promoted to Michael’s position, is far more insidious than anticipated. But what makes it all the more sinister are the themes of racism and misogynoir that Morris weaves throughout the story, as Ellice isn’t just an unwitting pawn, she is an unwitting pawn who also has to deal with the very real racist corporate environment she has been working within. From the overtly racist interactions she has with coworkers to murkier microaggressions to just being the only Black person in her department, “All Her Little Secrets” finds intensity and dangerous outcomes in Ellice’s life even before it’s all turned upside down when Michael is killed. The themes fit into the story perfectly and make the conspiracy all the more ruinous and upsetting. I loved the mystery as it unfolded, and while I figured out a couple of things, for the most part there were lots of surprises and interesting plot twists.

I also really loved Ellice as our main character. The title and summary let the reader know that Ellice has a lot of secrets that she’s been keeping, from her relationship to her boss to some of the things she’s omitted from her life story to those around her. But finding out all of these secrets really gives us a good sense of who she is as a character, and it makes her very complex and someone who I found myself caring a lot about as the story kept speeding towards danger. We slowly learn some of the things she’s been hiding through the modern day narrative, as well as glimpses into her past, when she first took a step towards her big dream reality by leaving her small town behind to attend a prestigious private school… and therein leaving everyone who cared about her, and the guilt that has manifested because of it. The various struggles that made her want to escape are unfolded and devastating, and it all ties into how she has approached life as this story begins in the modern day. It just fits together so well. It’s an enjoyable character study as well as a taut conspiracy thriller.

“All Her Little Secrets” kept me reading and kept me guessing. If you like conspiracy thrillers this is one you definitely need to check out!

Rating 8: An intense conspiracy thriller with well thought out themes on race and corporate elitism, “All Her Little Secrets” will keep you on the edge of your seat.

Reader’s Advisory:

“All Her Little Secrets” is included on the Goodreads lists “Mystery/Thriller/Detective Books Featuring and Written by Black Women Part 1”, and “Great Noir and Noirish Novels Written by Women”.

Find “All Her Little Secrets” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “This Might Hurt”

Book: “This Might Hurt” by Stephanie Wrobel

Publishing Info: Berkley Books, February 2022

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: Welcome to Wisewood. We’ll keep your secrets if you keep ours.

Natalie Collins hasn’t heard from her sister in more than half a year.

The last time they spoke, Kit was slogging from mundane workdays to obligatory happy hours to crying in the shower about their dead mother. She told Natalie she was sure there was something more out there. And then she found Wisewood.

On a private island off the coast of Maine, Wisewood’s guests commit to six-month stays. During this time, they’re prohibited from contact with the rest of the world–no Internet, no phones, no exceptions. But the rules are for a good reason: to keep guests focused on achieving true fearlessness so they can become their Maximized Selves. Natalie thinks it’s a bad idea, but Kit has had enough of her sister’s cynicism and voluntarily disappears off the grid.

Six months later Natalie receives a menacing e-mail from a Wisewood account threatening to reveal the secret she’s been keeping from Kit. Panicked, Natalie hurries north to come clean to her sister and bring her home. But she’s about to learn that Wisewood won’t let either of them go without a fight.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Given that Stephanie Wrobel’s first book “Darling Rose Gold” took inspiration from a notorious true crime case, it’s probably not too shocking that her second book “This Might Hurt” took inspiration from another one. I, for one, am a-okay with such things, as I really enjoyed “Darling Rose Gold” because of the twisty dramatization that Wrobel created from the real life event. When I read the description of “This Might Hurt” I immediately thought ‘oh this is NXIVM’. I mean, an isolated self help community in the Northeast, and family members wondering what is going on with their loved ones? NXIVM was all over the pop culture consciousness these past couple of years, so I wasn’t surprised and was definitely interested.

I liked the narrative structure of this book. It has some of what you would expect, and then an aspect that I wasn’t expecting but ended up liking the best of the three perspectives. But in terms of the more obvious choices, we have both Natalie and Kit providing us with first person perspective chapters, separated into sections. Natalie is rooted firmly in the present, so we get to see Wisewood in the moment and how unnerving and creepy it is as a self help island disguising a cult. For Kit we get some past perspectives, seeing what made her decide to seek out Wisewood in the first place, and how she has adjusted to living there (as well as how she has ascended up the ranks to become a pet of the leader, ‘Teacher’). They eventually come together to play out the story, and it meshes well, even if the way that it all parses out isn’t super surprising or unique.

It does, however, build at a pace that slowly raises the tension and suspense, as Natalie looks for Kit on this isolated island where people are seemingly trying to keep her at arm’s length. Throw in the fact that Natalie has her own secrets and you have double the mystery going on, though that, too, isn’t terribly shocking once we get to it. I think that part of the problem is that neither Natalie nor Kit are interesting enough as characters to me, so I wasn’t super invested in their outcomes. Sure, in the moment the malevolence of Wisewood is definitely unsettling, and the tension in that regard is well done. But since I didn’t really care about Natalie OR Kit, it never felt super high stakes to me.

But it was the third unexpected component that I liked the most and lifted this story up beyond a run of the mill thriller. These were perspective chapters from a mysterious third person, whose childhood with an abusive father and passive mother and older sister sets her onto a path dealing with magic tricks, self control, and eventual thirst for power and dominance. It becomes pretty clear that we are, indeed, seeing the story of Rebecca, the leader of Wisewood, and it was her moments that I was most looking forward to, as she felt like the most complicated character in the book. Certainly more complicated than Natalie and Kit, whose archetypes we have seen in this kind of book many a time. With Rebecca, while we do see characters like her from time to time, the way that Wrobel lets us see the slow and full transformation is the most chilling aspect of this book, and the one that worked the best for me as I read it.

“This Might Hurt” is a solid thriller. Some beats are familiar, while others are surprising, and it is certainly very, very addictive, and fairly disturbing when all is said and done. Wrobel knows how to make a setting feel dangerous, and seeing how a spider catches flies in her web was the biggest success of this book.

Rating 7: “This Might Hurt” is an entertaining book about cults and the relationship between sisters, though it’s the examination of a cult leader’s transformation that is the most interesting part.

Reader’s Advisory:

“This Might Hurt” is included on the Goodreads list “The Most Anticipated Mysteries and Thrillers of 2022”.

Find “This Might Hurt” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “Within These Wicked Walls”

Book: “Within These Wicked Walls” by Lauren Blackwood

Publishing Info: Wednesday Books, October 2021

Where Did I Get This Book: I own it.

Book Description: What the heart desires, the house destroys…

Andromeda is a debtera—an exorcist hired to cleanse households of the Evil Eye. When a handsome young heir named Magnus Rochester reaches out to hire her, Andromeda quickly realizes this is a job like no other, with horrifying manifestations at every turn, and that Magnus is hiding far more than she has been trained for. Death is the most likely outcome if she stays, but leaving Magnus to live out his curse alone isn’t an option. Evil may roam the castle’s halls, but so does a burning desire.

Kiersten White meets Tomi Adeyemi in this Ethiopian-inspired debut fantasy retelling of Jane Eyre.

Review: It’s come up on here before, specifically way back when during a joint review of “Jane Steele”, that I really love the book “Jane Eyre” by Charlotte Brontë. The Gothic setting and sensibilities, the tough and clever heroine, the admittedly problematic but still, to me, swoony leading man, it’s a book that I hold near and dear to my heart. I am always on the look out for reimaginings, and while some have been good, others have been not, so it always feels like a risk when I dive in. But I kind of knew from the jump that “Within These Wicked Walls” by Lauren Blackwood was going to work for me, because it was not only a retelling based in a non-Western centric gaze, it had ‘exorcist’ in the description. Our Jane equivalent as an exorcist sent to cleanse a haunted manor? Um, HELL YES.

As mentioned, our protagonist Andromeda, or Andi, is a debtera, a trained religious figure who performs exorcisms of people and places. She was taken in by Jember, a volatile and world weary debtera who has been her only connection to others, though his work has left him bitter, cruel, and sometimes flat out abusive to Andromeda. Her life up until this point has made her determined to succeed on her own, and very standoffish around other people. I makes her an interesting protagonist to follow because not only does she have to prove herself to Jember, but she also needs to show herself that she can do these things that she’s been trained to do. It becomes all the more complicated when she arrives at Thorne Manor, as not only is this house INCREDIBLY cursed by the Evil Eye, it also has an occupant, Magnus Rochester, that Andromeda finds herself very taken with. As Andi finds out just how dangerous the spirits and demons are within Thorne Manor, she also finds out that she can make connections with people, like Magnus, and the mysterious but incredibly kind servant Saba. This makes the stakes for Andi all the higher, and it makes it so she perhaps doesn’t realize just how in over her head she may be, despite her prowess and very well honed talents. I definitely liked her relationship with Rochester, as their banter and even footed wits and personalities was very fun to watch. But I was actually more interested in the complicated and sad relationship that she had with Jember, her mentor. As mentioned their interactions are dark and deeply broken, but Blackwood doesn’t opt for easy, black and white lessons or answers when it comes to their relationship. Jember is not good to Andi, it can’t be denied, but I liked how looking into his work as a debtera and through his past traumas kind of give him a lot of depth and complexity.

I also liked the magical systems at play, as well as the setting. Make no mistake, we are not finding ourselves in the Moors for this book, as we are actually in an alternate timeline (I think?) Ethiopia. But the isolation is still there, as are the questions about one’s own strengths and weaknesses, and the fighting of demons within one’s own spirit (as well as literal demons thanks to the Evil Eye resting squarely on Magnus and his home). I know so little about the culture and debteras, but Blackwood lays out the root of the mythology as well as building a fantasy system on top of it. It leads to some pretty creepy demon stuff, as well as interesting magical components that set this firmly into a ‘dark fantasy’ realm. Blackwood has many moments that were tense and scary, and it all felt really well imagined and focused.

I definitely get some of the critiques I’ve seen that question as to whether or not this can really be considered a retelling of “Jane Eyre”, mostly because I do think that you have to look for the parallels beyond the obvious names of Thorne Manor and Rochester. I do argue that they are there, even if they have been tweaked a little bit. While there isn’t a hidden wife in the attic, there is a hidden relationship. Andi may not be a governess but she is a person from one part of society dropped into a highly dysfunctional upper class setting. The simmering and constantly tested romance is alive and well (and once again very easy to root for). It may not be a clear step by step retelling, but, unlike other retellings I’ve encountered in YA literature, at least it feels like it does have the guts and soul of the source material, as opposed to just using it and trying to force it into the box. Maybe ‘reframing’ is a better word.

Overall I enjoyed “Within These Wicked Walls”. It brought fantastical and creepy layers to a Gothic classic, and it had the spirit of the source material while turning the story into something that is very much its own tale.

Rating 8: Immersive, creepy, and incredibly engaging, “Within These Wicked Walls” is a unique and well done reframing of one of my favorite Gothic novels.

Reader’s Advisory:

“Within These Wicked Walls” is included on the Goodreads lists “Jane Eyre Retellings”, and “2021 Fantasy and Science Fiction by Black Authors”.

Find “Within These Wicked Walls” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “The Witch Haven”

Book: “The Witch Haven” by Sasha Peyton Smith

Publishing Info: Simon & Schuster Books for Young Readers, August 2021

Where Did I Get This Book: I own it.

Book Description: The Last Magician meets The Lady’s Guide to Petticoats and Piracy in this thrilling and atmospheric historical fantasy following a young woman who discovers she has magical powers and is thrust into a battle between witches and wizards.

In 1911 New York City, seventeen-year-old Frances Hallowell spends her days as a seamstress, mourning the mysterious death of her brother months prior. Everything changes when she’s attacked and a man ends up dead at her feet—her scissors in his neck, and she can’t explain how they got there.Before she can be condemned as a murderess, two cape-wearing nurses arrive to inform her she is deathly ill and ordered to report to Haxahaven Sanitarium. But Frances finds Haxahaven isn’t a sanitarium at all: it’s a school for witches. Within Haxahaven’s glittering walls, Frances finds the sisterhood she craves, but the headmistress warns Frances that magic is dangerous. Frances has no interest in the small, safe magic of her school, and is instead enchanted by Finn, a boy with magic himself who appears in her dreams and tells her he can teach her all she’s been craving to learn, lessons that may bring her closer to discovering what truly happened to her brother.

Frances’s newfound power attracts the attention of the leader of an ancient order who yearns for magical control of Manhattan. And who will stop at nothing to have Frances by his side. Frances must ultimately choose what matters more, justice for her murdered brother and her growing feelings for Finn, or the safety of her city and fellow witches. What price would she pay for power, and what if the truth is more terrible than she ever imagined?

Review: I am now at that age where if someone asks me what I want for my birthday or the holidays, more often than not I think ‘ah crap’. Given that one of my biggest hobbies is reading, one might think that books are always an option, but more often than not I just use the library, especially since I work for one. But I keep a few in mind, especially for my husband, so this past November when he asked for birthday ideas I told him “The Witch Haven” by Sasha Peyton Smith. I’d seen it bumping around my social media feeds on and off, and on top of that it is not only a mysterious boarding school story, it also has witches! And you know me, I’m always down for some teenage coven shenanigans!

(source)

I should definitely say right away that “The Witch Haven” is more of a YA Urban Historical Fantasy, a genre that isn’t usually my wheelhouse, especially on the blog. But I figured that witches, being one of my faves, was fair-ish game, and while the genre tropes constrained it a bit (for me at least), overall I enjoyed this book. Firstly, I really enjoyed the time and place. We find ourselves in 1911, and in New York City, so the time period is one that I’m not as familiar with books wise. This post Gilded Age, solidly Progressive Era timeframe makes for interesting themes and historical footnotes, and I felt that Smith used these to her advantage. We both address the constraints of women during this time, be it the factory work that many had to endure (and yes, there are references to the Triangle Shirtwaist Fire), the Suffrage Movement, and the way that men, even in magical settings, are constantly trying to hold them back and take their power. Sometimes literally. Frances, our protagonist, is whisked away to Haxahaven School because her powers manifested after she was attacked by her boss at the shop she works at as a seamstress, and the mythology of Haxahaven and the way witches are seen and function in historical New York City is unique and entertaining.

I also appreciated that Smith doesn’t look back at every element of this time period as rosy when it comes to progressive ideas, nor does she paint Haxahaven School as a super positive and supportive ‘yasss queen’ institution (though the friendships that Frances makes there are VERY positive and show a supportive and feminist group of women). This is most revealing when it comes to Frances’s roommate and close friend Lena. The girls who attend Haxahaven are plucked from their lives and taken to the school to learn how to control their magic and to become witches who can harness their powers, even if that means sometimes stifling them. For Lena, however, it is not an empowering place, as she is Indigenous, and longs to return to her family and her community. I liked that Smith had Lena in this story for a couple of reasons. The first is that it shows that the feminism of this time period was reserved for white women only, and that women like Lena were ignored or abused because of their race. It also was a way to address the Boarding Schools for Indigenous children in this country during this time period (as Lena was taken from a boarding school to attend Haxahaven), and how it was a tenant of genocide that our government was committing against Natives. I can’t speak to whether Smith did her due diligence when it comes to telling Lena’s story, but I liked that the broader themes of this story were told.

But there were some stumbles along the way in “The Witch Haven”. For one, the pacing feels a little off. It has a lot of fast paced plotting at the beginning, but we get a little bogged down as Frances and her friends make connections with Finn, a young man who is a magic student at a male institution. It ramps up again once we get to the last third of the book, but it slogs a bit as Frances interacts with Finn in hopes of learning some of his magic to find out what happened to her murdered brother William. I think that part of the problem is that I didn’t really care for Frances as a character, so therefore her story and her journey didn’t keep me as interested when we needed that exposition. I think my biggest issue with her is that she is purely defined by her brother’s death and wanting to solve what happened, with little other interesting character traits. I also found her decisions to be unclear, like why she is so suspicious of the people she is living with and learning with, but more than happy to trust Finn and the people he is allied with without any questions. It just felt like her character development was less for her and more to progress the plot.

All that said, the ending is a bit open ended, and my interest was piqued enough by it that should Smith write a sequel I would probably pick it up, just to see what happens next. “The Witch Haven” didn’t quite live up to my hopes, but it was fine for what it was.

Rating 6: Though the pacing is a little off at times and the main character a bit grating, overall “The Witch Haven” has a fun setting that lets witches shine, albeit with complexities of the time period.

Reader’s Advisory:

“The Witch Haven” is included on the Goodreads lists “ATY 2022: Academia or Teacher Impacted”, and “Popsugar 2022 #16: A Book About Witches”.

Find “The Witch Haven” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “Reckless Girls”

Book: “Reckless Girls” by Rachel Hawkins

Publishing Info: St. Martin’s Press, January 2022

Where Did I Get This Book: I own it.

Book Description: From the New York Times bestselling author of The Wife Upstairs comes a deliciously wicked gothic suspense, set on an isolated Pacific island with a dark history, for fans of Lucy Foley and Ruth Ware.

When Lux McAllister and her boyfriend, Nico, are hired to sail two women to a remote island in the South Pacific, it seems like the opportunity of a lifetime. Stuck in a dead-end job in Hawaii, and longing to travel the world after a family tragedy, Lux is eager to climb on board The Susannah and set out on an adventure. She’s also quick to bond with their passengers, college best friends Brittany and Amma. The two women say they want to travel off the beaten path. But like Lux, they may have other reasons to be seeking an escape.

Shimmering on the horizon after days at sea, Meroe Island is every bit the paradise the foursome expects, despite a mysterious history of shipwrecks, cannibalism, and even rumors of murder. But what they don’t expect is to discover another boat already anchored off Meroe’s sandy beaches. The owners of the Azure Sky, Jake and Eliza, are a true golden couple: gorgeous, laidback, and if their sleek catamaran and well-stocked bar are any indication, rich. Now a party of six, the new friends settle in to experience life on an exotic island, and the serenity of being completely off the grid. Lux hasn’t felt like she truly belonged anywhere in years, yet here on Meroe, with these fellow free spirits, she finally has a sense of peace.

But with the arrival of a skeevy stranger sailing alone in pursuit of a darker kind of good time, the balance of the group is disrupted. Soon, cracks begin to emerge: it seems that Brittany and Amma haven’t been completely honest with Lux about their pasts––and perhaps not even with each other. And though Jake and Eliza seem like the perfect pair, the rocky history of their relationship begins to resurface, and their reasons for sailing to Meroe might not be as innocent as they first appeared.

When it becomes clear that the group is even more cut off from civilization than they initially thought, it starts to feel like the island itself is closing in on them. And when one person goes missing, and another turns up dead, Lux begins to wonder if any of them are going to make it off the island alive.

Review: Travel to far off places (at least places that can only be easily reached by plane) is probably still out of the running for me and my family this year as we continue to deal with the pandemic (there’s always Northern MN!), so I will continue to live vicariously through books until things start to die down (or at the very least the kid gets her shots). And while this sometimes leads to a bit of FOMO, I try to tell myself that this isn’t forever and I will surely be visiting these places again in the future….. Hopefully. Well enter “Reckless Girls” by Rachel Hawkins, a book I got through Book of the Month that ended up being a perfect read for an isolated Minnesota winter weekend. Why not transport myself from a chilly house in the North to a tropical island in the Pacific, even if that island ends up being the location of some grisly outcomes and twisted secrets?

“Reckless Girls” has a trouble in paradise theme in which a supposedly idyllic getaway turns into something far more sinister, and even though it has sunlight, beaches, and gorgeous ocean, it has the foundation of a Gothic thriller due to the isolation and dark secrets that some of our characters are harboring. Our main character, Lux, is a bit of a fish out of water, a damaged woman who fell head over heels for a privileged but devil may care boyfriend named Nico, and followed him to Hawai’i thanks to the promise of sailing the world together. But he has foregone his connections and resources to his wealthy family out of stubbornness he sees as noble, and she has to bear the brunt of his pride. So when two college girls named Brittany and Amma approach Nico with an offer of substantial cash to take them to an atoll called Meroe with a buzzed about paradise like backdrop (and a notorious history), Lux, intimidated by their magnetism but desperate for her new start, agrees to go with all three of them. When they arrive and find a flashy couple has already dropped anchor, the two groups start to enjoy their freedom. Hawkins slowly builds up the getaway, showing the present through Lux’s perspective, but giving us background and clues to impending danger through flashback chapters following the other characters, who all are hiding something from everyone else. Hawkins lays out all the clues in a masterful way, and she paces out the slowly building drama and tension with soapy twists that make the entire read very, very hard to put down. Seeing all of these characters interact with each other, grow close to each other in a superficial way like only a vacation can do, and then start stabbing each other in the back, is deeply enjoyable. I figured out a few of the twists and turns, but there were others that were surprising, and even those that I did guess were still fun to get to within the plot.

I also really liked the setting. As I said above, while it’s bright, sunny, and tropical, Meroe Atoll is a deeply isolated and unnerving setting. Hawkins slowly creates a backstory for the island as well, through excerpts from books, texts, emails, and other correspondence, and other epistolary bits that let you know that this place, while beautiful, is unforgiving. I was looking this place up to see if it was real (it’s not; there is an island called Meroe but it’s out by India, not a couple days sail from Maui), as Hawkins made it sound so real with the world building she does for it. I loved how creepy it was once our characters were there, as even though the descriptions were pretty standard, the very thought of being so alone and cut off from everything is very upsetting, especially as stakes start to get higher and survival is becoming more murky for some of our characters. I mentioned it was a bit Gothic, and it has the elements of people slowly going a bit unhinged due to paranoia, distrust, and the sheer unforgiving seclusion of the location. The location really stands out.

“Reckless Girls” is a fun thriller that you should definitely check out if you like the genre. It may make you wish for a tropical trip, but at the same time you may be thanking your lucky stars this isn’t the vacation you are taking any time soon.

Rating 9: Super addictive and compelling with a lush and unsettling backdrop, “Reckless Girls” is a fun thriller and tangly mystery.

Reader’s Advisory:

“Reckless Girls” is included on the Goodreads lists “And Then There Were None: Deadly Parties”, and “Down By The Sea”.

Find “Reckless Girls” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “Echo”

Book: “Echo” by Thomas Olde Heuvelt

Publishing Info: Tor Nightfire, February 2022

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: Travel journalist and mountaineer Nick Grevers awakes from a coma to find that his climbing buddy, Augustin, is missing and presumed dead. Nick’s own injuries are as extensive as they are horrifying. His face wrapped in bandages and unable to speak, Nick claims amnesia—but he remembers everything.

He remembers how he and Augustin were mysteriously drawn to the Maudit, a remote and scarcely documented peak in the Swiss Alps. He remembers how the slopes of Maudit were eerily quiet, and how, when they entered its valley, they got the ominous sense that they were not alone. He remembers: something was waiting for them…

But it isn’t just the memory of the accident that haunts Nick. Something has awakened inside of him, something that endangers the lives of everyone around him… It’s one thing to lose your life. It’s another to lose your soul.

FROM THE INTERNATIONAL BESTSELLING SENSATION THOMAS OLDE HEUVELT comes a thrilling descent into madness and obsession as one man confronts nature—and something even more ancient and evil answers back.

Review: Thank you to NetGalley for sending me an eARC of this novel!

It’s been awhile, a long while, and I’ve been long anticipating a new book by Thomas Olde Heuvelt. I loved his last book “Hex”, the story of a small town cursed by the ghost of a witch that wanders the community and makes everything scary and awful for the townspeople. Like, it scared the hell out of me, truly scared me to my bones, which I always love to encounter in my books. So when I saw that he finally had a new book coming out in the U.S., called “Echo”, I was AMPED!!! Because if there is going to be an author who genuinely, GENUINELY scares the living daylights out of me, it’s going to be Thomas Olde Heuvelt.

Bring on the nightmares. I know they’re coming. (source)

And let me tell you, “Echo” has many moments that absolutely filled me with dread. The first chapter alone was enough for me to say ‘okay that’s enough for one night’ and close my Kindle. Heuvelt combines elements of survival horror, possession horror, body horror, folk horror, and a good old fashioned ghost story to tell his newest scary tale, one that is perfect for a cold winter’s night (we’ve had a couple of those this winter!). Heuvelt really knows how to slowly build up the slow creeping dread. As our protagonists Nick and Sam have to contend with what is happening to Nick post mountaineering disaster that left him disfigured, and his friend Augustin dead, we slowly see how things are so very wrong, and how both men are caught up in the supernatural danger in their own ways. With Nick, his body has been potentially inhabited by a malevolent force he can’t control. With Sam, his initial repulsion at his lover’s disfigurement turns into an unwavering obsession with keeping Nick close, keeping him safe, and trying to fix whatever it is that is wrong… even if it isn’t fixable. We get both of their perspectives through various means, be it personal journals, notes, or flashbacks, and as the truth as to what happened slowly comes to light, we also get introspection into their relationship as well as their core wants and fears. They are well conceived characters that I ended up caring about.

And as mentioned. The SCARES. OH THE SCARES. That first chapter scared the piss out of me, and Heuvelt sprinkles in a lot of horror moments that range from the somewhat unsettling to absolute nightmare fuel. By taking elements of a traditional possession story but making the origin of the possession more nature based than religious based, Heuvelt has breathed new life into the subgenre that I really appreciated. Anyone can be possessed by a demon, but who can say that they’ve been possessed by a piece of the natural world (I’m trying to be vague here, though other reviews have kind of unpacked it a bit more)? It’s very unique in its creepiness, and I liked that quite a bit. And his descriptions are still so vivid and visceral, knowing how to take basal, primal fears and translate them to the page. Goddamn this book is scary.

I will say that “Echo” does have some stumbles here and there. The first is something that I kind of mentioned above: there is a LOT going on. There are a lot of subgenres at work here, and while combining a couple could work wonders, when you throw a lot into the mix it becomes too much. I think that this is mostly because to do due diligence to all of these subgenres or tropes, it means that you have to spend a fair amount of time on each of them. And that makes for a long read, one that goes on a little too long. Especially since some of the elements invariably do feel under-explored. There was one offshoot during the last fourth of the novel in particular that I thought felt a bit tacked on, as while it absolutely did tie back to other parts of the book (and had a VERY upsetting moment that set me on edge), it felt like we had let this moment stay off to the sidelines for a bit too long before we do reconnect to it. Ultimately I think that it just felt overstuffed. Not enough to turn me off, mind you! It just could have used some trimming.

Ultimately, “Echo” delivered the scares. Thomas Olde Heuvelt once again messed me up and created a story that has disturbing elements that got under my skin.

Rating 8: Deeply disturbing and another solid winter horror story, “Echo” runs a little long and is overstuffed but has many scares along the way.

Reader’s Advisory:

“Echo” is included on the Goodreads lists “Best Wilderness Horror Stories”, and “Horror To Look Forward To In 2022”.

Find “Echo” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “Locke & Key (Vol. 5): Clockworks”

Book: “Locke & Key (Vol. 5): Clockworks” by Joe Hill and Gabriel Rodríguez (Ill.)

Publishing Info: IDW Publishing, 2013

Where Did I Get This Book: I own it.

Book Description: Tyler and Kinsey Locke have no idea that their now-deceased nemesis, Lucas “Dodge” Caravaggio, has taken over the body of their younger brother, Bode. With unrestricted access to Keyhouse, Dodge’s ruthless quest to find the Omega Key and open the Black Door is almost complete. But Tyler and Kinsey have a dangerous key of their own — one that can unlock all the secrets of Keyhouse by opening a gateway to the past. The time has come for the Lockes to face their own legacy and the darkness behind the Black Door. Because if they don’t learn from their family history, they may be doomed to repeat it, and time is running out!

Colonel Adam Crais’s minutemen are literally trapped between a rock and a hard place; in the first days of the Revolutionary War, they find themselves hiding beneath 120 feet of New England stone, with a full regiment of redcoats waiting for them in the daylight… and a door into hell in the cavern below. The black door is open, and it’s up to a 16-year-old smith named Ben Locke to find a way to close it. The biggest mysteries of the Locke & Key series are resolved as Clockworks opens, not with a bang, but with the thunderous crash of English cannons.

Review: As we know I’ve really been enjoying this re-read of Joe Hill’s dark fantasy horror series “Locke and Key”, though I’ve been saying the whole time ‘I don’t remember when and how a lot of this is all going to come together’. The exposition has been building and building and it’s been getting close to the end of the series and there are still a lot of questions to be answered. I remembered really loving the series overall, but I think that the first time I read this I was like ‘okay, I have two books left and few answers, is this going to pay off?’. Because it has to pay off.

And my God, does it pay off. Everything comes together so perfectly and with such thoughtfulness and intricacy that I was just blown away, even though it is my second time reading this book. Joe Hill’s storytelling prowess is at its best in this volume.

(source)

There are two major reveals in this story right when things have started to get dire for the Lockes (even if they don’t realize how dire). Given that Kinsey killed Dodge, and Dodge (or whatever it is) moved its consciousness into Bode’s body without them knowing it, the race is on for the Lockes to discover the truth before Bode/Dodge can find the Omega Key. The first reveal that we see we jump into right away, which is the origin of the keys, Keyhouse, the demon, and how the Lockes are connected to it. And we go all the way back to the Revolutionary War, in which we meet a young locksmith named Ben Locke, who discovers that hidden Minutemen have opened a door deep in a cave that has let an evil out that they are trying to put back and contain. The first time I read this I remember thinking that it went on a little long, but this time I thought that this origin story of the Black Door and the keys was pitch perfect. I loved the setting, I loved the connection to the Locke Family (and the backstory for the Lockes, who were victims of Red Coat tyranny), and I loved how Hill sprang this all on us but still managed to make it feel in depth and well explored. He lays his magical system out bare, and it falls into place with ease.

Our second big reveal is we finally, FINALLY, get to see how Rendell Locke and his friends ran afoul Dodge, as well as explanations as to how back in the day Dodge Caravaggio became the Dodge that we know now, how Ellie Whedon became so broken, and how Erin Voss lost her memories and her consciousness, and how ALL of it relates to the keys. And it’s done in a way that doesn’t feel super exposition-y, as we get another key reveal that allows for Tyler and Kinsey to go back in time to see everything happen, and to get a new perspective on their late father. While I do think that we didn’t get enough exploration of all of Rendell’s friends (specifically his girlfriend Kim; I appreciated that Hill tried to make her complicated, but she just came off as cruel and privileged more than anything else), the backstory itself is so fantastic, so heart wrenching, and so SCARY as a bunch of kids who have been bestowed a monumental responsibility of guarding keys get too complacent… and all hell breaks loose. Good God is this an emotional story arc, as we know how things turned out for a few of our characters, but we didn’t know how they got to that point. Hill makes it so complex, satisfying, and devastating, and it adds compounded grief as two kids who lost their father in a terrible act of violence have to see his biggest mistake that ruined lives as it unfolds. Goddammit, it hurts, and it’s beautiful.

And the artwork continues to be great. I can’t praise Gabriel Rodríguez enough, and he has this way of creating the most grotesque and disturbing images as well as the most tender and joyous.

This image specifically took my breath away. (source)

This penultimate volume is fantastic. We will finish up this re-read with the next and last volume, “Omega”. I’m not sure I’m ready to be emotionally destroyed by it, but it’s time regardless.

Rating 9: Fantastic pay off for all the build up before it, “Locke & Key: Clockworks” is the strongest in the series so far.

Reader’s Advisory:

“Locke & Key (Vol. 5): Clockworks” is included on the Goodreads lists “Best Horror Comics/Graphic Novels!”, and “Best Coming-of-Age Horror Novels”!

Find “Locke & Key (Vol. 5): Clockworks” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Previously Reviewed: