Category: Kate’s Reviews

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Book: “House of Hunger” by Alexis Henderson

Publishing Info: Ace, September 2022

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: A young woman is drawn into the upper echelons of a society where blood is power, in this dark and enthralling gothic novel from the author of The Year of the Witching. Marion Shaw has been raised in the slums, where want and deprivation is all she knows. Despite longing to leave the city and its miseries, she has no real hope of escape until the day she spots a peculiar listing in the newspaper, seeking a bloodmaid.

Though she knows little about the far north–where wealthy nobles live in luxury and drink the blood of those in their service–Marion applies to the position. In a matter of days, she finds herself the newest bloodmaid at the notorious House of Hunger. There, Marion is swept into a world of dark debauchery–and at the center of it all is her.

Countess Lisavet, who presides over this hedonistic court, is loved and feared in equal measure. She takes a special interest in Marion. Lisavet is magnetic, and Marion is eager to please her new mistress. But when her fellow bloodmaids begin to go missing in the night, Marion is thrust into a vicious game of cat and mouse. She’ll need to learn the rules of her new home–and fast–or its halls will soon become her grave.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Alexis Henderson’s debut novel “The Year of the Witching” was my favorite book in 2020. Her unique and dark witchcraft story really connected with me, as Henderson took familiar witch themes and turned them into broader commentaries on identity, groupthink, and fanaticism, and hell yes did it work for me. It’s probably no shock that when I heard she was writing a new book I was very excited. And when I read the description of “House of Hunger”, and realized that it was going to be Henderson’s take on vampires, my excitement went that much higher. I’m very particular about vampire stories, as I’ve mentioned before, but I had high hopes and full trust in Henderson.

This book is just awesome. It’s a fascinating deconstruction and reworking of a typical vampire story, and it also delves into the always complicated themes of class and privilege from our society and applies them to a fantasy world that is well conceived and interesting. Henderson’s world of the North and the South has a great set up and some fantastic world building, and I had a solid feel for the world that the story is set in. The nobles of the north who take on the bloodmaids are never referred to as vampires, per se, though there are plenty of hints that this is kind of what we are working with here: they live in a part of the world that has longer nights than the area that our protagonist Marion comes from, for one. There is the very obvious aspect of the blood drinking, and the harkening back to Lisvet’s ‘illness’ (probably extreme hemophilia) and how she needs blood to survive. And there is also the aristocratic lives that the nobles live, a theme that has been connected to vampire lore from the early days of the genre. I liked that Henderson opted to not go full vampire in the story, as it makes Lisvet and the other nobles of the houses more mysterious and seductive, and gives the story more room to explore the mythology of the world at hand. And we slowly get to see the tension and threat build, going at a pace that makes not only Marion, but also the reader, in a ‘frog in the pot of boiling water’ situation, unaware of the actual threat at hand until it is far, far too late. There are so many unsettling aspects of this story in terms of horror, and once it builds to some of the bigger reveals it jumps off the page and is solidly scary, scary stuff.

Speaking of Marion, I really liked her as our protagonist, as she is so many shades of grey and incredibly multi-faceted as a character. She is the perfect way to explore the other themes of the upper class exploiting the lower classes out of the sheer desperation that the have nots experience. When we meet Marion she is living in poverty with a sick and abusive brother, working under a cruel mistress at a backbreaking job with nothing to show for it. Of course the temptation of escape to live in the opulence of being a bloodmaid is going to tempt her! Sure, you have to give your mistress your blood, but in exchange Marion gets pampering, glamorous housing, all the delicious food she can eat, and then the attention of Lisvet, who makes her feel special and extraordinary. Marion is desperate, but she’s also ambitious, and Henderson definitely delves into darker areas with her character as she sees things that are questionable, but opts to explain them away as she loves her new life as a bloodmaid and the perks that it seems to have. And oh the metaphors of a wealthy elite like Lisvet literally drinking the blood from a lower class girl with few options like Marion and her other bloodmaid companions! I mean, there is a reason that Lisvet’s last name is Bathory, after all. It’s a great commentary on how the haves take the have nots for everything they’re worth, and can make them think that it’s some kind of honor or choice.

“House of Hunger” is a fantastic horror dark fantasy. Alexis Henderson is a horror voice to be paying attention to, as her deconstructions of familiar tropes turn into stories that are so incredibly special and unique. Cannot wait to see what she does next.

Rating 10: Unsettling, suspenseful, and a well done exploration of the haves and have nots, “House of Hunger” is another successful horror novel from Alexis Henderson.

Reader’s Advisory:

“House of Hunger” is included on the Goodreads list “Bathory Books”.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Ghost Eaters” by Clay McLeod Chapman

Publishing Info: Quirk Books, September 2022

Where Did I Get This Book: I received a print ARC from the publisher at ALAAC22.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: From the acclaimed author of The Remaking and Whisper Down the Lane, this terrifying supernatural page-turner will make you think twice about opening doors to the unknown.

Erin hasn’t been able to set a single boundary with her charismatic but reckless college ex-boyfriend, Silas. When he asks her to bail him out of rehab—again—she knows she needs to cut him off. But days after he gets out, Silas turns up dead of an overdose in their hometown of Richmond, Virginia, and Erin’s world falls apart.

Then a friend tells her about Ghost, a new drug that allows users to see the dead. Wanna get haunted? he asks. Grieving and desperate for closure with Silas, Erin agrees to a pill-popping “séance.” But the drug has unfathomable side effects—and once you take it, you can never go back.

Review: Thank you to Quirk Books for giving me an ARC of this book at ALAAC22 (and for Clay McLeod Chapman for signing it!)!

I had a few books that were must grabs at ALAAC22, and “Ghost Eaters” by Clay McLeod Chapman was on that list. I had read his book “Whisper Down the Lane”, and while I enjoyed it, it set off a bunch of my rage triggers regarding Satanic Panic, so I was more angry than scared as I read it. But when I read the description of this book there were no rage triggers to be found, which meant that I anticipated a more chill experience as I read it. Which, uh, wasn’t super correct. Was I rage filled as I read this book? No. Was it super terrifying and therefore it wasn’t exactly ‘chill’? Hell yes.

So the hype about this book being super scary? Accurate! I started reading this book in the evening, and once it became clear just how creepy it was going to be I made the decision to set it down and proceed in the morning. Which ended up being a good decision, because holy CATS, the ghosts in this book are SO disturbing and scary. You kind of get the gamut of things. You get shadows in corners. You get slow moving creepers closing in on Erin, our protagonist, and only she can see them as she takes a drug called “Ghost”, which allows her to do so. You get descriptions of rotting corpses, of spewed up ectoplasm, of ghost babies crawling around like feral animals, you get it all, and it really, REALLY messes with you. Chapman doesn’t hold back in the nightmare fuel department, as we travel through Richmond, Virginia with Erin as she starts seeing more and more ghosts after ingesting a drug that has this explicit purpose. The problem is, she just wanted to see ONE ghost in particular, that of Silas, her ex boyfriend who had a huge emotional hold on her and their friend group. So as more and more ghosts close in and she takes more and more Ghost in hopes of it finally being Silas, the tension builds and builds until it snaps, and boy oh BOY does it snap.

But Chapman doesn’t stop at making this a mere super scary ghost story. He also explores some very real world themes and horrors, namely that of addiction and the whitewashing of history. Addiction is probably the more obvious of the two, and while I think there could have been potential for it to come off as hamfisted or after school special-esque, Chapman always makes it feel earnest and super, super disturbing. Erin’s sadness and grief and loss and guilt drives her to try Ghost in hopes of finding closure with Silas, and she almost immediately spirals as the drug not only catches hold instantaneously, it also makes her a beacon for lost spirits that are drawn to her. But we also get a great foundation for why Erin is feeling this way over a man who was, by all accounts as seen in this story, kind of a selfish asshole, and the empathy he draws for her in her actions and also, somewhat, for him, makes it all the sadder and therefore all the scarier. And while she is terrified of the spirits, and the drug itself causes moments that cost her almost everything, she keeps coming back because of her need to see Silas one more time. It is the perfect metaphor for addiction, and while the ghosts are truly and incredibly scary, so is watching Erin completely wreck her life in the course of days, as well as seeing the other Ghost addicts as they spiral all in hopes of seeing a lost loved one again (a woman whose child died of SIDS was especially heartbreaking). Along with that, Chapman raises some GREAT points about ghost stories and folklore and how they have, in many ways, been whitewashed and in some ways romanticized. “Ghost Eaters” takes place in Richmond, a city that has been around a LONG time and has had a lot of blood spilled, a large part due to atrocities committed against Indigenous people and Black people. So many of the ghosts that Erin sees aren’t the wandering war widow or the little white girl from Antebellum times, but those of POC who died in horrific ways because of racism, Colonialism, and genocidal violence. As I was reading this book I kept thinking of “Ghostland” by Colin Dickey, which has this as a running theme, and LO AND BEHOLD this book was mentioned in the acknowledgements. What an awesome topic to tackle, and Champman does it with ease.

“Ghost Eaters” is a must read this Halloween season. Go get it, tear through it, and make sure you have the lights on.

Rating 9: Raw, profoundly disturbing, and genuinely scary, “Ghost Eaters” is a story that not only has some supremely fucked up ghosts, but also takes on themes like addiction, and which people are represented in traditional ghost stories.

Reader’s Advisory:

“Ghost Eaters” is included on the Goodreads list “Horror to Look Forward To in 2022”.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Motherthing” by Ainslie Hogarth

Publishing Info: Vintage, September 2022

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: A darkly funny domestic horror novel about a woman who must take drastic measures to save her husband and herself from the vengeful ghost of her mother-in-law.

When Ralph and Abby Lamb move in with Ralph’s mother, Laura, Abby hopes it’s just what she and her mother-in-law need to finally connect. After a traumatic childhood, Abby is desperate for a mother figure, especially now that she and Ralph are trying to become parents themselves. Abby just has so much love to give—to Ralph, to Laura, and to Mrs. Bondy, her favorite resident at the long-term care home where she works. But Laura isn’t interested in bonding with her daughter-in-law. She’s venomous and cruel, especially to Abby, and life with her is hellish.

When Laura takes her own life, her ghost haunts Abby and Ralph in very different ways: Ralph is plunged into depression, and Abby is terrorized by a force intent on destroying everything she loves. To make matters worse, Mrs. Bondy’s daughter is threatening to move Mrs. Bondy from the home, leaving Abby totally alone. With everything on the line, Abby comes up with a chilling plan that will allow her to keep Mrs. Bondy, rescue Ralph from his tortured mind, and break Laura’s hold on the family for good. All it requires is a little ingenuity, a lot of determination, and a unique recipe for chicken à la king…

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I am very thankful to say that I have a pretty good relationship with my mother in law. I’ve known her since I was a teenager, which probably helps, but she has always been very kind and supportive and has been perfectly fine keeping healthy involvement and boundaries when it comes to the family my husband and I have built. That said, I am always down for some juicy literary drama regarding in laws from hell, and based on the description “Motherthing” by Ainslie Hogarth should have fit the bill. We have a toxic mother in law, a harried wife, and the promise of a funny domestic horror story involving a haunting perpetrated by a terrible woman, with a daughter in law determined to stop it. That is what I thought this book was going to be.

Well. I didn’t think it was most of those things.

We’ll start with the good. It was funny! When we meet our first person protagonist Abby we have a stressed and damaged daughter in law whose mother in law Laura has just killed herself, possibly one last manipulation directed at Abby’s husband Ralph. From the jump it is clear that Abby has a lot of mental and emotional issues, and said issues aren’t just because of Laura. But her stream on consciousness narration is at times incredibly humorous, like laugh out loud so, especially if you are into dark humor. And I also applaud how Hogarth has attempted to tell this story in a unique narrative style, flipping from first person narration, and sometimes to stage directional narration styles, as combined it does get the point across that Abby is becoming more and more unhinged as the story goes, and as she is feeling haunted by her dead mother in law in a literal sense while also being haunted by her neglected childhood and her desire to have a mother figure in her life (as well as have a baby so she can be the perfect mother). All of this worked for me.

What didn’t work for me as much was how everything kind of played out. Unique writing to be sure, but it is also very stilted and very strange. I am sure that it is deliberate and to make the reader feel as disoriented as Abby and to convey her mental state, but I found it aggravating as the story went on, and it felt rather repetitive as well. And to be quite honest, the description of this book makes it sound like we are dealing with a quasi comedic ghost story involving a toxic mother in law and the beleaguered daughter in law who has to play ghostbuster. But instead we get more of an exploration of a woman on the brink of complete mental and emotional breakdown, and boy oh boy does it go to very out there places. I do think that the problem is how it is described as opposed to the actual execution, because if my expectations had been a little more in line with what was presented it possibly would have gone over better. But as it was, I didn’t know what I was getting into and it soured the entire experience. I want to know if something is going to go surreal so I can get in the right mind frame. Going into this thinking it’s a domestic horror comedy isn’t going to manage expectations properly.

“Motherthing” didn’t click for me. If you like weird fiction elements to your horror it may click for you!

Rating 5: While it had some very funny moments, it was a little too weird for me and didn’t really deliver on what it was promising in the description or marketing.

Reader’s Advisory:

“Motherthing” is included on the Goodreads list “Birmingham Feminist Book Club”.

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Daphne” by Josh Malerman

Publishing Info: Del Rey Publications, September 2022

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: It’s the last summer for Kit Lamb: The last summer before college. The last summer with her high school basketball team, and with Dana, her best friend. The last summer before her life begins.

But the night before the big game, one of the players tells a ghost story about Daphne, a girl who went to their school many years ago and died under mysterious circumstances. Some say she was murdered, others that she died by her own hand. And some say that Daphne is a murderer herself. They also say that Daphne is still out there, obsessed with revenge, and will appear to kill again anytime someone thinks about her.

After Kit hears the story, her teammates vanish, one by one, and Kit begins to suspect that the stories about Daphne are real . . . and to fear that her own mind is conjuring the killer. Now it’s a race against time as Kit searches for the truth behind the legend and learns to face her own fears—before the summer of her life becomes the last summer of her life.

Mixing a nostalgic coming-of-age story and an instantly iconic female villain with an innovative new vision of classic horror, Daphne is an unforgettable thriller as only Josh Malerman could imagine it.

Review: Thank you to NetGalley for sending me an eARC of this novel!

Let me set the scene. It was 2003. I was a senior in high school. One afternoon in the senior lounge during the school day ‘X period’ (aka a free period where clubs could meet or kids could talk to teachers or you could just dick around for a bit), some other girls and I started talking about Bloody Mary. We decided it would be fun to go to the locker rooms by the gym and play, as it had been FOREVER since we all had. I went with this group of girls, none of whom who were my friends, per se, just classmates whose orbits I generally wasn’t around, but bonded by nostalgia for an urban legend. We turned off the lights, said ‘I believe in Bloody Mary’ three times, and expected nothing of it. So imagine our surprise when there was a loud BANG in the darkness of the locker room. We tore out screaming, only to find out shortly thereafter a gym teacher was tidying up and that was the bang, and we had scared her to death with our terrified shrieks. I kept thinking about this story while I read Josh Malerman’s newest book “Daphne”, a horror novel about an urban legend that slasher kills her way through a high school girls basketball team. Mostly because of the urban legend factor. But also because this deeply disturbing horror novel also touches on the undercurrent left unsaid in this memory: that of teetering between youth, and adulthood, and the things we grapple with in between.

First and foremost, yes, “Daphne” is a very unsettling horror story, and I expected nothing less from Malerman. I’ve enjoyed the other books I’ve read of his, and I think that this one is probably the scariest yet for me. He knows how to slowly build a strangling dread as our cast of characters, a group of high school basketball players with WNBA dreams and interests, are picked off one by one by a brutal urban legend called Daphne after her story is told at a sleepover. We mostly focus on star player Kit, a girl who loves her teammates and the game, but is also plagued by her own struggles with severe anxiety, even before she starts obsessively thinking about Daphne and those around her start dying. Malerman does a fantastic job of slowly pacing the tension in this story so that the reader goes through similar beats as the characters. General unease slowly morphs to gear morphs to genuine dread. The characters find themselves thinking of Daphne, and then she comes for them in truly grotesque, slasher-y ways, and I was basically freaking out every time we got to a kill scene. It’s brutal and very splatter-y, but the tension is top notch psychological suspense to give it more oomph. We slowly start to get the real story behind the urban legend, and we start to care about these characters and invest in them even know we know that terrible things at the hands of this ghost, or monster, or SOMETHING are going to happen to them. It’s unnerving as hell and it really got under my skin. I think that I would have liked a bit more come down at the end, as all the tension has to go somewhere and I didn’t feel like there was enough room for it by the conclusion. But ultimately this book delivers on scares. EVEN THE GODDAMN COVER JUST FUCKS WITH MY HEAD.

But along with the scares is the very relatable undercurrent of Kit’s anxiety, anxiety about not only Daphne, but also of the unknown aspects of life itself. I’m someone who has been grappling with anxiety my entire life, and one of the worst times was in high school because of how much was unknown. I had no idea what life had in store after I left the very familiar life I was leading, with my parents and my friends and my family being left behind. As someone who had panic attacks, a good amount of them in late high school, I really, really related to Kit, and I loved that Malerman wanted to explore her mind even beyond that of a slasher killer’s potential victim, but also a girl who is battling her fears of the unknown as they manifest into panic attacks and buzzing dread without obvious cause. Perhaps it doesn’t get to this level for all teens, but Kit battling her mind to try and keep Daphne out is just as much Kit battling her mind to keep fear itself out. It hit home in a way I wasn’t really expecting, and just felt like it really captured that unease about what comes next when you are about to leave the life you’ve known for eighteen years. And really, the way that Daphne creeps up on you until you can’t stop thinking about her, and then completely wrecks you? That’s anxiety in a nutshell. Daphne crushes her victims, just as anxiety crushes those that it affects.

“Daphne” is going to stay with me awhile. It’s deeply fucked but also bittersweet. And like the titular character, I don’t see myself being able to stop thinking about it for awhile.

Rating 9: Disturbing, unnerving, and in some ways bittersweet, “Daphne” is a horror novel that won’t leave a reader’s thoughts for awhile after reading it.

Reader’s Advisory:

“Daphne” is included on the Goodreads list “Horror to Look Forward to in 2022”.