Category: Kate’s Reviews

Kate’s Review: “Exiles”

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Book: “Exiles” by Jane Harper

Publishing Info: Flatiron Books, January 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: At a busy festival site on a warm spring night, a baby lies alone in her pram, her mother vanishing into the crowds.

A year on, Kim Gillespie’s absence casts a long shadow as her friends and loved ones gather deep in the heart of South Australian wine country to welcome a new addition to the family.

Joining the celebrations is federal investigator Aaron Falk. But as he soaks up life in the lush valley, he begins to suspect this tight-knit group may be more fractured than it seems.

Between Falk’s closest friend, a missing mother, and a woman he’s drawn to, dark questions linger as long-ago truths begin to emerge.

An outstanding novel, a brilliant mystery and a heart-pounding read from the author of The Dry, Force of Nature, The Lost Man and The Survivors.

Review: Thank you to NetGalley for sending me an eARC of this book!

I will admit that I was a bit shocked when I started to read the description and promotional bits about “Exiles” by Jane Harper and it was referred to as the last Aaron Falk Mystery. I think that part of it is that I’m so used to long running series that end up twenty plus books deep (Hello, Temperance Brennan Series), that when a series that has such critical acclaim and a devoted audience decides to end only a few books in my knee jerk reaction is ‘why?!’ But if this indeed the end, “Exiles” is a great way to say goodbye to a detective that I didn’t realize I would miss until he was leaving.

“Exiles” is a missing person story, with Harper’s investigator Aaron Falk at the helm even though he isn’t really there in a professional capacity. When his friend Raco’s brother’s ex Kim goes missing, and stays missing for a year, Falk finds himself being pulled into the question of what happened to Kim, who may have seen her the night she disappeared during a small town festival and left her baby alone in a carriage in a sea of people, and who may know something that isn’t being said. I liked that Falk was more drawn into this final mystery not because of his profession, but because of his loyalty to Raco, and the connection he has to a family that hasn’t gotten a lot of answers. I also liked Aaron slowly getting to know a family friend named Gwen, and starting to realize that perhaps he wants a more quiet life with people that he cares about surrounding him. It’s funny because it’s not like Falk is a character that I am absolutely obsessed with, and I feel like he is a bit of a conduit to tell other broader stories, but I liked his journey in this one and how it ultimately shakes out for him.

The mystery itself it fairly straight forward, and while I kind of had a good gut feeling as to what had happened, I liked the slow and steady pace Harper took with it. Her mysteries always feel in complete control, and never feel like they tread towards melodrama or the like. I enjoyed seeing Falk have to piece together not only the mystery of what happened to Kim the night she disappeared, but also what other circumstances and moments in her life may have played a part in her ultimate disappearance. But I also liked the additional, potential connection to another unsolved crime in the community, in which a man was the victim of a hit and run (and it just so happens that Gwen is that man’s widow). Harper is deliberate and very quiet in her mystery weaving, but it all comes together very well.

And finally, I just like the way that Harper writes the people in this story. I got a good sense for everyone, whether it’s old familiar characters or brand new ones. They all feel like well rounded people, and while some may be hiding things or may be serving as narrative misdirections they all fit in well and aren’t completely obvious as to how they all fit into the broader mystery at hand. She just knows how to create a believable community and cast.

“Exiles” is an introspective and quiet but engaging mystery. If this is, indeed, the last book with Aaron Falk, I’m glad that his trilogy ended on a high note.

Rating 8: A solid mystery, an enjoyable cast, and a nice swan song for a literary detective!

Reader’s Advisory:

“Exiles” is included on the Goodreads list “Most Anticipated Reads of 2023”.

Kate’s Review: “The Spite House”

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Book: “The Spite House” by Johnny Compton

Publishing Info: Tor Nightfire, February 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he’s desperate for money–it’s not easy to find safe work when you can’t provide references, you can’t stay in one place for long, and you’re paranoid that your past is creeping back up on you.

When he comes across the strange ad for the Masson House in Degener, Texas, Eric thinks they may have finally caught a lucky break. The Masson property, notorious for being one of the most haunted places in Texas, needs a caretaker of sorts. The owner is looking for proof of paranormal activity. All they need to do is stay in the house and keep a detailed record of everything that happens there. Provided the house’s horrors don’t drive them all mad, like the caretakers before them.

The job calls to Eric, not just because there’s a huge payout if they can make it through, but because he wants to explore the secrets of the spite house. If it is indeed haunted, maybe it’ll help him understand the uncanny power that clings to his family, driving them from town to town, making them afraid to stop running. A terrifying Gothic thriller about grief and death and the depths of a father’s love, Johnny Compton’s The Spite House is a stunning debut by a horror master in the making.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I love seeing what other horror reviewers and horror minded people are all abuzz about. It’s a nice way to get the fingers on the pulse, and while I’ve had success and failings when it comes to following these trends, I really do like to try and cast a wide net for titles on various social media and online platforms. This is how I came upon Johnny Compton’s “The Spite House”, a debut horror novel about a strange and haunted house that a family moves into. The owner has secrets, but so does the family, consisting of Eric and his daughters Dess and Stacy. All of this combined with the hype made me pretty excited for this book. But I can solidly say that this one was pretty mixed for me.

But I will start with what worked first! Compton really knows how to amp up the suspense factor in this book, in two different ways. The first way is the obvious suspense, which is about the haunted Spite House. I loved some of the really freaky ghost moments in this book, whether it was described imagery inside and outside of the house (spectres through windows, hell yes), and the way that our characters, be it Eric or Dess or whomever, would be in a darkened area in the house and would have a moment that would just make my blood run cold. I love a well done haunted house story, and man oh man does this book have some really well done haunted house moments. The other less obvious suspenseful angle was the mystery as to why Eric, Dess, and Stacy are on the run and trying to be incognito. All the reader knows is that they are driving cross country, trying to stay under the radar, and worried that they are going to be spotted or noticed. Compton takes his time to carefully reveal what is going on here. And let me tell you, when we DID find out what it was? My mind was blown. Part of me was like ‘is this a little too out of left field?’ But the louder part of me was like ‘no, shut up, you love this’. And I did.

But this does kind of segue into the aspects that didn’t work as well for me. The first issue is the pacing of this book. I kind of mentioned above that the reveal of why Eric and his kids are running just blew my mind. And it did. Like, I really liked it. BUT, by the time we got to it, we were a good three fourths into the book, with a lot of teasing and drawing out leading up to it. I appreciate holding cards to the vest, but sometimes curiosity can turn to frustration and impatience. And then things kind of got into a whirlwind right before the end, followed by a bit of a drawn out post-climax. Along with that, there are a lot of perspectives in this book. Some of them we get to see multiple times, which makes sense, we absolutely need to get into Eric’s head, and Dess and Stacy’s heads. But there were also the perspectives of some side characters that we only spent the minimal amount of time with, and it didn’t feel necessary, really. If anything it contributed to the lagging pace.

The above said, overall I thought that “The Spite House” had some really strong bits. I definitely want to see what else Johnny Compton comes out with, because the horror moments are unnerving as all get out.

Rating 6: Eerie and unnerving, “The Spite House” is a tense haunted house story. The pacing could have picked up a bit and the number of perspectives get a bit overdone, but the pay off is mostly worth it.

Reader’s Advisory:

“The Spite House” is included on the Goodreads list “2023 Gothic”.

Kate’s Review: “Don’t Fear the Reaper”

his post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Don’t Fear the Reaper” by Stephen Graham Jones

Publishing Info: Gallery/Saga Press, February 2023

Where Did I Get This Book: I received and eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: December 12th, 2019, Jade returns to the rural lake town of Proofrock the same day as convicted Indigenous serial killer Dark Mill South escapes into town to complete his revenge killings, in this riveting sequel to My Heart Is a Chainsaw from New York Times bestselling author, Stephen Graham Jones.

Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho.

Dark Mill South’s Reunion Tour began on December 12th, 2019, a Thursday.

Thirty-six hours and twenty bodies later, on Friday the 13th, it would be over.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Let me tell you what kind of a human disaster I am. I get so hyped about things that I love, or things that I’m really excited about. But then I get almost bogged down in the anticipation, and if I don’t dive in right away (and if there is a long out deadline or no deadline at all, thanks ADHD), I will probably freeze on it, even if I’m looking forward to it. Enter “Don’t Fear the Reaper” by Stephen Graham Jones, the second book in his Lake Witch Trilogy. I loved “My Heart Is a Chainsaw”, the slasher love letter that had the lovely, funny, and plucky but somewhat tragic Jade Daniels as a protagonist. It was a top 3 read for me in 2021. So when I was approved for “Don’t Fear the Reaper”, I celebrated, overjoyed that I got it…. And then it sat on my Kindle for months. I was so excited I just froze up. I was just so excited I didn’t know what to do with myself. But I did eventually get to it. And my horror loving heart was, once again, blown away by how much Stephen Graham Jones knows this genres, and how well he can make it his own while still paying homage to those who came before. Jade Daniels, I missed you. I’m glad you’re back for more.

You’re doing awesome, Jade!

It’s so good to see Jade again. Though she would prefer to be called Jennifer. In “Don’t Fear the Reaper”, Jade has left prison after having her wrongful conviction in the wake of the “Independence Day Massacre” overturned, and is coming home just wanting to survive and put all of that behind her. Including her love for slashers and the genre. A downtrodden final girl returning in movie two is pretty standard (Sidney Prescott went full morose quasi-Goth for “Scream 2”, after all), and Jade/Jennifer has every reason to be weary given that the system failed her and she’s untrusted by most. Seeing Jade/Jennifer try to suppress her vast knowledge and, in some ways, nature is heartbreaking, and watching her gain more confidence in her knowledge, ability, and destiny is a really satisfying journey for her. And it’s a hoot watching her reunite with Letha, the girl she though was the final girl in “My Heart is a Chainsaw”, and seeing how she, too, has become a horror movie expert in hopes of staying alive. The way they play off each other with this shared passion and knowledge is a treat, and watching them try to piece together their situation as well as the slasher at hand is fun as well as suspenseful. And seeing Letha again, now as a resilient albeit traumatized young mother, was also wonderful. I’m so glad she and Jade/Jennifer got to properly team up.

I could rave about Jade/Jennifer and her amazingness for days. But I also really want to talk about our primary antagonist this time around Dark Mill South. What a perfect idea for a slasher villain (with a little bit of a point to his rage). The origin of his original motive, the Dakota 38 Execution on Boxing Day in Mankato, Minnesota in 1862, is a horrific moment in Minnesota history, and as someone who worked at the historic site Fort Snelling (which served as a prison and the site of a concentration camp for 1000+ Dakota, mostly women, children, and the elderly in the aftermath of the US-Dakota War), I was quite familiar with this moment. I used to teach it to visitors who would come to the Fort, and was almost always saddened/incensed to see that most people were more interested in watching the musket and cannon drills than grappling with some very dark and complex history. I think that for Dark Mill South to be enraged because of this event, and to be revenge killing in the name of it, was a very good literary choice. Lord knows there have been slasher killers who have a point in their rage, that can spill over into a gory conclusion for bystanders, and Dark Mill South feels a lot like that. It adds weight and subverts this ‘he’s not wrong he’s just an asshole’ trope you see in some slasher killers (Jason Voorhees being my favorite of this subtype), as well as subverting other expectations of a named slasher killer. [And if you want more information about the Dakota 38 + 2 and the U.S. Dakota War, the Minnesota Historical Society has some pretty good info, as does Indian Country Today, as does an article about an annual ride to commemorate the prisoners from Minnesota Public Radio. Please read about it. Don’t be like the indifferent visitors I saw every shift.]

And finally, Jones’s reverence for the horror genre, specifically slashers, is once again on full display in this book. There is SO much meta-analysis of the genre, so many references, it’s a true feast for fans of all things horror. I loved seeing the chapter titles, I loved the idea of not only Jade but also now Letha looking to the slashers for guidance, I loved seeing some of my favorites mentioned (Hello “Happy Death Day”!) as well as some not as popular films given a shout out. Jones’s love for slashers is infectious. It’s so fun to hunt for the Easter eggs. And we even have a new voice that is deconstructing slasher tropes between certain chapters. The identity is a secret, so no spoilers here. But I liked that Jones found a way to do it again, even with Jade/Jennifer out of commission. Oh, and there is still a lot of horror movie-esque gore to be had on these pages.

This was well worth the wait. “Don’t Fear the Reaper” is a complex and gory sequel to a complex and gory predecessor, and I now wait on pins and needles to see how Jones brings it all together in the final installment. Long live Jade.

Rating 9: A riveting, scary, and emotional horror tale that both pays homage to and re-writes the rules of slasher stories, “Don’t Fear the Reaper” is a much welcomed return to Proofrock, Idaho, and a wonderful reunion with Jade.

Reader’s Advisory:

“Don’t Fear the Reaper” is included on the Goodreads lists “Slasher Horror Books”, and “Book Riot 2022 #19: Read A Horror Novel by a BIPOC Author”.

Kate’s Review: “One Girl In All The World”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “One Girl In All The World” by Kendare Blake

Publishing Info: Disney Hyperion, January 2023

Where Did I Get This Book: I received an eARC from the publisher via NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Into every generation, a slayer is born. One girl in all the world . . . maybe.

Frankie Rosenberg is the world’s first slayer-witch, but she doesn’t have that slay-life balance figured out just yet. After all, being the newest slayer means that another slayer had to die. Frankie and the Scooby gang are still reeling from the deadly explosion that rocked the annual slayer retreat―and grappling with new evidence that some slayers may have made it out alive. And even though they defeated bloodthirsty vampire the Countess, it doesn’t mean Sunnydale is free from the forces of evil.

Something has reawakened the Hellmouth―and is calling old friends home. Someone is performing demon magic in the shadows, opening portals between dimensions. Everyone has demons to contend with―of the metaphorical and the very real (occasionally very hot) variety. And an oracle warns of a new evil on its way: the Darkness.

Could this be what attacked the slayers? And is it coming for Frankie?

Review: Thank you to Disney Hyperion for sending me an eARC of this book via NetGalley!

Well after that awesome opportunity we had last week with our blog’s Q & A with Kendare Blake, I am now going to talk about the newest book in her “Buffy the Vampire Slayer” Universe set YA Series, “One Girl In All The World”. It took some willpower to not dive immediately into this one once I had finished “In Every Generation”, as the first book that focuses on Frankie Rosenberg, Slayer-Witch, and her 2nd Generation Scoobies was such a hit for me. But I found the right moment with “One Girl In All The World”, telling myself I wouldn’t take it too fast and would just enjoy my time with Frankie, Hailey, Willow, Spike, and everyone else….. Yeah, then I pretty much read three fourths of it in one sitting. Late into the night. So much for self control.

This could be footage of me sitting up in disbelief after looking at the hotel room clock. (source)

When we left off, Frankie and friends Jake, Hailey, and Sigmund had basically formed Scooby Gang 2.0, with Frankie as the Slayer and her pals as her rag tag gang of fighters and supporters. With Buffy and a number of other Slayers still missing and possibly trapped in another dimension, Frankie is just about it for fighting the forces of darkness, and it is clear that the burden is starting to wear on not only her and her friends, but also on her mother Willow and her Watcher Spike. It doesn’t help that someone has seemingly set a beacon to lure any and all demons back to the Hellmouth, so they are all working overtime and are all VERY stressed. I thought that it was a good idea for Blake to show just how hard this would be for these teenagers to have to deal with, magical powers or not, and I liked that there were some very realistic problems with a supernatural twist (like Frankie’s attraction to Hunter of Thrace Grimlock, a morally grey demon that serves as a broody Angel-esque love interest; teenage romance is so messy even if you’re a Slayer-Witch). And even without super powers at play there are still relatable issues, like Hailey feeling torn between her new friends and her Slayer sister Vi, who has returned and is acting a little cagey, or Jake and his newfound feelings for a fellow athlete named Sam, or Sigmund feeling parental pressure to live up to a role he may not be cut out for. And since I really like all of these kids, the suspense isn’t just about whether or not this so called “darkness” is going to put them in danger, but if they are going to crumble because of this huge responsibility that is just exacerbating built in teenage struggles.

But it’s not just Frankie and her friends who are dealing with the weight of all of this. The first and most obvious old favorite is Willow, who has not only lost her best friend, but is also having to deal with her child being put in constant peril by the very nature of her being a Slayer. Willow remembers what it was like for Buffy when the weight of the world was on her shoulders. Now her daughter is carrying that burden. On top of all of that, Willow knows that her magic is a way that she can help Frankie and also Buffy, but there is the pesky fact that she was once consumed by her magic and almost destroyed the world. Blake really nails this stressful line that Willow has to walk, and the fear of not only losing her child, but also of losing herself. And it’s not just Willow who gets in on the angst. Because oh God how Spike is just ACHING for Buffy in this book. My old shipper heart was breaking over and over again. I am someone who can see Spike with Buffy, or Angel, or Faith (haaa I’ve written fan fiction with ALL of those combinations), but when you have an author like Blake who really gets the complex and undefinable but super intimate relationship that Buffy and Spike had by the end of Season 7, I just die. She just GETS it. She gets Spike, she gets Willow, she gets it all.

And Blake continues to give plenty of fan service to old seasoned “Buffy” fans like myself, and for anyone who has watched the series in full and enjoyed it. For one, there are so many references to old episodes and enemies, be it the return of the Sunnydale Swim Team that turned into aquatic monsters, or a reference to the episode where Giles was turned into a demon by a nemesis (oh my God, this moment had me howling with laughter because Spike, natch, was at the heart of it and it was PERFECT, PERFECT I SAY). Blake obviously loves the show and the canon and the characters, and you can really tell she is having a blast while she writes these new stories as she references the source material. But she also weave it into the story at hand so effortlessly that it doesn’t feel out of place or too twee due to fan service. All of these bits fit in with the various scenarios that Frankie et al are dealing with within this new story, and it’s a true joy to watch it all come together.

I’m still loving this series. I don’t know what I’m going to do while I wait for the conclusion. Frankie Rosenberg, you have earned your place as a kickass Slayer.

Rating 9: “One Girl In All The World” continues to reimagine “Buffy” for a new generation, with great, great success. The characters, old and new alike, are still highly enjoyable, and it feels like I’m a teenager watching my favorite show all over again.

Reader’s Advisory:

“One Girl In All The World” is included on the Goodreads list “Buffy The Vampire Slayer”.

Kate’s Review: “The Black Queen”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Black Queen” by Jumata Emill

Publishing Info: Delacorte Press, January 2023

Where Did I Get This Book: I received an eARC from the publisher via NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Nova Albright, the first Black homecoming queen at Lovett High, is dead. Murdered the night of her coronation, her body found the next morning in the old slave cemetery she spent her weekends rehabilitating.

Tinsley McArthur was supposed to be queen. Not only is she beautiful, wealthy, and white, it’s her legacy–her grandmother, her mother, and even her sister wore the crown before her. Everyone in Lovett knows Tinsley would do anything to carry on the McArthur tradition.

No one is more certain of that than Duchess Simmons, Nova’s best friend. Duchess’s father is the first Black police captain in Lovett. For Duchess, Nova’s crown was more than just a win for Nova. It was a win for all the Black kids. Now her best friend is dead, and her father won’t face the fact that the main suspect is right in front of him. Duchess is convinced that Tinsley killed Nova–and that Tinsley is privileged enough to think she can get away with it. But Duchess’s father seems to be doing what he always does: fall behind the blue line. Which means that the white girl is going to walk.

Duchess is determined to prove Tinsley’s guilt. And to do that, she’ll have to get close to her. But Tinsley has an agenda, too.

Everyone loved Nova. And sometimes, love is exactly what gets you killed.

Review: Thank you to Delacorte Press for sending me an eARC of this novel via NetGalley!

I love being taken surprise by a book. Whether it’s because I hadn’t heard of it before, or because a new author is on the scene and I’m totally unfamiliar, it’s a joy and a treat when one ends up in my hands, I have no expectations, and it ends up working for me and then some. That was my experience with “The Black Queen” by Jumata Emill. I hadn’t heard of the book until it was offered to me (thanks again, Delacorte Press!), and the premise was interesting and I was feeling up to trying something new. And then I ended up really, really enjoying it!

This story is told from two first person perspectives. The first is that of Duchess, a Black teenage girl in a Southern Community that is dealing with unofficial segregation and disparities for the Black community. Her best friend Nova is another Black girl, and is named the first Black Homecoming Queen the school has ever had. When Nova is murdered, Duchess is determined to prove that the privileged and wealthy Tinsley, a white classmate who wanted to be Homecoming Queen, is the culprit, as Tinsley was not only cruel to Nova during the race, but was also seen on TikTok making threats after the crowning. But the other perspective is actually of Tinsley, who is desperate to clear her name in the murder, and who is conducting her own investigation. Eventually, both girls team up despite the bad blood and past baggage, and it makes for a hell of a story. Not in the sense of ‘look at these two learning from each other’ kind of way, but because Emill doesn’t shy away from very uncomfortable moments regarding Tinsley’s character, and also explores lots of complexities with Duchess’s father, who is a police captain in town, and how his role has an effect on Duchess and her peers. Watching Tinsley be really difficult to like and slowly start to realize how terrible she has been, and how her race and privilege has made her entitled and venomous, is a very interesting choice to make with the character, and it was really neat to see that while we do get growth and remorse, she isn’t let off the hook for her really shitty actions. Watching her do the work first because she wants to clear her name, but then slowly start to realize that she has a lot to atone for was a fascinating character arc. I also like Duchess’s storyline and character growth, as she goes from making assumptions about things to then starting to find hard to reconcile nuances that make her question what she thinks she knows. It’s just really cool to see Emill delve into these deep issues about race in America and doesn’t water it down or package it in a way that some may think would be more palatable for a teen audience. He makes it easy to understand while still trusting the reader to be able to parse out a lot of complex, not so easy to answer questions.

The mystery at hand was very entertaining and pretty well put together. We know from the jump that Tinsley was guilty of being a shit head but not guilty of murder, so having her Duchess start to piece the mystery together separately and then together led to some good reveals and some good clue drops. There were a lot of facets to the story, and to Nova’s character, and many puzzle pieces that come together to give many options for why someone would have wanted her dead. Emill is fairly successful in pulling everything off and throwing readers off the trail here and there, and while I did kind of call one of the big solutions pretty early on in my read, there were a few well done red herrings that made me think ‘well maybe…?’, before they were revealed to be misdirections. But they were all plausible. The pace is kept fairly brisk and the plot moves in a way that keeps you interested, and I devoured this book in a couple of sittings because it was just that addictive.

So all in all “The Black Queen” was a well done YA thriller that successfully injects bigger, relevant issues into the plot. I really enjoyed it and I will be looking for more fiction from Jumata Emill in the future!

Rating 8: Some really good reveals, complex main characters, and a lot of relevant and important themes about race in America come together to make a well done YA thriller.

Reader’s Advisory:

“The Black Queen” isn’t included on many Goodreads lists as of yet, but I think it would fit in on “Black Lives Matter and Anti-Racist Books”and “Young Adult Thrillers”.

Kate’s Review: “Unshod, Cackling, and Naked”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Unshod, Cackling, and Naked” by Tamika Thompson

Publishing Info: Unnerving, January 2023

Where Did I Get This Book: I received an eARC.

Where You Can Get This Book: Amazon | Author’s Website

Book Description: A beauty pageant veteran appeases her mother by competing for one final crown, only to find herself trapped in a hand-sewn gown that cuts into her flesh. A journalist falls deeply in love with a mysterious woman but discovers his beloved can vanish and reappear hours later in the same spot, as if no time has passed at all. A cash-strapped college student agrees to work in a shop window as a mannequin but quickly learns she’s not free to break her pose. And what happens when the family pet decides it no longer wants to have “owners?”

In the grim and often horrific thirteen tales collected here, beauty is violent, and love and hate are the same feeling, laid bare by unbridled obsession. Entering worlds both strange and quotidian, and spanning horror landscapes both speculative and real, Unshod, Cackling, and Naked asks who among us is worthy of love and who deserves to die?

Review: Thank you to Beverly Bambury for sending me an eARC of this short story collection!

Even though I am typing this whilst looking at a VERY out of control book pile on my nightstand, I’m not lying when I say that I’m always on the lookout for something new in my reading rotations. Especially if that something new is something horror related. So when I was approached with “Unshod, Cackling, and Naked”, a collection of short horror stories by Tamika Thompson, I was quite interested in giving it a go! I like finding new to me horror authors to check out, and the title alone had a lot of promise. And while it’s true that short stories aren’t always reliable for me, I’ve had luck with them recently, so I was down to try more. And happily, that once again worked out pretty well!

As I always do with short stories collections I will talk about the three that I liked the best, and then talk about the collection as a whole.

“Under the Crown”: This is actually, to me, the least ‘horror’ horror story of the collection, though there are still aspects that make it tread that way. But at the end of the day I found it to be a really satisfying tale of self liberation. A woman has been competing in beauty pageants for most of her life at the behest of her mother, and she is starting to get tired of it. During a really important pageant that she never wanted to do in the first place, the various tricks of the trade to make her look pretty start to take their toll, as the dress itself feels like its biting into her skin. This story is more about the very real pain that some people go through for beauty, be it physical or emotional, and our protagonist has a lot of body horror moments that are rooted in truth (teeth whiteners that burn, a dress that is so uncomfortable it draws blood, and something involving jelly beans that made me cringe). Beauty pageants, beauty standards, and misogyny are all themes in this story and I thought it had some nice moments of dark humor too.

“Mannequin Model”: Way back when during an early season of Top Model one of the challenges was for the contestants to stand in store windows as living mannequins, and my mind immediately went to that when I started this story, but it would be if the contestants then had to endure a psychological torture session (moreso). A woman who is strapped for cash and needs money to support her family in crisis takes a job as a living mannequin at a store, told to stand perfectly still in the store window between two actual mannequins. But as the shift lingers on and on and she has to endure physical pain, the leers of onlookers, and a cruel boss, she starts to hear the mannequins talking to her. This one is very unnerving, a look at objectification, of bad labor practices, of misogyny and racism, and how it can all come together to take a serious toll.

“Abduction Near Knife Lake”: I think that this was my favorite story in the whole collection, and it was the last one so it made the book end with a bang. Remnants of a bridal party and driving in the backroads of Michigan after the wedding when an Amber Alert comes through on their phones, describing the abduction of a young Black girl. When bridesmaid Samiah thinks she sees the car she convinces groomsman and ex-boyfriend Will to try and help her save the girl, as help is far away and missing Black children aren’t prioritized. Their good samaritan choice, however, lands them in unexpected danger. There are so many tension points in this story, between the suspense of whether or not Samiah and Will are going to get caught by the possible abductor, to the tension of being in an isolated wilderness, so things perhaps not being as they seem. It’s a really fun scary story, one that stood out for all the right reasons.

As a collection it’s cohesive and pretty solid! I don’t think there were any stories that didn’t work for me, though some I enjoyed more than others. But overall I found Thompson’s voice and storytelling to be unique and engaging, and given that I tend to be hit or miss with short stories collections I’m always happy when there is a pretty clear ‘hit’.

I think that there is something for everyone in “Unshod, Cackling, and Naked”, so definitely give it a go if you are looking for some enjoyable horror short stories! Tamika Thompson is a fun horror voice, and I will be going back to read “Salamander Justice” this Spring for sure!

Rating 8: A solid horror collection of various sub genres that explore supernatural terrors, as well as the terrors of being a Black woman in racist and misogynistic societies.

Reader’s Advisory:

“Unshod, Cackling, and Naked” isn’t included on many Goodreads lists as of yet, but it would fit in on “Horror Short Stories by Authors of Color”, and “Great Reads for Halloween”.


Kate’s Review: “All Hallows”

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Book: “All Hallows” by Christopher Golden

Publishing Info: St. Martin’s Press, January 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: With the 80’s nostalgia of Stranger Things, this horror drama from NYT bestselling author Christopher Golden follows neighborhood families and a mysterious, lurking evil on one Halloween day.

It’s Halloween night, 1984, in Coventry, Massachusetts, and two families are unraveling. Up and down the street, horrifying secrets are being revealed, and all the while, mixed in with the trick-or-treaters of all ages, four children who do not belong are walking door to door, merging with the kids of Parmenter Road. Children in vintage costumes with faded, eerie makeup. They seem terrified, and beg the neighborhood kids to hide them away, to keep them safe from The Cunning Man. There’s a small clearing in the woods now that was never there before, and a blackthorn tree that doesn’t belong at all. These odd children claim that The Cunning Man is coming for them…and they want the local kids to protect them. But with families falling apart and the neighborhood splintered by bitterness, who will save the children of Parmenter Road?

New York Times bestselling, Bram Stoker Award-winning author Christopher Golden is best known for his supernatural thrillers set in deadly, distant locales…but in this suburban Halloween drama, Golden brings the horror home.

All Hallows. The one night when everything is a mask...

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I’m a person who holds Halloween in my heart all year round, so it’s not a huge stretch for me to pick up a Halloween themed novel or movie or what have you any month of the year. But I think that there’s just something that hits different if you read a certain book during a certain season, and boy am I kicking myself for not picking up my eARC of “All Hallows” by Christopher Golden during October. I’m by no means saying to delay reading this book until NEXT Halloween (don’t sleep on this book until then, it’s super enjoyable and horror fans should read it ASAP), but man oh MAN is this just the perfect Halloween book. It’s the kind of book that makes you feel like you can feel the crisp air of an autumn night, or that you can smell the leaves and woodsmoke in the air. It just screams Halloween, and that isn’t just because it takes place on Halloween in 1984. The aesthetic of masked children running around for tricks and treats after dark jumps off the page, and it feels like a love letter to my favorite holiday. Especially since some of these masked children are, perhaps, not what they seem.

Sam would fit right in. (source)

In the description there is a comparison to “Stranger Things”, and I think that that is correct in the sense of “Stranger Things” feeling like a 1980s Spielberg/”Goonies”/”Stand By Me” vibe of kids being realistic kids in the face of danger or adventure. More danger, in this case. I really loved all of the kids in this book, as we’d shift from one perspective to another and see how they are spending this momentous Halloween in which all their lives are going to be changed. Whether it’s punk and closeted lesbian Vanessa, or earnest and serious Rick, or kind and a bit downtrodden Julia, all of the kids out on Halloween are grappling with their own baggage even before mysterious masked children they haven’t met before start infiltrating their evenings, and begging them for help to protect them from ‘The Cunning Man’. The neighborhood kids can kind of tell that something is off with these new kids, whether it’s their weird behavior or their vague pleadings, but they know that kids have to stick together, and it makes for a camaraderie that may or may not be a good thing. I loved all of the neighbor kids and got a good feel for them, and I liked the building unease surrounding the stranger children, and not knowing just what their deal was. It did feel like a nostalgic take on childhood friendships at the precipice of everything changing, and I really liked how that affected how we cared about these characters.

The other big component of this book that I really liked was the way that Golden focused in on the ennui, dissatisfaction, and toxic aspects of 1980s suburban life. While the kids are running around on Halloween night, encountering strange masked children, the adults are so focused in on their own dysfunction brought on by their troubled lives and relationships that they are a bit distracted during a dangerous time. Whether it’s Barb, whose husband Donnie is a drunk and a philanderer and whom she has just thrown out, or Tony and Alice, who run the neighborhood haunted attraction and are about to lose their home due to financial issues, to the mysterious Zach and Ruth who are the only childless couple and seem… off, Golden has created some suburban drama that fits in the story’s greater themes of how adults can fail the children in their communities and the consequences that can bring. You could just see how this was all going to come to a head and it was very unnerving.

And finally, the more supernatural horrors. Golden really knows how to create creepy moments, characters, and aesthetics. We don’t know just what the Cunning Man is, and we don’t know why he wants these mysterious children who have just appeared, and as we slowly learn more and more we get some very disturbing and scary beats here and there. And even when we think we know something, Golden will pull the rug out from under us and it will be something else completely. I do think that I could have used a little more world building, or at least mythos building, when it came to the supernatural forces at work. I definitely liked how Golden created a scenario that could so easily be turned upon its head through misdirection and clever hints here and there, but once we did get one of the more surprising reveals thrown out there, I felt like we didn’t really focus too much on what exactly the driving force was and how we got to where we were. I know this sounds strange, but I do want to be vague because I don’t want to wreck or ruin anything, plot wise. It’s worth having all the tricks that Golden is hiding revealed in their own time! I just wanted a bit more explanation on some things.

“All Hallows” is a very twisty horror story that will surely send chills up a reader’s spine. Maybe break out some candy and a Fall themed candle to set the mood while reading it, as it will give you all the Halloween feels and everything that implies.

Rating 7: Creepy and nostalgia driven with some pretty good surprises, “All Hallows” has tricks and treats in store.

Reader’s Advisory:

“All Hallows” is included on the Goodreads lists “Horror To Look Forward To in 2023”, and “Recommended by Seanan McGuire”.

Kate’s Review: “American Vampire: Vol. 6”

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Book: “American Vampire: Vol. 6” by Scott Snyder, Rafael Albuquerque (Ill.), et al.

Publishing Info: Vertigo, March 2014

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: This volume of American Vampire collects eight amazing stories set in the world of American Vampire, with “lost tales,” new characters and old favorites. Don’t miss these stories brought to you by series creators Scott Snyder and Rafael Albuquerque, as well as other awesome comics talent like Becky Cloonan (Batman), Gabriel Bá and Fábio Moon (Daytripper), Jeff Lemire (i>Sweet Tooth), Greg Rucka (The Punisher, Batwoman), Gail Simone (Batgirl) and many more! Also collected here is the stand alone tale of Fan-favorite character Travis Kidd–the vampire hunter who likes to “bite them back”.

Review: So during my first read-through of “American Vampire”, there is a clear shift that I remember that kind of started after “Volume 5”. I looked into “Volume 6”, saw that it was a short stories anthology, and decided that I was going to skip it. After all, I wanted more plot. I wanted to see the aftermath of Pearl losing Henry, and the aftermath of Felicia and Gus going up against the Carpathians. I didn’t want a bunch of short stories that didn’t seem to progress anything. But since I’m doing the full read this time around, I got myself a copy of “Volume 6”, and figured I’d just grin and bear it. But I was such a fool, guys, because I actually ended up really liking the anthology series that is “American Vampire: Volume 6”.

While it’s true that these stories don’t really progress the main plot forward after the huge changes and aftermaths of the previous collection, it actually ended up being nice to have a breather after all the things that happened. It also serves as a way to see some more explored characterizations of some familiar faces, while also introducing characters from the past who end up tying into characters that we recognize, and how vampires have touched the family lines decades or even centuries previously. Since this is a short stories collection, I will do my usual thing of talking about my favorite three in depth, and then expanding upon the collection as a whole.

“The Long Road to Hell” by Scott Snyder and Rafael Albuquerque (Ill.) : This is another Travis Kidd offshoot story, and while Travis hasn’t ingratiated himself TOO much into our main characters timelines as of yet, I thought this was not only a good way to show another, more empathetic side of him, while also showing the inherent tragedy of some vampires. Young lovers Billy Bob and Jolene are in love and running scams of unsuspecting people, when they are targeted and turned by a vampire gang in hopes of using their thievery skills. But Billy Bob and Jolene run, and are desperate to find a cure of their new conditions. On the road they pick up a transient little boy who can read people’s personalities, and try their best to keep their monstrous nature at bay. Then they run afoul Travis Kidd, vampire killer, and they have a choice to make. I loved how tragic this one was, with two really likable and scrappy lovers just doing their best in a world that has kicked them down, only to be doomed because of bad luck. I just adored Billy Bob and Jolene, and seeing Travis have to reckon with the fact that not all vampires are soulless killers was some good growth for him as well.

“Bleeding Kansas” by Rafael Albuquerque and Ivo Milazzo (Ill): Albuquerque shifts roles from illustrator to author, and while I didn’t REALLY like the art design, I really loved the concept of the story. Gil and Marie Jones are a young married couple with abolitionist ideals, hoping to move to Kansas to help build a new state that shares their dreams for social justice and equality. But when they arrive to find a hostile town filled with slave owners and sellers, who are hiding other secrets about themselves. I HIGHLY enjoyed the references to the future pro-slavery vs abolitionist violence and conflicts that were going to come up in Kansas later, the most famous probably being John Brown, and I liked seeing some of Pearl’s ancestors (grandmother and grandfather I believe) having to go head to head with the kinds of creatures their granddaughter would ultimately become.

“Essence of Life” by Gail Simone and Tula Lotay (Ill): This is my favorite story in the collection, and it centers of secondary antagonist Hattie, Pearl’s old roommate turned femme fatale vampire. In this story we get to see the life she was living in Hollywood before she met Pearl, where she is so desperate for stardom that she trusts in the wrong people. She’s now writing a letter to Pearl to explain why she did what she did, and to tell her that she felt like she really had no choice after everything she’d been through. I love that Gail Simone was the author for this one, because she does a stupendous job of turning Hattie from simple backstabbing jealous bitch into a somewhat sympathetic, but still very vile, villainess. It’s hard not to feel for her when you see the horrible crap that happened to her, just as it’s hard not to let out a shout of ‘GOOD FOR HER!’ when you get to the rage-filled and cathartic conclusion.

Forgive the bad photo, I needed this one specifically. (source: Vertigo)

The other stories have their strengths and weaknesses. I don’t really feel like I ever need to know more about Skinner Sweet (I’m still on the anti-Skinner train!), so I kind of skimmed his stories. But I did like seeing other villains get some background, as well as more explorations about race, class, and American violence. All in all, it’s a solid collection!

Don’t make the same mistake I did, friends! If you are reading “American Vampire”, don’t skip over “Volume 6”! It expands things in ways that make the story richer.

Rating 8: This is a pretty solid set of tales within the “American Vampire” universe, with some expansions on character connections, characterizations, and general vampire lore and history inside the universe.

Reader’s Advisory:

“American Vampire: Vol. 6” is included on the Goodreads lists “Vampire Anthologies”, and “Best Comics Series Since 2000”.

Previously Reviewed:

Kate’s Review: “How To Sell a Haunted House”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “How To Sell a Haunted House” by Grady Hendrix

Publishing Info: Berkley, January 2023

Where Did I Get This Book: I received and eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Every childhood home is haunted, and each of us are possessed by our parents.

When their parents die at the tail end of the coronavirus pandemic, Louise and Mark Joyner are devastated but nothing can prepare them for how bad things are about to get. The two siblings are almost totally estranged, and couldn’t be more different. Now, however, they don’t have a choice but to get along. The virus has passed, and both of them are facing bank accounts ravaged by the economic meltdown. Their one asset? Their childhood home. They need to get it on the market as soon as possible because they need the money. Yet before her parents died they taped newspaper over the mirrors and nailed shut the attic door.

Sometimes we feel like puppets, controlled by our upbringing and our genes. Sometimes we feel like our parents treat us like toys, or playthings, or even dolls. The past can ground us, teach us, and keep us safe. It can also trap us, and bind us, and suffocate the life out of us. As disturbing events stack up in the house, Louise and Mark have to learn that sometimes the only way to break away from the past, sometimes the only way to sell a haunted house, is to burn it all down.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

It has been a little bit, but the time that many horror fans have been waiting for has arrived! Grady Hendrix has another horror novel out! “How To Sell a Haunted House” has been on my radar for quite some time now, as I have been a fan of Hendrix for years now, ever since my old boss handed me “Horrorstör” from our New Materials delivery and said ‘is this something you may like?’. I’ve been reading his books ever since as he takes on various horror sub genres with humor, heart, and well done scares. And guys, the time I have been waiting for has finally arrived: this one is a haunted house story.

But of course it has a twist. It’s Grady Hendrix, after all! (source)

Excited is an understatement. And by the time I did sit down to read it, I was happy that it was a holiday weekend, because I pretty much tore through this thing whenever I had down time. It’s a top 3 Hendrix book for me, to be sure.

Hendrix is kind of known for cheeky and quirky horror stories that do have legitimate scary foundations, and “How To Sell a Haunted House” continues that streak, this time giving his take on a haunted house story. We have Louise and Mark, estranged siblings who have to come together after their parents are killed in a car accident and leave behind their childhood home and all their possessions. As the bitter siblings try to sort through the house and all the things, weird noises start to come from a nailed shut attic, and memories of strange moments from their childhood start coming to the surface. I’m going to keep things kind of vague with the specifics, but Hendrix combines some genuinely creepy and scary moments of horror and dread that build at a great pace with super funny moments. He is always able to combine two different tones without giving too much distracting weight to one or the other. The scary moments aren’t negated by the humorous bits, just as the really funny bits don’t feel out of place or unwarranted because of the scary stuff. Hendrix knows how to make the balance hit just right. He’s SO good at that.

The portrayal of dysfunctional family dynamics and generational trauma is really well done in this book (this has kind of been a theme in the books I’ve been reading lately, but hey, I’m down for metaphors!). We go into this story from Louise’s point of view, who has left her childhood home of Charleston for California, and who is returning due to her parents’s deaths. Her relationship with her brother is strained at best, and the usual tension in the wake of a sudden loss is exacerbated by the fact they seem to hate each other. I went in fully expecting to hate Mark due to the way he was acting and how Louise was reacting, but this is the thing about Hendrix, by the time we had gotten through the book I was rooting for both of them in all of their complicated, nuanced and imperfect selves. As mentioned above it isn’t like the idea of using family trauma and dysfunction as horror is a very new idea in the genre, but Hendrix really sells it because of the compelling characters, be they two antagonistic siblings, quirky relatives, or a free spirited woman who performs exorcisms on dolls. Hendrix always comes through with the characters in his stories, and it was because I cared about them so much in this one that I felt the stakes were super high, and that makes for high tension horror as two damaged people try to stop harmful family cycles before they damage the next generation. Watching this very messy sibling relationship go through ups, downs, and evolution was emotional as hell, and Hendrix nails all of the complex feelings and actions between Louise and Mark.

I can once again say that Grady Hendrix has knocked it out of the park. “How To Sell a Haunted House” is freaky and funny and emotional, and I really, really enjoyed my time with it.

Rating 9: A fun and at times quite scary horror novel about how houses aren’t the only things that can be haunted, “How To Sell a Haunted House” is another triumph from Grady Hendrix.

Reader’s Advisory:

“How To Sell a Haunted House” is included on the Goodreads lists “Architectural Horror/Fantasy”, and “Horror to Look Forward To in 2023”.

Kate’s Review: “Episode Thirteen”

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Book: “Episode Thirteen” by Craig DiLouie

Publishing Info: Redhook, January 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: A ghost-hunting reality TV crew gain unprecedented access to an abandoned and supposedly haunted mansion, which promises a groundbreaking thirteenth episode, but as they uncover the secret history of the house, they learn that “reality” TV might be all too real — in Bram Stoker Award nominated author Craig DiLouie’s latest heart pounding novel of horror and psychological suspense.

Fade to Black is the newest hit ghost hunting reality TV show. It’s led by husband and wife team Matt and Claire Kirklin and features a dedicated crew of ghost-hunting experts.

Episode Thirteen takes them to Matt’s holy grail: the Paranormal Research Foundation. This crumbling, derelict mansion holds secrets and clues about the bizarre experiments that took place there in the 1970s. It’s also, undoubtedly, haunted, and Matt hopes to use their scientific techniques and high tech gear to prove it. 

But, as the house begins to slowly reveal itself to them, proof of an afterlife might not be everything Matt dreamed of. 

A story told in broken pieces, in tapes, journals, correspondence, and research files, this is the story of Episode Thirteen — and how everything went horribly wrong.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Back in college, when I first had access to cable TV, I was profoundly fascinated by the ghost hunter reality shows that you could find here and there. I’m a person who is very much a Mulder who ‘wants to believe’ (I even have the sticker of that poster on my bedside water bottle), so for a bit I was very into the likes of “Ghost Hunters”, “Paranormal State”, and “Ghost Adventures”. It became pretty clear pretty quickly that they were all pretty silly and staged, but I still have a fondness for the concept of ghost hunting reality shows, goofy as they can be. So obviously when I read the description of “Episode Thirteen”, an epistolary novel about a reality show ghost hunting crew going into a notorious house and finding something terrifying, I really, really felt the need to give it a whirl. Do it for Jason and Grant, Kate!

(source)

This book is bursting with creativity, there is no denying that. You get a little bit of reality TV manipulative nonsense, you get some MK-Ultra-esque conspiracy shit, you get unnerving epistolary segments, it’s quite the mix and I thought that it came together pretty well. I liked that DiLouie thought outside of the box when it comes to a run of the mill haunted house/ghost hunters story, and I liked the small homages to classic tales like “The Haunting of Hill House”. It’s a strange brew but for the most part it works. I also really liked the overall ‘found footage’ structure of it, be it emails and text messages between members of the ghost hunting crew and family members or executives at the network, and I liked how they would sometimes be in direct contradiction of the ‘public’ archives like the website promotions. I also thought that DiLouie was pretty adept at writing out descriptions of what one would be seeing on camera and on the screen, and given that this can be a tricky thing to pull off I was very happy to see that it felt natural as well as descriptive. It read like footage from a television show or footage from behind the scenes, very visual and very easy to translate to the minds eye. And I also felt like we got to know most of our characters on the ghost hunting crew. Whether it’s true believer Matt, who needs to prove that there is, in fact, an afterlife, or his skeptical wife Claire who wants to support him but is deeply rooted in her physics background, or crew member Jessica who merely wants to break it big in the industry, I felt like I really understood who these people were, for better or for worse.

The one downside, at least for me, is that by the end we started stretching our genres out into something more metaphysical and downright trippy, and then it kind of lost control of itself. As the climax speeds up and our players start to descend into pure chaos as the final pages unfold, I started to lose the ability to really sense out what was happening, and got a bit muddled with the spiraling narrative. I definitely get the sense that it’s supposed to feel crumbling and out of control, but I think that for me it just got a little too fraught and unhinged. I understand that the goal is to feel the disorientation of it all, but it never came together for me as a reader in a way that felt taut. I’m not sure if that’s a personal taste thing or not.

But having said that, overall I found “Episode Thirteen” to be a solid take with a weird and creepy twist on a ghost hunt gone wrong.

Rating 7: Creepy and trippy, and a fun epistolary tale with some unique storytelling devices, “Episode Thirteen” is a solid new entry into the found materials genre.

Reader’s Advisory:

“Episode Thirteen” isn’t included on any Goodreads lists yet, but I think it would fit in on “Fictional Books About Found Footage”.