Whoa Baby!: Favorite Books for Babies

Given that the two of us are such heavy readers, it’s probably no surprise that our kiddos also really enjoy books (even if they’re still a little young to read themselves). So we thought it would be fun to give some recommendations of books that our babies have enjoyed, given that the holidays are coming upon us fast and you may have kiddos in your life that could use some fun books to read.

Serena’s Picks

Book: “Kitten’s First Full Moon” by Kevin Henkes

Publishing Info: Greenwillow Books, March 2004

Why Will and I Like It: I obviously like it for the kitten aspect. And as I want to forcibly instill a love of cats into my son, this was a favorite to read to him right from the get-go. Luckily, he also seems to really like it. The black and white pictures provide a lot of contrast, making it a book that even very young babies can appreciate. The story is simple and sweet with just enough repeated words that, as he’s gotten older, he can follow long and repeat some of them back. This is a Caldecott winner, so obviously it’s a big favorite with a lot of people, and there’s a reason why!

Book: “Little Blue Truck” by Alice Schertle, Jill McElmurry (Illustrator)

Publishing Info: HMH Books for Young Readers, May 2008

Why Will and I Like It: This has been a more recent favorite. I picked this book up on a whim before a long car trip this summer, and much to my surprise it became a quick favorite. The illustrations are lush and beautiful. And the bouncy, fun rhyme that makes up the story is fun for Will. He’s also recently begun to really like matching animal noises with the animal, and this book has been a perfect match for that neat, little trick. There are a bunch more “Little Blue Truck” books in this series, so I’m pretty sure he’ll be getting more for Christmas.

Book: “‘More, More, More!’ Said the Baby” by Vera Williams

Publishing Info: Greenwillow Books, 1990

Why Will and I Like this Book: This is an oldie, but a goodie. Another Caldecott nominated book, it’s been a favorite for many years. My mom got this book for Will this summer, and he had tons of fun reading it with her during our long visit. It features three short stories of babies running around being chased and loved on by their caregivers. The illustrations are gorgeous, and the rhythm and meter of the story are unique and beautiful. Will particularly appreciates having his nose, toes, and tummy tickled along with the babies in the book!

Kate’s Picks

Book: “Baby Goes to Market” by Atinuke and Angela Brooksbank (Ill.)

Publishing Info: Candlewick Press, September 2017

Why Winnie and I Like It: My daughter has books that she obsesses over, and she has gotten to the point where she recognizes the spines on her shelf and grabs them with intent and vigor. “Baby Goes to Market” by Atinuke is a favorite of both of us, though probably for different reasons. For me, it’s the gorgeous artwork, the fun way of incorporating counting into a cute story, and a setting of an African marketplace with lots of different people and imagery. I think for Winnie it’s more about the colors and the repetition of the words as a baby keeps adding items to his mother’s basket. Regardless, “Baby Goes to Market” is one that we revisit over and over again.

Book: “Look, Look!” by Peter Linenthal

Publishing Info: Dutton Books for Young Readers, 1998

Why Winnie and I Like It: This was the first book that my husband and I read to Winnie, as the black and white pictures with splashes of red is great for infant eyesight. When we incorporated reading into her bedtime routine at about three months, “Look, Look!” was the book, and it’s still a nightly read. Winnie likes the pictures, the sun and the cat especially get big smiles each night. I like the unique drawing style that probably is designed specifically for infant optics in mind. It’s a simple and generally plotless read, but we haven’t gotten sick of it yet.

Book: “Rocky Mountain Babies” by Wendy Shattil

Publishing Info: Farcountry Press, 2009

Why Winnie and I Like It: This was an impulse buy while my husband and I were visiting Rocky Mountain National Park. Who knew that it would become one of Winnie’s favorite books (one she loves so much that she once burst into tears because we weren’t getting to it fast enough)? “Rocky Mountain Babies” introduces the reader to various animals that you can find in the Rockies, all in baby form. If you like baby animals, which Winnie certainly does, this will be a hit. I, too, like cute baby animals, and the rhyming scheme is easy to memorize, so if your child is holding the book up across the room in hopes you’ll read the page they’ve selected, all you have to do is tap into the ol’ memory bank and voila. Everyone’s happy. The photos really are adorable.

Serena’s Review: “My Calamity Jane”

Book: “My Calamity Jane” by Cynthia Hand, Brodi Ashton, and Jodi Meadows

Publishing Info: HarperTeen, June 2020

Where Did I Get this Book: the library!

Book Description:

Welcome ​to 1876 and a rootin’-tootin’ America bursting with gunslingers, outlaws, and garou.

JANE (a genuine hero-eene)

Calamity’s her name, and garou hunting’s her game—when she’s not starring in Wild Bill’s Traveling Show, that is. She reckons that if a girl wants to be a legend, she should just go ahead and be one.

FRANK (*wolf whistle*)
Frank “the Pistol Prince” Butler is the Wild West’s #1 bachelor. He’s also the best sharpshooter on both sides of the Mississippi, but he’s about to meet his match. . . .

ANNIE (get your gun!)
Annie Oakley (yep, that Annie) is lookin’ for a job, not a romance, but she can’t deny there’s something about Frank she likes. Really likes. Still, she’s pretty sure that anything he can do, she can do better.

A HAIRY SITUATION
After a garou hunt goes south and Jane finds a suspicious-like bite on her arm, she turns tail for Deadwood, where there’s been talk of a garou cure. But things ain’t always what they seem—meaning the gang better hightail it after her before they’re a day late and a Jane short.

Previously Reviewed: “My Lady Jane” and “My Plain Jane”

Review: I’ve really been enjoying these strange little tales. The authors take familiar characters or historical figures named “Jane” and then just go to town with wild imaginings of alternatives to their stories. We’ve had shape-shifters, ghosts, supernatural detectives, you name it! So, really, other than knowing that this story is tackling the Wild West and some of the familiar figures we associate with it, I had really no idea what I was getting into. It was a rip-roaring good time, of course, but I did find that I was less enthralled with this story than the two others.

In this version of the story, our famous trio work for a Wild West show that is only half show business. The other side of their profession includes hunting garou, or werewolves. All that sharp-shooting has to be good for something, after all! But on a hunt for the Alpha, things go wrong for our titular character and she ends up with a suspicious bite and on the run herself. Her friends, Annie and Frank, won’t let her go so fast, and soon enough the three find themselves on their own wild adventure!

So, while this book did have some of the classic elements I’ve come to expect from this series and these authors (good characters, romance, wack-a-doodle comedy), I did struggle with it a bit more. To start with the good things, the characters, like always, were all super strong. I liked that we got POV chapters for all three of the main characters, Jane, Annie, and Frank. They each had some interesting arcs and perspectives on the goings-on around them. I think I probably liked Annie the best, though Frank was a close second. Strangely, for all that she is the title character, of the three, Jane seemed to fade the most into the background of the story. I think this was somewhat similar to my feelings about the Jane character in the second book, where she, too, was secondary to the other main character.

The comedy was just ok in this one. For some reason, it all seemed to be trying a bit too hard and came across as more forced and unnatural than it did in the first two books. It might just be a combination of genres. “My Lady Jane” is trying to adapt a tragic bit of history and “My Plain Jane” is re-telling a gothic romance. Each of those stories are working from a more serious foundation and layering comedy and nonsense on top of it. Westerns, however, especially Wild West stories, already have an inherent performative sense to them. So between the over-the-top nature of the original tall tales, the comedy just heaped on more of the same, leaving the entire thing feeling a bit over-worked.

There were also some strange moments of social commentary that seemed to be sporadically dropped in. I have no problem with fantasy books tackling social issues. In fact, I think sometimes the nature of fantasy allows authors to get at thoughts and ideas in a way that really elaborates on the bigger issues without getting too caught up in a modern, political statement. But they sat oddly in this book. A bit too preachy. A bit too on the nose. A bit too out of place.

Part of my struggle may just be that I don’t typically care for westerns. Sure, I know the tall tales and characters that are used in this book, but the genre as a whole doesn’t hold a lot of appeal to me. Overall, it just felt like a bit of a let down when compared to the two books that came before, which I really enjoyed. If you’re a fan of the series so far, and especially if you enjoy westerns, this is probably worth checking out. But for me it was the weakest of the three.

Rating 6: The shine has worn off just a little on this particular formula.

Reader’s Advisory:

“My Calamity Jane” is on these Goodreads lists: 2020 YA Historical Fiction and Jane Titles.

Find “My Calamity Jane” at your library using WorldCat!

Kate’s Review: “I Hope You’re Listening”

Book: “I Hope You’re Listening” by Tom Ryan

Publishing Info: Aw Teen, October 2020

Where Did I Get This Book: I received an eARC of this novel from NetGalley.

Book Description: In her small town, seventeen year-old Delia “Dee” Skinner is known as the girl who wasn’t taken. Ten years ago, she witnessed the abduction of her best friend, Sibby. And though she told the police everything she remembered, it wasn’t enough. Sibby was never seen again. At night, Dee deals with her guilt by becoming someone else: the Seeker, the voice behind the popular true crime podcast Radio Silent, which features missing persons cases and works with online sleuths to solve them. Nobody knows Dee’s the Seeker, and she plans to keep it that way.When another little girl goes missing, and the case is linked to Sibby’s disappearance, Dee has a chance to get answers, with the help of her virtual detectives and the intriguing new girl at school. But how much is she willing to reveal about herself in order to uncover the truth? Dee’s about to find out what’s really at stake in unraveling the mystery of the little girls who vanished. 

Review: Thank you to NetGalley for providing me with an eARC of this novel!

In the early stages of quarantine, I fell off listening to some of the true crime podcasts that I loved to listen to before. I don’t know why it was, but outside of “Last Podcast on the Left”, I just wasn’t feeling up for anything else. But one day I decided to try and pick up “My Favorite Murder” again, and started on the unsolved case of the Delphi Murders, in which two teenage girls were found dead after being on a daytime hike. While I liked getting back into the groove of podcasts as I went for a walk with my kid, that particular case is, like the other cases like it, very sad because we don’t know what happened. It just so happened that I was listening to this as I was reading “I Hope You’re Listening” by Tom Ryan, and the chaotic synergy of the universe kind of fell into place. And it made me appreciate “I Hope You’re Listening” all the more.

There are a couple of mysteries running around in the narrative of “I Hope You’re Listening”. The first is what happened to Dee’s best friend Sybil, who was taken when they were children and right in front of Dee’s eyes. Dee is the kind of protagonist that you see a fair amount in thrillers these days; she’s traumatized, she’s not very personable, and she has unpacked baggage regarding her trauma that affects her in many ways. But Ryan does a great job of making her feel realistic in her trauma without feeling like she has to be unlikable or ‘broken’. She has started running an anonymous podcast that tackles missing person cases, in hopes of solving mysteries to help cope with the mystery in her life that was never solved, and I think this device works perfectly for her plot line. I liked that Ryan doesn’t try to make her into a completely self destructive individual, but does show how her experiences has made her more ‘rough around the edges’ when it comes to dealing with other people.

The other mystery is a new child disappearance, this time of a girl named Layla, whose potential kidnapping brings a media frenzy to town and threatens to expose Dee to more reminders of her connection to Sybil, as well as expose her as the anonymous host of her popular podcast. As Dee tries to help solve Layla’s disappearance, she is pulled back into Sybil’s, and her obsession starts up again. Both mysteries are compelling as all get out, and seeing Dee try her hand at actual hands on detective work leads to many suspenseful moments of high stakes action.

There were a couple of things that kind of took me out of the story a bit. The first is merely a pacing issue, and I’m going to get a little spoiler here, so here is your warning:

So one of the biggest strengths of this book is Dee’s bourgeoning romance with new neighbor Sarah. I liked Dee and Sarah together, I thought that they had great chemistry and I was deeply invested in them as a couple. But the timeline on this book isn’t very long, and Sarah figures out that Dee is ‘The Seeker’, aka the host for the podcast. When she confronts Dee, Dee basically confirms it right away, and then they are suddenly passionately making out. It’s not so much them hooking up that I had a problem with, but Dee revealing her secret identity that only ONE other person knows (her best friend Burke) when she has kept it so secret and has been so paranoid about it for so long. It’s especially hard to swallow because a Nancy Grace-esque tabloid crime reporter is in town on the Layla case and wants to expose The Seeker, so for Dee to let her guard down on a girl she has just started to get to know when this dangerous woman is so close just felt unrealistic to Dee’s character. But hey, if that’s the worst thing I can find about this, that’s pretty good.

Overall, “I Hope You’re Listening” is a really engrossing mystery thriller, and I am thinking of gong back to read more of Ryan’s stuff. Pick this one up if you like thrillers AND true crime podcasts!

Rating 8: A page turner of a mystery that pulls you in, “I Hope You’re Listening” is sure to entertain fans of thrillers and true crime podcasts alike!

Reader’s Advisory:

“I Hope You’re Listening” is included on the Goodreads lists “

Find “I Hope You’re Listening” at your library using WorldCat, or a local independent bookstore using IndieBound!

Serena’s Review: “The Navigator”

Book: “The Navigator” by Erin Michelle Sky and Steven Brown

Publishing Info:  Trash Dogs Media, LLC, October 2019

Where Did I Get this Book: NetGalley

Book Description: Wendy’s troubles are far from over. Hook wants her in irons, the crew wants to throw her overboard, and Pan’s magical compass is the only thing standing in their way. But Pan himself is nowhere to be found.

When a new everlost captain appears on the horizon, it will take everything Wendy has to survive.

Previously Reviewed: “The Wendy”

Review: This is definitely an “under the radar” little fantasy series. I pretty much only strayed upon it after scrolling way, way into the backfiles on NetGalley. But man, I’m glad I did! I, obviously, love re-tellings, and “Peter Pan” is definitely one of the more rare ones, mostly because of how hard it is to get right, I think. But the first book definitely proved that the authors had a new take on the story, so I was really excited to pick up this sequel and see where things went from there!

Wendy has finally made it: she’s the navigator of a ship. Of course, no one but herself is very pleased about this fact and without the magical compass that only she can read, she’s fairly certain they would all toss her overboard at their first chance. But still. Challenges are still ahead, however. Not only must she continue to try to prove herself to this new crew, but loss and uncertainty await on the horizon as a war brews around her.

So, overall, most everything that I enjoyed from the first book continued on here. I love the twists and turns that the authors are bringing to a well-known story. There were several that took me quite by surprise. I was also pleased to see variations on other familiar characters make an appearance, like Tigerlija. It’s always fun to see new takes on characters like this, especially ones that had fairly minor roles in the original story (not to mention…um…questionable ones at that).

I also still really enjoy Wendy herself. Her story tackles a lot of emotional legwork with her struggles to gain the respect of her male crew. But she also doesn’t fall into all of the trope-y “strong woman” moments that can be seen everywhere. Instead, we see her have to become more vulnerable when confronted with unexpected losses that strike her where it hurts. She’s dealing with a war, after all, so I’m glad the authors didn’t shy away from the dangers and realities that that would present.

Hook and Pan, of course, are also still great characters. Hook’s POV chapters were especially interesting. It’s definitely a challenge to write chapters from the perspective of the villain of the story, but if done right, it can add many additional layers to the story and the interactions between characters. It’s hard not to like Hook, frankly.

Overall, I really liked this book. If you’ve read the first one, this is pretty much more of the same. Which, in this case, is not a criticism but a bonus! And if you haven’t read this series yet, but like “Peter Pan,” then I definitely recommend checking out these books. They deserve more attention than they’re getting!

Rating 8: Still a rollicking good time to be had here!

Reader’s Advisory:

“The Navigator” isn’t on many Goodreads lists, but it is on this strange, little list Clean Peter Pan Retellings.

Find “The Navigator” at your library using WorldCat!

Kate’s Review: “We Keep The Dead Close”

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Book: “We Keep the Dead Close: A Murder at Harvard and a Half Century of Silence” by Becky Cooper

Publishing Info: Grand Central Publishing, November 2020

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: You have to remember, he reminded me, that Harvard is older than the U.S. government. You have to remember because Harvard doesn’t let you forget.

1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious 23-year-old graduate student in Harvard’s Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment.

Forty years later, Becky Cooper, a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she’d threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a “cowboy culture” among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims.

We Keep the Dead Close is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman’s past onto another’s present, and a love story for a girl who was lost to history.

Review: Thanks to NetGalley for providing me with an eARC of this book!

During my college years at the U of MN I didn’t live on campus, so I wasn’t as in tune with the campus myths and rumors of the dorms and the community. I know that there were rumors that one of the dorms was haunted, and that the bridge that connects the campus across the Mississippi River was supposedly haunted as well (clearly I was into the ghost rumors). But nothing struck me as a college campus or community urban legend based in truth. “We Keep the Dead Close: A Murder at Harvard and a Half Century of Silence” by Becky Cooper examines a Harvard story that sounds like generalized campus lore, but is in fact a true, and until recently, unsolved murder.

“We Keep the Dead Close” is very much a true crime story, involving the murder of Jane Britton, a Harvard student who was found murdered in her apartment in the late 1960s. Over the years this unsolved tale spun into its own campus mythology, with details tweaked and added and the main facts blurred to serve as a cautionary tale for women students. I had never heard of this murder, and I felt that Cooper was very respectful in how she both examined her personal investigation, as well as the investigation and fallout during the time, and the life that Jane led up until her death. Cooper made it so Jane was centered, all sides of her, the student, the woman, the friend, the lover, the difficult but funny person. Cooper ties all of these threads together in a way that made for a compelling narrative that keeps you reading, wanting to know who could have possibly done this as more suspects, scenarios, and possibilities are given. There are former lovers, jealous colleagues, and the main antagonist in the campus lore, the flamboyant professor she supposedly had an affair with. Cooper does her due diligence to explore all angles, and to try and find answers. Cooper also never centers herself, as some of these true crime/memoir books can stumble in. While it also concerns her curiosity and her own insecurities and fears as a woman student in a revered, but still male dominated, institution, this never feels like a ‘this could have been ME’ screed.

But what most fascinated me about “We Keep the Dead Close” was how Cooper so effortlessly examined the toxic undertones of academia, with oppressive forces and misogyny run amok in the 1960s when Britton attended. Not to mention how some of these themes are still quite present in academia today, being exposed by women who have had to live with it. You really get to see how Harvard was such a boys club at the time, and it truly paints a picture of how a professor, whose rumored involvement in the death of a female student, could still not only retain his position at the school, but become a big wig therein. While it’s true that not all is as it seems when it comes to the lore of the case and the actual facts of it, the fact that a potential murderer retains his job in this story and you think ‘oh, yeah, maybe’ instead of ‘preposterous!’ says a lot about the culture there at the time, and into today.

On top of that, Cooper has very insightful gleams into how lore can change and evolve as time goes on, and how Britton’s story has turned into a cautionary tale for students, particularly the women. While it’s true it definitely has a victim blamey feel at its core (don’t sleep with your professor or he will kill you and you just may deserve it! Keep your legs closed, ladies), it feels like the old fairy tales and monster stories that have been used over time to try and keep kids safe. It’s deeply fascinating to me as a true crime enthusiast and someone who loves a good horror story cum morality tale to see that kind of thing happening in the 20th century and into the 21st.

“We Keep the Dead Close” is a must read for true crime fans and those who are interested in the origins of modern myths and lore. I greatly enjoyed it, and it exceeded my expectations.

Rating 9: A well researched, poignant, and disturbing true crime novel about myth, misogyny, and the dark sides of Academia, “We Keep the Dead Close” is a must for true crime fans.

Reader’s Advisory:

“We Keep the Dead Close” is included on the Goodreads lists “Non-Fiction Family Secrets”, and I think it would fit in on “Campus Days”.

Find “We Keep the Dead Close” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Book Club Review: “Sorcerer to the Crown”

We are part of a group of librarian friends who have had an ongoing bookclub running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is “Around the World”, in which we each picked a continent and had to match a book that takes place there and/or is written by an author from that continent or of that continent’s descent.

For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “Sorcerer to the Crown” by Zen Cho

Publishing Info: Ace, September 2015

Where Did We Get This Book: Serena owns it, Kate got it at the library!

Continent: Europe

Book Description: At his wit’s end, Zacharias Wythe, freed slave, eminently proficient magician, and Sorcerer Royal of the Unnatural Philosophers—one of the most respected organizations throughout all of Britain—ventures to the border of Fairyland to discover why England’s magical stocks are drying up.

But when his adventure brings him in contact with a most unusual comrade, a woman with immense power and an unfathomable gift, he sets on a path which will alter the nature of sorcery in all of Britain—and the world at large…

Serena’s Thoughts

I’m currently in the last few months of the “My Year with Jane Austen” review series, so when I drew Europe for the continent choice, my mind was naturally in a Regency-era place. (Not to mention, Europe is the kind of choice that’s almost too wide-open with possibilities!) I had been gifted this book several years ago, but for whatever reason, hadn’t gotten around to reading it. I think I just never really spent the time figuring out what it was about. But I was pleased to find that it perfectly matched what I was looking for in a bookclub choice this go around: historical fiction, plus fantasy, plus a diverse cast, plus a plot that tackles social commentary in a time period that is often very white and very gender-role specific.

There was a lot to like about this book for me. For one thing, I’ve always enjoyed this type of mannered, historical writing style that seems to relish the use of long sentences and overly proper grammar. It’s not for everyone, but it’s definitely my cup of tea. It’s also a tricky style of writing to master and can often read as unnatural with strange breaks or anachronisms thrown in that break the entire thing up. Sherry Thomas comes to mind as a current author who has really nailed this style of writing. So I was super excited to see that Zen Cho could hold her own in this respect. The writing was confident, clever, and perfectly fit the type of story she was trying to tell.

I also really liked our main two characters, Zacharias and Prunella. Each are struggling against the prejudices and restrictions that are being placed on them for being who they are. Zacharias is a freed slave who has been raised up in magic as a prodigy of the previous Sorcerer to the Crown. His entire life has been made up of being an example for an entire continent’s worth of people. Along with that comes the awkward balance of his love for his teacher and father figure and the struggle that the previous Sorcerer to the Crown, for all his reforming ways, was still never fully able to comprehend Zacharias’s position and life experience. It perfectly illustrated the kind of passive racism that we all must work against.

As for Prunella, she’s not only a half-Indian young woman, but she’s been orphaned and raised in a girls’ school. In the version of Regency England, magic in women is so feared and distrusted that entire schools are devoted to teaching young women how to repress their abilities, sometimes at great risk to their own health. A strong magic user herself, Prunella has always struggled against the limitations of the life being set out before her. I really loved this character. She was bold, self-assured, and not willing to be held back by the preconceptions of those around her. And it wasn’t just the obvious ones, like women shouldn’t do magic. She also sees the practical side of being a woman of the times and argues with Zacharias about the economy of the marriage business for women, even magical women.

So, yep, I really liked this book. It was definitely the kind of thing that fit in my general reading preferences, and I was pleasantly surprised by how much it engaged with several topics. There’s a sequel out it seems, so I’ll be adding that to my TBR list.

Kate’s Thoughts

While my reaction towards fantasy novels of the YA persuasion is usually skepticism, followed by ‘eh’, the big ol’ dragon on the cover of “Sorcerer to the Crown” was enough to get me on board. And while dragons didn’t play a large role in the story, I was still tickled and happy by a few aspects of this book, even if the genre had me a little nervous.

As Serena mentioned, I thought that Cho was really wise in taking a genre and a setting that can sometimes fall into being very white and giving voice to two non-white characters who function in a society that is constantly Other-ing them. Zacharias especially had a lot of moments of inner conflict regarding his place as Socerer Royal, and while I was worried that his relationship with Sir Stephen would be a strange paternalistic one that negates the clear power dynamic, Cho isn’t afraid to point out that while Zacharias was taken from slavery, Sir Stephen left his parents behind and took their son away from them. While it isn’t a focal point to the tale, this moment was hit home as the travesty and violence that it was. And we also had moments of people commenting on Prunella’s parentage, with reflections of English colonialism towards India and the people who lived there before imperialism took hold.

Also, Prunella. I really loved Prunella. For one, if you give me a book about witches, I will immediately have an affection for it, and while this witch aspect wasn’t the usual kind that I find myself reading, Prunella was a hoot. She, too, has societal roadblocks due to her being biracial AND a woman, and seeing her fight against that and stay true to herself was quite satisfying. I also loved the chemistry between her and Zacharias, and it did feel a lot like reading an Austen romance at times, especially when they would bicker. Serena also brought up the writing style, which was such a breath of fresh air! I was thinking back to “The Parasol Protectorate” series in terms of the tongue in cheek wit and stylization, which I also enjoy quite a bit.

At the end of the day, it did feel a little long for me and weighed down by the fantasy aspects (witches or not), and I probably won’t go on in the series. But, all of that said, I did find “Sorcerer to the Crown” to be engaging and outside the box of my experiences with the genre, and had a fun time reading it!

Serena’s Rating 8: A great balance of strong writing, enjoyable characters, and a plot that explores social justice topics in a fantasy setting.

Kate’s Rating 7: An entertaining and charming fantasy tale with likable characters and some good comments on race, class, and gender.

Book Club Questions

  1. This book is written in the style of a Regency era novel (like a Jane Austen book, for example). How do you think the style or writing impacted the story? What did it add to the story? Or take away?
  2. Both Zacharias and Prunella face challenges based on their race and gender. How well do you think the story engaged with these topics?
  3. How did you feel about the way that this book dealt with the topic of slavery, particularly through Zacharias’s experiences with his mentor and father figure?
  4. This is a fantasy novel as well as a historical fiction story. What did you think about the magical elements and the way they were fitted into the traditional Regency story?
  5. Prunella and Zacharias must both make some tough choices near the end of the story. How did you like the ending?

Reader’s Advisory

“Sorcerer to the Crown” is on these Goodreads lists: Fantasy of Manners and Non-Caucasian Protagonists in Science Fiction, Fantasy, Horror, and Paranormal Romance.

Find “Sorcerer to the Crown” at your library using WorldCat, or a local independent bookstore using IndieBound!

Next Book Club Book: “I Will Always Write Back: How One Letter Changed Two Lives”

My Year with Jane Austen: “Persuasion” Part I

Book: “Persuasion” by Jane Austen

Publication Year: 1818

Book Description: Twenty-seven-year old Anne Elliot is Austen’s most adult heroine. Eight years before the story proper begins, she is happily betrothed to a naval officer, Frederick Wentworth, but she precipitously breaks off the engagement when persuaded by her friend Lady Russell that such a match is unworthy. The breakup produces in Anne a deep and long-lasting regret. When later Wentworth returns from sea a rich and successful captain, he finds Anne’s family on the brink of financial ruin and his own sister a tenant in Kellynch Hall, the Elliot estate. All the tension of the novel revolves around one question: Will Anne and Wentworth be reunited in their love?

History – “I read it a little as duty, but it tells me nothing that does not either vex or weary me.”

“Persuasion” was the last novel Jane Austen completed before her death only a few short months later. At the time of its completion, it didn’t appear as if Austen had any immediate plans for publication. The book had already went through one re-write where she added two additional chapters to the end of the story. She could have been considering further edits to the entire work before moving forward with publication.

After her death, the copyright for her published works was transferred to her sister and her brother. Her brother worked to have both “Persuasion” and “Northanger Abbey” published after her death. Notably, the set of books also included a biography of the author written by Austen’s brother which first identified Jane Austen by name. Looking at many of the initial reviews of both “Northanger Abbey” and “Persuasion,” it is clear that reviewers were just as focused on the revelation of the author of these books as in the books themselves. Both books garnered praise and some critiques, but many reviews spent much of their time writing glowing praise of Austen herself as an author would remain popular in the future. They were right. (source)

“You may perhaps like the Heroine, as she is almost too good for me.”

Part I – Chapters 1 – 14

Story – “The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid.

Anne Elliot is the middle daughter of Sir Walter Elliot. Having lost his practical and more sensible wife when Anne was a teenager, Sir Walter has gone on to slowly but surely run his family into unsustainable debt. He and his eldest daughter, vain and thinking much of themselves, are finally convinced to let their house to and Admiral Croft and re-locate to Bath. This news is significant to the 27-year-0ld Anne due to a past connection to the Admiral’s wife’s brother, Captain Wentworth.

When Anne was 19, she formed a mutually strong and loving relationship with Captain Wentworth. But at this point, Captain Wentworth’s prospects were questionable and he wouldn’t be able to marry immediately or, possibly, even in the near future. Given her youth, her family’s position, and Wentworth’s questionable prospects, Anne’s family and the family friend (Lady Russell) who had often served as a mother-figure to Anne, strongly opposed the union. Eventually, Anne was persuaded to believe that it was her duty to give up the engagement. Wentworth left, hurt and angry. Over the years, Anne followed his career through the papers and saw him garner all the success any of her family could have wanted, and more quickly than any of them could have imagined. She never heard from him, however. Now, at age 27, Anne’s prospects are low, and while she doesn’t blame her younger self for her decisions, she knows that now, if asked, she would give very different advice to a young person.

Sir Walter and Elizabeth move to Bath (taking with them a companion for Elizabeth, a widow named Mrs. Clay whom both Lady Russell and Anne suspect of having designs on Sir Walter). But Anne, who dislikes Bath, is called to stay with her younger sister, Mary, who lives nearby. Mary is a silly woman who often believes herself to be ill in an attempt to gain attention. However, she’s happy to have Anne’s company. Mary’s husband’s parents and their two daughters, Louisa and Henrietta Musgrove, live a short walk away and often come to visit Anne and Mary. Soon enough, the news travels that the Crofts have moved in and Mrs. Croft’s brother, Captain Wentworth is expected shortly. Anne is able to avoid a first meeting by staying home to care for Mary’s injured son, but she soon hears more than enough: everyone is enchanted by Captain Wentworth, particularly Louisa and Henrietta.

Eventually the two are forced to meet again. It is clear to Anne that Captain Wentworth has not forgiven her and is cold and distant. His attention is all for the two Musgrove girls, and everyone spends much time debating which of the two he prefers. Anne finds all of these meetings and discussions very painful, as she sees the same man she fell in love with all those years ago. The debate between the two girls comes to a head with the return of a cousin who had previously made much headway with securing Henrietta’s affection.

One day, a large party forms to make their way to the house of this cousin. It consists of Anne, Mary and her husband, the two Musgrove girls, and Captain Wentworth. The walk is long and tiring, so when they get to the cousin’s house, Anne is happy to stay behind with part of the group as Henrietta and her brother go on to visit. While sitting quietly, she is able to hear Captain Wentworth and Louisa talking nearby. Louisa is sharing a history of her family, that originally Mary’s husband had wanted to marry Anne, but Anne had refused him, presumably due to Lady Russell’s persuasion. Captain Wentworth is surprised, but he expresses high praise of Louisa’s insistence that her character is much more firm and she should never be persuaded out of doing what she liked. Anne is greatly hurt by this discussion, seeing it the way Captain Wentworth must: that Anne is of weak character and that Louisa is a highly desirable woman who has the very trait he has just expressed such praise of.

On the way back, Anne becomes increasingly tired. When they run across the Crofts who are out on a buggy ride, Captain Wentworth makes an effort to ensure that Anne has a ride home. Anne sees that while he can never forgive her, he also can’t forget their history and let her suffer. She is gratified, but even more sad at her loss of such a good man.

The group then decides to make a mini trip to Lyme, a coastal town where Captain Wentworth has a few friends from the Navy. Once there, they are all delighted with the town, even if it is the fall and the off-season. They meet up with Captain Wentworth’s friends, which includes a man named James Benwick who is staying with a Captain Harville as he mourns the loss of his fiance, Captain Harville’s sister. Anne goes out of her way to talk to Benwick. They both enjoy reading, though Anne suspects that Benwick’s love of morose poetry is not helping him boulster his spirits. While out on a walk by the ocean, they pass by another gentleman who is quite obviously struck by Anne’s beauty. Captain Wentworth takes notices, and Anne wonders if perhaps she’ll have a second bloom of beauty later in life.

The next morning, on her way to breakfast, Anne runs into the same gentleman at the inn. Later, the party sees him driving off and asks about him. It turns out to be William Elliott, the nephew of Sir Walter who will be the heir of the estate. He had a falling out with Sir Walter years before after marrying a lower-class lady for her money and cutting off contact with the Elliots, including Elizabeth whom Sir Walter had hoped would marry Mr. Elliot.

Before they leave, they group takes one last walk down to the beach. They must descend a steep set of stairs to reach the beach, and Louisa insists on being jumped down by Captain Wentworth. After one go, she runs back up even higher and insists on jumping again. Captain Wentworth protests that it is too high but she won’t listen and jumps. She falls and hits her head hard on the ground, knocking her out. The entire party goes into hysterics, except for Anne who quickly instructs someone to fetch a doctor and that they should carry Louisa to the the nearby house of the Harvilles. Once there, she continues her steady nursing abilities.

She overhears Captain Wentworth and Mr. Musgrove making plans. Captain Wentworth suggests that Anne stay behind as she is clearly the most capable nurse that Louisa could hope for. When hearing this plan, however, Mary falls into fits insisting that she means more to Louisa than Anne so she should be the one to stay. Anne relents in the face of this fit and Captain Wentworth looks on in dismay. He, Anne, and Henrietta return home to inform Louisa’s parents of what has happened since it is likely that Louisa will need to remain in Lyme for some time to recover. Anne does what she can to help, but eventually must make her way to Bath to meet up again with her father and older sister.

Heroines – “I hate to hear you talk about all women as if they were fine ladies instead of rational creatures.”

As Jane Austen herself stated in the quote I shared above, Anne Elliot is almost too good of a character. She’s practically perfect in every way. Sure, she’s persuaded into giving up her love at age 19, but as this first half goes out of its way to establish, this is due to an excess of familial loyalty and a sense of obligation to put others before herself. But unlike Fanny, one of Austen’s other seemingly “perfect” heroines, Anne is not sunk under this sense of obligation and duty. She’s still confident enough to put herself forward when she sees that she can help, watching over her injured nephew when Mary wants to go to the family dinner at the Musgroves, and, more importantly, taking charge of the Louisa situation when all turns to havoc. But soon after, we see her again step back in the face of Mary’s hissy fit about staying on at Lyme instead of Anne. It’s more like true humility than some of Fanny’s more weak-willed withering under the criticism of Mrs. Norris and such.

Anne is also a keen observer. She accurately sees those around her, for their strengths and their weaknesses. She can properly judge the good spirits of the Musgrove sisters while also understanding the limits of their true characters as being somewhat shallow. She notes the dangers of Mrs. Clay when her sister, Elizabeth, is blinded. And she sees Wentworth’s struggles with regards to herself, his lingering anger but inability to completely shun her. All of this good judgement is also recognized by those around her, and she finds herself in the uncomfortable position of being everyone’s confidant but with very little ability to do much about any of the complaints she hears.

The Anne we see here, of course, is the older, more adult version of the character who made the important decisions in the past that lead to the current circumstances. She’s also the oldest heroine we’ve seen in any of the books, so her strong sense of self is pretty in line with that. But what we see here also makes it easy to understand the character of the 19-year-old version of Anne, a young woman who would have the same sense of duty and humility but with a less strong sense of her own self and trust in her own judgement. It’s mentioned, further, that the teenage Anne believed that she was ultimately helping Wentworth by freeing him from an engagement that might have bound him for an unknown length of time.

Heroes – “What are men to rocks and mountains?”

Captain Wentworth is an interesting hero. His anger and hurt over Anne’s actions are all very understandable. And his similar wish to avoid much contact with her rings true to, I would guess, many of our own experiences with exes. Austen provides us with a few brief insights into his mentality that highlight how her actions were particularly painful for him, being the exact opposite of the strong, confident way he himself approached decisions. I would say that he doesn’t make appropriate allowances for gender, in that as a man, he was always much more capable of carrying forward his own plans without much reference to others. Anne, on the other hand, being a young woman of 19, had very few real options She is/was beholden to her family in a way that he would never be, and had the engagement went forward, she would be the one remaining home with constant disapproval surrounding her.

We do see much evidence of why Anne was initially attracted to him. While we don’t get a lot of dialogue, we hear a lot about how charmed everyone is by him. He’s also considerate of Anne when it matters, making sure she has a ride home when she’s tired, etc. We can also make some judgements based on what we know of his friends and family. The Crofts are generally described as a very good set of people. And Captain Wentworth’s two Navy friends are also of estimable character. We hear stories from each that reinforce the good of Captain Wentworth, notably that Wentworth takes it upon himself to deliver the awful news of Benwick’s fiancé’s death to him and stays by his side as he mourns.

Villains – “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.” 

There really aren’t any outright villains in this first half. Much can be said against Sir Walter, both for his general personality and for his poor financial decisions that lead to the family being evicted from their family home. On top of that, he and Lady Russell are both behind Anne’s current unhappy situation. But while these aren’t factors in either of their favors, it doesn’t really make them villains either. It’s clear that Anne still has a very close relationship with Lady Russell and doesn’t even really blame her for the advice she gave Anne when she was 19.

Elizabeth and Mary are definitely not great sisters, but neither is really a villain either. Elizabeth is cut from the same cloth as her father and is vain and dismissive of Anne. Mary values Anne more, but in more in the sense of Anne’s being a captive audience to her endless complaints of illness than anything else.

Romance – “A lady’s imagination is very rapid: it jumps from admiration to love, from love to matrimony in a moment.”

There’s very little romance in this first half, other than much reflection on the past whirlwind romance between Anne and Wentworth when they were young. Austen’s strength as a writer is on clear display as she’s able to paint a lovely image of this happy couple of the past, even though we never see it for ourselves. She then contrasts that with the sad state of their relationship now. Anne refers to it as a “perpetual estrangement,” which is all the more painful for there once never being “two hearts so open.” It’s beautifully tragic.

We do see the beginnings of change coming though. Captain Wentworth’s reaction to the news that Anne turned down another proposal in the years since he left can raise a few flags as to his thoughts. We also see the steps that he takes to care for Anne when others forget her and the high value he puts on her judgement during the situation with Louisa. And, of course, the marked look he gives Anne when he notices Mr. Elliot staring at her. We later learn that this small moment is one of the real eye-openers Captain Wentworth needed to view how risky his current behavior was to his future happiness.

Comedy – “For what do we live, but to make sport for our neighbors, and laugh at them in our turn?”

Mary is probably the funniest character we have here, but often its funny in the infuriating sense. I think many of us know a Mary-like character, which is always the way with Austen’s best comedic characters: they reflect nonsense traits that we see often ourselves in those around us. Mary’s constant complaints about illness to gather attention. Her easy offense at Anne’s getting any sort of attention, even if it’s of the sort that would just result in more work, like nursing Louisa.

Really, it’s hard to come up with much other comedy in this first half. “Persuasion” is a fairly serious, solemn book with more reflection than anything else. Most of the characters are of a serious nature and many of the weaknesses of the lesser characters are of the sort that aren’t necessarily funny and more just kind of sad. The Musgrove girls are described as charming, but it seems that they more have high spirits than any truly great sense of humor.

Probably one of the funniest moments in the entire first half comes from a very brief description of Anne’s ride back home in the buggy with the Crofts. She notes how casually Mrs. Croft reaches over and re-directs the buggy to safety as the Admiral drives so casually they almost hit ditches and fences. Anne reflects that this likely illustrates the nature of their relationship as a hole. As we’re lead to believe that the Crofts are both very good people and truly attached, it’s a funny little insight into the different ways couples manage their lives and relationship together.

Favorite quotes – “What did she say? Just what she ought, of course. A lady always does.”

This quote is from Mary in reference to her husband going to the dinner party and leaving her and Anne behind with injured boy. But, given that she then promptly leave Anne to shift alone, I think we can only take it with a grain of salt. Though it’s still pretty funny and tempting to pull out now and then:

“If there is any thing disagreeable going on, men are always sure to get out of it.”

This is just a nice quote, I think:

“She had been forced into prudence in her youth, she learned romance as she grew older: the natural sequel of an unnatural beginning.”

In two weeks, I’ll review the last half of “Persuasion” and share my final thoughts on the book as a whole.

Kate’s Review: “The Easton Falls Massacre: Bigfoot’s Revenge”

Book: “The Easton Falls Massacre: Bigfoot’s Revenge” by Holly Rae Garcia and Ryan Prentice Garcia

Publishing Info: Close to the Bone, October 2020

Where Did I Get This Book: I received an eARC from the authors.

Book Description: US Army Veteran Henry Miller embarks on a hunt at the edge of the Black Forest, but strays from the path and finds himself too close to the East Cascade Mountain Range.

Something lurks in the forest on the other side of those mountains. An ancient race of Bigfoot that have kept to themselves for centuries, until one of them defies the warnings and roams too far from the safety of their home.

When these two intersect, alliances are broken and events set in motion that will leave residents of the town of Easton Falls, Washington, fighting for their lives.

Review: Thank you to Holly Rae Garcia and Ryan Prentice Garcia for sending me an eARC of this novella!

Back when I was a kiddo, along with my supernatural and ghost obsession I was also very into cryptids and cryptozoology. I would check out books from my school library about The Loch Ness Monster, The Abominable Snowman, and, of course, Bigfoot. As time went on my fascination with such things waned, but I’m still game to talk about weird cryptic stories if anyone else is (especially if we are talking about my boi Mothman!). I haven’t really dabbled into much creature feature horror in my book repertoire. Enter Holly Rae Garcia reaching out to me asking if I would be interested in reading and reviewing the novella “The Easton Falls Massacre: Bigfoot’s Revenge”, which she wrote with her husband, Ryan Prentice Garcia. I was taken with the description, and said yes, yes I would. It’s been awhile since I last did a stint with some Bigfoot lore.

Nuff said. (source)

“The Easton Falls Massacre: Bigfoot’s Revenge” is a bloody, tense, fun horror novella in which humans have to contend with the wrath of Bigfoot, and let me tell you, I had a blast reading it. The authors do a fantastic job of fitting in relationship angst, small town drama, and a sense of foreboding and isolation, all while building up to a gory and unrepentant gore-a-thon where a couple Bigfoots enter a small town’s city limits and fuck shit up. There is a little background given to the area (being the Pacific Northwest, Bigfoot Central U.S.A.), as well as hints dropped about how the Indigenous people who had been there before connect to the Bigfoot lore. While I’m always a bit skittish when it comes to Indigenous belief systems and mythology being used in fantasy and/or horror media, I will say that in this book it wasn’t trotted out repeatedly or focused upon too much (that said, as a white woman, I can’t speak for Indigenous People). Along with a solid setting, we have some pretty solid characters too. Our protagonist, Henry, has a tough backstory which gives him a pall of sadness, and there are enough fraught and messy aspects to him and his relationship to his lover Kate that make you connect and feel for both of them. You also get a good sense about the town and how the people function within it, and how their relationships grow, change, and sometimes turn toxic. All of this is accomplished in a short novella, and I was impressed that so much was explored in the number of pages we had to work with.

And now the Bigfoot stuff. Fun as hell. I don’t want to give many spoilers, of course, but just know that the reasons behind the ‘revenge’ aspect that is promised in the title is pretty understandable. While I could sympathize with Henry, and certainly the townspeople that we encountered, ultimately I was here to see Bigfoots take out a bunch of humans, because humans are the WORST. And this book certainly delivers that. The descriptions of the various death scenes, and the aftermaths, are gruesome and over the top, and absolutely feel like they could be those you’d find in a B-schlock horror creature feature from Troma. Which makes the read super entertaining.

Halloween may be just behind us, but if you’re like me and always looking to extend the season by a hair, you should definitely consider picking up “The Easton Falls Massacre: Bigfoot’s Revenge”. And hey, if you live in the Pacific Northwest, just be careful when you wander into the woods. You never know what you could find!

Rating 8: A quick bit of creature feature horror for cryptid enthusiasts especially, “The Easton Falls Massacre: Bigfoot’s Revenge” reads like a cheesy horror movie in all the best ways possible!

Reader’s Advisory:

“The Easton Falls Massacre: Bigfoot’s Revenge” isn’t featured on any Goodreads lists as of now, but I think it would fit in on “Sasquatch Books”, and “Cryptids”.

Find “The Easton Falls Massacre: Bigfoot’s Revenge” at the authors’ website!

Serena’s Review: “The Awakening”

Book: “The Awakening” by Nora Roberts

Publishing Info: November 24, 2020

Where Did I Get this Book: NetGalley

Book Description: When Breen Kelly was a girl, her father would tell her stories of magical places. Now she’s an anxious twentysomething mired in student debt and working a job she hates. But one day she stumbles upon a shocking discovery: her mother has been hiding an investment account in her name. It has been funded by her long-lost father—and it’s worth nearly four million dollars.

This newfound fortune would be life-changing for anyone. But little does Breen know that when she uses some of the money to journey to Ireland, it will unlock mysteries she couldn’t have imagined. Here, she will begin to understand why she kept seeing that silver-haired, elusive man, why she imagined his voice in her head saying Come home, Breen Siobhan. It’s time you came home. Why she dreamed of dragons. And where her true destiny lies—through a portal in Galway that takes her to a land of faeries and mermaids, to a man named Keegan, and to the courage in her own heart that will guide her through a powerful, dangerous destiny…

Review: I read a few of Nora Roberts’s more traditional romances back in the day (way, way back in the day, now that I think about it). But I know that she’s written a lot of books in other genres, too, most notably, perhaps, mysteries. I’ve also seen that she’s released more fantasy novels recently, and having missed the “Year One” trilogy when it was coming out, I thought I’d jump on the first book in a new fantasy series she started up this fall. And so, I nabbed an e-ARC of ‘The Awakening.” Sadly, it wasn’t all that I was hoping it would be.

Breen has lived a simple life full of doing what is expected of her and not expecting much in return. But when she discovers that her mother has been keeping a massive secret from her, a massive 4 million dollars worth secret, Breen decides that enough is enough and it’s time to take control of her life. And the first thing she decides to do is to travel to Ireland, the homeland of the father who left home never to return when she was a child. But she discovers much more than a new country, instead finding herself in a completely new land and one that comes with a destiny for her even greater than she had ever imagined.

To start with the pros for this book, there’s simply no denying that Roberts has a very appealing and approachable style of writing. She’s able to deftly paint a picture of all kinds of locations and peoples and immediately create connections between the reader and her story. These strengths were particularly on display in the opening chapter of this book that is set in the fantasy world. I was quickly drawn in and curious to know more about Keegan and the history of his people and land.

Unfortunately, the strengths of this opening chapter made the switch to Breen’s story land with quite a thud. For one thing, Breen simply isn’t the most exciting character. Yes, that is part of her story, her learning to come more into her own. But it’s still a long slog through the thoughts and actions of a character who is bland to the extreme. It got to the point where I was even beginning to be frustrated by the friends around her who were all described as being great people. It’s almost a constant stream of support and encouragement from everyone around her to the point that A.) the friends are almost unbelievable in their goodness and B.) Breen’s complete inability to expect better for herself and have confidence without all of this validation becomes strange.

I also felt that some of these friendships fell into pretty stereotypical patterns. Her friend, Marco, read as the “gay best friend” straight out of the early 2000s. He’s right there telling her to update her wardrobe and reclaim her natural hair color, etc etc. It felt a little shallow and dated, to be honest. And then she starts a blog, which of course immediately takes off and she has a bunch of followers and has found a natural ability in writing. Which…don’t even get me started on that. Obviously, being a writer and blogger myself, this raised some serious eyebrows on my part. I mean, I have an easier time believing in a magical land of dragons and fairies than that someone started a random travel blog and somehow immediately has thousands of followers reading and commenting.

The story got better when she finally makes her way to the new land, but it was a bit too late for me. It took a long, long time for her to even get there, and by the time she does, I was already struggling too much with Breen herself to really redeem the book for me. I did like the romance and fantasy elements when we go there, though. This is the first book in a trilogy, but I’m still unsure whether I’ll keep on with it. Fans of Nora Roberts will probably like this, but it could have been better, in my opinion.

Rating 6: A decent fantasy story, but the main character dragged it down.

Reader’s Advisory:

“The Awakening” is a newer title, so it isn’t on many relevant Goodreads lists, but it is on Books with parallel world.

Find “The Awakening” at your library using WorldCat!

Kate’s Review: “White Ivy”

Book: “White Ivy” by Susie Yang

Publishing Info: Simon & Schuster, November 2020

Where Did I Get This Book: I won an ARC in a Goodreads giveaway.

Book Description: A dazzling debut novel about a young woman’s dark obsession with her privileged classmate and the lengths she’ll go to win his love.

Ivy Lin is a thief and a liar—but you’d never know it by looking at her. Raised outside of Boston, she is taught how to pilfer items from yard sales and second-hand shops by her immigrant grandmother. Thieving allows Ivy to accumulate the trappings of a suburban teen—and, most importantly, to attract the attention of Gideon Speyer, the golden boy of a wealthy political family. But when Ivy’s mother discovers her trespasses, punishment is swift and Ivy is sent to China, where her dream instantly evaporates.

Years later, Ivy has grown into a poised yet restless young woman, haunted by her conflicting feelings about her upbringing and her family. Back in Boston, when she bumps into Sylvia Speyer, Gideon’s sister, a reconnection with Gideon seems not only inevitable—it feels like fate.

Slowly, Ivy sinks her claws into Gideon and the entire Speyer clan by attending fancy dinners and weekend getaways to the Cape. But just as Ivy is about to have everything she’s ever wanted, a ghost from her past resurfaces, threatening the nearly perfect life she’s worked so hard to build.

Filled with surprising twists and offering sharp insights into the immigrant experience, White Ivy is both a love triangle and a coming-of-age story, as well as a glimpse into the dark side of a woman who yearns for success at any cost.

Review: Thank you to Goodreads for sending me an ARC of this novel as part of a giveaway!

Me and my kiddo were sitting in the front yard one day, when a UPS guy pulled up and had what was clearly a book shaped parcel in his hands. I thanked him from afar and after he left I wondered if I had ordered a book that I’d forgotten about. But when I opened it up and saw that it was “White Ivy” by Susie Yang, it occurred to me that I had won a Goodreads giveaway! Which rarely happens! I had seen a bit of buzz online about this book, being described as a thriller much like “The Luckiest Girl in the World”, which is about a social climbing schemer with a dark past. That book was entertaining enough, so I figured “White Ivy” would be similar. Which it is…. and it isn’t.

“White Ivy” is certainly about a social climbing schemer. Ivy Lin is our protagonist, and after being raised in a lower class and strict Chinese immigrant household, she has dreams of rising above. It’s true that she from the get go sets her sights on a rich former classmate, and it’s true that she has every intention of doing anything to be with him. But the issue is that “White Ivy” reads less like a thriller, and more like a character study of a damaged person who, being put in certain boxes because of her gender, culture, and race, wants to succeed in the world she has deemed ‘perfect’. Sort of a twist on the ‘immigrant experience’ story that is seen in literature. In some ways Ivy is conniving, but I felt that Yang wrote her with empathy and not really with that much judgement, at least not as much as the summary implies. Does Ivy do questionable/admittedly bad things to get ahead? Absolutely. But I felt that she came off more as an anti-heroine than anything else. And I liked that Yang wrote her that way. We get to see white male antiheroes in books all the time. Seeing a Chinese-American woman fit into this part is something that I don’t encounter nearly as much. Yang touches on the culture clash between Ivy and her parents and grandmother, as while Ivy was born in China, she has grown up in the U.S. (outside of being sent back for awhile after she was caught misbehaving). I thought that while Ivy’s parents definitely contributed to her problems, Yang also afforded them some grace as well, not painting them as just another antagonizing factor, but as complicated people.

Character study aside, outside of Ivy’s deeply fascinating characterization “White Ivy” follows a somewhat predictable route. Ivy finds herself caught between Gideon, a man who represents the ideal life and future she wants, and Roux, a bad boy from her past who stirs up passion, albeit a toxic kind. Following this escalating love triangle to dangerous places isn’t exactly new territory, and this is the only element where the ‘thriller’ aspect of the story comes into play. It has a slow build and escalation to be sure, but there weren’t any surprises that came out of it. I think that had Ivy not been such a good character with all the complexities and depths that she had, I would have been a little less forgiving of this. Her two lovers don’t really move outside of their tropes, Gideon being boring but dependable, and Roux being exciting but dangerous and violent. It also doesn’t read as much like a thriller as buzz and descriptions have promoted. There was one area of suspense for me, but I feel like you need more than one to be an actual ‘thriller’ novel.

Overall, I enjoyed “White Ivy” mostly because of Ivy herself. I think that if you go into it looking at it as a character study as opposed to a full on thriller, you’ll like it. I am intrigued by what Yang will do next.

Rating 7: A dark and fascinating character study and a twist on the ‘immigrant experience’ trope, “White Ivy” is a page turner with an anti-heroine you will probably root for despite your moral misgivings.

Reader’s Advisory:

“White Ivy” is included on the Goodreads lists “Anticipated Literary Reads for Readers of Color 2020”, and “Romance Books with Asian Love Interests” (this may be a stretch but I think it applies).

Find “White Ivy” at your library using WorldCat, or a local independent bookstore using IndieBound!

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