Book: “The Turn of the Key” by Ruth Ware
Publishing Info: Simon & Schuster, August 2019
Where Did I Get This Book: I received an eARC from NetGalley.
Book Description: From the #1 New York Times bestselling author of In a Dark, Dark Wood, The Woman in Cabin 10, The Lying Game, and The Death of Mrs. Westaway comes Ruth Ware’s highly anticipated fifth novel.
When she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family.
What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder.
Writing to her lawyer from prison, she struggles to explain the unravelling events that led to her incarceration. It wasn’t just the constant surveillance from the cameras installed around the house, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman, Jack Grant.
It was everything.
She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder. Which means someone else is.
Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.
Review: Thanks to NetGalley for providing me with an eARC of this novel!
For the most part, I have enjoyed all of the books that Ruth Ware has published since I discovered “In a Dark, Dark Wood”. True, “The Lying Game” was the weakest of the bunch, but I still liked it overall. I enjoy her mix of suspense and Agatha Christie-esque plots, and at this point she is someone I will always want to read whenever she writes a new novel. I was lucky enough to receive an eARC of “The Turn of the Key” from NetGalley, and I sat down one afternoon merely expecting to start the book. Little did I know that I would read it all in one go. “The Turn of the Key” has officially displaced “In a Dark, Dark Wood” as my favorite Ruth Ware story, which is something I thought would never happen.
While it isn’t exactly new for Ware to explore the Gothic elements of thrillers within her stories, “The Turn of the Key” goes full force, paying straight homage to Henry James’s “The Turn of the Screw”. Rowan is our new governess, hired to watch over three children at an isolated country estate in Scotland called Heatherbrae House. You slowly get a sense of who Rowan is as a person, as the story is told through her POV as she writes to a lawyer while she awaits trail for the murder of one of her charges. It’s clear why she’s on edge as she’s writing, but those nerves were there long before her experiences at the job began to take their toll. Because of this, we have two mysteries to solve: what is going on at Heatherbrae House, and what is the deal with Rowan? I enjoyed both of the mysteries as they unfolded, and I thought that Ware did a good job of slowly building up the tension for both. Heatherbrae House already has a number of unsettling ‘quirks’, from a couple of bratty children, to the hyper Alexa-esque ‘smart’ capabilities of the house, to a grumpy housekeeper and a mysterious groundskeeper. Throw in strange noises at night, and a hidden room, and you have all the components for an effective Gothic story, but updated for a modern audience.
However, like “The Turn of the Screw”, Rowan may not be the most reliable of characters. She’s constantly on edge, putting up a facade for those around her to hide her anxiety and anger issues, and her desperation is palpable, desperation as she awaits her trial, and desperation as she hopes to do well at her new job. As she slowly tells the lawyer everything that happens, we get a very complex and unhinged character who could be capable of anything, even the murder of a child. I liked that I was kept guessing about her throughout the narrative. In terms of the other characters, I felt like Ware achieved the goal of making most of them interesting and well conceived. Mrs. Elincourt was saccharine and aloof, and while you get the sense that she does love and care for her children that she doesn’t feel a need to connect with them or bond with them. Jack Grant the handyman is charming and a calming presence for Rowan, but through small moments and actions you wonder if he has something he may be hiding. And as for the children, Maddie, the oldest of the three that Rowan is watching, is properly venomous and sociopathic, while still having a sense of the tragic around her personality so that she isn’t limited to “The Bad Seed” trope. While it may be the easy way out to just make her terrible, Ware decides to give her more, and to show her as a victim in her own right even when she’s going after Rowan in the most malicious ways.
“The Turn of the Key” is another home run for Ruth Ware. While it will probably please fans of old school Gothic themes, it is also a fresh and updated look at well worn territory. It’s the perfect read for the end of summer.
Rating 9: A tense and fun gothic thriller that has become my favorite book by Ware! The perfect read for the end of summer!
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