Book: “The Woman in Cabin 10” by Ruth Ware
Publishing Info: Gallery/Scout Press, July 2016 (first published in June 2016)
Where Did I Get This Book: The library!
Book Description: From New York Times bestselling author of the “twisty-mystery” (Vulture) novel In a Dark, Dark Wood, comes The Woman in Cabin 10, an equally suspenseful novel from Ruth Ware—this time, set at sea.
In this tightly wound story, Lo Blacklock, a journalist who writes for a travel magazine, has just been given the assignment of a lifetime: a week on a luxury cruise with only a handful of cabins. At first, Lo’s stay is nothing but pleasant: the cabins are plush, the dinner parties are sparkling, and the guests are elegant. But as the week wears on, frigid winds whip the deck, gray skies fall, and Lo witnesses what she can only describe as a nightmare: a woman being thrown overboard. The problem? All passengers remain accounted for—and so, the ship sails on as if nothing has happened, despite Lo’s desperate attempts to convey that something (or someone) has gone terribly, terribly wrong…
With surprising twists and a setting that proves as uncomfortably claustrophobic as it is eerily beautiful, Ruth Ware offers up another intense read.
Review: Earlier this year I reviewed the book “In a Dark, Dark Wood” by Ruth Ware, and if you recall I greatly enjoyed it. Ware created a very creepy and tense thriller, with some very fun and interesting characters. When I found out that she had written another book that was coming out this summer, I was pretty stoked! I had a feeling that it was going to be difficult to follow up “In a Dark, Dark Wood”, at least in my eyes, but I was hoping that Ware would be able to prove that she has what it takes to stick around and become a pillar in the grit-lit writing community. Suffice to say, I was very, very hopeful that it would be good…. okay, I was nervous. PLEASE let it be good.
I was a little nervous at first as I started reading too. Lo Blacklock starts out and seems like a typical Grit Lit mess. Since I am not fond of that trope and since I had recently come off another book that had that trope as the main character, I was feeling quite a bit sensitive to it. The good news, though, is that Ware is very, very conscientious about how she writes her main characters. While she may appear typical, Lo has a very well plotted out backstory, one that gives every reason for her to be this way, and not because of any one specific life changing incident. The PTSD she is suffering post-break in is just another layer to it, and I really liked that it wasn’t the one thing that totally messed her up for ever and always. But all that said, since it is first person and since she does have a number of problems, the reader does sort of question everything, and you do wonder if she is just imagining things and losing it, or if something really did happen on this ship. There were many shades of grey in this book, and it could have very easily been one circumstance over the other. It was written believably for multiple outcomes.
The setting of a cruise ship was also absolutely perfect. I already am totally not on board with cruise ships. Between the horror stories you hear about illness and malfunction, or the fact that it is, indeed, very social (introvert’s nightmare), there have been instances of people just disappearing off of ships. So not only is it claustrophobic, it’s also an expansive void. If you are in the middle of the ocean and fall off the side and no one sees, you are probably going to die and no one will ever know what happened to you.
So the claustrophobic atmosphere in conjunction with Lo’s paranoia and unreliable first person POV really made a creepy and tense story. Everyone on this damn boat is a suspect, but then maybe there are no suspects! But ultimately, I did kind of guess at least part of the puzzle that was presented to us in this book. Not all of it, but some of it. That isn’t saying much, because I am usually pretty good at guessing these things, so don’t take this as me condemning the mystery. There are plenty of red herrings to go around.
There was one aspect of the book that kind of caught me off guard and seemed very awkward, out of place, and kind of upsetting. It’s just one scene, but I did want to address it because, wow. So Lo’s ex boyfriend Ben is on the ship as well, as he’s a writer too. The night of the possible murder, before all that, Lo drinks a lot, as does Ben, and then he corners her and grabs her breast. Which she is pretty clearly not cool with. She does push him off and he stops right away, realizing that he was misreading her signals (WHAT SIGNALS, I couldn’t tell you, as she sure seemed not interested), but it wasn’t treated like the sexual assault that it was! It was more brushed off and seen as inconsequential, more like a cherry on top to an already not great night. That didn’t sit well with me, personally, as it wasn’t really given the weight that it should have been given. Which was all the more frustrating because outside of that Ben wasn’t exactly a terrible character or meant to be a bad guy. Kind of a prick but certainly not predatory. From that moment on every scene with him just felt off, and he never recovered in my eyes. Odd choice and not a great one.
“The Woman in Cabin 10”, however, did almost live up to “In a Dark, Dark Wood”, and I am happy that Ruth Ware has managed to solidify herself as a major talent in this genre! Grit-lit fans rejoice! We have Ruth Ware and it seems like she is here to stay!
Rating 8: A twisty and well plotted out mystery with a well written main character. Some strange choices were made, but overall this thriller is sufficiently creepy and tense!
“The Woman in Cabin 10” is included on these Goodreads lists: “If You Enjoyed Gone Girl, You Might Also Like…”, and “Booklist Best Mystery Fiction 2016 (part 2)”.
Find “The Woman in Cabin 10” at your library using WorldCat!