Tag: Young Adult

Kate’s Review: “Now She’s Dead”

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Book: “Now She’s Dead” by Roselyn Clarke

Publishing Info: Sourcebooks Fire, June 2025

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Last summer, Sara Ellis was found dead by the lake, and only Mandy knows what really happened. This summer, she’s desperate to keep it a secret.

For a few weeks every summer, Sara was Mandy’s best friend. At Highmark, the lake resort where their families vacationed, the two were in a world of their own. Or at least Mandy got to be part of Sara’s world.

But now Sara’s dead. The police ruled her death an accident; a tragic mistake after a night of impaired judgment. For the past year, Mandy’s coped by escaping: leaving home and barely keeping it together at school. The last thing she wants to do is return to Highmark this summer—even if she does need “closure.” As soon as she’s back, though, she hears the whispers: someone killed Sara Ellis. And if she’s not careful, they’ll figure out it’s all her fault.

As evidence resurfaces and anonymous accusations are scrawled in angry red spray paint, Mandy must confront the truths she’s been avoiding about last summer. Because someone wants to make her pay for what happened to Sara that night.

Review: Thank you to Sourcebooks Fire for sending me an ARC of this novel!

Summer is basically here, and while it’s probably my least favorite of the seasons (it’s just so hot), I do really enjoy the vibes and ambiance of sitting by the pool with my book. It’s especially fun if the book is engaging, a little soapy, and filled with lots of drama, shocks, and surprises. Admittedly, I have a pretty picky standard when it comes to books like these, and if it even so much as VAGUELY drifts into no no territory (like last minute twists that don’t feel earned), I will feel sour about it, poolside or not. But I have great news! “Now She’s Dead” by Roselyn Clark is the kind of book that not only would make great poolside reading for the season, it also managed, for me, to not fall into any pitfalls I associate with the genre!

The structure of this thriller mystery is fairly straight forward. Our protagonist is Mandy, a teenage girl who is returning to the lakeside resort where her summer best friend Sara died in an assumed accident the previous year. Mandy off the bat has a lot of guilt, and since it’s first person POV she tells the reader that it is her fault that Sara is dead, and we get a story told through the present summer as a true crime content creator has started sniffing around the resort, and through flashbacks to the days leading up to Sara’s death. It’s a great device, and it’s the perfect kind to have an unreliable narrator drive the story as the audience has to piece together what really happened. When done well this is quite possibly a favorite structure of mine when it comes to thrillers, and Clarke manages to make it flow easily. It has a nice slight of hand, and while I was pretty convinced that Mandy didn’t have all the information and was probably missing something (and side note, her dialog DID sometimes veer to bashing the reader of the head with all the ‘BUT I KILLED HER’ quips), I was still curious to see how it was all going to unravel to what actually happened, and I was surprised a good deal of the time! The clues are there, but the sleight of hand keeps them hidden until Clarke is ready to reveal them for the most part.

And what really kept me going in this book was how it portrays a very complicated, close, but somewhat unbalanced friendship between two teenage girls. You can tell that Mandy and Sara see themselves as incredibly close, but that their closeness and their friendship is in many ways unhealthy, with resentment, jealousy, and insecurities nagging at them both during the lead up to Sara’s death. It’s a bit soapy as Mandy and Sara keep aggravating and baiting each other as disaster looms on the horizon, but what I really appreciated is that while it could solely have been a motive, it’s actually a rather emotional examination of this kind of toxic friendship between teenage girls that may hit close to home for some readers, be they the intended YA audience or not. I know that I can think of at least one close, but at times unhealthy, friendship I had when I was in high school, with my role being VERY similar to Mandy’s in the friendship of the sidekick who is overshadowed and resentful, but also unable to process my own contributions to the toxicity. It felt real and honest, even if most of us in these shoes weren’t dealing with a murder mystery we may or may not have been involved with. Minor details!

“Now She’s Dead” is a sudsy and twisty thriller that should definitely join you on your summer adventures. It’s a fun ride and I really enjoyed it.

Rating 8: A fast paced and well crafted thriller, absolutely perfect for summer reading season!

Reader’s Advisory:

“Now She’s Dead” is included on the Goodreads lists “2025 YA Thrillers and Mysteries”, and “Bisexual Books of 2025”.

Serena’s Review: “The Whisperwood Legacy”

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Book: “The Whisperwood Legacy” by Jo Schulte

Publishing Info: Little, Brown Books for Young Readers, May 2025

Where Did I Get this Book: e-ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Welcome to Whisperwood, a sprawling theme park nestled in the foothills of the Appalachian Mountains, where thrilling rides and picture-perfect scenery bring cult-classic fairy tales to life. Or at least they did until eighteen months ago, when the family matriarch, Virginia Strauss, suddenly shut Whisperwood’s gates and the beloved park was left to wither away along with the family’s dwindling fortune.
 
For seventeen-year-old Frankie Strauss, Whisperwood’s closure has been a blessing in disguise. After seeing three generations of wealth’s corrupting influence, she is more than ready to shed the Strauss-family’s gilded handcuffs.
 
But when Virginia goes missing, Frankie realizes that her family might be guilty of something much worse than mere dysfunction. With the help of the mysterious and handsome groundskeeper, Jem, Frankie sifts through a web of near truths and outright lies, uncovering a reality where nothing is as it seems and fairy tales aren’t just real—they’re deadly.

Review: I live ever in hope that I will find a contemporary fantasy novel that I will connect with. It’s an entire subgenre of fantasy that I often struggle to fully appreciate. That said, I was excited by the concept of this one, especially by its creepy carnival cover! Alas, yet again, I find that I’m perhaps just not the correct reader for these books.

Let’s start with a few positives. While the story starts off weaker, things do begin to improve towards the middle point when some of the fantasy elements begin kicking in more fully. That said, it’s quite a wait to get to this portion, and I think the book would have been better served to have more carefully balanced the two halves and styles of the story. The fantasy aspects were also pretty wacky. This is a good and bad thing, I guess. On one hand, I was left with a strong sense of “what the heck is even happening” through much of it. But on the other, once we got into the back half of the book, it was easier to become more invested in finishing if just because I wanted to see what crazed situation would happen next.

However, this is definitely one of those YA fantasy novels that leans heavily in the YA direction. Of course, this is written for teens, so that isn’t a criticism on its own. However, many YA fantasy readers are adults, and there are way too many stereotypical YA fantasy tropes to be found here for it to be scalable to an older audience. For one thing, the romance struck heavily of instalove, with almost no attempt made for it to be given any further depth. There was also a heavy reliance on what I felt were fairly cringing modern references. Again, I’m not a teen, so maybe these will hit home better with this audience. But I have to say, this is the kind of style choice in writing that will quickly date this book, even by the standards of those who may enjoy it now.

However, while much of the writing and characterization felt very juevenile, there was also a lot of swearing, especially by one character in particular. Now, I’m no wilting flower, but it does leave me and others who recommend books in an odd position. Due to the simplistic nature of the book itself, I don’t think adults or even older teens are going to connect with it. However, I’d also feel a bit uncomfortable recommending it to middle graders, what with some of these language choices.

It was just an odd book, all told. If I had been left to my own devices, I probably would have DNF’d this one, but I always want to give a book I’ve received an ARC for my full attention through the end. This may work for some younger teen readers, but I don’t think it will connect to many readers beyond that. Perhaps, ultimately, this will best work for readers looking for a current version of “Goosebumps” or something of that ilk.

Rating 6: Overall, this read as very young even for a YA book and fell into too many tropes to have much new to over to the genre.

Reader’s Advisory:

“The Whisperwood Legacy” can be found on this Goodreads list: YA Novels of 2025.

Kate’s Review: “Murder Land”

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Book: “Murder Land” by Carlyn Greenwald

Publishing Info: Sourcebooks Fire, May 2025

Where Did I Get This Book: I received an eARC from the publisher via NetGalley.

Where You Can Get That Book: WorldCat.org | Amazon | Indiebound

Book Description: Murder Land opens tonight. Not everyone will survive. Buckle up for a thriller that will have you on the edge of your seat, perfect for fans of Karen McManus and Holly Jackson.

Seventeen-year-old Billie feels like she is on top of the world. She gets to spend the summer with her best friend, sparks are flying with her crush, and she has received a promotion to ride operator for one of the most buzzworthy new attractions in the theme park she works at. But the first night on the new job takes a dark turn when her creepy coworker mysteriously dies…on her ride, when she isn’t authorized to be running it.

At first, it seems like he died by heart attack, but by the time she returns to the body with help, it looks like a broken neck. Had she just imagined him sitting upright a few minutes ago? It’s as if someone is trying to pin his death on her, and she has one night to figure out who is really responsible before she is blamed.

Billie recruits the help of her friends to sneak around the park after-hours and search for the truth. But as the night stretches on and more people wind up dead, Billie realizes she may not make it out of Murder Land alive. And her friends may know more than they’re letting on.

Review: Thank you to Sourcebooks Fire for sending me an eARC via NetGalley!

Outside of Disney World, I am not REALLY a fan of theme parks. We have a couple here in Minnesota, there’s Valley Fair a bit south of the cities, and the Mall of America has Nickelodeon Universe, which my five year old loves and I only tolerate for her sake (also, here’s some lore: it USED to be called Camp Snoopy and was Peanuts themed, but alas, those days are long over). But even though I don’t really like theme or amusement parks, I do love the idea of a horror or thriller novel set in one. It just opens up so many different opportunities for suspense and horror. Because of this I was definitely interested in checking out “Murder Land” by Carlyn Greenwald, a new YA thriller that has a murderous night at a popular theme park as its premise. Nickelodeon Universe could NEVER. Plus I really like that cover. It just screams Santa Cruz Boardwalk by way of “The Lost Boys”.

No vampires, though. (source)

But promising premise and my own dorky associations aside, I am sorry to say that, for me, an old hat connoisseur of the thriller genre, “Murder Land” was a bit of a let down.

But first, the good. As I mentioned above, the premise and potential of this story is off the charts for me. There is a precedent in thrillers and horror stories for theme parks or carnivals or festivals to be unique and unsettling settings, and I, for one, wouldn’t be opposed to more of it. And that translates over to “Murder Land”, with clear homages to places like Knotts Berry Farm. And I always love a theme of greedy corporations hoping to hide scandals for profit purposes, and the conspiracies that can come to fruition because of it. And also, as a YA thriller, I could see this being a solid introduction to the thriller genre, as there is definitely a plotted out mystery that does feel planned and thought out. I also love a device that uses epistolary or ‘found footage’, so the way that we have transcripts from a website/channel that is all about the history of CaliforniaLand and references ‘urban exploration’ along with it. That all worked for me.

But, on the flip side, I am definitely not the target audience for this book, and I have read so many thrillers over the years, that nothing about “Murder Land” really stood out to me despite all of the potential that it had. I thought that our main characters, rounded out by protagonist Billie and her friend group Grace, Leon, and Sawyer, were pretty cookie cutter in their personalities and their relationships with each other. We have a bit of a love quadrangle going on, which I can usually grin and bear if it’s basically sidelined, but within this story, taking place in ONE night with lots of death and murder and tragedy at hand, it felt clunky and out of place. I also felt that the way that the reveals were done, outside of a few in the transcripts, didn’t have that much weight. I think this is probably due to the fact that I wasn’t as invested in the story because I wasn’t as invested in the characters, but I DO feel like even if I don’t connect with any characters in a thriller I can still be, well, thrilled. And I wasn’t held in much suspense as this story was going. I do think that it’s very possible (maybe even probable) that if I was a teen reading this it would have worked better, but for this forty year old, it just didn’t click.

Overall I think that this didn’t work for me because I’m not the audience it caters to. “Murder Land” was a disappointment for me, but it probably won’t be for everyone!

Rating 6: This is a solid thriller for the age group it is intended for, but seasoned thriller fans in general may be a little underwhelmed.

Reader’s Advisory:

“Murder Land” is included on the Goodreads list “YA Releases of May 2025”.

Kate’s Review: “The Ballad of Nod (#1): Waking Up From Nightmares”

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Book: “The Ballad of Nod (#1): Waking Up From Nightmares” by James Burton and Kira Burton

Publishing Info: Scattered Comics, May 2025

Where Did I Get This Book: I received an eBook from the author.

Where You Can Get This Book: This first issue has not been published yet, but when it does it will be available at James Burton’s website Angry Brain Artworks when it comes out sometime in May.

Book Description: The Ballad of Nod is the story of a young girl named Fey who is grieving the loss of her Father to cancer. The regrets, fear and pain is attracting the nightmares of the dream world to invade her reality every night. The only thing stopping them is the courage of her Guardian, a Teddy Bear named Patches, who each night fights back the darkness. That is until the worst of the worst a night prince called the Phobetor drags him into the dark. Now Fey must choose to find her courage to go in and save him or hide and loose someone else she loves.

Review: Thank you to James Burton for sending me an eBook of this comic!

I am one of those adults who just couldn’t part ways with a couple of my childhood stuffed animals. There are two in particular that I felt a need to hold on to, the first being Carmichael the Cat, the second being Bump the Bear. Both of them now officially belong to my five year old and reside in her room, but every once in awhile when I’m feeing deeply anxious or down I will bring Bump to my room to hang out for a few days before returning him. So I absolutely understand a bond a child has with a beloved childhood toy. And in “The Ballad of Nod (#1): Waking Up From Nightmares” by siblings James and Kira Burton, we get a really good dark fantasy tale that not only captures the security of a childhood toy, but also the deep grief of mourning a parent who has passed away long before their time.

Judging by the cover of this first issue, you can immediately tell that this is going to be a horror story, with a monstrous face being front an center. But then there is this adorable and quite determined looking silhouette of a teddy bear, and that is part of the real crux of this story: the bond between a girl and the guardian teddy that protects her from monsters and beasts every night as she sleeps. Fey is a little girl whose father died of cancer, and has found comfort in a bear named Patches, so named because when she wakes up in the morning he has rips and tears that need to be mended. I love this concept on its own, feeling like a dreamy dark fantasy that also has some very real human elements. I’ll start with the horror first, and I can say right off the bat it worked well for me. I love the idea of a security toy actively fighting off the monsters under the bed or in the closets, as these toys are so loved and so ingrained in childhood as a way to fight anxiety (I mean hello, I still use the aforementioned Bump to help quell my ADULT anxieties!), so the metaphor worked very, very well for me. And then to flip the concept and to have Fey have to be the one to take the first steps to rescue Patches and to face her fears to do so is also a great twist on the expected plot. We only have issue one that has a fair amount of set up, but the monsters that we saw were effective and intimidating, and it has a lot of promise to be VERY creepy for the audience as the story goes on.

But the other huge theme of this comic is the deeply emotional story about Fey losing her father to cancer, and having to navigate her grief and the trauma around it. This story feels personal, and is very well explored and had me tearing up during certain moments. Our first issue has a lot of exposition to set up Fey’s history and her emotional state, and I thought that it did it very well with flashbacks to her father’s hospitalization, implied times right after his passing, and also seeing how Patches came into her life as a buoy during a very dark and difficult time. It makes Patches’s mission feel all the more poignant, and then Fey’s own mission to be the one to save him feel all the more powerful. The dreamy earnestness of it all reminded me of something similar to the likes of “Locke and Key”.

And finally, the artwork. I thought it was well matched to the tone, and it has the ability to be both unsettling and scary as well as adorable (Patches is ADORABLE).

(source: Scattered Comics)

I definitely want to read more to see how this goes. “The Ballad of Nod: Waking Up From Nightmares” is a stellar start to what promises to be an emotional and heartfelt (and scary) series.

Rating 8: Emotional, creepy, and heartfelt to the core, “The Ballad of Nod (#1): Waking Up From Nightmares” is a promising start to a new dark fantasy comic series.

Reader’s Advisory:

“The Ballad of Nod (#1): Waking From Nightmares” isn’t on any Goodreads lists as of yet, but it gives me serious Joe Hill vibes.

Serena’s Review: “The Gods Time Forgot”

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Book: “The Gods Time Forgot” by Kelsie Sheridan Gonzalez

Publishing Info: Alcove Press, April 2025

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Manhattan, 1870. Rua knows only two things: her name, and that she has no memories. So when the wealthy Harrington family mistakes Rua for their missing daughter, Emma, Rua goes along with the charade, hoping for answers about who she really is. As she tries to blend into a society she doesn’t remember, she’s drawn to a firmly off-limits the Lord of Donore, a newcomer to Manhattan society who is somehow familiar to Rua.

Finn is new to this side of the Atlantic and knows that the best way to fit in as Lord of Donore is to make friends in high places and play by the rules of society. He knows he shouldn’t become involved with a mysterious, recently missing debutante, but he’s intrigued by Emma Harrington, and Finn has an uncanny feeling that this isn’t the first time they’ve met. 

With societal pressures mounting on both sides, Rua is determined to discover the truth about the missing Harrington daughter and her own past. But when her memories begin to return, they’re of a world far stranger than New York and traced in dark magic.

As ancient secrets unfurl in Rua’s memory, Rua and Finn are forced to uncover the mystery of their past and try to save their future. In this gritty and glittering romantasy, nothing and no one is as they seem.

Review: Looking back on my reading experience of this book and what I think will likely happen for other readers as well, I keep coming back to “expectations vs. reality.” No one is done any favors when a book is set up as one thing, but then turns out to be very different. There are two primary areas where this happened: the marketing of this book’s genre and the book summary’s explanation of the romance.

So, first off, the genre expectations. This is marketed as a romantasy title. As we discussed in my subgenres post from a few weeks ago, this would mean the book is first and foremost a romance novel but situated within a fantasy setting. Now, the summary does explain that this book is also set in a particular point in history, so it can only be expected that an exploration of life in this place and time will make up a portion of the book. The problem here is that this actually took up the majority of the book! I got over the half way mark in this book before even remembering that this had been promoted as a romantasy…and other than a few throwaway lines here or there, there had been zero actual fantasy elements involved. I enjoy historical fiction, so it’s perhaps not surprising that I got as far as I did before this became apparent. But for readers who go in with the expectation of a romantsy novel, I think there will be disappointment.

Even on the historical front, I did struggle to really enjoy this book. There were a lot of ball room scenes and society scenes that simply began to feel repetitive, with many people behaving as the worst versions of characters from Bridgerton. Not only these settings, but the fact that every single time, these events would result in Rua making some “shocking” statements about how messed up all of these restrictions were. But more often than not, it just came across as Rua saying the most brain-numbingly obvious fact in the most abrasive manner possible. I think there are ways to write characters who defy societal expectations and thus draw attention to its flaws, but Rua was like a bull in a China shop in all of the worst ways.

The second problem came down to the romance and, again, how it is marketed in the book summary. As you can see above, the summary clearly pairs Rua with a character named Finn. Several paragraphs give us a brief overlay of their story together. But then I picked up this book and discovered, oh wait, it’s another love triangle and a character named Annette (who is NOWHERE TO BE SEEN in the book summary) is going to play a role in the romance. Again, poorly managed expectations don’t benefit anyone! Some readers really enjoy love triangles, but looking at this book description, they’d have no idea that this was a straightforward MF love story. Conversely, other readers (like me) don’t enjoy love triangles and try to avoid them. I know myself well enough to know that almost all love triangles set back my reading experiences fairly significantly, so I try to avoid requesting/reviewing those titles, as I don’t love writing critical reviews, especially when I know this aspect of it is totally subjective.

The story also struggles with its pacing. As I said above, the first half to 75% is largely focused on Rua’s experiences living in this society. But then the last quarter is a mad whirlwind, trying to wrap up all of the plotlines. It is here, too, where the fantasy elements finally really show up.

All of this to say, this book wasn’t for me, but that’s because I wasn’t the correct reader for it! (Well, I could get behind the historical stuff, but I just wasn’t expecting it as much when I went in.) I think there are readers out there who will enjoy this one, but I do think it would have been in this book’s best interest to be more straightforward about the romance tropes at its heart as well as the primary genre focus of the story.

Rating 6: Unfortunately, this one didn’t work for me. There was less fantasy than I was expecting, and I felt blindsided by yet another love triangle.

Reader’s Advisory:

“The Gods Time Forgot” can be found on these Goodreads lists: Victorian Fantasy and 2025 Debut Novels.

Serena’s Review: “Chaos King”

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Book: “Chaos King” by Kacen Callender

Publishing Info: Tor Teen, April 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Ever since he rose up against his father and saved New Anglia from destruction, Ash has been struggling to adapt to his new life. He has nightmares every night, haunted by strange black orbs and his screaming dead mother. Ash is sure she’s trying to warn him that the world is still in danger, and becomes determined to find a way to speak to her again―but communicating with the dead isn’t easy, even for an alchemist as powerful as Ash.

Previously Reviewed: “Infinity Alchemist”

Review: I didn’t love the first book in this series, but many of its problems also may have came down to all the elements a first book must tackle. Given more familiarity with the characters in this second go-around, I was interested to see where the story would go from there!

I will say, I did like this one better than the first. For one thing, I think the pacing was more balanced here. This makes sense, as it didn’t have to do nearly has much heavy lifting with regards to introducing the basic structures of this society and magic system. That being the case, the story had more free rein to dive straight into the main plot and several intense action sequences. This same benefit extended to the characters. While I still don’t love multiple love interests, the longer I’ve spent with all three of these people, the more I came to care about their various travails.

However, I still found myself struggling with the swapping pronouns for one of the characters. Inclusivity is important, but there are practical realities of reading a story via the written word that does create barriers to how this sort of character is presented. As it stands, swapping pronouns often throughout the story left me struggling to piece together who was saying/doing what. And this markedly detracted from my ability to stay connected to the plot, as I had to constantly come out of the story to piece together sentences and scour previous bits for context clues. Like I said in my original review, I’m not sure what the solution is here, but I think in light of the very real limitations of the written word, simply sticking with “they” as a pronoun would have greatly improved the writing in this book.

I did enjoy the themes explored here. This society has very real boundaries placed on its people, and we see the struggles our characters go through. Beyond that, we have the exploration of themes regarding religion and magic, and the lengths people are pushed to in their devotion to their beliefs. Revolution stories are always a good time in fantasy!

That said, the book has an odd ending. I thought this was a duology when I picked this one up, but the end definitely leaves the door open for more, with several questions left unanswered. Ultimately, I think if you enjoyed the first book, this one will definitely hold up as a good sequel. Even for those who didn’t love the first book, this was definitely an improvement!

Rating 7: While it’s an improvement on the previous book, I still struggled with the readability at times, and the ending had me scratching me head a bit.

Reader’s Advisory:

“Chaos King” can be found on this Goodreads list: 2025 Dark Academia Releases.

Serena’s Review: “The Prince Without Sorrow”

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Book: “The Prince Without Sorrow” by Maithree Wijeskara

Publishing Info: Harper Voyager, March 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: A prince born into violence, seeking peace.

Prince Ashoka is the youngest son of the tyrannical Emperor Adil Maurya. Considered an outcast by his father for his rejection of the emperor’s brutal onslaught against the witches of the empire, Ashoka longs for change. When the sudden and unexpected death of his father leaves the monarchy in disarray, Ashoka is sent to govern a tumultuous region annexed by Emperor Adil that is terrorized by nature spirits—a task many see as doomed to fail. Suspected by a disdainful governor and evaded by distrustful witches, Ashoka must question his rigid ideals and fight against becoming the one person he despises the most—his father.

A witch shackled by pacifism, seeking revenge.

Shakti is a a witch bound by a pacifist code. After witnessing the murder of her aunt and village at the hands of the emperor, Shakti hurtles down a path of revenge, casting a curse with unexpected consequences. Posing as a maidservant in the famed palace of the Mauryas and armed with newfound powers beyond her imagination, Shakti attempts to dismantle the monarchy from within by having the royal progeny ruin themselves and turn their father’s legacy into nothing but ash.

In a world where nature spirits roam the land, and witches are hunted to extinction, Ashoka and Shakti will be forced to grapple with the consequences of to take it for themselves or risk losing it completely.

Review: I have to say, the cover was doing a lot of heavy lifting for me with this one! I don’t know if I even really looked at the summary much before requesting it! It’s such a lovely, unique image, one that definitely stands out from the typical fantasy crowd!

That said, the book didn’t quite live up to my high expectations. On the other hand, what it does have to offer feels very unique to the genre, so readers looking for a new entry point to fantasy fiction may appreciate what this one has to say. I was particularly intrigued by the exploration of pacifism and the building conflict between the main characters with regards to their approaches to moving through this world. We have one character who is actively trying to approach the world in a less violent manner, and another whose life has been one tragedy after another and who feels shackled by the restraints of nonviolence taught to her.

That said, I don’t feel like the author took full advantage of this premise. By the end of the book, I was left wondering if I had somehow missed the point that was trying to be made? But I also suspect that while a lot of interesting questions regarding pacifism and necessary violence were introduced, the author was unwilling to truly stake a position on these issues, which, ultimately, undercut much of what was presented here.

I also thought the magic system itself was fairly wobbly. The witches can’t use their powers without accruing bad karma, but Shakti is seemingly rewarded for doing just this? And then, later in the story, the other witches are also convinced to do away with what we’ve been told is a deeply held moral conviction? It all felt a bit too convenient. Add that on top of several other conveniences (the good guys and bad guys are almost cartoonishly one dimensional at times and very prone to giving speeches that clear up everything for every one), the story telling itself felt shaky. This was compounded upon by some structural issues with the writing like over-use of certain words and unclear metaphors.

All of that said, I do think there are readers for this book! As I said, the themes regarding pacifism were strong (even if I wish more had been done) and I did like the two main characters, which goes far for me. If you’re looking for a new-feeling fantasy novel, this may be one to check out!

Rating 7: There were strong themes regarding justified violence and pacifism, but some of the other story elements tripped up my reading experience in the end.

Reader’s Advisory:

“The Prince Without Sorrow” can be found on this Goodreads list: 2025 – Paranormal Romance (Standalones and 1st in Series).

Serena’s Review: “Nightweaver”

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Book: “Nightweaver” by R.M. Gray

Publishing Info: Little, Brown Books for Young Readers, March 2025

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Six hundred years ago, Nightweavers, cursed beings with untamed power, claimed the continents for their own. The ocean was meant to be a safe haven for humanity, including seventeen-year-old Aster Oberon and her pirate family. But after Aster’s brother is killed in an epic battle at sea against Nightweavers, Aster and her family are thrust into a new life on land.

When a handsome Nightweaver named Will offers the Oberons protection and work at his opulent estate, Aster is suspicious. As the arrogant and entitled right hand to the wicked prince, Will is everything that she has been taught to hate. But as he shows empathy and kindness, Aster can’t ignore a blooming attraction. And even more, Will opens her eyes to a new There are monsters worse than Nightweavers, monsters who may be behind her brother’s death.

As Aster hunts the creatures responsible, dark secrets threaten to unravel everything she once believed about her family, herself, and her world.

Review: Well, while “The Otherwhere Post” reminded me earlier that YA fantasy can still work for me, unfortunately this book reminded me why I also often struggle with the genre. That’s not to say it was all bad, not by any means. More that I think this is the exact sort of book that will work well for its actual target audience of teen fantasy readers. However, adults who often stray into YA fantasy for their reads may have more frustrations with it, like I did.

Let’s start with some good things! I definitely went in intrigued by the pirate angle of the story. This felt particularly fresh in the current YA fantasy genre, and what bits of this we got were all good. Unfortunately, we get most of the actual pirate stuff in the first 25% of the book; after that the story re-located to the land and spends the majority of the rest of the story there. This seems like a missed opportunity to me, but I did enjoy those bits we got at the beginning. On top of that, there were a lot of different tropes here that readers may enjoy, including multiple love interests, chosen one plots, and various kingdoms that have their own goals and politics.

Personally, I found this plethora of tropes to be counterproductive. Some may enjoy this barrage, but for me, I prefer a more tightly focused story. By the end, the author seemed to be throwing every trope she could find at the wall and seeing what would stick, including a late reveal about the heroine that was so predictable I almost put the book down. In so many ways, this read like too many other YA fantasies I’ve read. It included a ton of things, but didn’t do any of them notably well.

I also didn’t enjoy the main character. She had some strengths, like bravery and such, but she was also clueless to the many obvious things going on around her. Beyond that, the inner voice for this character was simply rather dull. Again, nothing aggressively bad here, but more just bland. Some readers may enjoy her more than I did, particularly actual teen readers. The love interest(s) were equally bland, with some of them disappearing from the page for longer than they were on it, it seems!

Overall, there were some good ideas here, but the entire thing began to feel a bit predictable and mediocre. The author didn’t take advantage of the one truly unique aspect of her story, the pirate angle, and instead pursued story beats that we’ve seen a million times before. The pacing was also incredibly uneven throughout, which left me feeling behind the story at times and, at other moments, as if we hadn’t moved forward at all. Like I said, however, there will be readers for this book! I just think it’s the kind of YA fantasy that reads much better in its actual age range, without much crossover appeal to adults readers.

Rating 7: A YA fantasy that will probably be best enjoyed by actual teen readers; adult fantasy fans may feel underwhelmed by the predictable plotting and rather flat characters.

Reader’s Advisory:

“Nightweaver” can be found on this Goodreads list: YA Novels of 2025.

Serena’s Review: “A Harvest of Hearts”

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Book: “A Harvest of Hearts” by Andrea Eames

Publishing Info: Erewhon Books, March 2025

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Before Foss Butcher was Snagged, she thought no more of the magic-users than did anyone else in her tiny village. Sometimes gorgeous women in impossible carriages rolled into town and took bits of people’s hearts. Everyone knew hearts fueled their magic. But Foss, plain, clumsy, and practical as a boot, never expected anyone would want hers.

True enough, when the only sorcerer in the kingdom stepped from his glossy carriage, he didn’t intend to hook Foss. Sylvester’s riot of black curls and perfectly etched cheekbones caught her eye a moment too long, that was all. Suddenly, Foss is cursed and finds herself stomping toward the grand City to keep his enchanted House, where her only friend is a talking cat and the walls themselves have moods.

But as Foss learns the ways of magic, she realizes she’s far from its only unwilling captive. Even Sylvester is hemmed in by spells and threats. It’s said this sorcery protects king, country, and order for thousands. If Foss wants to free herself—and, perhaps, Sylvester—she’ll have to confront it all . . . and uncover the blight nestled in the heart of the kingdom itself.

Review: I had high hopes for this book based on the unique-sounding summary (plus, who can say no to a cover with an adorable cat silhouette?). Unfortunately, this one started out a bit rough and then never quite recovered. I will talk about some of the good things first though. And primarily among those is the creativity at the heart of the this story. The idea of sorcerers who casually roll through villages and suck up parts of peoples’ hearts to gain power? Super interesting! This book has also been compared to “Howl’s Moving Castle,” and as I don’t think this fully works, there were aspects of the writing that did strike a similar note. Moments of whimsy and small interactions between Foss and Sylvester, some of these did have a certain “Howl’s” vibe to them.

However, for the most part, I didn’t connect with this book. It didn’t start off on a good note, with the very first chapter being essentially a big info-dump from the main character. It was paragraph after paragraph of basic facts about this world. This was made worse by some of the inconsistencies with the writing style for the voice of the main character. She’s meant to be have had a simple upbringing, which the author demonstrated with attempts at “folksy” language. But then some of the exposition would completely conflict with this character style, with Foss conveying information to the reader that it doesn’t seem like she would know (always a challenge with this POV style of writing, but the challenge in and of itself doesn’t excuse the error). Beyond that, this manner of introducing a world and magic system was simply clumsy, at best. From this rocky start, the pacing continued to be a problem, with large lulls happening throughout.

I also struggled to enjoy Foss as a character. I appreciate what the author was attempting to do, creating a character who struggles with self-esteem and self-perception. However, the actual execution of this was, again, very clumsy. Foss would bemoan her own looks and her expectations for a loveless future to such a degree that it felt like she was hitting readers over the head with it. And, from what the reader is given, none of these fears seem based in reality. Yes, people often struggle to view themselves as others do, and this is a believable problem. But the degree to which Foss focused on this aspect of herself was over the top and began to overwhelm any other characteristics she brought to the table.

I was also supremely uninvested in the romance. There wasn’t anything overtly bad here, but Sebastian was such a nothing character that, combined with my struggles with Foss’s self-talk, I couldn’t become invested in their love story. Perhaps others will appreciate these characters more than I did. I think each started with some interesting groundwork, but the story failed to realize them as fully-fleshed out characters.

Overall, this was a very underwhelming read. There were brief moments of light and I think the author could come into her own with future projects. But as it stands now, this book felt underdeveloped with fairly weak characters. Perhaps those fully dedicated to the cozy fantasy subgenre may find this one more appealing than I did, and I’m sure there are readers out there who will enjoy it. Unfortunately, that wasn’t me.

Rating 6: There were some creative ideas at the heart of this story, but weak characters and choppy pacing left me struggling to get through this one.

Reader’s Advisory:

“A Harvest of Hearts” can be found on these Goodreads lists: Realistic Hearts and 2025 Cozy Fantasy Romance.

Kate’s Review: “We Were Warned”

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Book: “We Were Warned” by Chelsea Ichaso

Publishing Info: Sourcebooks Fire, March 2025

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Everyone knows the legend of Fairport twenty years ago, a shocking murder closed the place down. This year, the ruins will be bulldozed at last. But tonight, it’s not too late to die.

All her life, Eden Stafford has heard the lore about the abandoned beach resort at the edge of ever since the notorious murder there, anyone who sets foot on the property is cursed to die, It’s more than just a over the years, two high school students who dared to explore the ruins of Fairport Village were killed there.

Eden is no stranger to notoriety, having endured a family scandal that’s made her a target at school. So when she reluctantly attends an overnight party at the ruins, she’s on edge—not because of some legend, but because the clique that has made her life hell for years is there, too, including Caleb Durham, the worst of them all.

Yet out of all the things Eden expected to happen that night, finding another student dead at Fairport Village wasn’t one of them.

Though the death is ruled an accident, Eden knows she saw something suspicious at the ruins—and Caleb and her other longtime tormentors did too. Now they’re all being followed by a deadly stranger, and to save themselves, they must work together to uncover the truth about Fairport Village. But after all that’s happened, can Eden really trust Caleb and his friends? Or will they leave her to face a killer alone?

Review: Thank you to Sourcebooks Fire for sending me an ARC of this novel!

One of my favorite things to do when I was working at one of my old library internships was putting together YA displays. I had this internship for half a year and I did about four or five displays, and finding common themes in books, from the obvious to the kind of quirky, was really fun. Whenever I read a YA novel I think about this fun task, and what kind of display said book would fit into. I kept thinking about that as I read “We Were Warned” by Chelsea Ichaso, because man would it have had so many possibilities! Would it have been on a YA Urban Legends display? A “If You Like “Pretty Little Liars…” display (dating myself like crazy here)? Would it have been on a “Creepy Stories By The Seaside” display? It has a lot of potential!

This is probably a great entry for the thriller genre for the target audience, but also has the goods to be entertaining to anyone looking for a quick and snappy read with some decent red herrings and an easy to follow mystery. I love the idea of an urban legend that is possibly true, and the way that it captures how a small town tragedy can take on a life of its own within the minds of the people who live within a community that has head to live with it. I’ve always been a huge sucker for mysteries and horror tales that use this kind of device, and this one had a solid background and a sufficiently eerie setting of an abandoned seaside resort that was the location of a horrific murder and some devastating fallout in the years after (including more murders). I found the mystery to be entertaining and a quick read, and I can definitely see how young adult audiences would be able to relate to Eden and Caleb, and even some of the more morally grey characters like Victoria, Caleb’s close friend and kind of Mean Girl that is Eden’s nemesis (but maybe misunderstood?). I enjoyed the dynamics between these characters and how Ichaso upended expectations for Eden and for me as a reader.

That said, as a 40 year old woman who has read MANY mysteries and thrillers over the years, “We Were Warned” definitely reads like a YA thriller to me. Which is NOT a bad thing at all. I would absolutely put this on a display for chilling thrillers in a YA section of a library, and know exactly who I would recommend this title to. But as a YA thriller, it does have some things that didn’t work for me. For one, Eden is, at times, a bit grating in the constant reminders of how Caleb must hate her and how much she hates him, while it’s pretty clear to the reader (or at least this reader) that there was more to the story on Caleb’s side. It got a bit repetitive to read about her resentment towards him and her assumptions, as it was obvious that wasn’t the case. There were also some twists in here that didn’t work for me, one in particular that followed a familiar ‘one last shock’ routine that almost never clicks with me when it happens in a thriller novel I’m reading. But again, these kinds of things are not necessarily going to hinder the audience that the book is intended for. It’s definitely a ‘your mileage may vary’ situation.

“We Were Warned” has a fun premise and an entertaining mystery. While it was a bit middle of the road for me, I am pretty certain that it will be a good fit for its intended audience!

Rating 6: Entertaining and a fast read to be sure and almost certainly a solid thriller for the audience it is written for, though more seasoned thriller fans may be underwhelmed at times.

Reader’s Advisory:

“We Were Warned” is included on the Goodreads list “YA Novels of 2025”.