Serena’s Review: “These Hollow Vows”

Book: “These Hollow Vows” by Lexi Ryan

Publishing Info: HMH, July 2021

Where Did I Get this Book: Edelweiss+

Book Description: Brie hates the Fae and refuses to have anything to do with them, even if that means starving on the street. But when her sister is sold to the sadistic king of the Unseelie court to pay a debt, she’ll do whatever it takes to get her back—including making a deal with the king himself to steal three magical relics from the Seelie court.

Gaining unfettered access to the Seelie court is easier said than done. Brie’s only choice is to pose as a potential bride for Prince Ronan, and she soon finds herself falling for him. Unwilling to let her heart distract her, she accepts help from a band of Unseelie misfits with their own secret agenda. As Brie spends time with their mysterious leader, Finn, she struggles to resist his seductive charm.

Caught between two dangerous courts, Brie must decide who to trust with her loyalty. And with her heart.

Review: Yeah, yeah. What was I thinking? There’s an obvious love triangle right there on the cover! But what can I saw, I was lured in by good-looking heroine and the summary describing Fae courts. “But Serena, doesn’t that sound like ‘Court of Thorns and Roses?’ A book you hated??” Why yes, it does. But it also sounded slightly like “An Enchantment of Ravens,” another book with fairy courts that I happened to love. Alas, my wiser side was correct and this was a huge mistake of a read for me.

Brie is a thief. A good one, yes, but she and her sister still live on the very edge of survival, barely making ends meet from month to month. Those who can’t pay their debts often find themselves sold to the powerful and dangerous Fae, a fate that Brie hates more than anything. So when her sister is sold to pay off a late debt, Brie knows she must do anything she can to spare her sister from a terrible fate. With a dangerous mission to steal three priceless artifacts and a nebulous disguise as a potential bride for prince of the Seelie court, Brie’s task is a steep one. It’s made all the more difficult when she begins to find herself torn between two Fae men, each more handsome (and untrustworthy) than the other.

Man, even writing that description reinforced what a mistake picking this book up was. I don’t love writing negative reviews, so I often try to just avoid books that I know will be obvious misses for me. But I have recently found a few stories here and there that have managed to pull off a love triangle in surprising ways, so I didn’t want that to forever be an instant “pass” from me. But, unfortunately, this one did nothing to further that cause and instead only reinforced how much I hate that trope.

Not only do I always struggle with the very concept of two love interests actually holding equal interest at once, but it was particularly hard here. I found neither of her love interests compelling in any way. There was the roguish, “bad boy” and then the super-good, upright one. Neither had anything truly unique or layered to their characterization. There were a few reveals towards the very end that maybe, maaaayybbbeee, helped a bit. But not enough for me to change my mind from my original assessment: that this book is just “Court of Thorns and Roses” all over again, love interest arc and all.

Brie also wasn’t particularly interesting. I do love sisters books, and her strong connection to her sister was one of the better parts of the book. Unfortunately, there is very little of their relationship, as the sister quickly disappears to become plot fuel. Brie is also supposedly an excellent thief, but in the very first scene we meet her in, she makes several fairly foolish and inept choices. It’s a hard sell when the author is telling me one thing (Brie is a great thief) but showing me something very different (Brie is a hot mess).

There also wasn’t a whole lot added to the fairly typical Seelie/Unseelie dueling fairy courts theme. The Fae didn’t really read like Fae much at all, seeming more human than anything, without many of the characteristics that one usually finds with depictions of these beings (cold, capricious, etc.) And, of course, Brie is “not like other girls [Fae]” which makes her oh, so attractive to both love interests.

Towards the end, there are a very few pages that sparked my interest once again. Brie seems to finally come into her own and come alive. But pacing and plot-wise, it’s all very abrupt and then the book just…ends. I wish we’d had more of that tone throughout the entire story. As it is, it was not only too little, too late, but it felt like a very abbreviated and strange way to end the book. Almost like the author just wrote the entire duology in one go, then was told to split it into two books, and literally just chopped it in half, no other attempts at a true ending needed.

So, yes, this book wasn’t for me at all. I won’t be continuing with the duology, I don’t think, even though the last few pages were the strongest bit of the lot. I’m sure Brie will go back to being her nonsense self, and it’s too obvious what’s going to happen in the romance department anyways to spark any remaining interest. Fans of “Court of Thorns and Rose” may like this, especially if you’re wanting to read a very, very similar story. But if you’re looking for much beyond two hot guys and a love triangle, this probably isn’t for you.

Rating 5: The love triangle strikes again, this time with two bland love interests and a heroine bland enough herself to deserve them.

Reader’s Advisory:

“These Hollow Vows” is on these Goodreads lists: Epic High Fantasy/Romance/Mythology in 2021 and YA Releases of July, 2021.

Find “These Hollow Vows” at your library using WorldCat!

Book Club Review: “The Dark Descent of Elizabeth Frankenstein”

We are part of a group of librarian friends who have had an ongoing bookclub running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is “Award Winners”, in which we each picked a book that has won an award of some kind.

For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “The Dark Descent of Elizabeth Frankenstein” by Kiersten White

Publishing Info: Delacorte Press, September 2018

Where Did We Get This Book: The library!

Award: Bram Stoker Award for a Young Adult Novel

Book Description: Elizabeth Lavenza hasn’t had a proper meal in weeks. Her thin arms are covered with bruises from her “caregiver,” and she is on the verge of being thrown into the streets . . . until she is brought to the home of Victor Frankenstein, an unsmiling, solitary boy who has everything–except a friend.

Victor is her escape from misery. Elizabeth does everything she can to make herself indispensable–and it works. She is taken in by the Frankenstein family and rewarded with a warm bed, delicious food, and dresses of the finest silk. Soon she and Victor are inseparable.

But her new life comes at a price. As the years pass, Elizabeth’s survival depends on managing Victor’s dangerous temper and entertaining his every whim, no matter how depraved. Behind her blue eyes and sweet smile lies the calculating heart of a girl determined to stay alive no matter the cost . . . as the world she knows is consumed by darkness. 

Kate’s Thoughts

This isn’t the first time that I’ve read “The Dark Descent of Elizabeth Frankenstein” by Kiersten White, as I read and reviewed it when it first came out a couple years ago. But I knew that for an Award Winner book I wanted to pick something that was a Bram Stoker Winner, but also wasn’t super terrifying since I know a lot of my book club friends aren’t as into horror as I am. This book seemed to be a good meet in the middle kind of compromise, as it isn’t terribly scary, but also won the Young Adult award the year it came out. So reading it again was perfectly acceptable, as I enjoyed it so much the first time!

And I enjoyed it again this time too. I don’t think that my opinion has really changed too much since the last time I read it (here is the original review if you want context). I was once again struck by how White made comment on gender in English society and culture at the time, and how Elizabeth has sacrificed a lot, including a good deal of her morals, to keep herself safe and secure lest she fall through the cracks. I also liked seeing White compare and contrast three different women characters in this story, as Elizabeth, Justine the governess, and Mary the book seller/amateur scientist all, to me, are three different facets of female protagonist tropes that all have a little bit of exploration and deconstruction. And of course it’s always interesting to look at the character of Victor Frankenstein and to ponder upon who is truly ‘the monster’ within the original story, and let me tell you, White does a really good job of making the case for a VERY clear choice (even if it does still come off a bit two dimensional at times). I think that the only change I had from my initial read was, upon re-reading, I didn’t think that enough was done with The Monster in this retelling. I still like what White did with The Monster in terms of making it feel like a unique take, but I found myself wanting more this time around.

Overall, I still really like “The Dark Descent of Elizabeth Frankenstein”! Nice to give women a voice in a book by a pioneering woman in the horror and Sci-Fi genres!

Serena’s Thoughts

I was super excited when Kate selected this book for her choice for book club. Not only am I a fan of Kiersten White in general, but I really like the original “Frankenstein.” Really like, as in I’ve read it probably three or four times. Kind of a strange choice, I know, for someone who doesn’t count horror as one of her favorite genres! But I’m a sucker for exactly that sort of use of supernatural aspects to delve into the ugliness (and beauty) at the heart of humanity. I also just love the style of writing in that time period with the long, drawn out sentences and extensive vocabulary.

And man did White excel or what! I really liked what she did with this retelling. It was great reading this book as a fan of the original, to see all of the little nods and winks she gives to readers who are familiar with that story. Her use of the classic characters was also on point, reading as familiar enough to their original versions, but also clearly uniquely reimagined for her own take on the story. Elizabeth, of course, is the biggest chance as this is now her story (rather than her fairly unfortunate experience in the original story…).

Not only did White use Elizabeth to expound on the impossible choices faced by women in this time, unable to create their own futures without tying themselves to men, but she also used the character to further explore the same themes of the original “Frankenstein.” Elizabeth is by no means a “good” character. She’s not “bad” either, but her choices are definitely walking a pretty stark moral line. Anyone with even a passing knowledge of the story knows that it is meant to highlight the true villainous nature of Victor as the monster rather than his creation. So it was an interesting take to not simply focus on that tired ground (Victor is pretty obviously evil here) but to instead use Elizabeth as the character to exist in shades of grey.

Like Kate said, I do wish there had been a bit more of the Monster here. I liked what we had from him, but that was clearly not the focus of White’s story. I also had a bit of a struggle with the end of the story. A few things felt rather sudden, and, strangely for my own usual preference, I almost wish the very last chapter hadn’t existed and the initial ending at stuck. But that’s just me! Overall, I thought this was a clever, imaginative re-imaging of a beloved classic.

Kate’s Rating 9: Still a fun and feminist retelling of a horror classic!

Serena’s Rating 9: Definitely worthy of the award it received and an excellent read for fans of horror and supernatural books alike!

Book Club Questions

  1. How familiar are you with the original “Frankenstein” story? Do you think that this retelling complements that story? Why or why not?
  2. Elizabeth’s characterization has gone from passive side player to Victor’s protector and enabler. What did you think of this change?
  3. Why do you think Elizabeth was so attached to Justine? What did you think of their friendship?
  4. What do you think White was trying to say about gender expectations and society in this book? How did Elizabeth, Justine, and Mary represent different angles of ‘womanhood’?
  5. Does Elizabeth bear any responsibility on how Victor turned out? How much? What about others around him? Or is Victor solely to blame?
  6. Do you think the Monster played a big enough role in this story? Why or why not?
  7. What did you make of the ending?

Reader’s Advisory

“The Dark Descent of Elizabeth Frankenstein” is included on the Goodreads lists “YA Gothic Retellings”, and “Homages to Mary Shelley and Frankenstein”.

Find “The Dark Descent of Elizabeth Frankenstein” at your library using WorldCat, or at a local independent bookstore using IndieBound!!

Next Book Club Book: “Black Sun” by Rebecca Roanhorse

Monthly Marillier: “Cybele’s Secret”

“Monthly Marillier” is a review series that is, essentially, an excuse for me to go back and re-read one of my favorite author’s back catalog. Ever since I first discovered her work over fifteen years ago, Juliet Marillier has been one of my favorite authors. Her stories are the perfect mixture of so many things I love: strong heroines, beautiful romances, fairytale-like magic, and whimsical writing. Even better, Marillier is a prolific author and has regularly put out new books almost once a year since I began following her. I own almost all of them, and most of those I’ve read several times. Tor began re-releasing her original Sevenwaters trilogy, so that’s all the excuse I needed to begin a new series in which I indulge myself in a massive re-read of her books. I’ll be posting a new entry in this series on the first Friday of every month.

Book: “Cybele’s Secret” by Juliet Marillier

Publishing Info: Alfred A. Knopf Books for Young Readers, September 2008

Where Did I Get this Book: the library!

Book Description: For Paula, accompanying her merchant father on a trading voyage to Istanbul is a dream come true. They have come to this city of trade on a special mission to purchase a most rare artifact—a gift from the ancient goddess, Cybele, to her followers. It’s the only remnant of a lost, pagan cult.

But no sooner have they arrived when it becomes clear they may be playing at a dangerous game. A colleague and friend of Paula’s father is found murdered. There are rumors of Cybele’s cult reviving within the very walls of Istanbul. And most telling of all, signs have begun to appear to Paula, urging her to unlock Cybele’s secret.

Meanwhile, Paula doesn’t know who she can trust in Istanbul, and finds herself drawn to two very different men. As time begins to run out, Paula realizes they may all be tied up in the destiny of Cybele’s Gift, and she must solve the puzzle before unknown but deadly enemies catch up to her. . . .

Review: “Wild wood Dancing” definitely reads as a stand-alone, so I remember being surprised when I saw a second book coming out in this series. But given that it’s a story of five sisters, the continuing stories are easy to see. I wasn’t surprised, however, to see that this book focused on Paula. She was the other “sensible” sister of the five and seemed like the natural choice for Marillier, an author who tends towards rather similar heroines in the first place. I can’t lie, I might have been more intrigued with one of the other sisters, more outside her usual realm, but alas. And sadly, this is another of my lesser favorite works by this author.

Everyone had always assumed Jena would be the one to accompany their father in his travels and help with his trade business. But after she marries, the role falls on bookish Paula who journeys with her father to Istanbul, a city full of culture and learning. What began as a simple business trip, however, quickly becomes something more, with powerful cults being rumored to be active once again and a rare artifact at the center of it all. Confident in her own reasoning and logic, Paula begins to unravel the puzzle before her. But things only become more and more complicated, with strange signs and symbols and two men vying for her attention. Can Paula solve this mystery before her time is up?

Anyone who knows me can probably guess what one of my problems was with this book right from the description, both mine and the official summary above. Yep, love triangle. From my memory, this is really the only Marillier book that has a love triangle at its heart, and that’s probably one of the reasons she’s a favorite author of mine. Instead of wasting time between two love interests (time split between two often plays to the detriment of both), Marillier often sets up her end-game couple early on and spends the rest of the book slowly developing it. I remember my friend, Emily, read “Daughter of the Forest” and was unhappy that Sorcha didn’t end up with Simon. But from my read, that idea had never even entered my head, so strong of a love interest was Red once he arrived.

So, yes, here we see a true love triangle, with Paula drawn to both of these men in different ways. While it still felt fairly obvious which one she was going to choose, that fact just made it more of a challenge to read Paula’s ongoing struggles in the love department. On top of that, neither love interest was particularly compelling on his own. It’s bad enough when one romantic interest isn’t that great. But when you have two and a large part of your heroine’s arc is debating between the two and neither seem very great? Not good.

I also didn’t love Paula as a character. In a bit of backward thinking, the fact that she felt more “perfect” than Jena before her almost made her, too, less interesting. It can be argued that the challenges that Paula faces here are much more dangerous and difficult than what Jena had to deal with in her story. But Paula rarely faltered, other than perhaps a bit of over-reliance on her own smarts. What has become a bit of a routine complaint with these books, Paula is almost too perfect.

I did like the magical elements involved in the story. The last third, in particular, really dives into some interesting aspects of fantasy. There are also a few cameo appearances of characters from the first book, but sadly, not Jena. I also really enjoyed the setting of Istanbul. Marillier’s books are almost exclusively set in Ireland or Scandinavia, so Istanbul is a far cry from those settings. Her lyrical, detailed language really played well to describing the colorful, vibrant life of this ancient city.

So, this is one of my less favorite books in the series. It seems like every trilogy/duology of her comes with one book that is a huge favorite and another that is more of a let-down. While I’ve re-read “Wildwood Dancing” many, many times, this was the first re-read I’ve ever done of this book and I’m kind of reminded why. Fans of Paula from the first book would probably like this, and, in general, it’s still a strong book on its own in the subgenre of fairytale fantasy. Just not one of Marillier’s best works.

Rating 7: A love triangle and overly-perfect heroine brought down a book that did excel in the world-building arena, at least.

Reader’s Advisory:

“Cybele’s Secret” is on these Goodreads lists: Hidden Gems of the Young Adult Genre and Aussie YA Paranormal and Fantasy.

Find “Cybele’s Secret” at your library using WorldCat!

Serena’s Review: “Forestborn”

Book: “Forestborn” by Elayne Audrey Becker

Publishing Info: Tor Teen, August 2021

Where Did I Get this Book: Edelweiss+

Book Description: Rora is a shifter, as magical as all those born in the wilderness–and as feared. She uses her abilities to spy for the king, traveling under different guises and listening for signs of trouble.

When a magical illness surfaces across the kingdom, Rora uncovers a devastating truth: Finley, the young prince and her best friend, has caught it, too. His only hope is stardust, the rarest of magical elements, found deep in the wilderness where Rora grew up–and to which she swore never to return.

But for her only friend, Rora will face her past and brave the dark, magical wood, journeying with her brother and the obstinate, older prince who insists on coming. Together, they must survive sentient forests and creatures unknown, battling an ever-changing landscape while escaping human pursuers who want them dead. With illness gripping the kingdom and war on the horizon, Finley’s is not the only life that hangs in the balance.

Review: Everything about this book promo worked to lure me in. The cover is gorgeous and speaks to the fairytale-like fantasy novels that I’m always on the search for. And the book description just cemented it for me. A young woman with magical abilities setting off on a dangerous quest? Yep! Siblings relationships? Yep! Friendship and potential romance? Yep! But even with all of these high expectations, I wasn’t prepared for just how much I was going to enjoy this book.

Though the last several years have seen Rora and her brother taken under the wing of the royal family, there life before this was very different. As shifters, they have been hated and feared almost their entire life and grew up struggling to remain alive in a land riddled with dangerous magic. Nothing could compel Rora to return to that frightful land. Or so she thinks. When her best friend, the young prince Finley comes down with a deadly illness that is sweeping the country, Rora knows there is only one hope of saving him. Now, she, her brother, and Finley’s older, serious brother must set out on a quest to retrieve the cure. But along the way, they discover that more is going wrong in the land than just this illness. And soon, the choices before them will become more and more impossible as they fight for all they love.

I really, really enjoyed this book. From the very beginning, I could tell the writing style was exactly of the sort that I prefer: descriptive, lyrical, and confident in its readers to pick up on small lines here and there to build a picture of the world around them. It’s always so nice when authors trust their readers. It allows the story to play out slowly and in a more natural way, with reveals about past events perhaps being referenced early but not made clear until a more organic moment later in the book. It’s quite a ways into the book before we fully understand Rora’s past and how (and why) it affects her views of herself in the present. But not only do we piece together these past revelations, but there are number of twists and turns within the story as well. I could predict one or two, but there were a number that were genuinely surprising, especially how they interwove with each other and our characters.

I also really enjoyed the fantasy and magical elements of the story. While we’ve all read “humans are afraid of those with magic and thus persecution” stories, this one played this out in a rather unique way. The magic itself was also appropriately wild and dangerous. While there are wonderous aspects of it, it’s also seen to be dark and terrifying. Like the tag line on the cover, magic is neither good or bad, but instead is a force of nature unto itself. Even those with magical abilities, like Rora and her brother, both fear and respect the forces of magic around them. There were some magical encounters that were truly creepy, and the fantasy creatures were also very unique and interesting.

Overall, the story was darker than I had expected going in. There is violence, death, and loss. Especially towards the end of the book, things became much more grim than I was expecting. But all of this darkness is nicely woven into Rora’s personal arch of self-acceptance and her struggles with abandonment, loyalty, and trust. She was an excellent character all around, and I really enjoyed her narration of the story. Not only does she go through a lot of self-reflection, but we see her readjust her opinions of those few individuals who have gotten close to her through her life. She learns that not everyone is who she believed them to be, for better and for worse. This translates best into her relationship with her brother, one that goes through the natural ups and downs of two siblings transitioning from the simply relationship they had as children to the more complicated one they share as adults. But we also see these themes play out in the lovely slow-burn romance.

There were a lot of big events towards the end of this story. Much of what feels like the main arch is somewhat resolved halfway through, and then we see the story shift into an entire new gear. I don’t see a sequel currently planned on Goodreads, but I think it must be a duology given the end of this book. It’s not a straight-up cliffhanger, but there is definitely a strong set-up for a continuing story. I’ll be keeping my eyes out for sure. And in the meantime, I strongly recommend this book for fantasy fans of all sorts!

Rating 9: So, so good! Strong, confident writing mixed with excellent characters and dark fantasy elements result in a near-perfect debut book!

Reader’s Advisory:

“Forestborn” is a new title, so it isn’t on many Goodreads lists. But it is on 2021 Debut MG/YA Novels.

Find “Forestborn” at your library using WorldCat!

Kate’s Review: “The Dead and the Dark”

Book: “The Dead and the Dark” by Courtney Gould

Publishing Info: Wednesday Books, August 2021

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: Courtney Gould’s thrilling debut The Dead and the Dark is about the things that lurk in dark corners, the parts of you that can’t remain hidden, and about finding home in places―and people―you didn’t expect

The Dark has been waiting for far too long, and it won’t stay hidden any longer.

Something is wrong in Snakebite, Oregon. Teenagers are disappearing, some turning up dead, the weather isn’t normal, and all fingers seem to point to TV’s most popular ghost hunters who have just returned to town. Logan Ortiz-Woodley, daughter of TV’s ParaSpectors, has never been to Snakebite before, but the moment she and her dads arrive, she starts to get the feeling that there’s more secrets buried here than they originally let on.

Ashley Barton’s boyfriend was the first teen to go missing, and she’s felt his presence ever since. But now that the Ortiz-Woodleys are in town, his ghost is following her and the only person Ashley can trust is the mysterious Logan. When Ashley and Logan team up to figure out who—or what—is haunting Snakebite, their investigation reveals truths about the town, their families, and themselves that neither of them are ready for. As the danger intensifies, they realize that their growing feelings for each other could be a light in the darkness.

Review: Thank you to NetGalley for sending me an eARC of this novel!

Given that I am a HUGE sucker for the ‘small town with terrible secrets’ trope, I am always on the lookout for books and stories that showcase it, and showcase it well. In the past few years there have been books that have hit the mark and missed the mark, and when I requested “The Dead and the Dark” by Courtney Gould I didn’t really know what to expect. All I knew was that it was a YA horror novel that not only had that highly enjoyable theme, but it also had a sapphic romance to go with the scares. Since I was a bit let down by a previously hyped book with these themes, I was hoping that this one would give me what I wanted, and for the most part it did!

“The Dead and the Dark” is told through two third person perspectives. The first is that of Logan, a teenage daughter of Brandon and Alejo, the hosts of the ghost hunting show “Paraspectors”. Her Dads were raised in Snakebite but never fit in, and Logan has a strained relationship with Brandon that she hasn’t been able to really figure out. Ashley, on the other hand, is a local teenager who is basically a member of Snakebite royalty, but ever since her boyfriend Tristan disappeared she’s felt like something is off. When Logan’s dads are suddenly suspects in Tristan’s disappearance, Logan and Ashley have to work together to try and figure out what happened, and what secrets the town is hiding. Both characters were well explored and given depth, and I found myself eager to get to each perspective as the book went on. They are both good characters on their own, but Gould is sure to make their interactions as they become allies, then friends, then maybe something more, enjoyable. But Gould doesn’t stop there, as the supporting characters are also interesting and do more than just furthering the plot that Logan and Ashley work within. I liked getting to know Brandon and Alejo, as well as the other teens in the town who range from helpful to downright hostile. Snakebite as a town is also well explored, as the small town with a secret theme has layers of small town angst and pain for outsiders that come to the surface.

As for the plot and the horror elements, “The Dead and the Dark” did some new things that I really liked. I don’t want to give too much away, as there are definitely things here that I want readers to discover without the potential for being spoiled. But, like many good horror stories, there is thought and purpose behind the dark fantasy and horror elements. As Logan and Ashley start to find clues to the evil that is hurting local teens, they also start seeing the every day rot, be it due to sexism, or homophobia, or just plain resentment of anything different from what is known. This ties into the big reveal as to what is going on, and then another reveal within that reveal that legitimately caught me off guard. And it was done in a way that built it up, made it believable, AND socked me right in the feels. So much so that I found myself crying a bit, and I’m not really used to crying while reading YA horror novels.

I had a really good time reading “The Dead and the Dark”. The horror elements were creepy, the sapphic elements were very satisfying, and I will definitely be checking out what Courtney Gould has to offer the genre in the future!

Rating 8: A creepy and suspenseful YA horror story with enjoyable characters and a small town with secrets setting, “The Dead and the Dark” is a fun read with a nice romance to boot.

Reader’s Advisory:

“The Dead and the Dark” is included on the Goodreads lists “2021 Sapphic Releases”, and “Monsters and Magic Society”.

Find “The Dead and the Dark” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Serena’s Review: “Curses”

Book: “Curses” by Lish McBride

Publishing Info: G.P. Putnam’s Sons Books for Young Readers, July 2021

Where Did I Get this Book: NetGalley

Book Description: Merit Cravan refused to fulfill her obligation to marry a prince, leading to a fairy godling’s curse. She will be forced to live as a beast forever, unless she agrees to marry a man of her mother’s choosing before her eighteenth birthday.

Tevin Dumont has always been a pawn in his family’s cons. The prettiest boy in a big family, his job is to tempt naïve rich girls to abandon their engagements, unless their parents agree to pay him off. But after his mother runs afoul of the beast, she decides to trade Tevin for her own freedom.

Now, Tevin and Merit have agreed that he can pay off his mother’s debt by using his con-artist skills to help Merit find the best match . . . but what if the best match is Tevin himself?

Review: A cover can go a long way. More often than not, I get sucked into reading books that have summaries that don’t really speak to me but have covers that I can’t resist. But sometimes it cuts the other way. This isn’t an awful cover, but it also looks a bit cheap and like something that was quickly drawn up on Photoshop without much great thought. I almost passed the book up based purely on this, judging the entire book to be of a similar lack-luster quality. Luckily, my obsession with “Beauty and the Beast” forced my hand, because the cover in no way represents the absolute blast of a time I had reading this story!

Fairy gifts and curses can look much alike, often to the detriment of the poor human on whom its cast. But Merit’s experience is very much that of a curse, stuck in the form of a beast except for the few hours that a rare medicine can grant her. And, unless she marries for love or marries a strategic gentleman selected by her mother, this form will become a permanent state. Luckily, Tevin, a con man with his own agenda, is on the case. Together, they hope to break Merit’s curse by finding her a truly perfect match. Soon enough, however, each begins to find their own feelings getting in the way of this task. Will it be enough to break the curse in time?

This was such a fun and funny story. It’s definitely a light-hearted fairytale retelling, but it’s not shallow, like so many stories tend to be when they go for a lighter tone. There were several moments that had me laughing out loud, with witty dialogue and clever, insightful takes sprinkled within the text. On the more serious side, there are a bunch of mothers in this book whose failures as a parent range from general obtuseness to outright neglect and maliciousness. Most of it is still played for comedic affect, but there are some interesting nuggets buried in there regarding the complicated nature of parent/child relationships. How, even if a parent is abusive, there can be a desire to please and impress them on the child’s part, even a grown child.

I really enjoyed both Merit and Tavin as characters. Tavin, perhaps, in particular, was an interesting take on a gender-swapped “Beauty.” His looks are an established part of his way of operating in the world, for better and worse. There’s also a mixture of magic, with his ability to charm those around him. I like that the author didn’t simply say “oh, he’s handsome” and leave it at that as far as the Beauty adaptation worked.

Merit’s beastly nature is also interesting. Unlike many other versions of the story, she’s not left brooding in some dark castle. Instead, while she may prefer to linger in the countryside, her mother likes to keep her in town and participating in society. Merit can go in her human form at times, but also goes out and about in public in her beastly form as well. In a land that is blessed/stricken with people affected by fairy magic, while Merit’s form is unique, she’s not the only person with such an affliction. There were a couple of other characters with interesting curses/blessing, especially the nods at other fairytale characters, a few of whom are on the lesser known side of things.

There’s was also an interesting commentary on the freedom that Merit finds in her beastly form. Not only is she physically more capable, but at times she is seen to appreciate some of the other animalistic characteristics of that form, such as having her emotions closer to the surface and the freedom to express them as such. It was also refreshing to have all of the horror/fear of the beast essentially not even play a part in the story. By not having this aspect, it allowed for the story to develop the romance in a different way and for the story to explore different challenges and aspects of the curse itself.

The world-building and magic all fell heavily in the “light and fluffy” category. There wasn’t tons of detail given into how any of it works or any nuanced history of the world. Instead, readers are left to simply enjoy the ride, with discussions about flying badgers and pompous boys being casually turned into ostriches. The side characters were also all fantastic and added a lot of flair and amusement to the story.

I definitely recommend this one to fans of fairytale re-tellings. Had we not already done our “Beach Reads” lists for the summer, this is exactly the sort of book I’d throw up in my fantasy category. Who knows? Perhaps next summer it will make an appearance!

Rating 8: Perfectly fun in every way, with a well-balanced mixture of romance and humor sure to appeal to any romantic comedy fan.

Reader’s Advisory:

“Curses” is on these Goodreads list: Fairy tales & Retellings.

Find “Curses” at your library using WorldCat!m

Serena’s Review: “Cast in Firelight”

Book: “Cast in Firelight” by Dana Swift

Publishing Info: Delacorte Press, January 2021

Where Did I Get this Book: the library!

Book Description: Adraa is the royal heir of Belwar, a talented witch on the cusp of taking her royal ceremony test, and a girl who just wants to prove her worth to her people

Jatin is the royal heir to Naupure, a competitive wizard who’s mastered all nine colors of magic, and a boy anxious to return home for the first time since he was a child.

Together, their arranged marriage will unite two of Wickery’s most powerful kingdoms. But after years of rivalry from afar, Adraa and Jatin only agree on one thing: their reunion will be anything but sweet.

Only, destiny has other plans and with the criminal underbelly of Belwar suddenly making a move for control, their paths cross…and neither realizes who the other is, adopting separate secret identities instead.

Between dodging deathly spells and keeping their true selves hidden, the pair must learn to put their trust in the other if either is to uncover the real threat. Now Wickery’s fate is in the hands of rivals..? Fiancées..? Partners..? Whatever they are, it’s complicated and bound for greatness or destruction.

Review: Before we get into the actual review, we interrupt my regular, meandering, usually skip-able intro paragraph to dive into another segment of “Nonsense in YA Covers!”, a semi-regular bit where I shake my head at the cover art of YA books. Today’s example isn’t so much anything overtly wrong with this book’s cover, but with the inexplicable resemblance it has to another. See if you can spot the similarities!

They are both by the obviously very gifted Charlie Bowater. I’m not coming after her, but I can’t decided whether it’s laziness or brilliance that these titles look so similar! Did she hoodwink the publishers into essentially buying the same image slightly re-tooled six months later? The male characters, especially, look almost identical. And then you have the character position, the colors, the entire thing really. One of my librarian friends, Alicia, found it so amusing that she routinely placed them side-by-side on the “New Arrivals” shelf at her library just to troll patrons. But enough of that, on to the review!

Though they were betrothed as children after a particularly…eventful…first meeting, Adraa and Jatin’s entire relationship since has been made up of a few letters and a secret competition of magical abilities. However, now that they are each about to come into their own roles as the upcoming leaders of their countries, they suddenly find themselves thrust into each other’s company. But neither know it, having each taken on alternate identities for different reasons when they first re-unite. Thrown into adventure and intrigue, the two begin to each learn that this strange new person isn’t so bad. If only they weren’t already engaged to someone else…

This book is another one of those tough books that seems to fall into the category of aggressively fine. It was a quick, snappy read, and I was entertained enough while reading it, easily caught up in the fast-moving plot. But when I think back on the book, characters, and world as a hole, there simply isn’t a lot there. The magic system is barely described and while the resulting abilities serve the action-packed plot well, there’s no intricacies to be found or, indeed, many details of any kind. If you asked me to tell you anything about it, all I’d have is something about tattoos and that the number of magical abilities you master has a direct connection to your status in society. Which…I’ve seen before.

As for the world-building, I appreciated that there was a map included in the story, but I almost felt like the map did more of the heavy lifting than anything in the book. This very much read like one of those overly simplistic YA novels that treat their worlds like big green screens that their character simply run across. Like the cover, almost, the mental images that came to mind were almost cartoonish in their simplicity.

The writing was probably the strongest part. Like I said, the pacing was excellent, keeping the plot and character moving at a steady clip. Some portions of it were also incredibly funny. However, here, too, I had some troubles. Mostly with the dialogue which was bizarrely modern. This is clearly a second-world fantasy story, so there are no rules about how characters should speak. But at times the dialogue was so very much of this world and time that it simply didn’t seem to fit here. I often found myself pulled back out of the story once the characters started speaking overly much. There was also an over-reliance on “quippiness” as a stand-in for real character development and connection.

As a debut, it was a fun ride, but it also showed the areas in which the author still has room for improvement. If you’re looking for a fast, light read and don’t mind kind of random-feeling modern dialogue, this could be a fun book for you! But those looking for a more serious or layered story will be disappointed.

Rating 7: Fast-paced and fun, but too light in any real depth, both in its world and characters.

Reader’s Advisory:

“Cast in Firelight” isn’t on many Goodreads lists, but it is on 2021 YA with Male POV.

Find “Cast in Firelight” at your library using WorldCat!

Serena’s Review: “The Queen Will Betray You”

Book: “The Queen Will Betray You” by Sarah Henning

Publishing Info: Tor Teen, July 2021

Where Did I Get this Book: NetGalley!

Book Description: To stay together forever, Princess Amarande and her stableboy love, Luca, must part: Amarande to reclaim her kingdom from usurpers, and Luca to raise a rebellion and find his destiny. Arrayed against them are all the players in the game of thrones for control over the continent of The Sand and Sky. Facing unspeakable betrayals, enemies hidden in the shadows, and insurmountable odds, their only hope is the power of true love…

Previously Reviewed: “The Princess Will Save You”

Review: I read the first book in this duology last summer purely because it was hyped as being a gender-swapped retelling of “The Princess Bride.” While that premise may technically have applied, I found it to be more distracting than helpful in my read of the story. Too often, I found myself trying to match up characters from the book to characters from the original or to line up plot points in a similar way, rarely to much success. But the story was charming enough, and I enjoyed the straight forward romance at its heart. I was excited to check out this second entry in the story, however, as I’ve been hopeful that now that the author has moved past the original “Princess Bride” retelling, the story might come more fully into its own.

Each with a powerful destiny before them, Amarande and Luca must part after spending so long trying desperately to be reunited. But the kingdoms are restless and political power plays for them to separate to reclaim their birth rights. Unaware of what awaits them, they must untangle the various different factions, each with their own long-game and plans for Amarande and Luca. With so many unknowns, all they truly know anymore is their deep love for one another and their will to be together again.

As I said, I was excited to see where this book went after it firmly left behind its “retelling” status in the first book. Luca’s storyline, for example, now doesn’t remotely resemble any portion of Buttercup’s arc in the original story. With a kingdom and history of his own, I was particularly interested in where his storyline would go. While he still played a distinctly second fiddle to Amarande, I was overall pleased with what we had from Luca here. It was nice to see him in a more proactive light and freed from being simply “the love interest.” His increased characterization also helped make the love story more compelling, giving us both sides to root for.

However, the love story itself takes a marked step back into the shadows in this book. It was a fairly prevalent part of the first, but here the story veers much more into political machinations. I was a bit disappointed by that, as the love story was probably what I liked most about the first book. And while I expected a portion of the story to focus on Amarande’s and Luca’s individual stories, I also wished their storylines had converged earlier in the story. As it is, we don’t get to see over much interaction between these two characters at all.

The story was also a bit slower than the first. I’m not sure if this was perhaps just the mood I was in while reading or what, but it felt like it was harder to become invested in the plot and towards the middle the story seemed to drag a bit. I still really liked Amarande, though, which helped carry the book when things seemed to slow down. I also liked that we got more world-building and exploration in to the various choices that Amanrade and Luca’s parents made before they were born (some of the bigger reveals in the first book came on this front, so I was glad to see that given attention here).

Overall, it was a perfectly adequate story. I didn’t love the duology as a whole, but I also enjoyed my experience while reading them. I’m not sure the “Princess Bride” comparisons ever helped the story, frankly, and I do think the duology might have been better served with no connection to that beloved work. But if you’re looking for a sweet, fun YA fantasy, this duology delivers. Especially for readers look for a mostly drama-free romance, something that is definitely hard to find!

Rating 7: A solid second entry, though not ground-breaking in any way.

Reader’s Advisory:

“The Queen Will Betray You” is a newer title, so it isn’t on many Goodreads lists. But it is on Epic High Fantasy/Romance/Mythology in 2021.

Find “The Queen Will Betray You” at your library using WorldCat!

Serena’s Review: “Red Wolf”

Book: “Red Wolf” by Rachel Vincent

Publishing Info: HarperTeen, July 2021

Where Did I Get this Book: Edelweiss+

Book Description: For as long as sixteen-year-old Adele can remember the village of Oakvale has been surrounding by the dark woods—a forest filled with terrible monsters that light cannot penetrate. Like every person who grows up in Oakvale she has been told to steer clear of the woods unless absolutely necessary.

But unlike her neighbors in Oakvale, Adele has a very good reason for going into the woods. Adele is one of a long line of guardians, women who are able to change into wolves and who are tasked with the job of protecting their village while never letting any of the villagers know of their existence.

But when following her calling means abandoning the person she loves, the future she imagined for herself, and her values she must decide how far she is willing to go to keep her neighbors safe.

Review: And here we are, the third “Red Riding Hood” book that came out this summer! It’s actually really impressive how all three of authors pulled from the same inspiration (at least somewhat) but ultimately created such different stories and worlds. Unfortunately for “Red Wolf,” it was third to come out and third for me to read, so it had some big shoes to fill after the first two were such hits. However, I don’t think I would have enjoyed this lackluster outing much more had it come first.

Red has grown up in her small village, a little community of safety surrounded by a dark wood full of monsters. For most, this forest represents a natural boundary to their world, one they won’t ever need to venture within. For Red and her family, it is something very different. Within those dark depths, she, like women before her, protect that small village, prowling the woods in the form of a wolf. Soon enough, however, Red’s life is thrown upside down when the path she had seen before her begins to twist and turn into choices she had never imagined making. Will she be strong enough to protect those she loves?

First off, props to another gorgeous cover that definitely played its part in getting me to request an ARC for this book. All three of the “Red Riding Hood” books this summer had neat covers and each was distinct from the others, so that’s pretty neat. Unfortunately, most of my compliments end there.

This book wasn’t terrible, or anything, but it did seem to have an endless list of mild frustrations and then a wackadoodle ending that made the entire experience feel a bit like death by a thousand cuts. It starts out well enough, with an atmospheric village and woods and a young girl who must venture out to her granny’s every month. And then, of course, she discovers she’s so much more than she thought and the book should be off to the races.

Unfortunately, it felt a lot like an engine that kept rolling over and couldn’t quite get going. Adele’s character is set up as a fairly typical teenager, a bit stubborn, but empathetic enough to be challenged by the choices presented her throughout the story regarding the nameless many vs the the known few. But there also wasn’t anything about her that was particularly gripping or made me feel truly invested in her. I also felt like the story go a good head of steam going with some of these moral quandaries and then, somehow, never fully resolved them. The ending, especially, felt strange and disjointed from the greater conversation being presented in the book. It felt rushed and left me with a lot of mixed feelings about Adele herself.

It was also not a great sign to see Adele happily paired up at the beginning of the book. You know it’s never going to last in a YA fantasy when the main character is already happily in love when the story starts. And, alas, my predictions came true and the dreaded love triangle emerged. It could have been more annoying, I guess, but that’s hardly a compliment for the choice to have one in the first place. The other side of the triangle also felt very rushed, with Adele herself mentioning that she couldn’t believe how quickly she’d fallen for so-and-so. If the main character can barely believe it, I definitely can’t.

The writing was also a bit challenging. I can’t point to any particular quirks or style choices, only that it didn’t capture me, and I was very aware that I was actively reading as I turned the pages. I couldn’t sink into the story, for whatever reason. There were some legitimately creepy and interesting fantasy aspects in this world, but the story itself felt like the framework was too flimsy to fully hold the ideas themselves.

Overall, I was pretty disappointed in this book. It did a lot of things just OK, and then didn’t have any big wow moments to pull it up from just middling. And, of course, love triangles are almost always a detractor in my enjoyment of story. Readers looking for a more middle-grade, young YA might enjoy this, but I’d recommend “For the Wolf” and “The Wolf and the Woodsman” as your “Red Riding Hood” books of the summer before this one.

Rating 6: A big ole “OK.” Love triangles and a lackluster heroine didn’t help this story get off the ground.

Reader’s Advisory:

“Red Wolf” is on these Goodreads lists: YA Fantasy Standalone Books and Red Riding Hood Across Genres.

Find “Red Wolf” at the library using WorldCat!

Kate’s Review: “Firekeeper’s Daughter”

Book: “Firekeeper’s Daughter” by Angeline Boulley

Publishing Info: Henry, Holt, & Co., March 2021

Where Did I Get This Book: I own it.

Book Description: As a biracial, unenrolled tribal member and the product of a scandal, eighteen-year-old Daunis Fontaine has never quite fit in, both in her hometown and on the nearby Ojibwe reservation. Daunis dreams of studying medicine, but when her family is struck by tragedy, she puts her future on hold to care for her fragile mother.

The only bright spot is meeting Jamie, the charming new recruit on her brother Levi’s hockey team. Yet even as Daunis falls for Jamie, certain details don’t add up and she senses the dashing hockey star is hiding something. Everything comes to light when Daunis witnesses a shocking murder, thrusting her into the heart of a criminal investigation.

Reluctantly, Daunis agrees to go undercover, but secretly pursues her own investigation, tracking down the criminals with her knowledge of chemistry and traditional medicine. But the deceptions—and deaths—keep piling up and soon the threat strikes too close to home. Now, Daunis must learn what it means to be a strong Anishinaabe kwe (Ojibwe woman) and how far she’ll go to protect her community, even if it tears apart the only world she’s ever known.

Review: Sometimes, when you are reading a book, there is a moment where you just know that it is going to knock your socks off. I couldn’t pinpoint where it was in “Firekeeper’s Daughter” by Angeline Boulley, but I know it was early. I know there was a moment where there was a switch that flipped, and I said to myself ‘this is going to be fantastic’. I bought it after hearing a bit of buzz, but it admittedly sat on my pile for awhile. I happened to pick it up the same day that I had the pleasure of seeing Boulley talk during a virtual conference, and what began as ‘oh, that’s cool serendipity’ shortly thereafter morphed into something more.

It was very this. (source)

I loved this book. I LOVED it. Angeline Boulley is a fantastic writer who has a gift for imagery, characterization, and plotting, and the result is a hell of a debut novel. The mystery at hand as so many layers, and not just in terms of evidence and components, but also in terms of the consequences and difficult realities that it has because of the community it is affecting. Our main character, Daunis, is such an effective and complicated but easy to root for protagonist, and she is completely believable in every step she takes based on her experience, background, and personality. We slowly learn her backstory while we are meeting her in the middle of a huge traumatic change, as her maternal grandmother has just had a stroke and months previously her maternal uncle was found dead of a meth overdose. Daunis is feeling adrift, even when she has already felt a bit adrift, being the biracial daughter of a white mother and an Anishinaabe man, so her very existence was a huge scandal (parentage aside, her mother was a teenager when she became pregnant, and shortly thereafter he left her for another girl he’d also gotten pregnant). Daunis has had to straddle the privileged white identity as well as her Indigenous one, and has never felt truly and fully accepted by either side of the family, no matter how much love she feels from both sides. Her need to find herself, and her need to avenge the death of her best friend Lily (whose murder she witnessed), as well as her uncle, drives her even more. Daunis is such a compelling main character, I just loved her and loved everything about her. When I saw Boulley speak during the Virtual U.S. Book Show, she described Daunis as a ‘Native Nancy Drew’, and while meth is a bit more high stakes than secrets in old clocks, her pluckiness and likability is totally an homage to young women detectives in literature. And yes, her chemistry with Jamie is…. it’s just wonderful, and heartbreaking, and beautiful, and that’s all I am going to say about her and Jamie. Because you gotta read the book.

But Daunis’s Indigenous cultural identity plays a huge part in this story, and Boulley weaves it all in spectacularly. I think that in a lot of YA thrillers in which a young adult protagonist would be asked to be a CI for the government, it may be a hard and dangerous decision, but on that they would ultimately do for ‘the greater good’ without many personal qualms outside of danger. But that isn’t so in Daunis’s case, nor can it be. Her decision to work with the FBI and the BIA is certainly not one to take lightly, given the terrible history both organizations have with Indigenous people in this country (really, the United States Government in general has just been awful in this regard). But once she’s in it, we get a gritty and suspenseful, as well as critical, look at what it means to be a CI, as well as the way that the FBI and BIA approach communities with such systemic and cyclical oppression. Daunis approaches this as ‘the greater good’, but never truly trusts Ron, the FBI agent, as his motivation is to stop the criminals, as opposed to helping the community that is being affected by the meth supply heal and get better.

There is also the complicated relationship that Daunis has with her maternal side, in particular her Grandmary, who absolutely loves her granddaughter, but is racist towards the Indigenous population in the community as seen through flashbacks and second hand accounts. While it could be written that Daunis either completely excuses her grandmother, or completely shuns her grandmother, instead we find a very realistic and complicated middle ground for her. Along with both those really complicated examinations, every time we get information about Daunis’s culture, be it through conversation, demonstration, or flat out explanation, it is done in a way that is so natural that it always fits the moment. It feels strange to say that it’s ‘unique’, as the uniqueness of it probably comes from the fact that Indigenous voices in literature have been underrepresented for far too long, but it was certainly a fair amount of new information to me, someone who grew up on Dakota Land and has spent a lot of time north on Ojibwe/Anishinaabe Land.

AND, as if I haven’t gushed on long enough, BUT I’M GOING TO CONTINUE, the mystery is also great. I may have guessed some parts of it, but that didn’t even matter to me because it was well crafted, complex, and it was really able to hit home the tragedies of meth running in this community and Missing and Murdered Indigenous Women that are at the center of the mystery. There is so much power in this story. As well as a lot of darkness (content warnings here an there, from domestic abuse to murder to a sexual assault that happens off page, but is definitely upsetting). But the darkness always has a bit of hope and resilience to go along with it, and that made all the difference.

“Firekeeper’s Daughter” is one of the best books I’ve read in a long time. Do yourself a favor and read this book. It is almost assuredly going to be on my Top Ten list this year.

Rating 10: It’s just fantastic. A healthy and powerful mix of a well done mystery and a meditation on being Indigenous in the 21st century, “Firekeeper’s Daughter” blew me completely away.

Reader’s Advisory:

“Firekeeper’s Daughter” is included on the Goodreads lists “Books by Indigenous Women”, and “Hello Sunshine YA Book Club Book List”.

Find “Firekeeper’s Daughter” at your library using WorldCat, or a local independent bookstore using IndieBound!