Tag: Young Adult

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Book: “Garden of the Cursed” by Katy Rose Pool

Publishing Info: Henry Holt and Co., June 2023

Where Did I Get this Book: from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound |

Book Description: Since fleeing the gilded halls of Evergarden for the muck-filled canals of the Marshes, Marlow Briggs has made a name for herself as the best godsdamn cursebreaker in Caraza City. But no matter how many cases she solves, she is still haunted by the mystery of her mother’s disappearance.

When Adrius Falcrest, Marlow’s old friend and scion of one of Caraza’s most affluent spell-making families, asks her to help break a life-threatening curse, Marlow wants nothing to do with the boy who spurned her a year ago. But a new lead in her mother’s case makes Marlow realize that the only way to get the answers she desperately seeks is to help Adrius and return to Evergarden society—even if it means suffering through a fake love affair with him to avoid drawing suspicion from the conniving Five Families.

As the investigation draws Marlow into a web of deadly secrets and powerful enemies, a shocking truth emerges: Adrius’s curse and her mother’s disappearance may just be clues to an even larger mystery, one that could unravel the very foundations of Caraza and magic itself.

Review: There was so much to draw me in to first picking up this book that I’m not even sure what was my main motivation! Was is the cool, cyberpunk cover that stands out from the typical YA fantasy crowd? Was it the author, Katy Rose Poole, who has definitely proven herself as a powerhouse in YA fantasy fiction? Or was it the comparison to “Veronica Mars,” with the promise of a teenage investigator and her enemies-to-lovers romance? Any single one of these aspects would have had me racing to pick this one up. But all together? Immediately there!

This is one of those unique books where the comparison to a different popular franchise is definitely warranted. Remember that period of time a few years ago where some how every. single. YA. fantasy was somehow just like “Six of Crows?” Most of the time, publishers were clearly just trying to cash in on the popularity of a different series, regardless of how well it really paired with the book they were actually pushing. But let me say, this book not only earns its comparison to “Veronica Mars,” but it might even go a bit beyond? Let’s just say, if you’re very familiar with this popular TV series, you’re going to recognize A LOT of characters in this book, the history of our main lead, and even some of the plot points that play out throughout this book. I can lean two ways on this, frankly. I think, ultimately, that it works out fine. But there are moments were the similarities are almost so close that the book juuuuust brushes up against being some sort of alt-world fanfic of “Veronica Mars.”

But the world-building and magic system, I think, do enough to save it as an original work. While I could have used perhaps a bit more about just how exactly people learn to employ the curse-magic that is at the heart of the fantasy portions of this book, I was also pleased enough to just enjoy the creative, action-packed scenes in which this magic was used. Similarly, the world-building was interesting, if not fully realized. There were a few scenes, in particular the description of a university/library, that really stood out as fantastical and whimsical. But there were other moments where I had a hard time envisioning the type of world we were meant to be picturing, with a strange balance of old-world and modern technologies.

I really liked Marlow, for the most part. I loved that the book leaned into the “investigator” aspect of her character. She really is very much like Veronica Mars, and this is where the comparison can never be seen as a detraction, as both the original character and this “inspired by” version are incredibly likable and sympathetic. Marlow, like Veronica, is very capable, smart, and creative. But she also struggles with trusting others, and, over the course of the story, we see how isolating herself like this leads her to harm those around her as well as herself.

I will say that in the first action scene of the book where we meet Marlow, she gets into some trouble (because of course she does!) and then the description immediately goes to her tearing up and about to cry when confronted by a gangster. Now, look, I’ve gone on rants in the past about all the different kinds of strengths that can be found in heroines. I’m also all for embracing emotion and not treating it as a weakness. The problem here is that I think this description of Marlow early in the book (and then it comes up again later too with her near-crying in another scary situation) doesn’t sit naturally with the character we see throughout the rest of the book. It threw me out a little bit, ultimately, both times it came up.

I found the mystery itself to be a bit predictable, and I was able to guess the villain fairly quickly. I also struggled a bit with the romance. At times, the situation for them to “fake date” felt too forced. And then, while I appreciate that Marlow’s main arc had to do with her being forced to confront the realities of her inability to trust those around her, it was difficult to not want to shake her when she was so oblivious to the very obvious intentions and feelings of Adrius.

Rating 8: A fun, fast read that will definitely appeal to fantasy readers who are looking for a whip-smart leading lady and a slow-burn romance full of angst and drama.

Reader’s Advisory:

“Garden of the Cursed” can be found on this Goodreads list: YA Novels of 2023

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Book: “Psyche and Eros” by Luna McNamara

Publishing Info: William Morrow, June 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org |Amazon | IndieBound |

Book Description: A prophecy claims that Psyche, princess of Mycenae, will conquer a monster feared by the gods. Beloved by her family but at odds with her society’s expectations for women, Psyche trains to become a hero, mastering blade and bow.

When Psyche angers Aphrodite, the love goddess enlists Eros, god of desire, to help deliver a cruel curse. Eros is the last born of the eldest gods, dry-witted and jaded, unsure of his place in the cosmos. The last thing he wants is to become involved in the chaos of the mortal world, but when he pricks himself with the arrow intended for Psyche, Eros is doomed to yearn for a woman who will be torn from him the moment their eyes meet.

A joyous and subversive tale of gods, monsters, and the human heart and soul, Psyche and Eros dazzles the senses while exploring notions of trust, sacrifice, and what it truly means to be a hero. With unforgettably vivid characters, spellbinding prose, and delicious tension, Luna McNamara has crafted a shimmering and propulsive debut novel about a love so strong it defies the will of Olympus.

Review: Continuing to follow the ongoing trend of reimaging Greek/Roman mythology, I knew I had to check out this book when I saw it slotted for publication this summer. I also love the myth of Psyche and Eros, one of the few stories that doesn’t seem to end in abject tragedy. I was also feeling particularly optimistic going into this one after the awesome reading experience that was “Atalanta.” Before reading that one, I had been worrying that “Circe” might have been more of an exception than the rule. But the strength of that book refreshed my confidence that there were strong books to still be found, even in the midst of this boom in popularity where every other book seems to be of the same sort.

Alas, as it turns out, the comparison to “Atalanta” didn’t work in this book’s favor as much as I had hoped. I would have had struggles with this book either way, but I think reading it so quickly after didn’t help. And this speaks to my biggest frustration with this story, and that’s the characterization of Psyche herself. Being fairly familiar with the original tale, I had some strong ideas of the type of character Psyche was originally portrayed to be. And that was a normal, soft-hearted woman who finds the inner strength to fight for her love when she finds herself in extraordinary situations. She is a heroine much like the ones that I love so much from Juliet Mariller’s books. There is an author who excels at writing heroines who value the strengths of “traditional” women’s roles, caring for the home, focusing on healing, midwifery, embroidery, etc. But they are just as strong when fighting for those they love.

This is the character that Psyche is presented as in the original story. So imagine my frustration when, here, she has been re-worked into the typical outgoing, fighter woman that we so typically see. I loved Atalanta for being this sort of character, and it is true to her origins. But to re-make Psyche, a character whose strengths are very different and represent how all women, not just natural warriors, can fight for those they love, into that same sort of heroine? No, dislike. It’s not only a waste of an opportunity to place value on all women, but it makes Psyche just your same-old, average heroine we’ve all read a million times before.

So that was a long rant on one very specific aspect of the story. But for me, who places such a value on characterization in my stories, this was incredibly disappointing. Granted, this is a hugely subjective take, and I, too, enjoy the warrior woman character, so readers with different expectations of this book may not even blink at these changes. There are also a lot of changes to the story itself. The author, of course, chooses to set this during the siege of Troy, a decision that is fine, I guess, but draws a lot of timelines into conflict if you know much about the various gods and stories involved. There are also a lot of changes to the general pantheon and who is related to who and how. Again, if you’re not overly familiar, this may all work fine for you. It just didn’t for me.

Overall, I was very frustrated with this read. That said, I also think that there are large groups of readers who will simply gobble this book up and enjoy the heck out of it. The writing is solid, the love story is, of course, there. And the characters, on their own, are fine. They just aren’t the ones I was expecting or wanting.

Rating 6: Turning Psyche into a “warrior girl boss” is not the vibe I was here for, but if you’re not looking for a close re-telling of the original, you could still enjoy this story!

Reader’s Advisory:

“Psyche and Eros” can be found on these Goodreads lists: Retellings of greek and roman myths and Bows, Arrows, Spears.

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Book: “And Break the Pretty Kings” by Lena Jeong

Publishing Info: HarperTeen, June 2023

Where Did I Get this Book: ARC from the publisher!https://amzn.to/41hV4dc

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: A crown princess. A monster the gods fear. A destiny no one can outrun. Inspired by Korean history and myths, the first book in the Sacred Bone series is a rich and evocative high-stakes fantasy that is perfect for fans of Gallant and Six Crimson Cranes . Mirae was meant to save her queendom, but the ceremony before her coronation ends in terror and death, unlocking a strange new power within her and foretelling the return of a monster even the gods fear. Amid the chaos, Mirae’s beloved older brother is taken—threatening the peninsula’s already tenuous truce. Desperate to save her brother and defeat this ancient enemy before the queendom is beset by war, Mirae sets out on a journey with an unlikely group of companions while her unpredictable magic gives her terrifying visions of a future she must stop at any cost.  

Review: Another awesome, dramatic cover! I love bright colors and the overall theme; I feel like I knew exactly the sort of book I was picking up with once glance at this cover. I was also drawn in by the intriguing description and the mention that it was inspired by the historical time period of the three kingdoms of Korea, a time and place I know very little about. I’ve loved how many fantasy novels recently have pulled in Asian folklore and mythology, greatly diversifying a SFF landscape that has re-told a small selection of fables ad nauseum.

Just a note before we start, I’m going to rework my review style so that it matches what Kate has been doing more closely. Obviously, we each have our own distinct tones, but I’ve been writing my own summary of the book here in the second paragraph, and I’m now going to forego doing this. The summary is always included, and I did this more out of habit from my old review style before I was working in a blog format that already includes a summary. More and more often I find that I am spending too much time trying to find ways to re-word information that can be found directly above. So, like Kate, I’m now just going to dive straight into the reviews themselves!

So, this book was a strange read for me. It was definitely a case where I felt like there was potential around every corner. But then it never quite reached the highs I was hoping for. One thing that is unquestionable, however, is that this is a fast-moving romp of a story. The story gets off to a fairly quick start and never really lets up. But, on the other hand, due to the fast pace of the plotting, I never felt like we really settled into any of these character, either our main character or the side cast. Mirae had a potentially interesting arc where she is forced to confront that her unwillingness to compromise can be both a strength, but also a weakness. But I don’t think the story every really settled enough for her to really express any of this growth. Instead, the reader is left to just bounce along and understand that inner reflection is happening.

There was also no romance in this story. I personally prefer to have a romantic plotline in my story (though I have to say, I’ve now read three other books back to back where the romance ended in some form of tragedy, and I’m SUPER over this tendency to need to make these stories bittersweet or grimdark to somehow justify them as “serious fantasy.” Ok, rant over.), but there have been plenty of stories I’ve really enjoyed without a hint of romance to be found. Just recently, I rated “Witch King” a 10 and there’s zero romance in that book. But here it was confusing because fairly early on the author seems to be setting up a romantic plotline. And then…it just goes nowhere. It kind of felt like a bait and switch and left me more frustrated than had there been nothing even hinted at.

I also really liked the idea of the time-switching, but I don’t feel like it was really used to the extent that it was hyped. The world-building also felt a bit all over the place, and the motivations, both for why these countries were at war, and why individual characters choose to do certain things, were lacking. I am curious to see if there is a second book planned and whether that would clarify some of this. Particularly, the strange non-love/love interest. Like, is this something that is going to be followed up on later? Overall, this was a bit hit and miss for me as a read. Like I said, I think there is a lot of potential here, and I do think that some fantasy readers will enjoy it. But it’s not as tightly knit or carefully constructed as I would prefer.

Rating 7: Lots of potential that did feel a bit squandered by a lack of attention to character and world-building.

Reader’s Advisory:

“And Break the Pretty Kings” isn’t on any Goodreads lists, but it should be on Asian Mythology, Legends, and Folklore .

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Grimoire of Grave Fates” by Hanna Alkaf and Margaret Owen

Publishing Info: Delacorte Press, June 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Professor of Magical History Septimius Dropwort has just been murdered, and now everyone at the Galileo Academy for the Extraordinary is a suspect.

A prestigious school for young magicians, the Galileo Academy has recently undergone a comprehensive overhaul, reinventing itself as a roaming academy in which students of all cultures and identities are celebrated. In this new Galileo, every pupil is welcome–but there are some who aren’t so happy with the recent changes. That includes everyone’s least favorite professor, Septimius Dropwort, a stodgy old man known for his harsh rules and harsher punishments. But when the professor’s body is discovered on school grounds with a mysterious note clenched in his lifeless hand, the Academy’s students must solve the murder themselves, because everyone’s a suspect.

Told from more than a dozen alternating and diverse perspectives, The Grimoire of Grave Fates follows Galileo’s best and brightest young magicians as they race to discover the truth behind Dropwort’s mysterious death. Each one of them is confident that only they have the skills needed to unravel the web of secrets hidden within Galileo’s halls. But they’re about to discover that even for straight-A students, magic doesn’t always play by the rules. . . .

Review: I was definitely intrigued when I heard about this upcoming fantasy anthology. Not only was it a collaboration between a huge number of famous authors, but the idea of a murder mystery taking place in a school of magic as the foundation upon which the anthology is built upon is compelling as heck. Add an eye-popping cover, and you’ve got me! This is definitely a change of pace from the types of fantasy stories that I typically read, so I was very excited and curious to see what it had to offer.

I’m going to skip over my usual summary paragraph here, as I think the description given by the publisher is more than enough, and it’s hard to add more with anthologies that are, by their nature, built upon many layers of different characters, themes, and stories. So let’s get right to the review! First of all, I’d like to state how impressive of a project I think this book is. Collaborations are always tricky, but I have to imagine the more authors you include, the harder it is to ensure that the finished product feels complete and even. This is all the more difficult when you’re writing a murder mystery, a specific genre that requires careful plotting, close regulation of what information is made known and when, and a neat balance of pace to keep the reader engaged while not also losing them as the book builds to its final conclusion. But I think, overall, this aspect of the book came together very well, and none of the individual stories stood out as ill-fitting with the larger story as a whole.

That said, I didn’t wholly love this read. On one hand, this is purely a subjective opinion as I’m not a huge fan of anthology stories, in general. I have a long record here on the blog of my struggles with a book rising at the exact rate at which an author adds POV characters. The more you have, the more I’m going to have a difficult time connecting to the story. Obviously, that is unavoidable here. I did like several of the individual chapters, but this then lead me to become increasingly frustrated as, again and again, I lost these characters just when I was beginning to become invested in them. And even in multi-POV stories, there’s always the anticipation of returning to a beloved character, which isn’t the case here. I also liked the level of diversity that is included, but there were also moments where it began to feel a bit like “diversity Bingo” and less like a natural and organic collection of individuals.

I did like the magical elements we had in the story as well. There were a few particular characters who had very unique ways of practicing their magic that I was especially interested in. But, again, I was always left wanting just a bit more. And, while every chapter did move the murder mystery along, bit by bit, the overall experience did begin to feel a bit tedious. However, as I said, I struggle with this approach to story-telling in general, so this could definitely be more of “me” problem than an actual problem with the book itself. On top of that, the writing style did err towards the younger side of YA; again something that is really subjective to the preferences of the reader. If you’re a fan of anthologies or love any of the authors involved in this project, this is likely a book you’ll enjoy. If you tend to enjoy adult fantasy more, this might not work quite as well.

Rating 7: A cool concept and an impressive feat of collaboration, but the large cast of characters and the slow pace of the larger mystery itself left me struggling to fully connect to the book.

Reader’s Advisory:

“The Grimoire of Grave Fates” can be found on this Goodreads lists: YA Releases June 2023

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Beauty Reborn” by Elizabeth Lowham

Publishing Info: Shadow Mountain Publishing, May 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Beauty’s life is the stuff of fairy tales. The youngest in her family, Beauty isn’t trying to catch Stephan’s eye. He is the lord baron’s heir, well above her family’s modest station, but when he kisses her hand at a party, Beauty is swept away by his charm, his wit, and his passionate declarations of love.

Hearts can be untamable creatures, especially when touched by the fires of first love, and Beauty doesn’t see the truth of Stephan’s intentions until it is too late. Until he stops asking for Beauty’s love—and simply takes it from her one night despite her refusal.

Beauty locks away the secret of what happened to her, and when her father emerges from the enchanted forest with a stolen rose in his hand and the tale of a vicious beast on his breath, Beauty seizes the chance to run as far from Stephan as possible.

She has some experience with beasts, after all. Certainly the one in the forest couldn’t be any worse than the one she’s already encountered.

Breaking the Beast’s curse might be the key to discovering her own path to healing—and finding the courage to allow herself to feel reborn.

Review: First of all, thank you so much to Shadow Mountain Publishing for sending me an ARC of this book! This was definitely one those cover lust situations when it came to my initial interest. I’m on the record as not necessarily loving covers with models or people, but I think this one is dramatic and lovely in all the best ways. It instantly conveys the general tone of the book and immediately draws the eye of the type of reader who I think will likely be interested in this one. When I read on to discover this was a “Beauty and the Beast” retelling, requesting it became a no-brainer!

Beauty’s first experiences with “love” left her traumatized and untrusting. So when her family’s destitution forces them to move from the city to a smaller house in the country, Beauty is relieved to escape the man of her nightmares. And when her father returns from the forest one night raving about a monster, Beauty sees an opportunity to make some use from the tatters that is her current life. But when she arrives at the magical castle and encounters this beastly being, Beauty begins to understand that we are more than the marks that life has left upon us. And that perhaps love can still be in her future.

While this book wasn’t a hit for me, I always want to start with the strengths. One thing that stood out right away was the general readability of the style of writing. The story was very approachable and I think the style of storytelling will appeal to a lot of readers. The use of flashbacks also keeps the pacing zipping along, allowing to Beauty to arrive at the castle and meet the Beast quite quickly. It’s a short book, as well, so this is definitely the kind of fast-moving read that will appeal to fairytale fantasy lovers who want something they can finish over a weekend.

I also liked the general premise of the book, that in many ways Beauty chose to go to the castle as a way of dealing with her own trauma. In theory, she was given a fairly solid arch of her own that she could develop while also falling in love with the Beast and undoing his curse. Unfortunately, this book really struggled to portray either the Beast or Beauty as nuanced, fully realized characters. Beauty’s narration and story felt oddly flat, never giving me anything unique or interesting to really latch on to. Many other authors have played on the starkness of the name “Beauty” to highlight how their version of the heroine is so much more than just a pretty face. Alas, here, this Beauty read just as one-note has her name would suggest.

Beast was even worse, sadly, in that we’re really given next to nothing to go on. He doesn’t have any POV, but there are plenty of other stories that have created interesting and fully realized love interests without getting into the head of the hero. But while he was sweet and kind enough, he was also supremely dull. Again, the term “one note” comes to mind. With both of these characters reading so lackluster on their own, it was almost inevitable that the romance between them would also be a bit of a let down.

Finally, there is really no world building to be found in this book. Randomly it’s mentioned that there are fairies in this world, and that, while rare, they are perfectly understood to just be around. But that’s it. I had a hard time really picturing many of the locations we visit, and ultimately just felt rather unmoored and struggling to fully commit to the story. Ultimately, I think fantasy fans who are very devoted to fairytale retellings miiiiiight want to check this one out, but I do think there are many better versions of “Beauty and the Beast” out there. It’s really too bad though, because there is always room for another excellent version! This just wasn’t it.

Rating 6: Unfortunately, the one-note characters and lackluster world-building left me underwhelmed with this retelling of “Beauty and the Beast.”

Reader’s Advisory:

“Beauty Reborn” is on this Goodreads list: YA Releases May 2023