Tag: Young Adult

Book Club Review: “Spear”

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We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is retellings and re-imaginings.  For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “Spear” by Nicola Griffin

Publishing Info: Tordotcom, April 2022

Where Did We Get This Book: The library!

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Retelling/Re-imagining: “Legends of King Arthur”

Book Description: The girl knows she has a destiny before she even knows her name. She grows up in the wild, in a cave with her mother, but visions of a faraway lake come to her on the spring breeze, and when she hears a traveler speak of Artos, king of Caer Leon, she knows that her future lies at his court.

And so, brimming with magic and eager to test her strength, she breaks her covenant with her mother and, with a broken hunting spear and mended armour, rides on a bony gelding to Caer Leon. On her adventures she will meet great knights and steal the hearts of beautiful women. She will fight warriors and sorcerers. And she will find her love, and the lake, and her fate.

Kate’s Thoughts

I’ve mentioned a number of times on here that I am not super versed in some of the more classic European literature tales, and that extends to Arthurian legends. I think that the adaptations I have seen all the way through are Disney’s “The Sword in the Stone”, which is more about Arthur getting the sword and not much else, and “Monty Python and the Holy Grail”, which is, of course, near perfection. But it’s not like an absurdist comedy with holy hand grenades and killer rabbits is going to reflect Arthur in all his significance. So going into “Spear” I didn’t really know what to expect, as I have a vague working knowledge of some aspects of the source material, but not much. And I’m sorry to say that while I went in trying to be open minded, “Spear” wasn’t my jam. I just kept thinking about coconuts and John Cleese slaughtering people in ridiculous ways and wishing I was watching that again.

(source)

So there were some things I liked about “Spear” and that was mostly in the ways that Nicola Griffin tinkered with the characters and the canon. Whether it was having main character Peretur be a gender bent version of Parzival during his quest with the other knights for the Holy Grail. I liked Peretur’s queer relationship with Nimuë, I liked that Arturus (Arthur), Gwenhwyfar (Guinevere) and Llanza (Lancelot) were in a loving thrupple as opposed to being in a dramatic love triangle, and I liked some of the ways that Griffin explores themes of the Grail and the magical bits of it. But there was so much I struggled with. The biggest issue I had was the writing. It is VERY lyrical, and very detailed, and I had initially picked this book up in print form but threw in the towel VERY quickly and opted for audio. My thought process was that I would be on a couple road trips to Duluth before book club and could use that time to listen, as I’ve had success in the past with that if I find the writing tricky. But it didn’t really help this time. And I think that had I had more investment in the Arthurian source material I would have been more vested in engaging, but since I don’t know it very well I found this book to be a tricky read, bordering on a chore. I am inclined to believe that this is probably a ‘your mileage may vary’ situation, but it just didn’t click with me.

Fans of King Arthur and very purple prose writing styles would probably connect with this, but it wasn’t for me.

Serena’s Thoughts

This was an interesting read for me. On paper, it has a lot of things I really enjoy. I’m fairly familiar with King Arthur legends, but mostly through a strange smattering of exposure to various retellings and adaptations and my own internet rabbit holes of research. I’ve only looked at a few of the “original” legends, themselves. All of this to say, when I picked up “Spear,” I was able to tell right away that this was going to appeal to the big fans of these stories. And that comes to the second thing I typically enjoy: lyrical writing. From the very first page, this is what stands out the most about this book for me. The writing is dense and poetic. There were many times that I found myself having to re-read long sentences to piece together exactly what was being said. As a fan of lyrical writing, I’m used to this experience to some extent, but even for me, I found this one a bit more challenging that I would have liked. That said, I can’t emphasize enough how impressed I am with Griffin’s ability to match the tone of the “original” King Arthur legends. For the big fans, this book will feel as if it can be neatly slotted right in alongside those, as the style of writing and storytelling found here match so well to those.

It’s also clear that Griffin has done her research. For such a short novel, it’s truly impressive just how many details and references she manages to pack in there. As a fan of Juliet Marillier’s, an author who largely relies on Irish folklore and legends, I enjoyed seeing some of these tales and beings woven in throughout this story.

I also really liked our main character and her story. I had a few concerns early on when she showed hints of being a bit too unbelievably good at certain skills with no explanation, but luckily there did turn out to be good reasons for this. I also enjoyed the gender-swapping of her character from male to female and the various changes and additions that Griffith brought to the story. Overall, I did find myself struggling to read this one more than I had hoped (the writing is hard), but I do think that it will greatly appeal to hardcore King Arthur fans.

Kate’s Rating 5: This was a bit of a slog for me, as I couldn’t connect to the writing style and I know very little about King Arthur lore and legend.

Serena’s Rating 8: For me, personally, this was probably a 7. But I rounded up to an 8 for the true Arthur aficionados who will appreciate the meticulous and detailed work that went into creating this story.

Book Club Questions

  1. How familiar are you with the legends of King Arthur? Specifically, how much did you know about the various iterations of Percival?
  2. Did you like the gender-swapped approach to this story? How do you think this changed or impacted the tale as a whole?
  3. The writing in this book is very in line with the style found in many of the more traditional Arthur stories. How did this impact your reading?
  4. How familiar were you with the various Irish legends and folklore that wove in and out of this story?
  5. This is a novella, so it has a reduced page count from a typical novel. Did this seem to fit the story we have here? Would you have liked it to be longer or shorter? And if so, why? Were there parts you wanted to know more about or could have done without?

Reader’s Advisory

“Spear” is on these Goodreads lists: Amazons, Valkyries, and Warrior Women and Sapphic Retellings.

Next Book Club Pick: “The Raven and the Reindeer” by T. Kingfisher

Serena’s Review: “Beauty Reborn”

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Book: “Beauty Reborn” by Elizabeth Lowham

Publishing Info: Shadow Mountain Publishing, May 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Beauty’s life is the stuff of fairy tales. The youngest in her family, Beauty isn’t trying to catch Stephan’s eye. He is the lord baron’s heir, well above her family’s modest station, but when he kisses her hand at a party, Beauty is swept away by his charm, his wit, and his passionate declarations of love.

Hearts can be untamable creatures, especially when touched by the fires of first love, and Beauty doesn’t see the truth of Stephan’s intentions until it is too late. Until he stops asking for Beauty’s love—and simply takes it from her one night despite her refusal.

Beauty locks away the secret of what happened to her, and when her father emerges from the enchanted forest with a stolen rose in his hand and the tale of a vicious beast on his breath, Beauty seizes the chance to run as far from Stephan as possible.

She has some experience with beasts, after all. Certainly the one in the forest couldn’t be any worse than the one she’s already encountered.

Breaking the Beast’s curse might be the key to discovering her own path to healing—and finding the courage to allow herself to feel reborn.

Review: First of all, thank you so much to Shadow Mountain Publishing for sending me an ARC of this book! This was definitely one those cover lust situations when it came to my initial interest. I’m on the record as not necessarily loving covers with models or people, but I think this one is dramatic and lovely in all the best ways. It instantly conveys the general tone of the book and immediately draws the eye of the type of reader who I think will likely be interested in this one. When I read on to discover this was a “Beauty and the Beast” retelling, requesting it became a no-brainer!

Beauty’s first experiences with “love” left her traumatized and untrusting. So when her family’s destitution forces them to move from the city to a smaller house in the country, Beauty is relieved to escape the man of her nightmares. And when her father returns from the forest one night raving about a monster, Beauty sees an opportunity to make some use from the tatters that is her current life. But when she arrives at the magical castle and encounters this beastly being, Beauty begins to understand that we are more than the marks that life has left upon us. And that perhaps love can still be in her future.

While this book wasn’t a hit for me, I always want to start with the strengths. One thing that stood out right away was the general readability of the style of writing. The story was very approachable and I think the style of storytelling will appeal to a lot of readers. The use of flashbacks also keeps the pacing zipping along, allowing to Beauty to arrive at the castle and meet the Beast quite quickly. It’s a short book, as well, so this is definitely the kind of fast-moving read that will appeal to fairytale fantasy lovers who want something they can finish over a weekend.

I also liked the general premise of the book, that in many ways Beauty chose to go to the castle as a way of dealing with her own trauma. In theory, she was given a fairly solid arch of her own that she could develop while also falling in love with the Beast and undoing his curse. Unfortunately, this book really struggled to portray either the Beast or Beauty as nuanced, fully realized characters. Beauty’s narration and story felt oddly flat, never giving me anything unique or interesting to really latch on to. Many other authors have played on the starkness of the name “Beauty” to highlight how their version of the heroine is so much more than just a pretty face. Alas, here, this Beauty read just as one-note has her name would suggest.

Beast was even worse, sadly, in that we’re really given next to nothing to go on. He doesn’t have any POV, but there are plenty of other stories that have created interesting and fully realized love interests without getting into the head of the hero. But while he was sweet and kind enough, he was also supremely dull. Again, the term “one note” comes to mind. With both of these characters reading so lackluster on their own, it was almost inevitable that the romance between them would also be a bit of a let down.

Finally, there is really no world building to be found in this book. Randomly it’s mentioned that there are fairies in this world, and that, while rare, they are perfectly understood to just be around. But that’s it. I had a hard time really picturing many of the locations we visit, and ultimately just felt rather unmoored and struggling to fully commit to the story. Ultimately, I think fantasy fans who are very devoted to fairytale retellings miiiiiight want to check this one out, but I do think there are many better versions of “Beauty and the Beast” out there. It’s really too bad though, because there is always room for another excellent version! This just wasn’t it.

Rating 6: Unfortunately, the one-note characters and lackluster world-building left me underwhelmed with this retelling of “Beauty and the Beast.”

Reader’s Advisory:

“Beauty Reborn” is on this Goodreads list: YA Releases May 2023

Kate’s Review: “We Don’t Swim Here”

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Book: “We Don’t Swim Here” by Vincent Tirado

Publishing Info: Sourcebooks Fire, May 2023

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: She is the reason no one goes in the water. And she will make them pay. A chilling new novel for fans of Tiffany D. Jackson, Lamar Giles, and Ryan Douglass.

From the author of BURN DOWN, RISE UP comes a chilling novel told through alternating voices that follows two cousins as they unravel their town’s sinister past, their family’s complicated history, and the terrifying spirit that holds their future captive.

Bronwyn is only supposed to be in rural Hillwoods for a year. Her grandmother is in hospice, and her father needs to get her affairs in order. And they’re all meant to make some final memories together. Except Bronwyn is miserable. Her grandmother is dying, everyone is standoffish, and she can’t even go swimming. All she hears are warnings about going in the water, despite a gorgeous lake. And a pool at the abandoned rec center. And another in the high school basement.

Anais tries her hardest to protect Bronwyn from the shadows of Hillwoods. She follows her own rituals to avoid any unnecessary attention—and if she can just get Bronwyn to stop asking questions, she can protect her too. The less Bronwyn pays attention to Hillwoods, the less Hillwoods will pay attention to Bronwyn. She doesn’t get that the lore is, well, truth. History. Pain. The living aren’t the only ones who seek retribution when they’re wronged. But when Bronwyn does more exploring than she should, they are both in for danger they couldn’t expect.

Review: Thank you to Sourcebooks Fire for sending me an ARC of this novel!

I read “Burn Down, Rise Up” by Vincent Tirado last year, and then I had the pleasure of seeing them speak at ALA Annual last summer. Given that I liked “Burn Down, Rise Up” well enough and really enjoyed their talk on their panel, I was very happy when I was sent “We Don’t Swim Here”, Tirado’s newest YA horror novel that has a small town with secrets premise combined with a healthy fear of water due to a supernatural force. My love for urban legend horror knows no bounds, so I was very excited to read this one. After all, summer is right around the corner and I intend to spend a lot of time at the pool this year, so why not freak myself out about swimming in anticipation?

The most interesting aspect of this book to me was that way that Tirado explores the way that true tragedy can turn into community lore and mythos. Hillwoods is a small town that has what appear to be superstitions and rituals that are in place to appease a supernatural force, the biggest being that swimming isn’t allowed due to a vengeful spirit. But as Bronwyn explores this and pushes against this superstition as an ‘outsider’, the story starts to come to light of what actually happened and how actual historical fact can be twisted and inflated into something else. I don’t want to give anything away as I think that the reveals are worth concealing, but given that many urban legends and local lore probably have some basis in fact, I quite enjoyed the way that Tirado explores that in this book. I also liked the way that they addressed the realities of racism and oppression in a small town community, especially when there are few people of color living there, and how that has manifested over the years in American history.

In terms of the characters and the mystery itself, I thought that Bronwyn and Anais are pretty enjoyable perspectives to follow. They are fairly typical teenagers, and I liked the alternating chapters that shed insight into what it was like for an outsider as well as someone who had lived in the community all her life. That said, I didn’t think that either Bronwyn or Anais were super fleshed out or explored to the degree I would have liked, and their conflicts with each other felt a bit repetitive with Bronwyn seeking answers and Anais refusing to provide any, again and again. There were also a number of references to the various rituals and superstitions of the town that were mentioned in passing, but not really expanded upon. There just felt like there was a lot of potential that didn’t quite get met for me, and while the main thread was entertaining and interesting, there were multiple smaller threads that didn’t really wrap up in satisfying ways.

“We Don’t Swim Here” had enough connections to real life issues and metaphors that the strengths outweigh the weaknesses. I will be very curious to see if Tirado ever goes back to this story with the other rituals and superstitions that were left unanswered. Regardless, YA horror fans should probably check this out.

Rating 7: A horror tale about the crimes of the past and the way that tragedy can be passed down into lore, “We Don’t Swim Here” is entertaining young adult horror, though I would have liked a little more character exploration.

Reader’s Advisory:

“We Don’t Swim Here” is included on the Goodreads list “Latinx Books Releasing in 2023”.

Kate’s Review: “This Delicious Death”

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Book: “This Delicious Death” by Kayla Cottingham

Publishing Info: Sourcebooks Fire, April 2023

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Jennifer’s Body fans will clamor for this new sapphic horror standalone from New York Times bestselling author Kayla Cottingham.

Three years ago, the melting of arctic permafrost released a pathogen of unknown origin into the atmosphere, causing a small percentage of people to undergo a transformation that became known as the Hollowing. Those impacted slowly became intolerant to normal food and were only able to gain sustenance by consuming the flesh of other human beings. Those who went without flesh quickly became feral, turning on their friends and family. However, scientists were able to create a synthetic version of human meat that would satisfy the hunger of those impacted by the Hollowing. As a result, humanity slowly began to return to normal, albeit with lasting fear and distrust for the people they’d pejoratively dubbed ghouls.

Zoey, Celeste, Valeria, and Jasmine are all ghouls living in Southern California. As a last hurrah before their graduation they decided to attend a musical festival in the desert. They have a cooler filled with hard seltzers and SynFlesh and are ready to party.

But on the first night of the festival Val goes feral, and ends up killing and eating a boy. As other festival guests start disappearing around them the girls soon discover someone is drugging ghouls and making them feral. And if they can’t figure out how to stop it, and soon, no one at the festival is safe.

Review: Thank you to Sourcebooks Fire for sending me an ARC of this novel!

I read Kayla Cottingham’s debut novel “My Dearest Darkest” last year and enjoyed it due to the tone and the characters. I was also lucky enough to be able to say hello during ALAAC 2022, and she was super awesome and gracious over my awkward fangirling. So when I was offered a copy of her newest horror novel “This Delicious Death”, I jumped at the chance. Partially because I really wanted to see what she followed her debut up with. But also because when I saw that it was about cannibal monster girls going to a music festival, I was fully invested and on board.

Another example of a book that teenage Kate would have been so into. (source)

This was just such a fun read from start to finish. I really liked all of the characters, especially the core friend group of Zoe, Celeste, Jasmine, and Valeria, and I liked the ‘zombie’ (if that’s even the right word) mythos that Cottingham has created for the story. In terms of the characters, our core four feel like a pretty realistic and typical group of teenage girls with the usual insecurities and ride or die friend dynamics, just with a bit of a flesh eating twist to round it all out. While I wasn’t super invested in the will they or won’t they dynamic of Zoe and Celeste, I did like them a lot as friends and really liked how all of these girls have seen some serious shit and are still processing, all while relying on each other. You get to see flashbacks to when all of them were first infected with the Hollowing illness that transformed them into ‘ghouls’ that now can only live on human flesh (synthetically produced now, however), and how they all dealt with that change, that trauma, and how they all came together as friends who are now close as close can be. I loved their banter and their humor, and I loved as they band together to help protect Valeria after she goes feral and kills someone, and how they want to solve what is happening. The gal pal flesh eating teenage gumshoe vibe REALLY worked for me, and you throw that into a conspiracy whodunnit with the backdrop of a Coachella-esque music festival and you have a really, REALLY unique and fun story that will appeal to teens and adults alike. And along with all that, I really really liked all of the representation this book had, with trans characters, lesbian and bisexual characters, characters from different racial and ethnic backgrounds.

And now the horror. The references to “Jennifer’s Body” in the description of this book are pretty on point both in theme and tone, but I also felt like we got some “Left 4 Dead” elements with the descriptions of the way that the ‘ghouls’ look (to me, very much like The Witch in those games. If you know, you know!). I really liked how Cottingham thought out of how The Hollowing pandemic and fall out would have worked, from the way information would have spread to how the population would have reacted to how it would have adapted to try and contain it/cure those who were turned into ‘ghouls’. We get sprinkles here and there of outside perspectives beyond our main character flashbacks, and it fills in some of the blanks with a nice blend of genuinely unsettling bits as well as some fun tongue in cheek/cynical moments that would fit right in in a Verhoeven film. Cottingham doesn’t hold back on the gore and body horror elements either, with full on descriptions of gnarly transformations, some cannibalism, and moments so bloody you feel a bit like you’re in a literary splash zone a la “Evil Dead: The Musical”. It really is a blast.

“This Delicious Death” is the perfect horror read for the time of year we are in, with vacations and road trips abound. It makes it all the more perfect given that we are still trying to navigate a pandemic, albeit a potentially waning one, and the messiness that can come with the aftermath. Recommended reading to be sure.

Rating 9: A fun and gory body horror meets girl’s road trip tale, “This Delicious Death” is a must read horror novel for all your summer vacation plans!

Reader’s Advisory:

“This Delicious Death” is included on the Goodreads lists “Queer Horror”, and “Cannibal Books”.

Kate’s Review: “Hungry Ghost”

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Book: “Hungry Ghost” by Victoria Ying

Publishing Info: First Second, April 2023

Where Did I Get This Book: I received a finished copy from First Second.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: A beautiful and heart-wrenching young adult graphic novel takes a look at eating disorders, family dynamics, and ultimately, a journey to self-love.

Valerie Chu is quiet, studious, and above all, thin. No one, not even her best friend Jordan, knows that she has been binging and purging for years. But when tragedy strikes, Val finds herself taking a good, hard look at her priorities, her choices, and her own body. The path to happiness may lead her away from her hometown and her mother’s toxic projections—but first she will have to find the strength to seek help.

Review: Thank you to First Second for sending me a finished copy of this graphic novel!

I had been eying “Hungry Ghost” by Victoria Ying for awhile, and even had it on my NetGalley shelf ready to go, when I was lucky enough to be given the opportunity to receive a print copy and to review it for the blog. The cover caught my eye from the jump, and then reading into the backstory and summary I was even more interested. Disordered eating is something that is a difficult and charged topic, but an important one to talk about. So I sat down and began my read, and found it to be a very emotional experience.

This is a very personal and unflinching story about Valerie Chu, a teenage Asian-American girl who has been pressured by her mother to stay thin since she was a girl, so much so that she has started making herself throw up in her teenage years and obsessively counting calories whenever she eats. It’s a really difficult read at times, but I liked how candid and straight forward Ying was with what Valerie was going through, and how complicated the various factors feeding into it could be. I really found Valerie’s inner turmoil to be compelling and upsetting, and I liked how Ying explores the familial pressure from her mother, the self pressure from Valerie herself due to seeing thinness everywhere as an ideal, and the pressures to be a perfect person and to have control, and how once control is gone how much it can make things spiral. For Valerie it’s the sudden tragic death of her father that sends her off, due to her grief, and the perceived need to be there for her devastated mother whose insistence on Valerie’s thin physique has been a pall over Valerie since childhood. There were so many moments in here that made me tear up, and I liked how Ying was sensitive but also very honest about these issues and how toxic all of this is for Valerie.

I also liked the depictions of how complicated Valerie’s relationships were with her loved ones. The most obvious one is her mother, whose domineering insistence on Valerie being thin has set up her disordered eating and mental health issues. It is made very clear that her mother is very wrong for putting this kind of pressure on Valerie (from the jump you see her denying Valerie a piece of her own birthday cake when she is in grade school, which is just… wow), but Ying is also very careful to not make her into a two dimensional villain. At first I was very ‘um maybe we should be calling this out a bit more?’, but thinking about it it started working for me a bit more because 1) this is her mother, and family dynamics can be so hard to disentangle, 2) it’s clear that it’s not just her Mom that has this hang up, as we also see some of her extended family voicing similar opinions, and 3) the death of Valerie’s Dad makes her mother’s emotional state all the more fragile and complex. Ying doesn’t excuse it, but also shows that sometimes people have to stand up for themselves or set boundaries in other ways. There is also the relationship between Valerie and her best friend Jordan, who is fat and is completely comfortable within her body and herself. Valerie adores Jordan, but it’s clear that her own standards of her body are constantly nagging at her (especially since her mother is always commenting on how fat Jordan is), and as things unravel more and more it starts to have an effect on their friendship. It is a really complex web, and I really appreciated that.

And finally I really loved the artwork. Ying is a very talented artist and animator whose work has been seen in various Disney ventures like “Moana”, “Big Hero 6”, and “Frozen” (among others!), as well as other books and graphic novels. And I really liked her style for this story, as it feels very accessible and engaging, while also hitting the emotional moments and beats.

Source: First Second

I really, really enjoyed “Hungry Ghost”. It’s poignant and powerful, and I am pleased that Ying has brought these various difficult and entangled issues to a moving graphic novel.

Rating 9: A gorgeous, emotional, and very personal story about grief, disordered eating, and complex family relationships, “Hungry Ghost” is a must read graphic novel.

Reader’s Advisory:

“Hungry Ghost” is included on the Goodreads lists “2023 YA/MG Books with POC Leads”, and “Great Graphic Novels (Released in 2023)”.

Serena’s Review: “Divine Rivals”

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Book: “Divine Rivals” by Rebecca Ross

Publishing Info: Wednesday Books, April 2023

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: After centuries of sleep, the gods are warring again. But eighteen-year-old Iris Winnow just wants to hold her family together. Her mother is suffering from addiction and her brother is missing from the front lines. Her best bet is to win the columnist promotion at the Oath Gazette.

To combat her worries, Iris writes letters to her brother and slips them beneath her wardrobe door, where they vanish―into the hands of Roman Kitt, her cold and handsome rival at the paper. When he anonymously writes Iris back, the two of them forge a connection that will follow Iris all the way to the front lines of battle: for her brother, the fate of mankind, and love.

Review: I really enjoyed Ross’s “Elements of Cadence” duology. It was lyrical, full of adventure, and centered a lovely romance at its heart. So it was a no brainer to place a request for her next novel when I saw it was due to arrive this spring. And while I don’t think this first book necessarily reaches the highs of that previous series, I did enjoy it a lot and I have high hopes for the next book in the series!

Several months ago, Iris’s life fell apart. Her brother felt compelled to join in a god’s war hundreds of miles away. Her mother fell into depression and alcoholism. And Iris was forced to drop out of school to support her family. Now, she works towards one goal: becoming a reporter for one of the most prestigious newspapers in the city. But she’s not the only one pursuing the position. Unknowing to her, her rival, a young man who is unfortunately as skilled a writer as he is frustrating, also happens to be the mysterious pen pal she found only by chance. But as the war becomes more and more real for Iris, she begins to realize that the world is much greater than she ever imagined, and her pan pal may be the only one who really understands her.

There was a lot to like about this book, but I think the book summary really buries the lead on the true strengths of this book. Yes, it starts out as a fairly standard work rivalry story alongside a sweet pen pal subplot. But about a quarter of the way in, things quickly shift and Iris travels to the front lines of the war. Here, the story really comes alive as it explores the experience of trench warfare and the experiences of those whose lives have been upended while living through a war that is taking place right outside their own front door. I really loved all that Ross had to offer in this part of the book.

This was all obviously a parallel to WWI, with similar tactics used, like trenches and the terrible use of vicous gases. But, of course, this is a fantasy novel, so the constant terror and threat of air raids were replaced by fantastical creatures that could target any town at any moment. I can honestly say that I can’t remember reading a fantasy novel that read anything like this one, and that was incredibly refreshing.

I also really liked Iris as a character. She was brave, but not foolish. Compassionate but also struggling with her conflicting emotions about a war that stole her brother away from her family. I also liked Roman Kitt, and, for the most part, the romance between the two. I think the title of this book does mislead a bit as far as the romance goes, however. The “rivalry” between these two barely warrants the term. Not only do we see very little of it, but it is quickly shunted to the side in favor of a completely cordial friendship building quickly towards romance. Indeed, an entire romantic arch from start to finish takes place within a fairly short period of the middle and end of the book. While I liked the love story, I kind of wish that it had been drawn out between this first book and the one to come. As it was, the romance just barely sidestepped becoming an instalove situation. It’s spared from this category only by the fact that, while quickly established, it does spend a good deal of time building up this relationship.

I also liked the idea of the feuding gods in this story, and the fact that the humans caught up in the war don’t have a full understanding of the history between these characters. But that also gets to my main issue with this book: in many ways it feels like an extended prequel. A very interesting and romantic prequel, but still. It was only towards the last quarter of the book that it really felt like the story got started. I still enjoyed my read overall, but I think the pacing was questionable, and perhaps, depending on how the next book goes, there might have been some better decisions to make with how this story was broken up. The one thing I can say for sure, the fact that the story really picks up towards the end of the book really leaves the reader primed for the second book. Despite a few quibbles here and there, I’ll definitely be right there in line to read the second one as soon as it’s available!

Rating 8: Lyrical and atmospheric, this book uses the fantastical to illustrate the horrors of war and the bravery of those who risk it all to save those they love.

Reader’s Advisory:

“Divine Rivals” can be found on these Goodreads lists: Working Women in Fantasy and Female fantasy authors – Children’s, YA and adult.

Serena’s Review: “Silver in the Bone”

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Book: “Silver in the Bone” by Alexandra Bracken

Publishing Info: Knopf Books for Young Readers, April 2023

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Tamsin Lark didn’t ask to be a Hollower. As a mortal with no magical talent, she was never meant to break into ancient crypts, or compete with sorceresses and Cunningfolk for the treasures inside. But after her thieving foster father disappeared without so much as a goodbye, it was the only way to keep herself—and her brother, Cabell—alive.

Ten years later, rumors are swirling that her guardian vanished with a powerful ring from Arthurian legend. A run-in with her rival Emrys ignites Tamsin’s hope that the ring could free Cabell from a curse that threatens both of them. But they aren’t the only ones who covet the ring.

As word spreads, greedy Hollowers start circling, and many would kill to have it for themselves. While Emrys is the last person Tamsin would choose to partner with, she needs all the help she can get to edge out her competitors in the race for the ring. Together, they dive headfirst into a vipers’ nest of dark magic, exposing a deadly secret with the power to awaken ghosts of the past and shatter her last hope of saving her brother. . . .

Review: Here I am, still getting sucked in by the covers with hands holding up swords. Not to say that I was swindled by this book, just that I’m a sucker for marketing, even when that marketing is starting to reach max capacity, I’d imagine. However, with this books focus on Arthurian legend, which, of course, heavily features a fabled sword, I guess I can give this one a pass on not just cashing in on the trends. But enough about that, let’s get into the review!

While devoid of any magic herself, Tamsin has grown up in the world of Hollowers, those adventurers who seek out and raids the highly warded crypts of ancient sorceresses. But after she and her brother were abandoned by the Hollower who raised them, she’s had to forge a life for herself however she can. And while participating in a dangerous world that she can only halfway understand would be more than most would choose, Tamsin has another goal: saving her brother who is struggling with an ever more debilitating curse. So when gets wind of an incredibly rare relic that could be the answer to her brother’s curse, Tamsin will do anything to claim it for herself, even going so far as teaming up with the boy who has been her rival for as long as she can remember.

First of all, I want to note how surprised I was to find that this was a contemporary YA fantasy story. I mean, I guess there were no clear indications one way or another, but that cover image sure does look “second world” fantasy to me! The average modern teen isn’t walking around with delicate, silver hand bracelets like that, that’s for sure. So I was fairly taken aback to start this novel and be immediately confronted with cell phones, cars, and the like. I do wish the marketing (either the cover or the book description) had made this more clear, as I had to work hard at the beginning of this read to recalibrate my expectations. It wasn’t an obvious attempt at misrepresenting a book, but I do think the overall affect obfuscates the kind of story readers are actually getting.

Preferences, of course, always lead my to picking up the “second world” fantasy over a contemporary story, so on one hand, I was glad that this book essentially forced my hand into something I wouldn’t typically read. And, overall, I do think it was a fun read. The book is absolutely brimming with new ideas and magical concepts, many of which I thought were very original and intriguing. However, the sheer number of fantastical elements also began to overlap one another in ways that I think began to confuse the issue. I was never quite clear on the history of the sorceresses, or some of the basic details about how their crypts were set up. I think it was meant to read as a combination of something like the tomb raiders of Egyptian burial sites and Arthurian legends. But as I read, I became more and more distracted by some of the details. Just how many of these sorceresses were there? How did they all manage to create these elaborate, curse-riddled hiding places before their deaths? How is there still such a thriving “business” in the raiding of these places? And on top of these questions, there were the curses themselves, the magical items, the potions, the portals. It was just a lot. So, while there was never a lack of ideas, I do think that the story could have used a good polish. A few fewer ideas that were more developed and fleshed out would have been preferred to the overwhelming number of ideas, all of which were very loosely explained.

I did like Tamsin as a character, especially in the first part of the book. I thought her history, her relationship with her brother, and the cobbled together life that she had built for them was interesting and full of nuance. She’s clearly not a perfect character, trying to hold together her small family through sheer force of will, sometimes to the extent that it’s clear she doesn’t fully understand those she loves most. I also really liked the idea that she operated in a magical world that she, being nonmagical herself, couldn’t fully see or experience. Unfortunately, the book chooses to “solve” this problem for her fairly early on, and I thought this was a big turning point to the negative for me. I would have vastly preferred to read a book that held true to that original premise rather than setting up this entire concept only to “magic potion” (quite literally) the entire problem away.

However, I did enjoy the reading experience itself. While I had questions about some of the fantasy elements and was disappointed by the character turn for Tamsin, I thought the pacing and plotting was very solid. It was a fun, fast read, and I think it will appeal to a lot of YA fantasy fans, especially those who like contemporary fantasy. I liked the way the Arthurian elements were woven throughout the book, and I thought for a topic that is very, veeeery well-covered, this book did a good job of standing out from a very crowded room.

Rating 7: Perhaps suffering from a case of a few too many ideas, this book still stands out as a fun, unique contemporary fantasy story that tackles the Arthurian legend in an interesting way.

Reader’s Advisory:

“Silver in the Bone” is on this (and others like it) Goodreads list: YA Releases April 2023.

Serena’s Review: “He Who Breaks the Earth”

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Book: “He Who Breaks the Earth” by Caitlin Sangster

Publishing Info: Margaret K. McElderry Books, April 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Mateo spent years believing he suffered from a strange wasting sickness, but he’s finally learned the much darker truth. Now he will do whatever it takes to save himself, even if it means betraying Lia, the one girl who’s ever made him care about something more than his research.

It doesn’t help that his father kidnapped the last living member of Lia’s family, and though it means Mateo will get to see her again, it’s only because Lia is already hunting them.

Anwei’s rage can’t be contained after the disaster at the tomb that ended with Knox almost dying. Worse, she learned that the brother she’d been desperate to avenge has been living a life of luxury, raised by the monster of her nightmares. With the power of an ancient, nameless god running in her veins, Anwei vows to end the shapeshifter once and for all.

But the members of her crew each have their own motivations—and their own gods whispering in their ears. Anwei has never put much stock in the divine, but as she gets closer to the shapeshifter she’s chased for so long, she realizes that the gods’ plan and her own might diverge. But Anwei has only one goal: revenge, and she’ll destroy anyone standing in her way.

Previously Reviewed: “She Who Rides the Storm”

Review: I always love being able to read books in a series back-to-back. I suspect this inclination is the same as the one that has lead to the preference for binge watching shows for many viewers. I just want to sink into a world and stay there as along as I can. Also, as a SFF reader, many of the stories I consume require a decent amount of brain power and memory to fully understand the world and culture of the story. So there’s a premium to be found in not having to re-learn all of that from book to book when there’s a year plus waiting between stories. All of that to say, I was excited to jump right on to the second and final book in this duology after finishing up the first one.

After the explosive events at the end of the previous book, nothing is as it seemed. Anwei’s entire world has been shaken. Her brother, a beloved sibling whose “death” she has been trying to avenge for much of her life, has instead been alive and well living with her worst enemies. What’s worse, she almost lost Knox in the pursuit of this vengeance. But now her fury cannot be contained, and she vows to hunt down the shapeshifters who have so destroyed her life. For his part, her brother Mateo has had to face some harsh truths about his own existence. Now, both siblings will have to confront just how far they will go in the pursuit of their goals. And who they are willing to sacrifice along the way.

I was in a pretty good place to start this book coming off the last one. While the first book was quite a commitment, page-length-wise, this definitely felt like one of those reads that would benefit from a back-to-back read. For one thing, the pacing and reveals came hot and heavy towards the end of the first book, leaving most of character reeling from one discovery or near miss or another. There was a lot revealed, and I was excited to see how it would all be resolved here in the second book.

One of the things that has stood out from the very beginning of this read was the quality of the writing itself. It is clear that the author has a very clear vision for her characters, both their strengths and flaws. This last part, in particular, is difficult to pull off. How do you write characters who behave badly, who make selfish choices, who risk others in the pursuit of their own goals without alienating readers from those same characters who, ostensibly, are still the “heroes” of the story? But I think Sangster really has a handle on how to do this. As alluded to in the book description, both Anwei and Mateo face choices that will seem them prioritizing themselves and their goals over the ones they care about. However, the characterization is so solid that their decisions, even while questionable and, at times, incredibly poor, make sense within the realm of them both being flawed individuals.

I also still very much like the overall world-building and the use of shape-shifters. Shape shifters are the sorts of paranormal creatures that you rarely see, often falling to the side in favor of the ever popular vampires, werewolves, and ghosts. There were some interesting twists and turns to be found in this aspect of the story, as well. I also really liked the way the gods and their powers/connections with each character were used.

I will say that I some of my positive reception of this book could come down to the fact that I was able to read it immediately after the first one. For readers who have had to wait the full year, there is a lot of wading in that will likely need to be done to refamiliarize yourself with this world and the characters. As such, the pacing can also feel a bit slow and tedious at times. I do wonder, overall, whether this series and Sangster’s writing in general might have better translated to adult fantasy. I think some of the pacing and expansive world-building might have worked better with that audience than with younger readers who like faster moving stories.

Overall, if you enjoyed the first book, I think this is a good conclusion to the duology and will appeal to those fans. In general, readers who are looking for a more “meaty” YA fantasy, this might be a good read for you!

Rating 8: A solid conclusion to a unique YA fantasy duology, though the overall pacing might be slower than younger audiences may appreciate.

Reader’s Advisory:

“He Who Breaks the Earth” can be found on this Goodreads list: YA Novels of 2023.

Book Club Review: “Great or Nothing”

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We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is retellings and re-imaginings.  For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “Great or Nothing” by Joy McCullough, Caroline Tung Richmond, Tess Sharpe, & Jessica Spotswood

Publishing Info: Delacorte, March 2022

Where Did We Get This Book: The library!

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Retelling/Re-imagining: “Little Women”

Book Description: A reimagining of Little Women set in the spring of 1942, when the United States is suddenly embroiled in the second World War, this story, told from each March sister’s point of view, is one of grief, love, and self-discovery.

In the spring of 1942, the United States is reeling from the attack on Pearl Harbor. While the US starts sending troops to the front, the March family of Concord, Massachusetts grieves their own enormous loss: the death of their daughter, Beth.

Under the strain of their grief, Beth’s remaining sisters fracture, each going their own way with Jo nursing her wounds and building planes in Boston, Meg holding down the home front with Marmee, and Amy living a secret life as a Red Cross volunteer in London–the same city where one Mr. Theodore Laurence is stationed as an army pilot.

Each March sister’s point of view is written by a separate author, three in prose and Beth’s in verse, still holding the family together from beyond the grave. Woven together, these threads tell a story of finding one’s way in a world undergoing catastrophic change.

Kate’s Thoughts

I’m someone who has what is probably an average relationship with the book “Little Women”. I read it once a long time ago, I really like the 1994 film with Winona Ryder, and when I was working at a historic Victorian house I was one of the people who would lead a “Little Women” themed Christmas tour. I’m not super wedded to the book like I am “Anne of Green Gables”, but I like it enough. When I saw that Book Club was going to take on a “Little Women” re-imagining that takes place during World War II, it struck me as a perfect time period to revisit this story of sisters growing up during war time and learning hard life lessons while also finding their places in the world. And I was happy to see that I was right.

“Great or Nothing” is written in four different perspectives from four different authors, one for each March sister. The story plunks us midway through the original tale, with Beth already dead and Jo, Meg, and Amy separated and feeling the distance (especially since they all left on a sour note between the three of them). The surviving sisters take on roles that women could have during WWII that perfectly fit each of them. We have Meg at the home front doing fundraising, planting victory gardens, and teaching children. We have Jo working in a plane factory, doing a whole Rosie the Riveter thing. And we have Amy in London volunteering for the Red Cross, and meeting up with Laurie who is fighting in Europe. Beth also has a perspective, with poetry being used because she’s dead, I guess? Regardless, I really felt like all of these settings were perfect for the various sisters, and I mostly liked how all of the sisters felt like their core characters set in a new time. I think that my favorite was Meg’s, as the home front has always fascinated me with war bonds, fund raising, and advocacy, but I did like Jo’s story of working in a factory and finding romance with a lady war reporter named Charlie (as a true Professor Bhaer fan, I loved how they brought this relationship into this story with a queer twist). That said, I did find it a little bit of a bummer that we were at a point in the story where Meg, Jo, and Amy weren’t really interacting with each other, as that is part of the charm of the original story for me. It seemed like an odd choice, but at the same time since it was four different authors writing each sister, I suppose that makes some sense so as not to step on each other’s toes.

“Great or Nothing” is a really well thought out re-imagining of a classic tale, with a nice blending of voices from different authors to give Meg, Jo, Beth, and Amy March interesting stories in the 20th century.

Serena’s Thoughts

I’m probably similar to Kate in my devotion levels to the original “Little Women.” Enjoyed the book, liked the 90s version of the movie well enough, really liked the recent one that was released a few years ago. But, like Kate, I don’t have any strong emotions attached to it, which in many ways makes it the perfect book for a retelling! If you’re not a devoted fan, you won’t get as mad at changes!

Anyways, the first thing that stood out to me was how much I liked the change in time period. There are a million and one WWII books out there, but this story really took a unique angle at exploring all of the very different ways that women contributed to the war front, both at home and abroad. Not only did this give the reader a wide range of angles on this particular time of history, but all of these choices also worked perfectly with the characters themselves. I was also very impressed with how well the different writing styles of all of the authors worked together. Perhaps….too impressed? If I hadn’t know that this was authored by four different people, I’m not sure I would have guessed, and I’m not sure that’s really for the best. Obviously, cohesion on this sort of project is key, but I also think you lose something from the original goal if every author’s voice is paired down to the point that they’re indistinguishable from each other.

As for the story, I thought it did a good job of hitting the major plot points that fans will look for. That said, I didn’t necessarily enjoy many of these chapters. While I liked the look at the types of work that Meg and Jo were doing, their personal arcs I found more frustrating. Honestly, if I had to hear one more time about the big fight they all got into, I think I would have screamed. In this way, I felt like this book really missed the mark on the overall theme of “Little Women.” Yes, the sisters have their quarrels, but the primary heart of the story is built around the deep bonds they all share. So for this book to spend the vast majority of its time with each sister endlessly reflecting on their broken ties…it just felt like a bummer and a let down of the original premise. This being the case, Amy’s story rose to the top for me as the only one that felt as it had any real action or stakes involved. I enjoyed getting to see her and Teddy’s romance play out more in real-time as well, rather than the off-page romance we get in the original.

Overall, I felt like this book was ok. I didn’t love anything it was doing, but I also didn’t hate any of it. I think Meg and Jo both could have been done better by, but I really enjoyed Beth’s poetry sections and Amy’s plot line. Fans of the original looking for a unique take will likely enjoy this, however.

Kate’s Rating 8: A great new setting for a classic tale of sisters growing up and finding themselves, “Great or Nothing” is a successful “Little Women” retelling.

Serena’s Rating 7: An interesting reimaging with an excellent use of shifting the historical setting, but it still somehow feels as if it misses the mark on the heart of the original story.

Book Club Questions

  1. What did you think of the time period in this retelling? Do you think that World War II fit in with the “Little Women” story?
  2. Each of the March sisters was written by a different author. Did you like any sister more than the others?
  3. Did the Beth sections with the poetry work for you as you were reading? Would you have preferred to see another character’s perspective over Beth’s, like Laurie, or Marmee?
  4. Which of the sister’s plots would you like to be in? The homefront? A factory? Acting as a Red Cross volunteer overseas? Something else?
  5. What is your experience with the original “Little Women” story?

Reader’s Advisory

“Great or Nothing” is included on the Goodreads lists “Book Riot 2022 #21: Read a Queer Retelling of a Classic of the Canon, Fairytale, Folklore, or Myth”, and “YA & Middle Grade Retellings of “Little Women””.

Next Book Club Pick: “The Raven and the Reindeer” by T. Kingfisher

Serena’s Review: “She Who Rides the Storm”

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Book: “She Who Rides the Storm” by Caitlin Sangster

Publishing Info: Margaret K. McElderry Books, September 2021

Where Did I Get this Book: Edelweiss+!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Long ago, shapeshifting monsters ruled the Commonwealth using blasphemous magic that fed on the souls of their subjects. Now, hundreds of years later, a new tomb has been uncovered, and despite the legends that disturbing a shapeshifter’s final resting place will wake them once again, the Warlord is determined to dig it up.

But it isn’t just the Warlord who means to brave the traps and pitfalls guarding the crypt.

A healer obsessed with tracking down the man who murdered her twin brother.

A runaway member of the Warlord’s Devoted order, haunted by his sister’s ghost.

A snotty archaeologist bent on finding the cure to his magical wasting disease.

A girl desperate to escape the cloistered life she didn’t choose.

All four are out to steal the same cursed sword rumored to be at the very bottom of the tomb. But of course, some treasures should never see the light of day, and some secrets are best left buried…

Review: Honesty time: this book has been languishing on my Edelweiss+ TBR pile for quite some time. Mostly it’s just because I’ve been intimidated by the length and never felt confident that I really had the time to slot this one in. But then I strayed across the sequel that is coming out next month, and I knew that if there was ever a time to make this one happen, now what that time! So let’s dive in to this beast of a book!

History does and will repeat, even in the most diligent of societies. So it is in the Commonwealth where once terrible shapeshifters plagued the land with their disturbing magic that fed on souls. And now when a tomb of one of the most powerful of these shapeshifters is discovered, one would think it would be wise to leave it alone. But the Warlord is determined to dig up the past, and so an unwise venture begins. However, four others are determined to gain the treasure rumored to be hidden in the tomb for themselves, each with their own motives and means.

So, as I mentioned above, this book is definitely living up to the “epic fantasy” standard, coming in at a whopping 608 pages. Now, this can often go two ways. Either that page count is necessary and utilized to its full extent to create a vivid, complicated, lived-in world. Or…it can be squandered and leave the reader slogging through pages of exposition. I’m please to say that this is definitely the former. It is slow moving, however, and takes its time showing its hand. This isn’t a criticism, per se, but a warning to readers who make like a faster plot. The book simply begins, plopping readers down in the midst of this world and only revealing facts about it as they come up naturally in this story. As we have four characters’ POVs to get through, the reader really has to be ready to sit back and let these details slip through slowly.

I also liked all four of our main characters. They all had distinct-sounding voices and very different ways of looking at the world. I particularly enjoyed when we jumped from one character’s perspective directly to another’s and seeing how they interpreted the same event in completely different ways. They weren’t all likeable all the time either, making each feel like fully developed individuals. That being the case, however, I also felt a bit detached from them all at times, as well as frustrated. As a reader, we are primed to expect certain things and to look for certain narrative cues. That being the case, it’s hard to not want to shout at characters when they make decisions that we, the reader, know are going to end up going badly! But I will say, to this book’s credit, at least these bad choices made sense based on each character’s priorities and approach to life and were generally coming from a place of wanting to do good, as frustrating as it was to read at times.

This book also ends with a bang. For all that it can be a bit of a slower read (and those 600 pages are no joke), it did manage to keep up a pretty steady pace throughout and then ratchet up right at the end. Indeed, there were several twists and turns that came right at the end that I definitely wasn’t expecting. And this is one of those situations where my delay in reading this has paid off as I now get to go straight into the second one. I’d say this book is probably a good choice for those fantasy fans who enjoy large amounts of world-building, but the heist plot itself was definitely more of a back-burner element than the description implied.

Rating 7: A solid fantasy novel that manages to balance its four characters and sprawling world deftly, though it’s long page count and slower plot could prove challenging for some readers.

Reader’s Advisory:

“She Who Rides the Storm” isn’t on any Goodreads lists, but it should be on Archeology in Science Fiction and Fantasy.