Tag: Thriller

Kate’s Review: “The Monstrous Misses Mai”

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Book: “The Monstrous Misses Mai” by Van Hoang

Publishing Info: 47North, April 2024

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A determined young woman in 1950s Los Angeles walks a darker city than she ever imagined in a spellbinding novel about the power to make dreams come true―whatever the sacrifice.

Los Angeles brims with opportunity in 1959―though not for aspiring fashion designer Cordelia Mai Yin, the first-generation child of Vietnamese immigrants, who finds the city unkind to outsiders and as dispirited as her own family. When Cordi rents a cheap loft in an old apartment building, she quickly warms to kindred souls Tessa, Audrey, and Silly. They also want better things and have pasts they’d rather forget. That they all share the same middle name makes their friendship seem like destiny.

As supportive as they are of each other, it’s a struggle just to eke out a living, let alone hope to see their wishes for success come true. Until an ever-present and uncannily charming acquaintance of the landlord’s offers a solution to their problems. He promises to fulfill their every dream. All it takes is a little magic. And a small sacrifice.

As one surprisingly effective spell leads to another, their wishes get bigger. But so does the price they must pay. Amid the damaged seams of her life so far, Cordi must realize her own power in order to rip free, without losing everything she’s worked so hard to achieve.

Review: Thank you to 47North for sending me an ARC of this novel!

I love it when I am surprised by book mail in any form, but love it even more when I am surprised by book mail that I already had my eye on. This happened to me with “The Monstrous Misses Mai” by Van Hoang, as I had seen it on my various social media feeds as well as NetGalley, but hadn’t yet taken the plunge to try and get my hands on it. So when it arrived in my mailbox unprompted, I was pretty excited to see it! Between the cover and the idea of women making a magical bargain that they perhaps won’t be able to cash, the entire concept really intrigued me.

The strongest point of this book was our protagonist Cordi Mai Yin, a young Vietnamese American woman who has found herself on her own and estranged from her strict family in 1959 Los Angeles. She moves into an apartment with three other Asian American women, Tessa, Audrey, and Silly, who all also have the middle name of Mai, which feels like fate. As they all struggle due to their class, race, and gender, they meet a mysterious man who claims he can help them make their wishes come true with magic and a sacrifice. We see the story and trajectory of this decision through Cordi’s eyes, who is so desperate to succeed away from her family and as a fashion designer, and whose meek nature is bolstered through the success after the ritual. I liked Cordi a lot, as I found her complexity believable and sympathetic, and she was explored and fleshed out enough that I was invested in what happened to her as well as totally convinced of her choices and storyline beats. Her anxiety about making it on her own after being so dependent on a less than supportive family, mixed with the constant racism and misogyny she has to face in her day to day life, are also laid out in a convincing and realistic way.

The magical system in this book, known as lura, is a well thought out idea that was vague enough to be flexible but felt unique in enough ways that it didn’t feel run of the mill. I felt like there was a lot of “The Craft” in it, with four powerless women coming together to find their power, only to realize that it may have more consequences than they can actually fathom. While this is probably a solidly dark fantasy story, there are also some pretty nasty body horror elements that come from the lura spells taking their toll, with fingernails falling out, or hair shedding in clumps, or even just some gross transformational stuff that made the story have some definite horror elements. I also quite enjoyed the metaphors at hand with various luraists who have accrued power through indirect means, but still feel entitled to the lavish (if not hard to keep up) lifestyles that they have in front of them, and how that doesn’t necessarily apply to four Asian American women who have societal roadblocks due to racism and misogyny.

Overall, I enjoyed “The Monstrous Misses Mai”! It scratched all my dark fantasy and historical fiction itches, and I will certainly be seeing what Van Hoang brings next!

Rating 8: An engrossing dark fantasy with elements of body horror, “The Monstrous Misses Mai” has a bite, both in mythos and in metaphor.

Reader’s Advisory:

“The Monstrous Misses Mai” isn’t on any Goodreads lists as of now, but it would fit in on “Coven Book Club”.

Kate’s Review: “Murder Road”

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Book: “Murder Road” by Simone St. James

Publishing Info: Berkley, March 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A young couple find themselves haunted by a string of gruesome murders committed along an old deserted road in this terrifying new novel from the New York Times bestselling author of The Book of Cold Cases .

July 1995. April and Eddie have taken a wrong turn. They’re looking for the small resort town where they plan to spend their honeymoon. When they spot what appears to a lone hitchhiker along the deserted road, they stop to help. But not long after the hitchiker gets into their car, they see the blood seeping from her jacket and a truck barreling down Atticus Line after them.

When the hitchhiker dies at the local hospital, April and Eddie find themselves in the crosshairs of the Coldlake Falls police. Unexplained murders have been happening along Atticus Line for years and the cops finally have two witnesses who easily become their only suspects. As April and Eddie start to dig into the history of the town and that horrible stretch of road to clear their names, they soon learn that there is something supernatural at work, something that could not only tear the town and its dark secrets apart, but take April and Eddie down with it all.

Review: Thank you to NetGalley for providing me with an eARC of this book!

I’ve been reading and reviewing thrillers from Simone St. James since this blog was founded eight years ago, and my track record with her has been pretty stellar. I really enjoyed “The Sundown Motel”, “The Book of Cold Cases”, and “The Broken Girls”, and when I saw that she had a new book called “Murder Road” coming out I KNEW that I had to read it. The description was tantalizing, as a married couple stumbling upon murders and urban legends on a stretch of lonely road is SO up my alley, and my expectations were pretty high given my enjoyment of her past stories. So imagine my shock when “Murder Road”, after being so promising, was a bit of a disappointment.

But first the good stuff. Character wise, “Murder Road” had some standouts. The first and most obvious is our protagonist April, who is on the way to her honeymoon with new husband Eddie when they run into trouble in a small Michigan town when a injured hitchhiker they try to help ends up dying, and the local police set their eyes on them as suspects. April and Eddie soon learn that many people have died on that same stretch of road, and take it upon themselves to clear their names and solve the mystery of The Lost Girl, an urban legend of a ghostly hitchhiker who may have malevolent intent. April is telling this story through a first person perspective, and we know from the jump that she is trying to start over and leave a dark and mysterious past behind her. I liked slowly getting to know her and seeing her try to solve this, if only so she and Eddie can try and go back to the anonymity she needs to survive and let go. There were also some people in the town that I greatly enjoyed, whether it’s the no nonsense Rose, who takes April and Eddie in and has a combative and complicated history with the police that are hounding her boarders, or the Snell sisters, two teenage amateur sleuths that are plucky and weird Nancy Drew wannabes.

But I think that what hindered it for me, ultimately, was that the supernatural aspects and the suspense never really took off. I love the premise of a cursed stretch of road that has numerous strange deaths associated with it, and I really love the urban legend of a vengeful ghost picking off hitchhikers that are unlucky enough to spot her. But I feel like we didn’t REALLY get a good expanded deep dive into what was going on with this ghost for a LONG time, and by the time we did it started to feel kind of rushed, with lots of twists and reveals stuffed in and very few of which made me go ‘ah, yes, I can see how we got from point A to point B with these reveals’. I’m being vague because I don’t want to spoil it, but I definitely felt like I needed more explanation as to what was going on, and I needed there to be more build up to the solution to the mystery because when we got there it fell flat. Even incongruous at times. And as I said, it felt rushed at the end, but at the same time there was a good chunk of the story where I felt like it was spinning its wheels a bit. And while St. James is usually really good about holding cards to her vest, one of the big surprises was telegraphed SUPER early, and took the wind out of those sails almost immediately.

I was sad that this newest Simone St. James novel didn’t connect for me. “Murder Road” had a strong main character and some fun supporting ones, but the thrills and chills fell flat.

Rating 5: This was a surprising miss from an author I usually really enjoy.

Reader’s Advisory:

“Murder Road” is included in the Goodreads article “Reader’s Most Anticipated Mysteries & Thrillers 2024”.

Kate’s Review: “Blood Sisters”

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Book: “Blood Sisters” by Vanessa Lillie

Publishing Info: Berkley, September 2023

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A visceral and compelling mystery about a Cherokee archeologist for the Bureau of Indian Affairs who is summoned to rural Oklahoma to investigate the disappearance of two women…one of them her sister.

There are secrets in the land.

As an archeologist for the Bureau of Indian Affairs, Syd Walker spends her days in Rhode Island trying to protect the land’s indigenous past, even as she’s escaping her own.

While Syd is dedicated to her job, she’s haunted by a night of violence she barely escaped in her Oklahoma hometown fifteen years ago. Though she swore she’d never go back, the past comes calling.

When a skull is found near the crime scene of her youth, just as her sister, Emma Lou, vanishes, Syd knows she must return home. She refuses to let her sister’s disappearance, or the remains, go ignored—as so often happens in cases of missing Native women.

But not everyone is glad to have Syd home, and she can feel the crosshairs on her back. Still, the deeper Syd digs, the more she uncovers about a string of missing indigenous women cases going back decades. To save her sister, she must expose a darkness in the town that no one wants to face—not even Syd.

The truth will be unearthed.

Review: During the holiday season, I took a Saturday where I spent the whole day doing shopping for my loved ones, and while I was wandering around Target trying to find gifts that would stand out as winners, I saw the book “Blood Sisters” by Vanessa Lillie. While I was supposed to be finding gifts for others, I bought it for myself, which I acknowledge is ironic but what are you gonna do? It took me a bit to get to it (as that tends to go with books I own), but I did eventually get to it at the start of the month, not sure what to expect. This was definitely one of those roll of the dice reads, but it was a gamble that mostly paid off!

I really loved the mystery of this book. It was part procedural, part social commentary, part family drama, part self discovery, and Lillie mixed it all together and balanced all of the elements pretty handily. There is a fairly straight forward hook for our investigator Syd Walker, a BIA archaeologist who has left her hometown in Oklahoma for the East Coast, but is called back when a skull is found in her hometown and she is recruited to go investigate. But when she does return home, a place where she herself was almost murdered along with her sister Emma Lou, she not only has to face the trauma she left behind, but also the fact that Emma Lou is now missing. This would already be enough to go with, but Lillie adds in the past violence, in which Syd has blamed herself for her friend Luna’s death, who was also at the sleepover in which Syd and Emma Lou were nearly killed, as well as the very true and bleak truths about small town poverty, systemic oppression of Indigenous people and how that is seen in communities, missing and murdered Native women, meth, and the beginnings of legalized drug abuse in the form of pill mills and the opioid epidemic, as Oxy is being prescribed quite a bit in Picher (as this takes place in 2008). It’s a lot, but Lillie strings it all together and connects the dots pretty well, setting up motives, red herrings, suspects, and an undercurrent of violence while people are trying to survive. There were lots of surprises that caught me off guard, and it really kept my interest.

I also liked how complicated Syd’s background was due to the aforementioned trauma, as well as other factors of growing up in Picher and the difficulties that came from that. Syd is a serious and driven investigator, who is more than happy to call out the bullshit of people, but is also hindered by her own single mindedness in some ways. She is also plagued by her own insecurities, and it comes through in her relationship with her wife Mal, who is newly pregnant right as Syd has to go back home. I tend to have a hit or miss reading experience with female protagonists who have a tortured background that has continued to affect them and affects their storyline in a book I’m reading, especially thrillers, but I thought that Syd was compelling and earned her complexity and the bad decisions that come out because of it.

There is a bit of a flip side with the character of Syd, however. While I liked her background, and I liked how complex she was due to her trauma and disconnection with her family and identity, I found the first person voice to be pretty simplistic. At times it read more like a YA protagonist with how she would always be explaining exposition or spelling out implications that could have stood on their own for the reader. This doesn’t necessarily apply to the details that were about Indigenous culture and history, as there are many, many people in this world who are completely unfamiliar with those themes (as someone who used to do interpretation of the history of the Dakota in Minnesota at Fort Snelling, I can assure you MANY people don’t know or don’t care to know this stuff), so spelling it out in simpler or blunt terms is warranted. But other things, like Syd’s anxieties about parenthood, or frustrations with Emma Lou and her assumptions about that, or even just thoughts about what is going on mystery wise, didn’t read like a seasoned BIA archaeologist/investigator, but like a total greenhorn. It made for more telling rather than showing, and I much prefer the latter, especially in mysteries.

“Blood Sisters” was a solid thriller mystery. If Vanessa Lillie were to continue the adventures of Syd Walker, I would definitely keep going. At the very least I will pick up Lillie’s next novel to be sure.

Rating 7: A really well done mystery and an interesting perspective and main character is hampered a bit by a narration that does a lot of telling and not as much showing.

Reader’s Advisory:

“Blood Sisters” is included on the Goodreads list “52 Book Club 2024: #46 Featuring Indigenous Culture”.

Kate’s Review: “Almost Surely Dead”


This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Almost Surely Dead” by Amina Akhtar

Publishing Info: Mindy’s Book Studio, February 2024

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A psychological thriller with a twist, Almost Surely Dead is a chilling account of how one woman’s life spins out of control after a terrifying—and seemingly random—attempt on her life.

Dunia Ahmed lives an ordinary life—or she definitely used to. Now she’s the subject of a true crime podcast. She’s been missing for over a year, and no one knows if she’s dead or alive. But her story has listeners obsessed, and people everywhere are sporting merch that demands “Find Dunia!” In the days before her disappearance, Dunia is a successful pharmacist living in New York. The daughter of Pakistani immigrants, she’s coping with a broken engagement and the death of her mother. But then something happens that really shakes up her someone tries to murder her. When her would-be killer winds up dead, Dunia figures the worst is over. But then there’s another attempt on her life…and another. And police suspect someone close to her may be the culprit. Dunia struggles to make sense of what’s happening. And as childhood superstitions seep into her reality, she becomes convinced that someone—or some thing —is truly after her.

Review: I was such a fan of Amina Akhtar’s “Kismet” when it came out, and I knew that I was going to be waiting on pins and needles for her next thriller novel to make its way to my book pile. And the time has finally arrived, as “Almost Surely Dead” has finally been released! I preordered this book for my Kindle, as between my love for her previous book, the description, and the cover, it was a hugely anticipated release for 2024 for me. And much like “Kismet” before it, once I sat down with it, I basically devoured it in about two sittings.

As a thriller mystery, Akhtar has a lot of the twists, turns, and slow build of suspense that I like to see in the genre. When we first meet Dunia, she is being attacked in the subway by a man she has only seen in passing, and when his attack fails, he throws himself in front of a train, saying that he ‘had to’. This kicks off a strange and unnerving mystery about who wants Dunia dead, and what lengths they will go to to make it happen, with a narrative told from her perspective as she grows more and more paranoid, as well as a podcast transcript that fills in the gaps that she can’t see after she has gone missing. We also get flashbacks to her childhood, and see her family life that consists of her cold mother, her caring (but not long for this world) father, and hot and cold older sister Nadia, as well as an overall fear that she was being haunted by something as a child. Through all of these perspectives, we see a woman who has endured a lot of trauma in her life, and whose recent victimization and subsequent disappearance has a lot of reveals that worked well for me. Some things were a but more obvious than others, but then there would be a huge twist that did, in fact, catch me off guard, and made for a gripping read that I could hardly put down.

And I really, really liked the dark fantasy and horror beats that are whispering throughout this novel. Akhtar does a good job of weaving in the jinn myth and showing how sinister this creature can be, and the ways that it can mess with a person’s perception of reality while pulling them into a devious web. I liked the ambiguity of some of this, while also knowing that SOMETHING supernatural is going on, and that Dunia’s childhood interest in jinns may have had something bigger going on besides just a general fascination. While it’s clear from the jump there there is SOMETHING supernatural going on, Akhtar still manages to effectively blur the lines between otherworldly and all too worldly threats (obsessive exes, toxic parental relationships, trauma), which makes for a suspenseful tale that kept me guessing. I also liked how it was so tied to Dunia’s culture, and how the thing that she may be experiencing isn’t going to be wholly comprehended properly through a Western lens without the cultural context.

I did have one small quibble that I wanted to note, however. I mentioned the podcast transcript device earlier, and I overall enjoyed that choice and how it made it so we could see other sides of the mystery that Dunia herself couldn’t see or portray in a first person perspective. I also just love ‘found media’ and epistolary tropes. But the one thing that took me out of it a bit was how two dimensional the two podcast hosts, Amanda and Danielle were, and how they really just felt like personifications of the criticisms of ‘true crime appeal’ as a whole. Whether they are simpering over the mystery in a disingenuous way, or hawking products in a gauche manner, or being clueless and distasteful in how they present the case (or in how they have taken it on as a podcast), it felt a BIT like a not at all subtle ‘true crime is gross’ take that has been done a LOT in the past few years when it comes to using true crime as a plot point. And don’t get me wrong, I don’t necessarily fully disagree with this take (and this is coming from someone who listens to true crime podcasts), and do think that some platforms DO tread a bit into a distasteful and exploitative area. But as a take it’s not really a new one, and in this case it was ham-fisted and more about statement versus driving the plot forward. If it had been less obvious about it I’d probably have enjoyed it more.

But that’s merely a drop in a sea of a really fun and entertaining thriller! “Almost Surely Dead” was a breezy and suspenseful read, with dark fantasy and horror elements that meshed well with the story. Another win from Amina Akhtar!

Rating 8: A fast paced and suspenseful thriller tale with solid horror elements, “Almost Surely Dead” is another fun and gripping read from Amina Akhtar!

Reader’s Advisory:

“Almost Surely Dead” is included on the Goodreads list “2024 Mystery Thrillers Crime To Be Excited For”.

Kate’s Review: “The Night of the Storm”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Night of the Storm” by Nishita Parekh

Publishing Info: Dutton, January 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Hurricane Harvey is about to hit Houston. Meanwhile, single mom Jia Shah is already having a rough week: her twelve-year-old son, Ishaan, has just been suspended from school for getting in a fight. Still reeling from the fallout of her divorce—their move to Houston, her family’s disapproval, the struggle to make ends meet on her own—now Jia is worried about Ishaan’s future, too. Will her solo parenting be enough? Doesn’t a boy need a father?

And now their apartment complex is under a mandatory evacuation order. Jia’s sister, Seema, has invited them to hunker down in her fancy house in Sugar Land, and despite Jia’s misgivings—Seema’s husband, Vipul, has been just a little too friendly with her lately—Jia concedes it’s probably the best place to keep Ishaan safe during the hurricane. With Jia’s philandering ex scrutinizing her every move, all too eager to snatch back custody of Ishaan, she can’t afford to make a mistake.

When Vipul’s brother and his wife show up on Seema’s doorstep, too, it’s a recipe for disaster. Grandma, the family matriarch, has never been shy about playing favorites among her sons and their wives. As the storm escalates, tensions rise quickly, and soon someone’s dead. Was it a horrible accident or is there a murderer in their midst?

With no help available until the floodwaters recede in the morning, Jia must protect her son and identify the culprit before she goes down for a crime she didn’t commit—or becomes the next victim. . . .

Review: Thank you to NetGalley for sending me an eARC of this novel!

Even though Minnesota has some pretty brutal cold and snow events in the dead of winter, I know that I would prefer this over hurricanes. I know people who have been in pretty intense situations surrounding hurricanes, and have even had relatives flee up to Minnesota to escape danger during particularly bad ones. But I do love the idea of a hurricane being a situational factor in a murder mystery, so when I read the description of “The Night of the Storm” by Nishita Parekh, I knew that I had to read it. I went in with high hopes, wondering how a combustible family and extended family unit would fare coming face to face with a potential murderer during Hurricane Harvey, and while I chugged along through it, it didn’t quite meet said high hopes.

But first the good! One of the most important things about a thriller, for me, is if it keeps me reading and keeps me questioning what is going on, especially if it has some outside the box elements. “The Night of the Storm” is a locked room mystery, but the locked room aspect is the fact that this family is trapped in a house during Hurricane Harvey, and they can’t leave due to the dangers and can’t contact anyone very well due to the power issues and the general chaos during a natural disaster. If you find a creative way to isolate people in a story like this, I am automatically going to have to give it some props. I also liked that in this thriller, a genre that can be pretty white, we have an Asian Indian American family at the heart of it, and how some aspects of the culture Jia and Seema were raised in brings other conflicts that could potentially exacerbate the dangers in the moment (Jia’s divorced status making her seen as less than or unreliable by family, the tension between a judgmental mother in law and her daughter in law, the narrow definitions of what success can look like for sons). It makes for a bit of a fun family drama on top of the very pressing ‘trapped in a hurricane with a murderer’ situation.

That said, I think that a way that this book stumbles is that outside of Jia the other characters weren’t as fleshed out as I would have liked them to be. I like that we got insight into their back stories through Jia’s perspectives, but I would have liked to see more depth to a few of them. As it was, I wasn’t as invested in them as characters, and that makes the stakes not as high as I would like them to be in a thriller. I really liked Jia, and I was worried about her and her son Ishaan (and even on an existential level, as she is in the midst of a divorce from a toxic husband whom she thinks wants to take Ishaan away from her), but as more danger cropped up for everyone I wasn’t super nervous about the outcomes of the actual mystery and more about whether or not Jia would maintain custody of her son after all was said and done. Add into that a thrill ride that doesn’t tread too far from what is usually expected from the genre and familiar tropes that aren’t too unexpected, and it’s solidly okay, but not something that blew me away too much.

“The Night of the Storm” is fine. I am curious to read more thrillers by Nishita Perekh in the future. There is lots of promise that she can wow me down the line from glimmers in this book, even if as a whole it was average.

Rating 6: It’s a perfectly serviceable thriller, but pretty familiar tropes and pretty flat characters make for a generic read.

Reader’s Advisory:

“The Night of the Storm” is included on Goodreads list “2024 Mystery Thrillers Crime To Be Excited For”.

Kate’s Review: “Hanging the Devil”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Hanging the Devil” by Tim Maleeny

Publishing Info: Poisoned Pen Press, November 2023

Where Did I Get This Book: I received a finished copy from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: It was supposed to be a simple steal the paintings, leave the forgeries… When a helicopter crashes through the skylight of the Asian Art Museum, an audacious heist turns into a tragedy. The only witness to the crash is eleven-year-old Grace, who watches in horror as her uncle is killed and a priceless statue stolen by two men and a―ghost? At least that’s how the eerie, smoke-like figure with parchment skin and floating hair appears to Grace. Scared almost to death, she flees into the night and seeks refuge in the back alleys of San Francisco’s Chinatown. Grace is found by Sally Mei, self-appointed guardian of Chinatown. While Sally trains Grace in basic survival skills, her erstwhile partner Cape Weathers, private detective and public nuisance, searches for the mysterious crew behind the robbery before they strike the museum a second time. As the clock winds down, Cape enlists aid from some unlikely allies to lay a trap for a ghost who has no intention of being caught―nor of leaving any witnesses alive to tell the tale.

Review: Thank you to Poisoned Pen Press and Wunderkind PR for sending me a print copy of this novel!

While I tend to branch out quite a bit in the horror genre into many a sub genre, when it comes to Thrillers I really tend to stick to a couple, rarely deviating. I love psychological thrillers, procedurals, and historical thrillers (and both of those sub genres have many branches), but rarely do I stray out from those. But sometimes I like to take a chance, and when I was approached with “Hanging the Devil” by Tim Maleeny, an action thriller with a heist theme at its center, I decided to give it a go. I like trying new things, and since it’s a new year I thought that it could be a good time to work on that, reading wise. It’s always a risk, and it wasn’t one that completely paid off in this case.

But first the good, and that probably applies to a LOT of people who could be a potential audience for it. The heist storyline, the international intrigue, and the cast of characters is the perfect combination for one of those 2000s and 2010s USA shows like “Burn Notice”, “Psych”, and “Monk”. Whether it’s sarcastic PI Cape Weathers or badass fighter Sally or precocious Grace, the characters are fun and fizzy and have the exact kind of jaunty chemistry that makes for a jovial cast. The action is very visual in the descriptions, and I had no problem visualizing it as I was reading it, from foot chases to fights to the helicopter crash from the jump. I also enjoyed the discussion of the ethics of art and museums and how collections came to be, and who has the rights to have the pieces and whether these pieces should be returned to their countries of origin. Repatriation of art has been a more discussed topic in recent years, and as someone who used to work in museums (one of which did have some discussion about repatriation regarding parts of its collection) it’s always gratifying to see themes like these discussed in places that I don’t expect it as much. It’s also important to note that this is the fifth book in an ongoing series, but Maleeny does a good enough job with the characters and the need to know information that I didn’t feel terribly lost even without the context of four prior outings with plot and character development.

But I think that at the end of the day, “Hanging the Devil” was a mismatched reading choice for me because I still just can’t quite get on board with heist stories. It’s a thriller sub genre that does very little for me, and while the focus was on the people who were trying to solve who was behind the heist and not the heist itself, it still felt within that kind of tale, and that, overall, doesn’t connect with me. I’m always trying to retry sub genres or story types that don’t suit me just in case something clicks, and enough about “Hanging the Devil” clicked that I found it entertaining (again, the similarities to the aforementioned TV shows really helped because I loved those kinds of shows back in the day). I think that fans of action packed thrillers dealing with underworld mayhem and daring do would probably like this book (and the rest of the series), so while it didn’t hit every mark I had hoped it would, it will probably hit them for fans of the sub genre and its conventions.

“Hanging the Devil” is entertaining and fast paced, an action thriller with humor and heart. If you consider yourself a fan of heist stories and the dramedies of the USA Network, it could be a fun read this winter!

Rating 6: It’s an entertaining romp that would work SUPER well on the screen, but overall the sub genre isn’t really the kind of thriller I connect with.

Reader’s Advisory:

“Hanging the Devil” isn’t included on any Goodreads lists as of yet, but it would fit in on “Thievery Tales”.

Kate’s Review: “The Nigerwife”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Nigerwife” by Vanessa Walters

Publishing Info: Atria Books, May 2023

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: This twisty and electrifying debut novel about a young woman who goes missing in Lagos, Nigeria, and her estranged auntie who will stop at nothing to find the truth is perfect for fans of My Sister, the Serial Killer and The Last Thing He Told Me.

Nicole Oruwari has the perfect life: a handsome husband, a palatial house in the heart of glittering Lagos, Nigeria, and a glamorous group of friends. She left gloomy London and a dark family past behind for sunny, moneyed Lagos, becoming part of the Nigerwives—a community of foreign women married to wealthy Nigerian men.

But when Nicole disappears without a trace after a boat trip, the cracks in her so-called perfect life start to show. As the investigation turns up nothing but dead ends, her Auntie Claudine decides to take matters into her own hands. Armed with only a cell phone and a plane ticket to Nigeria, she digs into her niece’s life and uncovers a hidden side filled with dark secrets, isolation, and even violence. But the more she discovers about her niece, the more Claudine’s own buried history threatens to come to light.

An inventively told and keenly observant thriller where nothing is as it seems, The Nigerwife is a razor-sharp look at the bonds of family, the echoing consequences of secrets, and whether we can ever truly outrun our past.

Review: “The Nigerwife” by Jessica Walters is a thriller that had been on my list for awhile, but the wait at the library was long. Then when it finally did come in, my stack was so high that I had to send it back and re-request it as there was no way I could get to it. But once it did come back, I was pretty eager to check it out, as the cover and the description definitely made it sound like my kind of thriller, as well as one that had a setting I am not as familiar with. And overall, it was a pretty good reading experience.

There are a lot of things that I really enjoyed about this book. The narrative structure is one of those things, as we follow two perspectives, in two different moments in time. The first of the perspectives is that of Claudine, an English woman who has come to Lagos to search for her missing niece Nicole, who married into a wealthy Nigerian family and seemed to have it all. The other is of Rachel, in the weeks leading up to her disappearance, and seeing what her life was ACTUALLY like behind the veneer of perfection and wealth. Through both of these women we see the social structures, both of England AND Nigeria, and how they, in their own ways, keep women under the thumbs of violent patriarchy and misogyny. The mystery of what happened to Nicole slowly unfolds in her timeline, with a building suspense and dread as she finds herself more and more trapped due to her complicated marriage and some of the choices she makes when trying to push back against it, while in Claudine’s timeline we see just how precarious Nicole’s situation was from the outside. I liked seeing the perspectives of them both and how they had different clues to give the reader.

But unfortunately, after a really interesting dual perspective mystery with slowly peeled back layers and a nice bit of ambiguity along with closure, we had one of those ever-loathed moments where a last final reveal completely derailed my experience of reading this book. I’m not going to spoil anything here, but it’s one of those things that maybe works for some people, but REALLY didn’t work for me, as I didn’t understand what the point of it was. Why did this need to be tacked on in the last two pages? And it also left little explanation as to how we got from point A to point B, and since it was a literal ‘last pages’ twist there was no room to explore and expand upon it. I really hate it when stories do this unless you have REALLY set something up and earned this kind of narrative choice. Unfortunately I didn’t feel like “The Nigerwife did that.

So once again we get a thriller that goes off course due to a strange last moment choice, but up until then I really enjoyed the layers and ruminations of “The Nigerwife”. I will definitely be seeing what other mysteries and thrillers Vanessa Walters brings us in the future.

Rating 7: A complex and layered thriller that has a lot of interesting beats and details, though a strange and abrupt ending left a weird taste in my mouth.

Reader’s Advisory:

“The Nigerwife” is included on the Goodreads list “Good Morning America Book Club List”.

Kate’s Review: “Their Vicious Games”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Their Vicious Games” by Joelle Wellington

Publishing Info: Simon & Schuster Books for Young Adults, July 2023

Where Did I Get This Book: I received an ARC from the publisher at ALAAC2023.

Where You Can Get This Book: WorldCat.org | Amazon| Indiebound

Book Description: A Black teen desperate to regain her Ivy League acceptance enters an elite competition only to discover the stakes aren’t just high, they’re deadly, in this searing thriller that’s Ace of Spades meets Squid Game with a sprinkling of The Bachelor.

You must work twice as hard to get half as much. Adina Walker has known this the entire time she’s been on scholarship at the prestigious Edgewater Academy—a school for the rich (and mostly white) upper class of New England. It’s why she works so hard to be perfect and above reproach, no matter what she must force beneath the surface. Even one slip can cost you everything.

And it does. One fight, one moment of lost control, leaves Adina blacklisted from her top choice Ivy League college and any other. Her only chance to regain the future she’s sacrificed everything for is the Finish, a high-stakes contest sponsored by Edgewater’s founding family in which twelve young, ambitious women with exceptional promise are selected to compete in three mysterious events: the Ride, the Raid, and the Royale. The winner will be granted entry into the fold of the Remington family, whose wealth and power can open any door.

But when she arrives at the Finish, Adina quickly gets the feeling that something isn’t quite right with both the Remingtons and her competition, and soon it becomes clear that this larger-than-life prize can only come at an even greater cost. Because the Finish’s stakes aren’t just make or break… they’re life and death. Adina knows the deck is stacked against her—it always has been—so maybe the only way to survive their vicious games is for her to change the rules.

Review: Thank you to Simon & Schuster for Young Readers for providing me with an ARC at ALAAC23!

One of the most stressful aspects of my old job as an interpreter at a Gilded Age/Victorian Era historic house was when a coworker and I would have to run the Finishing School Summer Camp for a week. Picture it: Me and my coworker, decked in Victorian garb, leading about a dozen young girls on a history based summer camp where they would learn about Finishing Schools of the era and all the culture, etiquette, art, and history that came with it. I would lead various activities, involving tea parties, dress up, and putting together a LITERAL CONCERT involving dancing, singing and poetry, all to be performed at the end of the week, and when it was all over I would surely pass out at 8pm on Friday night and sleep for about twelve hours. Finishing School was high stakes for me, it was high stakes for the women back in the day, but it could NOT compare to the Finishing School-esque competition of Joelle Wellington’s thriller “Their Vicious Games”, in which a number of ambitious young women are plucked to participate in a wealthy family run competition that will place them into a prestigious societal position…. Except on the years when it’s a death match for the hand of the heir apparent. Does this sound like a fun book? Because IT IS.

But really, the premise of this is super fun and it definitely made for an entertaining read. While I haven’t watched any of “The Bachelor”, I am familiar enough with its ins and outs due to pop culture osmosis to just love a bit of a satirical death match dating competition (with some sprinkles of “Ready Or Not” as toxic wealthy family dynamics play into it as well). We follow Adina, a recent high school graduate whose future plans were shattered when a fight between her and a classmate went viral, and she lost her scholarship and acceptance to Yale. It’s already difficult for Adina, as she is one of the only Black students in her graduating class and has to deal with classism and racism alike. So when she is selected to participate in The Finish, a competition for college age teenage girls run by the school’s founding family the Remingtons, she thinks that perhaps winning will get her life back on track… Except, as mentioned above, the Finish this year isn’t the Finishing School set up she expects. I liked the set up of the Finish, as Adina has to maneuver through a cut throat competition based on background, privilege, and entitlement, as not only an outsider, but also as someone with perhaps even more to lose than the other competitors at first glance (you know, until it’s clear that most of these teenage girls are going to die). Seeing her go through this competition and learning how to function with strategy, manipulation, and cunning is definitely a story that has high stakes, and I liked the action sequences and the altercations as the contestants try and do ANYTHING to win Pierce Remington the Fourth’s hand, and to win their life. I also liked the soapy moments between Adina and the contestants (especially between her and Esme, the girl who she fought with initially, and Pen, Pierce’s high school girlfriend who is a surprise competitor), as well as Adina and Pierce Remington as she tries to gain his favor as protection, as well as the relationship between Adina and Pierce’s older brother Graham, the black sheep who is training her for the fight of her life behind closed doors. It’s a fast read as the action and conflict keeps it going at a clipped pace.

That said, it isn’t really anything new when it comes to the satire of the evils of the Haves and their exploitation of the Have Nots. This kind of satire of a privileged and uber wealthy family bringing harm to those below them is seen a lot lately, for pretty understandable reasons, but while it’s understandable and evergreen, I also want there to be something more to it to make it stand out against other tales that have come before it. I also think that we could have used a bit more background and context for The Finish and the Remington Family as a whole, as some of them came off as more cardboard cut out villains who could have benefited from a little more exploration. But I did like the metaphors of women tearing down other women as they try to get the spoils of patriarchy, even more so when white women target Black women within these systems, however, so that did give it a bit of an original edge in spite of well worn territory in other ways.

“Their Vicious Games” is fun and engaging, a young adult thriller that kept me interested and had some wicked fun moments of drama and gore, as well as social commentary that will connect with its readers. If you have some travel coming up with the holidays and anticipate down time, this will be a fun popcorn-y read.

Rating 7: An entertaining young adult thriller that feels like a blend of “Ready Or Not”, “The Bachelor”, and “Squid Game”, though it doesn’t really break new ground to stand on its own.

Reader’s Advisory:

“Their Vicious Games” is included on the Goodreads lists “YA Thriller Games”, and “2023 Dark Academia Releases”.

Kate’s Review: “The Professor”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Professor” by Lauren Nossett

Publishing Info: Flatiron Books, November 2023

Where Did I Get This Book: I received an eARC from the publisher via NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: On a spring afternoon in Athens, Georgia, Ethan Haddock is discovered in his apartment, dead, apparently by his own hand. His fatality immediately garners media not because his death reflects the troubling increase of depression and mental health issues among college students, but because the media has caught the whiff of a scandal. His professor, Dr. Verena Sobek, has been taken in for questioning, and there are rumors his death is the result of a bad romance. A Title IX investigation is opened, the professor is suspended, and social media crusaders and trolls alike are out for blood.

Marlitt Kaplan never investigated love affairs. A former detective turned research assistant, she misses the excitement of her old job, but most of all the friendship of her partner, Teddy. When her mother, a professor at the university and colleague of the accused professor, asks for her help, she finds herself in the impossible position of proving something didn’t happen. Without the credentials to interview suspects or access phone records, she will have to get closer to a victim’s life than ever before. And she quickly finds herself in his apartment, having dinner with his roommates, even sleeping in his bed. But is she too close to see the truth?

In her relentless pursuit to uncover the mystery behind Ethan’s death, Marlitt will be forced to confront the power structures ingrained in the classroom against the backdrop of a historic campus and an institution that sometimes fails its most vulnerable members.

Review: Thank you to Flatiron Books for sending me an eARC of this novel via NetGalley!

Now that we are out of October I’m trying to catch up on my other genres outside of horror. I feel like even outside of Horrorpalooza I’ve been neglecting my thriller tastes, and am actively trying to turn that around. So after “The Intern”, we now turn to another thriller with a professional label in the title: “The Professor” by Lauren Nossett. I do love a juicy scandalous read, and on paper it seemed like this book would deliver on that. Disgraced former detective? An academic scandal? A potential affair? Well all of that sounds pretty sudsy to me! But “The Professor” didn’t really go in that direction. Which was mostly a good thing.

As a thriller, “The Professor” checks a lot of boxes I’ve come to expect and it generally does them pretty well. As our protagonist Marlitt investigates a potential affair in the aftermath of a college student’s suicide, we learn about her disgraced departure as a detective and how she feels a need to prove herself as well as feels a need to do a favor for her mother, who is a colleague of a professor who is under investigation in the aftermath of the student’s death. As she tries to learn more about Verena, the professor who is surrounded by rumors, and tries to learn about Ethan, the student who ended up dead, she treads closer and closer to obsession. Marlitt has a lot of the features of a damaged female protagonist of the genre, but I liked that we don’t dwell on it too much within the narrative, nor did we get a lot of repetitive moments of how she’s damaged and why she’s damaged and OH LOOK HOW DAMAGED SHE IS. Her actions can be reckless, but they speak for themselves and never feel overwrought. I also found myself surprised by a number of reveals within the mystery of what happened to Ethan, be it from Marlitt’s investigation or the perspective chapters we would get from both Ethan and Verena in flashback form. Nossett lays out the clues and knows when to reveal them or piece them together. I will say, however, that sometimes the pace was a little slow and the story could drag, getting bogged down in these different investigations. But that said, things do speed up the closer we get to the big climax.

But the theme that really resonated with me in this book is how we slowly get to see just what was going on with Verena, and how due to who she was and the prejudices that come with that made her the perfect target for gossip and hostility in the wake of her student’s death. Through flashbacks we get to know Verena as a new German professor, and how her heritage of being Turkish and German and as an immigrant to America Other her not only with her students, but also with the public when rumors start to swirl. Marlitt’s investigation is being done at her mother’s behest, and as she learns more and as we learn more about Verena through her own experiences and flashbacks one starts to wonder if the hostility towards her is possibly due to misogyny and xenophobia and the way that academia hasn’t quite reckoned with the ways that it enforces these things. It’s an interesting angle that I don’t always expect from thrillers of this nature, and I found that refreshing.

“The Professor” is a solid thriller that goes outside the box in unexpected ways. It’s a bit slow at times, but I did think that the payoff was ultimately worth it.

Rating 7: Some pretty good reveals, a complicated protagonist, and a look at the toxicity thrown due to rumors and prejudices make for an enjoyable thriller (albeit at times a slow one).

Reader’s Advisory:

“The Professor” is included on the Goodreads list “2023 Dark Academia Releases”.

Kate’s Review: “Midnight Is The Darkest Hour”


This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Midnight is the Darkest Hour” by Ashley Winstead

Publishing Info: Sourcebooks, October 2023

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: From the critically acclaimed author of In My Dreams I Hold A Knife and The Last Housewife comes a gothic Southern thriller about a killer haunting a small Louisiana town, where two outcasts—the preacher’s daughter and the boy from the wrong side of the tracks—hold the key to uncovering the truth.

For fans of Verity and A Flicker in the Dark, this is a twisted tale of murder, obsessive love, and the beastly urges that lie dormant within us all…even the God-fearing folk of Bottom Springs, Louisiana. In her small hometown, librarian Ruth Cornier has always felt like an outsider, even as her beloved father rains fire-and-brimstone warnings from the pulpit at Holy Fire Baptist.

Unfortunately for Ruth, the only things the townspeople fear more than the God and the Devil are the myths that haunt the area, like the story of the Low Man, a vampiric figure said to steal into sinners’ bedrooms and kill them on moonless nights. When a skull is found deep in the swamp next to mysterious carved symbols, Bottom Springs is thrown into uproar—and Ruth realizes only she and Everett, an old friend with a dark past, have the power to comb the town’s secret underbelly in search of true evil.

A dark and powerful novel like fans have come to expect from Ashley Winstead, Midnight is the Darkest Hour is an examination of the ways we’ve come to expect love, religion, and stories to save us, the lengths we have to go to in order to take back power, and the monstrous work of being a girl in this world.

Review: Thank you to Sourcebooks for sending me an ARC of this novel!

Halloween is over but there is still a bit of Autumn left before things go full Winter over here (I mean, kind of…. it’s been VERY cold here, lately, so it feels more like Winter), and that means I’m still reveling in stories that just feel like the season. When “Midnight is the Darkest Hour” by Ashley Winstead ended up in my mailbox, the description made me think of dark nights and leaves and autumnal creepiness. It also caught my attention when the description made comparisons to “Thelma and Louise” and “Twilight”, because THAT is a combination that hadn’t crossed my mind before. So with my interest piqued and the seasonal aesthetic being perfect, I jumped in with high expectations, and I’m happy to say that they were pretty well met!

I was never on the “Twilight” train but I’m tickled that we are now at the place where it’s being referenced as a cultural touchstone in an adult thriller. (source)

With the “Twilight” references, not only in the description but also in the book itself, I went into “Midnight is the Darkest Hour” with certain expectations about how the story was going to go, but Winstead kept me on my toes and subverted them in many ways. I think that the biggest surprise for me was how much I really loved the relationship between our protagonist Ruth and her best friend Everett, and how that relationship defined not only themselves, but also in a way how the community saw them. While our story is from Ruth’s perspective, told through what’s happening in the present and also what happened in the past, I felt like I not only got a good sense of who she was, I also got a good sense of who Everett was, and how complicated they both are due to their various traumas and experiences of growing up in a hyper-zealous small town that sees them as threats (though their various social standings, her being the powerful preacher’s daughter and him being the son of a notorious criminal, makes the town approach them in very different ways). I really enjoyed how Winstead, instead of merely making them star crossed lovers, made Ruth and Everett have a connection that started as trauma bonding in a way as they try to hide a terrible secret, and then turns into a relationship that transcends both romantic and platonic into something that just feels correct. You know that a bond between characters really gets me in the feels when I don’t even need them to be together romantically, I just need them to be together in whatever way is going to work for them, relationship definitions be damned (Buffy and Spike are another of these, looping back to more vampire lore). True, there are some shades of “Twilight” here, whether it’s parallels or straight up references, but they are done in a way that I really liked even if I have no nostalgia for that story.

And as for the mystery, Winstead creates a sense of place and a slow burn urgency in Bottom Springs that puts both Ruth and Everett in danger and makes the stakes high from the jump. What starts as a skull found in the swamp, and an introduction to two characters who may know how it got there, soon turns into a mystery involving small town secrets, religious zealotry that infects and rots a community, corruption, and the superstitions of an urban legend known as the Low Man, and how they all tie together. Winstead throws a out there, but it never feels overwhelming or that she loses control over all of the threads that go into making a dark and eerie tapestry. She reveals pertinent details when she wants to and keeps the secrets close, and while I figured out some things, it was rarely too much earlier than she was intending. And I am always going to be a fan of thrillers and mysteries that take on the dangers of fundamentalism and the hypocrisies of many who pretend to be righteous within systems of oppressive power, and there were many a moment that my blood was somehow both boiling AND running cold as Ruth and Everett cross those at Holy Fire Baptist. Especially since Ruth is the daughter of the man who influences all of it. So many things in this book just click for me on a personal level.

“Midnight is the Darkest Hour” is an eerie and propulsive thriller that kept me on the edge of my seat, and made me swoon over its two main characters. I definitely recommend it for the fleeting Autumn season.

Rating 9: An addictive and otherworldly thriller about small town secrets, religious trauma, and unbreakable bonds between misfits.

Reader’s Advisory:

“Midnight is the Darkest Hour” is included on the Goodreads lists “R.I.P. Book Challenge”, and “Reads for Fall/Autumn”.