Tag: Thriller

Kate’s Review: “This Girl’s A Killer”

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Book: “This Girl’s a Killer” by Emma C. Wells

Publishing Info: Poisoned Pen Press, September 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Meet Cordelia Black. Cordelia loves exactly three things: her chosen family composed of her best friend Diane and her goddaughter; her hairdresser (worth every penny plus tip); and killing bad men.

By day she’s a successful pharmaceutical rep with a pristine reputation and a designer wardrobe. By night she’s culling South Louisiana of unscrupulous men—monsters who always seem to evade justice, until they meet her. It’s a complicated yet fulfilling life that requires complete and total control at all times. But when the evening news starts throwing around the words “serial killer,” pressure heightens for her in the South, and it’s only exacerbated when Diane starts dating a man Cordelia isn’t sure is a good person—someone who might unravel everything Cordelia has worked for. Soon Cordelia’s world spirals, and she loses her grip on those tightly held threads that keep her safe.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Horrorpalooza is over, and now I start to work back towards the books that I read before October that didn’t fit a horror theme to fit within that month’s review schematics. We had a cartel thriller on Saturday, and now we get back to good old fashioned women’s centric thrillers with Emma C. Wells’s novel “This Girl’s a Killer”. This has been on my list for awhile now, and now the time has finally arrived. With admittedly mixed results.

There were definitely things that did work, however. Most obviously to me is that I do love stories like this, with sarcastic and quippy morally grey narrators doing pretty terrible things but for fairly understandable reasons. I enjoy the idea of a pharma rep named Cordelia (I just kept thinking of Cordelia Chase from “Buffy”) being professional and put together by day, and then murdering abusive and violent men by night after the legal system fails to do anything about them. I enjoyed the story arc at hand, with her having an ‘oh shit’ moment when finding out that her company is recalling the drug she uses for her schemes (as it works SO WELL to knock men out you see), and then things slowly falling more and more out of control. Partially because she kind of starts dating a cop, partially because she really hates her best friend Diane’s new boyfriend. The thriller aspects are more about how and whether she will get away with her crimes, but it’s also a little tongue in cheek which gives it a bit of zip.

But on the flip side, it isn’t really anything that I haven’t seen before in the women’s centric poppy serial killer tale. That isn’t necessarily a bad thing, as I did find this book to be a very quick read and an entertaining one at that. After all, who doesn’t like to read about terrible predatory men getting justice doled out from a pissed off woman with a serial killing habit to feed? The problem is that Cordelia as a protagonist is trying to be “Promising Young Woman” vis a vis “Dexter”, but I didn’t feel like she had the complexities to back it up and is instead a bit of a caricature without the depth I was hoping for. Girlboss serial killer who loves her bestie and her high fashion labels and aesthetic is fine, but I was really hoping that she’d be a bit more interesting. I have similar criticisms for the supporting characters, with said bestie Diane being a little on the saccharine side and her daughter Samantha being precocious as hell bordering on a little unbelievable. As an escapist bloody romp this works, but I think that had the characters been stronger it really could have knocked it out of the park, and it didn’t quite get there.

It’s kind of strange to refer to a story about a serial killer in designer clothes as ‘cozy’ reading, but if you like thrillers you will probably feel that same vibe. Overall “This Girl’s a Killer” is pretty fluffy thriller fun that doesn’t take itself super seriously. I can dig that vibe this time of year.

Rating 6: Fun for what it is, but none of the characters moved outside of static two dimensional personalities and the story suffered for it.

Reader’s Advisory:

“This Girl’s a Killer” is included on the Goodreads list “Best Serial Killer Books”.

Kate’s Review: “All Our Wars”

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Book: “All Our Wars” by Stephanie Vasquez

Publishing Info: SparkPress, October 2024

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: For fans of Katie Gutierrez’s More Than You’ll Ever Know and Netflix’s Narcos comes a high-stakes thriller about the daughter of a high-ranking Mexican cartel leader dragged back to the life she fought hard to escape.

Twelve years have passed since Sofia De Luna’s mother was murdered. Sofia now leads a quiet life, far from the cartel violence she was raised amidst. But when her narco father’s retirement catapults her to head of the family, that peaceful existence is upended.

Unhappy with this changeover of power, Sofia’s brothers and cousins are wary of her desire to legitimize the family and her insistent questions about her mother’s mysterious death. Meanwhile, in Mexico’s uncertain political climate, Andres Herrera, the ex-sicario accused of Sofia’s mother’s murder, sees the opportunity for his exit from the drug business. He just needs Sofia, his first love, to uphold the truce between the cartels before the war brewing at the border trickles down to Mexico City, marring the upcoming election.

After a chance meeting with a disenfranchised DEA agent reveals the true depths the Torres will go to keep their power, Sofia decides she must stop the war her cousins have put in motion. But if she sacrifices her family for the dream of peace, will she meet the same fate as her mother?

Review: Thank you to SparkPress for sending me an ARC of this novel!

My organized crime fiction experience is pretty limited to mafia movies like “The Godfather” and lots of the Scorsese catalog (“Goodfellas” is a favorite movie of mine, Terror Tuesday people and I have made it a Christmas tradition to watch it and eat lasagna). I’m not really someone who reads a lot of organized crime stuff, and I can’t think of any off the top of my head. But I’m always game to try new sub genres, so when “All Our Wars” by Stephanie Vasquez ended up in the inbox I felt that it was a sign that it was time to try out an organized crime thriller.

The intrigue, politicking, and tension regarding a power vacuum in a cartel family in this book made for a suspenseful read. Sofia is the daughter of a powerful cartel boss in Mexico, who left her family behind after her mother Maria was murdered and her close friend/lover Andres, now an ex-sicario, was accused of the murder but never taken to task for it. When she comes to visit at her father’s behest, she is told that she is next in line to run the business, just in time for her father to be killed under murky circumstances. All of this alone is interesting from the jump because I liked seeing the way that Sofia has to balance her own desires to stay out of it along with the familial pressure to stay, especially since it could cause a hostile takeover from her cousins should she make the wrong move, especially since the brewing power struggle between cartels could have a ripple effect all across Mexico. I really liked Sofia as a main character, and seeing her try to do the right thing while uncovering lots of disturbing truths regarding her family had me invested, especially as she starts to work alongside a DEA agent to try and get more answers and potentially put herself in even more danger. The ins and outs of the crime family and the violent realities of the business are engaging and interesting.

But what I enjoyed most about this book was the way that Vasquez presents a number of complicated and passionate familial and romantic relationships, and seeing how these relationships fit into the political and business interests of the cartel and the groups that benefit from them. Some of the more obvious ones are the relationships between Sofia and her former love Andres, or the romance between her brother Diego and his lover Yolotli, both of which I found to have an aching longing that gave them some complexity. But the one that I really liked was getting insight into the backstory of Sofia’s mother Maria and her relationship with Andres’s father Martin, and their doomed romance that was stopped before it could really start thanks to the fact Maria’s father betrothed her to Alberto, the heir apparent to a powerful cartel, who ends up being Sofia’s father. We see the way that Maria has her own desires but feels like she needs to push them away, and how her involvement in Alberto’s business starts to make her fear for herself and her children, and how she is still drawn to Martin in the years after their romance never quite happened. We get a lot of information about Maria, and we see how she has affected Sofia and her own values. I think Maria was my favorite character, and seeing her path juxtaposed with Sofia’s was a great choice.

“All Our Wars” was outside of my sub genre box, but I’m happy I took a chance on it. Maybe I should check out more of this sub genre.

Rating 7: A cartel thriller mixed with some tense family drama, “All Our Wars” was outside my usual reading sub genres but was a satisfying detour.

Reader’s Advisory:

“All Our Wars” isn’t included on any Goodreads lists as of now, but it would fit in on “Drug Cartel”.

Kate’s Review: “Beneath The Trees Where Nobody Sees”

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Book: “Beneath the Trees Where Nobody Sees” by Patrick Horvath

Publishing Info: IDW, September 2024

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Live, laugh, shed blood. Dexter meets Richard Scarry’s Busy, Busy Town in this twisted debut graphic novel!

Don’t. Murder. The locals.

This is small-town serial killer, upstanding citizen, and adorable brown bear Samantha Strong’s cardinal rule. After all, there’s a sea of perfectly ripe potential victims in the big city just beyond the forest, and when you’ve worked as hard as Sam to build a cozy life and a thriving business in a community surrounded by friendly fellow animal folk, warm decor, and the aroma of cedar trees and freshly baked apple pie…the last thing you want is to disturb the peace.

So you can imagine her indignation when one of Woodbrook’s own meets a grisly, mysterious demise—and you wouldn’t blame her for doing anything it takes to hunt down her rival before the town self-destructs and Sheriff Patterson starts (literally) barking up the wrong tree.

Cute critters aren’t immune to crime in this original graphic novel debut by writer-artist Patrick Horvath.

Review: When I was a child one of my favorite toys was a doll house for a set of “Maple Town” toys. For those who are not late Gen X/Elder Millenials, “Maple Town” was a Japanese anime for kids that ran on Nick Jr. I didn’t have cable as a kid, but my grandparents did, and every once in awhile I’d catch an episode here or there, but I LOVED my toy set that involved Patty and Ricky Rabbit and Bobby Bear even without consistent exposure to the show. I hadn’t thought about “Maple Town” in years….. And then I saw the cover and snippets from “Beneath the Trees Where Nobody Sees” by Patrick Horvath. And my IMMEDIATE thought was ‘oh my God it’s ‘Maple Town’ if ‘Maple Town’ was about a serial killer!’ Which obviously meant that I NEEDED TO READ IT.

Me to myself as I threw it in my online shopping cart (source).

As far as a mystery thriller goes with a shady as hell protagonist, “Beneath The Trees Where Nobody Sees” is top notch, with small town secrets and an anti-heroine who is whip smart and incredibly unnerving. We follow Samantha Bear a small town woman with a good job at the hardware store, some community connections, a love for her small town…. and a drive for brutally murdering unsuspecting people in the Big City that is far away and untouched by her happy life with her neighbors. But when someone starts killing people in Woodbrook, not only does it make Samantha cagey that someone will perhaps find her out during the investigation, it also just pisses her off that the town she loves and has spared is being targeted by a serial killer as sadistic as she is. So we follow Samantha as she conducts and investigation to help her community and keep her own nose clean. That’s just so fun in a nasty kind of way, and Horvath really sets up a well plotted mystery that is only enriched by Samantha, who is simultaneously the very worst but also SO easy to root for. I really enjoyed the pace of her investigation, and the cast of characters who act as suspects and victims made for some well done surprises, as well as well done shocks (and sad moments. A couple really great characters don’t fare so well!). And for the most part the reveals made sense while not feeling obvious, as well as some well placed red herrings that don’t feel cheap or frustrating. It really does read like a “Dexter” arc, as referenced in the description, with Samantha making a great dual detective/villainess.

The mystery itself is pretty well done, but what REALLY makes this book stand out (unsurprisingly so) is the fact that all of the characters are cutesy forest animals that have been drawn in adorable anthropomorphized fashions. It is such a strange dichotomy watching these delightful creatures doing pretty horrifying things, as this book is VIOLENT, but man it really adds to the appeal because it’s so creative. There are also some pretty fun meta bits, one in particular with Samantha being the woods and meeting a bear that is just like a bear a human would meet in the woods. So seeing this serial killer teddy bear-esque bear interact with a more realistic bear was just kinda fun. I MEAN HECK, the whole idea of these cute forest animals being in this situation in GENERAL is fun! What a concept! I brings an already solid serial killer thriller up a few levels.

And Horvath’s graphics are just…. My God. They are visceral and so cute and gory and charming and it’s a bizarre combination that works wonders.

(source: IDW)

“Beneath the Trees Where Nobody Sees” is one of the most unique graphic novel experiences I’ve had this year. If you like serial killer stories, and completely precious animals, this is sure to delight.

Rating 9: Twisted and unnerving but also super fun and somehow kind of adorable in its own ways, “Beneath the Trees Where Nobody Sees” is a bloody thriller with cutesy forest animals doing terrible things.

Reader’s Advisory:

“Beneath the Trees Where Nobody Sees” isn’t on any Goodreads lists as of now, but if you like the “Dexter” series or really any stories that follow a charismatic killer, this will probably click with you.

Ripley’s Reviews: “Ripley Under Ground”

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“Ripley’s Reviews” is an ongoing series where I will review every book in Patricia Highsmith’s “Ripley” Series, as well as multiple screen adaptations of the novels. I will post my reviews on the first Thursday of the month, and delve into the twisted mind of one Tom Ripley and all the various interpretations that he has come to life within. Up next is the second book in the series, “Ripley Under Ground”.

Book: “Ripley Under Ground” by Patricia Highsmith

Publishing Info: Doubleday, June 1970

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: It’s been six years since Ripley murdered Dickie Greenleaf and inherited his money. Now, in Ripley Under Ground (1970), he lives in a beautiful French villa, surrounded by a world-class art collection and married to a pharmaceutical heiress. All seems serene in Ripley’s world until a phone call from London shatters his peace. An art forgery scheme he set up a few years ago is threatening to unravel: a nosy American is asking questions and Ripley must go to London to put a stop to it. In this second Ripley novel, Patricia Highsmith offers a mesmerizing and disturbing tale in which Ripley will stop at nothing to preserve his tangle of lies.

Review: My next installment of my “Ripley’s Reviews” series is, admittedly, a little earlier than it would normally be, as this is the end of the month instead of the beginning of the month. But with Horrorpalooza starting next week I wanted to take on my thoughts on “Ripley Under Ground” now instead of waiting until November. Let’s keep this review series at a steady clip, shall we?

Set a few years after the events of “The Talented Mr. Ripley”, we rejoin Tom Ripley as he is basking in his affluent life that he has built with his inheritance from the Greenleaf family (whose heir apparent Dickie he murdered and stole his identity for a bit), as well as his marriage to pharmaceutical heiress Heloise. He’s been pulling an art forgery scheme to line his pockets as well, and it’s interesting seeing how he is still up to his old tricks and still benefitting from them. Highsmith took a different approach this this one, however, in that instead of climbing his social ladder through misdeeds, we now see Ripley trying to maintain his position at the top. He’s still smarmy and creepy, and it’s so interesting seeing many of those around him just not get that every aspect of his persona is fabricated (and those who DO kind of get it are just as culpable in their own ways). If you enjoyed the first book, there is a lot to like here, though I would argue that it’s not as compelling because we aren’t really getting anything new in terms of his character or his plot line. In this book Tom seems to be perfectly content living his life in rural France with the spoiled Heloise, but once one card from his house is pulled (when an art enthusiast correctly spots the forgeries), Tom can’t help but try and solidify his scheme, but manages only to make it worse. Soon he has a body, a paranoid accomplice, a simpering wife (who returns from her Greek vacation early) AND Dickie Greenleaf’s cousin Chris on his plate.

So this is once again a story about whether or not Tom will be able to get away with it, especially since he now has the paranoid and mentally unstable Bernard Tufts (forgerer turned body disposal buddy) acting incredibly unpredictable in the wake of the cover ups (he is a chimp with a gun, as my friend group likes to say). And once again Highsmith makes the reader actually wait to bated breath to see if Tom can pull it off, and the reader kind of WANTS him to pull it off. I will say this, the plot may have been a little more ho hum this time around, but in terms of his character Ripley is still Ripley and that is a very good thing. Even if his trajectory is well worn territory.

From murder and identity theft to art forgery and more murder, “Ripley Under Ground” was a continuation I had expected more from, but still found a nasty and enjoyable character in Tom Ripley. Next up is “Ripley’s Game”. Whatever shall he get into next?

Rating 7: Not as compelling as the first in the series, but “Ripley Under Ground” is a solid continuation of Tom Ripley, his fraudulent schemes, and his penchant for murdering to keep his lifestyle afloat.

Reader’s Advisory:

“Ripley Under Ground” is included on the Goodreads list “The Vilest Man in Fiction”.


Ripley’s Reviews: “The Talented Mr. Ripley”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.


“Ripley’s Reviews” is an ongoing series where I will review every book in Patricia Highsmith’s “Ripley” Series, as well as multiple screen adaptations of the novels. I will post my reviews on the first Thursday of the month, and delve into the twisted mind of one Tom Ripley and all the various interpretations that he has come to life within. Up first is the first book in the series, “The Talented Mr. Ripley”.

Book: “The Talented Mr. Ripley” by Patricia Highsmith

Publishing Info: Coward-McCann, January 1955

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: It’s here, in the first volume of Patricia Highsmith’s five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a “sissy.” Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley’s fascination with Dickie’s debonair lifestyle turns obsessive as he finds himself enraged by Dickie’s ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game.

“Sinister and strangely alluring,” (Mark Harris, Entertainment Weekly) The Talented Mr. Ripley serves as an unforgettable introduction to this smooth confidence man, whose talent for self-invention is as unnerving—and unnervingly revealing of the American psyche—as ever.

Review: As mentioned in my intro to this new blog series, I first discovered Tom Ripley and “The Talented Mr. Ripley”, the first in Patricia Highsmith’s “Ripliad” when I was a teenager on Spring Break. It ended up being the perfect beach read, and I was totally immersed in the story of a con artist turned murderer usurping the life on an unsuspecting heir apparent on an Italian extended holiday. There has been a bit of a renaissance of creepy protagonists behaving badly all for the entertainment of a joyful audience, and clearly I picked this up all those years ago and it has followed me ever since. I was curious what revisiting it would be like as an adult with a healthy love of thrillers and despicable antiheroes, and baby, Tom Ripley still wows after all this time.

Cheers you sick bastard (also we will get to THIS specific Ripley in a few months). (source)

As a thriller it is taut and suspenseful and well paced, as we start off in New York and meet Tom Ripley, an aimless twenty something who finds himself asked by a wealthy patriarch to go and fetch his son Dickie Greenleaf, whom Ripley knew in passing and has been gallivanting in Italy on his father’s dime. Ripley and Dickie were barely acquaintances, but a free trip to Europe is too good to pass up, and once Tom arrives he is completely enamored with Dickie and his lifestyle. What starts as an awkward friendship between Tom and Dickie (and Dickie’s quasi-gal pal Marge) slowly turns into Ripley coveting everything Dickie has, which leads to murder, more murder, and identity theft and fraud. Highsmith approaches this with a very matter of fact tone that was in some ways a bit disturbing, but also knows how to eek out all of the tension as Tom does more nefarious things, and flirts more and more with danger as the authorities start to catch on that something is wrong. It’s cat and mouse and part of the suspense is not whether Ripley will get away with it, but whether he is going to be caught. And while that sounds like the same thing, it isn’t really. Because Highsmith lays this out in such a way that it is very likely that the reader will perhaps be more hopeful that he gets away with it.

How is this possible? Well, we of course have to talk about Tom Ripley and the way that Patricia Highsmith presents him to her readers and the audience. He was far more calculated and cold than I remembered him being, basically from the jump being portrayed as a con artist at best (as when he is approached by Dickie’s father to set forth to Italy he is running petty IRS scams on unsuspecting rubes) who sees an opportunity to live off the elite, and then revealing his sociopathic nature as the story goes on. I don’t particularly find Ripley charming or even likable, but Highsmith does write him in a way that managed to still make me kind of want to see how far he could go because she drew him out so well in her characterization. And having read it previously and knowing there are a few more books in the series, knowing he was going to get away with it was galling… but also a little satisfying. Come on, it’s not like the thriller genre doesn’t produce villainous protagonists all the time these days, and Ripley was certainly one of the first, and he still holds up. In this book it’s just a bit of a wicked thrill to see how he slowly takes over Dickie’s life and wealth, even if Dickie (and Ripley’s other victims) certainly don’t deserve it. Highsmith absolutely achieved what she set out to do with this character. I am more than happy to keep following him and see what terrible shenanigans he gets into going forward, because now I am wholly unaware. Bring it on, Tom.

“The Talented Mr. Ripley” was as enjoyable this time around as it was when I was a teenager, and it is a clear foundational work for the modern thriller. It gets under the skin but makes you want to know more. What a ride this ongoing series is going to be. Next up is Book 2 in the series, “Ripley Under Ground”.

Rating 8: A game changer for the Thriller genre and a deep dive into a highly despicable (yet highly entertaining) psychopath and his thought processes, “The Talented Mr. Ripley” still stands tall after all this time.

Reader’s Advisory:

“The Talented Mr. Ripley” is included on the Goodreads lists “Thrillers You Must Read!”, and “I Like Serial Killers”.

Ripley’s Reviews: An Introduction and Brief History

“Ripley’s Reviews” is an ongoing series where I will review every book in Patricia Highsmith’s “Ripley” Series, as well as multiple screen adaptations of the novels. I will post my reviews on the first Thursday of the month, and delve into the twisted mind of one Tom Ripley and all the various interpretations that he has come to life within.

I remember when I was a teenager my family took a trip to California to visit relatives for Spring Break. It was around the time that the film “The Talented Mr. Ripley” had come out, and while I hadn’t seen it yet, the concept intrigued me enough that I got myself a copy of the book specifically for that trip. I have memories of reading it on the beach whilst staying in a house that our families had rented in the small tourist town of Capitola, and how enthralled I was by the story of a man slowly usurping another man’s identity and the murder and intrigue that went along with it. Recently, Netflix put together a new adaptation of the original novel called “Ripley”, which stars Andrew Scott as the sociopathic chameleon, and when that dropped I had an idea: not only was I going to revisit the original story, I was also going to read the whole series. AND watch as many adaptations as I could find. Thus, the “Ripley’s Reviews” series came to be.

Patricia Highsmith: The Creator

Patricia Highsmith is the author of the “Tom Ripley” series, whose works have been adapted over the years with not only “The Talented Mr. Ripley” and all of those forays, but also with the movie “Carol” which is based on her book “The Price of Salt”, and “Strangers on a Train”, one of Alfred Hitchcock’s earlier films. She was born in Texas in 1921, was abandoned by her mother and stepfather to live with her grandmother, and went to Barnard College, which was also when she started submitting her stories to various publications. She struggled with alcoholism, self loathing (as she was a queer woman living with internalized homophobia), and wasn’t exactly known as a genial or well liked person. But she was highly regarded as a very talented writer, and with the successes of “Strangers on a Train” and “The Price of Salt” she made her mark in the writing world. And then in 1955 she wrote “The Talented Mr. Ripley”, which became her arguably most well known work, as well as a character that had unsettling parallels to her own psyche. Her whole point was to make her readers root for a villain, and thus Tom Ripley was born.

Tom Ripley: The Impact

Tom Ripley is the main character in Highsmith’s “Tom Ripley” series, which she liked to call “The Ripliad”. His first appearance was in the aforementioned first book in the series “The Talented Mr. Ripley”, and was followed with four more books: “Ripley Underground”, “Ripley’s Game”, “The Boy Who Followed Ripley”, and “Ripley Under Water”. Tom Ripley is a con artist, who can seamlessly insert himself into unsuspecting people’s lives and slowly take them over. The first book in the series, and the most well known by the public, has Ripley starting his ‘adventures’ when he is hired by the wealthy Herbert Greenleaf to retrieve his cad of a son Dickie from an extended holiday in Italy, as Tom and Dickie once ran in a similar circle.

Once there, Tom becomes obsessed not only with Dickie, but also with the life of opulence and privilege he is living. Tom Ripley is a devious antihero who does despicable acts, but is one of those characters that is so fascinating to follow BECAUSE of how despicable they are. Recent character sensations who fit this mold are absolutely Joe Goldberg from “You” (both series by Caroline Kepnes and Netflix show), as well as Oliver from “Saltburn”, who obsess, covet, and kill all while the audience feels scandalized and enthralled. His impact on the Thriller genre is huge, and he was also one of those characters that felt completely real and in control of the narrative to the woman who created him.

Adaptations: Ripley and Beyond

“Ripley” is the newest adaptation of “The Talented Mr. Ripley”, but Andrew Scott is obviously not the first to step into the shoes of this malicious yet ever so intriguing imposter murderer. Matt Damon played him in 1999, which is very well known. But the adaptations don’t start there. In 1960 the French director René Clément made the film “Plein Soleil” (“Purple Noon” in English), starring Alain Delon as Ripley. And even more interesting to me, DENNIS HOPPER of all people played him in the 1977 film “The American Friend” which adapts the third book in the series “Ripley’s Game” for the screen. Which was then adapted again in 2002 starring John Malkovich as Ripley. It will be entirely dependent on how many of these films I can actually find, but I intend to watch and review as many of them as possible, as well as the Netflix series.

I am quite excited to jump back into the world of Tom Ripley and to go fully into the series instead of stopping at the first. My review for “The Talented Mr. Ripley” will go up in a week from now, and I invite you all to follow me on this journey into the stories of one of the most enduring thriller villains, and antiheroes, of the genre. I hope that you will join me as I jump into what will surely be a strange, disturbing, but really fun adventure as I go into the many worlds of Tom Ripley! -KATE

Sources:

Kate’s Review: “Strange Folk”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Strange Folk” by Alli Dyer

Publishing Info: Atria Books, August 2024

Where Did I Get This Book: I received an ARC from the publisher at ALAAC24.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A woman returns to her estranged, magical family in Appalachia but when a man is found dead in the woods nearby, it seems the family has conjured something sinister in this lush, shimmering, and wildly imaginative debut novel that is perfect for fans of Alice Hoffman, Deborah Harkness, and Sarah Addison Allen.

Lee left Craw Valley at eighteen without a backward glance. She wanted no part of the generations of her family who tapped into the power of the land to heal and help their community. But when she abandons her new life in California and has nowhere else to go, Lee returns to Craw Valley with her children in tow to live with her grandmother, Belva.

Lee vows to stay far away from Belva’s world of magic, but when the target of one of her grandmother’s spells is discovered dead, Lee fears that Belva’s magic may have summoned something dark.

As she and her family search for answers, Lee travels down a rabbit hole of strange phenomena and family secrets that force her to reckon with herself and rediscover her power in order to protect her family and the town she couldn’t leave behind.

Review: Thank you to Atria books for providing me with an ARC of this novel!

One of the panels I attended at ALAC24 was a preview of upcoming thriller titles with the authors at hand to describe their books. One of the books that caught my attention was “Strange Folk” by Alli Dyer, which had not only a fantasy element to the thriller story, but also involved a family of healers in the mountains of Appalachia that has used nature and their powers to help those around their community, as well as stirred up some trouble here and there when using those powers. We all know that this is the exact kind of story I am an absolute sucker for, so I was very excited to read this book, my hopes being pretty high.

In terms of the witchiness themes and lore I did find a lot I liked in this book. I was definitely getting some hints and homages to “Practical Magic” as a reluctant woman from a line of healers and supposed ‘witches’ returns to her Appalachia home with her children after a nasty divorce. Lee’s homecoming and reintegration into the town was really fun to watch unfold, as she starts to reconnect with her grandmother Belva, a well respected healer, and starts to interact with the land again and how it can bind and heal, and sometimes take and harm. I absolutely loved the descriptions of the spells, charms, tinctures, etcetera of the women in this family, and the various rituals that they would partake in in hopes of helping and healing. And the Appalachia setting makes for an even more unique lens, with Lee’s family being mountain folk who have hidden away from general society and made their own way, being trusted by some and feared by others. I honestly kept thinking about Misty Day in “American Horror Story: Coven” with her connection to nature and her more ‘folksy’ (for lack of a better term) traditions. This interpretation of witches really worked for me in this story, as I love a story with powerful women doing magic, or something like it.

But that kind of leads to why this didn’t work as well for me, and that is because unlike in “Practical Magic” I didn’t really become attached to any of the characters at hand. A lot of them had some promising backstories, traits, and personalities, but I never fully enjoyed them and never quite believed that they got to what I was hoping they would be. Whether it was our main character Lee, who had some great build up but then didn’t quite get past the building blocks of her character except to be like ‘oh no I guess we will stay because this is my home’, or her mother Redbud, who was consumed by a guilty conscience and then became a drug addict and traumatized her daughter, we had so many things that could have been explored…. but then just didn’t quite get the exploration I was hoping for. I don’t really need characters like this to be likable, but I at least want them to be interesting even if I can’t really root for them. And I had a VERY hard time with the dynamic between Lee and Redbud, and how it felt like there was probably a lot of grace and forgiveness when all was said and done without the amount of atonement that I REALLY needed from her. And by the time we got some answers and reveals about what was going on, I was more happy that we were wrapping up as opposed to actually getting fulfilling answers.

I had higher hopes for “Strange Folk”, and while the concept, setting, and lore worked for me, I wanted from from our cast of mountain witches and their loved ones. I think it would be a good choice for the upcoming Autumn, however.

Rating 6: A strong premise and some interesting folk lore makes for a cool concept, but I wasn’t as invested in the characters.

Reader’s Advisory:

“Strange Folk” isn’t on many specific Goodreads lists but I think if you like books like “Practical Magic” and other magical family sagas this could be a good match.

Kate’s Review: “You Will Never Be Me”

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Book: “You Will Never Be Me” by Jesse Q. Sutanto

Publishing Info: Berkley, August 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: When cracks start forming in an influencer’s curated life, she finds out that jealousy is just as viral as a video in this riveting suspense novel by bestselling author Jesse Q. Sutanto.

Influencer Meredith Lee didn’t teach Aspen Palmer how to blossom on social media just to be ditched as soon as Aspen became big. So can anyone really blame Mer for doing a little stalking? Nothing serious, more like Stalking Lite.

Then Mer gets lucky; she finds one of Aspen’s kids’ iPads and swipes it. Now she has access to the family calendar and Aspen’s social media accounts. Would anyone else be able to resist tweaking things a little here and there, showing up in Aspen’s place for meetings with potential sponsors? Mer’s only taking back what she deserves—what should have been hers. 

Meanwhile, Aspen doesn’t understand why her perfectly filtered life is falling apart. Sponsors are dropping her, fellow influencers are ghosting her, and even her own husband seems to find her repulsive. If she doesn’t find out who’s behind everything, she might just lose it all. But what everyone seems to forget is that Aspen didn’t become one of TikTok’s biggest momfluencers by being naive.

When Meredith suddenly goes missing, Aspen’s world is upended and mysterious threats begin to arrive—but she won’t let anything get in the way of her perfect life again.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I’m really happy to see that more and more family influencers are getting called out, or at the very least more scrutinized, as of late. I think that the very public fall of Ruby Franke helped with this shift, but it’s been a long time coming. It’s probably not too shocking that as more of this has been in the public eye, more books involving family vloggers and family influencers have been cropping up. And I’ve been reaping the benefits, as this kind of plot is catnip for me. So I was obviously very interested in reading “You Will Never Be Me” by Jesse Q. Sutanto, which involves two mommy influencer frenemies named Mer and Aspen, who used to be tight but had a huge falling out that leads to Mer trying to wreck Aspen’s very curated public image. It all sounds great on paper. Sadly, in execution it didn’t get to the level I was hoping for.

You all know that I always start with the good when it comes to a book that I didn’t really connect with, and this time is no different. And the good is REALLY good and something that I don’t get to say too often: THERE IS A FANTASTIC TWIST THAT I DIDN’T SEE COMING IN THIS BOOK! I feel like so much of the time when I take on a thriller of a certain kind I have to complain about a twist that is either unearned, or thrown in at the last moment for shock value, or was easy to spot a mile away. None of these things happen in the big twist in “You Will Never Be Me”. In fact the moment it was revealed I said to myself ‘wait…. HOLD UP!?’, and jumped back to the beginning of the chapter to make sure I hadn’t missed anything. I’m not going to say anything here details wise, but Sutanto so expertly dropped it in in such an unexpected place and moment with such a subtle set up that I set my Kindle down for a moment just to process what I had just read. And it’s a bit of a one two punch as well, with a couple dimensions to the twist that made it all the more satisfying. This is how it’s done!

But unfortunately, well executed twist or not, there were a number of aspects to this book that didn’t work for me. For one, Mommy Blog and Influencer satire is starting to be seen more in books, with more and more scandals coming out about these kinds of accounts and more people starting to question what this kind of exposure and exploitation does to the children involved. Always pertinent points, and it can be really well done satire as well as social commentary on something that is becoming more and more talked about. But the problem here is that the examples in this are very heavy handed, even if I don’t necessarily disagree with them. One such example that sticks out is Meredith at one point admitting that she had her child via a sperm donor because she knew that the engagement would go up if she shifted from her initial platform into a mommy influencer like Aspen was. Again, I don’t doubt that on some level family influencers do view their children as content and the more content you have the more engagement you have (I think about the family that adopted an autistic boy from China to use it as a story their followers could keep up with, and then ‘rehomed’ him because he was too difficult and burst their perfect family ideal as presented to their followers). But I had a hard time believing that Mer would be so up front and flippant about it, and it just felt like it was just another way to show how awful she was. Which segues into my other gripe fairly well; both Mer and Aspen, the characters whose POVs we follow, are just really unsympathetic characters with not much depth, which makes it very hard to follow them. I am one hundred percent down for having unlikable characters as protagonists, especially in thrillers and ESPECIALLY if they are women (lord knows male characters get more passes in this way). But I want them to be at least interesting and rounded in their villainy. In this book they felt more like caricatures. Aspen had a little more depth as she feels the need to carry the financial burden in her home, especially since one of her children is diabetic, but we only barely scratched the surface with her. Mer felt like a full cartoon villain at times. I think that had there been a bit more exploration and complexity I could have swallowed it better, but as it was, it just didn’t ever click.

“You Will Never Be Me” didn’t quite live up to the high hopes I had for it. It was refreshing having such a stellar twist, but that wasn’t enough to save it.

Rating 5: A fantastic twist that came earlier than anticipated was well done, but it can’t save the facts that all of the characters are terrible and in a fun way and the satire doesn’t have much bite.

Reader’s Advisory:

“You Will Never Be Me” is included on the Goodreads list “Thrillers You Must Read!”.

Kate’s Review: “House of Bone and Rain”

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Book: “House of Bone and Rain” by Gabino Iglesias

Publishing Info: Mulholland Books, August 2024

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: In the latest from Shirley Jackson and Bram Stoker Award-winning author of THE DEVIL TAKES YOU HOME, a group of five teenage boys, living in Puerto Rico, seek vengeance after one of their mothers is murdered; a doomed tale of devotion and the afterlife of violence.

For childhood friends Gabe, Xavier, Tavo, Paul, and Bimbo, death has always been close. Hurricanes. Car accidents. Gang violence. Suicide. Estamos rodeados de fantasmas was Gabe’s grandmother’s refrain. We are surrounded by ghosts. But this time is different. Bimbo’s mom has been shot dead. We’re gonna kill the guys who killed her Bimbo swears. And they all agree.

Feral with grief, Bimbo has become unrecognizable, taking no prisoners in his search for names. Soon, they learn Maria was gunned down by guys working for the drug kingpin of Puerto Rico. No one has ever gone up against him and survived. As the boys strategize, a storm gathers far from the coast. Hurricanes are known to carry evil spirits in their currents and bring them ashore, spirits which impose their own order.

Blurring the boundaries between myth, mysticism, and the grim realities of our world, House of Bone and Rain is a harrowing coming of age story; a doomed tale of devotion, the afterlife of violence, and what rolls in on the tide.

Review: Thank you to Mulholland Books and Hachette for sending me an ARC of this novel! Special thanks even, as they were super kind to send me an ARC after I had missed out on getting one at ALA, and took down my information once I told the reps at the booth how much I was looking forward to this book. It was a very kind gesture and it was a lovely book mail arrival!

I know by now that if I am going to read a book by Gabino Iglesias, it’s going to be a rough go with lots of visceral violence, dark themes, and yet a gorgeous lyrical journey to boot. It stands to reason, then, that “House of Bone and Rain” was a tip top priority on my list, even if it was going to no doubt really kick me in the teeth, emotionally. But I have really enjoyed everything I’ve read by Iglesias, and because of that I knew that his newest horror novel needed to be a priority, even if it was a bit unclear what the horror components, at least the supernatural ones were going to be. But ultimately, I shouldn’t have been surprised that while the supernatural ones were grand and well done, it was the real life ones that would REALLY cut to the bone.

I don’t really want to spoil the horror aspects of this book, as there is a reason it is kept a bit close to the vest in the description. Iglesias packs a wallop of a punch with the reveal, and it made me go ‘wait…. what?!’, but in the best way possible. I will say that some of the ins and outs of it felt a bit Cosmic-y, with an impending storm surge churning up something otherworldly, and while it’s not full on Cthulhu or Old Gods in its execution, the largeness and inevitability of it was really heavy throughout the narrative. Which is a lovely theme in tandem to a monster storm that is about to bear down on an island like Maria did. Some of the descriptions of the big reveal were very creepy, and I loved how it was presented and how it fit in with both the hurricane as well as the threats that Gabe, Bimbo, Xavier, Tavo, and Paul are all dealing with in the wake of Bimbo’s mother’s murder. The violence is supernatural and all too real, and it makes the horror beats feel all the more unnerving as the story goes on.

But horror elements aside, this book reads just as well as a drug kingpin thriller with real world tragedies and horrors at the heart. Gabe, Bimbo, Xavier, Tavo, and Paul are best friends brought together by their shared experience of living a difficult life in Puerto Rico, where the ghosts of colonialism have led to lots of corruption, wealth disparities, and lots of experiences with violence, even before Bimbo’s mother’s death. As Bimbo and his friends are driven by vengeance, and as Hurricane Maria is about to barrel down on the island and cause mass devastation on top of that, our characters are pulling together in the face of terrible odds, and for a sense of a need for justice that they won’t be able to achieve due to their circumstances and the systemic disparities they are living within. I was on the edge of my seat watching them all make these decisions, because while I KNEW that these were sometimes TERRIBLE decisions, I felt like Iglesias perfectly captured why they were doing these things because I understood the realities they they were living, and how it shapes each of them. Bimbo is especially a complicated and intriguing character, because while his mission to take out a VIOLENT DRUG KINGPIN with no real plan, and putting his friends in severe danger (and not being super forthcoming in some ways but that is all I will say) was absolutely CRAZY to me… but I also know that the grief and the loss meant that he had nothing to lose, and I couldn’t really fault him to a point. Iglesias is the kind of author who shows a huge picture of complex characters and dire circumstances, and you generally know that happy endings in his tales are hard to come by, but they are still great reads because he pulls out such emotion and poignancy with the bleakness. The repeated phrase in this book, ‘all stories are ghost stories’, is especially moving as we see their reality laid out bare.

“House of Bone and Rain” didn’t disappoint! Gabino Iglesias has created another unrelenting horror thriller that got under my skin, and surprised me in a lot of ways.

Rating 8: A merciless, creepy, and devastating story about friendship, revenge, desperation, and loss, with sprinkles of Cosmic-ish horror to go with the real world ones.

Reader’s Advisory:

“House of Bone and Rain” is included on the Goodreads lists “Horror to Look Forward to in 2024”, and “2024 Adult Fantasy/Sci-Fi/Speculative Releases by BIPOC Authors”.

Kate’s Review: “49 Miles Alone”

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Book: “49 Miles Alone” by Natalie D. Richards

Publishing Info: Sourcebooks Fire, July 2024

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Four days alone in the desert. Except they’re not as alone as they think.

A year ago, Katie and her cousin Aster survived a night that left their world and easy friendship fractured. Desperate to heal and leave the past behind them, they tackle four days of hiking in the Utah backcountry. But the desert they’ve loved for years has tricks up its sleeve. An illness, an injury, and a freak storm leave them short on confidence and supplies. When they come across a young couple with extra supplies on the trail, they’re grateful and relieved―at first. Riley exudes friendliness, but everything about her boyfriend Finn spells trouble.

That night, after some chilling admissions about Finn from Riley, Katie and Aster wake to hear the couple fighting. Helpless and trapped in the darkness, they witness Riley’s desperate race into the night, with Finn chasing after. In the morning, they find the couple’s camp, but Riley and Finn? Vanished. Katie is sure Riley is in trouble. And with help a two-day hike away, they know they are the only ones who can save her before something terrible happens. The clock is ticking and their supplies are dwindling, but Katie and Aster know they have to find Riley before Finn―or the desert―gets to her first.

Review: Thank you to Sourcebooks Fire for sending me an ARC of this novel!

I truly think that Summer, while not a favorite season of mine, has a book vibe that I really like to adhere to. Much like Fall feeling like the perfect ambiance for a horror story or a cozy fantasy, for me Summer feels like the best time to tap into various kinds of thrillers. One of those sub-genres is survival thrillers, especially if they are set in the wilderness. So I was very excited to read “49 Miles Alone” by Natalie D. Richards, which follows cousins Katie and Aster on a wilderness hike that goes pretty sour and they are suddenly in the web of a killer. This is my FAVORITE kind of wilderness survival tale, and I hopped on in ready for a wild ride!

I’ve mentioned before that I’m not an outdoorsy kinda person outside of the occasional hike through a state or national park, or for some landscape photography excursions. Certainly not multiple days of camping or hardcore hiking and off trail backpacking. But I do love seeing that premise used in a survival/wilderness thriller, and “49 Miles Alone” does a great job of highlighting the real dangers of the wilderness even without having a killer in the vicinity. As Katie and Aster start their journey, it’s already tense due to an incident in the near past that left Aster wracked with guilt and Katie traumatized, and things just keep going wrong and make the tension build all the more. Whether it’s weirdos on the trail, or a storm that manifested out of nowhere and makes the trail that much more unpredictable and dangerous, or Aster suddenly falling ill, many small things keep piling up to turn into one big troublesome and dangerous situation. I’ve known people who do this kind of hiking and camping who have BEEN in these sudden life or death situations where you have to make quick decisions that could end very badly, and watching Katie and Aster have to contend with these things on top of Katie’s trauma and Aster’s guilt made for a lot of really well done suspenseful beats.

But the main point of suspension, when Aster and Katie meet a couple on the trail and Katie suspects the man, Finn, to be dangerous, didn’t hit as hard as i had hoped it would. I normally really like this trope of wilderness savvy people meeting dangerous psychos and having to navigate the wilderness with them, as when it’s done well (like in “The River Wild” or “Desolation”, two films I really like) it can be SO nerve wracking. But I think that in this one it gets a little tripped up, partially due to the timing of meeting Finn and his hiking partner/girlfriend Riley, and partially due to not really getting much insight into the two of them outside of some interactions from Aster’s and Katie’s POVs. To make things worse, by the time we do get to the main driving conflict of potentially being hunted down, it felt a bit more rushed as opposed to the slow build of the earlier parts of the book. I also kind of called one of the big twists pretty quickly, which always kind of pulls the wind out of the sails of a thriller.

So it was a bit of a mixed bag. But that said, “49 Miles Alone” has some really good bits of realistic wilderness survival thrills. It’s a good summer read to be sure!

Rating 7: I loved the tense build up of the perils of an unpredictable hike between tension filled cousins, and I wish it had stayed more in that realm as the dangerous killer on the trail was a little underwhelming.

Reader’s Advisory:

“49 Miles Alone” is included on the Goodreads list “YA Novels of 2024”.