Serena’s Review: “Fiasco”

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Book: “Fiasco” by Constance Fay

Publishing Info: Bramble, June 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Cynbelline Khaw is a woman of many names. She’s Generosity, a cultist who never quite fit in. She’s Bella, the daughter who failed to save her cousin’s life. And then there’s Cyn, the notorious bounty hunter who spaced a ship of slavers.

She’s exhausted, lonely, and on her very last legs―but then a new client offers her a job she can’t refuse: a bounty on the kidnapper who killed her cousin. All Cyn has to do is partner with the crew of the Calamity, a scouting vessel she encountered when she was living under a previous alias. One tiny little issue, she’s been given an additional deliver the oh-so-compelling medic, Micah Arora, to the treacherous Pierce Family or all her identities will be revealed, putting her estranged family in danger.

Hunting a kidnapper doesn’t usually mean accidentally taking your sexy new target to dinner at your parent’s house, a local mystic predicting you’ll have an increasingly large number of children, or being accompanied by a small flying lizard with a penchant for eating metal, but, as they field investigative hurdles both dangerous and preposterous, Cyn and Micah grow ever closer. When a violent confrontation reveals that everything Cyn thought about her past is wrong, she realizes that she has the power to change her future. The first part of that is making sure that Micah Arora is around to be a part of it.

Previously Reviewed: “Calamity”

Review: I’m always so pleased when I come across a new author, especially one who is writing in a subgenre that you don’t see much of, in this case romantic science fiction! I’m even more pleased when I read a second book from the same author and can confirm that it was more than a “one hit wonder” situation! And such has been the case here; while I think I might still have preferred “Calamity” to this book, “Fiasco” is an excellent book in its own right!

I had a guess that these would be the two characters we followed in this book, based off which side characters were best set up in the first book. That said, from what we had there, I knew a lot more about the male love interest, Micah, the ship’s medic, than the mysterious woman who flits in and out of that story. That left this book with a lot of blank canvas to tell a fresh story about a character who was practically brand new to the readers. And Cyn turned out to be fantastic! In many ways, she is a much more tragic figure than our original leading lady. Carrying around not only a ton of family baggage, Cyn is also plagued by crippling PTSD from traumatic events in her past. Her life up to this point has been largely solitary, so much of her arch in this story is learning how to trust and depend on others, especially challenging perhaps with the force of personalities that make up the crew of the Calamity!

The plot revolves around a serial kidnapper, an individual Cyn has spent the majority of her life chasing down. There were a number of twists and turns here, and I enjoyed them all! I found a few things a bit predictable, but as so much of the story really depends on the reader caring about Cyn’s own growth and feelings, I think this worked fine. The last third of the book, in particular, was very action packed and there were a few moments that ratcheted up the emotional stakes so high as to be quite thrilling.

The story also delves a lot into family trauma and the way tragic events can re-shape an entire group of people. I really liked a lot of what we saw here between Cyn and her parents in particular and their mutual realizations that they didn’t truly understand one another. At the same time, much of the first half to three quarters of the book presents most of these family members in a pretty negative light, and even understanding their circumstances, Cyn was more forgiving than I was. I wish there had been a little bit more push back on some of the tactics they used and how unhealthy the way that they treated Cyn truly was.

As for the romance, it was sweet, but I think this was the area where the story took a clear second to the first book in the series. While I liked Micah as a romantic lead, I never felt like I really understood the connection built between him and Cyn. The reader isn’t given many reasons for why these two characters are drawn to one another, only that they are. This was all the more frustrating because in many ways Micah’s character is the sort that I particularly enjoy as a leading man in romance novels: quiet, but incredibly capable, with deeper wells of emotion buried deep. But, again, it felt like much of this wasn’t fully utilized as the love story progressed.

Overall, however, I very much enjoyed this book! Cyn’s arc was incredibly sympathetic, and the overall plot was action-packed and thrilling. The love story was also sweet, but if there was one area that I think could have used just a dash bit more…something…this was it. Either way, I’m fully on board with this series and can’t wait to see what comes next!

Rating 8: A great leading lady, a thrilling adventure, and a story jam-packed with family trauma, and that’s all before you even get to the swoon-worthy romance!

Reader’s Advisory:

“Fiasco” is on this Goodreads list: June 2024 Most Anticipated Romance Releases

Serena’s Review: “Everything We Never Said”

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Book: “Everything We Never Said” by Sloan Harrow

Publishing Info: G.P. Putnam’s Sons Books for Young Readers, may 2024

Where Did I Get this Book: from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: It’s been months since the accident that killed Ella’s best friend, Hayley, and Ella can’t stop blaming herself. Now Ella is back at school, and everywhere she looks are reminders of her best friend—including Sawyer, Hayley’s boyfriend. Little by little, they grow closer, until Ella realizes something horrifying . . .

She’s in love with her dead best friend’s boyfriend.

Racked with guilt, Ella turns to Hayley’s journal, hoping she’ll find something in the pages that will make her feel better about what’s happening. Instead, she discovers that Sawyer has secrets of his own and that his relationship with Hayley wasn’t as picture-perfect as it seemed.

Ella knows she should stay away but finds herself inextricably drawn to him—and scared of everything she never knew about him. Perhaps it’s his grief. Or maybe his desires, cut short by tragedy. Or could it be something twisted only Hayley knew about?

Review: Every once in a while I do try to stray outside of my preferred genres to see how the rest of y’all are living. So when the publisher reached out about coverage for this YA thriller, I thought “why the heck not!” I was also drawn in by the promise of an interesting romance between two characters who both lost their close friend/girlfriend. So, let’s dive right in!

The challenging thing about reading outside of my typical genres it that I’m less familiar with the conventions and tropes of this type of book, and thus a bit more unsure when trying to distinguish between my own preferences and opinions and what is simply true to the genre, but not something that I’m as familiar with. That said, there were several things that worked for me unequivocally. The first thing is the sheer “readability” of this book. Even when I was coming across things that left questions in my mind, I still felt a draw to continue reading, swept up in the fast-moving plot and approachable style of storytelling.

On top of that, both Ella and Sawyer were very sympathetic characters, and I enjoyed spending time in both of their heads. Of course, much of the story revolves around their complicated feelings for their deceased friend and their own budding romance, but there were a lot of smaller looks at the different relationships they each have with their parents. Both their experiences with their families and with the various social groups at school were of the sort that I think will greatly appeal to many YA readers.

And, of course, the love story was very sweet. Now, it also walked right up to the line of “instalove,” so that’s something to keep in mind. But, again, the readability of the book carried me through this aspect of the storytelling pretty effectively. Stepping back, I think this love story will appeal to many readers, especially teenagers themselves. As an adult, I will say that I did struggle to believe that a teenage boy was quite as, um, romantically adept as Sawyer was presented, but this is one of those cases where no one really wants a true-to-life portrayal of the awkwardness of the teenage years.

As for the mystery of Haley’s death and the thriller aspects of the book, I did struggle a bit more. There were several “believability” issues that began to pile up as the story continued. For one thing, right off the bat, we are told that Haley died in a car crash when Ella was driving, after being seen drinking at a party. It strains every plausible explanation that Ella walked away from this situation with no consequences. Beyond that, she has many people reassuring her that Haley’s death wasn’t her fault. But…wasn’t it kind of, with this version of events?

I also found some of the late game reveals to be a bit predictable, but this is definitely a “mileage will vary” situation from reader to reader. There were several red herrings presented and their success as such will depend on readers’ familiarity with conventions, likely. There were also chapters from Haley’s old diary interspersed throughout the story, and I really struggled with these. They were written in a way that belied belief, with Haley seeming to be able to recount entire scenes verbatim in these entries. I get the purpose these entries were serving, but the style of writing was so removed from anything that resembled an actual diary entry that I found myself often skimming through these sections.

All of that said, I still had a mostly fun time with this book! It was a fast read, and my interest in Ella and Sawyer’s stories was enough to carry me through some of the other aspects that I struggled with. YA readers who enjoy thrillers and romances will likely enjoy this one!

Rating 7: Some parts of the the mystery were a bit predictable, but I enjoyed the fast-paced storytelling and the sweet romance at its heart.

Reader’s Advisory:

“Everything We Never Said” is on this Goodreads list: YA Novels of 2024

Serena’s Review: “Romancing Mister Bridgerton”

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Book: “Romancing Mister Bridgerton” by Julia Quinn

Publishing Info: Avon, July 2002

Where Did I Get this Book: from the library!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Everyone knows that Colin Bridgerton is the most charming man in London. Penelope Featherington has secretly adored her best friend’s brother for…well, it feels like forever. After half a lifetime of watching Colin Bridgerton from afar, she thinks she knows everything about him, until she stumbles across his deepest secret…and fears she doesn’t know him at all.

Colin Bridgerton is tired of being thought nothing but an empty-headed charmer, tired of everyone’s preoccupation with the notorious gossip columnist Lady Whistledown, who can’t seem to publish an edition without mentioning him in the first paragraph. But when Colin returns to London from a trip abroad he discovers nothing in his life is quite the same – especially Penelope Featherington! The girl haunting his dreams. But when he discovers that Penelope has secrets of her own, this elusive bachelor must decide…is she his biggest threat – or his promise of a happy ending?

Review: With the new season of “Bridgerton” due to come to Netflix sometime in the next few months, I thought it was about time to go back and check out the book that this season is based on. The show is now out of order from the books, having skipped the third book (Benedict/Sophie’s season) and gone straight to Colin and Penelope. For the show, I think this makes a lot of sense given the focus on Penelope’s arc over the second season. But the book series didn’t have this same emphasis, so here we are in the fourth book.

While this book didn’t reach the high point that was the second book for me, I did enjoy this one quite a bit. Much of this comes down to the sheer charm that is Penelope. She’s an excellent main character, with all of the charm and wit you could want, but also a compelling story seeing tackle her insecurities and come into her own. But while I liked how the reveal of Lady Whistledown’s identity was handled, it did feel like a strange balancing act as far as the writing actually went. The reader is privy to much of Penelope’s inner thoughts before this, and it’s strange that this particular fact wouldn’t have surfaced earlier.

Colin is a bit more rough as a romantic lead, however. He was excellent in the first three books, always funny and affable, and while we see some of that here, he also becomes fairly insufferable at times. In particular, he didn’t fair overly well with his jealousy over Penelope’s success as Lady Whistledown. And I simply couldn’t make myself very interested in his own attempts at being an author. Instead, this focus seemed to undercut Penelope’s own story in some ways, with her having to reveal her identity and then retreat into the background as Colin moved to the forefront as an author who could publish under his own name, being a man and all. I get the historical limitations, but I hope the show changes some of how this is handled. I also keenly felt the loss of the funny Colin that we saw so much more of in the first few books.

That said, this book, as a whole, was quite funny. The scene where Colin and Penelope announce their betrothal to her family had me laughing out loud and re-reading it several times. I do hope the show finds a way of recreating this scene in some way, as it was hilarious. I also enjoyed all of the scenes with the larger Bridgerton crew. Eloise, in particular, had an interesting mini arch in this book. The show has changed several things already with the friendship between Eloise and Penelope, so I’m curious to see how they manage this set-up in the show. Given some of the events here, it naturally leads into Eloise’s story being the next up. So…is Benedict just going to be skipped forever??

Overall, I did enjoy this book, mostly down to the strength of Penelope as a leading lady. Colin was frankly a bit of a disappointment, given how great he had been in the previous three books. But I’m also all set to go on Eloise’s story! Though, if I’m trying to keep these reviews timed to around when the corresponding season is going to drop on Netflix…you’ll be hearing more from me in 5 years or so.

Rating 8: A sweet romance and some truly hilarious scenes, though I was a bit underwhelmed with Colin’s shift in personality and the second act role that his writing took on.

Reader’s Advisory:

“Romancing Mister Bridgerton” can be found on these Goodreads lists: “I’ve Loved You for Years” and Falling in Love with Best Friend/Best Friend’s Brother/Brother’s Best Friend

Kate’s Review: “Lore Olympus: Volume Six”

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Book: “Lore Olympus: Volume Six” by Rachel Smythe

Publishing Info: Inklore, May 2024

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: “We have to make an example of her.”

Chaos reigns in Olympus as Zeus publicly declares Persephone a traitor and issues a warrant for her arrest. But Hades defies his brother’s decree, sheltering Persephone in the Underworld—and as the pair spend more time together, they are able to speak openly about their pasts. The goddess of spring admits the truth behind the bloody secret that led to Zeus’s ire, and the king of the Underworld shares the trauma he suffered at the hands of his power-hungry father, Kronos.

But as Hades and Persephone’s relationship grows stronger, others begin to fall apart. The bond between Hades and Zeus is stretched to its limit, threatening to fracture the peace between their realms. Persephone and Artemis’s friendship hangs by a thread as the goddess of the hunt slowly uncovers the vile truth about her twin, Apollo. A line is being drawn in the heavens, putting everyone’s loyalties into question as all the gods are forced to choose sides.

And as the cracks in the foundation of the pantheon spread, something darker and more earth-shattering might soon be released. . . .

Review: I’m starting to really enjoy being able to count down to new “Lore Olympus” volumes as they have come out, usually one in the Spring and one in the Fall. It’s nice having a guaranteed amazing read to look forward to, and this Spring we are now on “Lore Olympus: Volume Six”. I try not to let myself bank too heavily on the quality of a highly anticipated read, but in the case of Rachel Smythe and her amazing reimagining of Greek Mythology I am pretty sure that I have no need to worry. She knows what she is doing. And what she is doing is putting some of my favorite deities through the ringer. Like, repeatedly. And skillfully. So on we go into the newest “Lore Olympus” collection, and man, did it once again blow me away.

When we left off, we saw Zeus demanding that Persephone and Demeter be returned to Olympus as fugitives so that Persephone could be punished for her crime of smiting morals, with Demeter punished for covering it up. Persephone ran into hiding, and Hades went looking for her. We don’t take too much time dilly dallying about Persephone on the run, and once Hades does reunite with her he now has some choices to make. He can either be loyal to his brother, who is also his ally in their alliance as Gods, or he can be loyal to Persephone, the woman he is falling in love with. It’s a great conflict and it’s a really good way to showing what a fucking narcissistic buffoon Zeus is, as the Gods all argue (over zoom call) as to what should be done next. Also, this zoom call is hilarious even thought it’s discussing some pretty heavy stuff. I especially liked Artemis being stuck on mute and not realizing it, and Hera just chain smoking in disdain for her husband and peeking into his frame every once in awhile. Smythe still has so many hilarious moments even as the story gets more and more intense and high stakes, and it never feels out of place or jarring.

In this volume, we are finally starting to get some full on answers about Persephone’s secret as the Bringer of Death. Earlier we got one version of the story, in that it was said that she massacred a number of mortals for pulling flowers in a forbidden area, which resulted in the deaths of many of Persephone’s flower nymph friends. What I really loved was that that initial explanation had been originally hyped up and sensationalized, and we had another version that seemed far more reasonable, if still disturbing. But Smythe decided that go even deeper, and to explore the idea that perceptions and realities might not line up still, and by letting Persephone tell it in her own words, and to open up to Hades about this, was a clever twist on its own. But this also leads to us learning more about Hades, and his own traumatic past of being swallowed and imprisoned by his father Kronos, and how that has affected his life going forward. In the previous volume Hades mentions that he didn’t really KNOW Persephone, and in this volume they now know each other in incredibly intimate ways, and their relationship is evolving and growing apace in a healthy way because of it. It is making this romance a slow burn for sure, but it’s also showing how two damaged people CAN find love and intimacy in spite of their baggage, and in a healthy way, and that they deserve to heal and be loved. It’s pretty clear to me that so much of “Lore Olympus” is about unpacking and healing from trauma, and I love seeing these two heal together.

It’s also the attention and expansion of the supporting characters that has always made Smythe stand out, and in this volume we not only expand upon previous characters and their motivations, but we also get to see new interactions between the characters that clearly set up or harken back to the source mythology. I really love seeing nods to tertiary players like Echo and Daphne, and Smythe opts to make these originally quite passive characters into three dimensional beings that I have fully come to care about (and which makes me nervous for their fates as the series goes on). The thing that really caught me by surprise was how suddenly invested I was in the burgeoning romance between Daphne, a flower nymph who is striving to be a fitness and beauty influencer, and Thanatos, God of Death who has been a resentful lackey to Hades and who has been plotting against Persephone with Minthe and Thetis. I never would have imagined these two interacting, and yet Smythe has built it up in a way that feels wholly natural, and gives Daphne the agency that she doesn’t get in the original myth (though as mentioned above, I’m very worried about where this is going).

Oh and new characters too! New characters that are fully representative of their original characterization, but still feel like their original intent. The biggest one in this Volume is that we finally get to meet Hephaestus, one of Zeus and Hera’s sons who, in the original myth, was ostracized from Olympus by Hera due to his disability (two club feet and inability to walk), but became a master craftsman and blacksmith. In this, it seems that he has extricated himself of his own choosing, and has an estrangement with his parents that is a bit more muddled. Perhaps it’s because he is an amputee, but you get the sense that it’s more about emotional unavailability from his parents (and the more we learn about Hera’s backstory, the more it becomes clear that being a neglected wife to Zeus is the LEAST of her traumas, which almost certainly affects her relationships with everyone). He is also more of a computer and tech wiz as opposed to a metallurgist, and I really, really loved that update. Oh, and now Leto is here too, aka the mother of Apollo and Artemis, and it’s pretty clear that HER appearance is going to set up the another big antagonistic arc for Apollo in this story. God he’s just the worst, and now we know that his mother played a part in that.

I’ve once again gone on and on in a review for this series, but “Lore Olympus: Volume Six” is another home run from Smythe. I’m always worried that it’s going to fall off, or start showing cracks, but man, it’s still going strong. I’m still wholly enamored.

Rating 9: New revelations, new relationships, and new threats are all emerging, but Smythe keeps the joy, humor, and heart in play.

Reader’s Advisory:

“Lore Olympus: Volume Six” isn’t included on many Goodreads lists just yet, but it would fit in on “Hades and Persephone”.

Serena’s Review: “The North Wind”

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Book: “North Wind” by Alexandria Warwick

Publishing Info: S&S/Saga Press, May 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Wren of Edgewood is no stranger to suffering. With her parents gone, it’s Wren’s responsibility to ensure she and her sister survive the harsh and endless winter, but if the legends are to be believed, their home may not be safe for much longer.

For three hundred years, the land surrounding Edgewood has been encased in ice as the Shade, a magical barrier that protects the townsfolk from the Deadlands beyond, weakens. Only one thing can stop the Shade’s fall: the blood of a mortal woman bound in wedlock to the North Wind, a dangerous immortal whose heart is said to be as frigid as the land he rules. And the time has come to choose his bride.

When the North Wind sets his eyes on Wren’s sister, Wren will do anything to save her—even if it means sacrificing herself in the process. But mortal or not, Wren won’t go down without a fight…

Review: I’ve had some trouble recently with fantasy/romantasy stories that are billed as read-alikes to “Beauty and the Beast” or “Hades and Persephone.” To be fair, these are fairly difficult romances to represent in a way that both tells a good love story but also doesn’t make one or both characters fairly unlikable or hard to empathize with. Too often the “Beauty/Persephone” character gets too easily distracted by the hero’s hotness to remember she’s angry and a prisoner. And too often the “Beast/Hades” character is more of a raging a**hat than a romantic interest. All of that to say, I was both excited and nervous to pick up this book, which clearly was going to a tell a story involving these types of characters.

Well, this is how you write these sorts of characters! The story itself is great as well, but I really think that books like this really live and die on how well the main characters are represented. And here, both of them are fantastic. Wren, of course, being our perspective character, was the most important of the two, and I really enjoyed her character arc. As I mentioned above, here is a heroine who retains her sense of self, not one to be distracted into forgetting her anger or suspicion by the sight of a chiseled jaw. Instead, Wren’s story focuses more on her own journey, one that tackles not only trust, but also coping with her life choices (particularly her struggle with alcoholism) and with the toxic familial relationships that have severely impacted her sense of self. While I think the discussion of addiction was well handled, I was even more impressed by the way this author navigated the complicated sibling relationship between Wren and her twin sister. Wren’s story is one of coming to understand how she has previously defined herself and reclaiming her own agency over her actions, choices, and life.

And while she is exploring these concepts, a significant amount of the story is still devoted to her challenging relationship with the North Wind. She doesn’t trust this man, and indeed, I was pleased to see her following through on her distrust and anger throughout a large chunk of the book, almost the entire first half. This very much makes the story a slow burn romance, of the sort that I prefer. Because as both Wren and Boreas come to understand one another, we slowly see them dropping their shields. Love cannot come from lust alone, and this book does an excellent job of prioritizing their growing emotional connection before delivering the goods in the spicey scenes. I also loved the excellent snark and banter between the two, something that continues throughout the book, even when the characters begin to grow closer. Their dynamic is compelling to the end.

I also enjoyed the North Wind and his story. The book doesn’t shy away from grappling with the harsher points of his character, and I was also surprised with some of the reveals that came later in the story. There were some real wallops that come in heavy towards the end of the book, which I think helped add some true depth to this character. He’s also the quiet, stoic romantic hero that always particularly appeals to me, so there’s that.

Aside from the characters, I very much enjoyed the world-building that went into this story. There were many familiar elements, but it also all came together in interesting ways. I also know that this is the first book in a series, each seeming to follow one of the four brothers, the gods/Winds. That being the case, we meet a few characters here that are sure to show up in future books, and I’m especially interested in how one character will be dealt with, given the events of this story.

Overall, if you enjoy romantasy, this is a great slow-burn romantic tale. There was an excellent balance between the fantasy and the love story, and the two main characters were well-written and conceived. I’ll definitely be picking up the next book when it comes out!

Rating 8: A perfect example of how to blend the fantasy and romance genres, with two incredible characters at its heart!

Reader’s Advisory:

“The North Wind” can be found on these Goodreads lists: Feel-good romantasy and Best Books About Mythology

Serena’s Review: “Twelfth Knight”

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Book: “Twelfth Knight” by Alexene Farol Follmuth

Publishing Info: Tor Teen, May 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Viola Reyes is annoyed.

Her painstakingly crafted tabletop game campaign was shot down, her best friend is suggesting she try being more “likable,” and school running back Jack Orsino is the most lackadaisical Student Body President she’s ever seen, which makes her job as VP that much harder. Vi’s favorite escape from the world is the MMORPG Twelfth Knight, but online spaces aren’t exactly kind to girls like her―girls who are extremely competent and have the swagger to prove it. So Vi creates a masculine alter ego, choosing to play as a knight named Cesario to create a safe haven for herself.

But when a football injury leads Jack Orsino to the world of Twelfth Knight, Vi is alarmed to discover their online alter egos―Cesario and Duke Orsino―are surprisingly well-matched.

As the long nights of game-play turn into discussions about life and love, Vi and Jack soon realise they’ve become more than just weapon-wielding characters in an online game. But Vi has been concealing her true identity from Jack, and Jack might just be falling for her offline…

Review: I knew this one would be a bit out of my wheelhouse when I requested it, but as I’ve seemed to move into also covering the romance genre to some extent on this blog, and the fact that I’ve loved this author’s fantasy work (she also writes under the name Olivie Blake), I thought it was worth a shot! Plus, this is one of my favorite Shakespeare plays, so I was excited to see it re-imagined into a contemporary setting. Plus, plus, I really loved playing “Baldur’s Gate” which is essentially video-game DnD, so I was definitely interested in a story that focused on this type of gaming.

Unfortunately, this one didn’t quite land the way I wanted it to. But let’s start with some of the positives. And for me, that largely comes down to the male lead character, Jack. I thought it story was really well done, following the tragic but hopeful arc of a young man who was a rising football star before he suffered a debilitating injury. I thought the exploration of this topic was so well done: the upheavals of identity, the loss of purpose and floundering to find direction, the very real mourning for a life that will now not happen. It was all very touching and well done.

There were also elements of the romance I liked, especially the fact that it came across as believable and relatable. All too often, romcoms seem to get caught up in overly complicated “meet cutes” and then a “paint by numbers” style conflict/resolution in the third act. This one hits many of the expected notes, but I think one of this author’s strong suits has been her dialogue, and with this book, the very natural, realistic dialogue helped ground the love story in a way that I appreciated. That said, I was surprised to see the romance essentially take a back seat to some of the gaming stuff for the first half of the story. And, even for me, someone who enjoys gaming quite a bit, this was frustrating. Not only did I pick this one up first and foremost for the romance, not the gaming, but it also forced the actual love story to have to go through all of the stages in a rather short period of time in the second half of the book.

I also struggled to enjoy Viola. And this made for a complicated reading experience, because on one hand, her anger is justified and much of her arc is her learning how to lower her shields, even when she’s been hurt in the past. But on the other hand, even if some of her anger is earned, she was also incredibly unlikable for much of the first half of the story. And as much as my brain could understand this, especially the fact that she is a teenage character which makes all of these big emotions even harder to wrangle, the rest of me was so often annoyed at her that I struggled to enjoy her. I had to keep stopping and essentially explaining to myself why she behaved the way she did, but…having to give yourself a pep talk about enjoying a book doesn’t make for, well, enjoyment.

Overall, this was kind of a “meh” read for me. There were elements that I liked, but there were enough issues with the pacing of the love story and the likability of one of the lead characters that left me feeling rather cold on the story by the end. Fans of YA contemporary romance might still want to give this one a shot, however, as the author’s quippy dialogue is still as fun as ever! Plus, there’s a nice little barb launched at the “Game of Thrones” finale towards the end of the book. Always love to see it.

Rating 7: Just ok. I thought the book touched on some important themes, but the love story felt oddly paced and I struggled to like Viola as a character.

Reader’s Advisory:

“Twelfth” can be found on this Goodreads list: YA Novels of 2024

Serena’s Review: “Empire of Shadows”

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Book: “Empire of Shadows” by Jacquelyn Benson

Publishing Info: Crimson Fox Publishing, April 2024

Where Did I Get this Book: Netgalley

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: One trifling little arrest shouldn’t have cost Ellie Mallory her job, but it’s only the latest in a line of injustices facing any educated woman with archaeological ambitions.

When Ellie stumbles across the map to a mysterious ancient city, she knows she’s holding her chance to revolutionize Pre-Colombian history. There’s just one teensy complication. A ruthless villain wants it, and Ellie is all that stands in his way.

To race him to the ruins—and avoid being violently disposed of—she needs the help of maverick surveyor Adam Bates, a snake-wrangling rogue who can’t seem to keep his dratted shirt on.

But there’s more than Ellie’s scholarly reputation (and life) on the line. Her enemies aren’t just looters. They’re after an arcane secret rumored to lie in the heart of the ruins, a mythical artifact with a power that could shake the world.

Between stealing trousers, plummeting over waterfalls, and trying not to fall in love with her machete-wielding partner, will Ellie be able to stop the oracle of a lost empire from falling into the wrong hands?

Empire of Shadows is the first book in Jacquelyn Benson’s smart, swashbuckling Raiders of the Arcana series. Read it now and dive into a rip-roaring historical fantasy adventure perfect for fans of Romancing the Stone and The Mummy.

Review: After the letdown that was “What the River Knows,” especially after learning that book had been hyped as a read-alike for “The Mummy,” I’ve found myself with a hankering to truly find a book that meets that bill. But while in the past this urge would typically draw me back towards whatever book comes next in the Amelia Peabody list, I strayed upon this book when perusing NetGalley and low and behold! There was “The Mummy” right there in the promotional material! And, luckily for me, this one more closely hit the mark, if not quite perfectly.

There are a few core pieces that I think readers are looking for when they pick up a book like this: action-packed adventure, a healthy dose of comedy, and a sweet, slow burn love story. This book delivers on all fronts! I will say that the book does take a bit to really get going, but when it does, boy, does it move. I think from a structure point, the book might have been better served if it had started a bit more forward in the story with some of Ellie’s backstory about how she came to be where she was being told through flashbacks. As it stands, it takes several chapters and a fairly significant chunk of text to get to the real meat of the story. I think the character work and overall comedic tone of the writing is strong enough to carry readers through, but I’ll admit to a temptation to skip ahead to the part where she finally gets to South America and meets Adam.

But like I said, once they team up and get started on their adventure, the pacing really moves. There are plenty of side adventures and mini action-packed set pieces that sweep the reader through the book, never knowing what will come next. There was also a good balance of action driven from the environment through which they’re travelling as well as from the villains of the story that they are racing from and against. On the last point, I was surprised with some of the directions the story took with this regard. There was a mid-point switch in the book that definitely took me by surprise, but I think worked very well to change up the structure of the story.

And, of course, I very much enjoyed both Ellie and Adam as characters. Again, I think Ellie’s backstory could have been given to us in a different manner, but I still liked what we got from her: a woman who is dissatisfied with the choices in front of her and, fairly recklessly but bravely, decides to take things into her own hands at last. Adam’s story is more subtle, but I also enjoyed some of the details of his own history and the way his life up to this point impacted his choices and priorities after meeting Ellie. I also really enjoyed their sweet, slow-burn romance. There are a few obstacles here and there, but this definitely falls on the cozy side of the genre, and I really loved it.

Overall, this was a thrilling adventure, and I loved every minute of it! I think it truly will appeal to fans of “The Mummy” and other romantic adventures of its ilk. Just make sure to give it a shot for the duration of the slightly slow start.

Rating 8: With adventure around every river bend and a swoon-worthy slow-burn romance at its heart, this book is sure to please readers looking for a “The Mummy” read-alike!

Reader’s Advisory:

“Empire of Shadows” isn’t on any Goodreads lists but it should be on “The Mummy” Inspired Books.

Serena’s Review: “Funny Story”

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Book: “Funny Story” by Emily Henry

Publishing Info: Berkley, April 2024

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Daphne always loved the way her fiancé Peter told their story. How they met (on a blustery day), fell in love (over an errant hat), and moved back to his lakeside hometown to begin their life together. He really was good at telling it…right up until the moment he realized he was actually in love with his childhood best friend Petra.

Which is how Daphne begins her new story: Stranded in beautiful Waning Bay, Michigan, without friends or family but with a dream job as a children’s librarian (that barely pays the bills), and proposing to be roommates with the only person who could possibly understand her predicament: Petra’s ex, Miles Nowak.

Scruffy and chaotic—with a penchant for taking solace in the sounds of heart break love ballads—Miles is exactly the opposite of practical, buttoned up Daphne, whose coworkers know so little about her they have a running bet that she’s either FBI or in witness protection. The roommates mainly avoid one another, until one day, while drowning their sorrows, they form a tenuous friendship and a plan. If said plan also involves posting deliberately misleading photos of their summer adventures together, well, who could blame them?

But it’s all just for show, of course, because there’s no way Daphne would actually start her new chapter by falling in love with her ex-fiancé’s new fiancée’s ex…right?

Review: I really don’t read contemporary romance other than my two exceptions: Emily Henry’s books and now, more and more, Ali Hazelwood’s books (though here we’ve had the best case scenario where she’s also written a paranormal romance!). But Henry was my first love as far as the genre goes, so I always schedule in time to review her new books when I see them coming out. Let’s dive in!

First of all, I would like to congratulate Emily Henry on her wise decision to make her heroine a children’s librarian. There is no better way to make yourself more beloved in librarians’ eyes (a profession that notably buys a lot of books both personally and professionally) than to write a character who works for libraries or in other ways goes on and on about how great libraries are. That said, I don’t think this is a cynical move by authors either. It’s not hard to imagine that most authors grew up with a love of reading, and often libraries play a central role in that development, and thus hold a lot of nostalgic power for adult writers.

All of that to say, beyond the central romance plot line, I loved reading about Daphne’s experience as a children’s librarian. I also appreciated that her profession was worked centrally into the story, and not just as another “character trait” that is just loosely draped on her shoulders but never shown. Indeed, the long work of putting together a large community event at her library serves as a time piece by which the rest of the book is measured. There were also some very cute moments where Daphne’s friends and love interest come to her storytimes and are all duly impressed. *sigh* Every children’s librarian’s dream: adults to appreciate the work that goes into storytime!

But, all of that aside, most readers will be picking this one up for the romance, not the library side plot. And, of course, Henry delivers with flying colors! I loved this take on fake dating (very different from her previous foray into this trope with “Happy Place”) as well as the forced proximity aspect of the story. All of the cute and satisfying scenes that readers often expect from these tropes play out in adorable, and yet still fresh-feeling, ways. However, I think the real strength to not only the romance but the book itself comes in the exploration of how these two characters are attempting to re-build their lives after their ex’s cheat on them with each other. It’s a kind of ridiculous concept at its core, and yet Henry tackles it all with such a careful and sincere manner that the reader can’t help but buy in totally. I also really enjoyed how much this re-building was seen on an individual level for both Daphne and Miles, beyond their coming together as a couple. It was nice to see them both grappling with their own life choices that lead them to where they were, rather than simply using a new relationship as a band-aid to not deal with the previous one.

I also appreciated the way that Petra and Peter were dealt with. They only make brief appearances here and there, but their presence was felt strongly through much of the narrative. But instead of taking the easy way out and writing them each as soulless villains, Henry was more realistic in their portrayal. They aren’t given a pass on their more despicable moments, but by the end of the novel, the reader, alongside Daphne and Miles, comes to view them more with pity as the rather broken people they are, than as horrible beings who would just hurt their loved ones for fun.

And, of course, I very much enjoyed Daphne and Miles and their romance. It builds up nicely, and I also felt that the necessary third act conflict felt believable and in line with both of their characters (rather than shoed-in for necessity’s sake, as you so often see in romance stories). I will say, that while I loved Miles, he probably wasn’t my favorite of Henry’s romantic leads. But this is just a personal preference thing for sure. He is often described as a bit of a “golden retriever” of a man, and as much as he’s lovable, I tend to gravitate towards the more serious romantic heroes, if given my druthers.

This was another solid romance from Emily Henry. It delivers in all of the areas I’ve come to expect from her, and I’m sure it will please all of her many fans as well as any new contemporary romance readers who pick it up!

Rating 9: Sweet, heart-wrenching, and achingly romantic, Henry proves once again why she’s the GOAT of contemporary romance!

Reader’s Advisory:

“Funny Story” can be found on this (and many others just like it) Goodreads list: 2024 Contemporary Romance Releases

Serena’s Review: “Mountains Made of Glass”

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Book: “Mountain Made of Glass” by Scarlett St. Clair

Publishing Info: Sourcebooks Bloom Books, March 2023

Where Did I Get this Book: from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: All Gesela’s life, her home village of Elk has been cursed. And it isn’t a single curse—it is one after another, each to be broken by a villager, each with devastating consequences. When Elk’s well goes dry, it is Gesela’s turn to save her town by killing the toad that lives at the bottom. Except… the toad is not a toad at all. He is an Elven prince under a curse of his own, and upon his death, his brothers come for Gesela, seeking retribution.

As punishment, the princes banish Gesela to live with their seventh brother, the one they call the beast. Gesela expects to be the prisoner of a hideous monster, but the beast turns out to be exquisitely beautiful, and rather than lock her in a cell, he offers Gesela a deal. If she can guess his true name in seven days, she can go free.

Gesela agrees, but there is a hidden catch—she must speak his name with love in order to free him, too.

But can either of them learn to love in time?

Review: Scarlett St. Clair is a powerhouse of a romantasy writer. She’s prolific and beloved, and I hadn’t read anything by her up to this point. So I was excited to check this book out when I was approached by the publisher for a potential review. I won’t lie, I was especially excited to check out a novella and one that is pulling from various fairytales. I best know St. Clair through references to her “Hades and Persephone” series, and that’s a tough one to get right, so I felt more confident with a fairytale re-telling as an initial entry point to this author’s work.

After now reading this book, I feel like I’m just as unclear on whether or not St. Clair’s books are for me or not. That said, I can now easily understand the appeal for many romantasy fans. Let’s start with that part. Right away, the style of writing appealed to me. There was a nice balance between quick pacing and descriptive prose. The author had clearly read a bunch of fairytales and had no problem capturing the correct tone, writing a story that felt both whimsical and beautiful at times, and violent and disturbing at others. I especially liked just how many fairytale sources were all drawn upon to craft this story. The author even included a note with more details on all of the points of inspiration she pulled upon when writing this book, which I found fascinating.

I also really enjoyed the dialogue and much of the inner monologues we saw from both the hero and the heroine. And while I enjoyed Gesela, Casamir’s chapters turned out to be the most fun. There were a bunch of side characters with whom he interacted, and I loved the ridiculousness of their scenes attempting to point out to their great Fae lord just how inept his attempts at wooing Gesala really were. There was also a captured fairytale prince whose own story veered off into some truly surprising directions.

However, almost from the very start, I struggled with the balance being struck here between plot and spicy scenes. In that…there really was no balance and it was predominantly the latter. No judgement, of course, to readers who are happy with books that lean more in this direction, but for me, I still have fairly high expectations as far as plot goes for my romantasy books. I still want a story, you see. And while yes, there was one here, it was sometimes hard to keep sight of it through all of the insta-lust we had going on.

I was especially put off when, during the very first scene between Gesala and Casamir, we have Gesala completely losing her wits and falling into immediate lust over this complete stranger. And not just “oh, he’s good looking” lust, we’re talking “let’s jump in bed now!” lust. From there, I felt like there were numerous moments where any of the tension or build to the actual love story were undercut by these moments of straight spice. And at a certain point, it became so comical how often Gesala was ending up in contrived situations where she was naked that I started counting. Which really isn’t what I want from a story: to be so distracted by some sort of silliness that I start counting.

I’m not quite sure where to go from here. Reading between all of the spicy scenes, there was a lot to like about this book. I thought the characterization was great, the dialogue was witty and often hilarious, and the fairytale inspiration was spot on. I just didn’t like how much the spicy scenes seemed to overshadow any actual story that was being drawn. The author’s note said she plans on writing stories for all of the other Fae brothers, so maybe I’ll check out the next one of those and go from there. That said, if you enjoy romantasy books with insta-lust/lots of spice, this may be for you. But if you’re looking for more story or plotting to hold things together, this one is on the weaker side.

Rating 7: A bit of a hit or miss reading experience, I really enjoyed the story we had here, but unfortunately the plot often fell to the wayside in lieu of romance scenes.

Reader’s Advisory:

“Mountains Made of Glass” can be found on these Goodreads lists: Romantasy for Adults and Epic High Fantasy/Romance/Mythology in 2023

Kate’s Review: “A Dowry of Blood”

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Book: “A Dowry of Blood” by S.T. Gibson

Publishing Info: Redhook, October 2022

Where Did I Get This Book: I own it.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: S.T. Gibson’s sensational novel is the darkly seductive tale of Dracula’s first bride, Constanta.

This is my last love letter to you, though some would call it a confession. . .

Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things.

Finding comfort in the arms of her rival consorts, she begins to unravel their husband’s dark secrets. With the lives of everyone she loves on the line, Constanta will have to choose between her own freedom and her love for her husband. But bonds forged by blood can only be broken by death.

Review: Earlier this month I reviewed the book “Thirst” by Marina Yuszczuk, a sapphic historical horror tale in which a woman in modern day Buenos Aires is caught up with a woman vampire who has been around for centuries. I made mention of thinking about the “Buffy” characters Darla and Drusilla as I read, and mused that I wish there had been a prequel book about Darla and Drusilla galavanting around Europe with Angelus and Spike being a sexual foursome together. Well, the synchronicity of the Universe kicked in a bit, because shortly after that review was written up, I picked up “A Dowry of Blood” by S.T. Gibson, which had been ALL OVER my social media feeds from various horror influencers. I bought it on a whim with a birthday book gift certificate from my sister, not sure of what to expect. And then when I began reading, I nearly fell out of my chair. Because as the story went on, it was clear that it was going to scratch that Darla/Angelus/Drusilla/Spike itch and all the nasty complications that come with it.

You should have made it clear they were all sleeping together, you cowards!!! (source)

“A Dowry of Blood” is from the perspective of Constanta, a medieval peasant woman turned bride of Dracula after the Count discovers her near death and changes her into a vampire. It’s Constanta finding a newfound supernatural power and an exciting life with her husband, but also finding his dark and manipulative side as he takes on more romantic companions and manipulates them all into loyalty and servitude. I’ve read a few “Dracula” retellings or spin off remixes, but I had never read one from the perspective of his Brides, and this one is such a dark yet also empowering read. Constanta’s story is one of a woman who finds herself in a bad and toxic relationship, and who has to go through the process of understanding it, accepting it, and extricating herself from it, while also feeling a loyalty to her fellow companions, Magdalena and Alexi. The three of them coming together to lean on each other, while trying to figure out how to remove themselves from Dracula, is a nail biter the closer we get to the eventual showdown, and while Gibson basically lays out the outcome from the jump, the suspense is still there.

I hesitate to call this story a romance, as it can be bleak and unsettling seeing how Dracula can hold such abusive power over Constanta, Magdalena, and Alexi, but at the same time there are shades of romanticism between the Brides (and Husband) as they bond, commiserate, and eventually strive for more. There is certainly intimacy, and I loved seeing the relationships between Constanta, Magdalena, and Alexi grow and evolve and strengthen. Watching Constanta evolve and shift and start to find her own power, even against the vampire that she feels she owes everything to, is at times difficult given the content, but is also a story that feels inherently like an unshackling of abusive chains. Hell, even just seeing Constanta go from a dying peasant to a vengeful vampire, who takes out the men who killed her family and tried to kill her, starts this off on an empowering note and shows that Constanta has it in her, even when she is under Dracula’s spell, or at least under his gaslighting, his manipulations, and his abusive tendencies. Looking back at my up-page comparisons to pop culture, maybe it would be more accurate to say this reads like Darla leaving The Master behind and choosing her lovers over him. Regardless, it’s satisfying as hell.

BUT, that said, there are also some really sumptuous and erotic moments in this book when it comes to Constanta exploring her burgeoning sexuality and intimacy with not only her husband, but also the other spouses. Much like Coppola’s “Bram Stoker’s Dracula”, “A Dowry of Blood” does have a bit of a romantic undercurrent about it in spite of the horror and the more toxic thematics. There are so many descriptors and so many beats that make it feel like an indulgence of beauty and decadence (especially if you take into account the epilogue/novella that is included in the edition I have, “An Encore of Roses”. That one was just full on sexy and spicy, and I HIGHLY RECOMMEND SEEKING IT OUT REGARDLESS), while also keeping the tension and the horror there . It also has a lot of really knowing nods to the source material itself, giving these characters a complicated backstory while also harkening to moments from Stoker’s vampire novel without dwelling or relying too much upon them.

“A Dowry of Blood” was a really enjoyable and bloody good read. I love historical vampire horror, and I love it when an author can bring in romantic elements that feel real, scary, and also tender. If Gibson wrote more stories about this group of vampires, I’d absolutely read them.

Rating 9: Erotic, empowering, indulgent, and bloody as hell, “A Dowry of Blood” is a sweeping and entertaining vampire novel that finds the darkness in an abusive situation, while also finding the light in actual love and support and tenderness.

Reader’s Advisory:

“A Dowry of Blood” is included on the Goodreads lists “Bisexual Vampire Books”, and “Classic Retellings and Spinoffs: Monster Mash”.