Serena’s Review: “Wolfsong”

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Book: “Wolfsong” by TJ Klune

Publishing Info: Tor, July 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Oxnard Matheson was twelve when his father taught him a Ox wasn’t worth anything and people would never understand him. Then his father left.

Ox was sixteen when the energetic Bennett family moved in next door, harboring a secret that would change him forever. The Bennetts are shapeshifters. They can transform into wolves at will. Drawn to their magic, loyalty, and enduring friendships, Ox feels a gulf between this extraordinary new world and the quiet life he’s known, but he finds an ally in Joe, the youngest Bennett boy.

Ox was twenty-three when murder came to town and tore a hole in his heart. Violence flared, tragedy split the pack, and Joe left town, leaving Ox behind. Three years later, the boy is back. Except now he’s a man – charming, handsome, but haunted – and Ox can no longer ignore the song that howls between them.

The beloved fantasy romance sensation by New York Times bestselling author TJ Klune, about love, loyalty, betrayal, and family.

Review: I was definitely excited when I saw that Tor was republishing this series by TJ Klune. For one thing, I think the colorful, vibrant colors of these new covers are much more in line with Klune’s style of storytelling than the grimdark covers on the originals. Further, I’ve enjoyed the books I’ve read by Klune in the past, and I’m always down for unique fantasy story featuring romance and werewolves!

Per the usual, I do enjoy Klune’s overall style of writing. I know that some struggle with what they perceive as an overly lyrical and flowery approach to word choice and sentence structure, but as a reader who often enjoys lyrical writing, this has always been a bonus for me. Are there times when it may approach the level of saccharine? Perhaps, but, at its core, this is also a romance novel, and I do think that if there is a place for this style of writing, the romance genre is most often where you find it.

I also liked the world that Klune presented here. I grew up in rural/small town northern Idaho, so I’m always partial to stories that take place in small towns. More often than not, paranormal romances take place in urban environments, so it’s always nice to see one set in different locations. I also liked that we see the entire story play out through Ox’s head, the human half of this love story. As I said just recently, I can’t express how relieved I am to open a book nowadays and NOT discover alternating POVs.

However, I did struggle with the romance at the heart of this story. We meet these characters veeerrrry young, and that age issue was really a hang up for me from the very start, as the book doesn’t shy away from the “fated pair” thing right from the start. And that just feels kind of icky with the very young versions of these characters. Beyond that, the age difference is not unsubstantial, especially during the period of time where one of them was 17 and the other several years old. I’ve heard people describe this book as “Twilight but Bella picks the werewolf” and in a lot of ways that is about right. But it’s also right in the unfortunate way: each book has some kind of icky age issues when you get right down to it.

Klune is a very popular author, and I know that this series was well-received its first go around. So I’m sure there are readers who will gobble this up! But if you’re a romance reader who struggles with large age gaps and some of the questionable sides of “mated for life” romance tropes, this one might not be for you.

Rating 7: For some, this will be right up their alley. For me, I couldn’t get past the age issues right from the start, even if it did improve as they aged.

Reader’s Advisory:

“Wolfsong” isn’t on any Goodreads lists, but it should be on Best Shapeshifter/Werewolf books.

Kate’s Review: “Camp Damascus”


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Read the full disclosure here.

Book: “Camp Damascus” by Chuck Tingle

Publishing Info: Tor Nightfire, July 2023

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A searing and earnest horror debut about the demons the queer community faces in America, the price of keeping secrets, and finding the courage to burn it all down.

They’ll scare you straight to hell.

Welcome to Neverton, Montana: home to a God-fearing community with a heart of gold.

Nestled high up in the mountains is Camp Damascus, the self-proclaimed “most effective” gay conversion camp in the country. Here, a life free from sin awaits. But the secret behind that success is anything but holy.

Review: Thank you to NetGalley for sending me an eARC of this novel!

I have been aware of Chuck Tingle for about ten years now, as he has been a huge Internet meme in and of himself for a number of reasons. The first is that Chuck Tingle is a pseudonym and the way he presents himself is almost assuredly (I don’t want to say assuredly, however) performance art to an amazing and endearing degree. The second is that up until now he is predominantly known for writing short story monster erotica, with titles like “Space Raptor Butt Invasion”, “Bisexual Mothman Mailman Makes A Special Delivery In Our Butts”, and “Absolutely No Thoughts of Pounding During My Fun Day With This Fun T-Rex Because I’m Aromantic and Asexual And That’s a Wonderfully Valid Way of Proving Love Is Real”(oh man, I LOVE this). I also have a memory of spending an evening hyperfocusing on scrolling his Twitter feed and laughing so hard I was crying. When I saw that Tingle was going to be writing two actual, full length, non-monster erotic horror novels, I was absolutely fascinated by the entire concept, and when I read the plot for “Camp Damascus” I knew that I needed to read it. Firstly because I’m always down for horror that plays on real life fears (in this case, conversion camps and fundamentalist Christianity), and secondly because what would a mainstream Chuck Tingle book look like?

“Camp Damascus” works on so many levels for me, the first of which being that lately LGBTQIA+ people are being maligned, vilified, and threatened by so called culture warriors and bigots, with more and more laws passing that target trans people and drag queens, and people losing their minds over the slightest hint of a rainbow on a mainstream product. The unfortunate and horrible truth is that places like Camp Damascus and the people who run it are, while perhaps not supernatural, causing harm to LGBTQIA+ children. It’s a book that calls out that hateful bullshit through metaphors and demonic imagery, and it is done in a way that is very scary, very earnest, and very affecting. Our protagonist Rose is a teenage girl living in the deeply fundamentalist community of Neverton, Montana, her family members of the Kingdom of the Pine Church, and she is living a life of true belief and pragmatism. But when she starts seeing images of a menacing demon, and starts coughing up bugs, and it is all connected to a hidden to the world (and in some ways herself) attraction, she starts to realize that there are parts of her life that have been suppressed and hidden from her, and that it ties back to the community conversion camp Camp Damascus. The demons in this book as described are unsettling and creepy, and Tingle has a few wonderfully described moments that freaked me all the way out just through the way he paints a tense picture to its snapping point. And there is, of course, the real life horrors of how queer people can be demonized by fundamentalist groups, and having it connect back to literal demons involved with a conversion camp just feels absolutely correct. Horror as religious trauma and bigotry isn’t something I expected from the guy who brought us “Taken by the Gay Unicorn Biker”, but it works incredibly well.

And the other thing that I really, really enjoyed about this book is Rose as a character, as not only is she queer, she is also autistic. As someone who is neurodivergent herself, I’m always eager to see characters who are ASD or ADHD or what have you, and I really liked the exploration Tingle does with her character as a very literal person with many curiosities who is living in a community that is VERY threatened by curiosity in general. Exploring a queer person living in this reality was a choice I liked, but it also made me think about what it would be like to live in this kind of community with a different neurotype and how challenging that would also be. I also really love how heartfelt Rose is, and how Tingle never lets her become too cynical, or worn down. She is determined to figure out what is going on with her, and once she does she is determined to make sure that the trauma she has experienced doesn’t happen to anyone else, making friends and connections with other people like her along the way. It shouldn’t surprise me that there is so much hope in this story, as Tingle has always exuded hope with his saying ‘love is real’, and it makes this battle cry against bigotry pulse with joy.

“Camp Damascus” is an impressive jump to the mainstream by Chuck Tingle, who is a horror writer I am going to be keeping my eye on.

Rating 9: Relevant, searing, and incredibly heartfelt, “Camp Damascus” is a solid and enjoyable mainstream horror review novel from Chuck Tingle.

Reader’s Advisory:

“Camp Damascus” is included on the Goodreads lists “Queer Horror”, and “Horror to Look Forward to in 2023”.

Book Club Review: “Music From Another World”

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We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is song inspirations, where we were given a random song from a random genre and had to pick a book based on the song.  For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “Music From Another World” by Robin Talley

Publishing Info: Inkyard Press, March 2020

Where Did We Get This Book: Kate owns it; Serena got it from the library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Song Inspiration: “Alternative Ulster” by Stiff Little Fingers

Book Description: A master of award-winning queer historical fiction, New York Times bestselling author Robin Talley brings to life an emotionally captivating story about the lives of two teen girls living in an age when just being yourself was an incredible act of bravery.

It’s summer 1977 and closeted lesbian Tammy Larson can’t be herself anywhere. Not at her strict Christian high school, not at her conservative Orange County church and certainly not at home, where her ultrareligious aunt relentlessly organizes antigay political campaigns. Tammy’s only outlet is writing secret letters in her diary to gay civil rights activist Harvey Milk…until she’s matched with a real-life pen pal who changes everything.

Sharon Hawkins bonds with Tammy over punk music and carefully shared secrets, and soon their letters become the one place she can be honest. The rest of her life in San Francisco is full of lies. The kind she tells for others—like helping her gay brother hide the truth from their mom—and the kind she tells herself. But as antigay fervor in America reaches a frightening new pitch, Sharon and Tammy must rely on their long-distance friendship to discover their deeply personal truths, what they’ll stand for…and who they’ll rise against.

Kate’s Thoughts

Our newest Book Club theme is pretty unique, I think, in which we picked music genres out of a hat and then picking a random song from said genre. I was lucky in that I got punk, which is one of my favorite music genres, and then I got “Alternative Ulster” by Stiff Little Fingers, a Northern Irish band I had very limited knowledge of. But when I looked into the lyrics and it was about people dreaming of a better life and a better place where everyone can just live freely, my mind went to “Music From Another World” by Robin Talley, a book I bought in the early days of COVID but never read. It just seemed perfect given that it’s a book about two queer girls who are pen pals in the 1970s, who are contending with various laws that are threatening to make queer people targets of discrimination, hate, and violence. Sounds familiar, right? That’s the other reason I chose this book. And it just so happened punk music was also a theme!

(source)

Overall I really enjoyed “Music from Another World”, for a number of reasons. The first is that I liked the setting of late 1970s California, as this was a time that was pivotal in the gay rights movements of the 20th century, with Harvey Milk making history and making waves and LGBTQIA+ people pushing back against hateful legislation like Proposition 6 and other bills like it (all while said bills were being embraced and promoted by right wing bigots like Anita Bryant). Talley did a pretty good job of setting the scene, and showing protagonists Sharon and Tammy as they lean on punk music and each other through pen pal letters. The historical details were well presented and felt pretty easy to understand, and it breaks down this moment in ways that make it easy to connect to the current moment as LGBTQIA+ are being targeted again. I also liked the epistolary style of this book, told by letters and diary entries, but I know that such a style isn’t for everyone, as it can be a bit clunky at times (and is in this novel). I was able to forgive it because I like these kinds of found media/transcript plot devices, but also because I liked Tammy and Sharon slowly start to trust each other and develop a bond that neither were expecting. I also, as you can probably tell, really liked how this felt like a hopeful and earnest cry out to readers to not let discrimination and hate towards LGBTQIA+ people fester and take hold, and to push back. It’s hard to find hope in that regard these days. But like Harvey Milk said, ‘ya gotta give ’em hope’. And I fell like this book does that.

I enjoyed “Music from Another World”. It’s just the start of a new Book Club theme, and I have a feeling it’s going to be an interesting one!

Serena’s Thoughts

Overall, I liked this book, too, and agree with everything Kate said. I think the historical elements were particularly interesting and relevant to younger readers who may not be as familiar with this period in history, especially in the LGBT community. As Kate mentioned, there were some clearly intentional choices to focus on hope rather than despair, and I think that’s just always a really great message, regardless. This was especially noteworthy with the decisions made with regards to when and how to end the story.

I did struggle a bit with the style of the story. I’m a really hard sell the epistolary style in novels in general. I’m one of those annoying people who get fixated on details like “no one would EVER write out this much dialogue in a diary!!” So I did struggle to connect to the characters a bit. While I did like them, I think I felt so removed from their story due to the format of the story, that I never felt like I was really sucked into the story. I was too aware that I was reading the entire time to really enjoy this one, if that makes sense.

But I do think this book will appeal to a lot of readers and is a really unique way of telling this sort of story. It is very informative, while also reading as a sweet, teenage love story.

Kate’s Rating 8: A hopeful and far too relevant story about daring to be yourself and striving for a better reality, “Music From Another World” was enjoyable and inspiring.

Serena’s Rating 7: While I struggled with the format, I think this book will greatly appeal to a large swath of readers looking for a hopeful take on history and the present.

Book Club Questions

  1. What were your thoughts on the epistolary narrative device in this book? Did you feel like it worked?
  2. When Sharon visits the Castro with Peter, she notes that there are not many women at the protests, and that she feels like she doesn’t really belong. What do you think Talley was trying to say with this feeling of isolation?
  3. Talley opted to end the book with the failure of Prop 6, and didn’t go into the assassination of Harvey Milk by Dan White or the White Light Riots that happened after. With Milk being such a huge part of Tammy’s narrative, did you think ending before his death was a good narrative choice? Why or why not?
  4. Tammy and Sharon connected to each other at first because of their love of punk music. Have you ever connected with someone and bonded over a love of music?
  5. By the end of the book it’s a bit up in the air about Sharon and Peter’s relationship with their mother? Do you think that she will eventually accept her children as they are?
  6. This book came out in early 2020. What parallels do you see between this story and what is happening with American policy today?

Reader’s Advisory

“Music From Another World” is included on the Goodreads lists “Alex’s Sapphic Masterlist”, and “YA Set in the 1970s”.

Next Book Club Pick: “Girly Drinks: A World History of Women and Alcohol” by Mallory O’Meara

Kate’s Review: “Fence: Vol. 1”

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Book: “Fence: Vol. 1” by C.S. Pacat & Johanna the Mad (Ill.)

Publishing Info: BOOM! Box, July 2018

Where Did I Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Nicholas, the illegitimate son of a retired fencing champion, is a scrappy fencing wunderkind, and dreams of getting the chance and the training to actually compete. After getting accepted to the prodigious Kings Row private school, Nicholas is thrust into a cut-throat world, and finds himself facing not only his golden-boy half-brother, but the unbeatable, mysterious Seiji Katayama

Through clashes, rivalries, and romance between teammates, Nicholas and the boys of Kings Row will discover there’s much more to fencing than just foils and lunges. From acclaimed writer C.S. Pacat (The Captive Prince) and fan-favorite artist Johanna the Mad.

Review: This is quite possibly going to come as a bit of a shock to you, dear readers, but when I was a sophomore in high school, I was on our school fencing team. Yes, I went to the kind of school that had a fencing team, but if I’m being honest with myself I was really only on the fencing team because a few of my friends were on it, I wasn’t actually cut out for it (and once I was consistently cast in plays and could just do theater to negate the sports requirement, that problem was solved). And given that at the time I was in multiple therapies for mental health and learning disability/neurodivergence related reasons, I was barely ever actually fencing. The team still gave me the E for Effort Award at the end of season, probably out of pity. But I retained enough knowledge that when I finally picked up “Fence: Vol. 1” by C.S. Pacat I was thrown into a bit of a nostalgia spin. I had read the first “Captive Prince” book by Pacat, and it wasn’t really my cup of soup. But “Fence” sounded promising, so I requested it, and what do you know? It was super entertaining.

Since this is the first volume in the series, it’s laying a lot of the groundwork and foundation for the ultimate theme and plot of the story as a whole, and I felt like Pacat did a good job of setting the stage. We are mainly following Nicholas, a passionate and determined fencer whose motivation is based on the fact his absent father is former fencing champion Robert Coste, whose snubbing left Nicholas and his mother growing up with little money and lots of struggles. He is now at King’s Row School, on a scholarship, and has a huge chip on his shoulder as an outsider whom the others are underestimating. It doesn’t help that Seiji Katayama, another fencing prodigy who humiliated Nicholas at a previous tournament, is there… and his roommate. Pacat does the due diligence of creating this rivalry between the two of them, all while putting them in a forced proximity situation that just builds their rivalry and the tension… I mean, I kind of know where this is ultimately going to go, but it’s early and there is more to do before we start getting into tropes. I liked meeting Nicholas and seeing his background slowly revealed, and I completely bought the ambition and resentment he was giving with the clues and context put in place. As he starts the process of trying out for the fencing team with an épée blade (that was MY blade), with his dreams and scholarship on the line, we end with the stakes being very high indeed.

In terms of the other characters, we’ve gotten a bit of a taste of the other team members and wannabe team members. Seiji is the obvious supporting character, as Nicholas’s nemesis, and as of now he’s still a little bit mysterious to Nicholas and the reader as well. I liked seeing the various characters and their types, whether it’s the sweetheart Bobby, the no nonsense Harvard, or the playboy Aiden, we have a dynamic group that is going to almost certainly play off of each other and create drama, and I enjoyed most of them as they have been presented to us now. There are hints about other people coming into play later, mostly Nicholas’s ‘legitimate’ half brother Jesse, captain of the rival school’s fencing team, but as of now we are still dealing with the King’s Row team and the discord in place there. Try outs are just getting started when this book ends, and I really have no idea what is going to happen with the team, as not everyone can make it. I’m already attached to a few of these characters and I need to know what happens next.

And finally, I like the art style that Johanna the Mad brings to the series. It feels a bit like an homage to sports manga, with a mix of cartoonish images as well as more realistic ones.

(Source: BOOM! Box)

“Fence: Vol. 1” is a promising start to this sports series. I am VERY interested to see where things go for Nicholas, Seiji, and the fencers of King’s Row. Who’s going to get the pity driven E for Effort Award, what’s what I want to know!

Rating 8: A well laid foundation and an intriguing and original premise makes “Fence: Vol. 1” a solid start to a sporty and maybe romantic series.

Reader’s Advisory:

“Fence: Vol. 1” is included on the Goodreads lists “Fencing Fiction”, and “Graphic Novels: Featuring LGBTIQ+ Themes”.

Book Club Review: “The Raven and the Reindeer”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is retellings and re-imaginings.  For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “The Raven and the Reindeer” by T. Kingfisher

Publishing Info: Argyll Productions, July 2017

Where Did We Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Retelling/Re-imagining: “The Snow Queen”

Book Description: When Gerta’s friend Kay is stolen away by the mysterious Snow Queen, it’s up to Gerta to find him. Her journey will take her through a dangerous land of snow and witchcraft, accompanied only by a bandit and a talking raven. Can she win her friend’s release, or will following her heart take her to unexpected places?

A strange, sly retelling of Hans Christian Andersen’s “Snow Queen,” by T. Kingfisher, author of “Bryony and Roses” and “The Seventh Bride.”

Kate’s Thoughts

I have very little familiarity with fairy tales that go beyond The Brothers Grimm, and while I know the basics of “The Snow Queen”, I never read it as a kid and I don’t know a lot of the details (if we’re being vulnerable on the blog today, my information mostly came from Tumblr posts when “Frozen” came out). But I did know that I like T. Kingfisher, and I liked the past reimagining she did, “What Moves the Dead”. So when Serena picked “The Raven and the Reindeer” I was on board. No questions asked.

I thought that “The Raven and the Reindeer” was not only a creative and unique reimagining of “The Snow Queen” based on my knowledge, I also thought that it was heartfelt and at times very funny. Which is something that I expect from Kingfisher these days. I really liked Gerta’s character arc, as she starts out as a starry eyed and somewhat naïve teenager who thinks she is in love with her life long friend Kay, who is very noncommittal to her as, really, any sort of significant person in his life. After he’s kidnapped by the Snow Queen and Gerta goes on a quest to save him, she starts her own personal journey of self discovery, with the help of a snarky raven named Mousebones with whom she can communicate, as well as that of Janna, a bandit girl with a heart of gold. I loved seeing Gerta start to realize that she may not necessarily need Kay to love her to feel whole and complete, and also starting to realize that perhaps her attractions are towards someone else. Kingfisher also makes such a fun character out of Mousebones, whose snarky attitude adds most of the humor and had me chuckling over and over again.

I really enjoyed “The Raven and the Reindeer”! T. Kingfisher has such a knack for charming stories that feel very original, and this would be a great place to start with her catalog if you haven’t already!

Serena’s Thoughts

This was a pretty easy book club pick for me. I knew I wanted to do a fairytale re-telling, and then, obviously, I’ve loved everything I’ve ever read by T. Kingfisher. Beyond that, “The Snow Queen” is a tough nut to crack as far as re-tellings go and I haven’t read too many of them (unlike the endless versions of “Beauty and the Beast” and “Cinderella” stories to be found!)

As predicted, I really liked Kingfisher’s take on this story. I’m pretty familiar with the original, so it was easy to recognize the many similarities as well as the points of divergence. In particular, I really liked the switch made to Gerta and Kay’s relationship, with Gerta slowly beginning to understand that while she still wanted to save her friend, Kay might not be where it’s at as far as love interests go. Instead, Kingfisher also reimagines the bandit girl who in this story serves as not only the true love interest, but also as a companion for Gerta on the second half of her journey.

I also really enjoyed the quirky animals found throughout the story. This is another staple of Kingfisher’s work, and it melded perfectly with this fairytale that already has a number of animals featured within it. The raven, of course, was hilarious and excellent, as well as the exuberant, magical otters that pull the Snow Queen’s sleigh. But, I have to say, the reindeer, for all that he’s only around for a very short bit, really hit me in the feels. I’ll admit that there were tears.

Overall, this was a fun re-imaging of the classic tale, and I think it will appeal to all fairytale re-telling fans!

Kate’s Rating 8: This is a charming and funny re-imagining of a fairy tale that I wasn’t super familiar with.

Serena’s Rating 8: Sweet and heartfelt, this is an excellent re-telling of “The Snow Queen.”

Book Club Questions

  1. How familiar are you with the original story? Was there a change that stood-out to you?
  2. Kingfisher re-imagines the relationships at the heart of this story. What do you think of her portrayal of Gerta and Kay’s frienship?
  3. There were a number of mini adventures throughout this story, which one did you enjoy the most and why?
  4. Which animal companion was your favorite and why?
  5. This story focuses on themes of courage and self-esteem. In what ways did the author tackle these topics and was it effective?

Reader’s Advisory

“The Raven and the Reindeer” isn’t on any Goodreads lists, but it should be on Popular The Snow Queen Retellings Books.

Next Book Club Pick: “Music from Another World”

Book Club Review: “Spear”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is retellings and re-imaginings.  For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “Spear” by Nicola Griffin

Publishing Info: Tordotcom, April 2022

Where Did We Get This Book: The library!

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Retelling/Re-imagining: “Legends of King Arthur”

Book Description: The girl knows she has a destiny before she even knows her name. She grows up in the wild, in a cave with her mother, but visions of a faraway lake come to her on the spring breeze, and when she hears a traveler speak of Artos, king of Caer Leon, she knows that her future lies at his court.

And so, brimming with magic and eager to test her strength, she breaks her covenant with her mother and, with a broken hunting spear and mended armour, rides on a bony gelding to Caer Leon. On her adventures she will meet great knights and steal the hearts of beautiful women. She will fight warriors and sorcerers. And she will find her love, and the lake, and her fate.

Kate’s Thoughts

I’ve mentioned a number of times on here that I am not super versed in some of the more classic European literature tales, and that extends to Arthurian legends. I think that the adaptations I have seen all the way through are Disney’s “The Sword in the Stone”, which is more about Arthur getting the sword and not much else, and “Monty Python and the Holy Grail”, which is, of course, near perfection. But it’s not like an absurdist comedy with holy hand grenades and killer rabbits is going to reflect Arthur in all his significance. So going into “Spear” I didn’t really know what to expect, as I have a vague working knowledge of some aspects of the source material, but not much. And I’m sorry to say that while I went in trying to be open minded, “Spear” wasn’t my jam. I just kept thinking about coconuts and John Cleese slaughtering people in ridiculous ways and wishing I was watching that again.

(source)

So there were some things I liked about “Spear” and that was mostly in the ways that Nicola Griffin tinkered with the characters and the canon. Whether it was having main character Peretur be a gender bent version of Parzival during his quest with the other knights for the Holy Grail. I liked Peretur’s queer relationship with Nimuë, I liked that Arturus (Arthur), Gwenhwyfar (Guinevere) and Llanza (Lancelot) were in a loving thrupple as opposed to being in a dramatic love triangle, and I liked some of the ways that Griffin explores themes of the Grail and the magical bits of it. But there was so much I struggled with. The biggest issue I had was the writing. It is VERY lyrical, and very detailed, and I had initially picked this book up in print form but threw in the towel VERY quickly and opted for audio. My thought process was that I would be on a couple road trips to Duluth before book club and could use that time to listen, as I’ve had success in the past with that if I find the writing tricky. But it didn’t really help this time. And I think that had I had more investment in the Arthurian source material I would have been more vested in engaging, but since I don’t know it very well I found this book to be a tricky read, bordering on a chore. I am inclined to believe that this is probably a ‘your mileage may vary’ situation, but it just didn’t click with me.

Fans of King Arthur and very purple prose writing styles would probably connect with this, but it wasn’t for me.

Serena’s Thoughts

This was an interesting read for me. On paper, it has a lot of things I really enjoy. I’m fairly familiar with King Arthur legends, but mostly through a strange smattering of exposure to various retellings and adaptations and my own internet rabbit holes of research. I’ve only looked at a few of the “original” legends, themselves. All of this to say, when I picked up “Spear,” I was able to tell right away that this was going to appeal to the big fans of these stories. And that comes to the second thing I typically enjoy: lyrical writing. From the very first page, this is what stands out the most about this book for me. The writing is dense and poetic. There were many times that I found myself having to re-read long sentences to piece together exactly what was being said. As a fan of lyrical writing, I’m used to this experience to some extent, but even for me, I found this one a bit more challenging that I would have liked. That said, I can’t emphasize enough how impressed I am with Griffin’s ability to match the tone of the “original” King Arthur legends. For the big fans, this book will feel as if it can be neatly slotted right in alongside those, as the style of writing and storytelling found here match so well to those.

It’s also clear that Griffin has done her research. For such a short novel, it’s truly impressive just how many details and references she manages to pack in there. As a fan of Juliet Marillier’s, an author who largely relies on Irish folklore and legends, I enjoyed seeing some of these tales and beings woven in throughout this story.

I also really liked our main character and her story. I had a few concerns early on when she showed hints of being a bit too unbelievably good at certain skills with no explanation, but luckily there did turn out to be good reasons for this. I also enjoyed the gender-swapping of her character from male to female and the various changes and additions that Griffith brought to the story. Overall, I did find myself struggling to read this one more than I had hoped (the writing is hard), but I do think that it will greatly appeal to hardcore King Arthur fans.

Kate’s Rating 5: This was a bit of a slog for me, as I couldn’t connect to the writing style and I know very little about King Arthur lore and legend.

Serena’s Rating 8: For me, personally, this was probably a 7. But I rounded up to an 8 for the true Arthur aficionados who will appreciate the meticulous and detailed work that went into creating this story.

Book Club Questions

  1. How familiar are you with the legends of King Arthur? Specifically, how much did you know about the various iterations of Percival?
  2. Did you like the gender-swapped approach to this story? How do you think this changed or impacted the tale as a whole?
  3. The writing in this book is very in line with the style found in many of the more traditional Arthur stories. How did this impact your reading?
  4. How familiar were you with the various Irish legends and folklore that wove in and out of this story?
  5. This is a novella, so it has a reduced page count from a typical novel. Did this seem to fit the story we have here? Would you have liked it to be longer or shorter? And if so, why? Were there parts you wanted to know more about or could have done without?

Reader’s Advisory

“Spear” is on these Goodreads lists: Amazons, Valkyries, and Warrior Women and Sapphic Retellings.

Next Book Club Pick: “The Raven and the Reindeer” by T. Kingfisher

Kate’s Review: “This Delicious Death”

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Book: “This Delicious Death” by Kayla Cottingham

Publishing Info: Sourcebooks Fire, April 2023

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Book Description: Jennifer’s Body fans will clamor for this new sapphic horror standalone from New York Times bestselling author Kayla Cottingham.

Three years ago, the melting of arctic permafrost released a pathogen of unknown origin into the atmosphere, causing a small percentage of people to undergo a transformation that became known as the Hollowing. Those impacted slowly became intolerant to normal food and were only able to gain sustenance by consuming the flesh of other human beings. Those who went without flesh quickly became feral, turning on their friends and family. However, scientists were able to create a synthetic version of human meat that would satisfy the hunger of those impacted by the Hollowing. As a result, humanity slowly began to return to normal, albeit with lasting fear and distrust for the people they’d pejoratively dubbed ghouls.

Zoey, Celeste, Valeria, and Jasmine are all ghouls living in Southern California. As a last hurrah before their graduation they decided to attend a musical festival in the desert. They have a cooler filled with hard seltzers and SynFlesh and are ready to party.

But on the first night of the festival Val goes feral, and ends up killing and eating a boy. As other festival guests start disappearing around them the girls soon discover someone is drugging ghouls and making them feral. And if they can’t figure out how to stop it, and soon, no one at the festival is safe.

Review: Thank you to Sourcebooks Fire for sending me an ARC of this novel!

I read Kayla Cottingham’s debut novel “My Dearest Darkest” last year and enjoyed it due to the tone and the characters. I was also lucky enough to be able to say hello during ALAAC 2022, and she was super awesome and gracious over my awkward fangirling. So when I was offered a copy of her newest horror novel “This Delicious Death”, I jumped at the chance. Partially because I really wanted to see what she followed her debut up with. But also because when I saw that it was about cannibal monster girls going to a music festival, I was fully invested and on board.

Another example of a book that teenage Kate would have been so into. (source)

This was just such a fun read from start to finish. I really liked all of the characters, especially the core friend group of Zoe, Celeste, Jasmine, and Valeria, and I liked the ‘zombie’ (if that’s even the right word) mythos that Cottingham has created for the story. In terms of the characters, our core four feel like a pretty realistic and typical group of teenage girls with the usual insecurities and ride or die friend dynamics, just with a bit of a flesh eating twist to round it all out. While I wasn’t super invested in the will they or won’t they dynamic of Zoe and Celeste, I did like them a lot as friends and really liked how all of these girls have seen some serious shit and are still processing, all while relying on each other. You get to see flashbacks to when all of them were first infected with the Hollowing illness that transformed them into ‘ghouls’ that now can only live on human flesh (synthetically produced now, however), and how they all dealt with that change, that trauma, and how they all came together as friends who are now close as close can be. I loved their banter and their humor, and I loved as they band together to help protect Valeria after she goes feral and kills someone, and how they want to solve what is happening. The gal pal flesh eating teenage gumshoe vibe REALLY worked for me, and you throw that into a conspiracy whodunnit with the backdrop of a Coachella-esque music festival and you have a really, REALLY unique and fun story that will appeal to teens and adults alike. And along with all that, I really really liked all of the representation this book had, with trans characters, lesbian and bisexual characters, characters from different racial and ethnic backgrounds.

And now the horror. The references to “Jennifer’s Body” in the description of this book are pretty on point both in theme and tone, but I also felt like we got some “Left 4 Dead” elements with the descriptions of the way that the ‘ghouls’ look (to me, very much like The Witch in those games. If you know, you know!). I really liked how Cottingham thought out of how The Hollowing pandemic and fall out would have worked, from the way information would have spread to how the population would have reacted to how it would have adapted to try and contain it/cure those who were turned into ‘ghouls’. We get sprinkles here and there of outside perspectives beyond our main character flashbacks, and it fills in some of the blanks with a nice blend of genuinely unsettling bits as well as some fun tongue in cheek/cynical moments that would fit right in in a Verhoeven film. Cottingham doesn’t hold back on the gore and body horror elements either, with full on descriptions of gnarly transformations, some cannibalism, and moments so bloody you feel a bit like you’re in a literary splash zone a la “Evil Dead: The Musical”. It really is a blast.

“This Delicious Death” is the perfect horror read for the time of year we are in, with vacations and road trips abound. It makes it all the more perfect given that we are still trying to navigate a pandemic, albeit a potentially waning one, and the messiness that can come with the aftermath. Recommended reading to be sure.

Rating 9: A fun and gory body horror meets girl’s road trip tale, “This Delicious Death” is a must read horror novel for all your summer vacation plans!

Reader’s Advisory:

“This Delicious Death” is included on the Goodreads lists “Queer Horror”, and “Cannibal Books”.

Book Club Review: “Great or Nothing”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is retellings and re-imaginings.  For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “Great or Nothing” by Joy McCullough, Caroline Tung Richmond, Tess Sharpe, & Jessica Spotswood

Publishing Info: Delacorte, March 2022

Where Did We Get This Book: The library!

Where You Can Get This Book: WorldCat | Amazon | Indiebound

Retelling/Re-imagining: “Little Women”

Book Description: A reimagining of Little Women set in the spring of 1942, when the United States is suddenly embroiled in the second World War, this story, told from each March sister’s point of view, is one of grief, love, and self-discovery.

In the spring of 1942, the United States is reeling from the attack on Pearl Harbor. While the US starts sending troops to the front, the March family of Concord, Massachusetts grieves their own enormous loss: the death of their daughter, Beth.

Under the strain of their grief, Beth’s remaining sisters fracture, each going their own way with Jo nursing her wounds and building planes in Boston, Meg holding down the home front with Marmee, and Amy living a secret life as a Red Cross volunteer in London–the same city where one Mr. Theodore Laurence is stationed as an army pilot.

Each March sister’s point of view is written by a separate author, three in prose and Beth’s in verse, still holding the family together from beyond the grave. Woven together, these threads tell a story of finding one’s way in a world undergoing catastrophic change.

Kate’s Thoughts

I’m someone who has what is probably an average relationship with the book “Little Women”. I read it once a long time ago, I really like the 1994 film with Winona Ryder, and when I was working at a historic Victorian house I was one of the people who would lead a “Little Women” themed Christmas tour. I’m not super wedded to the book like I am “Anne of Green Gables”, but I like it enough. When I saw that Book Club was going to take on a “Little Women” re-imagining that takes place during World War II, it struck me as a perfect time period to revisit this story of sisters growing up during war time and learning hard life lessons while also finding their places in the world. And I was happy to see that I was right.

“Great or Nothing” is written in four different perspectives from four different authors, one for each March sister. The story plunks us midway through the original tale, with Beth already dead and Jo, Meg, and Amy separated and feeling the distance (especially since they all left on a sour note between the three of them). The surviving sisters take on roles that women could have during WWII that perfectly fit each of them. We have Meg at the home front doing fundraising, planting victory gardens, and teaching children. We have Jo working in a plane factory, doing a whole Rosie the Riveter thing. And we have Amy in London volunteering for the Red Cross, and meeting up with Laurie who is fighting in Europe. Beth also has a perspective, with poetry being used because she’s dead, I guess? Regardless, I really felt like all of these settings were perfect for the various sisters, and I mostly liked how all of the sisters felt like their core characters set in a new time. I think that my favorite was Meg’s, as the home front has always fascinated me with war bonds, fund raising, and advocacy, but I did like Jo’s story of working in a factory and finding romance with a lady war reporter named Charlie (as a true Professor Bhaer fan, I loved how they brought this relationship into this story with a queer twist). That said, I did find it a little bit of a bummer that we were at a point in the story where Meg, Jo, and Amy weren’t really interacting with each other, as that is part of the charm of the original story for me. It seemed like an odd choice, but at the same time since it was four different authors writing each sister, I suppose that makes some sense so as not to step on each other’s toes.

“Great or Nothing” is a really well thought out re-imagining of a classic tale, with a nice blending of voices from different authors to give Meg, Jo, Beth, and Amy March interesting stories in the 20th century.

Serena’s Thoughts

I’m probably similar to Kate in my devotion levels to the original “Little Women.” Enjoyed the book, liked the 90s version of the movie well enough, really liked the recent one that was released a few years ago. But, like Kate, I don’t have any strong emotions attached to it, which in many ways makes it the perfect book for a retelling! If you’re not a devoted fan, you won’t get as mad at changes!

Anyways, the first thing that stood out to me was how much I liked the change in time period. There are a million and one WWII books out there, but this story really took a unique angle at exploring all of the very different ways that women contributed to the war front, both at home and abroad. Not only did this give the reader a wide range of angles on this particular time of history, but all of these choices also worked perfectly with the characters themselves. I was also very impressed with how well the different writing styles of all of the authors worked together. Perhaps….too impressed? If I hadn’t know that this was authored by four different people, I’m not sure I would have guessed, and I’m not sure that’s really for the best. Obviously, cohesion on this sort of project is key, but I also think you lose something from the original goal if every author’s voice is paired down to the point that they’re indistinguishable from each other.

As for the story, I thought it did a good job of hitting the major plot points that fans will look for. That said, I didn’t necessarily enjoy many of these chapters. While I liked the look at the types of work that Meg and Jo were doing, their personal arcs I found more frustrating. Honestly, if I had to hear one more time about the big fight they all got into, I think I would have screamed. In this way, I felt like this book really missed the mark on the overall theme of “Little Women.” Yes, the sisters have their quarrels, but the primary heart of the story is built around the deep bonds they all share. So for this book to spend the vast majority of its time with each sister endlessly reflecting on their broken ties…it just felt like a bummer and a let down of the original premise. This being the case, Amy’s story rose to the top for me as the only one that felt as it had any real action or stakes involved. I enjoyed getting to see her and Teddy’s romance play out more in real-time as well, rather than the off-page romance we get in the original.

Overall, I felt like this book was ok. I didn’t love anything it was doing, but I also didn’t hate any of it. I think Meg and Jo both could have been done better by, but I really enjoyed Beth’s poetry sections and Amy’s plot line. Fans of the original looking for a unique take will likely enjoy this, however.

Kate’s Rating 8: A great new setting for a classic tale of sisters growing up and finding themselves, “Great or Nothing” is a successful “Little Women” retelling.

Serena’s Rating 7: An interesting reimaging with an excellent use of shifting the historical setting, but it still somehow feels as if it misses the mark on the heart of the original story.

Book Club Questions

  1. What did you think of the time period in this retelling? Do you think that World War II fit in with the “Little Women” story?
  2. Each of the March sisters was written by a different author. Did you like any sister more than the others?
  3. Did the Beth sections with the poetry work for you as you were reading? Would you have preferred to see another character’s perspective over Beth’s, like Laurie, or Marmee?
  4. Which of the sister’s plots would you like to be in? The homefront? A factory? Acting as a Red Cross volunteer overseas? Something else?
  5. What is your experience with the original “Little Women” story?

Reader’s Advisory

“Great or Nothing” is included on the Goodreads lists “Book Riot 2022 #21: Read a Queer Retelling of a Classic of the Canon, Fairytale, Folklore, or Myth”, and “YA & Middle Grade Retellings of “Little Women””.

Next Book Club Pick: “The Raven and the Reindeer” by T. Kingfisher

Serena’s Review: “Notorious Sorcerer”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Notorious Sorcerer” by Davinia Evans

Publishing Info: Orbit, September 2022

Where Did I Get this Book: ARC from the author!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: Welcome to Bezim, where sword-slinging bravi race through the night and rich and idle alchemists make magic out of mixing and measuring the four planes of reality.

Siyon Velo, Dockside brat turned petty alchemist, scrapes a living hopping between the planes to harvest ingredients for the city’s alchemists. But when Siyon accidentally commits an act of impossible magic, he’s catapulted into the limelight—which is a bad place to be when the planes start lurching out of alignment, threatening to send Bezim into the sea.

It will take a miracle to save the city. Good thing Siyon has pulled off the impossible before. Now he just has to master it.

Review: This is one of those books where the title was doing a lot of the work in my reasoning for picking it up to review. Plus, I thought the cover was pretty cool. Other than that, I really only understood it to be a fantasy novel that involved alchemy somehow and may or may not be a portal fantasy. But I’m always game for an unknown debut book, so I was excited when I received an ARC from the author.

Bezim is a land strictly divided by the haves and have nots. Those in the upper class have easy access to education and, through that education, magic, while those in the lower classes must struggle by. Of course, alchemy is a magic that has its dangers as well as its powers, so a firm understanding of its uses is necessary to prevent some of the horrific disasters that have been suffered in the past. But for Siyon, he’s happy enough to live somewhere in the middle, patching together his own small time alchemy with very little adherence to the rules that are meant to govern it. That is until he performs a shocking act of magic that both impresses and concerns all who witness it. For now, the future of Bezim is in question again and it seems only an unlearned amateur may be capable of saving it.

This was definitely one of those middle-of-the-road books for me. There was nothing glaringly wrong with any of it. And, in fact, much that was right. Yet, I still struggled to feel fully immersed in the story. The pacing is fast right from the start, with the story galloping along from one action-packed scene to the next. On one hand, this made the story a fun, quick read. But on the other hand, I felt like I was struggling to fully connect to the characters I was meeting on the page, as they were so quickly vaulting from one action set piece to another, with very little time given to any sort of introspection.

I did really like the magic system we were given, and the interesting ways that staples from classic portal fantasy and other alchemy stories were woven together. There was enough that was familiar to make the story approachable (and to help with the fact that, again, the fast pacing left less room for lengthy explanations than other, slower fantasy novels), but there were a lot a lot of original ideas on display as well.

I had also heard a lot of references in early blurbs of the book to the funny and light-hearted tone of the story, and those definitely check out. But, again, I wasn’t necessarily blown away by any of comedic elements. For one thing, I began to struggle with Siyon as a main character when it came to this balance of comedy and primary protagonist. His character is introduced as an “act first, think second” type of person, and we see that again and again. Some of this plays to great comedic affect. But there also came a point when he had been warned again and again about the dangers of alchemy and continued to hand-wave these warnings away. After a bit, I began to feel more frustrated by his poor decision-making than amused.

Overall, this was a perfectly fine debut fantasy novel. There was a lot of potential every where you looked: intriguing world-building, humorous writing, interesting characters. But it also felt like every one of these aspects could have been fleshed out just a bit more to make something truly noteworthy. That said, fans of fast-moving, action-packed fantasy novels should definitely check this one out.

Rating 7: A quick, fun read, but perhaps lacking some of the depth I look for to make a book really feel like it’s going to stick with me.

Reader’s Advisory:

“Notorious Sorcerer” isn’t on any Goodreads lists yet, but it should be on Alchemy Books.

Kate’s Review: “The Route of Ice and Salt”

Book: “The Route of Ice and Salt” by José Luis Zárate

Publishing Info: Innsmouth Free Press, January 2021 (originally published in 1998)

Where Did I Get This Book: I own it.

Book Description: A reimagining of Dracula’s voyage to England, filled with Gothic imagery and queer desire.

It’s an ordinary assignment, nothing more. The cargo? Fifty boxes filled with Transylvanian soil. The route? From Varna to Whitby. The Demeter has made many trips like this. The captain has handled dozens of crews.

He dreams familiar dreams: to taste the salt on the skin of his men, to run his hands across their chests. He longs for the warmth of a lover he cannot have, fantasizes about flesh and frenzied embraces. All this he’s done before, it’s routine, a constant, like the tides. Yet there’s something different, something wrong. There are odd nightmares, unsettling omens and fear. For there is something in the air, something in the night, someone stalking the ship.

The cult vampire novella by Mexican author José Luis Zárate is available for the first time in English. Translated by David Bowles and with an accompanying essay by noted horror author Poppy Z. Brite, it reveals an unknown corner of Latin American literature.

Review: I think that for a lot of people, if they hear the phrase ‘homoerotic vampire fiction’ they are going to immediately think of Anne Rice (may she rest in peace). After all, “Interview With the Vampire” is at its heart the story of two guy vampire lovers who have a bad marriage and make the mistake of having a baby to try and save it (I am NOT wrong). Louis and Lestat have an undercurrent (and overcurrent) of sexual tension that Rice explores more through Lestat in later books, but it was definitely the formative relationship for gay vampire fiction in modern times. And to be fair, vampire lore is usually pretty charged with sexuality, even going back to Bram Stoker’s grand daddy of vampire tales “Dracula”. That book is horny as hell, something that Francis Ford Coppola took FULL advantage of in his 1990s adaptation. So it’s not really surprising that “The Route of Ice and Salt” by José Luis Zárate takes a mysterious element of “Dracula” and gives it a shot of homoerotic adrenaline, and pulls it off with ease.

I’ll let you decide what that ‘one thing’ is. (source)

“The Route of Ice and Salt” is the story of the Demeter, the ship that transported Count Dracula and his many boxes of Wallachian soil to London, and arrived aport with no crew left and a dead captain, tied to the mast with a rosary in hand. It’s a moment in the original source material that’s really just there to show that Dracula is brutal and has had his fill, so is at full strength when he arrives in England. But Zárate lets us have a look into what happened on the doomed voyage, and creates a story that is both horrifying and absolutely heartbreaking. It’s told through both the Captain’s own thoughts and experiences as well as his ship log, and the first half of the story is a LOT of him fantasizing about the men on his crew, but unwilling to act upon it as he finds his same sex attraction repulsive and monstrous. We slowly find out that he has his reasons to feel that way, as a man he once loved was treated as a monster after being accused of a crime he did not truly commit, which had to do with his sexuality. As the Captain grapples with his attractions, something else, an ACTUAL monster, is stalking the ship, feasting upon the crew in a far more literal and violent way.

Though it took a bit to get there, once we got to the slow progression of crewmen disappearing, while the others slowly realize they are being hunted, I was fully invested not only in how we get to where we end up in the original tale, but how The Captain is going to ultimately make his sacrifice. As well as if he’s going to be able to forgive himself for his perfectly natural attractions (though certainly not at the time; Stoker himself has lots of rumors about his own sexuality that may have subconscious laid out hints within “Dracula”. Like I said, that book is horny as hell). Zárate made the Captain very believable and sympathetic, and once he realizes that he is alone on the boat with a monster, an ACTUAL monster, even though I knew the ending, I still felt a deep attachment to him, in spite of myself. And while MAYBE I thought that I was going into a story that had Count Dracula and the Captain getting it on over and over (please don’t judge me, I will say it again, “DRACULA” IS A SEX FUELED BOOK!!!), what I got was far more satisfying, emotional, and terrifying. The descriptions of the ship at night in the fog, with crewmen’s screams starting and then stopping…. GOD, it set me on edge, and it’s the perfect companion to one of my favorite vampire stories. And not for nothing, this updated version has a FANTASTIC Afterword by Poppy Z. Brite that addresses the transgressive nature of this book, and it gives a lot of great context that I thought was SUPER interesting.

“The Route of Ice and Salt” is sexually charged and scary as hell. It now lives on my shelf next to the source material (all three versions I own), and in my mind it absolutely belongs in the “Dracula” canon.

Rating 8: Haunting and erotic and oh so creepy by the end, “The Route of Ice and Salt” takes the voyage Dracula takes across the sea and turns it into a creepy (and horny) nightmare.

Reader’s Advisory:

“The Route of Ice and Salt” is included on the Goodreads lists “Queer Horror”, and “Books About or Consisting of Vampires”.

Find “The Route of Ice and Salt” at your library using WorldCat, or at a local independent bookstore using IndieBound!