Tag: horror

Kate’s Review: “This Cursed House”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “This Cursed House” by Del Sandeen

Publishing Info: Berkley, October 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: In this Southern gothic horror debut, a young Black woman abandons her life in 1960s Chicago for a position with a mysterious family in New Orleans, only to discover the dark truth. They’re under a curse, and they think she can break it.

In the fall of 1962, twenty-seven-year-old Jemma Barker is desperate to escape her life in Chicago—and the spirits she has always been able to see. When she receives an unexpected job offer from the Duchon family in New Orleans, she accepts, thinking it is her chance to start over. 

But Jemma discovers that the Duchon family isn’t what it seems. Light enough to pass as white, the Black family members look down on brown-skinned Jemma. Their tenuous hold on reality extends to all the members of their eccentric clan, from haughty grandmother Honorine to beautiful yet inscrutable cousin Fosette. And soon the shocking truth comes The Duchons are under a curse. And they think Jemma has the power to break it.

As Jemma wrestles with the gift she’s run from all her life, she unravels deeper and more disturbing secrets about the mysterious Duchons. Secrets that stretch back over a century. Secrets that bind her to their fate if she fails.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Who doesn’t love a good ghost story? I know that I do, even when it isn’t October (though a good ghost story in October is just icing on an already spooky cake). I am always looking out for ghost stories, and “This Cursed House” by Del Sandeen has been on my radar for a long while now because of this. And now it’s finally time to dive in. But this isn’t just any ghost story. One of the haunting things in this tale is the spectre of American racism.

As a horror story involving a Gothic aesthetic and some scary ghosts as well as a family curse, this book is solid and well done. I liked following Jemma, a Black woman from Chicago going to work for a wealthy family in New Orleans, as she realizes that the job she was hired to do isn’t at all what the mysterious and odd Duchon Family wants her to do. Jemma can see spirits, a gift she has had and suppressed her entire life, and when she gets to the Duchon’s estate the ghosts really start to show themselves. I really liked the slow build dread of the spirits, as well as some of the more heartbreaking encounters that Jemma has with some of them, showing a wide array of reasons these ghosts are lingering. I also enjoyed the Gothic vibes, the isolation made pretty literal as we find that the Duchons are trapped on the estate due to a family curse, the same one that seems to cause a family member to die ever year on the same day. I don’t want to spoil much here because the surprises and reveals need to be revealed when Sandeen is ready, but I will say that the twists and turns and origins of the curse kept me guessing. And given the setting and themes this is very much a Southern Gothic tale, and it’s a very well done one that feels in the same vein as “The Reformatory” with its grotesque antagonists and sense of foreboding with roots tied to trauma and a dark history not only of a cursed family, but of the American South itself.

But what really cemented this story’s strength were the themes about race, identity, and racism in the Jim Crow South and how that malevolence poisons all kinds of people’s thoughts and minds. The Duchon Family is a white passing Black family that sees itself as above darker Black people like Jemma, and who help uphold the systems and abuses in place because they directly benefit from it, even hurting their own family because of it. Sandeen approaches these characters in very nuanced ways without letting any of the more deplorable ones off the hook, finding explanations for their behavior while never excusing it. It makes for a very difficult read at times as the Duchons treat Jemma absolutely terribly, as well as other Black characters with darker skin from microaggressions to straight up violence. It elevates the already strong family drama to even higher heights, and I found these very real horrors of racism, colorism, and racial violence to be very effective and very upsetting.

“This Cursed House” is a solid Southern Gothic horror tale, one that really got under my skin. I highly recommend it for horror fans, and really anyone who wants a disturbing tale for the Halloween season.

Rating 8: A haunting and biting, “This Cursed House” is a Southern Gothic, a haunted house story, and an examination of identity, self loathing, and racism.

Reader’s Advisory:

“This Cursed House” is included on the Goodreads list “October 2024 Horror”.

Kate’s Review: “Shallow Ends”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Shallow Ends” by David James Keaton

Publishing Info: Podium Publishing, September 2024

Where Did I Get This Book: I received an eARC from the author.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: An innocent celebration takes a twisted turn when thirteen unlucky people find themselves trapped on a party bus with an inscrutable driver at the wheel.

It was just supposed to be a birthday party, a mobile celebration with a group of college friends on a modified fire truck. But at some point, things take a dark detour. As the pulsating beats of dance music reverberate over an endless stretch of asphalt, the temperature suddenly plummets, and the reality of the situation becomes chillingly clear. The driver will not stop. After frantically attempting contact, the passengers begin to suspect this party may never end. Desperation mounts as the trapped revelers hatch a plan to halt the rolling nightmare themselves. While they continue to drink and argue, shifting narrators peel back the layers of their past lives, exposing the disturbing secrets that bind them all together. Alliances shift, old grudges resurface, and battles erupt as the terrified passengers turn on one another in a struggle for survival as they careen through the night.

The Twilight Zone meets Speed in Shallow Ends, a harrowing exploration of the human psyche set on a desolate highway, where the line between what’s real and unreal blurs. Brace yourself for a psychological thrill ride that will leave you questioning the boundaries of perception—and confronting the darkness that lurks beneath the placid surface of our lives.

Review: Thank you to David James Keaton for sending me an eARC of this novel!

Halloween Season keeps on keeping on, and I am trying to showcase a variety of sub genres this year for Horrorpalooza. Heck, I’m trying to expand my horror reading experiences all year round, really. So when David James Keaton reached out with his new horror novel “Shallow Ends”, and I saw it described as “The Twilight Zone” meets “Speed”, I thought that it sounded out there enough that I HAD to check it out. And I’m happy that I took a chance on it, because “Shallow Ends” was bizarre in the best way.

I didn’t really know what to expect with this story but it was a high tension roller coaster for the most part. While the comparisons to “The Twilight Zone” and “Speed” are definitely on point, I was also thinking of the anthology horror film “Night Train to Terror” as I read this as this party firetruck of people hurtles towards who knows what. Keaton definitely knows how to up the suspense as our party goers start to realize that their party firetruck isn’t stopping, and may NOT stop unless they can figure out a way to do so. It’s creative and weird, and I did find myself wondering just how this was all going to shake out for our cast of characters as the night continues on, they start to turn on each other, and the booze keeps on flowing. I will admit that the huge cast of characters made it a bit tricky for me to keep them all straight, but characterization for every player isn’t really the point, even as we start to delve more and more into their backstories (more on that in a bit). I think that for me the biggest success was the oddball strangeness of a party firetruck with a pool and bar a volatile group of revelers getting stuck in a time loop or something of the sort and their journey never ends as as they get more desperate. It’s SO weird but because of that it utterly charmed me.

And yes, as we see character backstories or memories as told through separate short stories, it also has a bit of a “Canterbury Tales” vibe to it. Which is ALSO so oddball, but executed in a way that I found to be interesting and unique. At first I was a little thrown, but once I figured out what was going on I got on board. I will say that sometimes it kind of threw the momentum off to be going from something so frenetic as an out of control party firetruck to a total change in scenery, but it was, again, an oddity to what I have come to expect from the genre. And yes, there were plenty of things in this book that actually had me laughing out loud. There are a lot of characters who are just awful, but have some really funny lines, both in the moment on the party truck, but also within the stories that are representing themselves beyond the chaotic moments in the pool.

“Shallow Ends” is a strange brew, and I found it entertaining and suspenseful. If you like weird horror, this is one to look out for!

Rating 7: Frenetic and strange with an ever building tension, “Shallow Ends” is breakneck and suspenseful, and one of the more unique horror books I’ve read this year.

Reader’s Advisory:

“Shallow Ends” isn’t on any Goodreads lists as of now, but it would fit in on “Best Weird Fiction Books”.

Kate’s Review: “The Hysterical Girls of St. Bernadette’s”

This post may contain affiliate links for books we recommend.  Read the full disclosure here

Book: “The Hysterical Girls of St. Bernadette’s” by Hanna Alkaf

Publishing Info: Salaam Reads/ Simon & Schuster Books for Young Readers, September 2024

Where Did I Get This Book: I received an eARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: An all-girls school is struck with mysterious cases of screaming hysteria in this chilling dark academia thriller haunted by a deeply buried history clawing to the light.

For over a hundred years, girls have fought to attend St. Bernadette’s, with its reputation for shaping only the best and brightest young women. Unfortunately, there is also the screaming.

When a student begins to scream in the middle of class, a chain reaction starts that impacts the entire school. By the end of the day, seventeen girls are affected—along with St. Bernadette’s stellar reputation.

Khadijah’s got her own scars to tend to, and watching her friends succumb to hysteria only rips apart wounds she’d rather keep closed. But when her sister falls to the screams, Khad knows she’s the only one who can save her. Rachel has always been far too occupied trying to reconcile her overbearing mother’s expectations with her own secret ambitions to pay attention to school antics. But just as Rachel finds her voice, it turns into screams.

Together, the two girls find themselves digging deeper into the school’s dark history, hunting for the truth. Little do they know that a specter lurks in the darkness, watching, waiting, and hungry for its next victim…

Review: Thank you to Salaam Reads for sending me an eARC of this novel!

I went to an elite private school in St. Paul, Minnesota, and let me tell you the pressure was pretty horrendous (especially for a girl with a slew of learning disabilities and ADHD). But because of this experience that continues to kind of haunt me to this day in some ways, I’m always interested in a thriller/horror story that has an elite private school as its location. So when I was approached to read “The Hysterical Girls of St. Bernadette’s” by Hanna Alkaf I was pretty much on board right away. You already had me at private school woes of school girls screaming their heads off, but then you really sold me when 1) it was in a locale and culture that I’m not super familiar with, as this book takes place in Malaysia, and 2) there was a hinted at supernatural side to it. So I took the plunge with high hopes, and I’m happy to say that they were pretty well met!

In terms of a mystery thriller with a potential supernatural twist, “The Hysterical Girls of St. Bernadettes” checks a lot of boxes that make it a successful read. We have our two protagonists Khadijah and Rachel, who have alternating chapters and can give us multiple insights across the story as the mystery unfolds (aka, why are their classmates at their prestigious all girls school suddenly screaming for no discernible reason, and what isn’t the school telling the students?). I liked following both of them as they had very different paths in terms of getting the clues together, and as there were more and more questions about whether it is hysteria, something otherworldly, or perhaps something totally understandable, I found myself more and more eager to get to the solution. Some of the imagery in this book was also downright frightening, with Alkaf setting the scene and creating a vision in my minds eye of a girl screaming her head off that really got under my skin. This may be a bit more of a mystery thriller than a horror story, but let me tell you, the bits that were horror were superb.

And even beyond the well paced and creepy mystery and horror story at hand, I really liked the other themes of this book, specifically the calling out and dressing down of violent misogyny and the silencing of women to keep a system untouched and in place. Both Khadijah and Rachel have different ways that they are being silenced, and I liked the choice that Alkaf made to show that there are different ways for these girls to be silenced, whether it is Khadijah’s selective and self imposed non speaking due to the trauma that she endured at the hands of her stepfather, or Rachel not feeling like she can have a say in any part of her future due to her overbearing and cold mother. We shift between both of their perspectives, and it was effective to see their different experiences and the different ways that they fit into the overall mystery of why their classmates are screaming, and how their experiences are both the results of societal expectations for women in their community, with Khadijah being basically silenced in the wake of her stepfather’s crimes and her victimization, and Rachel being pushed into a very specific acceptable box. Throw in the fact that the school is trying to hide a dark history with screaming girls and bouts of hysteria, and doesn’t want Khadijah making waves as she investigates, and you have a critique of misogyny that sears and burns in the best ways.

“The Hysterical Girls of St. Bernadette’s” is a well done thriller/mystery/horror tale. Hanna Alkaf is someone to watch. I know I will be doing so.

Rating 8: A tense and angry horror story that calls out violent and systemic misogyny and lauds feminine rage, “The Hysterical Girls of St. Bernadette’s” is a searing YA tale of all too real terrors to go with the fantastical ones.

Reader’s Advisory:

“The Hysterical Girls of St. Bernadette’s” is included on the Goodreads lists “Books by Malaysian Authors/Set in Malaysia”, and “Horror to Look Forward to in 2024”.

Kate’s Review: “So Thirsty”

This post may contain affiliate links for books we recommend.  Read the full disclosure here

Book: “So Thirsty” by Rachel Harrison

Publishing Info: Berkley, September 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A woman must learn to take life by the throat after a night out leads to irrevocable changes in this juicy, thrilling novel from the USA Today bestselling author of Such Sharp Teeth and Black Sheep.

Sloane Parker is dreading her birthday. She doesn’t need a reminder she’s getting older, or that she’s feeling indifferent about her own life. Her husband surprises her with a birthday weekend getaway—not with him, but with Sloane’s longtime best friend, troublemaker extraordinaire Naomi.

Sloane anticipates a weekend of wine tastings and cozy robes and strategic avoidance of issues she’d rather not confront, like her husband’s repeated infidelity. But when they arrive at their rental cottage, it becomes clear Naomi has something else in mind. She wants Sloane to stop letting things happen to her, for Sloane to really live. So Naomi orchestrates a wild night out with a group of mysterious strangers, only for it to take a horrifying turn that changes Sloane’s and Naomi’s lives literally forever.

The friends are forced to come to terms with some pretty eternal consequences in this bloody, seductive novel about how it’s never too late to find satisfaction, even though it might taste different than expected.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

It is October 1st!! We are officially at the start of my favorite month of the year, and we are also officially in full on Halloween Season, with that most blessed of holidays happening as the month comes to an end. And like I always do for October, I am starting my Horrorpalooza Celebration, in which I dedicate all of my book reviews to horror centered reads. I am always eager for this time of year and this celebration, and I decided that I wanted to kick it off with Rachel Harrison’s new novel “So Thirsty”. I love Rachel Harrison, and I was very eager to see what she was going to do with vampires, as I’ve really liked her takes on other horror sub-genres and how she makes them perhaps a little lighter, while still having some great scares. And “So Thirsty” was a great way to kick things off.

Harrison has always approached horror stories with a quick wit and some well done beats that find quality scares while still being approachable to those who may not be as entrenched in the genre, and she continues that pattern here. Our story is simple: life long friends Sloane and Naomi are going on a girls trip for Sloane’s 36th Birthday. Sloane is feeling stuck in a rut with a cheating husband and boring routine, while Naomi has been traveling Europe with few constraints and a side of flakiness. In hopes of loosening Sloane up, Naomi gets them invites to a big isolated house with some oh so charming strangers, and before we know it Sloane and Naomi have been turned into vampires, wondering what happens next, but perhaps also seeing a new beginning. As a plot it’s great. I love the idea of being changed into a vampire acting as a new start or a way to get one’s groove back, and I thought that Harrison made the vampires in this story appropriately predatory while also being very fun and genial. Less blundering than the “What We Do in the Shadows” group, but not as menacing or cruel as the “Near Dark” nomads. I really enjoyed all of them and their banter and humor, but also liked how nasty they could be when needed (and when their vampiric nature called for it). And there were definitely some moments in this book that were pretty scary and even gory, without being too over the top. Which would make it more accessible to people who are looking for something this Halloween season but may not like things to be TOO bloody.

I also really enjoyed the character development between Sloane and Naomi, both as a friendship pair and as individuals. As Sloane is our main character I expected it for her story arc, and while it didn’t really go outside of the box of ‘ennui and people pleasing woman who is approaching middle age finds her spark again’, I thought that it was a very satisfying storyline to follow. Her frustrations with her life (a boring job, a cheating husband, few things that bring her joy) felt pretty realistic, as did her hesitance to try and change things out of fear of what that change could do to a life she already knows, even if it’s boring and unsatisfying. I also enjoyed her chemistry with Henry, who starts as a mysterious guest at the ill fated party they attend, and turns into a symbol of what Sloane’s life COULD have should she be willing to take a leap (though it’s not like she’s going to have a choice). But what surprised me story wise was that we also got to see a bit of growth for free spirited party girl Naomi, who seems to have the opposite issue of Sloane, but is still in need to confronting how dissatisfied SHE is, even if it’s for different reasons. We don’t get into her head nearly as much, but Harrison knows how to imply and hint at Naomi’s own inner conflicts. And seeing both of these women be confronted with a life changing moment in time, and having to suss out and hash out their complicated friendship because of it, was an arc that I quite enjoyed. Harrison really has a knack for displaying all the ups and downs of female friendships and how they can be incredibly gratifying and fulfilling while also having complexities that can hinder them. Sloane and Naomi are another solid example of that.

“So Thirsty” is a fun way to kick off Horrorpalooza! I always look forward to Rachel Harrison for the spooky season and this one didn’t disappoint!

Rating 8: A fun and introspective tale about friendship and embracing oneself no matter what changes may occur, “So Thirsty” is another entertaining and satisfying novel from Rachel Harrison!

Reader’s Advisory:

“So Thirsty” is included on the Goodreads lists “I Support Women’s Wrongs”, and “Pink Horror Genre”.

Kate’s Review: “Nightmare of a Trip”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Nightmare of a Trip” by Maureen Kilmer

Publishing Info: G.P. Putnam’s Sons, September 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A horror-tinged National Lampoon’s This is one family getaway they’ll never forget… Leigh Somerset wants to spend some quality time with her kids before they grow up, and her husband has always fancied himself sort of a Clark Griswold figure. So the Somersets will be spending their family vacation on the road, driving from suburban Milwaukee to Orlando, Florida. Already off to a rocky start, when they stumble upon an abandoned, half-burned farmhouse in Indiana, the Somersets inadvertently unleash an eerie past that will follow them the rest of their trip. From creepy indoor waterparks to paranormal-activity plagued Cracker Barrels, it’s one thing after another in the pursuit of the great American summer road trip. Will the Somersets be able to shake these bad vibes and get on with family bonding, or will the road less traveled become the highway to hell?

Review: Thank you to NetGalley for providing me with an eARC of this novel!

My family never did a huge cross country road trip when I was a kid, though we did take four-five hour trips to visit relatives in Iowa or drive to the Apostle Islands on occasion. I think that my parents knew that none of us had the wherewithal to do the long drives across multiple states, and since we could afford plane tickets, that’s what we did. But even with the smaller road trips I was compelled to pick up “Nightmare of a Trip” by Maureen Kilmer. I had enjoyed another of her books, and the promise of a haunting story mixed with “National Lampoon’s Vacation” is hard to resist. Unfortunately, my high hopes were a bit dashed this time.

First what I did like. The entire concept of a stereotypical American family road trip being waylaid by supernatural hijinks is a pretty fun idea. Given that I found Kilmer’s book “Suburban Hell” to be a fun satire on American suburbia I was hoping that “Nightmare of a Trip” would have a similar execution and also be a fun satire. And there were definitely some fun things about this book. The idea of a Cracker Barrel being thrown into chaos due to poltergeist activity is hilarious, and I also enjoyed the stress and exhaustion of Leigh and Nick as they are trying to take their kids on a memorable family vacation while also keeping their shit together. Because there were a couple nights at Disney World this past Spring where once the kid was in bed my husband and I just collapsed in a puddle of burn out, and Kilmer nails the feel. It’s also the kind of spooky story that I would be more than confident to recommend to people who want something a little scary to read for Halloween, but not TOO scary. I definitely think it’s important to have varying degrees of horror stories for readers, and “Nightmare of a Trip” would be a pretty safe choice that still gets the reader in a scary story mood.

On the flip side, however, “Nightmare of a Trip” didn’t have the same oomph that “Suburban Hell” did, as I wasn’t nearly as invested in the characters this time around. Sure I found some of them realistic, as mentioned above, but Leigh as our narrator was pretty bland. I appreciate a harried mother character, but I was hoping that we would get a bit more exploration beyond a harried mother, especially since I find the greater strengths in books like this to be the characters when the horror is muted a bit. Along with this, the humorous/satirical elements of this book, which should have been the biggest narrative strength, just didn’t land as well as I had hoped it would. It isn’t BAD. It just isn’t very interesting. Pretty middle of the road. And that’s fine! I had just hoped for more.

“Nightmare of a Trip” is a quick read that is light on scares but still entertains. I had hoped it would be as enjoyable as “Suburban Hell”, but even if it didn’t live up to my expectations I still found it mostly fun.

Rating 6: It’s fun and frothy and probably a good choice for someone looking for some lighter horror this Halloween season, but it was pretty middle of the road.

Reader’s Advisory:

“Nightmare of a Trip” is included on the Goodreads list “All the New Horror, Romantasy, and Other SFF Crossover Books Arriving in September 2024”.

Kate’s Review: “Tiny Threads”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Tiny Threads” by Lilliam Rivera

Publishing Info: Del Rey, September 2024

Where Did I Get This Book: I received an ARC from the publisher at ALAAC24.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A young woman gets her dream job working for a famous designer—and discovers the dark side of the glamorous world of fashion—in this gorgeously sinister novel of supernatural suspense.

Fashion-obsessed Samara finally has the life she’s always dreamed of: a high-powered job with legendary designer Antonio Mota. A new home in sunny California, far away from those drab Jersey winters. And an intriguing love interest, Brandon, a wealthy investor in Mota’s fashion line.

But it’s not long before Samara’s dream life begins to turn into a living nightmare, as Mota’s big fashion show approaches and the pressure on Samara turns crushing. Perhaps that’s why Samara begins hearing voices in the dark in her room at night—and seeing strange things that can’t be explained away by stress and anxiety, or by the number of drinks she consumes every night.

And it may not only be Samara’s unraveling psyche, because she soon discovers hints that her new city—and the house of Mota—may have been built on a foundation of secrets and lies. Now Samara must uncover what hideous truths lurk in the shadows of this illusory world of glamor and beauty, before those shadows claim her…

Review: Thank you to Del Rey for providing me with an ARC of this novel!

Whenever we go to ALAAC I always come with a list of titles that I am looking for. I resign myself to the fact that my desired titles aren’t always going to overlap with what is available, but this past year I had a pretty good ven diagram of things I wanted and things that were available. One of the books I was on the hunt for was “Tiny Threads” by Lilliam Rivera, partially because Cynthia Pelayo had been singing its praises (and I really enjoy her books), and partially because I LOVE a dramatic interpretation of the fashion industry. If it has horror elements, I’m even more sold. So when it was available I was very, very pleased. I went into it expecting a full on horror story. I found something a little different, but in a positive way.

This wasn’t as scary as I had hoped that it would be, but what it lacked in obvious scares it made up for in a good old fashioned feminine rage story and a psychological spiral of our main character, who keeps hearing ‘rats’ in her new aparment’s walls at 2am. We follow Samara, who has moved from New Jersey to California after she is hired by the iconic (but recently struggling) fashion designer Antonio Mota to work as a fashion promoter in his fashion house. What should be a dream job and an amazing opportunity is not so much, as Samara soon realizes that Mota is an abusive narcissist, there are many divisions in the company, and her new home in Vernon, California, is being disrupted by a hostile work environment and strange noises that keep her awake at night. The pressure and the lack of sleep make Samara more inclined to turn towards a bottle as she desperately tries to help throw together a make or break fashion show, and she has started seeing strange and disturbing images of a woman, as well as the name ‘Piedad’ everywhere. It’s pretty clear to this seasoned horror reader what Rivera was setting up, but the execution of watching Samara spiral into deeper and deeper madness (or is it a horrifying enlightenment?) was intense and nerve wracking. Rivera also examines through Samara, as well as other Latine women characters, a hostile racism and misogyny that is seeping at every turn, whether it’s Antonio’s abuses, or the history of the town and how it has used brown skinned women as worker bodies that are expendable, or how powerful white people take advantage of them in all kinds of ways.

I am also a huge sucker for drama filled stories that take on the fashion industry. I am by no means a fashionista, as you can usually find me wearing jeans, band tees, hoodies, and pajama pants, but I am very fascinated by fashion and beauty and the industries that promote those concepts up (and profit off of them). I enjoyed the way that Rivera portrayed Mota fashion house as a place that creates gorgeous and decadent clothing that is envied and coveted by many, but how how it also rings their employees dry, and how at the end of the day it is a capitalistic machine that is out to make money and to convince the masses that they should be spending their money on their designs. Even the setting of Vernon, California, is the perfect vehicle for this, as it’s a small town that was built on corporate need and greed, and sustains itself through this while also reeking of it (literally; there is a meat processing plant that stinks the community up and is hard to ignore). “Tiny Threads” does a great job of juxtaposing the beauty ideals that the fashion industry pushes forth with the mass production corporate greed that ultimately brings harm to many who work within that system, and how they aren’t so dissimilar be it fashion or meat packing and slaughterhouses. I found it compelling and haunting.

“Tiny Threads” is a great adult debut for Lilliam Rivera, and an incredibly psychological horror tale that has just as many real world scares as it does supernatural ones. Highly recommended!

Rating 8: Intense and angry, “Tiny Threads” is a psychological ghost story that takes on misogyny, violence, racism, and the fashion industry.

Reader’s Advisory:

“Tiny Threads” is included on the Goodreads list “2024 Mystery Thrillers Crime to Be Excited For”.

Kate’s Review: “Dearest”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Dearest” by Jacquie Walters

Publishing Info: Mulholland Books, September 2024

Where Did I Get This Book: I received an ARC from a panel at ALAAC24.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A new mom in need of help opens her door to her long-estranged mother—only to invite something much darker inside—in this “fast-paced and frightening debut” (Rachel Harrison) about the long shadows cast by family secrets, perfect for readers of Grady Hendrix or Ashley Audrain.

Flora is a new mom enamored of her baby girl, Iris, even if she arrived a few weeks early. With her husband still deployed, Flora navigates the newborn stage alone. But as the sleepless nights pass in the loneliness of their half-empty home, the edges of her reality begin to blur.

Just as Flora becomes convinced she is losing her mind, a surprising guest shows up: Flora’s own mother, to whom she hasn’t spoken in years. Can they mend their fraught relationship? Or is there more Flora’s mother isn’t telling her about the events that led to their estrangement?

As stranger and scarier events unfold, Flora begins to suspect the house is not as empty as she once thought. She must determine: is her hold on reality slipping dangerously away? Or is she, in fact, the only thing standing between a terrifying visitor and her baby? 

Review: Thank you to Mulholland Books for providing me with an ARC at ALAAC24!

I’ve touched on here about those early days of being a new Mom and how stressful it can be. I was actually very lucky during those first few months of being a new parent, as I have a great support system in town, my husband was able to take a fair amount of time off of work, and we were able to split care up pretty evenly between us (though once COVID hit a few months after she was born the isolation and stress did get to be a bit much!). But I know that I was very lucky, and that even though it wasn’t easy, it wasn’t a nightmare, like it can be for some. I love that more books are talking about this, especially horror novels, and “Dearest” by Jacquie Walters is one of the newest to take motherhood and turn it into a horror story.

There is a bit of a supernatural bent to this book that I don’t really want to spoil, but I will say that this was surprisingly the weaker thread of the novel. That’s not to say that it was bad or poorly done. I did enjoy the way that Walters brought in these elements and how she built it up, specifically an element regarding sleep paralysis and Night Hags, and how she wove them into the story at hand. It also led to a pretty well done twist that I didn’t see coming at all, which made me go back and look for the clues. But I do think that it undercut the power of the horrors that were about Flora dealing with a newborn as a new mom while also dealing with her estranged mother whom she called for help, and who has always had a cruel streak that is popping up again as they reunite.

But what really worked for me were the themes of postpartum depression, the stresses of new parents, specifically mothers, and generational trauma that can fester and pass down from person to person. I found Flora’s experiences as a newly postpartum mother with a newborn and little to no support (as her husband is deployed and delayed getting home) to be heart wrenching, incredibly tense, and in some ways pretty relatable. Walters shows how much it can be a struggle, and how mothers feel like they aren’t supposed to see it as a struggle and therefore it just gets worse and worse until, in some very tragic instances, the unthinkable happens. She also puts very realistic problems like the pressures to breastfeed (even with painful infections), the way that some people dismiss a mother’s stress, the sleep deprivation, and the societal pressures to be a perfect loving mother from the jump, at the forefront and pulls out the tension and the horrors of simply being a new mother in a culture that doesn’t offer as much support as it could. Add in the way that Flora’s mother, whom she reaches out to in desperation, needles, picks at, and has damaged her adult daughter, and it made this reader very, very tense. I’ve said it many times in the past couple of years, but with many women in this country being forced into pregnancies and motherhood due to a lack of reproductive rights, these kinds of stories are especially chilling these days.

Overall I enjoyed “Dearest”. I would have liked a little more, but it’s another effective horror story about motherhood.

Rating 7: A haunting tale of motherhood, generational trauma, and how a lack of support can drive a mother to do things she’d never dream of, “Dearest” is a tense book that felt all too real at times.

Reader’s Advisory:

“Dearest” is included on the Goodreads list “September 2024 Horror”.

Kate’s Review: “This World Is Not Yours”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “This World Is Not Yours” by Kemi Ashing-Giwa

Publishing Info: Tor Nightfire, September 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: This World is Not Yours by USA Today bestseller Kemi Ashing-Giwa is the perfect blend of S.A. Barnes’ space horror and Cassandra Khaw’s beautiful but macabre worlds. An action-packed, inventive novella about a toxic polycule consumed by jealousy and their attempts to survive on a hostile planet.

After fleeing her controlling and murderous family with her fiancée Vinh, Amara embarks on a colonization project, New Belaforme, along with her childhood friend, Jesse. The planet, beautiful and lethal, produces the Gray, a “self-cleaning” mechanism that New Belaforme’s scientists are certain only attacks invasive organisms, consuming them. Humans have been careful to do nothing to call attention to themselves until a rival colony wakes the Gray.

As Amara, Vinh, and Jesse work to carve out a new life together, each is haunted by past betrayals that surface, expounded by the need to survive the rival colony and the planet itself.

There’s more than one way to be eaten alive.

Review: Thank you to NetGalley for providing me with an eARC of this novella!

When “This World Is Not Yours” by Kemi Ashing-Giwa ended up in my inbox, the cover alone caught my attention. I mean dang, look at that cover. The expression on that person’s face! And looking more into the story itself, I was absolutely intrigued by the premise of a space colony with a strange ecosystem, and a ‘toxic polycule’ (we all know that I LOVE that kind of drama). And the phrase ‘There’s more than one way to be eaten alive’? GIVE IT TO ME NOW. Suffice to say, I was going into this novella with some high hopes.

First the highlights. I am always game for a sci-fi/space horror tale that brings up some of the perils of colonialism, especially on an unfamiliar planet with an unfamiliar ecosystem and with mechanisms that aren’t fully understood. This is one of the reasons I loved “Annihilation”, and the Gray and New Belaforme colony really reminded me of that novel in a number of ways. Secondly, the space horror in this book is unrelenting, it builds some good tension, and when the tension breaks it is GORY AS HELL and in the best and most horrifying ways possible. First with the tension bit. There was one moment where someone was literally swimming in The Gray and I am pretty sure I clamped my hand over my mouth because I knew that could NOT be a good idea, but Ashing-Giwa takes her sweet time in pulling out all she can from the suspense. And then when we do finally get a pay off for it, and the tension breaks into a gory, terrifying mess?

It was disgusting and absolutely nasty. Which is exactly what I want from space based body horror. ( source)

All of this was spot on.

That being said, and this is in a lot of ways a ‘me’ issue, I wasn’t as enthralled with the Science Fiction stuff. I am at the point where I need to just tell myself ‘look Kate, even if it’s Space Horror, Sci-Fi isn’t your thing’ and maybe not take it on. And in “This World Is Not Yours” we get a lot of that, with colonies, space intrigue, Science Fiction scenarios involving populations and ecology, and lots of references to tech that kind of made me skim the pages a bit. I will reiterate that these are all things that are to be expected in this genre, and people who like that will probably like how it is done in this. So that negative aspect is probably on me. But along with that I didn’t feel like I really got to know our characters as much as I would have liked, especially Jesse, one of the cornerstones of the polycule that has been forced upon our main characters. I understood his connection to Amara, but the connection to Vinh was more talked about than really demonstrated. I think to buy some of the high stakes moments at the end I needed more from Jesse. I also needed more development of Vinh’s assigned husband Henry, because Amara REALLY hates him and I understood why she would hate him as a jealous wife, but he seemed pretty bland until there were a couple of hail Mary moments of terribleness that felt like they were there to be like SEE THIS IS WHY YOU SHOULD HATE HIM that didn’t feel super earned. On top of that, Amara and Vinh as the couple we are supposed to be rooting for didn’t really click with me. But this could have been solved had we explored them more, and I think that we probably needed more pages to do so.

So all in all “This World Is Not Yours” was a bit mixed for me. The space horror at its peak was fantastic. But it wasn’t as centered as I had hoped it would be.

Rating 6: When the space horror was in full force it was terrifying. But a lack of character development and a little too much Sci-Fi made this not the home run I had hoped for.

Reader’s Advisory:

“This World Is Not Yours” is included on the Goodreads list “Queer Polyamory”.

Kate’s Review: “The Night Guest”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “The Night Guest” by Hildur Knútsdóttir & Mary Robinette Kowal (Translator)

Publishing Info: Tor Nightfire, September 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.0rg | Amazon | Indiebound

Book Description: Hildur Knutsdottir’s The Night Guest is an eerie and ensnaring story set in contemporary Reykjavík that’s sure to keep you awake at night.

Iðunn is in yet another doctor’s office. She knows her constant fatigue is a sign that something’s not right, but practitioners dismiss her symptoms and blood tests haven’t revealed any cause.

When she talks to friends and family about it, the refrain is the same ― have you tried eating better? exercising more? establishing a nighttime routine? She tries to follow their advice, buying everything from vitamins to sleeping pills to a step-counting watch. Nothing helps.

Until one night Iðunn falls asleep with the watch on, and wakes up to find she’s walked over 40,000 steps in the night . . .

What is happening when she’s asleep? Why is she waking up with increasingly disturbing injuries? And why won’t anyone believe her?

Review: Thank you to NetGalley for providing me with an eARC of this novel!

Earlier this summer I went into the doctor for some weird symptoms that seemed to come out of nowhere. I was experiencing head spinning and elevated heart rate at times, mostly when driving, and I was worried that something was wrong. But after running tests and even putting me on a heart monitor for two weeks, the doctor wasn’t able to find anything out of the ordinary (and the symptoms generally resolved), and I ended up having to basically chalk it up to anxiety (and given that I had a massive anxiety episode a couple months later that was probably the case). But in the moment I was very stressed about symptoms that weren’t really explainable no matter how supportive my provider was (and she was!). So there were some aspects of “The Night Guest” by Hildur Knútsdóttir that were personally very relatable to me, what with the question of medical mysteries and the stress that comes with it. Luckily I can say that the relatability ended there, as this novel was supremely, SUPREMELY, creepy, and just got creepier as it went on.

I loved how weird and creepy this book is. We are following the perspective of Iðunn, a woman living in Reykjavik who has been exhausted and feeling poorly, although her medical tests are coming up without any answers. But after she buys a watch with step counts, and the counts over night are in the tens of thousands in spite of her thinking she’s asleep, the first person POV novella slowly spirals as she becomes more and more incoherent and unhinged. Knútsdóttir really captures a deeply disturbing tone, starting with the already kind of upsetting (but also too real) scenario of a woman dealing with medical issues that no one else can really explain, and how hopeless that can feel, and going deeper and deeper int weird territory as phantom steps, weird injuries, and other odd things begin popping up that feel connected to Iðunn. Since it’s in the first person we really get into Iðunn’s mind and slowly learn her backstory as her perspective is crumbling more and more. I absolutely loved how bananas this descent was, and how we do learn things about her and her background and part of what may be driving her mental state as these bizarre things are happening to her. It’s very much an unreliable narration story, but Knútsdóttir hits the exact right notes to make it abjectly horrifying the longer is goes on until even the reader feels like they are going mad.

One qualm? I did find the ending to be a little confusing and perhaps a little too quick. There is always a risk of going too deep into the weeds with an unreliable narrator that is perhaps losing their mental faculties, and I think that’s what may have happened here. It’s a hard balance to strike when trying to keep a consistent tone to a character, but also having to maybe explain SOMETHING as the story wraps up. I didn’t feel like we really got that there, though I do understand that it may be a bit difficult to do so with the trajectory that Iðunn took and where she was by the ending. But that being said, it kind of made the ending more of a thud than a stuck landing.

But at the end of the day I found “The Night Guest” to be really weird and unsettling in a really good way. Should more of Knútsdóttir’s works be translated I would definitely seek it out, what a strange and unique story this was.

Rating 7: Super creepy and very unnerving, but a frantic and confusing ending bumped my score down just a little bit.

Reader’s Advisory:

“The Night Guest” is included on the Goodreads list “Horror to Look Forward to in 2024”.

Joint Review: “Lucy Undying”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Lucy Undying” by Kiersten White

Publishing Info: Del Rey, September 2024

Where Did We Get This Book: We received ARCs at ALAAC24.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: In this epic and seductive gothic fantasy, a vampire escapes the thrall of Dracula and embarks on her own search for self-discovery and true love.

Her name was written in the pages of someone else’s story: Lucy Westenra was one of Dracula’s first victims. But her death was only the beginning. Lucy rose from the grave a vampire, and has spent her immortal life trying to escape from Dracula’s clutches–and trying to discover who she really is and what she truly wants.

Her undead life takes an unexpected turn when, in twenty-first-century London, she meets another woman who is also yearning to break free from her past. Iris’s family has built a health empire based on a sinister secret, and they’ll do anything to stay in power.

Lucy has long believed she would never love again. But she finds herself compelled by the charming Iris, while Iris is mesmerized by the confident and glamorous Lucy. But their intense connection and blossoming love is threatened by forces from without. Iris’s mother won’t let go of her without a fight, and Lucy’s past still has fangs: Dracula is on the prowl again.

Lucy Westenra has been a tragically murdered teen, a lonesome adventurer, and a fearsome hunter, but happiness always eluded her. Can she find the strength to destroy Dracula once and for all, or will her heart once again be her undoing?

Kate’s Thoughts

I am going to preface my review with some caveats. The first is that I have genuinely enjoyed all of the books that I have read by Kiersten White. Like, not a clunker in the bunch in my experience. The next is that I have a very, very personal connection to the original story of “Dracula”, as I read it in my all time favorite college class which was taught by my very favorite professor turned friend Andy, who tragically passed away due to a brain tumor far too young, and his analysis and contextualization of the novel made for very rewarding reading. And I really liked the idea of approaching Lucy Westenra, who was basically a character to be a tragic woman victim to drive the men in her life towards justice, to get some more complexity and time to shine. After all, we know that women don’t have to just be victims there for man pain. With these things in mind, I was so, SO anticipating “Lucy Undying”, White’s newest retelling and reimagining of a classical piece of Western literature. My hopes were so high.

And man. I really didn’t like this book.

There are many things that I didn’t like about this book and I don’t want to turn this into a long rant, so I will do my best to keep this brief. What I will say is that I started out liking it for a bit. Some of the set up was promising. But then it fell apart once we got into the nitty gritty. This book is told in multiple perspectives. The first is Iris, a woman living in the modern day who is trying to escape the clutches of the toxic MLM that her family, particularly her now dead mother, has been running and has made them powerful and dangerous. When she arrives in London to try and sort out some property that her family has, she finds the diary of Lucy Westenra, the tragic victim of vampire Dracula (but also almost everyone around her) centuries before. Iris has also met the mysterious ‘Elle’, who is quite obviously vampire Lucy. Along with the present day, we have TWO perspectives from Lucy. The first is her diary from her time shortly before becoming a vampire (which Iris has found), as well as transcripts from therapy sessions that let us know what Lucy was up to AFTER her turning and before now. It’s a hefty amount to juggle, and unfortunately it isn’t juggled very well, feeling meandering and bloated. It’s a lot of telling instead of showing when it comes to Lucy and her exploits, and it makes the pacing lag as we jump between the three. I wish that one had been cut completely to be frank. And then to make matters more convoluted, the tone does a sudden shift later in the book, and it feels like two different novels being combined into one, but shoehorned in in an awkward fashion.

But the most egregious thing to me was how in an effort to bolster Lucy up beyond the admitted victimized waif that she was in the original text BASICALLY EVERY OTHER CHARACTER FROM “DRACULA” has been turned into a devious villain who meant to do her harm. And look, I get the drive to do so. I wholly understand the way that many women were treated during the Victorian era by the men in their lives. I can understand wanting to make The Five Heroes perhaps not as gallant as the original text did, that maybe they were men of their time with all the baggage that comes with it. Hell, I can even perhaps get into the debate of trying to treat a dying Lucy with blood transfusions when she wasn’t REALLY consenting to it (though it sure wasn’t unheard of, and I know this because I once worked in a historic upper class Victorian house in St. Paul that has SO MANY medical horror stories, especially for the women). But making Dr. Seward a psychopath? Making Quincy a total dumb dumb? Making Arthur scheming for more wealth? MAKING VAN HELSING AN ‘OLD PERVERT’?! Hated it. And the biggest sin? Mina is not exempt from this. So what is supposed to be a feminist re-envisioning makes the choice to throw the only other woman from the original text under the bus to make Lucy look better and wronged and scorned and etcetera etcetera. It’s the same lazy trap that that vanity project “Maleficent” fell into, and I HATED that movie and I really disliked this book because of this. I admit that I may be too personally fond of the original story to really give this the fairest of shakes, but this kind of approach almost always sticks in my craw, beloved text or not.

I do have a positive I will share because it’s only fair to do so after this long rant of a review: I absolutely loved the predatory Utah based MLM storyline, Goldaming Life and how Iris and Lucy connect to it. In the author’s note White mentions that she’s writing a book that does more Utah MLM culture deconstruction and oh my GOD I am SO here for that. Though in another moment of ranting, Arthur’s title in “Dracula” was spelled “Godalming”, not “Goldaming”. I think this was just a misspelling as there was no indication that misspelling was intentional. I’m hoping this will be corrected in the final product.

I still intend to keep reading Kiersten White’s books, as overall I still really like her as an author. But I really disliked this book, which was such a disappointment because I had such high hopes for it.

Serena’s Thoughts

If I just type “same” and call it good, would that count for my half of this joint review? But honestly, much of what Kate expressed was my own experience as well. I want to re-emphasize truly how much of a shock this was. Like Kate, I’ve loved every book I’ve read by this author. Sure, I’ve had favorites (I particularly enjoyed her “Vlad the Impaler” trilogy), but none of them have whiffed nearly as badly as this one did. I’m honestly not sure what happened. It could be simply a case of the author having too much tied up in her own head canon regarding Lucy (as she admits in the author’s note in the end), and then the story itself was lost in the shuffle.

I’ve only read “Dracula” once, so I don’t have the same deep ties to the story as Kate does. That being the case, I was happy enough to go along with the reinterpretation of some of these characters. But very quickly, I ran into the exact problem that Kate expressed: the “reinterpretation” was the same for every single character, namely, they were all terrible people in comparison to Lucy. I really lost it, however, when this carried over to Mina. I truly dislike it when authors attempt to write “feminist” re-tellings of classic characters and the way they end up showing this is by demonizing the other women surrounding them. It’s just icky. This was made all the worse for Lucy then being written as your tried-and-true special snowflake who literally inspires every other woman around her and, yes, essentially ends WWI all on her own.

Beyond that, while I think the modern day story was better written, I don’t feel that it fit comfortably alongside Lucy’s own history that was slowly unfurled through diary entries and therapist notes. It also wasn’t helped that, personally, this storyline was simply of less interest to me. I can see that it was better done, but my original draw to this story was in the original “Dracula” time period and characters (I’ll also say that I think the cover is a bit misleading, as it definitely leans towards a more historical/gothic vibe than the large chunks of contemporary horror/thriller storylines that we got here).

Overall, I have to agree with Kate in pretty much every way. This was a disappointing read, all the more so for it coming from an author who has been such a sure thing in the past.

Kate’s Rating 3: A huge misstep from an author I usually quite enjoy, “Lucy Undying” is bloated, convoluted, and relies too much on demonizing other characters in order to bolster Lucy up. Very disappointing.

Serena’s Rating 3: A bizarre missing of the mark from an author who has had great success tackling similar re-tellings in the past.

Reader’s Advisory

“Lucy Undying” is included on the Goodreads lists “Queer Vampire Books” and “The Vampire Renaissance”.