Tag: horror

Kate’s Review: “The Darkness Greeted Her”

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Book: “The Darkness Greeted Her” by Christina Ferko

Publishing Info: Sourcebooks Fire, February 2026

Where Did I Get This Book: I received an ARC from the publisher

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Penny’s abusive father is dead…but she still hears his voice in her head, encouraging her to hurt those around her. She can’t go to school or be around her friends or even draw with a sharp pencil without her intrusive thoughts urging her toward violence. Desperate to get a handle on her OCD, she agrees to spend the summer at Camp Whitewood—an exclusive therapy retreat in the woods.

She feels optimistic when she arrives. The other girls all have their reasons for being there, which makes Penny feel a little less alone. But then she starts seeing things that can’t possibly be there: the gold watch her father was buried with, his favorite whiskey spilled on her cabin floor…a terrifying figure she calls the Shadow Man looming at the foot of her bed. Penny thinks she is losing her mind, but when a girl goes missing, and is later found dead, it’s clear that whatever is happening at Camp Whitewood isn’t all in her head.

As the hallucinations become increasingly intense and more girls wind up dead, Penny must work with whoever is left standing to figure out what is real before the Shadow Man uses their traumas against them and claims their lives.

Review: Thank you to Sourcebooks Fire for providing me with an ARC of this novel!

I had a LOT of emotional issues when I was a teenager. I had three separate therapists addressing different parts of my mental health, was on medication for a couple of years, and have been in therapy throughout most of my life (and I am incredibly grateful to have had all that access to these things over the years). I never got to the point where I was in need of intensive in patient therapy, and I certainly never found myself shipped off to a wilderness therapy camp that has secrets and perhaps a roving monster in the woods. So while THAT aspect of “The Darkness Greeted Her” by Christina Ferko wasn’t super relatable, the mental health aspects were (at least to some degree, it was NEVER as all encompassing for me as it was for main character Penny).

The biggest theme of his horror novel, as so many horror tales have done in recent years (and I’m not mad about it!), is how people who have gone through traumatizing childhoods are shaped and haunted by said trauma. For Penny and her camp mates, they all come to Camp Whitewood with the hopes of finding peace and psychological help, but instead are being tormented and in some cases eaten by a monstrous entity in the woods that takes the shape of their fears and pain. Old hat? Sure. But for me it’s still effective, and I think that it’s always something to be talked about for YA readers and a message I probably could have used as a depressed teenager back in the day. But not only did we get insight into our first person protagonist’s trauma, I also liked getting some chapters that would lay out the formative moments that brought that other girls to this therapy camp. So we do have a shadow creature living in the woods that is a threat, but at the same time we have a number of teenagers who have dealt with all too real horrors, like abusive alcoholic fathers, guilt over horrible mistakes that have become internalized to a dangerous degree, and other traumas that have festered and caused these girls to be susceptible to the monster’s appetites.

In terms of the suspense and dread, I will say that some of the pacing felt a bit off, and perhaps at times a bit too drawn out. It wasn’t a particularly scary story to me, but that is almost assuredly a ‘your mileage may vary’ situation because there are definitely some creepy and suspenseful aspects, especially with the worries about whether or not Penny was going to be overcome by her Harm OCD tendencies and hurt someone else or herself. The monster was interesting in that it shifts its form to reflect the different campers fears, mixing in folk horror with “Nightmare on Elm Street” to a degree (it also got a little close to Wendigo mythology, but didn’t use the term or the specific background so I feel like it wasn’t fully treading into appropriative territory, correct me if I’m wrong though!). The metaphors of trauma and mental illness bolstered it up quite a bit.

So all in all, “The Darkness Greeted Her” is another solid horror story that makes monsters out of real life horror stories. I think that teenage horror fans will probably enjoy it.

Rating 7: A creepy story about trauma and monsters, of the supernatural and all too human kind, though it felt a bit laggy at times.

Reader’s Advisory:

“The Darkness Greeted Her” is included on the Goodreads list “Queer Fiction Set at Camp”.

Kate’s Review: “You Did Nothing Wrong”

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Book: “You Did Nothing Wrong” by C.G. Drews

Publishing Info: St Martin’s Press, March 2026

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A relentless, horror-inducing psychological suspense for fans of The Push and Baby Teeth by New York Times bestselling author CG Drews.

Single mother Elodie’s life has become a fairy tale. She’s met Bren, equal parts golden-retriever devoted and sinfully handsome. He’s whisked her and her autistic son, Jude, to the crumbling family house he’s renovating. She has a new husband, a new house, and a new baby on the way. Everything is perfect.

Then Jude claims he can hear voices in the walls. He says their renovations are “hurting” the house. Even Elodie can’t ignore it–something strange is going on. The question is, is it with the house, or with her son?

Then the one secret Elodie has been hiding is revealed, and no one is safe anymore.

A pulse-pounding, clever take on the haunted house novel, You Did Nothing Wrong examines the complexities of motherhood and the twisted bonds of family as it races to its shocking ending.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

We are getting some interesting subversions of the haunted house horror sub-genre recently! I love a haunted house story, but I’ve been pretty pleased with the way that authors have been experimenting with the themes that come with the sub-genre. “You Did Nothing Wrong” definitely falls into that category, because something that starts off seeming like just a ghostly tale turns into something even scarier than things that go bump in the night.

Whew, this book is intense for so many different reasons. We follow Elodie, a young mother to an autistic six year old named Jude (more on him in a bit) who has just married Bren, and is pregnant again. They move into a new house that Bren is trying to fix up, but Jude keeps talking about how the house is alive. And Elodie starts seeing strange things too. This is one layer of the tension, because Drews also throws in hints and clues to Elodie’s past, which carry a whole lot of darkness even if they aren’t apparent from the jump. Elodie is a narrator that I would shift between wanting to root for, to being completely horrified by, and I never quite knew if she was someone I could trust as a protagonist. But I had the same thing happen with Bren, who on the surface seems so kind and patient and doting, but has little flashes of menace and aggression. But then again, is that actually the case, or is it because we see what Elodie sees? As the story goes on and the tension between Elodie and Bren escalates, mostly because she also thinks she’s seeing things in the house AND because Bren is potentially abusing or manipulating Jude. As the story goes on Elodie gets more unhinged, but is she paranoid? Or is it something else altogether? Drews kept me guessing a good long time, and I was tearing through this book desperate to find out what happened next.

Another stressful point is the themes with Jude, who is presumed to be autistic based on how he is written, but who hasn’t been diagnosed because Elodie refuses to do so in case it is somehow blamed on her. As someone who has a child who is presumed autistic, there were beats in here that felt very familiar, either due to the way that some people just refuse to understand some of the more uncomfortable things about autistic people, or the way that things can go south in the blink of an eye without necessarily knowing why because your kid doesn’t really know why either. You add in a possessive obsession she has to her child and it makes it all the more intense. But then again, I was ALSO freaking out at Bren because I was so afraid that he was going to hurt Jude due to HIS misconceptions about how to treat an autistic child. It made me so uncomfortable but I’m pretty sure that was the point. Gosh I just wanted to sweep Jude up.

I do think that the ending had a few too many shocks and surprises, however. I’ve never been one to get behind a thriller novel that has a lot of last minute twists just to get a rise out of the reader, and while this book still stands very well on its own two feet due to the things I mentioned, I do think that there was a bit of an overreach when it comes to how things all shook out by the end.

But that’s a quibble in the long run, because overall I greatly enjoyed “You Did Nothing Wrong”. It kept me stressed out and it kept me flipping the pages whenever I had a chance. I definitely recommend it.

Rating 8: An addictive horror tale with unreliable narration and incredibly tense moments flies high for awhile, but has a slight petering out of an ending.

Reader’s Advisory:

“You Did Nothing Wrong” is included on the Goodreads lists “Autism in Horror Literature”, and “Dark Literature”.

Kate’s Review: “Crafting for Sinners”

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Book: “Crafting for Sinners” by Jenny Kiefer

Publication Info: Quirk Books, October 2025

Where Did I Get This Book: I own it

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A queer woman must fight her way out of a big-box craft store run by a diabolical religious cult in this gripping survival horror novel by Jenny Kiefer, author of This Wretched Valley

Ruth is trapped. She’s stuck in her small, religious hometown of Kill Devil, Kentucky, stuck in the closet, and stuck living paycheck to paycheck. After her manager finds out that she lives with her girlfriend, Ruth is fired from her job as a cashier at New Creations—a craft store owned by the church that dominates life in the town. 

In an act of revenge, Ruth attempts to shoplift some yarn but is caught red-handed by a New Creations cashier. Instead of calling the police, the employees lock her in the store—and attack her. When Ruth is forced to stab out one of their eyes with a knitting needle, she realizes she’s facing far bigger trouble than a simple shoplifting charge. As Ruth fights for her life, she plunges deeper into the tangled web of the New Creationists, who are hiding a terrible secret that threatens not only her, but the entire town.

This relentless horror novel will have you on the edge of your seat as it hurtles towards a breathtaking conclusion. Will Ruth escape? Or will the shocking secret at the heart of the cult die with her?

Review: One of my dearest friends David is an archaeologist and archaeology professor in California. Every summer he goes to Greece to work on excavations, and has also participated in excavations in Egypt in the past. He is also a gay man who is very out and proud about who he is. And with these two things in mind it is probably no shock that he has a HUGE (understandable and justified) chip on his shoulder about Hobby Lobby, a craft store that is not only deeply zealous in its Christian religiosity/anti-LGBTQIA+ stances, but whose president has also stolen MANY ancient artifacts from the Middle East because he feels that he is entitled to them because RELIGION! In fact, all of my crafting friends (and I have numerous!) despise Hobby Lobby because of these nasty facts, and I steer incredibly clear when I find myself in need of crafting supplies. Which is not so often, but I have an artsy kid and I used to do cosplay! I can sort of craft!

The last time I did a craft night with friends my creation was…. barely passable. (source)

With all of this in mind I snatched up a copy of “Crafting for Sinners” by Jenny Kiefer while on a mutual aid donation at a local book store, because the idea of a Hobby Lobby-esque crafting empire melded with a far right and cult-y church doing cult religious horror things was REALLY enticing. The satire alone was rich with opportunity! So you can probably guess that I was kind of disappointed when it didn’t hit the way I had hoped it would.

First, the things that I liked. The Hobby Lobby commentary is stellar. The way that the New Creationist Church runs the small town of Kill Devil is creepy and believable, with the only two out lesbians in town, Ruth, and Abigail, constantly under surveillance and constantly being pushed to become ‘saved’ to the point of targeted harassment. While the idea of a big box religious crafting empire trying to do cult rituals and blood sacrifice is certainly over the top, the bare bones ideas of a religious group/community harassing and harming those who are outside their ideas of acceptable and hiding their bigotry behind Godliness isn’t at all farfetched (hey, we have zealous military leaders saying that we are in a Holy War right now, after all, God I hate this timeline so much). We get snippets about the New Creationist beliefs through Ruth’s perspective, but also through hints of articles and transcripts throughout the narrative, with references to mysterious disappearances of queer people, stories of religious artifacts that have disappeared from the Middle East over the years, and through the way that Ruth is starting to be hunted down for sacrifice whilst in the walls of her old employer, sending her on a survival mission in the walls of a crafting store and the depths that it hides. All of this worked very well for me.

But there were some stumbles. I do think that the pacing was a bit off, as this book felt REALLY long, longer than it should have felt for a cultist horror tale. Ruth spends a lot of time hiding and ducking her tormentors, but it felt fairly repetitive and a bit like a slog. The suspense would wane, then build, then lose steam again, and it felt a bit like it could have been tightened up to keep the tension taut and consistent. On top of that, I didn’t really feel like I got to know Ruth or Abigail very well as the story went on. I liked them enough, and I was definitely rooting for them to escape the bigoted small town, before AND after the whole doomsday Christian cultist angle came through, but I never felt like I wanted more depth and exploration of their characters and their relationship so I could be more invested. I was rooting for them more on principle than I was for them as characters, and I would have loved to be able to rooting for them because of both of those things.

So “Crafting for Sinners” was a bit of a mixed bag. Great premise, middle of the road execution. I will definitely recommend it to my crafting friends though, as I know they will enjoy the quirks that come with it.

Rating 6: Loved the commentary and the bare bones of the cult/religious horror elements, but I wish that Ruth and Abigail were more interesting as characters.

Reader’s Advisory:

“Crafting for Sinners” is included on the Goodreads lists “Sapphic Horror”, and “Queer Books Set in Kentucky”.

Kate’s Review: “Turn Off the Light”

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Book: “Turn Off the Light” by Jacquie Walters

Publishing Info: Mulholland Books, March 2026

Where Did I Get This Book: I received a finished copy from the publicist

Where You Can Get This Book: WorldCat.org | Amazon| Indiebound

Book Description: Two women living centuries apart are bound by the same dark secret in this haunting novel that “upends everything you think you know about ghost stories” (Jennifer McMahon, author of The Winter People).

The Devil enters through doors left open…

On the isolated Eastern Shore of Virginia, Edith is a healer, a woman of knowledge—and a woman watched. Shadows move where they shouldn’t. Whispers creep through the dark. Terrified she has opened her home to the Devil, Edith makes a desperate choice.

Claire doesn’t believe in ghosts—until she returns home to care for her dying father and finds her childhood house… listening. As one sleepless night bleeds into the next, she becomes convinced something is stirring beneath the floorboards. Something that has waited a long time to rise.

Is the house haunted? What compels this lurking darkness? As the danger mounts, Edith and Claire will discover they’ll need each other to survive. But they are separated by four hundred years. And time is running out for them both.

Review: Thank you to Little Brown and Company for sending me a copy of this novel!

I so enjoyed Jacquie Walters’s horror novel “Dearest”. It was a tense and evocative about motherhood and generational trauma, and it was done in a way that felt organic and earnest while also being very creepy. So I was absolutely interested in checking out her newest horror/supernatural thriller novel “Turn Off the Light”. It sounded like a haunted house story as well as a story about women dealing with difficult shit even without a haunted house to gaul them, and I was definitely in.

We have two narratives that we follow in this book. The first is in the modern day and follows Claire, a single mother returning to her childhood home to see her ailing father who is dying of dementia. Claire has avoided home for awhile, as she still has lingering trauma and sadness about the disappearance of her oldest sister Gabby, and the absence has caused a coldness between her and other sister Tilly who has been left with husband Peter to care for their dad. Claire feels like something strange is lurking in the home, and her worry grows as weird things start happening. The other narrative follows Edith, a woman living in the same house but during Puritan times, who works as a healer and medicine woman, but who starts to feel a weird presence in the house, which starts to feed into her anxieties about how her community, including her husband, sees her and her practices that she has kept mostly stifled due to fears of witchcraft. While I usually have a strong and clear preference for one narrative over another in these kinds of stories, I actually ended up liking both of them pretty evenly in this one. Claire’s life was engaging because of the family tension and the unsaid sadness within her family with her lost sister and sick father, and Edith’s story sucked me in because I am ALWAYS going to be into stories of healer women being viewed with suspicion because of Puritanical zealotry. I also thought that both women were pretty well fleshed out, and that they had complexities that made them all the more interesting to follow.

In terms of the horror/supernatural and thriller elements, this one did have a fair amount of suspenseful beats as both Claire and Edith think they are living through a haunting in the house that they both inhabit, centuries apart. I loved the slow burn of weird incidents in both timelines, which seem to be escalating but always feel just a little bit odd so that it wasn’t totally clear as to what was going on. I had a pretty good feeling I could track where things were going, and while I was basically right it still was interesting to see where Walters was taking the reader. I don’t want to spoil anything so will remain vague, but it went in directions that may be a little unexpected and did so in a way that made me feel like it was pulled off. It’s just very creative and I liked taking the journey and all of the tension that came with it.

“Turn Off the Light” is another fun novel from Jacquie Walters! I definitely recommend it for horror fans who like to think a bit outside the box of what a haunted house is.

Rating 8: A creative historical and supernatural thriller that jumps through time, “Turn Off the Light” had some solid twists, a lot of suspense, and two narratives that complemented each other quite well.

Reader’s Advisory:

“Turn Off the Light” is on the Goodreads list “Horror Releases Coming in 2026”.

Kate’s Review: “Nowhere Burning”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Nowhere Burning” by Catriona Ward

Publishing Info: Tor Nightfire, February 2026

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Set in the unforgiving maw of the Rocky Mountains, Nowhere Burning is the latest harrowing novel from bestselling author Catriona Ward, perfect for fans of Riley Sager and the hit series Yellowjackets.

A refuge for lost children may also be their prison.

In the middle of the night, Riley pulls her younger brother Oliver out of bed, and the two run away from home. Riley is intent on joining a group of teenagers squatting in the abandoned ruins of an infamous movie star’s ranch, Nowhere. For actor Leaf Winham, Nowhere was a place to hide from his fame, and to hide his crimes―until a fire ravaged his home and exposed him as a murderer.

It is rumored that the ranch nestled in the peaks of the Rocky Mountains is now home to group of feral children, a place where adults cannot enter, and Riley hopes to find a new family there. But the Nowhere Kids are fierce in defending their turf and their clan, and Riley quickly realizes that while she and Oliver may have left the devil they knew, this group is a new type of diabolical.

For something dark lives in the burned shell of Nowhere, something which asks a terrible price for sanctuary…

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I haven’t every been super into “Peter Pan”. I watched the Disney movie as a kid (though I’m not sure I’d show it to my own kid these days), and enjoyed the Mary Martin version that we had on video cassette and has apparently been kind of forgotten by post-Millennial generations (when I saw a random video about how NOVEL and UNKNOWN this movie was I felt my bones turn to dust), but it was never a favorite of mine. But I do like the idea of reimagining classic tales as horror stories. “Nowhere Burning” by Catriona Ward is a horror story that takes some “Peter Pan” themes and changes it into something weird, unique, and unnerving.

I always love the vibes of a cult themed horror novel, and this one feels like it mixes some Branch Davidian lore with a “Children of the Corn” feel to it to make something weird and creepy as hell. I also enjoyed the “Peter Pan” allusions, with children fending for themselves feeling like they will never grow up after following vague ‘second star to the right’ directions into the Rockies. We follow a few different threads and narratives, which are unclear in how they line up at first. The most prominent one is Riley, a desperate teenage girl who escapes with her younger brother from an abusive situation, looking for solitude and thinking she’s found it with the kids at Nowhere. We also have a documentarian who is hoping to get some answers about Nowhere and the history and notoriety, as well as an architect who was hired on by Leaf Winham, the original owner of Nowhere who went on to commit the unspeakable, and who falls into a complex and obsessive web. Riley’s was, for me, the most interesting, seeing her slowly realize that perhaps she and Oliver aren’t super safe with the Nowhere Kids as things become weirder and weirder and more and more danger becomes apparent, though I will say that once we do figure out where the timeline falls for all the narratives it made them all pretty interesting.

And the “Peter Pan” references were pretty enjoyable. It’s not like The Rockies are what I imagine when I think of ‘Neverland’, but the way that Ward creates a symbol of freedom and feralness within the mountains that is very in line with the idea of The Lost Boys wasn’t lost on me. From alligators named Tinkerbell to many exits out of windows to ‘flying’ thanks to ziplines in the wilderness. There are even more meta references to Peter Pan adjacent mythos, specifically how much notorious filmmaker Leaf Williams mirrors Michael Jackson, with his eccentricities, his isolated and sprawling ranch, and some of the details within the ranch (such as a ferris wheel) clearly making reference to the now deceased and controversial King of Pop. I love a reference, and seeing the details sprinkled throughout the narratives was very, very fun for me.

“Nowhere Burning” is a solid horror novel that will surely satisfy horror fans who like a “Peter Pan” homage.

Rating 7: A strange and unnerving homage to “Peter Pan” that brings Neverland to an unforgiving Rockies, “Nowhere” is a weird and entertaining cult horror tale.

Reader’s Advisory:

“Nowhere Burning” is included on the Goodreads list “2026 Women in Horror”.

Kate’s Review: “We’re Not Safe Here”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “We’re Not Safe Here” by Rin Chupeco

Publishing Info: Sourcebooks Fire, November 2025

Where Did I Get This Book: I received an ARC from the publisher

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Wispy Falls’ town motto is: “You’ll be safe here!” But that doesn’t seem to be true. Because in Wispy Falls, monsters live in the woods, and children go missing, and the bodies are beginning to stack up.

A seventeen-year-old vlogger known as Storymancer is determined to get to the bottom of what’s wrong in Wispy Falls. A few years ago his six-year-old brother went missing in the woods and no one in town seemed to care enough to find him.

So now he’s investigating why every household participates in something called the Bloodmoon Ritual, why cryptid sightings are so common, and why everyone who goes into the woods goes missing. If he can’t fix what’s wrong with the town, he just might be the next body in the woods.

Told primarily through video transcripts, message boards, and radio shows, this Welcome to Nightvale-inspired horror will chill you to your core.

Review: Thank you to Sourcebooks Fire for sending me an ARC of this novel!

It’s been awhile since I read a Rin Chupeco book, not necessarily because I was avoiding it (on the contrary, I’ve enjoyed basically all of the Chupeco books I’ve read!), but just because I lose track of authors sometimes. So when “We’re Not Safe Here” ended up in my mailbox I was excited to say the least. And reading the description of the book made me all the more interested. I love a found footage/media story format, I like the idea of weird dangerous cryptids lurking outside a strange town, and if you’re going to reference “Welcome to Night Vale” I’m going to be all the more intrigued. Quirky and weird podcast reference from awhile back in my personal lore? Yes please! I went in with pretty optimistic expectations. But I’m sorry to say that “We’re Not Safe Here” didn’t live up to the expectations I had.

But first the good. The description does reference the podcast “Welcome to Night Vale”, which was a huge incentive for me to read it because I was REALLY into “Night Vale” for a few years back in the day (I kind of lost interest after the StrexCorp storyline wrapped up). And as I was reading it I definitely got the “Night Vale” vibes, with the found media transcripts of broadcasts and the generally casual speak of cryptids and monsters stalking to woods really harkening to the charm of that podcast that really pulled me in. I also loved some of the gnarly descriptions of the various cryptids, especially The Backwards Lady. Because man, do I LOVE a weirdly misshapen and creepy and menacing lady whose face you cannot see. Chupeco has always done a really good job of taking on these kinds of unsettling horror tropes, and the concept of all of these cryptids and the found footage transcriptions really was incredibly interesting and promising for a horror novel. Top tier concept for sure.

Unfortunately, it never really quite came together. I feel like we were getting hints throughout our transcripts and video descriptions and chat logs and message boards, but it felt like it kept going on and on and there wasn’t really much steady build up. It was more of a continual stall out. I also found a lot of aspects of it to be pretty confusing. I had to keep paging back earlier to double check my facts, and I don’t know if it was because of the format of so much transcription and video footage or if it was something else. And by the time we did get to the end I felt like there were a lot of questions that remained unanswered, as well as a really abrupt end which felt unsatisfying. It was such a shame because I generally have enjoyed the books that Chupeco has put out in the past, and this one felt like such a miss it was kind of shocking.

“We’re Not Safe Here” had a great concept and premise but didn’t execute it super well. I’d sadly have to say skip it.

Rating 5: A great concept with some nice callbacks to “Welcome To Night Vale”, but it dragged a bit by the end and felt rushed and muddled.

Reader’s Advisory:

“We’re Not Safe Here” is included on the Goodreads list “Midnight Reads”.

Kate’s Review: “Maria the Wanted”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Maria the Wanted” by V. Castro

Publishing Info: Titan Books, February 2026

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Newly turned Mexican vampire, Maria, is not just out for blood, she wants answers.

From the twice Bram Stoker-nominated author of The Haunting of Alejandra and Immortal Pleasures, a gripping tale of empowerment, desire and belonging, perfect for readers of A Dowry of Blood and Certain Dark Things.

Maria is a wanted woman. She’s wanted by an Aztec trafficker, a cartel boss, the people she fights for, and now the Devil she can’t resist. Her journey begins as a would-be immigrant turned vampire in Juarez, Mexico until the injustices of the world turn her into something else.

Forced to leave her home and family, she embarks on a journey across Mexico seeking those answers. She learns a new language and how to survive as a vampire. To ease her restlessness she finds work with an ex-boxer and learns to fight, becoming an unlikely bad ass enforcer of justice for the community that has embraced her. Is she a saint or an old God from a forgotten past?

An encounter with a violent, ruthless vampire boss leads her to finally find her creator, and he is nothing like she imagined. Drawn into a world of ancient vampires, deadly conspiracies and a dangerously seductive devil, Maria must find a way to fight for herself and all humankind.

A fierce and seductive vampire thriller, pulsing with rage, fear and desire, that explores the dark back streets of Mexico and a vampire woman’s determination to find her place in the world.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

After being a bit let down by V. Castro’s previous vampire novel, I was pretty pleased to see that her newest book, “Maria the Wanted”, was another vampire story! Researching it further I found out that this new novel is actually a re-release, which will hopefully allow it to find new readers now that Castro has gained a bit more attention in the past few years. I had pretty high hopes for “Maria the Wanted”, and I’m happy to report that, for the most part, it was a pretty solid read! For the most part.

But first the good, and the good news is that there is a lot of good to be had! I really enjoyed our vampire protagonist Maria, whose story starts as a worker in a maquiladora in Juarez, but whose life is forever changed when some cartel vampire thugs break in to cause havoc. Maria is turned into a vampire by the most mysterious of the attackers, who disappears and leaves her to pick up the pieces of her old life and to adjust to her new one. I really liked seeing her not only have to find strength within herself to keep going, but also liked her growth journey from fledgling vampire to an avenging force not only looking for her maker, but also someone who helps the helpless, many of whom are women and girls, in a world of violence and corruption. Castro very effectively utilizes Maria’s backstory and culture to make for an interesting arc, and I was pretty damn invested in her from the jump as the moves around Mexico and beyond. I also enjoyed the vampire mythology, as Castro has some interesting twists on what her vampires are like compared to vampires in other tales.

I will say though, I feel like this book had a weird shift between the first two thirds into the final third that felt like a whole new book, but with no proper time or pages to explore it fully. I don’t really want to spoil too much of it here, but I will have to say SOME things to explain what my gripes were, so perhaps proceed with some caution. The first two thirds I greatly enjoyed, as Maria is trying to find her maker, get some justice for those who rarely get justice, and figure out what her place in the world is now that she is a vampire. All of this was solid and I enjoyed watching her go on her journey, meeting up with cartels, other women, and some fun characters be they vampires or not. But then we get to the last arc of the book, and suddenly there are prophecies, a potential armageddon at hand, and maybe even the Devil himself that she has to square up against. And that aspect felt like it needed a lot more breathing room to really flesh out a fairly significant plot point like the literal end of the world. I just felt to me like it was a wild swerve that wasn’t super well explored. It probably should have been a book in and of itself, to be honest, as it took away from the rest of the novel by confusing me as we headed into the climax.

But overall I enjoyed “Maria the Wanted”! I’m glad that they decided to re-release it for new audiences to find!

Rating 7: A really solid and entertaining first two thirds was muddled by a confusing final third, but overall an enjoyable vampire thriller.

Reader’s Advisory:

“Maria the Wanted” is included on the Goodreads list “2026 Women in Horror”.

Kate’s Review: “Trad Wife”

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Book: “Trad Wife” by Saratoga Schaefer

Publishing Info: Crooked Lane Books, February 2026

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Every #tradwife needs a baby. She’ll get one at any cost.

When Camille Deming isn’t cooking, cleaning, or homesteading in her picture-perfect country farmhouse, she’s posting about her tradwife lifestyle for her online followers. She takes inspiration from other tradwives on social media, aspiring to be like them, but Camille’s missing a key component: a baby. And contrary to what she posts online, things with her husband Graham have been strained. Pressured by her eager followers, Camille fears that without a baby, her relationship will suffer and her social media will never grow out of its infancy.

When Camille discovers a mysterious, decrepit well in the wheatfield behind her house, she makes a wish for a baby. Afterwards, she has unsettling experiences that she convinces herself are angelic in nature, and when she’s visited one night by a strange creature, her wish comes true. 

Camille’s pregnancy announcement gets more engagement than anything she’s ever posted—so what if Graham’s reaction is lukewarm? Camille’s life is finally falling into place. Never mind that her pregnancy is developing freakishly rapidly and she’s suddenly craving raw meat. Being a traditional wife is worth it.

Rosemary’s Baby for the digital age, this disturbing horror novel is one you’ll want to devour in just one bite.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

If you’ve been following the blog for awhile you have no doubt seen that I have this weird hyper-fixation on the creepy rise of trad wife influencers online and how it is traditionalist and alt-right propaganda dressed up in wholesome family values. And you have probably seen that I’ve been seeking out various books about it because it’s all just so interesting and upsetting. When I saw “Trad Wife” by Saratoga Schaefer, with it’s neon cover of a pregnant woman being held by some demonic hands, my initial thought was ‘OBVIOUS’. With pregnancy and babies and fertility being such a driver of trad wife ethos it just seemed like a predictable direction to take the theme. But since I am still super into it, especially as satire, I figured I’d pick up a story about a woman so desperate for engagement on her trad wife social media page she’d literally sell her soul for a baby and fame, even if that baby is a devil spawn. It would at least be entertaining, I reasoned. And it was. BUT IT WAS ALSO SO MUCH MORE. I didn’t expect to love this book as much as I did. But I LOVED it.

First to talk about the horror elements, as that is the crux of the novel. Pregnancy horror is still pretty prevalent right now (I’ve talked about why many times), and here it is combined with the more recent ‘trad wife’ thriller sub-genre that has also risen in popularity in recent years due to the trad wife to alt-right/white supremacist pipeline online and high profile trad wife influencers making headlines (why just last week Ballerina Farm made the news because of bacteria ridden raw milk sold from their compound being taken off shelves! YUM!). These two themes mix well due to so much of trad wife content having children and pregnancy as a central tenant of the ideology/content. Saratoga Schaefer knows how to pull out the satire of these two sub genres and makes a fun and wicked horror tale. There are some unsettling imagery moments where Camille is seeing or hearing things, there are obviously some gnarly body horror beats (pregnancy itself is body horror, after all), and there is a growing tension as she grows something inside of her body that is not fully human. Schaefer also tweaks and twists very real pregnancy symptoms and ailments and ups the ante a bit to make them more horrifying, whether it’s hair falling out, bone pain, or severe fatigue. There are also the uncomfortable gaslighting of Camille’s husband Graham, who loves the idea of a submissive wife but wants her to stay a certain way, which adds to her desperation to have a child but also makes her feel more insecure, which drives her actions more desperately, which makes the tension all the higher. For awhile, anyway…

Camille could have been a maddening and stereotypical Ballerina Farms-esque personality that barely moves outside of the tropes that are expected or associated with trad wife influencers. And at first it seems like perhaps that is where we are heading as she obsesses about being a perfect help meet for her milquetoast husband Graham and boosting her social media engagement for validation about her perfection as a trad wife. But Schaefer instead decides to go on a different route with her protagonist, and while Camille is certainly flawed and at times grating, there are so many layers that are carefully and slowly pulled back that I found her to be completely understandable in the path she has chosen and the things that brought her to this point. We have a woman who had so many aspirations that were waylaid, and instead of persevering she has pivoted to a path that she has been told is a better fit ONLY because it would be better for those around her for her to be this way. And when she does start her pregnancy and motherhood journey and does have a baby, priorities shift, and she discovers what she CAN be on her own terms. Even if that involves a ‘demon’ spawn and insatiable urge for human flesh. And I say GOOD FOR HER. I was completely rooting for her and her feral-ness by the time the book was over.

But the thing that surprised me the most about this book were the completely unexpected romantic undercurrents flowing through it (SPOILERS AHEAD). So in the description of this book there is a reference to “Rosemary’s Baby”, which I suppose is an obvious story to reference when talking about a ‘demonic’ pregnancy horror tale. But it’s not a proper comparison at all, because, unlike in “Rosemary’s Baby”, Camille’s pregnancy by the demon/’creature’ (as she calls it)/whatever from the well in the woods is not only fully consensual (which I LOVED), it slowly evolves into something so incredibly sweet that I was floored by the story choice. But I loved it. I loved the idea of an aspirational trad wife so obsessed with the ‘culture’ of purity, perfection, and Godliness not only turning to a ‘demon’ to fulfill a pregnancy for online engagement, but also finding a connection to it that goes so much deeper and intimate than her picture perfect ‘Godly’ husband. Oh, and not only that, it was actually STEAMY. I’m not one who really reads monster romances, not because I dislike them, just because I haven’t really picked them up. But I’m a believer now. IT WAS SO GOOD.

Me repeatedly putting down and picking my Kindle back up during THE SCENE out of SHEER GIDDINESS (source)

“Trad Wife” hit every single high note I was hoping for and exceeded them. It wasn’t what I was expecting and it thought outside of the box of what we have been seeing with this newer reading trend, and I adored every bit of it.

Rating 10: A home run in every way. Great satire, great horror, and, interstingly enough, great monster romance.

Reader’s Advisory:

“Trad Wife” is included on the Goodreads lists “Tradwife Thrillers”, and “2026 Women in Horror”.

Kate’s Review: “On Sundays She Picked Flowers”

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Book: “On Sundays She Picked Flowers” by Yah-Yah Scholfield

Publishing Info: Saga Press, January 2026

Where Did I Get This Book: I received an eARC from NetGalley

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: In this sinister and surreal Southern Gothic debut, a woman escapes into the uncanny woods of southern Georgia and must contend with ghosts, haints, and most dangerous of all, the truth about herself.

When Judith Rice fled her childhood home, she thought she’d severed her abusive mother’s hold on her. She didn’t have a plan or destination, just a desperate need to escape. Drawn to the forests of southern Georgia, Jude finds shelter in a house as haunted by its violent history as she is by her own.

Jude embraces the eccentricities of the dilapidated house, soothing its ghosts and haints, honoring its blood-soaked land. And over the next thirteen years, Jude blossoms from her bitter beginnings into a wisewoman, a healer.

But her hard-won peace is threatened when an enigmatic woman shows up on her doorstep. The woman is beautiful but unsettling, captivating but uncanny. Ensnared by her desire for this stranger, Jude is caught off guard by brutal urges suddenly simmering beneath her skin. As the woman stirs up memories of her escape years ago, Jude must confront the calls of violence rooted in her bloodline.

Haunting and thought-provoking, On Sunday She Picked Flowers explores retribution, family trauma, and the power of building oneself back up after breaking down.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I love stumbling upon titles that come out of nowhere for me, and that is exactly what happened with Yah-Yah Scholfield’s horror novel “On Sundays She Picked Flowers”. I saw it on various book influencer posts, and after seeing multiple people recommend it I decided to give it a go. I was intrigued by the idea of haints and a woman running away from an abusive situation, and jumped in, only to find that this book was a lot heavier than I thought it would be.

When it comes to the supernatural elements in this book, I really enjoyed the Southern Gothic feel, combining an unexpected haunted house story along with some interesting folk lore and dark romance to top it off. Our protagonist is Jude, a woman escaping her life with her abusive and violent mother Ernestine and fleeing to the backwoods of Georgia, where she finds a strange house haunted by ghosts and haints that only she can tame. A haunted house story is already great in my book, but Scholfield brought a distinctly Black and Southern vibe to it that made it stand out from other haunted house tales that I’ve read in the past. The house is menacing but doesn’t really come off as evil, and watching Jude slowly gain its trust and tame it in her own way to become an independent and confident woman that works in tandem with the beings inside was really neat. There is also the character of Nemoira, a mysterious woman who approaches Jude’s home one day, which begins a steamy and dark romance between Jude and this otherworldly stranger. This isn’t particularly romantic and has a lot of issues, but ultimately I found their romance to be incredibly interesting, even as some truths come to light that are on the more supernatural side.

But the very true horrors of this novel live within the very real horrors of reality, specifically with the themes of generational trauma, racism, and child abuse, as well as sexual assault and incest. Jude’s story is one that is at the forefront, and we are presented with a bleak and absolutely upsetting reality of her being abused by her mother Ernestine her entire life until she finally retaliates and then flees after the fact. But Scholfield doesn’t want to make it such a cut and dry situation with Jude being wholly good and Ernestine being wholly bad, managing to walk a fine line in portraying a fraught and violent relationship that has a lot of dark influences that aren’t all within the fault and control of the two people who are involved. I found the slow reveal of Ernestine’s background to be shattering, but also appreciated that there were no excuses for her behaviors. It’s a tough read to be sure, so my advice is to go in with the knowledge that there are lots of tough and triggering beats and plot points. They’re handled well, I felt, but it’s still good to know.

“On Sundays She Picked Flowers” is a harrowing horror tale that had me totally on edge as I read it. It’s a difficult one, but one I ultimately found rewarding.

Rating 8: A dark and upsetting Southern Gothic horror tale that has dark romance, generational trauma, and an interesting mythology. It chilled me to the bone.

Reader’s Advisory:

“On Sundays She Picked Flowers” is included on the Goodreads lists “Queer Horror”, and “Black Speculative Fiction”.

Book Club Review: “The Hacienda”

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Book: “The Hacienda” by Isabel Cañas

Publishing Info: Berkley, May 2022

Where Did We Get This Book: The library!

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: In the overthrow of the Mexican government, Beatriz’s father is executed and her home destroyed. When handsome Don Rodolfo Solórzano proposes, Beatriz ignores the rumors surrounding his first wife’s sudden demise, choosing instead to seize the security his estate in the countryside provides. She will have her own home again, no matter the cost.

But Hacienda San Isidro is not the sanctuary she imagined.

When Rodolfo returns to work in the capital, visions and voices invade Beatriz’s sleep. The weight of invisible eyes follows her every move. Rodolfo’s sister, Juana, scoffs at Beatriz’s fears—but why does she refuse to enter the house at night? Why does the cook burn copal incense at the edge of the kitchen and mark its doorway with strange symbols? What really happened to the first Doña Solórzano?

Beatriz only knows two things for certain: Something is wrong with the hacienda. And no one there will help her.

Desperate for help, she clings to the young priest, Padre Andrés, as an ally. No ordinary priest, Andrés will have to rely on his skills as a witch to fight off the malevolent presence haunting the hacienda and protect the woman for whom he feels a powerful, forbidden attraction. But even he might not be enough to battle the darkness.

Far from a refuge, San Isidro may be Beatriz’s doom.

Serena’s Thoughts

I’ve had this one on my TBR for a while now, ever since reading Kate’s review and thinking that it sounded like my sort of horror novel (that is, on the gothic side and only mildly horrific!). So when my prompt for book club was ghosts (guess whose prompt that was…), I knew that this was my opportunity, and boy did it not disappoint!

There was so much to love about this book that I’m not sure where to start. One thing really stood out, however: I don’t know enough about this location and point in history. The historical setting and events of the time played a crucial role in much of the story, and while the book didn’t go into tons of detail, I really enjoyed what we did see. For one thing, I liked the careful handling of the realities of so many revolutions. Often, they don’t end when they “end,” and there are rarely sides that are completely in the right or wrong, or who won’t switch positions on the moral compass as a conflict progresses. I didn’t expect to see these themes in a gothic ghost story, but I definitely enjoyed them!

I also really enjoyed our two main characters. Beatriz was brave but believably mystified about how to handle her increasingly terrifying prospects. And while Andres brings many answers to the situation, even he is challenged by the extreme horror of the situation before them. I really enjoyed the relationship that was built up between them, and the story took a surprisingly romantic turn toward the end of the book.

The gothic elements were also on point. The house itself was a character in and of itself (something that I think is almost a requirement for any haunted house story), and just when you think you have a handle on the mysteries, another wrench is thrown into the situation.

I really enjoyed this one! So much so that I definitely plan on checking out the other books by this author! Vampires, here I come!

Kate’s Thoughts

I still really love this book on a re-read. I was so happy that Serena picked it because going back to it with new eyes sounded like a fun time, and my opinions haven’t really changed much. It just goes to show that there’s a reason that Isabel Cañas is one of my favorite horror authors writing today.

Reading this again, I still feel like some of the strongest elements are the way that Cañas addresses the ways that European colonialism has destabilized and completely uprooted so much of the culture that Beatriz and Andres have been living within, whether it’s the realities of colorism and racism that Beatriz and other darker Mestizo characters have to deal with, or how Andres has decided to hide his brujo and healing skills by joining the Catholic Church as a priest.

And the book is still really really unnerving, with a great ghost story and a Gothic flair in a place that isn’t as expected in Gothic stories. Cañas is so good at capturing a time and place and creating unease and fear, while having many supporting players to be terrorized (or in some cases doing the terrorizing).

I really love “The Hacienda”! It absolutely holds up on a re-read and it created a lot of good discussion in our book club to boot!

Serena’s Rating 9: Just the right combination of fantastic and horrific, with a splash of historical fiction and romance to sweeten the pot!

Kate’s Rating 9 : Still so wonderfully Gothic and creepy with lots of interesting history and critique of imperialism within the aftermath of a revolution.

Book Club Questions

  1. How familiar were you with this time and place? What did you learn that was new?
  2. The various women in this book all experienced limited choices regarding their own lives and futures. What stood out to you about these women’s tales and what you have done similarly or differently?
  3. The story has a lot to say about religion, both Catholicism and author’s interpretation of local faith systems. How did religion and magic mix in this book and how well do you feel these themes were explored?
  4. This is a gothic horror novel. Did you enjoy the horror elements? What there a scene that was particularly scary to you and why?
  5. Beatriz and Padre Andres both experienced challenges in this book, ultimately turning towards one another to face their foe. Did you enjoy this relationship? How did you interpret the ending?

Reader’s Advisory

“The Hacienda” is included on the Goodreads lists 2022 Gothic and Books Set in Mexico.

Next Book Club Pick: “The Magic Fish” by Trung Le Nguyen