Tag: Fantasy

Book: “The Heart Forger” by Rin Chupeco

Publishing Info: Sourcebooks Fire, March 2018

Where Did I Get this Book: from the publisher!

Book Description: In The Bone Witch, Tea mastered resurrection―now she’s after revenge…

No one knows death like Tea. A bone witch who can resurrect the dead, she has the power to take life…and return it. And she is done with her self-imposed exile. Her heart is set on vengeance, and she now possesses all she needs to command the mighty daeva. With the help of these terrifying beasts, she can finally enact revenge against the royals who wronged her―and took the life of her one true love.

But there are those who plot against her, those who would use Tea’s dark power for their own nefarious ends. Because you can’t kill someone who can never die…

War is brewing among the kingdoms, and when dark magic is at play, no one is safe.

Previously reviewed: “The Bone Witch”

Review: Due to happy scheduling chances, I was able to read “The Bone Witch” and “The Heart Forger” pretty much back to back. Not only is this always a fun way to read books and their sequels, but it’s especially nice with stories that have complicated world-building and non-linear storytelling. “The Bone Witch” was a beast of a book, with tons of detailed descriptions of the world, magic system, and a past/future POV character. The “Heart Forger” pretty much picks up immediately after the events of the first book, and doesn’t hesitate to expand even further on its own world, while also adding a healthy dose of increased action to the mix.

Newly-minted bone witch, Tea, has a lot on her plate at the start of this story. Her beloved mentor is still slowly perishing due to her lost heartglass, Tea’s brother’s love life has presented some political complications, her own crush on Prince Kance continues, there’s a murderous woman in the dungeons who promises great power and to reveal secrets about the elder Asha if only Tea would listen, and now a sleeping sickness is making its way through the royal family, in a direct line towards Kance himself.

This says nothing of the future Tea’s story, which has gone from zero to sixty from the last book to this. No longer is the older Tea content to live her life banished on a desolate beach, raising her daeva beasts from the dead. Her mission has started, and alongside her newly-raised beloved, Kalen, she sets out to conquer nations, all in a greater quest whose origins and purposes are still only vaguely hinted at.

Between all of this, the increased action is probably the most notable aspect of this sequel. If there was one fairly common complaint about the last book, it was that it was perhaps a bit too slow. I enjoyed it quite a bit, as I like reading books that focus on detail and slow character development. And given this one’s fast-paced story line, in retrospect, the time and effort that was put into place laying the foundation for this world, this conflict, and the characters who take part in it, were well worth the effort. Our characters quickly travel from one location to another, surviving and battling against multiple city-wide sieges and more slinky, sinister hidden antagonists as well. I particularly loved the increased action for Tea’s dragon-like daeva. It  was all very “Dany and her dragons” esque.

The political intrigue was also ratcheted up to a new level. With the sleeping sickness spreading between the royal families, tensions are high and everyone is looking for someone to blame. And the only man who might have the answer, the titular Heart Forger, is no where to be found.

In the future, an older Tea is fully committed to her plan, whatever that is. From what we (from the bard’s POV) can tell, it looks a lot like raising armies of the dead to attack entire countries. We get further insights into Tea’s vengeance, something about secrets that the elder Asha have been hiding, and a larger plot by this world’s ever-dangerous arch enemies, the Faceless. But for all of battles, both large and small, we still know very little about Tea’s reasons as a whole. There are numerous references to her having killed some woman, but we don’t know who this was or how it happened. In the end, there were almost too many question left unanswered for my taste.

One of the things I most enjoyed was the developing romance between Kalen and Tea. At the end of the first book, we saw Tea raise him from the dead and welcome him as her beloved. But at the start of this book, the younger Tea is still fully enthralled with Prince Kance. Her slow realizations about her feelings for Kalen and their relationship’s progression were very enjoyable and probably best took advantage of the solid foundation that was built between these two in the first book. I really dislike insta-love romances, and this was a particularly good example of how to avoid that, and instead have a strongly built and developed romantic story line.

For all of these good things, I did struggle with this book a bit more than the first one. For one thing, the first book spent a lot of time with all of the details and rules of this world. But then, here, we see numerous exceptions and loopholes built into the world, all seemingly used to simply move the story the way the author needed it to go. At best this was distracting as I tried to work out how these exceptions made sense in the larger scheme of things, and at worst it felt like blatant deus ex machina moments where the author’s hand was all too visible.

Further, there were a few characters who made decisions that seemed completely nonsensical and out of character even. In particular, some of the “revelations” in the future story line really seemed at odds with the characters. People keeping secrets for no reason, and then revealing them when the story would be best served for a dramatic moment. But why then keep them in the first place? I have a hard time when suspense is built in a story at the expense of consistent and rational characters

And, while I still enjoy the juxtaposition of the future and past story lines of Tea, the devise itself is starting to feel like its hindering the story. The secrets thing that I just mentioned is largely a problem because they’re needed to prop up the suspense of the future story line. And, by the end of the book, there are still too many question that were left unanswered. The older Tea has said several thing that sure, sounded cool, but don’t particularly tie-in very well to the events taking place with past Tea. In my opinion, the story has out grown this structure and that trying to maintain it was starting to actively work against this book. I hope that in the next the two story lines quickly meet up and we move forward with a single plot.

All in all, however, I still very much enjoyed “The Heart Forger.” The increased action made it a fun read, and now that the characters have all been established, it was a joy to follow all of their individual plot lines. Further, the romance between Tea and Kalen is one the best I’ve read recently. “The Bone Witch” is required reading for this book, but if you liked that one, than you’re sure to enjoy this one as well!

Rating 7: Action packedwith a sweet romance to boot, but became a bit bogged down by its own writing device with the past/present dueling story lines.

Reader’s Advisory:

“The Heart Forger” is a newer title, so isn’t on many Goodreads lists, but it is on “Asian MG/YA 2018.”

Find “The Heart Forger” at your library using WorldCat!

Book: “The Cruel Prince” by Holly Black

Publishing Info: Little, Brown Books for Young Readers, January 2018

Where Did I Get this Book: bought it!

Book Description: Jude was seven years old when her parents were murdered and she and her two sisters were stolen away to live in the treacherous High Court of Faerie. Ten years later, Jude wants nothing more than to belong there, despite her mortality. But many of the fey despise humans. Especially Prince Cardan, the youngest and wickedest son of the High King.

To win a place at the Court, she must defy him–and face the consequences.

In doing so, she becomes embroiled in palace intrigues and deceptions, discovering her own capacity for bloodshed. But as civil war threatens to drown the Courts of Faerie in violence, Jude will need to risk her life in a dangerous alliance to save her sisters, and Faerie itself.

Warning: This review contains a lot of ranting, and because it’s so popular on Goodreads and other places, I know this will be an unpopular opinion. But it’s mine. It doesn’t have to be yours and, while I think that even those who like this book deserve better, especially as far as the romantic interests go, everyone’s tastes run differently! And that’s ok! That’s why we have libraries packed full of options for everyone! But if it’s hard for you to read negative opinions on things you love (which I totally understand), it’s probably best to just pass on this review now.

Review: This was one of the few books that I broke down and bought without having read it before. Sadly, it is also further reinforcement for why I have that general policy to begin with. But I was beguiled by the beautiful cover and a book description that was right up my alley. Perhaps also the hype, which really should have been my warning sign, as I’ve found that very few books that are super hyped in the fantasy YA community these last couple of years actually turn out to be my cup of tea. Alas.

As I said, there is a lot to love in this book description. I’ve always loved stories about Faerie courts. I also love stories about sisterhood. And, of course, political intrigue. What should have been my warning was the concept of the cruel prince himself, Cardan. My bookclub comrade, Alicia, was also reading this book when I was and asked what I thought about this book when I was only 50 pages in or so. At the time, I said that I was enjoying it but that the main character had better not get together with the titular “cruel prince.” And Alicia just looked at me and laughed. Well…yeah…touche, I guess!

I like to try and say positive things about all books I review on here, and this book in particular seems to be getting a lot of raving reviews, so I know there must be things here that many people are liking. But honestly, I just don’t see it. The writing was technically good, I guess, and the Faerie court was appropriately capricious and beautiful, but that’s about all I have.

Though even with these aspects, Black wasn’t introducing anything we haven’t seen a million times before with fantasy like this! Yeah, yeah, beautiful food that is actually rotten. Faerie folk who have animal aspects like hooves and wings. Dancing. Mermaids. And this speaks to one of my first problems: the world-building and storytelling. If an author is going to write a Faerie court book, the fact that there a million others out there should serve as a motivation to put extra effort into plotting and characters. You already know you’re playing in a very full sandbox as far as the world itself, so you need to challenge norms in other areas. Unfortunately, Black does not. Instead we get a long checklist of YA tropes being ticked off one by one.

This book is a case study in “telling, not showing” writing. We are simply informed of most of the plot points with very little build up, no clear arc, and characters who behave and say things simply because they must, but without any written character support for their choices. We’re told that Jude wants to be a Fae Knight, and there is some hand service to her wanting to gain power, but none of this is set in any concrete character position that we are consistently shown throughout the story. At one point early in the book, we get to this grand tournament, an event she’s been training for her entire life and where she can exhibit her skills…and I’m pretty sure we get this exact line: “I fought harder than I ever had before.” End scene. Great. She’s a fighter whose been telling us for pages how important this all is and how much she’s trained (again, we’ve seen none of that) and then the moment comes! And we’re just told she fought hard.  How intriguing! I’m definitely invested now! It’s sheer laziness of writing and the kind of things that drives me crazy.

And this bland writing is paralleled in bland characterization. Throughout the entire book, I never understood Jude. What’s really important to her? Why did she do one thing here and another there? How is she growing, learning, and reacting to pretty big events happening around her? There was just nothing consistent going on with her character that readers could latch on to.

What’s more, most of her story is directly contrary to the message that I thought this book was going for, and the one thing that could have really given Jude depth as a character. She saw her parents murdered before her eyes and then was raised by the man who killed them and in a land where she and her sister are systematically abused and terrorized by those around them. This is the set up for a strong story of resilience and of reclaiming one’s own power. At its most basic level, you could get a pretty good revenge story out of this.

But no. Jude is every YA heroine we’ve ever read. We’re told she’s bad ass, despite never seeing it.  She makes horrible decisions with apparently no sense of self-preservation, and worse, no sense of the fact that her choices also result in harm to others. We’re told she’s terrified by those around her, but she still wants to be one of them. She’s thoughtless and impulsive, with no foundation to speak of that would explain why she does what she does when she does it.  Her thoughts on Faerie and its people are completely dependent on what the story needs her to do, or feel, next.

With all of this, Jude’s own Stockholm-syndrome-esque behavior and her sister’s passive victim hood, I thought the book was building up towards some sort of commentary on the effects of bullying, terror, and abuse. But nope. There’s nothing there: like the Faerie food, it looks beautiful and complex, but at its core, it’s nothing. It’s honestly confusing. Was this just a coincidence, that the author set up all of these factors around abuse and victim hood? Did she do it on accident while trying to write a fairly typical YA fantasy story? Because, as it stands, its as if she honestly didn’t realize that that’s what she had written for all of the attention its given.

And, worst of all, we have yet another YA love interest who is the epitome of abuse and bullying. And I am absolutely sick of this persistent and pernicious trope of authors creating a character who does despicable things, giving him “a past,” and then hand-waving away his own behavior (especially if he’s done it because secretly he’s kind of into the heroine). This is not a message we should be sending to young women. Yes, people can survive terrible things, and often those who commit them had darkness in their past. But they are still responsible for the terrible things they do, and while you can pity the circumstances that brought them to that point, they ARE NOT love interest material. They need help. Professional, practical, and ongoing help.

I’m completely fed up with this, and it is disheartening to see it continue in YA fantasy books and have those books receive rave reviews. In a year full of #metoo and terrible stories about women being subjected to horrendous behavior by men in power, the fact that we are still reading about YA heroes who outright abuse the heroine but are then presented as potential love interests just makes me sick. This is not ok. Even the final twist of the book doesn’t save this from what’s been set-up: multiple love triangles between victims and their bullies.

Ultimately, this goes down as my first major disappointment of the year. I’m not sure why this book is as hyped as it is or how it is receiving all of the positive reviews it is. At best, it’s presenting a pretty familiar story with all the elements we’ve come to expect: a story that is told to us, not shown; a heroine who has no clear characterization and whose decisions are nonsensical at best and outright stupid at worst; and a love interest who has no right being a love interest at all. I don’t recommend this book. Instead, if you want to read an amazing Faerie court book that’s come out recently, check out “An Enchantment of Ravens.”

Rating 2: A major disappointment. I expect more of YA fantasy. And, at this point, we have a responsibility to those who suffer from real life abuse and bullying to put away this notion that cruelty in any form, for any reason, can be “sexy” or “charming.”

Reader’s Advisory:

I’m not going to include the lists it is on, but if you’re looking for good Faerie court books, check out “An Enchantment of Ravens” and “Wildwood Dancing.”

Find “The Cruel Prince” at your library using WorldCat!

Book: “The Bone Witch” by Rin Chupego

Publishing Info: Sourcebooks Fire, March 2017

Where Did I Get this Book: copy from the publisher

Book Description: Tea is different from the other witches in her family. Her gift for necromancy makes her a bone witch, who are feared and ostracized in the kingdom. For theirs is a powerful, elemental magic that can reach beyond the boundaries of the living—and of the human.

Great power comes at a price, forcing Tea to leave her homeland to train under the guidance of an older, wiser bone witch. There, Tea puts all of her energy into becoming an asha, learning to control her elemental magic and those beasts who will submit by no other force. And Tea must be strong—stronger than she even believes possible. Because war is brewing in the eight kingdoms, war that will threaten the sovereignty of her homeland…and threaten the very survival of those she loves.

Review: First off, thank you so much to the publisher for providing me with a copy of this book to read and review! It now has a loving spot on my bookshelf, so that should give readers a clue about my thoughts on this book!

A young Tea has just learned she is a Bone Witch, a rare Asha who can raise and control the dead. Her kind are especially needed for their abilities to raise and banish daeva, fearsome beasts who will escape their graves on given intervals and rampage the countryside if they are not put back to rest. But an older Tea is the one telling us this tale, and through her we see that life has not been what she had expected when she first was trained. The elder Tea is banished, living on a forlorn beach surrounded by monstrous beasts, and she has her own plans. With these dueling perspectives, Chupeco weaves together a world full of magic, mystery, and darkness, and one girl’s story that has already happened and is also about to begin.

My first point of praise goes to the narrative set-up of this book. I love stories that are told from a past/present point of view. Through the elder Tea, we get a sense that things have gone wrong, but we don’t know why, how, or what her plans are now in response to those events. The younger Tea, whose story takes up the majority of the book, is as new to much of this world as the reader and through her we see innocence, wonder, and fear of what her growing abilities really mean. Both narratives draw from the other, dropping little clues here and there that tie neatly between the two, but also raise more and more questions. The elder Tea is definitely not rushed in her story-telling, or willing to simply give the end away. There were excellent surprises planted throughout both storylines, and it was exciting seeing how they interconnected.

The world-building was probably the strongest point in this book’s favor. It’s been compared to a fantasy version of “Memories of a Geisha” and this is spot on. It did walk a very fine line of being almost a little too close to that book for my taste at times. Some of the characters involved, the miserly older woman who runs the house, the successful and beautiful older Asha who is in the prime of her abilities, and Tea’s own slow rise from servitude towards a spectacular debut. However, the magical elements and complicated history and politics of this world did enough to pull the story away and into its own place. I absolutely loved the magical system of this world, especially the way proficiency in these magical arts combined in a variety of ways. Asha are not only excellent performers who serve as entertainers (here’s where the geisha-like comparisons come into play), but they are also warriors, healers, and politicians.

Tea, as a Dark Asha, or Bone Witch, walks a slightly different path. Dark Asha are rare, and, while their abilities are the most necessary of them all, it is not surprising that the common people fear them. Through Tea’s experiences, and that of her mentor Mykaela, we see the fears and superstitions that they must deal with, all while performing the challenging and necessary work of the land.

So far we have a complicated past/present narration style, a magical system that has intricate workings and specific challenges for our main character, and a geisha-like system that incorporates entertaining, fighting, and politicking. On top of all this, there is also the world itself, made up of many different kingdoms each with their own cultures, ethnicities, and views on Asha and the ongoing fight with the daeva and the Faceless who control them. One of my biggest criticisms comes in this part. If ever a book needed a map, it was this one. There is simply too much to keep track of in this book to expect readers to navigate the terrain as well. Even by the end of the book, I was still confused about the layout of the world and how these various different kingdoms worked together.

With all of these details, this book is definitely heavy on descriptions and works with a slower pace. I love immersive writing like this, but I do think the book will have varied responses based on this fact. There is action, but in small bursts slotted between pages of the average day for Tea learning to be a Dark Asha. It’s not until the very last part of the book that the action really picks up, but when it does, man is it exciting!

And, since the second book is coming out shortly, you’ll have a safer time reading this one now than earlier, as the ending is a bit of a cliffhanger. By no means are all of the mysteries resolved; if anything, I had even more questions at the end than I did at the beginning, and it felt like the story was cut off right when things were really starting to get moving. I’m fine with that, since I can pick up the second one right away, but it’s something to keep in mind when you’re scheduling your reads (doesn’t everyone schedule their reading order??)

So, while all of the complicated elements of the world and story did leave me confused at times, the strong central character and the huge set up for book two were more than enough for me to thoroughly enjoy and recommend this book. If you’re a fan of fantasy with a darker twist, definitely check this one out.

Rating 8: Immersive and detailed, there is no loss for world-building in this book. If anything, it’s overwhelming!

Reader’s Advisory:

“The Bone Witch” can be found on these Goodreads lists: “Rag and bones – and skellies and skulls” and “Fairytales for wild girls.”

Find “The Bone Witch” at your library using WorldCat!