Tag: Fantasy

Serena’s Review: “The Familiar”

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Book: “The Familiar” by Leigh Bardugo

Publishing Info: Flatiron Books, April 2024

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: In a shabby house, on a shabby street, in the new capital of Madrid, Luzia Cotado uses scraps of magic to get through her days of endless toil as a scullion. But when her scheming mistress discovers the lump of a servant cowering in the kitchen is actually hiding a talent for little miracles, she demands Luzia use those gifts to better the family’s social position.

What begins as simple amusement for the bored nobility takes a perilous turn when Luzia garners the notice of Antonio Pérez, the disgraced secretary to Spain’s king. Still reeling from the defeat of his armada, the king is desperate for any advantage in the war against England’s heretic queen—and Pérez will stop at nothing to regain the king’s favor.

Determined to seize this one chance to better her fortunes, Luzia plunges into a world of seers and alchemists, holy men and hucksters, where the line between magic, science, and fraud is never certain. But as her notoriety grows, so does the danger that her Jewish blood will doom her to the Inquisition’s wrath. She will have to use every bit of her wit and will to survive—even if that means enlisting the help of Guillén Santangel, an embittered immortal familiar whose own secrets could prove deadly for them both.

Review: I’ve had a mixed past reading Leigh Bardugo’s books. I started out really enjoying the first book in her original Grisha trilogy, “Shadow and Bone.” But then I disliked the way the love triangle was handled so much that I was pretty much hate-reading the series by the time I got to the final book. Sure, I liked the ending, but I was pretty put off by the entire experience. Then, however, I picked up the “Six of Crows” duology and absolutely loved it! On top of that, while I haven’t read “Ninth House,” Kate gave it a 10 in her review a few years ago. Sooo, when I saw this book coming out, I thought now was the time to revisit her work. It helps that this book is disconnected from the Grishaverse entirely and was set in a place and time period that I’ve rarely seen tackled in fantasy fiction. And now that I’m finished…well, consider me converted! If this is what Bardugo is producing currently, I’m all in!

There is so much to love about this book that I barely know where to start! But let’s start with something I’m always on the look out for when reading books like this: how well does it blend genres? Here, Bardugo is not only writing a fantasy story, but she’s attempting to blend it into a real time and place in our own world. With that comes a lot of challenges, but when done right, like here, it can be the best of both world. And while Luzia’s magic and the magical competition she finds herself entrenched within drive much of the plot of the story, I think it’s truly the historical setting that breathes life into this book.

This story is rich with all of the intricate details that one looks for from a historical fiction book: the lush descriptions of fashion and architecture, the political maneuvering driving a country’s leaders, the cultural norms and restrictions placed on its people. And central to it all, Luzia’s precarious place in a culture that demonizes “unholy” magic as well as her own Jewish heritage. All of this and more is woven in so neatly alongside fantastical events that it truly begins to feel believable that this was simply a lost element of the historical record. In this way, it very much reminded me of reads like “The Golem and the Jinni” where the historical setting and commentary felt as if they played a more primary role to its fantasy elements.

I also really enjoyed the characters, but especially Luzia herself. She’s a fully formed, complicated character with all of the joys and struggles that come alongside that. Early in the story, numerous characters warn her about the dangers of her own ambitions, and I was truly impressed by the delicate manner in which this was handled. Restricted to a life as a scullery maid, Luzia’s dreams of basic comforts, safety, and the recognition and appreciation of her power are all understandable, especially to the modern reader. She’s never demonized for wanting more. That said, the book never loses sight of the time period and place during which it is taken place. There are no easy solutions to the realities of the world around her; no magical wand-waving that can re-form the world into one where Luzia’s dreams of her future can be easily made true. This is not a story of revolution or grand sweeting changes to a real-world historical time line. Instead, it is a careful exploration of the very real lives that people, especially women, lead. That said, it’s not all doom and gloom.

Woven throughout the story was one of my favorite slow-burn romances that I’ve read in quite some time. Like Luzia, Santangel is a complicated, imperfect being. His story is slowly revealed over the course of the book, and we learn of the backstory that lead him to be who he is now and understand the choices he makes. For much of the book, I was truly concerned about how this love story was going to be resolved, given the restrictions on his character. But, like everything else, this all fell neatly in line by the end of the book, leaving us with a bittersweet, but satisfying ending. And for those concerned, I’d say it veers closer to the “sweet” than the “bitter.” Take from that what you will.

The fantasy elements were also fantastic. It starts off slowly, but the story eventually builds to full-scale, action-packed magical scenes. Honestly, I was kind of surprised by just how far into the fantasy aspect the book leaned at certain points. There were some truly suspenseful scenes, and I enjoyed the way Luzia’s magic was used. There were enough restrictions on what she could do that there was sufficient tension and conflict building throughout the story, but there was also a sense of whimsy, that anything could be possible if it could be dreamed.

Truly, I can’t say enough good things about this book. The writing was incredibly sharp, the character work was deep and complicated, and there was an excellent balance between the increasing danger and stakes of Luzia’s situation and the sweet, slow-burn romance building between her and Santangel. Fans of Bardugo’s work are sure to love this one, and I would also highly recommend it to any fantasy readers, especially those who enjoy historical fiction, as well.

Rating 10: A masterpiece of historical fantasy fiction, with “The Familiar” Bardugo has proven once again why she’s one of the most exciting authors writing in the genre today.

Reader’s Advisory:

“The Familiar” can be found on these Goodreads lists: Jewish Fantasy Genre and Historical Fiction With a Dash of Magic.

Kate’s Review: “The Monstrous Misses Mai”

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Book: “The Monstrous Misses Mai” by Van Hoang

Publishing Info: 47North, April 2024

Where Did I Get This Book: I received an ARC from the publisher.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A determined young woman in 1950s Los Angeles walks a darker city than she ever imagined in a spellbinding novel about the power to make dreams come true―whatever the sacrifice.

Los Angeles brims with opportunity in 1959―though not for aspiring fashion designer Cordelia Mai Yin, the first-generation child of Vietnamese immigrants, who finds the city unkind to outsiders and as dispirited as her own family. When Cordi rents a cheap loft in an old apartment building, she quickly warms to kindred souls Tessa, Audrey, and Silly. They also want better things and have pasts they’d rather forget. That they all share the same middle name makes their friendship seem like destiny.

As supportive as they are of each other, it’s a struggle just to eke out a living, let alone hope to see their wishes for success come true. Until an ever-present and uncannily charming acquaintance of the landlord’s offers a solution to their problems. He promises to fulfill their every dream. All it takes is a little magic. And a small sacrifice.

As one surprisingly effective spell leads to another, their wishes get bigger. But so does the price they must pay. Amid the damaged seams of her life so far, Cordi must realize her own power in order to rip free, without losing everything she’s worked so hard to achieve.

Review: Thank you to 47North for sending me an ARC of this novel!

I love it when I am surprised by book mail in any form, but love it even more when I am surprised by book mail that I already had my eye on. This happened to me with “The Monstrous Misses Mai” by Van Hoang, as I had seen it on my various social media feeds as well as NetGalley, but hadn’t yet taken the plunge to try and get my hands on it. So when it arrived in my mailbox unprompted, I was pretty excited to see it! Between the cover and the idea of women making a magical bargain that they perhaps won’t be able to cash, the entire concept really intrigued me.

The strongest point of this book was our protagonist Cordi Mai Yin, a young Vietnamese American woman who has found herself on her own and estranged from her strict family in 1959 Los Angeles. She moves into an apartment with three other Asian American women, Tessa, Audrey, and Silly, who all also have the middle name of Mai, which feels like fate. As they all struggle due to their class, race, and gender, they meet a mysterious man who claims he can help them make their wishes come true with magic and a sacrifice. We see the story and trajectory of this decision through Cordi’s eyes, who is so desperate to succeed away from her family and as a fashion designer, and whose meek nature is bolstered through the success after the ritual. I liked Cordi a lot, as I found her complexity believable and sympathetic, and she was explored and fleshed out enough that I was invested in what happened to her as well as totally convinced of her choices and storyline beats. Her anxiety about making it on her own after being so dependent on a less than supportive family, mixed with the constant racism and misogyny she has to face in her day to day life, are also laid out in a convincing and realistic way.

The magical system in this book, known as lura, is a well thought out idea that was vague enough to be flexible but felt unique in enough ways that it didn’t feel run of the mill. I felt like there was a lot of “The Craft” in it, with four powerless women coming together to find their power, only to realize that it may have more consequences than they can actually fathom. While this is probably a solidly dark fantasy story, there are also some pretty nasty body horror elements that come from the lura spells taking their toll, with fingernails falling out, or hair shedding in clumps, or even just some gross transformational stuff that made the story have some definite horror elements. I also quite enjoyed the metaphors at hand with various luraists who have accrued power through indirect means, but still feel entitled to the lavish (if not hard to keep up) lifestyles that they have in front of them, and how that doesn’t necessarily apply to four Asian American women who have societal roadblocks due to racism and misogyny.

Overall, I enjoyed “The Monstrous Misses Mai”! It scratched all my dark fantasy and historical fiction itches, and I will certainly be seeing what Van Hoang brings next!

Rating 8: An engrossing dark fantasy with elements of body horror, “The Monstrous Misses Mai” has a bite, both in mythos and in metaphor.

Reader’s Advisory:

“The Monstrous Misses Mai” isn’t on any Goodreads lists as of now, but it would fit in on “Coven Book Club”.

Serena’s Review: “Dark Water Daughter”

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Book: “Dark Water Daughter” by H.M. Long

Publishing Info: Titan Books, July 2023

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Mary Firth is a Stormsinger: a woman whose voice can still hurricanes and shatter armadas. Faced with servitude to pirate lord Silvanus Lirr, Mary offers her skills to his arch-rival in exchange for protection – and, more importantly, his help sending Lirr to a watery grave. But her new ally has a vendetta of his own, and Mary’s dreams are dark and full of ghistings, spectral creatures who inhabit the ancient forests of her homeland and the figureheads of ships.

Samuel Rosser is a disgraced naval officer serving aboard The Hart, an infamous privateer commissioned to bring Lirr to justice. He will stop at nothing to capture Lirr, restore his good name and reclaim the only thing that stands between himself and madness: a talisman stolen by Mary.

Finally, driven into the eternal ice at the limits of their world, Mary and Samuel must choose their loyalties and battle forces older and more powerful than the pirates who would make them slaves.

Review: I’ve been wanting to get back to H.M. Long’s books for a while now, and even had this mentally slotted as one to review last summer when it came out. Obviously, that didn’t happen. But better late than never! And as the sequel is scheduled to drop this coming July, I can even say I’m getting this review out of the way several months in advance! We’ll see if I can be timely about getting to that one! Though, given how much I enjoyed this book, I think think the chances are high!

I feel like there was a very brief blip where pirate fantasy stories were trending, around when Adrienne Young wrote her “Fable” duology. But it didn’t quite take off in the same way we’ve seen with other incredibly popular trends (the vampire one currently is a good example, where every third book you see will be a vampire book in some way or another). It’s too bad though, as I think that pirate stories or even just sea-fairing adventure stories are a perfect match for a lot of classic fantasy fiction. They both often involve quests of some sort that move from location to location; there are often larger parties of characters who all have their own motivations and loyalties; and, of course, lots of fight scenes! Long was able to hone in on all of these elements perfectly in this book.

For the fantasy elements, I really liked the world we have here. Not only is Mary’s weather singing ability super interesting on its own, but I enjoyed the way this kind of ability was worked into the organization of this society and the history behind how Stormsingers have historically been treated. Especially for a very nautical group of countries, we can easily see how Stormsingers would be in the sort of demand they are, as well as how their abilities could be exploited by those around them. Beyond the Stormsinging, however, there were a lot of other excellent fantasy elements. I feel like we only scratched the surface of Samuel’s own abilities, with some big swings coming towards the end of the book (I’m especially excited to see where his story goes in the next book). And on top of all of this, we have the ghistlings. These beings felt like a bit of an after thought in both the book summary and in the beginning of the story, but man, that was a bait and switch! There were some truly shocking twists and turns in this arena throughout the book.

I also really enjoyed Mary and Samuel as characters. Each had a rich and compelling back story that was slowly revealed, and I particularly enjoyed the extreme slow burn of their growing relationship. We’re talking slooooowww. After reading a bunch of romantasy books recently, I very much appreciated the return to fantasy where there is a romance, but it is definitely a subplot to not only the greater plot but also to the individual character arcs. As an aside, I had a moment reading this book where I realized I may have been reading a bit too much romantasy recently when the villain was first introduced and I found myself wondering if he was being introduced as a second spoke in a developing love triangle (there is a bare whiff of a love triangle, to be fair, but not with this character.) Sometimes villains are just villains, Serena! Once I re-oriented myself to the real world of most fantasy fiction, I appreciated just how villainous this character really was, and how clearly everyone around him saw this fact.

I also really enjoyed the many various side characters we met. There were several different ships with their own crews and captains that wove in and out of this story, and I enjoyed how all of these moving parts worked together to build to the ultimate show-down. There were some great twists and turns with these side characters as well, with swapping loyalties and a shifting scope of who were the good guys and bad guys at any given moment. It all felt very “Pirates of the Caribbean” in the best way.

I loved this book! It managed to balance so many things all at once without dropping a single plate. There was action, there was danger, there was loyalty and betrayal, love and friendship, and, of course, a large dose of magic in a creative secondary world. After reading this book, I can fairly confidently move Long into my “must read” category for fantasy authors currently writing. If you enjoy fantasy adventures, and especially pirate stories, definitely check this one out!

Rating 9: A perfect combination of a high stakes pirate adventure and a fantasy-fueled quest of discovery. I couldn’t put it down!

Reader’s Advisory:

“Dark Water Daughter” can be found on these Goodreads lists: Nautical Fantasy and Gunpowder Fantasy.

Serena’s Review: “Mountains Made of Glass”

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Book: “Mountain Made of Glass” by Scarlett St. Clair

Publishing Info: Sourcebooks Bloom Books, March 2023

Where Did I Get this Book: from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: All Gesela’s life, her home village of Elk has been cursed. And it isn’t a single curse—it is one after another, each to be broken by a villager, each with devastating consequences. When Elk’s well goes dry, it is Gesela’s turn to save her town by killing the toad that lives at the bottom. Except… the toad is not a toad at all. He is an Elven prince under a curse of his own, and upon his death, his brothers come for Gesela, seeking retribution.

As punishment, the princes banish Gesela to live with their seventh brother, the one they call the beast. Gesela expects to be the prisoner of a hideous monster, but the beast turns out to be exquisitely beautiful, and rather than lock her in a cell, he offers Gesela a deal. If she can guess his true name in seven days, she can go free.

Gesela agrees, but there is a hidden catch—she must speak his name with love in order to free him, too.

But can either of them learn to love in time?

Review: Scarlett St. Clair is a powerhouse of a romantasy writer. She’s prolific and beloved, and I hadn’t read anything by her up to this point. So I was excited to check this book out when I was approached by the publisher for a potential review. I won’t lie, I was especially excited to check out a novella and one that is pulling from various fairytales. I best know St. Clair through references to her “Hades and Persephone” series, and that’s a tough one to get right, so I felt more confident with a fairytale re-telling as an initial entry point to this author’s work.

After now reading this book, I feel like I’m just as unclear on whether or not St. Clair’s books are for me or not. That said, I can now easily understand the appeal for many romantasy fans. Let’s start with that part. Right away, the style of writing appealed to me. There was a nice balance between quick pacing and descriptive prose. The author had clearly read a bunch of fairytales and had no problem capturing the correct tone, writing a story that felt both whimsical and beautiful at times, and violent and disturbing at others. I especially liked just how many fairytale sources were all drawn upon to craft this story. The author even included a note with more details on all of the points of inspiration she pulled upon when writing this book, which I found fascinating.

I also really enjoyed the dialogue and much of the inner monologues we saw from both the hero and the heroine. And while I enjoyed Gesela, Casamir’s chapters turned out to be the most fun. There were a bunch of side characters with whom he interacted, and I loved the ridiculousness of their scenes attempting to point out to their great Fae lord just how inept his attempts at wooing Gesala really were. There was also a captured fairytale prince whose own story veered off into some truly surprising directions.

However, almost from the very start, I struggled with the balance being struck here between plot and spicy scenes. In that…there really was no balance and it was predominantly the latter. No judgement, of course, to readers who are happy with books that lean more in this direction, but for me, I still have fairly high expectations as far as plot goes for my romantasy books. I still want a story, you see. And while yes, there was one here, it was sometimes hard to keep sight of it through all of the insta-lust we had going on.

I was especially put off when, during the very first scene between Gesala and Casamir, we have Gesala completely losing her wits and falling into immediate lust over this complete stranger. And not just “oh, he’s good looking” lust, we’re talking “let’s jump in bed now!” lust. From there, I felt like there were numerous moments where any of the tension or build to the actual love story were undercut by these moments of straight spice. And at a certain point, it became so comical how often Gesala was ending up in contrived situations where she was naked that I started counting. Which really isn’t what I want from a story: to be so distracted by some sort of silliness that I start counting.

I’m not quite sure where to go from here. Reading between all of the spicy scenes, there was a lot to like about this book. I thought the characterization was great, the dialogue was witty and often hilarious, and the fairytale inspiration was spot on. I just didn’t like how much the spicy scenes seemed to overshadow any actual story that was being drawn. The author’s note said she plans on writing stories for all of the other Fae brothers, so maybe I’ll check out the next one of those and go from there. That said, if you enjoy romantasy books with insta-lust/lots of spice, this may be for you. But if you’re looking for more story or plotting to hold things together, this one is on the weaker side.

Rating 7: A bit of a hit or miss reading experience, I really enjoyed the story we had here, but unfortunately the plot often fell to the wayside in lieu of romance scenes.

Reader’s Advisory:

“Mountains Made of Glass” can be found on these Goodreads lists: Romantasy for Adults and Epic High Fantasy/Romance/Mythology in 2023

Serena’s Review: “The Last Bloodcarver”

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Book: “The Last Bloodcarver” by Vanessa Le

Publishing Info: Roaring Brook Press, March 2024

Where Did I Get this Book: NetGalley

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Nhika is a bloodcarver. A cold-hearted, ruthless being who can alter human biology with just a touch. In the industrial city of Theumas, she is seen not as a healer, but a monster that kills for pleasure.

When Nhika is caught using her bloodcarving abilities during a sham medical appointment, she’s captured by underground thugs and sold to an aristocratic family to heal the last witness of their father’s murder.

But as Nhika delves deeper into their investigation amidst the glitz of Theumas’ wealthiest district, she begins to notice parallels between this job and her own dark past. And when she meets an alluring yet entitled physician’s aide, Ven Kochin, she’s forced to question the true intent behind this murder. In a society that outcasts her, Kochin seems drawn to her…though he takes every chance he gets to push her out of his opulent world.

When Nhika discovers that Kochin is not who he claims to be, and that there is an evil dwelling in Theumas that runs much deeper than the murder of one man, she must decide where her heart, and her allegiance, truly lie. And – if she’s willing to become the dreaded bloodcarver Theumas fears to save herself and the ones she’s vowed to protect.

Review: I feel like there’s been a lot of exciting new Asian fantasy stories coming out this spring, and this one was definitely high on my TBR list, as I’m even less familiar with Vietnamese mythology than Chinese, Japanes, or Korean. The cover art is also very unique and intriguing, and I thought the main character’s magical trait of manipulating human biology had a lot of promise. I also love murder mysteries, so I was excited to see how well these two genres would be blended together. And, well, it was all pretty good!

What first stood out to me was the lush and descriptive style of writing the author employed. The story starts out fairly quickly as far as plot and pacing go, but I was still able to picture the details of this world and character. This felt like a fully realized, fully peopled fantasy world, complete with a culture that felt distinctive and elaborate. Of course, central to the story were Nhika’s bloodcarving abilities, and this detailed style of writing helped to truly flesh out how this power worked. Many fantasy stories devolve to fairly simplistic explanations of their magical elements, but here I felt like we were given a true insiders-look into Nhika’s magic. This felt important as it helped the reader understand why an ability that could be so useful to humanity could also be seen as something to fear and hate.

I also really liked Nhika’s character and the arc she has in this book. Through her eyes, we see the experiences of a diaspora character, a young woman who finds herself in a world that no longer feels like her own. Even more interesting, her experiences as an outsider who does not fit within this world were mirrored in the other main character Kochin who experiences a similar disconnect. But while this disconnection and “out-of-place-ness” might be similar between them, their experiences and views of how they fit (or don’t fit) within this world are very different.

That said, this is one of those rare circumstances where I feel like the story might have been better without any romance at all. I liked both of these characters, but frankly, by the time the romance really started to amp up, I’d forgotten that was even the direction it was heading. These two were very definitely enemies for much of the time, so the change of tone when it came, did feel a bit strange. It was also rather sudden, not feeling nearly as developed as many of the other aspects of the story.

Overall, this was a great debut novel! I had some quibbles here and there with the way the romance was developed, but the writing and world-building were strong and promise of great things to come from this author in the future!

Rating 8: Rich and vivid worldbuilding combined with a compelling vision of the diaspora experience created a fantastic debut all around!

Reader’s Advisory:

“The Last Bloodcarver” can be found on these Goodreads lists: Around The World 2024 – Asia Continent and Asian SSF.

Serena’s Review: “The Encanto’s Daughter”

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Book: “The Encanto’s Daughter” by Melissa de la Cruz

Publishing Info: G.P. Putnam’s Sons Books for Young Readers, March 2024

Where Did I Get this Book: NetGalley

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: A young woman claims the throne of a realm inspired by Filipino mythology in this YA romantic fantasy, the first in an enchanting new duet by #1 New York Times bestselling author Melissa de la Cruz.

MJ Rodriguez has spent her life hiding in the human world, keeping a heavy secret. She’s half-encanto. As the only child of King Vivencio of the Sirena Court, she’s also next in line for the throne. And now, upon her estranged father’s sudden death, MJ must claim her place as rightful heir.

In wondrous Biringan, the road to the throne is paved with thorns. Without a reigning monarch, the realm has spiraled into disarray. MJ has to win over a backstabbing council that objects to a half-human ruler. And when it looks like her father’s passing wasn’t natural but possibly inflicted by a curse, she must hunt down the sorceress behind this merciless magic.

In a bind, MJ forges an unlikely alliance with the striking Sir Lucas of the feared Sigbin Court, and soon, she loses her heart to the mysterious knight. But with peril looming over Biringan, the princess must decide if she can both open herself to love and carry the weight of the crown.

Review: So, I’m going to just say this up front: I mistook this author for another “Melissa” author when I initially requested this book on NetGalley. I’ve only read one other book by de la Cruz, and to say it wasn’t a favorite is probably an over-statement. I think it might be one of my lowest rated books on the blog, actually. That said, even after I realized, I still wanted to give this one a shot. Over the last year or so, I can think of a few examples where I’ve really loved books by authors who didn’t work for me the first time around. So, who knows? This could have been another situation where, with a new project, my mind could be changed.

All of that nice intro just to find out…nope, turns out everything that I disliked about the first de la Cruz book was more a feature of her writing than a bug. Ah, well, worth the shot I guess! But, as always, let’s talk a bit at first about the things that did work for me. Really, not much did. But I can see more where things would work for other readers whose tastes differ from mine. I did like the elements that were drawn from Filipino mythology (I especially appreciated the author’s note about this), and I wish there had been even more of these elements included on the whole. By the end, I still felt like we’d only scratched the surface of what could have been a rich fantasy tapestry. I also think that many of the choices made with regards to characterization and plot will appeal more to younger YA readers, so they may find more to like in this book than I did.

But for me, this was really a disaster of a read. Both the characters and the plot felt like cardboard cut outs of the most stereotypical elements of storytelling that on could cobble together. From the ridiculousness of the “magical royal school” setting, to the plot quickly devolving from MJ taking seriously her task to learn to take the throne in only a month’s time to instead partaking in juvenile bickering and drama. And to people these scenes, we have all of the stereotypes you can imagine: quirky best friend? Check. Mysterious romantic interest? Check. Hot girl that the main girl must hate? Check. This last one was most disappointing to see. I vaguely remember having problems with this in the other book by de la Cruz I read, this propensity to making the main female character seem special by degrading the other women around her. It was distasteful then, and it’s pretty depressing to still see it popping up here in YA fiction years later.

Beyond this, it felt like the book didn’t know what it wanted to be. You have, of course, the boarding school aspect. But the story also has elements of a fantasy thriller and then a murder mystery is introduced. And yet, even with all of these elements, I found myself so, so bored while reading this. Not being able to connect to any of the characters is always an uphill battle as far as engagement with a book goes, but it also felt like the pacing of this one was simply very slow. It felt like nothing was really happening for large chunks of the story. And as it went, it was easy to guess exactly where every plot line was going which sucked any tension out of the experience. And then we get to the end and what do we get? A cliffhanger!

I really disliked this book. The writing felt limited, the plotting was questionable, and the characterization could be reduced to stereotypes. All of that said, I know this author is popular with a lot of readers, so if you’re a fan of her previous books, take all of this with a massive grain of salt. Also, if you’re very dedicated to checking out a book that draws from Filipino mythology this might be worth a shot, though, I have to say, I feel like there have to be better examples out there than this. Overall, while I’m glad I gave this author another shot in the service of not having fixed opinions of an author based on one reading experience, after finishing this one, I’ll think I’ll call it quits.

Rating 5: At best it doesn’t stand out from the pack of other YA fantasy stories, and at worst, it’s a muddled mess of stereotypes and predictable plot lines.

Reader’s Advisory:

“The Encanto’s Daughter” can be found on this Goodreads list: Asian YA/NA Books 2024:

Serena’s Review: “Salt & Broom”

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Book: “Salt & Broom” by Sharon Lynn Fisher

Publishing Info: 47North, December 2023

Where Did I Get this Book: Netgalley!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: A gifted healer unravels the mysteries of a cursed estate—and its enigmatic owner—in a witchy retelling of Jane Eyre .

“Salt and broom, make this room
Safe and tight, against the night.”

Trunks packed with potions and cures, Jane Aire sets out on a crisp, clear morning in October to face the greatest challenge of her sheltered girls’-school existence. A shadow lies over Thornfield Hall and its reclusive master, Edward Rochester. And he’s hired her only as a last resort. Jane stumbles again and again as she tries to establish a rapport with her prickly new employer, but he becomes the least of her worries as a mysterious force seems to work against her. The threats mount around both Jane and Rochester—who’s becoming more intriguing and appealing to her by the day. Jane begins to fear her herb healing and protective charms may not be enough to save the man she’s growing to love from a threat darker and more dangerous than either of them imagined.

Review: No, your memory is not failing you: Kate, not me, was the one to include this book in her Highlights post back in December! But this is a perfect example of the sort of book that has cross-over appeal for Kate and I. For one thing, we both love “Jane Eyre” and thusly any “Jane Eyre” retellings are automatically appealing to us both. From there, I imagine she looked at this one and saw “witchy cozy horror,” and I looked at it and saw “witchy cozy fantasy,” and in truth, it’s a little bit of both. Never fear, however, I didn’t poach this one from her! She confirmed that she didn’t have a full review planned, so I was in the clear!

“Jane Eyre” is a tough nut to crack as far as re-tellings go. I think both Jane and Mr. Rochester are fairly complicated characters in their own right, and their romance is by no means straight forward or easy. But I have to commend Fisher for the version she presents here! This book walks the perfect tight-rope of hitting the main story beats that one expects from a “Jane Eyre” story, while also completely re-imagining large chunks of the story to fit in a fantasy world where witches, ghosts, and fairies exist. It would be very easy for either side of this balance to shift and throw the entire book into disarray, but that’s not a concern here! Instead, the book confidently moves forward in the world its has created, trusting the reader to strike this balance as well. I was also impressed with the overall style and tone of the writing, as capturing the specific “voice” and manner of speaking can be a challenge when adapting older works like this. Again, this ability to capture this tone was all the more impressive since you had to pair this sort of “period piece” voice with all kinds of fantasy terms about witches and magic.

In particular, I really enjoyed the adaptations and liberties the author took with the original story. All of the main plot beats were hit (and even a few minor ones, the sort that will definitely please the fans!), but the author didn’t hold back from truly making this one her own. Several familiar characters are completely re-imagined, while others play roles that are relatively unchanged. Some fairly major plot lines are also changed, but in ways that still hold true to exploring the themes and love story of the original. This include the plot line regarding Mr. Rochester’s wife. Obviously, I don’t want to go into spoilers, but I was very impressed by how this was re-done! And, again, the magical elements tied into all of this in ways that were truly surprising! Going in, I had it in my mind that it would mostly be the same story but with Jane doing a bit of magic here and there. Nope! Major fantasy elements all over the place, but in the best ways!

I also really enjoyed this version of Jane and Rochester. Jane, especially, was a fantastic leading lady. This version captured the same spirit of independence and resolve that we see in the original, but the story also allowed her to explore themes regarding female friendships, motherhood, and family in ways that the original didn’t. Rochester was also excellent, capturing much of the same dark and broody motifs that we expect from this classic romantic hero. That said, I liked some of the updates we got to this version as the original had moments where he came off as a bit, well, jerkish. This Rochester is still reserved and mysterious, but also updated in small ways to appeal to modern romance readers. I especially loved all of the scenes where he and Jane team up to solve the magical mysteries surrounding them.

Overall, I really loved this book! It managed to take a beloved classic story and retain all that makes it great while also adding a fun fantasy spin to the proceedings. I’ll definitely be looking through this author’s back catalog to see what else she’s written and will keep any eye out for anything coming in the future! If you enjoy magical re-imaginings of classic stories, definitely check this one out!

Rating 9: Darkly romantic and mysterious, a perfect book for all “Jane Eyre” fans!

Reader’s Advisory:

“Salt & Broom” is on any relevant Goodreads lists yet, but it should be on Jane Eyre Retellings.

Kate’s Review: “Forgotten Sisters”

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Book: “Forgotten Sisters: A Novel” by Cynthia Pelayo

Publishing Info: Thomas & Mercer, March 2024

Where Did I Get This Book: I received an eARC from NetGalley.

Where You Can Get This Book: WorldCat.org| Amazon | Indiebound

Book Description: A city’s haunted history and fairy-tale horrors converge for two women in an addictive novel of psychological suspense by a multiple Bram Stoker Award–nominated author.

Sisters Anna and Jennie live in a historic bungalow on the Chicago River. They’re tethered to a disquieting past, and with nowhere else to go, nothing can part them from their family home. Not the maddening creaks and disembodied voices that rattle the old walls. Not the inexplicable drownings in the area, or the increasing number of bodies that float by Anna’s window.

To stave off loneliness, Anna has a podcast, spinning ghostly tales of Chicago’s tragic history. But when Anna captures the attention of an ardent male listener, she awakens to the possibilities of a world outside.

As their relationship grows, so do Jennie’s fears. More and more people are going missing in the river. And then two detectives come calling.

They’re looking for a link between the mysteries of the river and what’s housed on the bank. Even Anna and Jennie don’t understand how dreadful it is—and still can be—when the truth about their unsettled lives begins to surface.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I’ve been following Cynthia Pelayo on social media for a few years now, and that was where I first caught wind of her newest novel “Forgotten Sisters”. I had hopes that there would perhaps be very early ARCs of it at ALA last year, and while that didn’t come to fruition (hey, a girl can dream and I DID get “Loteria” and “The Shoemaker’s Magician”), I waited patiently for this “Little Mermaid” inspired dark fantasy horror novel. I was pumped when I saw that it was available on NetGalley, and when my request went through I was very eager to start. Pelayo is one of the more unique horror authors out there right now, a multi- Bram Stoker Award winner, and this one was REALLY tantalizing.

While I thought that “Children of Chicago” was more full on malevolent horror, “Forgotten Sisters” leans more into dark fantasy, with references to “The Little Mermaid” being crafted into a melancholy tale about sisters Anna and Jennie. Through Anna’s perspective we learn about the terrible loss that they have endured, the way that they have clung to each other, and the river side house that they have been living in since their childhood, which may be housing a number of ghosts as well as grief and haunting memories. Anna has been running a podcast about the haunted history of Chicago, and while she loves her sister and can’t see herself leaving their troubled home, she does seem to long for more, in spite of Jennie clinging all the more at any hint of Anna pulling away (which becomes all the more complicated when Anna meets a man named Peter through her podcast). When we start we know that Anna isn’t necessarily reliable due to the unknown unresolved trauma she has endured, but Pelayo does a good job of easing into the peeling back of the tragedies that these women have had to live with, and what cost their enmeshment has taken and how that warps Anna’s perceptions. It’s dreamy and weird and uneasy, and it was both mesmerizing and unsettling at once, and while I pieced together bits and pieces just based on hints laid out and a knowledge of the history of Chicago, I thought that it was a well done dark fairy tale at heart. That said, sometimes I got lost in the flowery and dreamlike elements of this part of the story, which could take me out of it once in awhile.

I did like the police procedural parts quite a bit as well. I am a huge sucker for a procedural, and Pelayo succeeds at writing gritty and cynical dialogue and setting up interesting and tense crime beats. In this book we have Detectives Kowalski and Rodriguez, a seasoned long timer and an idealistic rookie, who are investigating the mysterious deaths of young men who are found drowned in the Chicago River under strange circumstances. It has hints of the Happy Face Killer theory, and with the criminal history of Chicago always lurking (after all this is the city of John Wayne Gacy and H.H. Holmes, amongst others) you get a more sinister vibe and a sense of dread as these two detectives try to piece things together. I liked their dynamic, and I liked seeing them slowly circle in on a potential serial killer, and the connection to Anna and Jennie and the River itself. It comes together really well and makes for a satisfying combination of dark fantasy and cop thriller, balancing each other out in ways that caught me by surprise.

One of the things that always strikes me when I read a Pelayo book is that she so clearly loves the city of Chicago, and that love comes through her tales even if they are about the darker histories of this city. As a Midwesterner I’ve been to Chicago multiple times, and it’s always a joy seeing the references to various locations and historical footnotes, as she so effortlessly sprinkles them in as well as making her book just so grounded in the city itself. This really comes through in both the hard boiled cop procedural aspects, as well as through the pieces we see of Anna’s podcast. Pelayo has such a strong knack for writing and developing a sense of time and place, and it makes the city shine, even if it’s the darker sides of the history.

“Forgotten Sisters” is another well done dark fantasy horror tale from Cynthia Pelayo. I’m always intrigued by what she writes, and this haunting story is sure to please her fans.

Rating 8: An eerie and melancholy dark fairy tale meets a gritty no nonsense procedural, “Forgotten Sisters” is another tribute to Chicago from Cynthia Pelayo!

Reader’s Advisory:

“Forgotten Sisters” is included on the Goodreads list “Horror to Look Forward To in 2024”.

Serena’s Review: “A Feather So Black”

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Book: “A Feather So Black” by Lyra Selene

Publishing Info: Orbit, March 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: In a kingdom where magic has been lost, Fia is a rare changeling, left behind by the wicked Fair Folk when they stole the High Queen’s daughter and retreated behind the locked gates of Tír na nÓg.

Most despise Fia’s fae blood. But the queen raises her as a daughter and trains her to be a spy. Meanwhile, the real princess Eala is bound to Tír na nÓg, cursed to become a swan by day and only returning to her true form at night.

When a hidden gate to the realm is discovered, Fia is tasked by the queen to retrieve the princess and break her curse. But she doesn’t go with her is prince Rogan, Fia’s dearest childhood friend—and Eala’s betrothed.

As they journey through the forests of the Folk, where magic winds through the roots of the trees and beauty can be a deadly illusion, Fia’s mission is complicated by her feelings for the prince…and her unexpected attraction to the dark-hearted fae lord holding Eala captive. Irian might be more monster than man, but he seems to understand Fia in a way no one ever has.

Soon, Fia begins to question the truth of her mission. But time is running out to break her sister’s curse. And unraveling the secrets of the past might destroy everything she has come to love.

Review: While Disney reigns supreme as far as fairytale movies go, for my sister and I, the collection of favorites wasn’t complete without including “Anastasia” and “The Swan Princess.” And, as far as the latter goes, the original fairytale itself has flown under the radar as far as fiction re-tellings go. I’m not sure I can even think of one off the top of my head? I feel like Mercedes Lackey might have done one at one point, but it’s definitely a lesser told story. All of that to say, I was incredibly excited when I discovered this book coming out this spring. Now, did it live up to admittedly high expectations?

Short answer, yes, yes it did! I loved almost everything about this book in fact! From the main character and her fierce, broken story, to the whimsical but dangerous Fae world that she explores, to the manner in which the story unfolds over an entire year, to the exemplary manner in which the author deals with the love triangle (proof that it’s possible!). On top of this all, the writing was confident and sure throughout, nicely balancing the vicious but beautiful nature of fairytales alongside the intricacies of depicting the complicated familial dynamics at play in Fia’s life. Telling a story that takes place over an entire year, with month-long breaks between trips to the Fae world is a complicated technique. It would be easy for the pace to languish between these trips or to feel as if time is not passing in a natural way. Instead, I was very impressed with the way the author balanced her more obviously exciting trips to the other world alongside the much greater period of time that Fia spends waiting back in the “real world.”

But this decision to draw out the story in this way over an entire year worked in more ways than just form. By giving the story this amount of time to breathe, Fia’s slow understanding about the truths regarding the people around her played out in a believable way. It’s always frustrating when main characters have grown up being told certain things their entire lives, trusting close family members or whomever, and then are told some alternate story by a relatively new source and easily throw off everything they knew before and all other feelings of loyalty or love that would be challenged. It’s just not believable. Instead, here, Fia’s journey is one of excruciating realizations about how she has been used by those around her and how her views of herself have been poisoned from the start.

On top of this, the use of this year-long approach to the story also allowed for the love triangle to play out in a believable way. Again, she didn’t just “get over” her feelings for the prince when she met some dark Fae guy in the other world. I feel like I’ve read that story a million times. No, instead a good chunk of the story is devoted to exploring the relationship between Fia and the prince, thoroughly exploring their complicated history, their wishes for the future, and the realities of their situation. On top of that, the reader can always look forward to the incredibly compelling and increasingly romantic scenes in the Fae world with the Fae lord. Here, too, Fia’s trust and understanding of this character grows naturally. No insta-love here! I will say, my one critique comes towards the end where Fia makes a few fairly questionable decisions and put her relationships with those around her at risk. But, while I was partly frustrated by this, it also was believable that Fia, with her complicated history of trust and deception, would be make some of these decisions. And even here, I really enjoyed the way this particular arc was resolved.

I also really liked the overall plot of the story. Yes, there are definite bits from the original “Swan Princess”/”Swan Lake” story. But this is also a wholly unique story. It was appropriately grim and dark, like all good fairytales are, had confusing curses at its heart all driven by a ticking clock by which they needed to be solved, and explored a complicated world and history between the humans and the Fae world. I was also incredibly surprised by some of the turns it took towards the end. I had a few ideas about a certain things that did play out the way I expected, but others were a complete shock! I can’t wait to read the next book in this series (though this one also concludes in a way that feels satisfying). Readers who enjoy fairytale fantasies should definitely check this one out!

Rating 9: A breath of fresh air in a crowded room of Fae fantasy stories! Dark, whimsical, and romantic, this book has it all!

Reader’s Advisory:

“A Feather So Black” isn’t on any relevant Goodreads lists yet, but it should be on Swan Lake Retellings.

Blog Tour and Book Excerpt: “Six Moons Seven Gods”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Occasionally we are approached with the opportunity to promote books that may be of interest to our readers. And occasionally in lieu of a full review of the book, we will let it speak for itself by posting an excerpt from it. Enjoy!

Book: “Six Moons Seven Gods” by Robert A. Walker

Publishing Info: Fairytale Publishing, October 2023

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: “One must be careful practicing deception. The easiest to deceive will always be one’s self.” The skilled thieves of the Takers Guild plot to overthrow the kingdoms of Baelon, but when their plans are thwarted by a prescient woman and her brooding daughter, they must turn to the League of Assassins for assistance. Meanwhile, retired royal guard Rolft Aerns returns to the palace of King Axil with an old score to settle. When they all cross paths–and swords–in the dark shadows of Fostead’s south end, nothing is as it seems and the murder count rises quickly. The long fingers of the Guild reach everywhere, and one overly ambitious thief is all it takes to spark a chain of events that will haunt the world of Baelon for many years to come.

Excerpt:

Sibil sat on a bed in a servant’s quarters, her head spinning. Had it not been for previous visits to the palace with Princess Lewen, she would not have known where she was. The steward had escorted her briskly to the room some time ago, leaving her to entertain herself. There seemed no end to the mystery surrounding her mother. Supposed premonitions of death had been unnerving enough, but now… an audience with the king? At his request! It was surreal, and Sibil’s wildest conjectures did not begin to explain it. Her attempt to seize control of her own life seemed waylaid once again. She was imagining herself a bit of flotsam from a shipwreck, at the mercy of the ocean’s currents, when the steward returned, shutting the door angrily behind himself.

“Where is my mother?” she asked as he approached.

“With the king.”

Without warning, the steward sat so close to her their thighs touched.

“I should like to see her.” Sibil started to rise.

“In due time.”

The steward caught her arm and pulled her back to the bed.

“What are you doing?”

“If your mother were more forthcoming, you would not be so inconvenienced.”

“How do you mean?” Sibil’s eyes darted toward the door.

“The woman’s hiding something. Perhaps you’d like to tell me what that is.”

“My mother has nothing to hide from the king!”

“I could be convinced of that, I suppose.” The steward loosened his hold and placed a palm against Sibil’s cheek.

“There are many ways for you to prove your loyalty to the throne.” His hand brushed her breast as he withdrew it. “Are you prepared to do so?”

Before Sibil could respond, he leaned in, his lips seeking hers. Sibil pushed him away, struggling to stand. “How dare you!”

“Need I remind you where you are?”

The steward rose, positioning himself between her and the door.

“Or who you’re talking to?”

“I mean no disrespect, m’lord, but if you—“

“Take off your blouse.”

“What?!”“Like mother, like daughter. Take off your blouse and let us see what you are hiding there.”

“I’ll do no such thing,” said Sibil breathlessly. “And if you lay another hand on me—“

The steward grasped her sleeve. Sibil twisted violently away, her blouse ripping at the shoulder seam. The steward grinned.

“You see? One way or the other!” He started to laugh, sobering quickly at the sight of the dagger Sibil produced. “Put that away before you hurt yourself.”

“Take me to my mother!” Sibil waved the dagger at him.

“Did I not warn you about making demands?”

The steward lashed out, recoiling as Sibil’s blade pricked his arm. He swore loudly as he inspected the spot of crimson staining his white blouse.

“You’ll not soon forget what I’m going to do to you.”

“Touch me and I’ll kill you!” Sibil lurched past the steward and onto the bed, clambering quickly over it, but he intercepted her before she could reach the door. He kicked a stool separating them toward her. Sibil grabbed it and flung it back at him. The stool sailed past the steward’s head and crashed against the door.

“Make all the noise you want,” the steward said. “No one cares!”