Tag: Fantasy

Serena’s Review: “A Song of Ash and Moonlight”

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Book: “A Song of Ash and Moonlight” by Claire Legrand

Publishing Info: Sourcebooks Casablanca, September 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: The curse plaguing the Ashbourne and Bask families has finally been broken, but Farrin, the eldest Ashbourne daughter, still struggles to find peace. Unflappable and tireless, her composure masks a seething sorrow. Since her mother abandoned the family, Farrin has been their rock—managing her father’s temper, running the estate, keeping tight control over her dangerous musical power, and ignoring her own need for rest, distraction, and most of all, love.

In Ryder Bask, Farrin’s stubborn strength has met its match. The man infuriates her. He’s coarse, arrogant, annoyingly handsome. He’s as tired of their feuding parents as she is, and he brims with some secret anger that mirrors Farrin’s frustrated rage.

But Farrin must work with every ally she can—even the man she has been raised to hate. With every rising dawn, the Middlemist weakens further. Anointed magicians are disappearing. A fiery Olden creature is stalking Farrin. Strange visions haunt the High Queen Yvaine. And as Farrin and Ryder race to find stolen loved ones, they begin to realize a horrifying thing:

The gods are not dead. They’re waking up. And someone is hunting them.

Previously Reviewed: “A Crown of Ivy and Glass”

Review: While I ran into a few stumbling blocks in my read through of the first book in this series, there was still plenty to recommend the series as a whole and to specifically recommend the second book in particular. I struggled with Gemma, but even the few glances we were given were enough to convince me that Farrin sounded like a fantastic main character. With this in mind, I went into this book with high hopes!

I’ll say on the top that this book wasn’t a perfect read either, but it is also a definite step up from the first one. Let’s start, as usual, with the most positives aspects of the story. First of all, the more time I spend in this fantasy world, the more intrigued I am by it! The first book was promoted as a sort of “fantasy/Bridgerton” mash-up. And while that did fit that book in a sort of round-about way, the “Bridgerton” aspects of it all were lacking (if you count having ball scenes as “Bridgerton” and not just any old fantasy book that deals with courts, lords and ladies, etc. ) So I was pleased to see that this second book leaned even more fully into the fantasy aspects of it all, and left out the “Bridgerton” comparison altogether.

As the summary hints at, this book massively expands the scope of the world and the brewing conflict. It’s no longer one demon and a mysterious arch villain; now we have gods reborn, complicated linages explored, and long-suppressed secrets revealed. All of these new layers to the world and story were fascinating and used in creative ways. There were a few twists that genuinely took me by surprise. On top of the magical elements of the world, I enjoyed the further exploration of Farrin’s musical magic. In the first book, hers was the sort of magic that felt least approachable and the most foreign. So I enjoyed the deeper dive into how exactly her magic worked and the potential ways in which she could manipulate this particular ability. What seemed like a magical ability that could seem weak in comparison to the other two sisters, by the end of this book, readers will truly appreciate what Farrin brings to this team.

As for Farrin herself, this is where my feelings became a bit more complicated. Something very strange happened as I was reading this book. As I read, I kept having the thought “Gemma? Is that you?” In that, somehow Farrin seemed to have morphed into Gemma between the first book and this, with all of the same character flaws that I found so tiresome the first go around. And on the other hand, Gemma, now a background character, began to read like a fantastic character whom I’d love to read an entire book about!

Now, I’m all for complicated and flawed characters who have to explore challenging inner struggles over the course of a book. The problem here was that Farrin’s voice, Farrin’s personality, and, most notably, Farrin’s inner struggles all seemed to be so, so similar to Gemma’s. It almost began to feel as if Legrand is incapable of writing a main character in a different voice, or to explore a different inner life/inner struggle in her lead heroine. Somehow background characters suddenly morph into the interesting ones, while the main character is dragged under by such a mire of anxiety, indecision, and self-loathing as to become tiresome.

I noted in the first book that while Gemma’s struggles were of the sort that often made her a bit unlikable, that didn’t make them not worth exploring. What I definitely DIDN’T want was to explore many of those exact same themes again with Farrin. Farrin is an entirely different character! Why didn’t we lean more into her crippling sense of responsibility? Her inability to trust or rely on others to get things done? Perhaps an unwillingness to work as a team? (To be fair, we do get bits of this, but it falls to the way side with other issues). All of these would be grounded in not only her personal story and history, but would fit by the personality of the character we were originally introduced to. The Farrin of the first book was secretive, but confident. Distant, but sure-footed. There was so much potential here, and to find myself reading another story where our heroine is almost frozen by her own self-loathing and anxiety…it was incredibly frustrating. And, again, made me start to question the author’s ability to write a variety of main characters. Further, I remain very interested in reading the third book in this series, but I’m increasingly worried that I’ll pick it up and find the warrior woman sister I’ve been reading about now in three books has somehow magically turned into yet another self-loathing ball of anxiety.

On another positive note, however, I definitely enjoyed the romance and the romantic lead in this book more. Ryder was a fantastic hero and, if a complaint is to be found, almost too perfect. But as romance readers are not known for whining about perfect leading men, I won’t even bother. That said, I do think this book might have been served better to have strayed further from the structure of the classic romance novel. In that set-up, there’s always the late third act conflict between the hero and the heroine that must then be resolved before the HEA. And this one was just ridiculous.

I don’t want to spoil it (though it’s obvious not only from the beginning of this book but probably even the first, to the astute reader), but Farrin’s reaction to being told one of Ryder’s secrets is so overblown for the actual situation as to be not only ridiculous but to paint in her an unlikable light (again, this is not helped by Ryder’s perfection throughout this book). Yes, she quickly realizes her mistake, but then the final quarter of the story is spent with her waxing on about her fears that he won’t forgive her for this reaction. Again, “tiresome” is the only word that comes to mind. And, frankly, it was totally unnecessary. This book is action packed and built to an excellent climax of magical fighting and wonder; there was no reason to waste page time on a frivolous fight between love interests (seemingly only included to meet this romance novel standard of structure).

This is already an incredibly long review, but I do want to end on one other positive. For all of my complaints about Farrin’s inner life, I did appreciate the way that Legrand explored her discomfort with her body. This isn’t the sort of struggle you often find in romances, and I think it was generally well done. I do wish more time had been devoted to exploring how Farrin developed this particular anxiety, as it was crippling at times and not something one would imagine to pop up with out an instigating event. That said, I still appreciated its inclusion.

So, all my ranting aside, I actually enjoyed this book quite a lot! While I struggled with her more than I anticipated, I still liked Farrin’s story overall. The romance was better than the first, and this book took massive strides as far as the world-building goes and in setting up the third book and its conflict. I’ll definitely be checking out the third (please, PLEASE, don’t let Mara turn into another cut-out of this same character), and fans of the series will likely enjoy this one!

Rating 8: Not without flaws, but an improvement on the first and laying the groundwork for what could be an excellent final entry!

Reader’s Advisory:

“A Song of Ash and Moonlight” can be found on this Goodreads list (not my list, for the record): My favorite Fairytale Fantasy novels.

Serena’s Review: “The Cursed”

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Book: “The Cursed” by Harper L. Woods

Publishing Info: Bramble, September 2023

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Betrayal.

He was the deception waiting in the night; the truth I never saw coming. After a lifetime of manipulation, I finally learned the truth. I was his puppet―even if I never saw my strings.

Even knowing how deep his betrayal runs, I can’t shake the undeniable connection between Gray and I―the way a single glance from him sets my soul on fire. We are not the same. We’re enemies, poised to battle for the future of the very thing I’d wanted to destroy.

With the Covenant gone, the revenge I thought I wanted is no longer my priority. The witches that remain played no role in my aunt’s death, and the only person standing in the way of righting those wrongs is the very man determined to keep me in his bed.

But the remaining members of the Coven will never forgive me for the role I played in their demise and subjugation, and the worst part of all is that I can’t even blame them for it. I’d been naive, believing my own delusions of grandeur when destiny clearly had other plans for me. Plans that had been set in motion centuries before my birth.

But even that had been a lie, and now it is my duty to do everything in my power to undo it.

To protect my Coven from my husband’s hatred―no matter what the cost.

Previously Reviewed: “The Coven”

Review: As readers will see if they check out my review of “The Coven,” I had a fairly middling reading experience with the first book in this duology. However, as they were being published back to back, essentially, I had placed a review request for both books initially. So, unless I had DNF’d the first book, I was fairly committed to reading and reviewing the second. Alas, here is a case where this commitment sadly lead me astray and into an even more frustrating reading experience.

I’ll begin this review by admitting that this book started off on the wrong foot for me. I, personally, struggle with a few different romance tropes. One of them is the “miscommunication/misunderstanding” trope, and the other is the “betrayal” trope. The latter is particularly egregious when the “betrayal” in question is so obviously not what it seems and then the reader is forced to deal with a lead character who seems to twist their brain in two simply to maintain the righteous indignation of how terrible the betrayal was in the first place. And while the actual betrayal in this book had more substance than other examples that come to mind, it was still a frustrating read. Made all the more so since we spent more time in Gray’s head in this book, so the reader had insights into his feelings and motives that Willow then didn’t have. Making the switch back to her own POV frustrating at times, when she was behind on things the reader already knew.

The plot of this one was also severely lacking. In that if I sat down right now and tried to actually put the events of this book down on a plotting structure, I couldn’t. The first half to three quarters of the story is severely lacking in any plot whatsoever (which is a surprise given some of the massive reveals that came in the first book), and then the final quarter is jammed pack with action. But it was action that was completely disconnected from character motivation or arc. Willow spends the majority of the book hating Gray but then seems to do a complete 180 on him towards the end, for very little real reason.

I also struggled with the romance itself. This book leans in hard to the concept of the “body betraying you” idea. In that many of the romance scenes between Willow and Gray are a bit fraught with mixed messages on her part. Now, I give a lot of leeway to romance books on this front, as this sort of romantic tension is standard for the genre and, frankly, often quite enjoyable to read. But it didn’t work as well here simply because Willow’s stated feelings towards Gray were so extreme. Usually you have the sort of tension when characters are “enemies” in the sense that they profess to just not like one another (or are annoyed/competitive with/etc.). But it works less well when one of the characters is literally saying she wants to kill the other. It’s the kind of extreme contrast that undercuts both sides. On one hand, she’s clearly into him so saying she wants to “kill him” reads as ridiculously out of touch with herself. And on the other hand, if she does want to actually kill him, it makes no sense whatsoever for her to be getting into these romantically physical situations with him.

I really struggled with this book. The first book was notably weak on world-building and had some plotting struggles, and this one doubled down on both of these areas. Both the characters and what should have been exciting plot stakes seemed to drown beneath a frustrating amount of romantic angst and tension. For those who really loved the first book, this may still be a satisfying read. But if you struggled with the first, I think this one will be an even greater let-down, unfortunately.

Rating 6: A severe lack of world-building and plotting leaves this one to wallow in rather shallow characters and a frustrating romance.

Reader’s Advisory:

“The Cursed” isn’t on any relevant Goodreads lists but it should be on Hero Betrays His Heroine.

Serena’s Review: “Mistress of Lies”

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Book: “Mistress of Lies” by K. M. Enright

Publishing Info: Orbit, August 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: The daughter of a powerful but disgraced Blood Worker, Shan LeClaire has spent her entire life perfecting her blood magic, building her network of spies, and gathering every scrap of power she could. Now, to protect her brother, she assassinates their father and takes her place at the head of the family. And that is only the start of her revenge.

Samuel Hutchinson is a bastard with a terrible gift. When he stumbles upon the first victim of a magical serial killer, he’s drawn into the world of magic and intrigue he’s worked so hard to avoid – and is pulled deeply into the ravenous and bloodthirsty court of the vampire king.

Tasked by the Eternal King to discover the identity of the killer cutting a bloody swath through the city, Samuel, Shan and mysterious Royal Bloodworker Isaac find themselves growing ever closer to each other. But Shan’s plans are treacherous, and as she lures Samuel into her complicated web of desire, treason and vengeance, he must decide if the good of their nation is worth the cost of his soul.

Review: This is another case where I’ll admit that I was initially drawn in by the unique cover art. Even without the book description or the title, it’s pretty easy to understand the general tone of the book with one simple look! And after looking into it further, I found a lot of other elements that typically intrigue me. Morally grey heroines! Spies! Revenge tales!

To start with the pros, I did like some of the original world-building elements of this story, especially its use of vampires. Not only are vampires one of the most popular supernatural beings to pop up in fiction for centuries, but they are having a bit of a resurgence here in 2024, with numerous titles releasing this year focusing on vampires in one way or another. So to introduce a fresh-feeling take on a society in which they exist is worth noting and praising! I really enjoyed learning about this society, with the Blood Workers, blood magic, and the lowly unblooded. If anything, I’d say that the strength of these ideas was let down in the rather lackluster focus that was given to them. For having one of the main characters being unblooded himself, I felt like we were still left with very little insight into the actual lives of these people.

In a similar vein (ha!), I found myself liking the idea of many of these characters more than the characters themselves. For one thing, the story quickly fell into the trap of telling the reader a lot of facts and traits about the characters, but then proceeded to roll out a plot in which the reader never saw any of this in action. The most obvious example is Shan herself. The story opens with an action-packed bang, with Shan finally committing step one of her plan for vengeance. It’s exciting and sets Shan up as an interesting character with much more to come! But, unfortunately, that very first scene is ultimately the peak of her entire arc. We’re told repeatedly that she’s a mastermind, but as the plot bottoms out towards the middle, the reader is left to reconcile what they’ve been told to believe about the character with the reality of Shan’s very poor decision-making throughout.

This is a polyamory romance, as well, which I think requires even more skill from the author to properly set up and convey. Personally, I don’t love polyamory romances, but that’s a “me thing” as far as my own preferences for the types of love stories I enjoy and thus I didn’t factor this into my rating. That said, I do think that, again, the reader is often told that these character have chemistry, rather than showing it in any meaningful way. There seems to be insta-lust every way one looks, and I couldn’t buy any of these characters as truly having deep feelings for one another, in any combination.

Overall, this was a bit of a lackluster reader for me. There was a lot of potential in the world-building, and the entire thing started out on a high note. But as the story continued, the plot began to feel thin on the ground and the character inconsistencies became difficult to ignore. If you’re a bit fan of poplyamory romances, this may be worth checking out (again, as I don’t love this sort of romance novel, I don’t have a lot of comparison to bring in to my evaluation). But as a general fantasy title, I think there have been better vampire novels all around.

Rating 7: An exciting start and a creative world were let down by some lack-luster characterization in its protagonists.

Reader’s Advisory:

“Mistress of Lies” can be found on these Goodreads lists: The Vampire Renaissance and Queer Polyamory.

Kate’s Review: “Practical Rules for Cursed Witches”

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Book: “Practical Rules for Cursed Witches” by Kayla Cottingham

Publishing Info: Delacorte Press, August 2024

Where Did I Get This Book: I received an ARC from the publisher at ALAAC24.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: Magic is in Delilah Bea’s blood. Her absentee father is the world’s most famous cursebreaker, while all the women in her family are fated to never find true love. So when Delilah graduates her magical training and must complete her Calling, she has the perfect task in mind—to break the Bea family curse.

But Delilah’s Calling is hijacked by Kieran Pelumbra, a member of the wealthiest and most powerful family in the country, and breaking his curse suddenly becomes her official assignment. Every generation, a pair of Pelumbra twins are doomed, with one twin draining the other of their life and magic. Each day, Kieran grows weaker while Briar gets closer to…something monstrous.

As Delilah and the twins set out on their quest, they quickly realize that breaking the Pelumbra curse isn’t going to be simple. For one, the Pelumbra family doesn’t actually want their curse broken—and they’ve sent hunters after them to ensure they fail. Secondly…it’s Briar. There’s just something about her that gets under Delilah’s skin and makes her want to kiss the perpetually grumpy look off her face. But with time running out for the twins and Delilah’s own curse getting in the way, they may not stand a chance of finding their Happily Ever After.

Review: Thank you to Delacorte and Penguin Random House for giving me an ARC at ALAAC24!

One of the books that I was very much on the hunt for at ALAAC24 (there were many, mind you) was the newest novel from Kayla Cottingham. I really enjoyed their previous two YA books, which were both horror stories with some Sapphic romance themes, and I found them both to be engaging and well done. When I heard that their next book, “Practical Rules for Cursed Witches”, was going to be witch centered I was very excited, for obvious reasons to those who know me. What I didn’t expect was that it was going to be a departure from the horror genre completely, and instead would be a cozy fantasy romance. It didn’t make me less excited, but it did make me wonder if my expectations were going to be a bit dashed. And the answer to that is ‘yes’. But not in a bad way!

The first thing that stood out for me is that even though I don’t usually gravitate towards fantasy, the coziness of this one really worked for me. It’s not too shocking given that I have liked other cozy fantasies as of late like “Legends and Lattes”, and much like that one this book just felt really comforting and filled with a certain whimsy. Our protagonist is Delilah, a young witch who wants to make her Calling (a final trial to fully come into her powers) about breaking her family curse (in which the women in her family are doomed to be forgotten by their romantic partners), but has it hijacked by Kieran Pelumbra, who has his own family curse he wants rid of. Delilah is the daughter of a well known Cursebreaker (though she never met him), and Kieran wants her to break the curse that is siphoning his powers to his estranged twin Briar. I’m already into it in terms of the basic groundwork, and Cottingham easily builds this magical world and all of its systems, making all of it easy to f0llow and easy to invest in. The magical society is well established and I really enjoyed all of the witchy moments in this book.

I also really liked the ‘found family’ aspects of this story, as well as the way that Cottingham writes the romance between Delilah and Briar. It checks a lot of boxes for my romance preferences, as I really liked the antagonism between the two at the start and how they slowly start to understand each other because it makes for a very satisfying pay off. Cottingham’s biggest strength in their works is how well they piece together characters and relationships, and I so loved seeing this group of friends come together to try and save Kieran and Briar from their family curse, and finding connections with each other along the way. These kinds of themes are the things that really make fantasies work for me, and this one is SO sweet and so charming. It strikes me as the kind of book you would want to read in the Fall when you are trying to find some of the homier and cozier aspects of the season, and I’ve said ‘cozy’ so many times because this is just the epitome of that for me. And while it’s true that this being a fantasy story means that it does have personal drawbacks for me as a reader, I know so many people who love the genre who would probably love this book. I’m thoroughly impressed that Cottingham jumped so easily from horror to this story.

“Practical Rules for Cursed Witches” is a sweet novel that showcases Kayla Cottingham’s talents as an author beyond their usual genres (or at least the genres I’m used to). I love being surprised by a book and this one really achieved that.

Rating 7: A charming cozy fantasy romance from a YA author I really enjoy, “Practical Rules for Cursed Witches” is the perfect read if you want a cozy fall book!

Reader’s Advisory:

“Practical Rules for Cursed Witches” is included on the Goodreads lists “Sapphic Fiction 2024”, and “August 2024 Romantasy Releases”.

Serena’s Review: “Lady Macbeth”

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Book: “Lady Macbeth” by Ava Reid

Publishing Info: Del Rey, August 2024

Where Did I Get this Book: Edelweiss+

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: The Lady knows the stories: how her eyes induce madness in men. 

The Lady knows she will be wed to the Scottish brute, who does not leave his warrior ways behind when he comes to the marriage bed.  

The Lady knows his hostile, suspicious court will be a game of strategy, requiring all of her wiles and hidden witchcraft to survive. 

But the Lady does not know her husband has occult secrets of his own. She does not know that prophecy girds him like armor. She does not know that her magic is greater and more dangerous, and that it will threaten the order of the world. 

She does not know this yet. But she will.

Review: Ava Reid has solidified herself as a “must read” author for me over the last few years. Her books are sometimes a tough read, subject-matter-wise, but her writing is so compelling that I always end up compulsively reading her books late into the night, regardless of my current state of horror. But I would have been interested in this one regardless of its author, since it sounds like nothing I’ve read before, offering up a new take on Shakespeare’s “Macbeth” but told from the perspective of his conniving, powerful wife.

Right from the start, my main attraction to Ava Reid’s books was first and foremost: she’s just compulsively readable for me. Something about her style always draws me in so fully. The pacing and plotting is tight, but the story is spun in a way that feels lyrical and moving. The inherent beauty to her prose almost makes some of her more disturbing content moments all the more striking, and that was fully featured here. This Lady Macbeth is a young woman forced into marriage by her manipulative father. As such, much of the book is focused on the power discrepancies between women and men, fathers and daughters, and wives and husbands. The latter, of course, deals heavily with sexual violence with marriages, and readers should be aware going in that this theme is heavily and directly explored. I think it was well done, all told, but it’s definitely disturbing, as the story doesn’t shy away from the realities of Lady Macbeth’s situation.

I will say, however, that there were a few moments throughout where I felt like some of this focus on this one topic became a bit too much and unnecessary. Reid often writes about these hard topics in her books, and while I think she has a steady hand overall, I had a similar criticism in “Juniper and Thorn” where it felt at times over-down and a bit hyper-fixated. So, too, here.

Speaking of our main character, I think readers’ mileage will vary with this version of the Lady Macbeth. If you’re a massive fan of the original play, you may struggle with this story more than others. I enjoyed the original, but was unbothered by the changes made to the character here. This Lady Macbeth is a much younger woman and one of the primary arcs of the story is her slow (very slow, and coming in fits and starts at that) growth towards embracing her own power and throwing off the shackles placed upon her. This is a far throw from the original character who, throughout much of the play, seems to be the real power and mind behind Macbeth himself.

However, the change to the main character was probably one of the lesser changes to the entire story. I don’t want to get into spoilers, but this book definitely includes massive changes to the original, including the addition of a major fantasy element beyond Lady Macbeth’s own abilities. There was an added love interest included (and I very much enjoyed this love story, though it was definitely a subplot to the whole), but I think the changes made to the Three Witches and the role they play in this world was the most striking and effective.

Tonally, this story is dark and grim. If I had to identify my primary emotion while reading this book it would probably be dread. Like Lady Macbeth, the reader is drawn into a near-constant state of tension and fear. It’s incredibly effective, and if it weren’t for the strength of Reid’s writing, could easily exhaust the reader.

As it stands, I think this was an incredibly unique re-telling of “Macbeth,” re-focusing the story on the women that surrounded him and the limitations placed on them by fact of their sex. Readers who have enjoyed Reid’s work in the past will likely enjoy this one. Though more sensitive readers should be aware of its dark themes and scenes.

Rating 8: Exploring themes of women’s power, Reid takes the classic tale of “Macbeth” and turns it on its head!

Reader’s Advisory:

“Lady Macbeth” isn’t on any interesting Goodreads lists, but it should be on Shakespeare Retellings.

Serena’s Review: “Asunder”

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Book: “Asunder” by Kerstin Hall

Publishing Info: Tor, August 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: We choose our own gods here.

Karys Eska is a deathspeaker, locked into an irrevocable compact with Sabaster, a terrifying eldritch entity—three-faced, hundred-winged, unforgiving—who has granted her the ability to communicate with the newly departed. She pays the rent by using her abilities to investigate suspicious deaths around the troubled city she calls home. When a job goes sideways and connects her to a dying stranger with dangerous secrets, her entire world is upended.

Ferain is willing to pay a ludicrous sum of money for her help. To save him, Karys inadvertently binds him to her shadow, an act that may doom them both. If they want to survive, they will need to learn to trust one another. Together, they journey to the heart of a faded empire, all the while haunted by arcane horrors and the unquiet ghosts of their pasts.

And all too soon, Karys knows her debts will come due.

Review: I requested this one on a bit of a whim. I was vaguely familiar with the author, knowing that she’d released at least one or two other books, but I hadn’t read any of them. This cover, while excellent, doesn’t really give many clues as to what type of fantasy novel this was. And the book description is wild with talk of various types of magical beings (death speakers), fantasy creatures (eldritch entities) and long-reaching spells (binding someone to a shadow, what?). And man, was this an instance where not knowing going in really paid off! This was a crazy ride of a book and I loved every bit of it!

There’s so much to love about this book that I don’t know where to start. But I think I’ll begin with the general type of fantasy novel that this book is. I’m not sure if this is an “official” subgenre of fantasy, but I’d label this book and books like it as “hard fantasy.” As in, the fantasy version of “hard science fiction.” For example, last year I read and loved Martha Wells’ “Witch King.” I loved it so much that I included it (or tried to? I can’t remember) in one of our “Another Take” list where we link to other reviewers who also enjoyed the same book. Problem was, I kept coming across reviewers who struggled with the book because of the complicated world-building and the fact that the reader is essentially plopped into the story with no explanations or answers in sight, left to piece it together over the course of the book. So, where “hard science fiction” leans heavily on the scientific details of it all, I’d say that “hard fantasy” is the type of fantasy that presents a very foreign world, full of totally unfamiliar elements, cultures, and religions that readers are left to piece together largely on their own.

This book is very much that, and, like “Witch King,” I loved it. For one thing, I think this style of storytelling often makes the most sense for fantasy stories like this. In this book, we’re following one main character, Karys, as she goes on a quest to various locations in various countries and, essentially, has a bunch of mini-adventures while gathering up a party of friends. But because we’re following her so closely, and she’s a member of this world, her explanations of what she sees around her are fairly straightforward and undetailed.

She blasély comments on these enchanted dog-like creatures that essentially operate as a free taxi system in her home city. She mentions the various deity-like beings that have warred over the past decades, with one now practically extinct and a new order in place with beings that are only partially understood. She casually describes cultures and customs where it is understood that one simply climbs within a ensorcelled spider-thing that operates like a train. It’s all incredibly creative, incredibly strange, and incredibly straight-forwardly presented. This is all familiar to Karys; she has no reason to go into long monologues about the how and why of it all. As such, the reader is left to piece together these elements over the course of the book, slowly filling out the broad strokes of this world and the true stakes involved. I enjoy fantasy stories that test the limits of the imagination like this one does. That said, this is definitely not an approachable fantasy story, and I can see some readers being turned off by the complexity of it all.

As I mentioned, while there is a larger mystery and quest involved (Karys’s mission to return the man she bound to her shadow to his rightful body), the plot swings through a multitude of shorter “side quests.” All of these were worked in to the larger plot in small ways, but they also felt like interesting little mini stories in their own right. And, most importantly, they gave the reader more insights into the strangeness of this world and its people.

While I like the plot and the fantasy world, none of this would have worked without a strong leading character, and Karys is exactly the sort of leading lady I enjoy. She’s fiercely independent (often to a problematic level), and much of the story follows her personal arc of coming to trust and rely on the friends she meets along the way. Her past is riddled with trauma, and yet her approach to life is a fierce will to live, even in the face of the most dire of circumstances. Her fairly tightly-wound character is balanced well by her shadow companion, Ferain, who is a more light-hearted and open individual. That said, for a character that spends almost the entire book in a shadow-like state, Ferain’s own story turned out to be more rich than I had expected. Plus, the cherry on the top, I loved the sweet, slow-burn romance that developed between them.

I’m really tempted to give this book a 10 rating. However, I will say that while I enjoyed all of the mini adventures on their own, there were a few points where I felt like these side stories broke up the overall pacing of the story. And there was one that I didn’t really understand the point of, though I may have missed some important detail (like I said, the author doesn’t spoon feed it to you, so if you missed a line, oops!). I also felt like the ending was rather abrupt and felt a bit like a cliffhanger. Normally, this wouldn’t really bother me, but as of writing this, this book seems to be being marketed as a stand-alone, which, if true, makes the ending slightly unsatisfying. That said, I still highly recommend this to fantasy readers, especially those who want to go hard into the crazier side of fantasy world-building and are happy to go along on a mildly confusing, but well worth it, ride!

Rating 9: A perfect example of hard fantasy at its best, with a world that feels completely foreign and rich to be explored, especially alongside a fantastic cast of characters.

Reader’s Advisory:

“Asunder” isn’t on many Goodreads lists, but it is on Can’t Wait Sci-Fi/Fantasy of 2024.

Kate’s Review: “Strange Folk”

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Book: “Strange Folk” by Alli Dyer

Publishing Info: Atria Books, August 2024

Where Did I Get This Book: I received an ARC from the publisher at ALAAC24.

Where You Can Get This Book: WorldCat.org | Amazon | Indiebound

Book Description: A woman returns to her estranged, magical family in Appalachia but when a man is found dead in the woods nearby, it seems the family has conjured something sinister in this lush, shimmering, and wildly imaginative debut novel that is perfect for fans of Alice Hoffman, Deborah Harkness, and Sarah Addison Allen.

Lee left Craw Valley at eighteen without a backward glance. She wanted no part of the generations of her family who tapped into the power of the land to heal and help their community. But when she abandons her new life in California and has nowhere else to go, Lee returns to Craw Valley with her children in tow to live with her grandmother, Belva.

Lee vows to stay far away from Belva’s world of magic, but when the target of one of her grandmother’s spells is discovered dead, Lee fears that Belva’s magic may have summoned something dark.

As she and her family search for answers, Lee travels down a rabbit hole of strange phenomena and family secrets that force her to reckon with herself and rediscover her power in order to protect her family and the town she couldn’t leave behind.

Review: Thank you to Atria books for providing me with an ARC of this novel!

One of the panels I attended at ALAC24 was a preview of upcoming thriller titles with the authors at hand to describe their books. One of the books that caught my attention was “Strange Folk” by Alli Dyer, which had not only a fantasy element to the thriller story, but also involved a family of healers in the mountains of Appalachia that has used nature and their powers to help those around their community, as well as stirred up some trouble here and there when using those powers. We all know that this is the exact kind of story I am an absolute sucker for, so I was very excited to read this book, my hopes being pretty high.

In terms of the witchiness themes and lore I did find a lot I liked in this book. I was definitely getting some hints and homages to “Practical Magic” as a reluctant woman from a line of healers and supposed ‘witches’ returns to her Appalachia home with her children after a nasty divorce. Lee’s homecoming and reintegration into the town was really fun to watch unfold, as she starts to reconnect with her grandmother Belva, a well respected healer, and starts to interact with the land again and how it can bind and heal, and sometimes take and harm. I absolutely loved the descriptions of the spells, charms, tinctures, etcetera of the women in this family, and the various rituals that they would partake in in hopes of helping and healing. And the Appalachia setting makes for an even more unique lens, with Lee’s family being mountain folk who have hidden away from general society and made their own way, being trusted by some and feared by others. I honestly kept thinking about Misty Day in “American Horror Story: Coven” with her connection to nature and her more ‘folksy’ (for lack of a better term) traditions. This interpretation of witches really worked for me in this story, as I love a story with powerful women doing magic, or something like it.

But that kind of leads to why this didn’t work as well for me, and that is because unlike in “Practical Magic” I didn’t really become attached to any of the characters at hand. A lot of them had some promising backstories, traits, and personalities, but I never fully enjoyed them and never quite believed that they got to what I was hoping they would be. Whether it was our main character Lee, who had some great build up but then didn’t quite get past the building blocks of her character except to be like ‘oh no I guess we will stay because this is my home’, or her mother Redbud, who was consumed by a guilty conscience and then became a drug addict and traumatized her daughter, we had so many things that could have been explored…. but then just didn’t quite get the exploration I was hoping for. I don’t really need characters like this to be likable, but I at least want them to be interesting even if I can’t really root for them. And I had a VERY hard time with the dynamic between Lee and Redbud, and how it felt like there was probably a lot of grace and forgiveness when all was said and done without the amount of atonement that I REALLY needed from her. And by the time we got some answers and reveals about what was going on, I was more happy that we were wrapping up as opposed to actually getting fulfilling answers.

I had higher hopes for “Strange Folk”, and while the concept, setting, and lore worked for me, I wanted from from our cast of mountain witches and their loved ones. I think it would be a good choice for the upcoming Autumn, however.

Rating 6: A strong premise and some interesting folk lore makes for a cool concept, but I wasn’t as invested in the characters.

Reader’s Advisory:

“Strange Folk” isn’t on many specific Goodreads lists but I think if you like books like “Practical Magic” and other magical family sagas this could be a good match.

Serena’s Review: “Apprentice to the Villain”

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Book: “Apprentice to the Villain” by Hannah Nicole Maehrer

Publishing Info: Penguin, August 2024

Where Did I Get this Book: ARC from a marketer!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: From the creator of the viral TikTok videos about the sunshine assistant to the evil villain and their unexpected romance comes the second book in the hotly-anticipated fantasy romance series.

Review: This one might come a bit as a surprise, as I didn’t review the first book when it came out last summer. But I did read it! I just didn’t have that many thoughts to add to the conversation. I mostly thought it was fine, verging on having a lot of potential with some of the snappier moments of writing. With this in mind, I was excited to check this one out when the marketer contacted me about reading and reviewing the sequel this summer! Let’s dive in!

I will say, now that I have read this book, I feel that a review for the first book is even less necessary than it was before! In that, many of my opinions from that book transferred over to this one. This was probably most notable in areas that were frustrating in them both, but some of the aspects that I thought were strengths came even more into their own here. For one thing, I think the writing is very fun and engaging. Even when I was perhaps suppressing an eyeroll or two, I was still compulsively reading at break-neck pace! That was true in the first book and was just as true here. In fact, I’d say the writing improved overall. Most notably, perhaps, I think some of the comedy aspects of this one landed better. (Though, I’ve had a rough summer with comedic fantasy novels, so sometimes I worry that I may just be desperately searching for one that works at all!)

However, I still struggled with the characterization of the female main character, Evie. Look, I enjoyed the “grumpy/sunshine” romance trope as much as the next person, but there is a very fine line between writing a “sunshine”/optimistic character and writing one that comes across as a rather air-headed child. And unfortunately, both in the first book and here, that’s the case for Evie. Some of this comes down to word-choice on the author’s part, often using turns of phrases repeatedly, such as “scrunches her nose,” that does nothing to portray Evie as a serious character. When paired with the romantic hero (generally a better written character, especially in this second book), it leads to a bit of an “ick” factor. If we weren’t given an age, Evie could read like a 13-year old girl with the way she is described and her incredible levels of naivete at points. While I think the more plot-focused approach that this book took helped it some in comparison to the first, I still found myself disappointed by this portrayal, and due to this, the romance itself.

All of this said, I know that the first book was wildly popular, and as this one is much of the same, I have no doubt that it, too, will be well-received. If you’re looking for tight plotting or deeper character arcs, I don’t think this series is for you. But if you’re wanting a fast, at times quite fun, ride than you might enjoy this.

Rating 7: If you enjoyed the first book, this one will be for you. But many of my personal struggles there carried over here as well, particularly with regards to the child-like characterization of the heroine.

Reader’s Advisory:

“Assistant to the Villain” can be found on these Goodreads lists: In Her Villain Era and Witchy Fall Vibes

Serena’s Review: “The Coven”

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Book: “The Coven” by Harper L. Woods

Publishing Info: Bramble, August 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: Raised to be my father’s weapon against the Coven that took away his sister and his birthright, I would do anything to protect my younger brother from suffering the same fate. My duty forces me to the secret town of Crystal Hollow and the prestigious Hollow’s Grove University―where the best and brightest of my kind learn to practice their magic free from human judgment.

There are no whispered words here. No condemnation for the blood that flows through my veins. The only animosity I face comes from the beautiful and infuriating Headmaster, Alaric Grayson Thorne, a man who despises me just as much as I loathe him and everything he stands for.

But that doesn’t mean secrets don’t threaten to tear the school in two. No one talks about the bloody massacre that forced it to close decades prior, only the opportunity it can afford to those fortunate enough to attend.

Because for the first time in fifty years, the Coven will open its wards to the Thirteen.

Thirteen promising students destined to change the world.

If the ghosts of Hollow’s Grove’s victims don’t kill them first.

Review: So, I’ll be honest, I was a bit nervous going into this one, because based on the description alone I was getting strong “Gothikana” vibes. And we all remember how I felt about that… That said, there was a reason I picked that book up in the first place, and it’s the same one that drew my interest in this book: dark academia! I’m also always down for gothic vibes and romance. Though, I’m always a bit concerned when we venture too far into the realm of “student/teacher” type love stories. But let’s see how this one did!

Well, I did struggle a bit with this one, but it was definitely not the complete dumpster fire that was “Gothikana,” so at least we’re moving in the right direction! For one thing, this one was simply better written. The prose flows fairly well and, for the most part, the dialogue feels natural. And since we’re starting with writing, I’ll say that the spicy scenes were on the better side as well. This, of course, is very subjective, but I often find myself cringing during many authors’ approach to intimate scenes, but these seemed to be on the better side, avoiding many of the pitfalls I personally struggle with.

I also enjoyed the start of the book and meeting the main character, Willow. Her magical abilities were interesting and her backstory for why she was coming in to the school late felt like it was leading to a good arc. Unfortunately, I can’t say the same for the male main character, Gray. Not only does the book lean hard into “insta-love” between these two, but Gray is a fairly unlikable character all around. Now, to be fair, the author did provide a note in the beginning of the book about this character’s villainous tendencies, so I can’t say that I wasn’t warned. At the same time, he’s truly unlikable! There’s a fine line between writing a love interest who falls on the darker side of things, and then writing one who is just a manipulative jerk and a walking red flag. Gray is definitely the latter. So much so that I felt even more attached to Willow purely on a maternal level in that I kept wanting to dive into the book and be like “Girl, no!”

The plot was also all over the place. Things were happening, sure, but at times it felt almost random. Plot points would be introduced, dropped, re-visited and discarded at any given moment. It was incredibly difficult to know what exactly I was meant to be focusing in on at any moment, and this erratic approach to plotting left the pacing very off. I found myself becoming more bored than I should have been, given the amount of action that was taking place. But if all of the plot pieces are as disconnected as these, it’s almost the same as having no plot in the first place.

Overall, this was just an ok read. I’ll probably check out the second one, just because I’m trying to give more authors/series a second chance, but I do have concerns, based on this book. There is potential here, but the balance between the “romance” (insta-love) and the actual plot of the story felt off. I’d say readers who enjoy very villainous, dark romantic leads are the most likely to enjoy this one. But if you’re at all wary on that front, probably best to pass this one up.

Rating 7: There was potential in the main character and some of the fantasy elements, but I hated the male main character way too much to bump this one further up.

Reader’s Advisory:

“The Coven” can be found on these Goodreads lists: Best Romantasy Books from Indie Authors in 2023 and Red Flowers – Covers.

Serena’s Review: “Ghostsmith”

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Book: “Ghostsmith” by Nicki Pau Preto

Publishing Info: Margaret K. McElderry Books, August 2024

Where Did I Get this Book: ARC from the publisher!

Where Can You Get this Book: WorldCat.org | Amazon | IndieBound

Book Description: In this action-packed finale to the House of the Dead Duology, Wren and her friends put everything they know to the test as they battle the living and the undead to save their world.

Wren is still reeling from the revelation that the mother she thought was dead is actually the Corpse Queen, a ghostsmith with the terrifying power to control the undead. It was Wren’s own mother who created the iron revenants—an army of near unbeatable undead soldiers. When the iron revenants attack, no one in the Dominions will have the strength to stand in their way.

Now Wren, Leo, and Julian find themselves once more in the Breach, this time on the run from Wren’s father, who is determined to secure more power for himself and the House of Bone. The three are desperate to stop the upcoming war, but working together is easier said than done with Julian still furious about Wren double-crossing him. And to make matters worse, Wren is plagued by powerful new abilities that force her to reassess everything she knows about being a bonesmith.

When Wren’s long-lost twin brother shows up and vows to help her destroy the well of magic that feeds the iron revenants, she must decide if trusting him is worth potentially playing right into their mother’s hands.

After all, the dead might be dangerous, but it’s the living who can betray you.

Previously Reviewed: “Bonesmith”

Review: I remember picking up “Bonesmith” last summer with some trepidation. I was mostly reading it because it was an upcoming selection in a book box I subscribe to and wanted to decide whether or not to skip it, as I’d read a book by this author before and not been overly impressed. Well, more fool me, I absolutely loved the first entry in this duology! It had a unique fantasy world, a badass leading character, and a well-paced enemies-to-lovers romance. It also ended on not necessarily a cliffhanger, per see, but with a few major reveals and betrayals shaking things up. So, let’s find out how well the story was wrapped up here in the second book!

For the most part, I think this was an incredibly successful conclusion to the story. I had a few niggling qualms here or there, but, overall, the story came together nicely. While the first book did a lot of the heavy lifting with regards to introducing this world and its magic, with the (re)introduction of ghost smiths and ghost magic in the latter half of that story, this book still had a lot of new territory to cover. In particular, I was impressed by how carefully many of the reveals were used throughout the book. As the plot progresses, little bits of lore are dropped in here and there, steadily fleshing out the history and culture of the lost ghost smiths until, by the end, the climax revolves fully around this history and the uses of this style of magic. For the large amount of new information that was necessary to build this ending, I was impressed by how organically this knowledge was fed to the reader. There were no clunky info-dumping sections or dialogue that was obviously just there as exposition. It was very skillfully done.

I also enjoyed the continuation of the darker tone of this duology. There is humor to be found in Wren’s dialogue and inner commentary, but much of the plot is quite serious and dealing with fairly gruesome magic. In this book, this was balanced out by an increased depth of emotion found in the relationships on the page. Not only is there the romance between Wren and Julian, challenged by the betrayals and reveals from the previous book, but the story also tackles many different familial ties as well. Wren’s entire family history is one big knot of tragedy and abuse, but by the middle point of this story, it almost feels like she got the easy side of things! Instead, her newly found brother’s past is littered with even more tragedy and disfunction than Wren herself endured. While Wren’s life was ruled by a distant father figure, her brother has dealt with the abuse found at the hands of a manipulative and selfish mother. We also see their sibling bond explored as the story progresses, adding an interesting new dynamic to Wren’s approach to the problems before her.

I continued to love Wren as a main character, and her growth in this book felt natural and interesting. Her arc was one of coming to turns with her own magic, as well as with the family history that she is only know beginning to understand. However, throughout it all, she maintained her snappy attitude and “barge right through it” mentality to problem solving.

That said, my main point of struggle came down to the other character perspectives, specifically Leo’s and, new to this book, Inara’s. Now, there was nothing actually wrong with either of these character’s stories. And, in fact, I’d say that I really enjoyed Inara as a new voice in the book. But it did feel as if both characters’ stories were simply there to provide a window into action scenes that were taking place in different parts of the world and didn’t serve any actual character purpose on their own. Leo, especially, could have been almost lifted from this entire book with no one the wiser.

I also felt that we had too little time spent between Wren and Julian. On one hand, I understand this, as this book’s driving relationship was much more focused on Wren and her brother. And that story was fantastic! That said, I still felt as if there were only a brief few scenes where these two really even interacted. It was great stuff when they did, but I still wanted more. Perhaps a better balance between some of Leo’s more unnecessary chapters and these scenes between Wren and Julian would have helped round out the story better.

That said, I found this book to be an epic conclusion to the duology! The climax of the story, in particular, was action-packed and thrilling. The story may have suffered a bit from “Return of the King”-style multiple endings by the very finish, but, as I still wanted all of those scenes, I’m not sure what I would have done differently there. If you enjoyed the first book, you can rest assured that the conclusion is well-earned and satisfying!

Rating 8: Bone-chilling at times and full of heart at others, this duology has it all!

Reader’s Advisory:

“Ghostsmith” can be found on this Goodreads list: YA Novels of 2024