Kate’s Review: “Road of Bones”

Book: “Road of Bones” by Christopher Golden

Publishing Info: St. Martin’s Press, January 2022

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: A stunning supernatural thriller set in Siberia, where a film crew is covering an elusive ghost story about the Kolyma Highway, a road built on top of the bones of prisoners of Stalin’s gulag.

Kolyma Highway, otherwise known as the Road of Bones, is a 1200 mile stretch of Siberian road where winter temperatures can drop as low as sixty degrees below zero. Under Stalin, at least eighty Soviet gulags were built along the route to supply the USSR with a readily available workforce, and over time hundreds of thousands of prisoners died in the midst of their labors. Their bodies were buried where they fell, plowed under the permafrost, underneath the road.

Felix Teigland, or “Teig,” is a documentary producer, and when he learns about the Road of Bones, he realizes he’s stumbled upon untapped potential. Accompanied by his camera operator, Teig hires a local Yakut guide to take them to Oymyakon, the coldest settlement on Earth. Teig is fascinated by the culture along the Road of Bones, and encounters strange characters on the way to the Oymyakon, but when the team arrives, they find the village mysteriously abandoned apart from a mysterious 9-year-old girl. Then, chaos ensues.

A malignant, animistic shaman and the forest spirits he commands pursues them as they flee the abandoned town and barrel across miles of deserted permafrost. As the chase continues along this road paved with the suffering of angry ghosts, what form will the echoes of their anguish take? Teig and the others will have to find the answers if they want to survive the Road of Bones.

Review: Thank you to NetGalley for providing me with an eARC of this novel!

So many horror subgenres, so little time. I have always had a hit or miss relationship with folk horror, but I’m always up to try out books that catch my eye or get a lot of hype. So I was drawn to “Road of Bones” by Christopher Golden for a couple of reasons. The first was that I’ve been meaning to check out Golden for awhile, but haven’t done it yet. The second was that “Road of Bones” kept popping up on my various timelines with a lot of praise. So folk horror or not, I was down to jump all the way in. And the fact that it takes place in the cold wilderness of Siberia was just an added bonus, since I was reading it over some frigid winter days and nights here in Minnesota.

As cold as Siberia? Probably not. But it was recently -21 without windchill here, so…. (source)

“Road of Bones” does the ingenious thing of taking a real life horror and using it as the context and setting for a horror story steeped in folklore, history, and supernatural creepiness. The action of our tale takes place along the Kolyma Highway, a federal road that was built by and upon the bones of gulag prisoners during Stalin’s rule. It is estimated that perhaps at least half a million people died during construction, their bodies just paved over by permafrost and infrastructure. So, good lord that’s horrifying on its own, but Golden manages to take the location and make it all the more creepy and upsetting vis a vis Russian folklore. Our main characters are Teig and Prentiss, two filmmakers who have been friends forever and who are chasing one last dream (mostly Teig’s) of trying to create a ghost hunting show. Teig has his own reasons for wanting to chase ghosts that he doesn’t necessarily believe in outside of monetary ones, and Prentiss is there because he loves his friend, even if he’s exasperated by him. Their dynamic is a familiar one, but Golden makes you care about them as people and as friends. As they drive through the ice cold and desolate wilds of Siberia on a lonely highway, they find themselves suddenly in supernatural danger, and by the time we get to that point we care enough about them that anything that comes next is going to be high tension and high stakes. The other characters we meet have similar roles to play, from their brash local guide Kaskil to a stranded driver named Nari, and once they reach the small village they hope to rest in, it’s clear that things have gone very wrong. I liked all of our characters, so they were more than just fodder for angry spirits by the time shit started to get real.

But it’s the horror elements that really sold me on this book. I initially assumed that the supernatural element would be a traditional ‘angry ghosts’ kind of story, given that the Kolyma Highway has such a dark and violent history, but instead we go full folk horror with it, and hoo boy is it effective. From an abandoned village to shadows in the distant treelines to shamanism and forest spirits, “Road of Bones” runs a gamut of creepy elements that make for some really, REALLY scary moments. The isolation of a deadly tundra is scary enough on its own, and Golden makes that threat just one of many others that is always there to compound the other issues at hand. Golden taps into folklore and involves forest spirits, potential demonic possession, transformative body horror, and the fear of the missing and unknown. The descriptions of the abandoned village, of many sets of footprints wandering through the snow and into the woods, actively gave me shivers as I was reading (definitely had another ‘oh Jesus CHRIST’ muttering moment during one moment in particular), and let me tell you, the things that Teig, Prentiss, and the others encounter freaked me out, and a lot of that is based in folk horror tropes and imagery. Golden made it work for me, and how. The horrors of nature and the things that dwell within it combine super well with the location and terrible history that resides there.

“Road of Bones” is scary and highly enjoyable. I’m so glad that this was the Christopher Golden book that served as my first experience with his writing, as I really, really liked it.

Rating 9: A scary folk horror tale perfect for a cold winter’s night.

Reader’s Advisory:

“Road of Bones” is included on the Goodreads lists “Books of Horror FB Group”, and “Most Anticipated 2022 Thriller Books”.

Find “Road of Bones” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Kate’s Review: “Reprieve”

Book: “Reprieve” by James Han Mattson

Publishing Info: William Morrow, October 2021

Where Did I Get This Book: I own it.

Book Description: A chilling and blisteringly relevant literary novel of social horror centered around a brutal killing that takes place in a full-contact haunted escape room—a provocative exploration of capitalism, hate politics, racial fetishism, and our obsession with fear as entertainment.

On April 27, 1997, four contestants make it to the final cell of the Quigley House, a full-contact haunted escape room in Lincoln, Nebraska, made famous for its monstrosities, booby-traps, and ghoulishly costumed actors. If the group can endure these horrors without shouting the safe word, “reprieve,” they’ll win a substantial cash prize—a startling feat accomplished only by one other group in the house’s long history. But before they can complete the challenge, a man breaks into the cell and kills one of the contestants.

Those who were present on that fateful night lend their points of view: Kendra Brown, a teenager who’s been uprooted from her childhood home after the sudden loss of her father; Leonard Grandton, a desperate and impressionable hotel manager caught in a series of toxic entanglements; and Jaidee Charoensuk, a gay international student who came to the United States in a besotted search for his former English teacher. As each character’s journey unfurls and overlaps, deceit and misunderstandings fueled by obsession and prejudice are revealed, forcing all to reckon with the ways in which their beliefs and actions contributed to a horrifying catastrophe.

An astonishingly soulful exploration of complicity and masquerade, Reprieve combines the psychological tension of classic horror with searing social criticism to present an unsettling portrait of this tangled American life.

Review: You all know what a big fan I am of Halloween, and while for various reasons I haven’t done this in a long time I also really enjoy doing haunted hayrides, and living in Minnesota it’s not hard to drive outside the city limits to find such shenanigans. But I’m not as big into walk through haunted houses, and am certainly NOT into any ‘extreme’ haunted houses. Locally we had something called The Soap Factory, which made you sign a waiver before you went through, but they closed a couple years ago. The most infamous ‘extreme’ haunt, however is almost assuredly McKamey Manor, a combined haunted house escape room puzzle experience that is notorious in the haunt industry. Yes, you sign a waiver, and you may be subjected to physical and psychological torture for hours on end all in the name of thrills. There is no question in my mind that “Reprieve” by James Han Mattson is partially inspired by McKamey Manor, and that made an already enjoyable reading experience that much better. This book seems to be polarizing. I’m firmly on the ‘love’ team.

“Reprieve” is a deeply layered and multidimensional horror story that comes to life through literary structure. The guts of the tale involve a slowly revealed violent incident at Quigley House, a hardcore escape room/haunted house that offers players serious money if they can solve the puzzles in all the ‘cells’ while actors inflict psychological terror upon them. What exactly happened is slowly revealed through court room transcripts, flashbacks through character perspectives, and the straight narrative of the timeline of what happened in each cell up until the moment in question. I liked the slow build up and the combined story telling techniques, and how all of them combined to make a building tension of dread while also getting to know each character and what role they play. I’m sure that it’s the literary structure that threw readers for a loop, as I can definitely say that the creative choices made here are probably not for everyone. Which is totally okay. I, however, really liked it. I’m not the kind of person who thinks that horror needs to be elevated or classed up by any stretch of the imagination, but “Reprieve” does this without feeling pretentious or disingenuous. The scares are knowing what is coming (even if only in part), seeing it all unfold, and seeing the way that the REAL horror is in the bad behavior of villainous people, unwitting or not.

This is also a really well done commentary on capitalism, the weaponization of entertainment, and race in America. Many of the characters are POC, some are LGBTQIA+, and many of them feel lost, isolated, or Othered. Kendra is a new resident of this small Nebraska community and one of the few Black people (outside of her family) and finds herself working at Quigley House. The ‘we’re family here’ mentality definitely pulls her in deeper when she feels isolated in other ways. Contestant Jaidee is an international student from Thailand who is also gay, and feels scrutiny from his college peers because of both of these facts. And then there are the characters of Leonard, a hotel worker who feels inadequate in his personal life, and John, who owns Quigley House. Their friendship is a toxic concoction that encapsulates misogyny, xenophobia, and aggression, and sets off the first domino that leads to tragedy. Mattson knows what he’s doing with these characters, and while they easily could have felt like two dimensional villains, we get into their minds a bit, and it makes them fascinating, and all the more upsetting.

Boy did I enjoy “Reprieve”. It’s one of the more unique horror novels I’ve read lately, and it finds the horrors in both an extreme haunted house, and the darker side of American cultural consciousness.

Rating 9: A stunning literary horror thriller, “Reprieve” is mesmerizing, blistering, and deeply sad.

Reader’s Advisory:

“Reprieve” is included on the Goodreads lists “Deliciously Chilling Horror”, and “If You Like ‘Squid Game’, You Should Read…”.

Find “Reprieve” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Book Club Review: “Eleanor Oliphant is Completely Fine”

We are part of a group of librarian friends who have had an ongoing book club running for the last several years. Each “season” (we’re nerds) we pick a theme and each of us chooses a book within that theme for us all to read. Our current theme is “Award Winners”, in which we each picked a book that has won an award of some kind.

For this blog, we will post a joint review of each book we read for book club. We’ll also post the next book coming up in book club. So feel free to read along with us or use our book selections and questions in your own book club!

Book: “Eleanor Oliphant is Completely Fine” by Gail Honeyman

Publishing Info: Pamela Dorman Books / Viking, May 2017

Where Did We Get this Book: An audiobook from the library; print book from the library.

Award: Costa Book Award

Book Description: No one’s ever told Eleanor that life should be better than fine

Meet Eleanor Oliphant: she struggles with appropriate social skills and tends to say exactly what she’s thinking. Nothing is missing in her carefully timetabled life of avoiding unnecessary human contact, where weekends are punctuated by frozen pizza, vodka, and phone chats with Mummy.

But everything changes when Eleanor meets Raymond, the bumbling and deeply unhygienic IT guy from her office. When she and Raymond together save Sammy, an elderly gentleman who has fallen, the three rescue one another from the lives of isolation that they had been living. Ultimately, it is Raymond’s big heart that will help Eleanor find the way to repair her own profoundly damaged one. If she does, she’ll learn that she, too, is capable of finding friendship—and even love—after all.

Kate’s Thoughts

I am the type to try and spread my literary interests across multiple genres, and because of this I usually find myself reading buzzworthy or hyped books from contemporary and literary fields. But somehow, I missed “Eleanor Oliphant Is Completely Fine”. I mean, I’d seen it around, of course, as it came out right at the tail end of my permanent hours library job where I did a lot of request processing and shelving. But I never really looked into it. So thanks to Serena for picking it for book club, as it landed on my book pile after not being at the forefront of my mind!

And I can see why this was hyped and buzzy, honestly. “Eleanor Oliphant Is Completely Fine” surprised me a bit, as I expected one thing and got something that didn’t line up with those expectations. I thought that Gail Honeyman did a really good job of balancing a lot of things: an unreliable and kind of unlikable narrator (until you get to know her better), a humorous tone, and some really dark themes involving trauma and PTSD. But like I said, with a humorous tone! I think that it may have been a hard task for some authors, but Honeyman had me feeling just utter sadness for Eleanor, but then chuckling to myself about one thing or another, and it wasn’t ever in a discordant way, or a way that felt like the seriousness of the issues at heart was being undercut. Also, I loved Raymond, Eleanor’s first real friend. He is sweet and patient but not a pushover, and I thought he was just a delight (and kind of a fun swap of the usual way this kind of story works: it’s rare that a woman is allowed to be the surly and kind of unlikable protagonist while the man is the warm and caring one who helps the other grow. I liked the reversal). While it didn’t have any moments that totally wowed me or spoke to me overall, I enjoyed my time reading it.

Another thanks to Serena for picking “Eleanor Oliphant Is Completely Fine” for book club! I thought that it was completely fine and a little bit more.

Serena’s Thoughts:

I must pass the thanks on, as it was my mom who raved about this book to the point that I selected it for book club. Unlike Kate, I rarely read outside of the three main genres I enjoy (mostly because I can’t keep up with books I want in even those genres, let alone more!), so this book was completely out of my wheelhouse. But in the end, my mom was completely right, and I really enjoyed this read!

I read the audiobook, and, if it’s available, I highly recommend checking that version of the book out. The narrator has a Scottish accent that does wonders to really bring Eleanor to life and ground the book in its setting. And as Eleanor is such a unique character, the narrator’s voice helped humanize some of her more odd antics and perspectives.

Like Kate mentioned, one of the most impressive things about this book was the balance the author was able to strike between humorous moments (think “Bridget Jones’s Diary”) and some really tough, grim topics. I was not at all prepared for how dark this book really got at times. But that said, when I closed the story, it left a hopeful, fun aftertaste, even more surprising considering some of these topics. I also really liked the exploration of mental health and therapy. Most books that deal with therapy have it happen off-page or don’t really go into how it really works for the character. Here, we get a very good look at an excellent therapeutic setting and outcome.

The book was also peopled with excellent characters. Eleanor herself is unlike any character I’ve ever read, and she makes a few friends along the way who stand out as well. I was also pleased that the story didn’t take a few of the more predictable turns, and on top of that, there are a number of fairly major surprises (or less surprising for some, our book club was a bit half/half on who predicted what).

Kate’s Rating 7: A nice story that balances a tragic foundation with humor and heart.

Serena’s Rating 9: I really liked this book! It was surprising in many ways and addressed some important topics without being overwhelmed with a grim tone.

Book Club Questions

  1. What did you make of Eleanor in the beginning of the book? How (or did) your opinion of her change as the story went along?
  2. This book tackles some dark subjects. How do you think it handled these?
  3. What did you make of Eleanor’s relationship with Raymond? Where do you think it will go in the future?
  4. There are some surprises towards the final third of the story? Were you able to predict any of them? What clues were given early on that pointed to these outcomes?
  5. Many people around Eleanor shaped her journey through this book. Which ones stood out to you and why?

Reader’s Advisory:

“Eleanor Oliphant is Completely Fine” is on these Goodreads lists: 2017 Librarian Recommended Books and Best Up Lit (uplifting reads).

Find “Eleanor Oliphant is Completely Fine” at the library using WorldCat or at a local independent bookstore using IndieBound!

Next Book Club Book: “Take A Hint, Dani Brown” by Talia Hibbert

Serena’s Review: “Silence in the Library”

Book: “Silence in the Library” by Katharine Schellman

Publishing Info: Crooked Lane Books, July 2021

Where Did I Get this Book: audiobook from the library

Book Description: Regency widow Lily Adler has finally settled into her new London life when her semi-estranged father arrives unexpectedly, intending to stay with her while he recovers from an illness. Hounded by his disapproval, Lily is drawn into spending time with Lady Wyatt, the new wife of an old family friend. Lily barely knows Lady Wyatt. But she and her husband, Sir Charles, seem as happy as any newly married couple until the morning Lily arrives to find the house in an uproar and Sir Charles dead.

All signs indicate that he tripped and struck his head late at night. But when Bow Street constable Simon Page is called to the scene, he suspects foul play. And it isn’t long before Lily stumbles on evidence that Sir Charles was, indeed, murdered.

Mr. Page was there when Lily caught her first murderer, and he trusts her insight into the world of London’s upper class. With the help of Captain Jack Hartley, they piece together the reasons that Sir Charles’s family might have wanted him dead. But anyone who might have profited from the old man’s death seems to have an alibi… until Lily receives a mysterious summons to speak with one of the Wyatts’ maids, only to find the young woman dead when she arrives.

Mr. Page believes the surviving family members are hiding the key to the death of both Sir Charles and the maid. To uncover the truth, Lily must convince the father who doesn’t trust or respect her to help catch his friend’s killer before anyone else in the Wyatt household dies.

Previously Reviewed: “The Body in the Garden”

Review: Somehow I missed this coming out way back in July! This just goes to show how out of control my TBR list is, since I had been eagerly awaiting a new installment in this series almost since the moment that I finished the last page of the first book. “The Body in the Garden” was such a supreme pleasure to read and a great discovery that my expectations were quite high for this next book. Luckily, those expectations were met in every way!

Fairly recently I found myself complaining about the lack of information given in a book description, but here we have the opposite case! This intro spoils events that don’t happen until almost halfway through the book! I couldn’t believe it (though, luckily, I didn’t read this description until after reading the book, so I wasn’t actually spoiled, but only through sheer laziness on my part). Given how much information (for better or worse) is laid out in the official book description, I won’t waste anyone’s time re-reading my attempts at a summary here.

I was so excited when I saw that this book was out already and that my library had a readily available audiobook copy! I had read the first book as an ebook, but I really enjoyed the story through this medium and the narrator was excellent.

The mystery was another great one. I had a few theories early on, but only one of those turned out to be right, with many more surprises and reveals along the way. It was a clever murder with only a small cast of characters up for suspicion, all of whom had both motives for conducting the murder as well as strong evidence pointing towards their innocence. I also really enjoyed the way the mystery was wrapped up, with cleverness behind both putting the clues together and catching the murderer themselves.

We had two angles on the mystery, as well. One, of course, was our heroine Lily Adler. Alongside her burgeoning mystery-solving career, here, we see her begin to further emerge from her shell of mourning. Rightly, a number of potential love interests and suitors begin to circle, and I enjoyed the exploration of the complicated feelings this new return to non-mourning brought to Lily. Overall, the series has been such an excellent examination of grief and the long journey the loved ones left behind must travel. We also see more adventures from Lily with her taking things into her own hands and putting herself in situations that are unusual for a woman of her station and life. At the same time, all of these choices were still restrained enough to be believable, with the author neatly side-stepping the too-often anachronistic “strong woman” tropes that can pop up when trying to write this sort of character.

We also got to see a few chapters from the perspective of Simon Page, the constable in charge of solving the murder. It was lovely to see him much more respectful and appreciate of Lily, and I really enjoyed seeing his unique take on the murder, as well as the detective work that only he could complete. He was rather unlikable in the first book, but I really enjoyed what we got from him here.

We also had a return of several familiar faces, as well as an introduction of new characters. Lily’s father was all the villain the summary makes him out to be. If anything, he was much, much worse than the typical “disapproving parental figure” that one sees in these stories. I also liked the addition of a young boy who was growing up with autism (or something like this, obviously it was unnamed at the time.) With additions like this, the series continues to do its excellent work at highlighting how you can write a historical novel while also including a diverse cast of characters. It’s very well done.

This was another stand-out mystery novel, and this next go around, I WILL NOT miss the publication date of the next story. Fans of the first book and fans of general historical fiction mysteries are sure to enjoy it.

Rating 9: Excellent all around, a great mystery paired with a diverse cast of characters.

Reader’s Advisory:

“Silence in the Library” is on these Goodreads lists: Cozy Mystery/Romance/History and Books with Library in the Title.

Find “Silence in the Library” at your library using WorldCat or at a local independent bookstore using IndieBound!

Kate’s Review: “A History of Wild Places”

Book: “A History of Wild Places” by Shea Ernshaw

Publishing Info: Atria Books, December 2021

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: Travis Wren has an unusual talent for locating missing people. Hired by families as a last resort, he requires only a single object to find the person who has vanished. When he takes on the case of Maggie St. James—a well-known author of dark, macabre children’s books—he’s led to a place many believed to be only a legend.

Called Pastoral, this reclusive community was founded in the 1970s by like-minded people searching for a simpler way of life. By all accounts, the commune shouldn’t exist anymore and soon after Travis stumbles upon it… he disappears. Just like Maggie St. James.

Years later, Theo, a lifelong member of Pastoral, discovers Travis’s abandoned truck beyond the border of the community. No one is allowed in or out, not when there’s a risk of bringing a disease—rot—into Pastoral. Unraveling the mystery of what happened reveals secrets that Theo, his wife, Calla, and her sister, Bee, keep from one another. Secrets that prove their perfect, isolated world isn’t as safe as they believed—and that darkness takes many forms.

Hauntingly beautiful, hypnotic, and bewitching, A History of Wild Places is a story about fairy tales, our fear of the dark, and losing yourself within the wilderness of your mind.

Review: Thank you to NetGalley for sending me an eARC of this novel!

I read the book “The Wicked Deep” by Shea Ernshaw, and while I thought that a story of three witch sisters who were executed and now have a curse upon the town that wronged them would be my jam, I didn’t really care for it. I didn’t really think about it again, but when I saw the description for “A History of Dark Places”, her adult fiction debut, I was incredibly intrigued by the premise of missing people and a possible forest cult. And boy am I glad I picked this up, because this? This WAS my jam!

“A History of Wild Places” pulled the wool over my eyes and totally tricked me. And I went into it sniffing out the twist and the surprises, which I know probably isn’t the BEST way to go into a novel with twists, but hey, it still managed to take me by surprise. So kudos! Ernshaw balances an elephant in the room mystery with another, incredibly intense mystery, and manages to interconnect them in ways that felt satisfying and that pay off. The first mystery is what happened to missing novelist Maggie St. Clair, as well as the man looking for her Travis Wren. The second mystery has to do with the town that St. Clair and Wren found themselves within, an isolated wilderness commune called Pastoral, as some years after their disappearances, the villagers are cut off from the world due to a plague… or is it? In that storyline we follow the perspectives of married couple Theo and Calla, and Calla’s blind sister Bee, who is in love with Levi, the leader of Pastoral. The comparisons to “The Village” are well earned on many levels, but I felt like this book did a good job of actually pulling off what “The Village” was trying to do. I mean, I knew that something was off, and as Theo, Calla, and Bee all got closer and closer to the secrets of Pastoral, the secrets of evidence of Maggie’s and Travis’s presence, and the secrets that they keep from each other as well, the intensity goes higher and higher until it’s completely through the roof. I found myself charging through a good chunk of the book in one sitting because I needed to know what was going to happen, and if my predictions were right. Side note: they rarely were. Ernshaw pulled almost all of her twists off, and they all felt earned.

I also liked all of the characters. Theo, Calla, and Bee are all well thought out and seeing all of them start to question Pastoral, and start to unlock mysteries and memories, was deeply satisfying. I think that Bee was probably my favorite, as she is intrepid, incredibly caring, and a little bit psychic (a trait that she shares with Travis; this wasn’t really explored as much as it could have been, however, and that’s one of the few qualms I had with this book). As he deeply in love with Pastoral leader Levi, but after Levi makes a decision that supposedly keeps the community safe at the expense of the life of one community member, she starts to question everything about the town, and Levi himself. Ernshaw writes a woman who is devoted to her sister and her community, and whose love for a man is starting to crack apart as she begins to realize that he may not be what he seems to be. It’s a woman who is realizing that she is in a cult, and it’s heartbreaking and a little bit scary, as it becomes clear that she is very possibly in serious danger.

“A History of Wild Places” also has a very dreamy quality to it that makes it feel like a dark fairy tale as much as a bone chilling thriller. We have people who have walked into the woods and seemingly disappeared, we have people with the power of visions and deep empathy, and we have a dark and disturbing wood both in an overlapping narrative of Maggie St. Clair’s “Eloise” books (which we get excerpts from here an there), and in the forest surrounding Pastoral that may contain a deadly disease for those who try and cross its borders. A strange and eerie presence is on the pages of this book, and it worked so well for me that I closed the book and let out a long sigh when I was done. It is such a satisfying tone to go with a creepy cult story with a hint of missing person mystery, and it combines to make something so unique and enjoyable.

“A History of Wild Places” is a great dark fairy tale of a thriller. I’m so glad I decided to try out Ernshaw again, because this one worked SO well for me. It’s a wonderful read for a cold winter’s night.

Rating 9: Strange and dreamy, but unsettling and tense, “A History of Wild Places” is a surprising thriller that kept me guessing.

Reader’s Advisory:

“A History of Wild Places” is included on the Goodreads lists “Cults and Communes in Fiction”, and “2021 Horror Novels Written by Women (Cis and Trans) and Non-Binary Femmes”.

Find “A History of Wild Places” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Serena’s Review: “All of Us Villains”

Book: “All of Us Villains” by Amanda Foody and Chrstine Lynn Herman

Publishing Info: Tor Teen, November 2021

Where Did I Get this Book: NetGalley

Book Description: The Blood Moon rises. The Blood Veil falls. The Tournament begins.

Every generation, at the coming of the Blood Moon, seven families in the remote city of Ilvernath each name a champion to compete in a tournament to the death.

The prize? Exclusive control over a secret wellspring of high magick, the most powerful resource in the world–one thought long depleted.

This year, thanks to a salacious tell-all book, the seven champions are thrust into worldwide spotlight, granting each of them new information, new means to win, and most importantly: a choice – accept their fate or rewrite their story.

But this is a story that must be penned in blood.

Review: I was late to the game requesting this book. For some reason I wasn’t feeling the cover. That, plus the title. In theory, the title should be good, but I’ve been burned too many times by these morally grey protagonists books where I go in expecting villainous characters and all I get are totally-justified-in-their-actions heroes. And, while this book did largely turn out to be that, I think the fact that I was resigned to that from the start helped. Plus, it was just super well-written and enjoyable!

The world is full of magic but its sources of high magic have all been tapped and drawn by their respective nations. All but one, a secret source that has been passed down to various families for generations. However, for the privilege of wielding this powerful supply, the families must all sacrifice a son or daughter to a battle royale where the only survivor wins access for their family for the next twenty years. But for the first time, this secretive competition has become known to the world and this year’s contestants face a level of scrutiny and pressure that none have known before. With all eyes on them, who will survive?

I really enjoyed this book! Like I said, I really wasn’t sure that I would when I started out. But, it turns out, after more than a decade, I was more than ready for a new “Hunger Games” style story! And really, that’s what this is. There are even powerful objects that drop periodically from the sky that help the contestants. That said, the rest of the set-up is incredibly unique and well thought out. The magic itself, created and directed through the use of spell-rings. The history of the various families who participate in this competition. The effect of the sudden revelation of a new source of high magic to a world that had thought it all run out. Very compelling stuff.

And, on top of all of that, all of the POV characters were interesting and unique. I’m a tough sell on multiple POV stories, as has been well-documented on this blog. All too often, they either all blend together with voices that sound all too similar, or there are one or two particularly strong characters who take over the story, leaving the remaining characters feeling bland in comparison. Here, however, I was equally intrigued by all four main characters. I may have still had a preferences, but I was never disappointed to start a new character’s chapter.

Each of the four had such distinct, personal arcs that had been so well laid out at the start of the book that I was equally invested in each of their stories. We have Briony, the girl who has prepared her entire life for this moment, but when it comes, discovers that her goals may have changed. Isobel, the young woman who has become the face of the competition to the public but whose struggles with her family and her magic leave her on the back foot when the competition begins. Gavin, the young man from a family who has never won and whom no one expects anything from but who push himself beyond the limits of magic to do what he must to survive. And Alistair, the young man from the family most known for its wins and for its villainy. Each were so, so interesting and had stories that seemed to naturally weave in and out of one another’s.

The story was also appropriately dark and graphic when it needed to be. As I mentioned earlier, none of the four were as villainous as the title would imply. But they each did have their moments, and the general set-up of the competition and the world was grim and bloody. There were a number of real surprises where the book “went there” when I didn’t expect it to.

This book was an excellent surprise! I went in expecting little and came out with a front-runner for my “Top 10” list. I definitely recommend this for all fantasy lovers, especially those looking for a book with a compelling cast of characters and a darker take on magic.

Rating 9: A magical “Hunger Games” that delivers on all fronts: excellent characters, a dark world, and exciting fantasy elements.

Reader’s Advisory:

“All of Us Villains” is on these Goodreads lists: Fantasy Frenemies and If You Like ‘Squid Game,’ You Should Read….

Find “All of Us Villains” at the library or at a local independent bookstore using IndieBound!

Serena’s Review: “Miss Moriarty, I Presume?”

Book: “Miss Moriarty, I Presume?” by Sherry Thomas

Publishing Info: Berkley Books, November 2021

Where Did I Get this Book: Edelweiss+

Book Description: A most unexpected client shows up at Charlotte Holmes’s doorstep: Moriarty himself. Moriarty fears that tragedy has befallen his daughter and wants Charlotte to find out the truth.

Charlotte and Mrs. Watson travel to a remote community of occult practitioners where Moriarty’s daughter was last seen, a place full of lies and liars. Meanwhile, Charlotte’s sister Livia tries to make sense of a mysterious message from her beau Mr. Marbleton. And Charlotte’s longtime friend and ally Lord Ingram at last turns his seductive prowess on Charlotte–or is it the other way around?

But the more secrets Charlotte unravels about Miss Moriarty’s disappearance, the more she wonders why Moriarty has entrusted this delicate matter to her of all people. Is it merely to test Charlotte’s skills as an investigator, or has the man of shadows trapped her in a nest of vipers?

Previously Reviewed: “A Study in Scarlet Women” and “A Conspiracy in Belgravia” and “The Hollow of Fear” and “The Art of Theft” and “Murder on Cold Street”

Review: I was extra excited for this book (beyond my typical excitement for any book by Sherry Thomas) when I saw the title. Moriarty has been a player in most all of the books so far, but he’s always been in the background. “The Art of Theft” was the closet we got, and we still never actually saw the character on the page. But with a Moriarty, if not the Moriarty referenced in the title, we had to finally see the character, now right?

Charlotte and her friends have known that Moriarty’s attention has been turning towards them for some time. What she didn’t expect was for Moriarty himself to turn up on her doorstep, ostensibly to hire her for a job of his own. But Charlotte suspects that Moriarty is rarely the type of man to not attempt to kill (perhaps quite literally) two birds with one stone. So when she and Mrs. Watson head out to locate Moriarty’s wayward daughter, she’s on alert for signs of other purposes. She soon discovers that the apple does not fall far from the tree, and the disappeared Miss Moriarty seems to have had as many secrets and alternative motives as her dangerous sire. With potentially two Moriarties on the board, will Charlotte be up to the task of outmaneuvering them all?

I think it’s rather unfortunate that the book description itself confirms that Moriarty is, indeed, in this book. He shows up early enough (quite, quite early in fact) that it’s not a drawn out wait for the reader wondering when he’ll arrive. And even then, it’s still thrilling seeing Thomas’s rendering of this classic villain. I probably shouldn’t be surprised by this fact. One of the things that has most stood-out in this version of Sherlock Holmes is the creativity Thomas has had with re-imagining these characters. They are all very unique from the originals, and yet there are just enough tidbits included to make them instantly recognizable. It’s not just gender-swapping, the most simple of changes. Moriarty, too, gets this treatment. Here, his abilities are more differentiated from Charlotte’s. It’s clear that he is also a mastermind, but his particular skills are different than hers. Her ability to observe and reason are without comparison, even to Moriarty. For his part, he has a magnetic presence that he wields like a scalpel. Even Charlotte feels the threat of it. It was such a clever twist on the character, giving him a coiled, snake-like feeling and allowing the threat he poses to seep out of the pages.

I also really enjoyed this mystery on its own. It’s always nice when our group has to travel outside of London and into new settings. The remote community they travel to is filled with interesting (and suspicious) characters. And the setting itself, with its imposing walls and buildings filled with occult imagery were perfect landscapes for our heroes to travel through. With so many new characters and moving parts, it was difficult to grasp all of the mysteries at hand. I was able to figure out one of the central secrets, which has been a rare thing for me with this series, as I’m mostly completely in the dark still by the time we get to the reveals. But there were still a number of plots and twists that I didn’t fully untangle myself and were exciting to see come to fruition.

The over-arching problem I’ve had with this series has sometimes been the lack of use for all of its character. They tend to move forward and backward in prominence as the story requires, something that largely works. However, Livia is one of the constants as a POV character, and I do think she would be better served to move forward and backward like the other more secondary characters. Often, her plots have been the ones I struggle with, and here, too, that was my one hold-up in not completely enjoying this story. Her storyline seemed to exist almost solely disconnected from the rest of the action, and I always found myself becoming impatient with her sections. Part of me simply struggles to become truly attached to this character, for whatever reason. .

But that said, I still feel like this was one of the strongest outings in the series yet. Obviously, finally seeing Moriarty in person was a huge step. And the book also takes a few massive swerves that will have a lasting impact on any books in the future. Fans of this series are sure to enjoy this one and shouldn’t hesitate to pick it up!

Rating 9: Our classic villain finally arrives and with him a game-changer of a story!

Reader’s Advisory:

“Miss Moriarty, I Presume?” is on these Goodreads lists: Victorian Lady Detectives and Asian Authored Books in 2021.

Find “Miss Moriarty, I Presume?” at the library using WorldCat, or at a local independent bookstore using IndieBound!

Serena’s Review: “Murder on Black Swan Lane”

This post may contain affiliate links for books we recommend.  Read the full disclosure here.

Book: “Murder on Black Swan Lane” by Andrea Penrose

Publishing Info: Kensington Books, June 2017

Where Did I Get this Book: audiobook from the library!

Where Can You Get this Book: Amazon | IndieBound | WorldCat

Book Description: In Regency London, an unconventional scientist and a fearless female artist form an unlikely alliance to expose unspeakable evil . . .

The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. He does not suffer fools gladly. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London’s most popular satirical cartoonist, A.J. Quill, skewers them both. But then the clergyman is found slain in a church—his face burned by chemicals, his throat slashed ear to ear—and Wrexford finds himself the chief suspect.

Review: I’m not quite sure how I missed this series when it started up a few years ago. It’s quite obviously up my alley: historical mysteries featuring a man and woman duo. It’s to the point where I almost feel guilty about how specific my reading tastes are for both historical fiction and mysteries. But I finally tracked it down and received my audiobook from the library. Bonus points for being narrated by one of my faves!

The Earl of Wrexford and A.J. Quill operate in very different circles. Their paths only seem to intersect when Wrexford becomes the unwilling star of Quill’s satirical cartoons. But when the feud between Wrexford and a priest that Quill had so delightfully been illustrating goes south with the priest dead and Wrexford suspected, their paths cross in real life. Both are not what the other had thought, with Wrexford hiding a true scientific mind behind his rakish outward persona and Quill turning out to be not a man, but a widow who has her fingertips on the pulse of the city. As they begin investigating the priest’s death, more mysteries begin to appear and the perpetrator may be closer than either had suspected.

Recently, most of the historical mystery pair-ups I’ve read have a distinct “comfort mystery” vibe to them. Both the Amelia Peabody series as well as the Veronica Speedwell are very light-hearted, with equal attention given to the romance and comedy of the story as the mystery itself. So I was excited to see that this was a more serious mystery series. The murder itself is violent, the motives for the various players are appropriately dastardly, and the story doesn’t shy away from the very real challenges of life in this time period.

Mrs. Sloane, of course, most represents this aspect of the story. A widow making a living for herself as a satirical cartoonist, you can feel the way her livelihood balances on the edge of the knife. But her two young wards, a pair of brothers who have grown up on the streets, paint an even more stark picture. At every turn, we see Mrs. Sloane’s desperate attempts to carve out a place for herself and these two boys, both representing groups that society neglects and forgets. She is an excellent character, and I love the fact that there were a number of mysteries about her past and character that were not fully resolved even here. We have enough to paint a general picture and become attached to the character, but enough teases are left to have me eager to pick up the next entry.

For his part, Wrexford is the more typical rich, snarky, seemingly care-free aristocrat. But as the story progressed, he, too, began to reveal new layers. There are fewer mysteries to be found here, but I’m equally intrigued by his ability to put together the pieces behind Mrs. Sloane’s secrets as I am about their ultimate reveals. I also liked the fact that Wrexford was a nice balance between the cluelessness that would be natural to a man in his position dealing with a woman like Mrs. Sloane, while also being progressive enough to be heroic. The balance struck between these two aspects felt believable and compelling.

I also really liked the mystery itself. There were a good number of red herrings and a lot of historical scientific elements that were all particularly interesting. The author also included a great note at the end that went into how she used these elements and which are based in fact and which had been adjusted somewhat to meet the needs of the story. The writing was also very strong and drew me immediately into the story, deftly painting scenes and grounding the world in Regency London. Fans of historical mysteries should definitely check this out, especially if you’re looking for a more serious tone than some of the cozy historical mystery series running right now.

Rating 9: A super solid start to a new historical mystery series with two compelling protagonists at its heart. Of course, I already want them to just kiss.

Reader’s Advisory:

“Murder on Black Swan Lane” is on these Goodreads lists: Regency and Victorian Mysteries and Art & Artists in Fiction.

Kate’s Review: “Cackle”

Book: “Cackle” by Rachel Harrison

Publishing Info: Berkley Books, October 2021

Where Did I Get This Book: I received an eARC from NetGalley.

Book Description: All her life, Annie has played it nice and safe. After being unceremoniously dumped by her longtime boyfriend, Annie seeks a fresh start. She accepts a teaching position that moves her from Manhattan to a small village upstate. She’s stunned by how perfect and picturesque the town is. The people are all friendly and warm. Her new apartment is dreamy too, minus the oddly persistent spider infestation.

Then Annie meets Sophie. Beautiful, charming, magnetic Sophie, who takes a special interest in Annie, who wants to be her friend. More importantly, she wants Annie to stop apologizing and start living for herself. That’s how Sophie lives. Annie can’t help but gravitate toward the self-possessed Sophie, wanting to spend more and more time with her, despite the fact that the rest of the townsfolk seem…a little afraid of her. And like, okay. There are some things. Sophie’s appearance is uncanny and ageless, her mansion in the middle of the woods feels a little unearthly, and she does seem to wield a certain power…but she couldn’t be…could she?

Review: Thank you to NetGalley for providing me with an eARC of this novel!

I used to be terrified of spiders. It was a phobia that I eventually outgrew, and now I usually do okay with arachnids (unless they are too big, as well as too big AND inside my house. Then I’m not as fine). I’ve talked about eventually getting a tarantula as a pet, though my husband has nixed that idea. So when I saw that Rachel Harrison had a new book coming out that touted not only the story of a witch, but also an adorable spider pet named Ralph, I was absolutely interested. That is “Cackle”: the story of a woman a bit lost, a witch friend, and a kind and supportive pet spider.

If I’m going to have a spider gif, it’s going to be a cute one. (source)

Is “Cackle” a terrifying follow up to the highly enjoyable “The Return”? Not really. But what it may not have in terror, it has oodles of in charm and feel good lady pal narrative. Our protagonist, Annie, has found herself newly single after he long time boyfriend Sam breaks up with her due to no more ‘spark’ in their ten year relationship. She takes a teaching job in the small town of Rowan, and immediately befriends Sophie, a charming, mysterious woman whom the rest of the town seems terrified of, or at the very least wary. Annie is a relatable (though admittedly a little sad sack-y) main character who feels lost, and Sophie is properly mysterious and perhaps a little intimidating. You blend that together and you find a story that has some familiar notes and beats of one woman helping another become self actualized, but is still framed in a novel way. After all, I can’t think of other lady friendship stories that have a jovial spider named Ralph. Yes, I’m obsessed with Ralph. I loved seeing their friendship slowly grow and blossom, and how said friendship helps Annie become a strong and confident person, even if with that confidence comes a little bit of darkness that she never anticipated (as well as questions about whether or not Sophie is dangerous… she is a witch, after all). Oh, and a spider infestation, a set of angry ghosts, and newfound powers that may be running a bit amok.

I went in expecting something a little more toxic, just because of how Harrison’s previous novel went, but “Cackle” is actually a really lovely story about two women who feel alone and isolated and then find joy in each other’s company. It just so happens that one of them is a witch. I really loved Sophie, from the way that she looked at the world to how Harrison addresses her past traumas (being a witch makes you a target, after all), to how supportive, but also lonely, she is. True, there are questions about her actual intentions and motivation, but it becomes clear that this is less a toxic friendship story, and more a woman discovering herself story. Annie is the less interesting character, but as she starts to believe in herself, she starts to take her power back. In some cases, literally. As Annie believes in herself more, partially due to Sophie’s cheerleading, she starts to develop powers of her own. And THIS is where some of the ‘horror-esque’ moments happen. There are definite gnarly moments that involve spells, bones, blood, and more, but it never feels too scary and is always rooted with a tongue firmly in cheek. True, I think that Harrison kind of leads us down a primrose path with some red herrings, but by the end I just had a smile on my face as two women go on a journey find friendship and self sufficiency in a society that has told them they have to tamp down their true selves. It’s cathartic and enjoyable.

“Cackle” isn’t the scary book I thought it would be, but it’s a good choice for a Halloween read if you want something a little spooky, but not terribly horror filled. Why not spend the Season of the Witch with Sophie?

Rating 9: A fun witchy tale about friendship, finding yourself, and the joys of spiders as pets. “Cackle” is a bit of light horror for his Halloween season!

Reader’s Advisory:

“Cackle” is included on the Goodreads list “2021 Horror Novels Written by Women (cis and trans) and Non-Binary Femmes”, and would fit in on “Witchy”.

Find “Cackle” at your library using WorldCat, or at a local independent bookstore using IndieBound!

Monthly Marillier: “Foxmask”

“Monthly Marillier” is a review series that is, essentially, an excuse for me to go back and re-read one of my favorite author’s back catalog. Ever since I first discovered her work over fifteen years ago, Juliet Marillier has been one of my favorite authors. Her stories are the perfect mixture of so many things I love: strong heroines, beautiful romances, fairytale-like magic, and whimsical writing. Even better, Marillier is a prolific author and has regularly put out new books almost once a year since I began following her. I own almost all of them, and most of those I’ve read several times. Tor began re-releasing her original Sevenwaters trilogy, so that’s all the excuse I needed to begin a new series in which I indulge myself in a massive re-read of her books. I’ll be posting a new entry in this series on the first Friday of every month.

Book: “Foxmask” by Juliet Marillier

Publishing Info: Tor Fantasy, November 2005

Where Did I Get this Book: own it!

Book Description: The Norseman Eyvind, a fierce and loyal Wolfskin, came to a new land on top of the world to find his destiny. With his priestess bride Nessa he saved the land and weathered the treachery that was caused by Eyvind’s blood-sworn friend Somerled. After much pain and sorrow the two lovers have managed to create a society where the Norse warriors and the gentle folks of the Orkney Isles live and thrive in contentment at last. A decade and more has passed since the devastating events of the creation of the settlement and Eyvind and Nessa have watched their children grow and thrive in peace.

But not all on the islands are content or at peace. Thorvald, the young son of Margaret, widow of the slain king and Eyvind’s war leader, has always felt apart and at odds with all he knows. He learns upon his coming to manhood that he is not his father’s son but that of the love that Margaret bore for the hated Somerled and that Somerled was not killed for his treachery but sent on a boat, adrift with little more than a knife and skein of water, doomed to the god’s will. Thorvald is determined to find a boat and cast off to the West in a desperate bid to find a father he never knew…and to find out if he is made of the same stuff as the henious traitor.

The tragedy of this scheme would be horrific enough…if it were not for the fact that Creidhe, the winsome daughter of Eyvind and Nessa has loved Thorvald since birth and unbeknownst to him conspires to go along on this most perilous of quests.

What happens to them on their journey of discovery will ultimately change the lives of all they know and love…and will doom (or redeem) an entire people.

Review: It seems that I have distinct favorites and less-preferred books in all of Marillier’s duologies and trilogies. There’s no rhyme and reason to it either. Sometimes the first book is my favorite (“Wildwood Dancing”), sometimes the second (“Son of Shadows”), and sometimes even the third (“Flame of Sevenwaters.) So, too, I much prefer “Foxmask” to “Wolfskin.” I hadn’t even re-read “Wolfskin” until I read it again for this series. This book, on the other hand, is quite worn down from multiple re-reads.

A new generation has been born, and life is quiet, homely and comfortable for Creidhe, the daughter of Nessa and Eyvind. Thorvald, the secret son of the banished Somerland, is less content. When he sets out on a perilous journey to discover the truth of his heritage, Nessa secretly joins him, convinced that her dear friend and secret love will need her help. What they discover will change the course of not only their own futures, but that of so many more. In islands shrouded in clouds and mystery, will they discover the truth before it is too late?

I do love this book, and I will freely admit that’s mostly because of how much I love the romance at the heart of the story. Sadly, that doesn’t show up until about halfway through the book, but in the end, it’s well worth the wait. I’ll also admit to the fact that many of my re-reads involve me skipping right to this halfway point. That being the case, it was great to approach this re-read from the beginning of the book. I forgot just how much quality character work goes into the first half of the story and into slowly building up the mysteries and moral challenges that will later pay off in the end of the book.

Creidhe is your fairly typical Marillier heroine: quiet, loves the home and family, but filled with an iron will and inner strength. Luckily, she’s not a healer or a seer, two of the types of characters we’re most likely to see from this author. Instead, she’s a skilled weaver and creates a majestic embroidered tapestry that details her life. As a embroiderer myself, I’ve always love this trait about this character. It’s a really interesting look at this form of art as a storytelling mechanism.

This book is also unique for just how much I dislike Thorvald, the other POV character. Usually when Marillier uses multiple POVs I do end up having a favorite. But that’s just a preference between two character who are each fine on their own. Here? I pretty much spend most of the book wanting to punch Thorvald in his self-centered, whiny face. I even want to punch Creidhe at times for tolerating the amount of nonsense she does from him. There are a few moments in the book where Creidhe and their friend Sam both tear into Thorvald and, while I skip large chunks of his chapters in my casual re-reads, I always read these scenes for the pure joy of watching him get taken to task for being such a jerk. I will give credit to Marillier, though, for writing such a unique character. Very rarely does she write POV character who are anywhere near as flawed as Thorvald is. His journey is interesting enough, but you do have to tolerate a lot from him to get to the eventual pay-off.

I really, really liked the magical elements in this story. There were a good number of twists and turns that were both unexpected and heart breaking. Again and again are heroes must face impossible choices where it seems no one will win, but, in true Marillier fashion, everything is resolved by the end. I don’t want to spoil it by talking about certain characters, but the love interest is probably one of my favorites in all of Marillier’s work. And there are a few other characters that show up later who I also really, really enjoyed.

This is an excellent example of Marillier at her best. Both Creidhe and Thorvald read as very distinct characters from one another, their voices and perspectives so different throughout the story. Her lyrical style of writing perfectly fits the mysterious and magical locations that make up the landscape of the story. And, of course, the romance is beautiful, tragic, and heart-warming.

Rating 9: One of my favorites for sure, perfectly combining many of the elements I most love about Marillier’s work.

Reader’s Advisory:

“Foxmask” is on these Goodreads lists: Best Paranormal & Fantasy Romances and Best Romance in Traditional Fantasy.

Find “Foxmask” at your library using WorldCat or at a local independent bookstore using IndieBound!